1001 Albums Summary

I know half the songs from this because in junior high school, I had the Beatles red double disc. It's hilarious that on Drive my Car they actually say, beep beep 😅 The song Norwegian Wood reminds me of me ma. Nowhere man reminds me of me da.

This album feels like a relic of the past. It's got the sound of 60s sweeping arrangements. she has a sort of honeyed voice. her vocals are super forward in the mix. It's not my usual jam, I'm not really into vocal drive singer highlighted music, but I get why this is considered a classic. I get why this is an important album and the woman can sing but it sounds like it's 55 years old, which of course it is. The recording is just too dated to me. It's great, it's just not for me

I know this one and I know it well. It was the first Boss album I got into in 2006 when I first met my husband. It broadened my musical tastes and got me to branch out a bit more. Badlands might be one of my favourite songs of all time. I know that many people say this album is dark, gritty, raw and intense. And while I agree, I also think it's hopeful. The songs are about having hope for the future even when things are dark. Perseverance, belief in oneself, hope for a better future... this is the stuff that can keep a person moving forward. 5/5

Neon bible?! How about Neon Babble. The music is sonically fine and I can see why it was influential in creating the stomp/clap music like Mumford and Sons... or more like Blandford and Sons! I digress... But the lyrics on this album are just unbelievably cringy. Like, embarrassingly bad. I only made it to Black Wave/Vibrations before I just couldn't do it anymore. They sound like 15 year old trying to be clever but missing the mark. I would give this 0 stars if I could because of how bad the lyrics are. Would not listen again. Two thumbs down.

Yassss, kween. Excited for some jazz. This jazz is busier than I'm used to listening to. I also have no basis to know or understand if/how this album is good or important. All I really know about jazz is if I like it or not. I actually know track 1, Move. I have no idea how but I somehow do. Track 3, Moon Dreams, feels like it's from a noir film, I kinda love it. Track 5, Budo, is great. It's busy but still familiar to other jazz I listen to. Track 7, Godchild is great, feels very classically jazz, so good to listen to whilst working. Oh man, track 8, Boplicity is soooo good.

I first heard this album in 2002, pushing 25 years ago now. It felt huge to me at the time. I really enjoyed it, even if it wasn't my favourite Zeppelin album. I don't often return to it so this is definitely a fun relisten. I mean, what else to say, it's seminal, and completely foundational for modern rock and eventually metal. 5 stars

I get it. It's really good, especially for 1989. I don't love how many interludes there are, but those are easily skipped. Apparently, it was a massive commercial success that produced seven top-five singles on the Billboard Hot 100, and is the only album in history to have number-one hits in three different calendar years (1989–1991). I always associated Janet Jackson with cousin Mary, which lets me sit in comfortable, warm memories.

Love late 70s British punk and this one is great. The album artwork is fantastic. It's aggressive and raw in the best way possible. The incorporation of horns was unexpected but works incredibly well. Poly Styrene is an incredible front woman.

I get why people would like this. The singer is good and it's well recorded. There were moments I enjoyed but this is just not for me.

Classic. I've been familiar with this album for more than 25 years now. On a careful relisten, I'm just realizing how standout the bass lines actually are.

On first blush, I absolutely thought I knew nothing of this artist. But... that first song, Apache, I know from the Fresh Prince. Also, it's great that they covered In A Gadda da Vida. I think this is really well recorded and unexpectedly fun. I'm not likely to return to this very often but I'm glad to have added it to my knowledge base!

This is fun background music. The fourth track, green onions, I unknowingly know quite well from popular culture so it's fun to now know and have this reference. The cover of Twist and Shout is also a lot of fun. Really overall quite enjoyed this, fun background music, nothing too abrasive or offensive.

I know only a few Santana songs and as far as I'm aware, I'm not at all familiar with this. I don't normally go for guitar rock, which I believe this album to be the case. So as a surprise to myself, I actually do know tracks 2 and 3, Black Magic Woman and Oye Como Va. I like the song Hope You're Feeling Better, it's got kind of funky rock beat. This album is really well recorded. It's pretty clean sounding, which isn't usually what I look for but it's good. Santana is obviously a very good guitar player. So overall, I get why people like this but in the end, it's just not something I'm likely to return to based on personal musical preferences alone.

I listened to the whole thing and nothing stood out for me. Not one thing. I'll definitely relisten to it more closely but.... I'm not so sure there's much to it. I didn't bother relistening to it. I just can't be bothered. This isn't bad but I didn't find there to be anything interesting.

This is just not for me. Not bad, I'm sure it's good and important. Actually recorded pretty well. High energy for a live show.

So much of this I know through cultural osmosis. Loved it, only minor complaint is that looking back on it 50 years later, the sound is kinda thin. Like it's missing the bass end of things. That being said, Destroyer Resurrected gets it super right.

Some catchy jams. Musically In the Ghetto is good but god damned those lyrics are bad.

This evokes 80s college radio rock, Husker Du, glimmers of the Meat Puppets, and a touch of Swans. I can see how much it influenced Nirvana, not likely the other way around. I loved the sonic sound of this although there weren't a lot of hooks. All around though, I enjoyed this one.

This just isn't my jam. It's like a poor man's Nick Cave

British folk rock is usually really not my thing. But god damn did the beauty of his voice and the quality of the recording unexpectedly pulled me in on the first track, Time Has Told Me. There's a quality to the vocal recording that is at once new and old, familiar and unfamiliar. The third track, Three Hours, sounds like something that would have influenced Bruce Springsteen on Nebraska. I also really enjoyed track 6, 'Cello Song. That drum beat was dope. That piano on track 8, Man in a Shed, is so fun. It's so strange to hear both ease and urgency in a song. It works really well. That last track, Sunday Sun, is good. Really evokes the feeling of what Sundays used to feel like, lazy, laid back.

