Pretty solid album. A great start, strong ending but a bit weak in the middle. Still a really good listen.
Absolutely storming debut. One of the first albums I listened to all the way through; luckily, it's pretty much killer from soup to nuts. An easy 5.
I'm probably missing something, but I just found this wearing after a while. Master of Puppets is great, but I found a lot of the tracks very samey. Orion was nice as a change of pace/tone near the end, however Damage, Inc took us straight back to where we were. Disappointed.
I'd never listened to this before. Pretty good, and unmistakeably Zeppelin from the outset - it's a really strong style. That said, several of the tracks don't justify their length, and I wouldn't listen to it over and over.
I'm sure it was groundbreaking at the time but, out of context, it just sounds like a weird 80s experiment. Not sure what parts of this Malcolm McLaren was actually responsible for; seems to me he just coerced a bunch of regional musicians into a recording studio and mashed it together with modern music of the day.
I'm probably missing something, but I can't join the 5-star club on this one. It's good, and gets a bonus point for Starman alone which is one of my all-time favourite songs - but I think it gets a bit bland in the middle.
50 percent great, 50 percent meh. The great stuff really is great, though.
Half this album is absolute classics. Most of the rest are strong, too. Perhaps one or two let it down, but this is definitely peak MJ.
I love this album. Another from my younger days, so nostalgia scores a point, but there are some excellent tunes on here. Doesn't outstay its welcome, either.
Enjoyed this. Quite a few catchy enough to make it into my permanent library.
Certainly a change of pace, and some nice musical motifs, but I couldn't see myself getting into it as a genre.
Not bad, saved a few songs for my long-term library, but wouldn't go back and listen to the whole thing.
Why'd Ya Do It caught my attention a few times.
I know most of U2's hits, and I like most of them, but never listened to an album before. Nothing here stuck with me that I hadn't heard before. Won't be rushing to listen to it again.
Nice enough, and perhaps if I listened to it really hard, a lot, I might quite get into it (although the jazz parts turned me off a bit). Not sure I'd bother to put the effort in, though.
Generally I would say I like drum & bass - although far from an enthusiast - however I wouldn't listen to this except as background music while doing something else (for which it's fine).
I found myself checking the length of nearly every track on this one, which isn't a good sign.
Not my kind of thing, and I can never escape the knowledge of what a douchebag Mick Hucknall is. Holding Back The Years is absolutely terrific, though.
I didn't know White Rabbit, but it stood out massively while listening to this in the background. Superb.
And I already knew Somebody To Love, which is also great and I didn't know who the original artist was.
Definitely enjoyed this one.
It was fine. One or two stuck out for me and have made it onto playlists - a sure sign of quality.
Not bad. Lively and characterful.
12-bar blues, mash the piano keyboard, repeat x7. I'm sure it was electrifying to see live at the time, but doesn't make for a great listen.
It might be sacrilege to criticise Bob Dylan, but...most of the songs here seem pretty vague and meandering to me. Not melodic or punchy enough to get my attention. Fine as background music, but I won't remember any of the ones I haven't heard a hundred times already.
Some of the attitudes and sentiments in this album weren't OK at the time and totally unacceptable now, but there's no denying his ability. Some classics on here.
I'm coming into this one biased: I really like Duran Duran, I'm a sucker for 80s new wave generally, and I've heard this album before. Nonetheless, I think this is a pretty strong album - the main singles are excellent, and most of the remaining tracks are pretty decent. New Religion I think is the only track on here I'd call weak.
Funny one, this. It's unmistakeably Tina Turner, and it's also unmistakeably mid-80s. She has got a terrific voice, but I've never been a big fan either - and the two covers I specifically recognise, Let's Stay Together and Help, are just plain weird. While I'm not a fan of recording covers that are identical to the original, I don't like these arrangements at all.
Won't be bothering to listen again.
I thought I'd quite like this when it started, but I think I was perhaps anticipating something more proggy. I think it's the amount of horn section I was finding too much after a while.
The track lengths are pretty punishing, too
A nice enough pop record (except the American Pie cover, which can naff right off). One or two that stuck out to me enough to save for later. And I'm a sucker for Don't Tell Me.
It was fine, but forgettable.
Not the sort of thing I'd normally listen to. I'd like it if I was at a themed restaurant, but I wouldn't listen again.
A bit weird. One track on here I knew well but didn't realise was them. It was fine, but not quite my cuppa tea.
Pretty one-paced, but a great listen. Full of energy without getting too much.
meh. Some good tracks on here, but got a bit boring.
Too off-the-wall for me. Wouldn't listen again
A handful of absolute classics on here. Great to hear it again.
I never listened much to Biggie in my younger days - probably a bit early for my time - but it's clear why he's considered one of the greatest ever. The flow is infectious, and there are some great beats here. It got a bit long, and I could do without the skits, but a good listen.
There's only one Neil Young - his voice is unmistakeable. One or two sounded out of his range, to the extent they sounded like awful karaoke.
Some classics, but a bit of bland filler. Still, those classics are all-timers.
I don't really listen to Dylan and didn't enjoy Freewheelin' very much, so I was surprised how much this one chimed with me. One or two all-timers and plenty of foot-tapping stuff besides.
Also in my permanent collection. Some great tunes on here, but it's very long and gets a bit wearing.
One I have fond memories of from my younger days. Still a good listen, although FiH is offputting quite quickly.
Really didn't like this one. Nasty production, sounded like there was background noise throughout. Offputting.
Bloody weird. Strange guy.
I like 60s psychedelia, so this kind of rang a bell for me. Some of the songs missed the mark, but there were a good few I liked. Not bad.
A couple of keepers and a few I didn't really like. Sledgehammer is an all-timer, though.
Beautiful voice, but the songs descended from quite nice to very forgettable. Wouldn't go back to it.
