Angry young white man music was an unfortunate trend in the late 90s. I, too was an angry young white man in the late 90s and have many regrets from that era. At least this isn't Kid Rock or Limp Bizkit so it gets an extra star. But it doesn't forgive My Fault and it's horrifying lyrics.
Always a good day when a Neil Young album is generated. Especially with Crazy Horse backing him up. Just a great album. So many classics on here. RIP Danny Gatten.
Not my cup of tea but a decent album. Starts strong but the second half fades. If you're into folk but with a social conscious and not lovey-dovey hippie folk, this is the album for you.
Lifeless noodling from technically competent musicians. Also cocaine. Pass.
Angry young white man music was an unfortunate trend in the late 90s. I, too was an angry young white man in the late 90s and have many regrets from that era. At least this isn't Kid Rock or Limp Bizkit so it gets an extra star. But it doesn't forgive My Fault and it's horrifying lyrics.
Right Here Right Now is a five star banger. A true classic. I did like the big beat sound of the late 90s and even though it is somewhat dated, I still enjoy it. You're Not From Brighton is a hidden gem.
Turns out I’m not that into goth. The Cure are overrated and Robert Smith is annoying. Next.
The album never got past second gear. It’s also very English and Damon Alborn sounds like a wanker. Meh.
Never heard of these guys until now. Their back story is quite interesting. This very much inspired The Stooges and I’m all for it.
Terrific musicianship from this quintet. Not all the songs slay but enough do to earn a high ranking. Jaco Pastorius and Wayne Shorter shine in particular. Shame what happened to Jaco. He was an all time talent.
Marty Friedman is an absolute dynamo. A sterling guitarist who has magical fingers. He's the strength of this album. There's something about Dave Mustaine that really bothers me. He seems really toxic and his voice grates on me. Some great songs but too much filler.
Some decent hardcore punk action here. Betrayed is a banger. I still think Husker Du did it better though. Also, this is an EP so should it belong on this list?
It’s too avant-garde for me but I do appreciate the musicianship and the influence this album had on many artists. Not sure I’ll revisit that often though.
The more I listen to it, the more this album grows on me. Can definitely here the David Bowie and Talking Heads influences. Other Voices and Tonite are bangers. Black Screen is haunting and dark. Solid album.
I can appreciate the influence it had on other grunge artists but the lyrics are terrible. I like grunge and punk but this is a sophomoric effort. Disappointing.
Not my jam. Cello Song and Saturday Sun were fine songs but Thoughts of Mary Jane was absolutely dreadful.
Not quite prime Stones. Paint it Black slams. Going Home is a sign of things to come. A predecessor to Midnight Rambler. Still lots of filler. They won't hit their peak for a few years yet. Hot take. A Canadian band called Streetheart does a much superior version of Under My Thumb.
Can definitely hear how this album and artist influenced so many future guitarists. I've Got My Mojo Working is a standout.
I'd rather listen to New Model Army.
Liked it more than I thought I would. Johnny Mar is an innovative and inventive guitarist. Morrissey is an insufferable prick.
Definitely was bopping my head to some of these tracks. Didn't enjoy the skits and some of the lyrics were cringey and violent. I'll concede this album wasn't made for old white guys like me but I can appreciate how important this album was to East Coast Hip Hop and Rap in general.
Better than I expected. Decent background music. Lacked a standout track and the country vibe was not necessary.
Some solid tracks. Drive and Ignoreland stand out. Never liked Michael Stipe’s voice. Too much accordion and mandolin. Still a decent album.
Really solid album. Love the big sounding drums and razor sharp guitars. Production from Steve Albini is terrific. Black Francis and Kim Deal have a chemistry with their vocals that mesh nicely. End of the album fades a bit but this was an enjoyable listen.
Some very cool funky vibes. Africano smashes hard. Prefer the up tempo songs over the ballads. Will check out more of EW&F. More 70s funk please.
The production is too sparse. I prefer my electronica more dense and claustrophobic like Massive Attack.
Decent album. Somewhat jarring. Not 100% certain what to make of it. Might explore further.
Somewhat eerie. Somewhat frightening. Somewhat claustrophobic. Somewhat unsettling. Yet in the end, it's a worthwhile addition to the 1001 club. Sit Down, Stand Up and There, There are outstanding tracks.
No.
A cacophony of sounds, textures, moods and feelings. Quite abstract which doesn’t work all the time but there are some moments of quality that shine. Can definitely hear Talking Heads, Devo, David Bowie and Trent Reznor in this album. King Lead’s Hat and Spider and I are highlights.
Sounds like background music to a bad Game of Throne parody porn film. Holy fuck this is awful!!
An album that's a victim of its own success. There are good songs but they've been overplayed to the point that I'm sick of them. Hells Bells and Back In Black are stand out tracks. Hot take: Bon Scott > Brian Johnson.
Boring and forgettable.
So we have an album cover of a man holding a child who looks terrified. And on said album there's a song called Sweet Cocaine (which is one of the worst songs in the history of civilization). If that isn't a red flag, I don't know what is.
It's a shame that Morrissey is so punchable because The Smiths make interesting music. Title track is excellent. Second half of the album loses momentum. Overall decent album.
There's better CCR albums than this. It isn't terrible but it didn't do anything for me. Very meh.
Is it depressing? Yes. Is it great? Hell yes! Arguably the best grunge album of the era. Slow, heavy, claustrophobic, relentless. So damn good. Would? remains one of my favourite songs of the 90s. A classic!
Not a big fan of live albums. Also prefer the 1970s Who output over the 1960s material. Still, there's enough on here that makes this release decent. Magic Bus is much better on here than the studio version.