The opening track, "Hungry Freaks, Daddy" is basically where sweet leaf by sabbath ripped from. Kinda wild. It's crazy that this is 1966, ahead of it's time in some ways but really dated in other ways.

Banger, no notes

This wasn't bad but I think it was suffering from recency bias. I can tell it's before the advent of truly modern electronic unless it's doing something innovative that my untrained electronic ears just don't detect. I really am not enjoying the song, I Stole Your Car. It definitely invokes the early 90s on the song The Rough and the Quick, like something from dance mix 92 or 93. I feel comfortable giving this 2 stars.

I love it sonically and he can sing but this grows very tiring very quickly

2.5 stars rounded down. This feels forgettable.

This was a weird album. I enjoyed parts of it, some of it was a little meh. But the weird was great

Great live album, full of life and character. He sings like he feels it. The audience is loving it. You almost feel like you're in the room. Would relisten.

I do not like the song It's a Shame about Ray. It's lazy sounding in the worst way possible. And those little harmonizing vocals in the last chorus are not great to my ears. The song Rudderless, there's a discordant thing happening in the verses and I don't think it's working. I literally can't listen to this song. I kinda hate it. Ok, I'm maxed on this. I can't force myself through this. It's really not for me. I knew the cover Mrs. Robinson and that's pretty great but that's about the only thing working for me. Maybe the first two songs weren't bad either. 2 stars and that's a generous 2 stars.

I listened to this years ago and it really didn't click for me then. But, I listened to it in full today and I was really impressed. There are so many styles that she has done so very well. This album is dense, there's a lot to unpack here. Will definitely listen again.

I'm just not gonna listen to this, I know it's bad

Not listening out of principal

A little show tuny but not bad!

Was unfamiliar with this. Can see a direct line from this to a lot of "alternative" music (whatever that means) that came later. It's actually 3.5 stars for me but decided to round down.

In my husband's words, this is what a nice hotel lobby sounds like

I had to look this up on Rate Your Music. It says, that for genres it's Chamber Pop, Baroque Pop, Art Pop, and Cabaret. If that's what it is, I'm pretty sure I don't like these styles. For descriptors, it says that it's humorous, sexual, sarcastic, male vocalist, quirky, romantic, love, bittersweet, passionate, orchestral, lush, poetic, epic, satirical, playful, energetic, melodic, breakup, theatrical, lonely, self-hatred, hedonistic. Again, I don't think I like this style. Maybe I'm not cultured? That's fine.

One of the best metal albums of all time

This was more enjoyable than I thought it would be. But it's sometimes noisy but not in the best kind of way. Would probably relisten

Good old fashioned classic 1970s British punk rock. Good enough for me

I really hate the song Monday, Monday. I like Straight Shooter. Didn't realize that the Ramones cover of Do You Wanna Dance was of these moms and dads. California Banananing. It's just so old sounding. I can appreciate that what it's doing at the time is really good. But like, I'm never gonna spin this on my own without a prompting. Listened to the whole thing, only 35 mins, but it felt longer.

Never heard of these guys but this shit is great. It's dated but still fresh. A pleasant surprise.

I was unfamiliar with this artist and this album. On the whole, I really enjoyed it. Will relisten.

This is a solid 3.5 for me, great stuff!

Besides Sunshine Superman and Season of the Witch, this is just kinda snoozy, overplayed and/or dated.

I enjoyed this, definitely got some punk vibes. It's closer to a 3.75 than a 4 but we're all having fun here so I've rounded it up

This is fine but the album feels really inconsistent. There's no overarching theme, it feels like a bunch of random ideas that got turned into songs. It's not bad but I don't think it's particularly very good. It feels like they were musical tourists and just pulled from everywhere they were visiting. Song 2 is so high school coded for me. It's the only song that feels 'polished.' Anyway, I'm not likely to revisit this.

I liked this. I really liked Monitor and Sin in My Heart. Great overall, it's actually a 3.5 for me but decided to round up instead of rounding down.

I have no idea if this is good or not. I listened to less than 30 seconds. Extremely not my jam. Is it important? Probably, maybe. But I'm not gonna find out. I wish I could be more open minded about this but it's not where my head is right now.

I enjoyed this. I get why they're considered at the peak of shoe gaze. I just don't know how much I love shoe gaze in general

This album is fine. But there's a flat feeling to it. And Chrissie Hynde's vocal range is a bit limited. It's fun to know and it makes sense that Nick Lowe produced this. While I know the hits, I'm not likely to return to this.

Van Morrison is fine, it's just not for me.

I've listened to this in the past. It's a good one but I'm curious how it'll feel on a relisten years later. It's good but I'm not likely to return to this but would never complain if it were on

Someone else in our group said that it's the kind of album you would put on while playing cards with your parents and I hard agree with that. The lady has got a set of pipes on her and I get the appeal. It's just not something I would return to very often, even though I know it's good.

This is kinda bland and boring. I feel like it's not doing anything, like it's directionless. I'm not sure why this is an album one would have to hear before the die. While I tried to listen to this, I couldn't help but keep skipping songs. Maybe this is good but my untrained electronic ears just couldn't parse it out. But that's fine. Not gonna spin this one again.

Oh, I'm kinda excited to give this one a go. I mean, I was excited because it's nice to close a musical knowledge gap. and this was fine and I get why people like it but it's just not for me.

