Younger me loved G&R but I don't vibe with them as much as I used to it. Still fun to revisit this one - an undeniable classic with a shocking number of certified bangers, even more so considering that it's their debut. None of these tracks are filler. Enjoyed Paradise City the most this time around although Welcome to the Jungle always used to be my favourite. It's hard to really judge a lot of these songs since they are so ubiquitous.
Wasn't sure at first, but there's a very strong run of songs a bit further in. A lot of fun, no bad tracks. Best track is Saturday Night's Alright For Fighting (banger), but made some very enjoyable new discoveries too. A little overlong, but works well spread out through the day as I've done. Would listen again.
Smoky and bluesy, very enjoyable. Perfect length, also cohesive. The WASP is excellent, as is Riders on the Storm, an old favourite. Love an album that ends strong.
An established favourite. Rich, complex, emotional, resonant, groundbreaking, flawless.
Feels like a low budget Steven Soderburgh film. Vaguely intriguing background atmosphere, not an album I'd revisit. Shellback is a pretty good track.
Makes me want to sit in an American roadside cafe drinking a coffee while I listen. More of a mood album than one I'd continually revisit, but solid nevertheless.
Bland and tepid. This is one I could have died happy without ever hearing. The title track's lyrics imply urgency, but the music, with its repetitive funky beat, does not.
Sounds like they set out to make the most 60s sounding record possible. Also terrible album cover. California Dreamin' is an excellent song though.
Lots of creativity here, and a few solid tracks, but the vocals are pretty bad and it feels a little dated. Enjoyable enough, but I can't imagine being in a mood where I wouldn't prefer to listen to Depeche Mode.
Never actively listened to this style of music before, but it's delightful. Also great drumming.
Excellent album, I'd give it 4.5 if I could. Not my usual genre and vibe, but it has so much kinetic, playful momentum and creativity. Such density and variety of samples, yet they all feel purposeful.
Best experienced walking through a city in the early morning when it's still dark. Pure vibes.
This is exactly what I'd expect from them, and is thoroughly servicable. No hidden depths here. Pleasant but unmemorable.
Feels a bit undercooked, like a band who haven't fully figured themselves out yet. A small handful of standout tracks, and a whole lot of filler. Its successor, Demon Days, is a vastly superior album, and should have been on this list instead.
This really isn't my thing at all, but seems competent for what it is. Production and vocals are pretty solid, and it seems to come from an authentic place emotionally.
If you put every mellow British indie rock band in a blender, this is what you'd get.
It hadn't occurred to me that live albums would be on the list, but it's a delight to discover one that captures a moment in time and place like this one does, and feels so cosy and inviting. Sarah Vaughan's voice is very warm and smooth, and I'm definitely interested in hearing more of her.
I like The Who, but this particular album doesn't do a whole lot for me. I prefer their later, more expansive stuff. You probably had to be there at the time to fully appreciate this one. A few standout tracks, especially towards the end, and Keith Moon's drumming is a highlight.
I see why people like it but repetitive beats can only do so much when you're sober. Especially when this thing goes on for over an hour.
No rock here, only soul, which is not my favourite genre. He has a nice voice, but aside from that nothing about this album grabs my attention.
Songs go on too long, however this is enjoyable and not half as dated as I thought it'd be. Solid album.
4 stars mainly because the drumming is fire. Reminds me of John Bonham. I could listen to an isolated drum track of this album. Not that the rest isn't good, but this style of jazz can be a little challenging to fully get into.
Love her voice but the production is too glossy and it's pretty boring.
I didn't realise I needed an album in my life that sits at the intersection of New Orleans Blues, sea shanties, noir vibes and gritty, boozy folk music but I absolutely did.
I'd give 4.5 if I could. Just a really good collection of songs that keeps revealing more layers as it goes, and stays interesting all the way through.
I get the hate but I enjoy the theatrical excess and weirdness of this one. Especially when he hits those ridiculous high notes on Club Country.
Just a really fun album that put me in a good mood all day. An antidote to the endless grey and lifeless January I find myself in.
An 80s album that sounds like the 60s and the 90s had a baby. Not that it's a bad thing.
More like a 3.5. Interesting and mostly pleasant, but not memorable or emotionally impactful.
None of these songs go anywhere and there are about twice as many of them as there should be. Synthy europop should be more fun than this.
A damn good album, even though reggae isn't usually my thing. All good songs. My only real complaint is the track order, Revolution should have been the closer.
A really good, exciting and fun punk album that I hadn't heard before by a band I knew very little about. It's always good to be surprised like this.
Boring but pleasant. Like sitting around waiting in someone's lounge but they have very nice wallpaper.
This is a weird one for me.
Musicianship 10/10
Historical importance 10/10
Personal enjoyment 7.5/10
I think I'm just too British and sober and far removed from the 60s to really vibe with it.
I wanted to give this 4 early on but it's very long and gets boring for a good stretch towards the end. I'm not sure why people are fixating on the homophobia - maybe I missed something, but the lyrics sound relatively mild to me compared to others. It's hardly surprising that a hip hop album from the year 2000 has some objectable lyrics in it.
I like a handful of these songs, particularly Friend, You've Got to Fall and She Floated Away. However, at 1hr 9 minutes it's just too much of the same unappealing, rough sound that most of these tracks have. More grating than anything else.
I've never listened to Radiohead properly before, but I'm liking this a lot. The soundscapes are very soothing to my brain. It feels like it's taking me on a journey.
I'm sure there's a lot of cultural context I'm not getting. To me it just sounds like pleasant background music. A bit long and repetitive, and I don't see myself ever listening to it again. But it sounds nice enough not drop it to a 2.
As dull and uninspiring as a very weak cup of tea where the teabag has barely made contact with the water.
Dusty's talent was undeniable, but it's not my style of music. I don't think I could go higher than 3 stars for a covers album unless it has really interesting reinterpretations of the songs. This doesn't.
The most safe and beige collection of melodies, riffs and lyrics I've heard so far. Fittingly, there is a track called (I'll Give You) Money which is exactly what Frampton would have to do to make me see his live show.
The tuba sound in 'Excuse Me' makes me wonder if the title is an apology for an episode of bad flatulence. An messy, uneven album but a few good songs, particularly the closer 'Here Comes The Flood' and some interesting ideas allow it to scrape a low 3 stars.
A safe and unobjectionable country album. I'm not the target audience for this, but it's fine.
I expected this to bore me, but it's a surprisingly solid collection of songs with good production. There's not quite enough here to give it 4 stars, but I considered it. 3.5/5
Good musicians, well written songs, but it's just too smooth and my brain slides right across it with nothing to latch on to.