This is perfect music for a dinner party. Ella is a great singer but this is too much. I don’t think box sets should be on this list.
The zenith of U2's career. It would slowly go downhill after this brilliant album. Everyone talks about the first three tracks and yes, they are fantastic. But Running to Stand Still and Mothers of the Disappeared are hidden gems that should get more credit.
I tried. I mean I really tried. Trust me I tried. I tried so hard. But I just can't get over that voice. Sorry Bob.
A rollicking affair. Lots of energy. Some of it a tad misguided but still a wild and fun listen. Not perfect but pretty damn good.
Decent. Might explore further.
Certainly not boring. Loud, abrasive, dark, slightly frightening. I can see why people don't like it. I didn't mind it. It's not perfect but it is a very interesting listen. Did not know this was Nick Cave's first band. Not the worst thing I've heard on here that's for sure.
Call it the Divorce Album. It's not Marvin's best but there are some interesting and chill tracks on here. His voice is just superb even with the bitterness that permeates this album. Decent but not a classic.
One thing I'm learning about myself doing this project. The Singer-Songwriter genre is not my thing.
Started promising with a couple of decent tracks but loses momentum shortly thereafter thanks to thin production, obnoxious horns and piercing keyboards that many 80s albums are guilty of. I don't remember this band even though I'm an 80s child. They didn't make a mark in my home and native land (🇨🇦) and I do tend to mark bands I remember from that time a bit higher. Still, meh.
I don't think this album knows what it wants to be. Too overproduced to be grunge. Too grimy to be California pop. It's a chaotic mess which basically describes Courtney Love most of the time.
Didn't know about these guys until know. Quite solid. Every track flows seemlessly to the next one. Radio and Frontier Psychiatrist are standouts. The tracks have room to breathe for some fascinating samples using funk, pop standards and various influences. Fades a bit at the end but this was an enjoyable listen.
You can smell the cigarettes and bourbon on this album. Hence the song Jockey Full of Bourbon which was a standout along with Union Square. Waits knows when the songs have run their course which is a lesson Bob Dylan doesn't understand. Not every song is good and it is slightly uneven but it's a decent listen and I'm willing to explore more Tom Waits.
Was very interested in hearing this when I found out that this artist had a major influence on two of my favourite artists, Neil Young and Jimmy Page. Preferred the instrumentals over the songs with vocals. The guitar playing is excellent. Folk isn't my thing but this was fine.
First off, Trevor Horn deserves way more credit for the musical direction of this album. McLaren just discovered these artists but had no idea what to do with them or even pay them which is a crime. There's some good stuff on here but McLaren is a slime ball so I can't give it to high of a ranking. To think, Trevor Horn went from the Buggles, to Yes, to the manager of the Sex Pistols, back to Yes, to Frankie Goes to Hollywood then to Seal. Horn is a genius.
Decent. Wished it rocked out a little more. Take away the lead and closing tracks and it's pretty much a Lou Reed solo album. I prefer Transformer but again, this was OK.
Sonic Youth are a bit of a blind spot for me. I had friends who were into them but they sort of escaped my attention even when I was pretty heavy into my grunge/alt rock phase. This was my first time hearing this album and it was a smart, crackling listen. Not quite five stars but still gets praise from me.
Terrific album by this underrated punk band from Brisbane Australia. No filler on this one. The horns are a nice touch without being overbearing. This should have been much bigger than it was. Still it was influential and I'm glad it's in the book.
Hated this album when it came out. Still hated it after listening to it today. Not even Prince could save this turd.
A lifeless blob of an album.
Wish I was listening to this at a beachside cantina or a sun drenched patio than a sterile office environment but it is what it is. Some of the songs needed a trim and too many sounded the same but the musicianship was excellent, especially Ry Cooder's guitar work and the many percussionists that delivered labyrinth-like rhythms.
Liked this album quite a bit. Melodic yet still punky and abrasive. Well composed and structured with some serious bite. This was a new discovery for me and I dug it.
Really liked the jazz and soul samples. This was a damn good album. Shame that Kanye was involved thus a star was deducted. Still, a cool, chill vibe while being socially conscious. This would be a hip hop album Marvin Gaye would have made.
First off, I get it. I know prog rock is a divisive genre. I know there will people who will hate this album and I get it. That being said, this is brilliant! Just a superb slice of 70s prog. Rick Wakeman's church organ solo in the title track gives me chills.
Somewhat uneven but overall decent. Quite arty and experimental.
Album starts off super strong. I'd Like To Know and Caught By The Fuzz are total bangers. While the rest of the album slips slightly, this is a solid listen and it's too bad I missed this back in 1995. I can hear how this influenced The Strokes and The Hives.
Dark, edgy, somewhat menacing, even a touch nihilistic. Yet it's brilliant funk that captures the mood of the early 70s which was chaotic and frightening. Sly was on so many drugs and it shows in the production which you can hear a hiss throughout. Yet it actually adds to the mystique and tone of the album. Damn good!
If U2 and Oasis had a love child, it would be The Verve. Liked it more than I thought I would. A bit uneven and not everything works. Note to bands. If you're not The Clash and your hidden track isn't Train in Vain, don't do hidden tracks. Overall, decent but not spectacular.
That this dreck made this book while a brilliant band like Tool is completely ignored is utterly shameful. Fuck Kid Rock and everything he stands for!
Not all of it works but it's an interesting experiment. I didn't mind it even though it's too long and bloated. Outlaw Torn stood out and is a surprise on here. Decent.