About time for some female artists. I mean, I love all of these women on their own and together, I'm sure it's a straight banger. I was looking at other reviews for this album and someone said the following and you know what, I agree: "This turned me into an atheist. Or alchemist. Or whatever the term is that means I'd really like to fuck Linda Ronstadt. Or Emmylou Harris, which I believe some comic referred to as Gram Parsons disease. "

I love fallout music and this is basically that. But I would prefer actual music from fallout like Uranium Fever, I don’t want to set the world on fire, crawl out through the fallout... I don't hate this but I don't love it.

I won't be able to listen to this. My father loved The Everly Brothers and it's just too painful even though it isn't very good.

Will forever and always make me think of Andrew. Makes me feel all the good feels.

Bobby boy isn't always my thing but if there were any I was going to pick to listen to, it'd be this. I love Subterranean Homesick Blues and Maggie's Farm.

I mean, I get it, he's a poet and not necessarily a musician. I sometimes struggle with music from the 60s. It just sounds so dated. Some of this is good, like The Partisan, but I'm just overall not fucking with this album. I like his later stuff but this album is just not something I'm likely to return to.

Funny, I already had the second track, Building Steam With a Grain of Salt, on my liked songs. I know this song from somewhere but I'm not sure where. This album suffer from the same thing so many other 90s albums suffer from which is their length. It's like every artist in the 90s felt they had to fill the length of a CD, which routinely made for albums that are an hour plus. Given this length, it can make it hard to parse out what's good and what's just filler. So on the whole, this album is fine but would be better if it were more streamlined. It's truly a 2.5 stars for me but I'm feeling generous this morning and rounding up to 3 instead of rounding down to 2.

Uummm... I'm not super into the animal noises on Barnyard. It's weird but like, I'm not fucking with it kind of weird. Also, this rendition of You Are a my Sunshine night be the most depressing version I have ever heard. Ok, this is super well recorded, and he can definitely write a hook but this is overall not great. I'm not gonna listen to this again.

Love this, only minor complain is that there's a bit of a lull mid album. But on the whole, great stuff.

Totally missed this when it first came out. It feels very of the time, that early to mid aughts garage rock sound. My brain somehow conflates them with Imagine Dragons and 21 Pilots and I really don't know why. That's pretty unfair to them. And honestly, pretty unfair to me, I don't wanna even think of that other bands.

Country music rarely sounds like this nowadays.

I've listened to this so much that I feel like it's embedded in my brain at this point. It's hard to listen to with fresh ears. But it's also so familiar that it's really comforting. Your can see the clear through line to Exile here. Overall great stuff

It's good but spotty at times

I really liked this album, would likely spin this again. However, that album cover is so edge lord

It's mega fans of The Doors and Jim Morrison that have ruined much of this for me. I'm trying really hard to listen to this and not think of the fans. But good grief the "Alabama Song" is terrible, it sounds like shitty circus music.

I don't know this band at all. I feel like it's a mix of (wanna be) Kiss and... New York Dolls? Also, this cover of I Got You Babe is not really working. I mean, this just feels like it's not quite making the cut for me. There's so much other great punk from this era, I don't know why one would ever spin this when there's so much better stuff to pick from. It's a no for me dawg

The hours are great but the rest of it is kinda meh

I have such a complicated relationship with this album. Like, I actually think it's really well done, the lyrics are kinda cringe from time to time. But it's really good. But it's Kanye.

I don't know this album and wasn't really sure for the first few songs, they really weren't working for me. That cover of Working Class Hero is fantastic. And that last song, Why'd Ya Do It is so good, it's so dirty. Singing of cocksucking and anger of having your snatch spat on. This song is more like she's singing a poem. Great stuff.

Only loosely knew of this band and certainly not this album. It had me from the first few notes. This sounds like what I've been looking for lately. Will definitely be checking out the rest of their catalogue. Solid listen

I get why it's important and I get why it matters but there feels to be little variance amongst the songs. They all have a samey sound. And I can only listen to 12-bar blues inspired rock for so long. As a plus, you can tell that he really enjoys his art. And I'm sure seeing him live at the time was a real banger but this is of the past and I'm going to leave it there.

No notes, good shit

IDGAF about him or this album, he's just a wanna be Michael Jackson

I don't know, some of this is ok but some of it is really fucking annoying.

When I was a much younger woman, I just didn't get David Bowie. I can't really say what about him didn't click for me, it just didn't. As I've gotten older, and maybe a touch more wise, I can see the appeal to him. From what little I know of him, I really wasn't familiar with any of the songs on this album. But on the whole, I enjoyed it. It's a 3.75 stars for me, rounded up.

This really clicked for me in some parts. Their interpolation and sampling of the vocal melody and chorus from Lady Marmalade by LaBelle was unexpected but worked. This album felt a bit like Achtung Baby by U2. And somehow The Stone Roses and The Jesus and Mary Chain. It's about 3.5 stars for me, rounded up to 4.

Van Morrison reminds me too much of me da who's now dead and gone. It makes me too sad. Love and miss you, Da

The guitars on the second track, Rock Box, are great and kind of unexpected. There's nothing new I can add to the convo. The beats are simple, the rhymes are basic and it all sounds kind of the same. But you'd be hard pressed to not at least somewhat enjoy, It's Like That. But I gotta say, I prefer that remix of it by Jason Nevins from 1997. On the whole, I get why this is so important.

Oh man, I really did not enjoy this.

This is the second Arcade Fire album that I've encountered so far on this list. I truly hated Neon Bible. I don't know why but even the artwork on this irritates me. It's less bad than Neon Bible but will never come back to this. It's of a time and I'll be leaving it there.

