Incredibly nostalgic album. I remember Dad playing this as a kid. It’s dynamic and varied, with tunes for every emotion. Not a lot of thematic through-lines here, as far as I can tell.

This is a whimsical Christmas record featuring mostly standard & inoffensive covers. However, Sleigh Ride wormed its way into my brain as a high schooler in band and this classic version of it sparks very little joy at this point. The last track features a corny spiel by Phil Spector that destroys Silent Night and is something I hate. Christmas (Baby Please Come Home) is a standout.

As smooth as it is infectious as it is energetic. This record is unbelievably good!

Sarcastic & musically dynamic. I wasn’t expecting this record to be as annoying as it becomes though, but at least it’s whimsical about it. Standout track is: “Last of the Steam-Powered Trains”.

I listened to a lot of this but not the entirety. It’s almost impossible to rank as an album. Ella doesn’t miss though, so it deserves a four.

Funky fresh is the only way to describe it. Reminds me of A’s games. Middle of the record wears a little thin.

Found this one on YouTube. When it hits, it hits hard! Bells, synths, and funky bass lines. This was my second Funkadelic album after Maggot Brain, and I enjoyed it more. I can think of a million r&b cuts that owe their life to this album, at least spiritually.

This was an extremely frustrating album to listen to. The songwriting at times is so infectious as to be unbelievable, only for the song to transition wildly into something incoherent, and then again to a third thing. I don’t pick up on the through line here. Stand out track is Mr. Blue Sky, obviously.

Solid & sonically consistent. Pretty hard for 1971. The novelty doesn’t land for me though because of how influential the who are. I dont love Daltrey’s voice, which knocks it down a peg.

Sweet, sensual & melodic. Unlike my father I appreciate Frank’s falsetto. A very nostalgic album for me.

Lots of Beatles & Pschedelic influence. The problem is the Who just…don’t do it as well. This album is a bit disjointed and far less epic than Who’s Next. Standout track is “Odorono”.

Groundbreaking album art over a strong group of only somewhat derivative songs. Elvis’ voice sounds perfect on the more country-twinged rockabilly stuff. He should have always gone the Country route. Standout tracks are “Trying to Get to You” and “I’m Counting on You”.

Beautiful guitar work and some nice strings. Solid Morrissey vocals. This album has a dark tone and isn’t something I’d often return to because it makes my heart hurt. Stand out tracks are “Late Night, Maudlin Street” and “Everyday is like Sunday”.

I moderately disliked this. The bass work is nice obviously, and the band is tight, but the vocals are grating to me like in a lot of classic rock, and it evoked literally no emotion in me.

Dreamy, smooth AND chunky. I love pretty much everything ever played by a jam band and this is no exception. Standout track is “Ripple”.

Diverse, catchy, and jazzy. I appreciate the fuzzy vocals, tight drumming, and long guitar solos. Standout song is “Marquee moon”. This song rips. Also “prove it”

American “British Invasion” rock mixed with some classic American folk sensibilities. I think it’s a nice, but doesn’t evoke much in me.

Classic Rock of the type I don’t typically love, but there were some surprises here and it’s a decent album. The little bits of sax in “Brown Sugar” are nice and the lengthy guitar solos throughout are appreciated. Mick Jagger is seriously a bad singer and is absolutely brutal on “Dead Flowers”. Standout track is “Wild Horses”.

Obviously an influential record, but one I find relatively boring. Pretty dynamic beats but pretty standard flows (to modern ears uneducated in hip hop at least).

Perfect encapsulation of early aughts atomization & disillusionment. Somewhat translatable to the current political environment. Ended Neoconservatism. Stand Out attacks are “Holiday” and “Give Me Novacaine”.

This album is far more epic than I thought. The vocals are impeccable, the piano is notable throughout and the whole thing is very campy and musical theatrical. The standout tracks are “I’ve Seen That Movie Too” and “Saturday Night’s Alright for Fighting”.

No thank you! I despise Radiohead. Thom Yorke’s voice is weak, metallic, formless, and grating and ruins whatever interesting musical flourishes or polyrhythms there are. Nice bass playing throughout though. The standout track is “Optimistic”, I guess.

This is a sweet album. Good, but not perfect. Beautiful & impeccable Paul Simon vocals. Standard folk instrumentation. I’m thrown off by the insertion of a live track in the midst of all the other studio versions. Stand out tracks are “The Boxer” and “The Only Living Biy in New York”.

Warm, fuzzy, and oh so jazzy. Great sax & trumpet licks throughout. Gasser made us listen to this one back in the day. Almost perfect or actually perfect.

This album is almost operatic in a certain way. I like the vibe and the story tellling where it exists, but Billy Corgan’s voice literally ruins the entire thing for me though. It’s metallic and whiny. Standout tracks are “1979” and “Zero”.

I’m not convinced that this album isn’t a prank. It really sounds like prince just went wild over bop-it samples. I’m sure this was innovative in its day, but I can’t take it seriously.

