It's just not for me. Most of the songs sound very similar. I also found myself wondering how young he was when he made this. The lyrics all sound like they were written by a 60 year old world-weary person. Was he just continuing a folk tradition and lifting lines and phrases from what came before? I have no idea, and I'm sure many enjoy it, but it's not my bag, man.

I hope you like piano, cause that's all you're getting. As a non jazz piano aficionado this bored me a bit. It felt like something they'd be playing in a hotel lobby.

This is just very good. It's hard to imagine anyone not liking this.

This is a classic for me. I bought it the day it was released and have listened to it off and on for the past 30 years. It will always trigger a sense memory of a certain time of my life, I was listening to it so much. Love it.

This was fine, but didn't seem special to me. Nothing hooked me. It was fine mood music, to have on while you're doing other stuff, but I don't think anything about this will have me coming back.

This isn't my favorite U2 album (I prefer Joshua Tree and Achtung Baby), but it's still really good. It has a couple of very recognizable singles that hold up very well to this day.

This was nice. I already like Crosby, Stills & Nash, so was kind of predisposed to like this one too. It has a very similar vibe to that group. No song especially stuck out to me, but I'll likely listen to the whole thing again some day.

Before listening I was pretty worried I was going to hate this. Glad to say I was wrong. I don't necessarily love it either, but it's kind of catchy. It sort of reminds me of really early Police, if they were girls and recording in a garage. Also, the singer's style reminded me of Bjork a few times during the listen.

It's very hard not to hear the Flaming Lips while listening to this. They have a similar sound, but maybe a tiny bit less weird and a pinch more dreamy. I will listen to this again.

I like to think that, if I was a teenager when this came out, that I'd have been cool enough to be into it. In reality, I'd probably have been listening to the Monkees or the Archies or something. That being said, cool doesn't necessarily mean fun to listen to. There are definitely some good songs on here (Heroin, Sunday Morning, I'm Waiting for the Man), but many kind of droned on a bit too much for me.

Are you looking for a background album for when you want to have groovy conversations with your friends in your shag-carpeted sunken living room, while sitting on avocado-colored couches surrounded by paisley wallpaper? Well have I got the album for you!

I like Curtis Mayfield. I think he has some great songs (Pusherman, Superfly). This album was fine, but it didn't really grab me. Nothing stood out especially, but it sounded pleasant as background.

I'm actually an Iron Maiden fan, but I feel like they hadn't really found themselves yet with this one. I prefer the mid and late 80's albums where they were more polished.

Yep, I've done the research and this is definitely jazz. I don't even know what to say here. It's fine, I guess. It's not unpleasant.

I ended up listening to this one twice. My wife is an Elvis Costello fan, but didn't know this record so wanted to listen to it after I did. It didn't do much for me the first time, but really started to grow on me the second listen. The songs weren't super catchy the first time through, but I found myself really enjoying them more with repeated listening. I guess I'm saying this one will grow on you. Especially if you already like Elvis Costello.

I'm not even sure what this was, but I liked it.

I liked this fine. It's not quite The Smiths, but obviously has that vibe. I'm ignoring Morrissey's personality and just judging the album.

Great album. Except for the confusing first track "EXP". At first I thought maybe I was listening to the wrong thing.

I liked this just fine. It was a little dull at times. I suspect that if I'd discovered this when I was younger that it would have been an important album in my life.

Such a great album. Is there a better gloomy, rainy day album to listen to? If there is, I don't know it.

Oh boy, this one is embarrassing. I used to like this album in high school, but haven't heard it in many years. It is so bad. The music is simplistic and the lyrics are cringeworthy. And how many songs based on Stephen King stories do you need on an album? Their answer is "more than one", apparently. I'm not giving this a "1" for a couple reasons. One is nostalgia, and the other is that this isn't actually unlistenable. I was cringing, but I was never totally hating what was playing. I'm saving the ones for way worse albums.

It wasn't that this was awful, because it's not. It's definitely music. It's just pretty much a 45 minute jam session, which I'm not really into. If you are into stuff like the Grateful Dead and Phish you might like this a lot more than I did.

An album of covers (I think... I didn't recognize a few). It's so simple, yet so beautiful. You certainly don't need to be a fan of country to appreciate this album.