It was fine, I get why this was a big deal. Paper Planes is great, I'm not so sure the rest holds up. A bit inconsistent at times, and surprisingly slow at times.

This album is a fucking banger. Stone cold classic. Bops from start to end.

That first song, The World Girl, doing the faux reggae just killed me. Honestly, I thought there was nothing redeeming about this. I'm not even sure this was good for the time.

Super chill but with a tad more structure than some of his more esoteric stuff. Very fitting for a rainy, low energy morning or a late into night book reading marathon.

It's wild to think this album came out in 69. It sounds of its time but with a dash of something that makes it sound timeless. They're clearly taking notes from The Beatles but I have zero complaints about that. This is good shit.

They weren't much on my radar in the 90s but this album is pretty good! It's a little bit dated but that's part of the charm.

I'm divided on this. Generally, I like their later work but there's a bit of a je ne sais quoi that's missing from this. It's 2.5 stars for me, rounded up

This albums is weird. It feels intentionally spartan at times and it works very well when it does. I'm unfamiliar with this album but on the whole, I've really enjoyed it and would return to it when it's strange mood strikes me

This is pretty good. A bit edge lord sounding but given it came out in 1973, gotta take it with a grain of salt.

Definitely fun at times, not so much at other times. Would relisten to at least some of the more fun stuff.

As always with Bjork, I find her music can lack beats, which can be a deterrent for me when it comes to every day listening. But, when the mood strikes me for this kind of moodiness, it works so friggin' well.

Oh man, the song, "So You're Leaving," is funky AF and I'm here for it. A chunk of this album is a little too sexy and sensual for me, but on the whole, I enjoyed this!

I mean, besides Faith, I'm never going to listen to any of this again. It wasn't terrible, but it really didn't work for me. It sat in the uncomfortable space between "pop star" and "serious artist" without do either particularly well.

Enjoyed this more than I thought I would. Really enjoyed the song where he called out love for his homes, not a diss track, sort of like a song of little loves notes, so sweet.

This actually aged better than I was expecting it to have. It's also definitely front-loaded. 3.5 stars

Like a lot of albums from the 90s, it's too long with it clocking in a 66 mins. On the whole, this was pretty decent but I did find the beats to be a bit samesy/boring.

This is not all that great and inconsistent

Like, I don't really hate it but I also don't really love it. I'm pretty familiar with most of this and I just don't fuck with melancholy, unless it's mellon collie. Jokes aside, it's fine and I would never ask someone to skip it if they were vibing to it but on my own, I'm gonna skip that shit.

Too sad, no thank you

Don't remember the last time I listened to this record. Definitely a banger. Gonna need to remember to spin this album more often.

I have never heard of these fellas before but first impression - so far so good. On the whole, I thought this was interesting, some of the songs resonated better than others.

Thought this was great, would relisten

I have some stereotypes about this album, let's see how they hold up. Overall, this album is a victim of the 90s mentality of needing to fill the length of a CD. The singles really carry it, a lot of filler here

Uggghhhhh... fuck off with this shit

No thanks bro. No. thanks.

I really don't know what I was expecting but this was unexpected less cringy than I though a ska album would be. Hard to believe this was 1988. There's a punk edge here that's also really good. I can see some 90s punk bands would've pulled from here.

This was fine, would likely not relisten

Not my fave Beck album but still really solid. It's not quite a 4 star for me but it deserves more than 3

Oh man, this is gonna be hard. I've avoided The Police for so long because I really don't care for reggae. But this opening track reminds me of Genesis and I'm not complaining. The song Mother is wild and very unexpected. Overall, I went into this album with a bad attitude and came out liking it anyway

I'm here for all the weirdness

I don't even know if I can bring myself to listen to this. He, as a 27 year old man, adopted a 16 year old CHILD and then proceeded to engage in the sexual abuse of her as her legal guardian. I know there are lots of others on this list who also engaged in problematic behaviours in the 70s and I've turned a partial blind eye to it but this one is maybe one of the more egregious.

I get it, it's just not for me

It's chill jazz and that's great. But it's not my kind of chill jazz. I don't really care for vocals in my jazz. Overall, pretty good though.

Honestly, I just don't get it. I get that it's good, it's just not my cup of tea.

Somebody else said in their review that this sounds like Wham last Christmas and I fully agree.

I remember when this came out, it just didn't click for me then. But now, it's exactly what I want. It's fabulous and I'm a dufus for not liking it before now.

Whyyyyyyy is there yet again another album by this band on this list? They're fine, I'd even say I like them but they deserve to be on this list once, and once only and certainly not this album.

I was so pumped when this showed up, it's such a banger. No notes, good shit.

I don't mind shoegaze, it's not something I often turn to though. I really like that album cover. I don't think it's an album that one would have to hear before they die though.

I'm gonna admit, when this came up today as my album, I let out an audible groan. But I was encouraged to give it a go, that it would likely not sound how I thought it would. First 10 seconds of the first song, Don't Panic, I thought, hhmm... is this reminiscent of Pavement? Is there hope here? I continued to listen and I can confirm it is nothing like Pavement. I wasn't able to get through a single song without skipping. This is not great. This is not for me. I will never independently relisten to this again.

It didn't sound quite fresh to me but it definitely stands the test of time.

As if it would get less than 5

I really don't get it. I feel like she's a knock-off Janet Jackson.

Look, I understand this album is a mood. And it's not a bad mood, but it's just not my mood.