Different from what I was expecting. Thought it was a punk album but instead much more dub and reggae than punk. Maybe post punk is a more accurate description. Liked the guitars on Ping Pong Affair. Strong bass work by Tessa Pollitt throughout. Liked the tracks Instant Hit and Typical Girls. Shoplifting was a weak track that brought the album down. Overall influential and decent.
Interesting.
Nice slice of Dad rock here. Sultans of Swing is a classic and Down to the Waterline is a solid yet moody opener. Mark Knopfler's guitar playing is extraordinary. However, this album tends to veer to easy listening at times and I wished it would rock out more.
Sounds like a soundtrack to a late night "film" on Cinemax. Veers too much into easy listening and pop. One review I heard stated it's Steely Dan with a female singer. I don't like Steely Dan so this album is a meh to me.
Was expecting something else. This was quite jarring. Yes it's arty. Yes it's influential. Yes the musicianship is sound. But I couldn't get into it. Was kind of disappointed overall.
I never know what to expect from Zappa. But I liked this. Superb guitar playing. Can totally hear how this inspired the likes of Steve Vai and John McLaughlin. Also hear some King Crimson vibes. Solid album.
Most of this album cooks. Brighton Rock and Stone Cold Crazy are pure bangers that totally rock. The medley of Tenement Funster, Flick of the Wrist and Lily of the Valley is outstanding! The final quarter is a bit of a let down but overall, this is a worthy listen. Not quite five stars but still really good.
Dragged and droned throughout. Didn't click with me.
Really good! Hurt is a classic. Really liked his version of Personal Jesus. I didn't care for Danny Boy as I think that song should be sung by a tenor. Despite that, Johnny Cash is a legend and this is a solid recording.
Again with live albums. I also prefer instrumental jazz to vocal jazz. Also prefer Billie Holiday and Nina Simone over Sarah Vaughan. Overall, it's just meh.
Finally a Bowie album. And a damn good one. More avant-garde and experimental thanks to Brian Eno's influence and inspiration. Bowie is trying hard to get clean here and it shows in the more atmospheric, instrumental tracks that resemble Tangerine Dream. Not perfect but a great listen.
Meh.
Edwyn Collins tries so hard to sound like David Bowie. He doesn't have the master's chops. It's not terrible but it never rises above mediocrity.
Any album that features a Cheech & Chong cameo can't be all bad. I'll take this over Dylan any day. Too folky at times which is a drawback but I'm willing to listen to more Joni Mitchell.
HELL YES! What a pleasure to revisit this classic. A game changer!
It's OK. I prefer Back to Black over this though. Still it's a decent listen. Fuck Me Pumps is a standout.
Somewhat of a hit and miss. Georgia On My Mind is fantastic but I didn't care for Willie's version of Unchained Melody. Everything else is OK. Have respect for this forever outlaw for making this record against the record company's wishes.
This one is kind of all over the place. I Can See For Miles is a banger! Heinz Baked Beans has a Monty Python feel to it. In fact, the entire album is somewhat Pythonesque. Some of it good. Some of it, well... I do respect that the Who are calling out the commercialization of rock music way back in 1967. Ahead of their time. Overall, decent.
Never heard this before. The discovery of the week. Dirge is a flat out killer song. Just mesmerizing. Aisha and Luther's Funk are damn good too. Not perfect but this was a pleasant surprise to my ears.
A lot going on here. Money Changes Everything is a fine opener. Time After Time is a good ballad. She Bop is a decent synth pop tune. After that, it's a no from me. I get why people like it. I'm surprised Cyndi Lauper didn't have a bigger career. This was a huge album back in the day. But it isn't for me.
Liked it more than I expected. Dark, gloomy, uncomfortable, menacing, even a bit terrifying. But damn good. I have a soft spot for early 80s guitar sounds. It's dated yes, but when it comes to the 80s guitar and even synths, give me 1981/1982 over 1988/1989.
Historically important but not my cup of tea.
Prefer the Big Boi material over the Andre 3000 side. Sprawling and ambitious which I respect and both are talented. But it sounds too busy and all over the place. Didn't click with me.
Bowie's vision starts to take flight here. Life on Mars? and Queen Bitch are stone cold classics. Quicksand is an underrated gem. It's not 100% perfect but that will come later from Bowie. Still, it's a damn good album.
Very disappointing. Had higher expectations. It tries to be Sgt Pepper, Pet Sounds, early Genesis and even Tommy but not even close. Major dud.
Didn't click with me.
Solid album. New Year's Day is a classic. Surrender is an underrated gem. I do think the live versions of Sunday Bloody Sunday and Forty are better than the studio versions. Still, a young vibrant and somewhat naive U2 are better than the latter day smug posers they became in the 2000s.
A rare album in that it's backloaded. Most of the best songs are on Side 2. The classics are here like Every Breath You Take, King of Pain and Synchronicity 2 but there are questionable tracks like Mother that bring the album down a bit. Still, a great listen. I just wish Zenyatta Mondatta was in the book because that's the best Police album.
A somewhat surprisingly raw album. Could be called garage country. Overall decent. Not great but it's there like most of Kings of Leon's work. Decent but not great.
Enjoyed this album quite a bit. Excellent job by the Record Plant to setup and recreate a jazz club environment Waits storytelling and between song interludes are funny and interesting. Better Off Without a Wife is a fantastic song that's both funny and melancholy. I'm becoming more of a Tom Waits fan the more I listen to him.
Inoffensive but bland and boring.
Great album. Needle and the Damage Done is an all time classic! Out On The Weekend is a great opener. Perfect album to play on a lonely highway in Western Canada. Only Neil Young can make a country folk album that I love.
Decent listen. Always have respect for Billy Bragg.