Kooky, sounded a bit ahead of its time for me; I had Sparks down as early 80s rather than early 70s.
Absolutely dreadful. There's clearly some musical skill, but the music is barely better than noise as far as I'm concerned.
Nice to listen to, but other than the two I knew already not a lot stuck out.
This album was OK, one or two I kinda liked and very much the Smiths - but they lose a point for the dull, indulgent title track, especially dumping it at the end.
Rubbish. I don't even like this version of I Shot The Sheriff, and the rest were really blah. Boring.
Pretty good stuff, would listen again.
Probably has a claim on being the best album ever. Absolutely classic.
I'm not a fan of Nick Cave's style, and this was as tiresome as I expected. An interesting idea, but not my style at all.
Nice enough to listen to; Kevin Rowlands' vocal style is a bit much after a while, though.
It was fine. One or two I'd listen to again, but I don't much like the out-of-tune sound. It was very 1994.
It's showing its age a bit, but a very easy listen. Weather With You is an excellent Sunday morning song. Will come back and listen again.
Apart from the weird first track, I really dug this.
Guessed this might not be my cup of tea, and I was right. Not terrible, but washed over me without leaving an impression
Very generic hair metal. Nothing that really stood out for me.
It was fine, but kind of washed over me. I'd be happy to listen to it again, but wouldn't seek it out.
Some nice stuff early on, but badly ran out of gas later. Didn't need to be a double album. It's a shame.
A really good listen. I don't think I've knowingly heard anything by Sisters of Mercy before; all I know about them is they're Gary King's favourite band. Some keepers on here.
Weird, and did nothing for me.
Very listenable, albeit quite samey. I was pretty familiar with several of the songs already.
I learned this guy performed the original Everybody's Talkin'. Apart from that, I couldn't find much to get along with here.
It was fine - a few I'll keep for longer-term listening - but it went on a bit too long for my liking. 20 tracks is a marathon for any album, I think.
Once again I'll show my unashamed bias for albums I already own and know well. This is great until it runs out of steam somewhere around track 9 - which there's no real excuse for on a 10-track album. Loses a mark for that, but otherwise nostalgia and a great "play while doing other things" album scores well for me.
It was fine. Not as good as I actually hoped, based on the fact I really like several of their later songs. Won't be hurrying to listen again.
I wasn't expecting to enjoy this, however I really dug it - great beats, great flows, wacky theme. Only complaint is that it overstayed its welcome a bit - even with a few skits thrown in, 20 tracks was quite fatiguing.
I would have _never_ listened to this normally, but I quite liked it. Not sure I would come back to it much, but it was a perfectly nice background listen, and a few toe-tappers in there.
Mildly surprised to discover this wasn't ten clones of Nothing Compares 2 U. There was a decent variety on show, gorgeous vocals as I expected, although the production sounds dated. Not bad.
Dimly aware of the band (or at least, the name), this passed me by when it came out, which is unusual because it came out around my paying-attention-to-new-music peak.
The music put me in mind of a cross between My Chemical Romance and, in places, Bloc Party. I quite liked it, although several of the tracks were a length I'd consider over-indulgent. I also found the tone a desperate tone a bit wearing after a while (is this emo?).
Would happily listen to a track or two of this among a selection, but not sure I'd listen to the whole album end-to-end again.
I know the title track of this album well after my dad introduced me to the album, and I absolutely love it - but bugger me, the rest of this album was dull as hell.
OK by name, OK by nature. It was fine, but I'll probably never listen to it again.
I enjoyed this a lot more than I expected, given its age and genre. Strong musically, vocally, and lyrically - I'd definitely give it another listen.
Definitely wouldn't have listened to this under any normal circumstances. Almost certainly won't be coming back to it. Clearly it was a groundbreaking record, however I think that's more about its significance as a cultural piece rather than extraordinary musicality. Not horrible to listen to, but to my ears not particularly interesting either.
A beautiful voice, but just not the kind of music I'm into. At least I'm now aware of an artist I'd never heard of.
A pretty strong opening gave way to a mediocre second half. I like the Byrds' sound, and there are a few I've saved to listen to again in future.
Meh - dad rock, to my ears. It's almost offensively inoffensive. Not my taste.
As horribly dated as you might expect from a band called Stereo MCs. I kind-of liked some of their songs the first time round, and one or two are still catchy, but the whole album is very samey and quite annoying in places.
I'm not sure why this is so highly rated. Perhaps it's because I'm just listening as background music, but all I took away from this was "aggressively weird". Not my thing.
Another one misses the mark. Perhaps I'd like some of this better if I were listening to it closer, but in general very little of it grabbed my attention, and some felt downright indulgent (looking at you, Cop Shot Cop...).
This was pretty nice. Not the kind of thing I would normally go for, but a nice listen. some real toe-tappers particularly at the beginning.
While I'm not the biggest Beatles fan, there are still some excellent songs on here, most of it is pretty catchy, and it _doesn't outstay its welcome_.
There are a few excellent tracks on here - but call me unsophisticated, I just prefer the original versions in most cases. It's good as far as a live album goes, I'd just always rather either (a) witness the performance in person, or failing that (b) hear the originals. Still worth a 4/5.
"A soundtrack to an imaginary film" is a pretty weird concept for an album, and seems a pretty pointless exercise to me. It's quite listenable, and clearly plays like a film score - but do I want to listen to that by itself? Not really.
OK, this was actually a lot better than I expected. It's not really my kind of thing, but it was more musical than I was anticipating. High energy, direct, angry - punk music, really. Not bad at all.
I expected to like this one more than the last, however despite an OK start and some decent musicality, I found it really got a bit much by the end. Perhaps it's just because the Circle Jerks one was so short. I was willing this one to finish before the end.