Before this came up in the mix, I had never listened to a Elton John album in full before. Obviously I know a lot of these songs. I don't know what I was expecting but it wasn't this. I was pleasantly surprised. I feel like you could draw a line from this to Meat Loaf, especially that first song, Funeral for a Friend/Love Lies. Separately, I really dig that stutter on Bennie and the Jets. The song, Jamaica Jerk Off, is a really strange title, I'm not sure what it means (insert side eye emoji). It's not bad per se but it does not vibe with the rest of the album, which makes it stick out like a sore thumb. I don't dislike it, it's one of the better 1970s Brit reggae track.

This is far from my favourite album by them. I find it to be just a bit too noisy and discordant for me to fully enjoy putting on regularly. I guess they're aiming for those sounds and they're doing that well. It's desolate feeling at times and I guess that's the point.

It's wild that this is from 1981. I love the line from this through to 90s industrial, which I actually love. It's a little too discordant for me to want to put on regularly but I respect the artistry

I'm not the biggest FM fan but this was pretty good. Not sure how often I would personally spin it but I get it.

Why on god's green earth is this the SECOND album by this artist on this list. I don't think he deserved to be on this list once, let alone twice. This is marginally better than the Divine Comedy but that ain't saying much.

The first song Sea Song was almost enough to push me over the edge and not proceed any further. It was interesting but not quite for me.

I've never of Sparks but apparently they've been going strong since 1968? Wild. OK, so this album is weird. It doesn't sound like 1974, there's a polish to the recording that I wasn't expecting. I find there's a sameyness to all of the songs.

My grandmother, whose first language was English, pronounced Chicago as Chircargo. And Tylenol was Thylenol. My father had one or more Chicago albums of the 70s, of which there are 10, plus 2 lives albums and a best of. I couldn't fathom a guess which one(s) he had because the covers mostly all look the same. This was fine but I can't see me returning to it. It's of a time and place I just can't access. 2.5 stars rounded up

This was a wonderfully delightful well spent 31 minutes. Would happily revisit. Listened to it twice, will listen to it again many more times to come.

Parts of this album feel just a little too experimental for my tastes. King Kunta is great, as These Walls and Alright. The rest of the album though, I just don't fuck with.

That opening track, Speed King, took me by surprise. It goes harder than I would have expected for 1970. I can see the through line from this to Motörhead. Liked this overall, made me realize there's more to Deep Purple than Machine Head

The conga drumming is kinda cool but this is not my vibe. I always feel bad when I rate 'world' music because I know I don't have the cultural knowledge to actually or fully appreciate it.

Classic, the song of Christmas and Good Fellas.. The spoken bit of weird, knocks a star off

I already rated this shit. Awful garbage. Where's the zero star option?

First time listening to this. The first song, You're Gonna Need Someone on Your Side, has a kinda cool surf rock vibe. It really wasn't what I was expecting. The second song, Glamorous Glue, has a fun, almost bluesy beat. So far, this is going better than I thought it would. I had some preconceived notions about Morrissey and it's a pleasant surprise to have that challenged. I even found myself unconsciously tapping my fingers along to a few songs. In the end, it gets 3 stars because I know who he is, I suspect he kinda hates women, I know he hates sex and all this while serving up his body on the cover of the album.

Wasn't familiar with this. The steel guitar is great. Don't know how often I would come back to this but I appreciate now having familiarity with it.

Sounds like NYC at night

Whoa... the first track made me feel like I was on a bad acid trip. Skimmed the rest of it, don't really get it. I don't fuck with this

Reminds me of my ma, she fucking loves this.

The first song, The Humpty Dance, is supposed to be the highlight of this album. It's not great and it's six and a half minutes. Ouf... this is just soooo dated. There's no flow, every song is just too long. And each progressive song is worse than the last.

This surprised me, I wrote enjoyed it despite thinking I wouldn't.

The wheels fall off this after the first track. And honestly, even the first track is now pretty cringe even if I really liked it as a kid. Sorry Dad

Just lovely and quiet and perfect for a Sunday morning. I love the artwork for this album, especially where you can see the tooth of the paper.

It's great but didn't quite hit the way it did in high school. Still, five stars

Surprisingly, I like this. Closer to a 3.5 but rounded up instead of down. Would relisten.

Love this album from top to bottom. Stone cold classic.

The middle of this album, Drop the Pressure and In My Arms, are fine but the rest kinda drags

I don't care if this album, as someone else said, is baby's first jazz record. It's perfect and it's what I want all jazz to sound like.

I'm familiar with a few of these tunes, hoping the other two albums appear on this list.

Roadrunner, roadrunner... Still like this album, but it doesn't hit like it used to

They've just never been for me. This album is fine but I didn't finish listening to it. I'm not sure why I would need to hear this before I die.

Oh man, I am so not in the head space for this Tom Waits. I just can't get past his voice. I get why he's for some, he's just not for me.

It's interesting that the day before was Tom Waits, definitely a through line there. This is a solid album

I'm no R&B aficionado - actually, I know fuck shit all about the genre - but I think for the genre, this album might be ok? But I don't think I fuck with this, or to it

The hits are where it's at, the rest? Not so much

Apparently Hugh Masekela is a South African musician known for being a flugelhorn master, which he played on this album. This is both powerful and chill, which I think is a rare feat to achieve.

This was actually a lot better than I was expecting. I see why it's on the list. I thought the songs The Champ and 9 Milli Bros were good. That said, it's too long and there are way too many skits.

I listened to the shit out of this when it came out. We listened to it on repeat at a sleepover inside my junior high school. I pressed play on this album and was surprised how many of the words I remembered. A hugely impactful album on me as a teenager. It's production value might be a bit dated but I still love it and it gives me all the feels.

I've always found their to be a laziness sound to Wilco that just doesn't always mesh super well with me. And what's up with the song, Heavy Metal Drummer? Maybe one of the least metal things I've ever heard. 2.5 stars, rounded up

She can sing but signers don't do it for me.