Confirms my suspicion that the Stones are actually at their best when not playing rock music. I like the bluesy and country vibes on this album. Standout track is “Sweet Virginia”

This hits hard. I’ve never really listened to Steve Earle but I love his classic voice and the modern country instrumentation.

WOW. It was hard to find this album, but YouTube came in clutch. I absolutely love it. An hour of rage, driving bass, and hard hitting percussion. Took years off my life in a good way.

Stan Getz is my all-around favorite saxophonist and this album is superb, though I actually prefer his earlier non-bossy nova work. This is vivacious and danceable.

Very creative & energetic, but feels disjointed. I don’t love the musical palette.

Bright & Well-textured. Great guitar solos and Robert Plant vocals, as always. Standout tracks are “Since I’ve Been Loving You and “Hats off To (Roy) Harper”

Doesn’t feel inspired to me. Evoked nothing. It’s the type of classic rock I dislike amped up.

Respectable considering how much I dislike pano ballads in general. Very tender & emotional lyricism. Don’t love the vibratto in the vocals. Standout track is: “My Lady Story”

Pretty lovely. Buddy Holly’s voice is very boyish and somehow holds up seventy years later. Had only ever listened to That’ll Be The Day but there are better tracks on here. Standout tracks are: “Maybe Baby” and “Last Night”.

This was quite surprising! Having not listened to much Springsteen, this was far more introspective and sensitive than the machismo I expected. Strangely lots of law enforcement content. I appreciate the blue-sky harmonica and stripped down guitar. Standout track is: “State Troooper”

Both funky & silky smooth. I particularly love the piano ballads like “They Won’t Go When I Go” and “Too Shy to Say”. I could see Elton singing these. I didnt really know Stevie Wonder had this side to him.

I like the otherworldly aesthetics and it certainly sounds like it too. Great fat bass tone & soulful vocals. Standout track is: “Handcuffs”

Wow. This album is pure joy. I’d never listened to Dexy’s apart from Come on Eileen. They call it pop rock, but it really is just the perfect ska record. Melodic & upbeat with some unexpected vocal samples and spoken word. Will be on repeat forever.

I abhors Snoop’s voice and no sick beat can overcome it. Absolutely terrible.

Noisy Brit pop. Occasionally nice, but occasionally harshes my mellow. I don’t find the melodies particularly catchy here & I dislike the palette overall. Standout track is: “Time”

Great “Age of Aquarius” vibes from this record. Haunting vocals and cool guitar work. Could use a bit more sitar. Standout track are: “Somebody to Love” and “3/5 of a mile in Ten Seconds”.

Amazing live album! I normally don’t love live performances because of the awkward breaks and crowd noise, but this is a tasteful recording. Great set of classic blues tunes. No real complaints. Standout track is “I’ve Got my Mojo Working”.

Incredibly nostalgic album. I remember Dad playing this as a kid. It’s dynamic and varied, with tunes for every emotion. Not a lot of thematic through-lines here, as far as I can tell.

Too melodramatic and overwrought, ultimately. There are good songs here, but the palette wears on me in totality. Standout track is: “(Antichrist Television Blues)” which could honestly be a Springsteen track. It’s wild.

This album is iconic. Catchy & danceable. Obviously eternally inspirational to Britpop. Standout tracks are “London Loves” and “”Girls & Boys”.

Didn’t love it though I appreciate the lyricism. I find Bowie’s voice to be inhuman ,in a bad way. He’s obviously a genius but I can’t get on board. Standout tracks are “Changes” and “Song for Bob Dylan”.

Sleepy & tiresome. The part of the palette of the 1970s that I despise.

Listened to this twice while driving back from LA. Astounding live performance (maybe the best I’ve ever heard. Unbelievably dynamic & vivacious. No critiques from me. Couldn’t even fathom one.

Expected a straight forward r&b album but I was surprised by the electronic components. Her voice is sweet and this was pretty nice overall. Standout track is: “Jupiter”

Contains all my favorite Temptations tracks, so it has to be my favorite of theirs. The definition of soulful. Dennis Edward’s voice rocks. Standout track is: “Don’t Let Him Take Your Loge From Me”

I think Neil’s voice is a little hard to listen to, but I appreciate the dynamism here. Good mix of sentiments here, with great near-ballads and decent bluesy rock tunes. Stand out track is: “New Mama”

Sounds like it belongs in a high school gymnasium to me. Slightly screechy. Decent guitar work though. Standout track is: “My Girl”

Truly heavenly harmonies. I do wish I could easily differentiate their vocals (besides those of Young). One of the better folk albums I’ve heard from this time period. Standout track is: “Woodstock”

Glitzy, glamorous, and relatively boring to me. I don’t like early aughts R&B too much with the exception of D’Angelo. Standout track is: “Gospel Melody”

All time classic. I’m a sucker for country/folk with female vocals, and this checks all the boxes. Amazing singing. Guitar playing that borders on late-90s Midwest emo. Every song is a stand out.