I highly respect Dolly Parton for her humanitarianism and she seems like an outstanding person. But, this didn’t work for me. To country for this rocker.
Fuck you I won’t do what you tell me! One of the greatest debut albums ever! Change that. One of the greatest albums ever!
Can’t stand his voice. Songs are too long. A prick on stage. Apparently a cranky blunderbuss as a human. Hard no!
Decent. Better than Ocean Rain. Still, not all of it clicks but I can tell it influenced many artists.
Folk rock isn’t my thing. I do like The Boxer but the title track is vastly overrated. I know many people like this but I’m in the minority on this one.
Meandering pap and prattle. I didn't need to listen to this when there's so much better out there that didn't make this list.
I remember my sisters listening to this back in the day. Brings back some good memories. Our Lips Are Sealed has a solid bass line while We Got The Beat will always remind me of Fast Times at Ridgemont High. Decent outing.
Damn this was tasty. Some fine funk from a master. What a talent Curtis Mayfield was.
Cocaine.
Decent. They were definitely around in the 90s but I always bypassed them for some reason or another. Cut Your Hair is a cool song. First half is strong but second half is somewhat lacklustre.
There's no doubt this album had a major influence on hip-hop. Bernard Hopkins bass lines set the tone for the rap scene in the 80s, 90s and beyond. Good Times is a banger. Side two isn't quite as good but this is a decent album overall. Also what a talent Nile Rodgers is.
Decent. Again too many live albums. Still it's a fun recording.
The breakup album Taylor Swift desperately wants to write, but doesn't have the emotional maturity to do so. River is devastatingly heartbreaking.
Some solid funk here. You can hear how this influenced Prince. Just wish Eddie Hazel was on this album. Still, a fine addition to the list.
This one surprised me. Somewhat dystopian and desolate it still packs a punch and I enjoyed it. Hero is a banger! I can definitely hear how this influenced Bowie. Solid album.
Dark. Depressing. Moody. Also, fucking brilliant! One of Neil's best works! Ambulance Blues is one of the all time best album closers. Revolution Blues is a flat out banger. Neil can stay in the ditch all he wants if it means he produces gems like this.
You Better Run is the best song on the album. Pat Benatar's version is better. If you're best song on an album was done better by another artist, chances are your album isn't very good.
Uneven. Chaotic. Messy. Very hit and miss. Not sure what to make of it. It's probably a 2.5 since some songs are quite good but a couple of songs are flat out terrible. If I was on the 1001 albums podcast I'd go neutral.
Interesting. Very ambient. It's mood music so I have to be in the right mood to listen to it. I'll explore when I'm feeling it. There's potential for me to really like it but for now, it's just OK.
If my French was better (I know remedial French at best) I'd give this a higher mark. There's definite flow and the beats are filled with jazzy goodness. But the language barrier (my fault) does make it difficult. Still, I'm glad I was exposed to this.
All killer no filler. Simply fantastic. Just a thoroughly enjoyable punk album that's sinister enough to keep it real.
Another album from the most overrated genre in all of music. Critics love singer/songwriters because they feel it captures a glimpse of vulnerability from the courageous and brave musician that is inspired by the Beatles which apparently you have to be in order to be relevant and worthwhile. Nah. This is bland and repetitive material that is way over represented in this book. It's not terrible but it's not that exciting either. Yawn.
George really needed an editor or a producer with some gumption on this one. A triple album? Really George? Pare it down and it's decent. But this is overwrought and disappointing. Some high quality musicians save this from being a total dud.
First off, Child in Time is an all timer. The greatest howl maybe in all of rock music was done by Gillan on the classic anti war anthem. That song alone gives this album high marks. The rest is solid proto-metal with some prog overtones. It might lean towards hard rock while Sabbath is probably more metal. Musicianship is very high. Ian Paice is an underrated but outstanding drummer. Jon Lord and Ritchie Blackmore are both brilliant. Yeah this is good stuff.
For the most part, it's decent. I would like R.E.M more but Michael Stipe's voice just irritates the hell out of me. That said, Orange Crush is an all time classic. On the opposite end, Stand is one of my least favourite tracks. Never liked that song even though it was a sizeable hit. Overall it's OK.
Didn't click with me.
How to make Bo Diddley sound terrible. Listen to side one of this dreck. I have to imagine the consortium who made the choices of which album appeared in this book took a whole whack of drugs back in the day. The only explanation why this monstrosity made this list. Ugh!
There's no denying the influence and impact this record had on rock and roll music. For that reason, it deserves a place in the book. However, in terms of musical style, it's not for me.
Liked it more than I thought I would. Good musicians. Still a bit uneven and too many Dylan covers. Overall it's fine but it didn't blow me away.
How to make a punk record sound artistic. Goddamn this album is so good! The title track is insanely amazing! Tom Verlaine's angsty vocals and nimble guitar work is beyond fantastic. This is a great guitar album that isn't a classic shredder but it has a way that knows how to make use of the space that it creates. Pure genius.
The saddest thing this album is still very relevant today. This packs a wallop. Incendiary rhymes delivered with force by Chuck D. The Flavor Flav material is a tad weaker but it still smokes. Fight The Power is an all timer! Welcome To The Terrordome is a banger! Nice to hear Ice Cube on Burn Hollywood Burn. Respect.
No doubt Marianne Faithfull is a survivor. She's been through everything and still came out with a decent album here. Very late 70s early 80s vibe that is somewhat dated. I prefer Lennon's version of Working Class Hero but her version is very cold, nihilistic and detached which does work. Why D'Ya Do It is angry as hell. Not perfect but pretty good.