Holy shit this is great!

Most of this album fell a little flat for me but the song House of Cards is super nice and chill and relaxing.

I don't know if this is good or not. What I do know is that this is just not my kind of music. It's just a bit too boring and samesy. To each their own, I suppose.

It reminds me of the Fallout video games in all the best ways. Allmusic apparently said this album is a raunchy mix of demented gibberish, blaring sax, and explosive swing. And what a great string of words put together. 3.5 stars, rounded down

Made fun of my husband for years for looking Sheryl Crow. After listening to this album, I get it now

Funky and jazzy AF, good shit!

There's just too much Tom Waits on this list. The songs, Clap Hands, Jockey Full of Bourbon and Time, are pretty good. But the carnivalesuqeness of this wears me down fast. It's too bad because he has a beautiful voice as is showcased on the last song, Time.

These fellas can sing and the music is funky AF but there aren't a look of hooky songs on this.

This record is stacked with big name guest appearances but other than Work It, I'm not really fucking with this. She can rap and there are some decent beats but I'm never gonna spin this one again. She doesn't do enough rapping, too many guest appearances and too much talking.

It sounds so much like Talking Heads took a cue from the second track, Golden Years. And that's not a bad thing. I also like those really big bold, ballad Bowie songs like Word on a Wing.

It's a banger from start to finish! No notes, just jams!

I don't think this was supposed to be a kickback to 1950's rockabilly vibes but here we are. This isn't terrible but it's not super interesting. 2.5 stars

This is the third Room Waits record in about 3 weeks. I'm pretty over him at this point.

Ok, I've spent many years on the bad side of the fence for REM. This was better than I expected and much to my chagrin, I'm giving it 4 stars. My husband will forever remember this and I will likely never live this down. That being said, I will not be independently listening to REM.

Me and Julio are great, the rest... 🤷‍♀️

This is very show tunes adjacent. It's got some nice piano playing and is well recorded and arranged. But I don't think that makes it all that great.

No thank you

The 'cake' on top of a tire on top of the tire on top of... a pita? a pizza? on top of a clock on top of a reel on top of a diner plate that may or may not have a doily on it looks like one of those nightmare savoury sandwich cakes from the 1960s filled with eggs, tuna, shrimp, ham, and chicken that were iced with mayonnaise, cream cheese, or sour cream. Kinda turns my stomach looking at it.

I'm not overly familiar with rap, it's never quite been my thing. I get why this album is important but it definitely feels dated.

I get why this is such a classic and so well loved. The hits are fantastic and apparently, John Legend, who was then an unknown, played many of the piano pieces on this album. My complaint is that some of these songs are kinda meh and it felt a little samey at times.

There were a few good jams on this, Luv n' Haight, Family Affair, and Thank You for Talkin' to Me Africa. But beyond that, I found the album kinda dragged at times. Keep in mind this is from 1971, it's 3.5 stars for me.

Someone else has said this music has horse girl vibes and yeah, it really does.

I don't need to relisten to this to know it's a straight 5 but I'm gonna relisten to it anyway.

Without actually knowing it, I knew this was Talking Heads adjacent. The first song was beyond cringe. I was surprised I knew the second song, Genuis of Love. It's been sampled to death. It's a bit of a jam, though. The rest of the songs all feel a bit similar. Everything feels flat, like it was all recorded with the exact same levels and no dynamics. And why are so many of the songs soooo looong?! As for the album cover artwork, it's just straight up bad. Honestly, this is a generous 2.

I had a brief period 20+ years with this album. I wanted to like it so bad but it just didn't do it for me. Still the same today

This is not my kind of electronic. I like mine with a bit of bite and darkness. This is too sunny. This is not for me.

Why are the on the list again?

Even me, a person who's not super in 60s music and Dylan in general can appreciate this one is a bang-er.

This wasn't awful but was far from decent. All the electronic albums on this list are such a snooze.

A name I know but not music that I'm familiar with. This wasn't on Spotify but I found it on YouTube. I'm glad I did, I enjoyed this. I liked the first half of this album is a bit strong than the second half. Still enjoyed it throughout, though

A name I've heard but have never checked out. In the end, it wasn't for me.

B.O.R.I.N.G.

The hits are great. The rest of it is good.

The artwork kinda makes me sick. Also, only Hair Pie: Bake 1 is on Spotify and it's discordantly unfun. I will not be seeking out the rest of this album. I get it's a commentary on the mainstream, highly polished pop and rock music norms of the 1960s. I also get that it deconstructs the traditional conventions of blues, rock, and pop. I know that it has an anti-commercial statement. I don't care that John Peel and Lester Bangs think that this album is incredible. I don't and that's all that counts when it really comes down to it.

Love it, amazing stuff

Classic, zero complaints

It's interesting because most of the songs on this album are over 4 minutes, many pushing towards 5 minutes and even one that's 9 minutes. That's pretty exception given it was released in 1968. To modern ears, it's just rock and roll but I can see why this would be included on the list. The artwork is also kinda cool but the back story of the graphic artist only agreeing to do it if he got to pinch Janis's tit is kinda wild.

I want my MTVVVVVV... It's a great album but there's such a sad undercurrent that I find it difficult to listen to.

I don't hate Joni but this ain't my bag.

This is my kind of punk. A straight jam. There are some scathing reviews of this album by some people participating on this list. It's fine those people don't get this but like, shut up?

Reminds me so much of my parents. They friggin' loved CCR, especially me da. I've got this negative association of CCR with Vietnam movies and boomer glorification films.