Gene’s voice is so sweet and this album is a lozenge for a sore throat. Though it gets a bit sleepy in the middle, it ends as strongly as it begins. Standout tracks are: “With Tomorrow” and “Ship of the Lord”

I can’t abide by that which is clearly inspired by Radiohead. Weak, wavering vocals, anxiety-inducing instrumentation, and an overall terrible time.

This album sounds like it’s the product of a covert CIA operation to drug the water supply. I don’t understand it. Had to be there, I guess. It’s very unstructured & loose and not that great. Standout track is “This Will Be Our Year”

An objectively hilarious record. Down home vibes and standard country instrumentation. It’s okay.

Enjoyed this much more than “Who’s Next”, despite being less refined. Cool vocal harmonization and a more psychedelic experience. I was blown away by “1921” and is the standout track here by far.

Chill and laid back, with some plunky bass and tasteful sax. Pleasant all the way through. Standout track is “A Funky Space Reincarnation”

This record is thoroughly cool & impressive. I appreciate the murkier, bluesier surf rock sound with a little sprinkling of Charles Manson. Very re-listenable. Standout tracks are “Dreamer”, the title track, and “You and I” Standout

This was a fun mix of the tasteful palette of the 1970s and some old school rock and roll from twenty years prior. I enjoyed it thoroughly. Standout track are: “Run Through the Jungle” and “Grapevine”

Bluesy and fairly catchy. Some excellent guitar solos. Jim Morrison sounds like a pirate which is funny if nothing else. Standout track is: “Been Down So Long” and “Hyacinth House”

I’m mixed on this one. It’s energetic and impactful, but I find the vocals to be generally too shrill. There is some sweet shredding as well. I laughed when the third track turned out to essentially be an Elton John song. Standout tracks are: “Laguna Sunrise” and “Wheels of Confusion”

Can’t believe this amount of soul came from a Slav. It’s quite nice and very danceable, even if Latin and acid jazz aren’t my favorite sub genres.

Hell of a set of pipes. I just don’t enjoy a lot of the textures/instrumentation. Everything is so stripped down. Standout track is: “I Feel the Earth Move”

Anything prior to the Sixties on this list is pretty much up my alley. This one too. I can just barely imagine it sounding fresh. Great vocal performances on every song, even if other aspects of the songwriting seem super contrived. I’m sure that’s the Seinfeld effect.

Ok, this is so melodramatic it’s hilarious. I can’t take this seriously. Maybe I could have if I were a tween girl, but even then…

For as good as “Two Weeks” is, this album is shockingly incoherent. Mumbly nonsense.

Well here’s an album I’ve played (at least partly). My first show in marching band was Jethro Tull themed. This album is fantastic, nostalgic, and entirely un-skippable. No one else plays flute like Ian Anderson.

I actually believe Morrissey feels everything he says he does on this album. This ranges quite beautifully from operatic stuff to jangle pop, though some of the Morrissey-isms are quite cringy. Standout tracks are: “A Rush and a Push”, “Death of a Disco Dance”, and Paint a Vulgar Picture”.

This album isn’t at all what I expected, evocative, and very difficult to describe. I love it though. She channels the spirit of Joanna Newsom. Standard tracks are: “The Last Living Rose” and “On Battleship Hill”.

There was some interesting, forward-thinking material on this record. I love the sampling/looping on “We Have Heaven”, the classical excerpt, the vocal performances, and the groovy bass.

This record is a little dark and opaque. I can’t quite put my finger on anything and none of the tracks have really stuck with me after the fact.

Interesting listening experience, and I think I’ll return to it. I absolutely love the guitar solo on “Monolith”. Expressive and fun vocals. Standout tracks are: “Monolith” and “Lean Woman Blues”.

I was bouncing around to this one. Very fun record with consistently great percussion. I also really love rap over guitars. Standout tracks are: “Raising Hell” and “My Adidas”.

The title track is quite stunning and the album at large is a bit warm, muddled and blurry. It’s a bit like listening to a cassette tape on a washing machine. I do like it.

Atmospheric & extraterrestrial vibes. Made for an interesting commute. Not much in the way of interesting melodies or rhythms. Ultimately unmemorable.

I found this to be a little underwhelming. I guess I'm neither swingin’ nor a lover. It’s all very nice, his voice is smooth, and the band is great, but nothing really captures me and the melodies are so meandering. standout track is: “Love Is Here to Stay”

Like petting a hedgehog backwards. Thom Yorke, I hate your contribution to music.

Interesting listen. I’d never heard of this group, but somehow I’ve heard many songs from this record. I don’t know how to square this circle. I wonder if they play BVSC on Mexican radio stations. Regardless, I like it quite a bit. Danceable and creates perfect Cuban restaurant vibes. Excellent trumpet and percussion throughout. Standout track is: “El Cuarto de Tula”

Rich & effervescent in some places and weak and kind of schizophrenic in others. Wayne’s voice is a bit rough as always, but it works quite well in some contexts. I like the instrumental track “The Observer” and “Race for the Prize”.

Miles doing Miles things, plus Evans and Coltrane! What a treat. This is an excellent record that simply doesn’t miss, which is particularly impressive given its Freeform modality.