I did not know Otis Redding wrote Respect until today. Cool. Overall decent with some hits and misses. Liked Satisfaction and Rock Me Baby. Didn't care for My Girl. (Temptations version is better) Great voice.
Loud teenage angst combined with some toxic masculinity equals a shit album. Again I harp on this but, this makes the 1001 list but Tool doesn't? I really question the people who contributed to this book. There's good metal out there. (Dream Theater, Porcupine Tree, Fates Warning, Queensryche just to name a few.) Stuff like this gives metal a bad name.
Starts promising but quickly delves into this "smooth" jazz and funk that is played in late night "cinema". Till The Cops Come Knockin' is a bit creepy. It's also too long. I know it's a concept album so it gets bonus points for the attempt but it didn't do it for me.
It's not terrible but this isn't required listening. A bit unfocused and frenetic for it to elevate the material. I never heard of these guys before and I don't think I need to hear them again.
Another album that's a victim of its own success. It's overplayed to death and yet, I like it. Quite a bit actually. It's a bit of a guilty pleasure but I can't deny the craftsmanship of the songs and the production. They never topped this which was their downfall but this is a solid listen.
Very arty. Very percussive. Very good. Yeah the production is somewhat dated by today's standards but the songs remain strong. Red Rain and In Your Eyes are gorgeous. Sledgehammer and Big Time are bangers. Love Tony Levin's bass work. Didn't know Stewart Copeland did some drum work on this album until now. An 80s standard.
Let's state the obvious first. Superstition is an all time banger. Just a great song. The rest of the album is solid in its own right. Maybe too many ballads for my taste and not enough guitar with the exception of Jeff Beck on a couple of tracks. Still, I can't complain too much.
It's fine. Pretty standard fare. Problem with the blues is it doesn't really have much place to go. So it becomes mood music to some extent. Also, it's a tad creepy to hear how horny Muddy Waters is even though he is a legend.
Decent. Kind of dated though. Some tracks did have a groove to it which I dug. This would have been played in the clubs in the late 90/early 00s. But the album is too hit and miss.
One of the most 80s albums the 80s ever 80d. Still the singles are strong enough to carry the over production. Better Be Good To Me is a standout. Not sure about the covers. I'm glad I never heard Dire Straits do Private Dancer even though Mark Knopfler wrote it. Overall, it's fine and bonus points for Tina surviving and thriving after she left Ike.
So dated. Quite cringy. Ugh! Hard pass.
Another live album. This one is decent. Would have been cool to have been there in person. Sam Cooke can sing. Such a sad and tragic ending to his life.
Confession: I had a bit of a crush on Nina Persson back in the day. So I've seen the Lovefool video a few times. As for the album, it's not bad. Hit and miss. Quirky fun but sometimes too quirky. That Iron Man cover is interesting.
Despite sampling the Pixies and the Clash, this didn't click with me. Too much autotune.
There's no denying Eminem's talent and flow. He's got that in spades. And I do think Stan and The Real Slim Shady are good songs. But man those lyrics are just frightening and haven't aged well. Also, it's too long. An edit would have been nice.
If an overhead projector made an album, it would probably sound like this.
Never got into the Kinks. After hearing this, still not into them.
Kind of have to be in the mood to listen to this one. Billie's voice is dripping with heartbreak and despair. The heroin and alcohol are taking their toll on her here. Still, it's a worthwhile listen.
One really good song (Behind the Wheel) and a bunch of mediocrity after that.
Liked this more than I thought. The jazzy interludes are quite welcoming. His voice is a deterrent which stops this album from being great. Instead it's a decent listen that I might revisit on a quiet chill evening.
Songs about murder and religion. Ugh!
There is some good stuff on here (Ms Jackson, B.O.B) but there are too many skits and interludes on top of the rest of the material being extremely uneven. It's all over the place.
Another one that brings me back. Not sure the whole album is great as there is some filler. But the singles are strong enough to carry it to the finish line. Better musicians than people give them credit for especially John Taylor who could flat out slap that bass.
The precursor to grunge. Somewhat arty. Somewhat noisy. Somewhat snarly. Altogether cool. The more I hear Sonic Youth, the more I like them.
It wasn't terrible but it was way too psychadelic for my tastes.
Another album that's a victim of its own success. It's been overplayed and it is somewhat overrated. That said, it's still pretty good. The musicianship is there and the songwriting is on point. But it's also kind of depressing and at closer look it's a rather sad album.
Quite grungy and punky. I actually liked it. Courtney Love isn't my favourite person in the world but I'll give her credit, this album works. Not as overproduced as Celebrity Skin (which I really disliked) but the rawness helps this album.
A pedestrian affair.
This album was everywhere in the late 90s early 00s. Moby is a bit of an unsavoury character but I can't deny it. This remains a solid album and an enjoyable listen.
Of course it's a classic! GOOD GOD ALMIGHTY! THOSE DRUMS ON WHEN THE LEVEE BREAKS!!
Decent. Starts off strong but the second half of the album fades. Tiny Dancer is a classic! Drinking game. Take a shot every time Elton mentions Jesus. You'll be drunker than a frat house during pledge week.
I remember when this album came out and I was hugely disappointed when I first listened it. 30 years later, it's a bit better but far from perfect. The bookend tracks are the best songs on the album but you can tell Kurt Cobain wasn't going to be long for this planet. Steve Albini's production is hit and miss which is surprising. (Speaking of Albini, why isn't his band Shellac in the book? They're fantastic. Never mind.)
The most hipster album I've ever heard. That said, it's decent and inoffensive but it's also overrated and a bid dry. Good background music and fine musicianship carries it to a passing grade but it doesn't elevate to greatness. Great album cover though.
Annoyingly 80s.