I will hear no arguments that this is less than 5 stars

My parents had this on vinyl, 8-track and CD. I have listened to this album more times than I can count so I might be biased. It's a 5 star for me although I'm not quite so sure it's an actual 5 star. But I don't care, I have too many memories wrapped up in it.

Not everything that is near universally praised will be my cup of tea and that's fine by me. I find some of this to be just over the top corny. Also, I can't unsee that if you put your thumb on Paul's face, Art gets a serious handlebar mustache.

Boring AF. I guess they're technically competent and able to play their instruments but that ain't saying much.

I didn't listen to this but I've heard enough Van Morrison in my life to know this isn't for me

This was nothing more than fine.

I know lots of people think this album is fun but it’s a total fucking bummer to me. I don’t like the contrast between the shiny pop sensibilities that sit on top of this album and the near constant undercurrent of emotionally vulnerability. It gives the record a feeling of being ungrounded or unresolved. Her vocals feel strained, like she’s reaching for some kind of resolution but never quite lands it. The guitars and synths clean but also weirdly distant and mismatched to her vocal style. It’s like neither ever fully lands. Then there’s the lyrics. They all lean hard on longing, confusion and vulnerability. But lyrically, she never quite reaches resolution or connection and that just adds to the low-key bummer feeling I get from this. This album is not dissimilar to Boy George/Culture Club, Annie Lennox/Eurythmics, Belinda Carlisle, A Flock of Seagulls and even to some extent REM and The Police. They’re all sad as fuck to me. I just can't get can’t do these artists without feeling totally bummed out. In the end, the lack of resolution creates a persistent sadness and that’s what makes it uncomfortable for me. I respect Cyndi but there’s a reason she’s only remembered for one song.

I really hate this. It's super unenjoyable. White guy trying to invoke 70s soul but just extra cringey

My dad. My husband. Fallout New Vegas. Turner Movie Classics. Nostalgia.

This was ok. It was a bit slower than I tend to personally like. I saw one of the top global reviews of this say the music sounds like something Chef from South Park would sing to and I laughed harder than I should have.

B.O.R.I.N.G.

This was fine background music. It wasn't bad but I'm not sure it was good. 2.5 rounded down

I'm so excited for this. It's been something that I have only recently gotten into so it's exciting to now really examine it. Ok, so I get it. This album is good and important. But it's not my fave style of country. Still, I got mad respect for Lucinda

It all just feels unresolved, which, the more I listen to REM, feels like the point

This album is so front loaded. Only the first two songs, ...Baby One More Time and (You Drive Me) Crazy, would mean anything to anyone. I get it, Max Martin knew how to bang out the hits but the rest of this is garbage.

I like some Biggie, but not all Biggie. This album is really hit and miss for me. Not to mention that lyrically, it's not aged super well. It's pretty misogynistic and the sexualized content is pretty gross. Plus, I really don't like skits, and I really don't like how many skits are on this album. I get that skits are done to make an album feel like an audio "movie" or act as a palette cleanser between songs. They give people a glimpse of the rapper's life and environment outside of lyrics and beats. Sort of a chance to show their personality and sense of humor. So I can get why skits exist but I also just don't like them. 2.5 rounded down

This was a bit grating on the nerves

Ouf... Where to even start. The highs are high but the lows are just beyond more low. I don't care about the lack of credit Paul Simon have to the South African artists (I do but not in the context of how I feel about the music), I don't think it's cultural appropriation, and I don't think it was wrong of him to record in Johannesburg during the apartheid embargo. His voice is just so muted and soft and kind of twee. The mid range is really muffled. I have good memories wrapped up in this album and it was hard to decide if this were a 3 or a 4. Either way, it just doesn't resonate like it used to.

It was fine. I've got no arguments from it, although I prefer Mexican to Tex-Mex

It's tooooo looooong. And there's just so much harmonica and it's all realllllly high in the mix.

I don't mind Aphex Twin but overall, this was pretty uneventful

A Hazy Shade of Winter is a banger. The rest is fine. The Lemonheads cover of Mrs. Robinson is two thumbs up.

I'd never even heard of Talk Talk until 2026 and suddenly they're everywhere. There's a local brewery that has a beer named after them. Where have they been the last 40 years? The guitar solo in I Don't Believe in You has so much promise but is a touch disappointing. I saw someone say that this has so much British new wave. And I agree with that sentiment. But of all of them, this is one that should be discussed before final cutting decisions are made.

A double album, that's 80 mins long, is back to basics?! So if I could give this 2.25 stars, I would. I appreciate the piano, horns and choir. There was an interesting bass line at one point that sounded like it could've been a Talking Heads sample. And for those who care, I guess she can sing. I'm not a person who cares about singers and their abilities but to each their own. I felt this really lacked emotionally. It didn't stir anything in me and I didn't feel anything from her. Was this her attempt to break out of club music? Maybe. I just found it boring as heck.

I really enjoyed this, actually listened to it twice! I mean, as a friend of mine put it, if buddy's gonna play a strat against a bare chest, you know it's gonna be good shit.

This feels like Let it Bleed (69) or Exile on Main Street (72). This album (71) sits squarely between the two and came out the same year as Sticky Fingers. Also, am I hearing some elements that might have influenced punk? Maybe, maybe not. And the song, Evil Hearted Ada has a real rockabilly sound to it. Very pleasantly surprised!

This is certainly from a moment in time. That album cover didn't age so well. I remember when this came out. I didn't like it much then and I'm not so sure I like it any better now.

