Only Built 4 Cuban Linx

This album is pretty bad, you know what I mean? Like, I read the wiki and it was clearly not meant for me. Judging by the number of dislikes on youtube, I guess others don't like it as well, do you know what I mean. Yeah this album doesn't have memorable songs - the best one is about ice cream or something you know what I mean? and how about that "song" that's just two dudes smoking and drinking and saying you know what I mean repeatedly, you know what I mean? You know what I mean! You know, What I mean is you know what I mean. You know?

18 tracks, are you kidding me?! That's too much. Too much aggressive fronting and misogyny for me this early in the morning. I cannot connect with or relate to any of this and the album artwork is an assault on my eyes. Do not like.

Lyrically dense, loosely cinematic, and a showcase for almost every single member of the Clan, Cuban Linx is possibly the definitive Wu-Tang album. Rae and Ghost (plus RZA's production) are undoubtedly the stars here, but the features are the record's crown jewel: Inspectah Deck comes through with one of his all-time verses (second only to Triumph), Nas delivers what feels like a refined sequel to his legendary intro from Live at the Barbeque, and even Blue Raspberry's vocals provide a welcome contrast to the rugged coke rhymes that permeate the album. Repeated listens over the years trained me to skip over the skits, but on this revisiting I came to appreciate how they set the stage for the tracks they precede—the intro is a primer for both the album as a whole as well as the heist Ghost describes so vividly in Knuckleheadz, and the scuffle at the start of Can It Be's remix feels like an appropriate companion to his following verse ("Opened flesh, burgundy blood colored my Guess"). You could easily drop the whinging about the Ready to Die album cover, though. Key Tracks: Guillotine (Swordz), Verbal Intercourse, Wu-Gambinos

Didn’t enjoy

Not my most favorite album. While I can dig a good bit of WuTang, This solo project by Raekwon, not so much. The beats are fun and the delivery is pretty good but rarely great. It would be an easy 4 star rating if it weren't for the pseudo-mafioso lyrical nonsense. It's... less than great. I get that these cats were living rough on the streets of mid-90s NYC and were struggling (like a lot of youth of color at the time) to find an identity that could be "theirs" but, dang. It's kinda dumb. That knocked it down a couple of stars for me. But, like a lot of 90s hiphop, if you listen to it long enough, it grows on you a bit. The samples lifted from old movies are a WuTang staple and a lot of fun and while the content is generally crap, the delivery really is good and the writing is periodically brilliant despite the content. Not often enough to save it from a middling grade but enough to keep it from failing.

Nomesayin

This album changed my life. It was so aggressive and made me feel anger I've never felt before, so I went outside, punched a toddler and ended up in Police custody. I am writing this between my bail and sentencing date. Thanks a lot 1001 albums. See you on the other side.

A quintessential hip hop album. One of my favorites of all time.

Quite an exhausting listen, and I'm still someone who struggles with all the interstitial skits that pepper hip hop albums, but the music itself? Quality. A fairly murky and morose album, but Raekwon's lyrical facility is superb; both he and Ghostface Killa are all over those dusty Wu-style beats.

I was a big fan of “Enter the Wu-Tang: 36 Chambers” when it appeared on this list recently, having never heard it before. Launching an entirely distinct movement of hip-hop, it spawned what became known (to me) as the WTSU (Wu-Tang Sonic Universe- you can keep that). If the whole clan form East Coast hip-hop’s Avengers, Raekwon is their Thor with Ghostface Killah’s Hulk: two of the hardest of the bunch on their own side-adventure. Also returning from the Clan is RZA on production, bringing the same smokiness, mystique and even kung-fu samples that “36 Chambers” had. Overall, though, there’s less energy and a little more bagginess to “Only Built 4 Cuban Linx”. “Knuckleheads” is a fairly muted opening against a reverberating, rumbling bass line, and things quickly take a somber turn for the album’s remainder, with moody, stifling samples and introspective lyrics. Occasionally, there’s a galvanising change of pace: “Criminology” is a wake up call, with its brass sample blaring in like an alarm. A harder edged “Can It Be All So Simple”, originally on the Clan’s debut album, recontextualises the track slightly and forms an interesting curio. Guest stars are solid: Nas proves his worth as a hip hop heavyweight with a standout verse in “Verbal Intercourse”, and Capadonna is recruited in U-God’s absence. Ghostface also makes sterling contributions throughout. But for me, the MVP of the guest stars in Blue Raspberry. It’s a novelty to hear a woman’s vocal on a Wu-Tang record, and she lends a very welcome extra dimension to “Rainy Dayz” and “Heaven & Hell”. Both these tracks were released as singles, and happen to be the most luscious, opulent and classy tracks on the record: I’ll be coming back to both of them. My biggest disappointment with “Only Built 4 Cuban Linx” is its failure to live up to the promise of its concept. I read that Raekwon and Ghostface plotted the album like a movie, riffing on the mafia genre and placing it within 90’s New York with a rise to power, fall into prison and then a resurgence into the rap game. It’s really intriguing stuff and could have become my favourite hip-hop album had it worked. But reading through the lyrics, I struggle to discern a clear narrative, an obvious flow or the sense of pace. I won’t fault the lyricism at play, because the words are rich and dense and the Clan are on form as ever. But as a full package, it feels both lacking and poorly paced for me.