Decent. Good energy. Too bad Carrie Brownstein's voice is so annoying. Don't need that much tremolo.
Couldn't get into it. Kind of disappointing.
Tis a shame that Win Butler is a punchable asshole because this is a solid album. Some really good songs on here.
There's no denying the influence and impact this album had on music and popular culture. And yes, A Day In A Life is a truly great song. But...I do think this album is somewhat overrated and it get so highly regarded because it's the "first" or the beginning of the rock album era. I do think there are others that followed are much better. Granted, I'm not the biggest Beatles fan, (I don't hate them but I don't love them either) so that might tilt my bias a bit. Still, it's fine but there is a lot of filler on here.
Decent. Good energy. Darby Crash's voice is a bit annoying. I also prefer Dead Kennedys and Husker Du to this. Did not know Pat Smear played guitar on this until now. Interesting.
Maybe the most overrated band that appears in this book. I never got Depeche Mode and I still don't get Depeche Mode.
Who recorded this Pepe LePew? Bloody awful!
I remember when this came out and how much it pissed off the religious right. Yet, the religious right is far more evil than anything on this album. Some solid metal here. I do think Powerslave is Maiden's best album though but still, this one does cook.
This Hendrix fellow can play guitar a little bit.
At times tough. At times tender. Solid album by someone I tend to overlook. I should delve more into PJ Harvey's work because she does produce some really good material. Enjoyed this one.
Annoying fake band. Didn't need to hear this when it came out and didn't need to hear it now.
Always a good day when a Neil Young album is generated. Especially with Crazy Horse backing him up. Just a great album. So many classics on here. RIP Danny Gatten.
It's greasy. It's dirty. It's raunchy. It's vintage Stones. Unlike most classic albums, this one hasn't been ruined by classic rock radio so the songs are more fresh. It may not have the hits but it's a great album overall.
Fake ass soul from a bunch of Manchester United supporters. Rubbish. Here's hoping Bayern Munich crushes the red scourge in the Champions League and I never have to listen to this tripe again.
The title track is so hypocritical. Lennon preaches peace and love yet was not very peaceful or loving to family members. Sorry but not buying it John. Rest of the album is very meh.
Hugely influential. The glammiest of glam rock albums. Fine album. Some real bangers on here. Not entirely perfect but definitely belongs in the book.
Hard no! Beyond not my thing. I heard he opened for The Clash on a few dates and was spit on and punks threw beer at him. I would have been one of those punks that would have thrown beer if I was at that show.
It's fine. Punky enough to earn a passing grade but too Celtic and folky for me to earn higher marks. It would be better to hear this at a British or Irish pub while sipping some Jamesons.
The good: The version of I'm a Man is superior to Spencer Davis Group's version. Peter Cetera can play bass. Damn. In fact, the musicianship on this album is terrific. The bad: The Free Form guitar solo is nothing but noise and is damn annoying. They became sappy balladeers in the 80s. Overall, it's decent albeit a bit all over the place.
Was never a big Tom Petty fan but this album is OK. American Girl is a banger. The rest is fine. He tries real hard to sound like Bruce Springsteen but I prefer the Boss more.
One of the most gorgeous albums ever made. Just a stunning masterpiece. There aren't enough words to describe this. An astounding achievement.
It’s fine. Drive My Car is a classic. Run For Your Life hasn’t aged well. Just not a big Beatles fan.
Solid instrumental album. Very much enjoyed it. Only issue is too many covers. Otherwise this was an enjoyable listen.
Underrated but damn good album. Tomorrow's Dream is a hidden gem. Some solid sludge and doom metal here. Call it proto sludge and proto doom if you want. Sabbath were the innovators.
This might be my least favourite Kings of Leon album. They're good musicians but the songs don't cut it here. Second half in particular drags. Not sure why this one is in the book.
It's a great album but it isn't Neil's best. I like other albums from him more but this is still an excellent listen. The title track, Don't Let it Bring You Down and When You Dance I Can Really Love are stand out tracks.
This could very well be the birth of fusion. Some jazz purists may not like it but I like the experimental style of this record. Bold and somewhat courageous outing from Miles. Always pushing the boundaries.
This album isn't sure what it wants to be. Is it R&B? Is it pop? Is it hip-hop? Is it trip-hop? Too convoluted. I wish it was more rap because those songs work better and it would have been a more interesting album. Instead the pop stuff sounds so dated and meh.
Depressingly horny. Is Leonard Cohen depressed because he's horny or is he horny because he's depressed? By any account, he needs a therapist.
In all honesty, I didn't mind this. It's not perfect by any stretch of the imagination and I have to be in the right mood to listen to this (or at Starbucks which many have said on here already in earlier reviews) but this was OK.
Mercifully, it wasn't long. Because I really didn't like this. Fake opera is what I would call it and I don't like real opera. I didn't need to hear this and I hope I never hear this again.
Utter rubbish. Whiny and annoying. Piss off.
I just can't get into the Kinks. They might be too British for my North American tastes. That said, Situation Vacant is a good song. But overall, it's not my jam.
Have to be in the right mood to listen to it. She's a talent no question about that. Although I find her warbling to be a bit much. Four Women is devastatingly great.
Really solid album. Lust for Life remains a banger. Success is an underrated great song. David Bowie's fingerprints are all over this First time listening to the entire album and yeah, it cooks!
It's quirky, arty, weird, chaotic, glammy and a whole lot of fun. Enjoyed listening to this album. One of the most unique and original bands out there. Just wish there were more albums from these guys in the book. (In particular, Hello Young Lovers which is fantastic.)