This was a fun little piece of pop/punk. I don't see myself seeking it out in the future, though. I wouldn't mind listening to it if it came on, but that's about it.

It was fine. A little dull after the title song. The starry starry night song was pleasant, though.

I'm not that into hip-hop, but if I were it would be this.

I get why some people may like it, but this is not for me.

This was very 90s. Crunchy guitars and a guy yelling lyrics. It was okay. Not great or bad. I probably won't listen to it again.

If you've ever listened to a 60's playlist you probably already know half these songs already. But if you don't like the blues you probably won't love them. I don't love the blues. It's okay.

This is a little too raw for me. I like Siouxsie, but this is closer to punk that what I know of her and her band.

It wasn't bad, really. As a jazz novice (at best) I don't know much about the genre, but it sounded nice.

My understanding is that you have to see them live to really understand. That makes sense, because this was kind of boring. The last song, "Truckin'", was fun though.

It was good. I liked it. After hearing it 1000 times, though, I have to say "Fast Car" is still the highlight of the album.

There's a couple of iconic songs on here (Monday, Monday... California Dreamin'), but otherwise I found the album pretty forgettable. Not bad, but I won't seek it out again.

This was fine. It sounded very raw. It reminded me a little bit of The Ramones, and a LOT of the Strokes. Or I guess I should say now that The Strokes sound like these guys.

About half these songs were amazing, and the other half were just good. That's not quite enough to get a 5 from me, but it was close. Great album!

It was okay. It's very mellow, very simple. It's not really my thing, but I can appreciate the artistry.

Why is this album so long?!? I started it on Sunday afternoon. Now it's Monday and it's still playing. Have I even finished a single track? Is there any rhyme or reason to anything? I don't even know where I am anymore. Is that a dwarf standing in the corner? Am I trapped in the album? Is this Hell? But also it's got a beat I can dance to. Two stars.

I'm not that into Jazz. That being said, this album is cool as hell.

I really liked this! That being said, I don't think it would have sounded special if it wasn't for Bjork's presence. Her voice elevates this from standard jangly indie rock to something totally different.

This was nice, but I can't imagine seeking it out again. I bet it's cool listening to this music in a club (like Ricky Ricardo's), but just having it on while I sat on the couch was sorta weird.

I can't even be objective about this one. I've probably literally heard it 1000 times. One of my all time favorites. There Is A Light That Never Goes Out never gets old no matter how many times I've heard it.

I'll just leave it as "not for me". I can appreciate the talent, but it was not my thing.

There are some songs on this album (albums?) that I really, really enjoy. And then the rest of it I don't care much at all. The skits feel like a huge waste of time and take you out of the mood. Overall a 3, because the great songs are still great. Seriously, how is Hey Ya! so catchy still?

No. Just... no.

This was alright. I didn't love or hate it. My only question is: Why is it an album I need to listen to before I die? It didn't seem that special. What classic album didn't make it on the list because this one did?

Smooth Criminal is still kind of a cool song, but the whole thing sounds so weak. So many synths and drum machines. I just don't feel like it holds up at all.

So there were a couple tolerable songs (the album opener, for instance), but that can't make up for the mostly atonal drone that I just listened to.

I liked this a lot more than I expected. I thought it was going to be a rap album, but really I'd put it closer to something like 70's soul. At times I got a Stevie Wonder vibe from some of the songs. Good stuff.

Is it weird? Hell yes. But if you just give into it, it's a lovely ride.

I really want to like Tom Waits, I really do. I really appreciate that he exists, and I want to enjoy his music, but I don't. Maybe two songs on here were okay, but the rest was nothing I'll ever come back to.

This was decent. A nice mellow listen. Not memorable enough for four stars, but better than I expected.

It's kind of a psychedelic folk-rock thing. If you're into that sort of sound, definitely check it out.

I didn't love it. To me it sounded like the generic soundtrack to some forgettable 60's movie. It's not a sound I'm into. That being said, my wife really did enjoy it. Your mileage may vary.

I liked this, but it doesn't really feel like the kind of thing I'd listen to at home. It probably belongs in a bar or something. Bumped up from 3 to 4 stars because it has Fairytale of New York on it, which will always be a Christmas favorite.