The queen is dead : 5/10 Frankly, Mr. Shankly : 7/10 I know it's over : 5.5/10 Never had no one ever : 5/10 Cemetery gates : 5/10 Bigmouth Strikes again : 7/10 The boy with the Thorns in his side : 6.5/10 Vicar in a Tutu : 4/10 There is a light that never goes out : 6.5/10 Some girls are bigger than others : 4.5/10 The album is nice to hear, but a bit repetitive. Vocals from Morrissey are really nice on some songs. Highlights on Frankly, Mr Shankly and Bigmouth Strikes again Averaged grade : 5.6/10

I absolutely love live albums and Nirvana, so this one is easy :) About a girl : 7/10 Come as you are : 9/10 (one of the first song I learned on guitar) Jesus doesn't want me for a sunbeam : 6/10, a bit less fan of this one. The man who sold the world : 10/10, f*ucking masterclass Pennyroyal Tea : 6.5/10 Polly : 6/10 On a plain : 6/10 middle tracks are a bit weak and lack energy Something in the way : 8/10 Plateau : 7/10 Oh, me : 6/10 Lake of fire : 7.5/10 All apologies : 7.5/10 Where did you sleep last night : 8/10 7.3/10 ==> 4*

The Beatles = one of my fav group ever. This album is a monument of music and has almost only bangers Come together : 10/10 Something : 9/10 Maxwell's silver hammer : 8/10 Oh! Darling: 9/10 Octopus Garden: 10/10 what an incredible song with fantastic lyrics I want you : 10/10 Here comes the sun: 10/10 how not to be amazed listening to this Because : 8/10 You never give me your money : 7/10 Sun King : 8/10 Mean Mr. Mustard : 8/10 Polythene pam : 8/10 She came in through the bathroom window : 7/10 Golden slumbers : 7.5/10 Carry that weight : 10/10 amazing transition The end : 8/10 great ending of the album Her majesty : N/A 5* easy

Not a great fan of hard rock but I can imagine that for times to times it is nice to listen to Well, it's highly reverbed electric guitar, punchy drums, nice bass but I am not convinced Cherub rock : 6/10 Quiet : 6.5/10 Today : 5/10 feels like listening to cherub rock again Hummer : 5/10 Rocket : 5.5/10 disarm : 7.5/10 more progressive, less 'hard' => I like that Soma : 8/10 same as previous analysis Geek USA : 7.5/10 really like this mix of calm vocals and abrupt guitars Mayonaise : 8.5/10 nice guitar melody Spaceboy : 6/10 nothing special about that Silverfuck : An 8 minutes song is always special 8/10 sweet sweet : 5/10 luna : 6/10 Overall I liked it more than expected, especially after Disarm, but still won't listen to it casually. 3*

Unexpectedly liked it but wouldn’t listen it it again 3*

great cover, amazing album Maggot brain : 10/10 10 minutes songs cannot go bad, epic guitar solo 4*

Moarf 2/5

Nothing much to say, enjoyable but boring at the same time 3*

Absolute masterclass, flawless albums from beginning to the end 5*

Nothing special about this 2*

Nothing to say really

One of the best if not the best big beat album.

How can I be as cool as him ??

Mediocre britpop, did not enjoy it, plus I don't like the cover art

Although a can understand the greatness of this, I would not listen to it by intention

Liked it more than expected to, but would not re-listen to it regularly

Started by some hard rock-ish song and I thought « this one not for me » but the more I listened to it the more I liked it’s funky melancholic vibe

Really good album, it flows really nicely, but I would not buy it 4*

3* very good first half with lots of bangers but boring second half

Boring

Not available on Apple Music France :(

I’m so sorry but I can’t

Way too long

Parties RnB/Pop assez cool, moins fan des parties rap

« My favorite artist right now is FATboy slim, that guy kicks ASS » : transition de fou entre le "Right here, right now" et "The Rockafeller skank" Les 3 premiers morceaux = du génie. Le milieu s’essouffle un peu, il réussi à répéter sur toute une chanson «California is druggy, druggy, druggy, druggy» (5min53 quand même !) avec une autotune qui ferait pâlir Daft Punk (et la phrase est par ailleurs un sample d'une animatrice TV, qui, petite digression, donne cette dédicace dans les crédits de son album : This album is dedicated only to the people who have bought it retail and not the SOB's who are listening to it for free at their friend's house, SOB signifiant Son of a b****... relativement agressif comme phrase hahaha) Les trois morceaux de fin sont aussi des masterclass. Donne globalement envie de taper du pied mais peut être un peu répétitif, ça reste quand même une dinguerie de sampling (avec environ 10 samples par morceaux >:0 (avec des samples allant de David Bowie à Jay-Z en passant par Giorgio Moroder) Fun fact : L'interview radiophonique de la fin du premier morceau est bien réelle, et Norman Cook (Fatboy Slim) est ensuite devenu pote et "drinking buddy" avec le fan en question

Le problème c'est que je manque absolument de référentiel pour pouvoir avoir un avis sur un album de jazz. Est ce que j'ai bien aimé ? Oui mais est est ce que l'album m'a fait ressentir quelque chose qui me ferait le réécouter ? Pas vraiment. Je crois que ce qui fait l'importance de cet album c'est aussi le contexte dans lequel il à été créé : Ellington (légende du jazz de l'époque) était en perte de vitesse et dépassé par l'arrivée de nouvelles têtes (la génération des addicts à l'héroïne) et la fin du format 'Big Band', et il a mis une claque monumentale au monde du jazz à ce concert. Maintenant, je ne suis pas sur de pouvoir apprécier l'album autant que si j'avais été un jazz aficionados en 1956 mais ça force l'admiration.