Decent outing. A bit overrated though. Too much spoken word diatribes for my liking. Gloria is a standout. I think I was expecting more gnarly punk than poetry. Still, it's worth a listen and I do think it's inclusion in the book is valid.
Broad, cinematic in scope, grand, lush, and truly amazing. The Boss arrives here and never looks back. Happy to be along for the ride. Simply put, a fantastic album and I look forward to seeing him live for the first time in six weeks time.
Very pedestrian. Plays it so safe that moms around the world rejoiced. But for me, it's so bland, it makes laundry detergent look exciting. Blah.
DUN DUN DUN! DUN DUN DA-DUN!
Not my jam.
Decent. Some good moments. Some meh moments.
Porn for the hip hop crowd. These guys are hornier than Hugh Hefner in the 1970s. That said, the beats are smooth, the grooves are cool. But it's overlong and a slight bit dated. OK but not a classic.
Spooky and quite nihilistic. It's decent. Day of the Lords is a banger. Not all of the songs hit which makes for some lost momentum which makes me tune out. But it's definitely influential and one wonders what would have happened if Ian Curtis didn't take his own life. New Order may not have existed or would have come about in the 90s.
Liked it more than I thought. Preferred the more rock and ambient material over the pop stuff. Bjork's voice is more restrained for the most part here. Not perfect but decent.
Couldn't get into it. There were too many moments where I just checked out. It's not the worst thing I've heard on here, but it didn't click with me.
Decent but I've heard better punk rock.
This one brought back some memories. I went through a clubbing stage in the late 90s and this album sounded awesome in a club or rave. My old self can't do that any more but this album still sounds solid albeit slightly dated. Firestarter remains an all time banger.
Liked this. Quite influential. Was only familiar with a couple of Fugazi songs before listening to this but now am willing to explore them further. Solid album.
Decent. Some good songs. Excellent rhythm section. Eric Clapton is an asshole.
An album that's very near and dear to me. It helped me get through many a dark time over the years. I've been told I do build up a wall because I don't let people in and I think this album has been an influence. One of my favourite albums of all time. David Gilmour's guitar solo in Comfortably Numb is in my humble opinion, the greatest guitar solo ever recorded.
Ska really isn't my thing. Our House was a big hit and an OK song but the rest of the album is meh. Also, is there a dude in blackface on the cover? Ugh!
It's fine. It's fun. A bit too processed though as the mix is drowned in synths which dilutes the rhythm section a bit too much for my liking. Still, it did extend ZZ Top's career and made them icons so I get why they did it.
Decent. Have to be in the mood to listen to it. It's also too long but it does make for some good background music. Best played at night while walking around a cosmopolitan city at night.
Blah and meh. Didn't do anything for me.
Decent. Interesting mix of African rhythms and American blues. Some of it works. Some of it doesn't. I would be interested if there is more from this project.
The most hipster album I've heard so far. Not necessarily a good thing.
Not a country fan but this was OK. Lots of old cowboy songs on here. Have to be in the right mood but wouldn't complain if someone threw this on at a dive bar.
Decent. Some of it slaps. But there are too many keyboard and synth sounds that takes away some of the snarl from this album. It's almost post punk even though this came out at the height of punk. I'd be open to exploring more of the Stranglers.
This one was OK but still a bit jarring. I can hear the talent and there are good songs but not quite a full album.
What a curtain call. A haunting, mesmerizing masterpiece from an absolute legend. To think, Bowie was dying from cancer when he made this artistic tour de force. Simply incredible.
Really funky and very cool. The rhymes are dope. The flow is excellent. I'm taking away a star for Infamous Date Rape which is an unfortunate inclusion. Otherwise this is a solid hip-hop album.
Decent. Some good samples and rhythms. Some songs were annoying though which made it a bit uneven but there's enough good stuff to give it a passing grade.
Not my favourite genre but can't deny the influence. Also, this one has a bit more snarl to it so it gets a higher grade than previous albums of similar ilk.
It's fine. Some interesting and eclectic stuff on here. Not all of it works and at times it goes into country which I'm not into. I also think he's better with Meg White behind the drum kit. Still, there's enough good stuff on here to make it passable.
Fun album. Iggy lets loose here. The rest of the band is tight. Solid stuff.
Stark. Raw. Unflinching. You can hear the pain in Neil's voice as he pays tribute to Danny Whitten and Bruce Berry. It's very rough on the edges and it can be a difficult journey. But it's so worthwhile once you get to the destination. Fantastic!
Interesting. I feel that this album is a potential grower. There's some good samples and the ambience is appreciated. But I wasn't fully engaged because I wasn't 100% in the mood. But I do feel the right situation or mood would make this album better. I'll probably give it another go down the road.
This album really needed Neil Young.
This is a grower for me. It took me a while to get into it. It's very good but I don't think it's Bowie's best. The title track and Cracked Actor are bangers. Panic In Detroit is really good. I do think there are better Bowie albums but I still think this one is solid and definitely belongs in the book. Also, the album cover is iconic!
Country isn't my thing. This is a no.
Their best album. They never topped it. Lots of solid tracks. Space Invaders is an absolute banger. Brass in Pocket is a classic. Nice blend of punk aesthetics with new wave sensibilities. A shame that addictions thwarted such a promising group.
Music was decent but the lyrics and song titles are beyond stupid. Maybe this was a joke or some other comedic stunt but it didn't work for me. In a way a shame because I do hear talent amongst the musicians.
The thing about electronica is that it has to grab me or I lose interest. This one didn’t grab me. Aimless and meh.