As a teenager, I had the SST CD version of this album which has a cover of the Peter Frampton song, Show Me the Way. It's too bad that album version isn't on Spotify

It wasn't as boring as I thought it would be but it's still pretty boring

I don't really know this album and I've been told it's not their best but I liked it nevertheless. Lot of talk about sucking on dingdongs and finding mainlines. They knew what they liked and they weren't afraid to let you know.

I feel like I'm driving a taxi in NYC at night in the rain and I'm here for it

I have so many drug fueled memories wrapped up in this album that sometimes I struggle to hear the difference between the good and and not so good parts of this album.

Extremely Talking Heads coded. But I guess it's the other way around. Talking Heads is coded to this.

Boring Duran Duran knock off. That bass player really needed to find another band to play with. Really funky

I normally don't fuck with soul and R&B but I gave this one a fair shake and it was a banger.

I don't think this of the best Muse album

It's too long and there's some content that could've been left behind. The highs are high but the lows are pretty bland. It's 3.5 stars rounded up

The 20th anniversary edition of this album is 5 hours. That's about 4h58m too long

Who the fuck was this even for? Nearly a billion streams per song on Spotify 25 years later is who

Fun at times, but three Blur albums on this list is 2 too many

Extremely meh

I just listened to After the Gold Rush, I just don't want to do another Neil Young album. I know yiz all love it, mazel tov!

This was weirdly hypnotic. 1920s German Cabaret songs composed by a Marxist and with lyrics translated into English... it's hard to look away. 2.5 stars rounded down.

The vocal gymnastics aren't for me

This is not bad it's just not interesting. I saw someone else say it's the poor cousin of The Flaming Lips and that feels about right.

There were a few interesting parts but they did not make a better whole

It felt like it was trying too hard to be late 80s/early 90s rap. It wasn't bad but it wasn't very good. 2.5 stars rounded up.

So I legit really liked this. My better half said that it's like a proggy Allman Brothers and I gotta agree with that assessment. But honestly, for as much as I did actually enjoy it, I'm not so certain this is an album one would have to hear before they die. En tout cas, I enjoyed it nevertheless

In reviewing all of these albums, I'm realizing that baroque pop just isn't for me. I guess this is fine for what it is and it's not tragically bad, it just really isn't for me. Bland and kind of boring.

This is album is mid and dated

I love some of Dwight Yoakam's albums. I also live that he stayed true to country music at a time when there was a lot of pressure to have more of a pop sound. I'm just not sure this is the record I wouldn'ty picked.

Not my fave album in the American series but it's still pretty solid. He sounds so old and frail, kinda a bummer at times

Really enjoyed this! I'm unfamiliar with this era of Bowie so I don't know if this is stand out or not for him but whatever, I enjoyed it.

I guess this is experimental pop music? It’s like they forgot to blend the experimental components with pop music to make something that’s genuinely interesting. From the 2 minutes of reviews I read, people seem to agree that the track My Girls is the high point. Honestly, I thought it was so boring that I had to double check that the song I was hearing was in fact My Girls. This album seems to be built of ideas that no one took the time to finesse. This was beyond mid and I would not revisit.

I really enjoyed this, totally outside my normal listening but would absolutely return to this

I used to hate U2. Then I married a man who loves U2. For the sake of my marriage, I have it then an honest go. And I realized I had only hated them because that's what people who had never listened to them in earnest did.

Almost cut my hair, super glad I didn't

Really? Love songs, 69? Are they 13? Speaking of 13, that's about the number of songs they should've put on an album

I was 12/13 years old when this came out. I was at a sleepover with my cousin and we snagged this cassette from her older sisters room. We didn't have the insert with the lyrics so we listened to this on repeat, starting and stopping it whilst transcribing all the lyrics. I saw someone else say this is both 1 star and 5 stars. The lyrics are cringe and aged like milk. But those beats, that flow? So smooth. And that track with the Lady of Rage? Fucking sick.

All I can think of is the Fallout games and I'm not complaining about that!

Boring AF

What a delight from start to finish!

This was awful. Out of tune hardcore vocals slapped onto wanna be strokes music

It's hard to separate out what's good from what's overplayed for me. This is a 3.5 stars, rounded down. I just can't go up on this one.

The quality of this recording leaves something to be desired

I'm of two mind on Joni. I simultaneously get her and she irritates me.

There are no words I can add to the discourse that haven't already been said. A masterpiece

It feels like drugs that I'm coming down from after a great night. A bit sluggish but definitely super cool at times. 2.75 stars rounded up

I didn't get the meat puppets when I was younger but as a slightly older person now, they make complete sense to me. This album reminds me of The Gun Club. Both were sort of doing a cowpunk thing which has grown on me with time.

This is a complete snoozefest

It's hard for me to separate Bob Marley out from the dorm room bros of 25 years ago. However, I gave this the ol' college try and found it not nearly as bad as the bros who ruined Bob Marley in the early oughties.

A glass of wine, making dinner and this album, chef's kiss!

For this group, I know this is blasphemous but, Neil Young just isn't for me. I know this is 'good' and I know why people like it. It just doesn't make my world turn, ya know?

The way he jams with the saxophone on, Scenes From an Italian Restaurant, is just amazing! It's closer to 3.75 stars so it's getting 4!

I enjoyed this more than I thought I would. It's still got that Jack White flavour that simultaneously works and grates on my nerves every so often. 3.5 stars, rounded down because it's just not quite a 4 for me, dawg

I really do love some of the parts of this album, some of it is just a bit much. 3.5 stars, rounded down.

This album is such a classic for me. I thought it was edgy AF when I was a teen. We both know what song I'm talking about. This album hits so much different now that I'm older. It's a bop

I mean, I get it, she's a great rapper but I find this just so dated.