Cosmo's Factory
Creedence Clearwater RevivalFoot-tapping fun. Effortless instrumentals. CCR clocked in at Cosmos Factory and churned out nothing but certified bangers. 5 outta 5 classic
Foot-tapping fun. Effortless instrumentals. CCR clocked in at Cosmos Factory and churned out nothing but certified bangers. 5 outta 5 classic
Funky jams Perfect album for being on the water Can fade to the background at times Dust is a Strong beautiful ending. 4.3 outta 5
Great live energy Dated ('63 Obvio) but well done, quality music. Fun record 3 outta 5
Killer drums. Buttery smooth lyrics. Give me this album, on an open highway, in the outskirts of the city, at any dark hour of the night. 5 outta 5. Classic
Being in a different language makes it difficult to judge this album 100% fairly. Good music. Groovy Latin swing. Reading the Spotify right up about the album I learned it was very influential to today's Latin music. No Buena Vista... No Bad Bunny? 2.5 outta 5
Nick Drake makes sweet, beautiful, melancholic love to his guitar. 4 outta 5
Pavement seems to want to make Indy rock music with punk rules and it just doesn't work for me. Cut Your Hair is worth a second listen. 2 outta 5.
Plenty of eyebrow raising moments. This album being released 5 years after Sam Cooke was at the Harlem square blows my mind. I enjoyed this album as a whole for it's raw sound and obvious impact on rock and roll. 3.4 outta 5
Foot-tapping fun. Effortless instrumentals. CCR clocked in at Cosmos Factory and churned out nothing but certified bangers. 5 outta 5 classic
I feel like Nirvana made music that they loved and tried really hard to make it sound good. What made their music listenable was their energy and authenticity. 2.2 outta 5
First impression: "Wow what an image." The lyrics held true to theme. Poignant and still tragically relevant in 2025. Nonetheless Curtis somehow makes this social liberation blues record sound like hot sticky sex? 3.8 outta 5
Great music. Fun album but also moody at times which I wasn't expecting from what I knew of his big hits. 4 outta 5
Laughably bad. The Streets has absolutely zero flow. Uninteresting lyrics The song with the most potential is Wouldn't Have it Any Other Way. The singing has potential but The beat has this sound throughout the whole song that is 100% a chicken pecking corn kernels off of a metal trash can lid. 0.4 outta 5
Being an american-born musician and going to the UK to find success is an indication of the quality of music. Four songs in, I was hoping I was eight songs in so I'd be more than halfway through. It sounds like Foreigner, put Michael Jackson out as front man and they were tasked with making elevator music. 1.8 outta 5
The last few albums have been lackluster so when I saw '80s UK pop. I was not thrilled. I wouldn't say the album surprised me but it was not bad. Catchy and boppy all the way through. 3.2 outta 5
Quintessential. 5 outta 5 Classic.
Very interesting. I didn't love it at first but the B side grew on me. I think this one deserves a second listen. 2.5 outta 5
Didn't enjoy this album I did however enjoy them making the American National Anthem into circus music. 1.8 outta 5
Perfect jazz album front to back. 5 outta 5
This album is four songs, 39 minutes. I got through the first three songs without enjoying much. When the fourth song started and I noticed it was 18 minutes long. I may have just given up. 1.6 outta 5
Replay value on this is, use it to go to sleep. Not my flavor but I can understand the appeal.
100% instrumental. Fine for the background. I want a bit more from my music. 1.5 outta 5
Less amplification makes Nirvana less abrasive. The highlights of this record for me are the guitar and bass. The last 4 songs are all good but the finale was absolutely killer. 2.7 outta 5
Surprisingly rangey album. Fade Away and Radiate almost sounds like a Black Sabbath cover while One Way or Another and Heart of Glass are undeniably poppy. I really enjoyed the album. 4.3 outta 5
Don't like it. 1 outta 5
I listened to it twice because I felt I might not have been attentive enough the first time, but it faded to the background again. I want to like it, its good music, I just lose interest. 2.4 outta 5
The singles on this album are absolute classic bangers. Everything else is a bit lack luster. 2.5 outta 5
Background music, at times it's just background noise. I hate songs longer than 15 minutes. 2 outta 5
Great grooves. 2.2 outta 5
This album is a movie. It's easy to hear how Biggies effortless flow, punchy lyrics, and creative storytelling still have a heavy influence on hip-hop today I will never complain about another Mac Miller interlude ever again. 5 outta 5 Classic
Head banging, face melting, eardrum piercing, unadulterated metal. A bit untextured. I liked how he introduced all the songs and even dedicated most of the songs. 4.4 outta 5
This double album needs a double review. Speakerboxxx Sick mix of slick lyrics and silky flow. Filthy beats. 4.4 outta 5 The Love Below Electric and eccentric sound. Andres flow just goes crazy, he's definitely a top 5 spitter all time. That being said I think both albums were a little too long and could have the fat trimmed. 4.4 outta 5
Jimmy's guitar scratches an itch in my brain unlike any other. Crosstown traffic is one of my favorite songs ever. 5 outta 5 Classic
Extremely danceable. Weird in the most wonderful way. Endless stank face funk. The production quality on this album is through the roof. There were many times throughout the album where I heard a sound that I had heard before, I wonder how many times this album has been sampled? Or how many samples it used... This album has so much texture. It feels multicultural, bilingual, and interdimensional. This went from completely unknown to me, to probably one of my new favorite albums. 5.3 outta 5 masterpiece
Easy listening Top tier production. Nothing really stands out as spectacular but definitely not disappointed at any point. 3.5 outta 5
I was delightfully surprised by this one. The guitar sounds like Jimmy Paige meets Chuck Berry. Really high quality production. Definitely will get a respin and a dive into more of their discography. 3.7 outta 5
The Smashing Pumpkins sound like Nirvana if Nirvana made interesting, good music. Bonus points for unique song names. 2 hours was way to long, I really struggled to make it through. 2.4 outta 5
The most impressive thing I've noticed about Nick Drake is he is credited as the only performer on this record. He is a master of all things strings. Absolutely beautiful music. 4.4 outta 5
This record seems filled with angst. Oftentimes leaving me at the corner of "what was that?" And "what could possibly be next?" A bit too slow and moody for me. 1 outta 5
Good tunes. Nothing remarkable though. 2 outta 5
Very fun. Eccentric. Ahead of its time. I think you need a dose of psychedelics to unlock the true potential of this record. I would like to sit down and read the full manuscript of lyrics and spoken word. After listening to it all the way through, I have this strange hard to explain feeling that I enjoyed it more than I should have? 3.4 outta 5
So good all the way through. Super textured, yet extremely cohesive. Thoroughly enjoyed this record. 4.4 outta 5
Boring.
Easy listening. Fades to the background on occasion. 2.4 outta 5
interesting poppy, rocky, electronic, good music. 3.3 outta 5.
Powerful. Kind of screamy but it was ok. 2.5 outta 5
Some decent stuff here it's just extremely heavy and too much screaming for me. 1.4 outta 5
Boring
Run of the mill jazz. The Big Apple was the highlight for me. 2.4 outta 5