I like the prog, Peter Gabriel led Genesis more than the pop, Phil Collins led incarnation of the band. So I do like this album quite a bit. It's not perfect and like most concept albums, it starts strong but fades in the back half. Still, a solid listen with excellent musicianship knowing that this won't be for everyone's taste. Basically, a typical prog album.
It sort of floats about but doesn’t go anywhere. Possibly my least favourite Radiohead album.
Solid stuff. The precursor to punk. Lots of energy. Last song is meh but everything else smokes.
I didn't need to hear this before I die.
Even though I'm not a Dylan fan, I have to admit that Subterranean Homesick Blues and Maggie's Farm are great songs. Add to the fact that this was the first time Dylan went electric, it was hugely influential. I still can't stand his voice though.
It's OK albeit a bit dated. It's fine for background music.
Starts strong but loses momentum in the second half. Overall decent. The bonus track is flat out terrible. Memo to musicians. Don't do bonus tracks. If the song isn't good enough to be on the original album, don't use it as a bonus track. More often than not, bonus tracks are awful.
I remember when they played Saturday Night Live in the early 90s and I enjoyed their performance. I kind of forgot about them. Listening to them today, I'm a tad surprised they weren't bigger. Then again, there were so many alt rock bands in the early 90s that they got lost in the shuffle while the Seattle bands ruled the roost. Too bad. This was a solid album.
Unpopular opinion but I think this album is overrated. It's Too Late is a good song but the rest is just isn't my jam. Give me Aretha Franklin's version of You Make Me Feel Like A Natural Woman everyday over King's version.
At times thoughtful. At times mournful. At times scornful. Overall it's a great record but sadly, still too relevant considering the subject matter. I do want to explore Scott-Heron's discography further. Everything I've heard from him so far, I've really liked.
In my younger days, I was a huge Rush fan. My fandom has dropped a bit but this is still a great album. I'm deducting a star for the unfortunate Ayn Rand shout out. Neil Peart's drumming is sensational. I do understand people not liking Geddy Lee's voice. This one is a matter of personal taste.
Man this is some good stuff on here. It's a shame they couldn't stick together although I do like their solo material. The mercurial Lauryn Hill has a gorgeous voice especially on the cover of Killing Me Softly. The title track samples Dove by Cymande brilliantly. I'm deducting a star for some of the skits after the song ends which hip hop is guilty of. But overall, it's a solid album. Yo L: Take it to the bridge.
Somewhat uneven but overall decent. Tennessee was the hit but Mr. Wendal is the banger. They should have been bigger and it's a bit of a shame that they couldn't stay together. But it's influence remains.
I can hear the critics now. Using words such as baroque, opaque, unique, quaint, or anything with the letter q in it. To me, I question this entry into the book. It's not terrible but it is somewhat dull and when it tries to pick up steam, it quickly fades into a languid wave of blah. Hipsters may like it but I'm not a hipster.
It's decent. Good flow with some solid samples. But it sounds like she's repeating words to make the lines rhyme and it sounds repetitive. She's got talent and her voice is unique but the writing needs to improve. Still, it's listenable.
This album was everywhere back in the day but I never got into it and after listening to it now, I still won't get into it. There are good musicians on here. The playing is solid. But it's drowned out by annoying 80s production and synths that sound like horns which is one of the worst 80s tropes. Add to the fact the accusations of plagiarism and appropriating black music to a white audience makes this album kind of cringey.
At least Clapton's not on it.
It starts a bit slow but it kept growing on me. The longer tracks are the best tracks, especially Four Cornered Room which has an impeccable groove. I preferred this over the hits from War. Always a pleasure to get a 70s funk album.
Silky smooth soul from a master. The title track is a classic. Al's version of How To Mend a Broken Heart surpasses the Bee Gees version. Rest of the album is quite solid. Would not complain if someone threw this on to wind down a party.
Disjointed, jarring, chaotic, bloated, overrated and influential. There are good songs. Dear Prudence is beautiful. While My Guitar Gently Weeps and Helter Skelter are bangers. The playing is good. However, Obla Di Obla Da is flat out terrible. There's no denying the impact the Beatles had. But just because they were the first doesn't mean they were the best.
Meh
Probably the most raw Iron Maiden album. Steve Harris may disagree but there are punk vibes on this album. Overall it's decent but I would put Powerslave in the book over this one.
It does have one of my favourite CCR songs in Born On The Bayou. I liked it more than Green River but CCR are a singles band not an album band which explains the fact there's still too much filler. Also, what's chooglin? Don't answer that.
Fuck Clapton.
Starts strong but has lulls throughout. Inconsistent but a decent outing. It was my first time hearing this particular album but I have hear other Dandy Warhols songs and I've liked them. I'd be open to listening to this again.
A bit meandering and all over the place. But the playing is solid and the recording is top notch for a live album. It isn't perfect but it's far superior to anything the Grateful Dead produced.
Liked it more than I thought I would. Kind of sounds like a James Bond soundtrack from the Sean Connery era or background music in a Persuaders episode. This might need a deeper look in the future.
Not really my jam. Friday Night is a banger. The rest is too much rich white rock star living in California whining because he did way too much cocaine and befriended Charles Manson.
This album is the reason why punk had to happen. So pretentious. Ugh.
A superb slice of power pop and new wave. This album has grown on me over the years. It took me a while but I now recognize how fantastic this album is. Sadly, they never topped it as they went too much to the pop side in later years. But this is a great listen.
I liked it. Very ambient. First half is stronger while the second half does fade. Still a nice discovery as I've never heard them before.
Sounds too much like Oasis. Thin production. But overall, not bad.
No denying the talents of Nile Rodgers and Bernard Edwards. And Le Freak is a banger. But there are too many ballads that drag this album down. I prefer Risque over this one.