it's Cuban Linx. best song: all of them

It sounds like they were learning how to use the recording equipment as they were recording and decided to release the results. It also sounds like the recording sessions didn't go so well as there was a lot of swearing and anger captured. It also sounds like the kid brother was messing around on the keyboards. I think this pissed big brother off because there was lots of ranting. But kid brother kept on playing. And they kept on recording. And they kept on swearing. And so on. Meanwhile, just outside the studio, the Russian's have invaded so there is the occasional sound of gunfire and the rumble of tanks in the background. As a result the city has just began a lockdown, so the hero's in our story are trapped. Giving the perfect excuse to keep recording. They might well be annoying the neighbours. But then so are the Russians. But who is going to complain when the have AK-47s, a MIG and T72s and you have a super soaker filled with yesterday's bathwater, a gone off scone (aka a rock cake) and a six pack (of eggs). Finally the Russians gave reached the studio door. There's chaos, there's smoke, there's pandemonium but thankfully the end of the recording session is in sight. Following this there's lots of people on there knees, pleading. "Please, take anything, take our lives but please don't steal the tapes for our masterpiece". There's good shit and there's bad shit. Then there's the kind of shit you want to not step on and walk around it. There is also the kind of shit you just need to flush down the the toilet because it smells like .....shit. There's shit and then there's shit. Oh and my train has just pulled in to it's final destination. Have a nice day y'all.

Kept waiting for a song to sound like a hit, but they all sound basically the same, and that sound is not interesting

Asking me to review a rap album is just looking for trouble given my almost complete lack of experience with the genre, but since it's requested I'll take it seriously. The first thing that stands out to me is the length of the album which is normally a red flag. Few artists can really fill over an hour of space without a lot of filler or underproduced tracks but in this case it feels like it really points to what I found to be the real strength of the album, the production. While I think it's a slightly weaker back half, it's not by much and closes strong. The album also flows really well for all that space. I think this particularly shows in verses where multiple rappers are layered on top of one another. With less care to the mix it would be easy for the lyrics to get jumbled or lost but everything is really deftly crafted in a way that really enhances each section. Lyrically I found parts of the album to be a bit corny but mostly in a charming way. It also felt like ideas were repeated a bit *too* often across tracks, but the style and flow of the lyrics are really well done so the content being a bit repetitive really didnt become a bother. I still cant say I know much about the genre or that it's something I would sit down and listen to beginning to end regularly, but there's a huge amount of talent here that is impossible to ignore and not appreciate.

Catchy, groovy, through and through. Thought I would like it after “Tical” and was happy to be right.

Admittedly, I should dive deeper into Wu and Wu related discography.

This'll be interesting. This is pretty boring. Trying to understand how it is on 1,001 albums to listen to before you die. The interludes are annoying. Some songs are better than others but overall nothing really to write home about.

Like a fat man struggling to buckle his seat belt, the first few tracks just couldn’t click for me. But by Criminology we were off on an amazing and thrilling ride, all the way through Ice Cream, at which point it ran out of gas fast. If this was just track 4-15 it might even be in the running for a 5, but the bloat surrounding it drags it down so hard.

Oh boy, i don't mind 90s rap and hip hop but after 5-6 albums they start becoming extremely repetitive. As someone who listen to the beats more than the raps i feel like this is more on the side of poetry than music. Because every beat is more or less just background music often utilizing dissonance to evoke a scary or unsettling beat. Very little variation in both pitch in the rap and the beats makes it extremely repetitive for me. It feels like everybody had the same checklist of things that had to be included: - Self hype and go tripping to ad nauseam - Gang related small skits with one voice sounding like he just woke up - 80% of songs need to be about gang violence. - skits and intros with random "Hard" conversations I know that it is a part of the genre and the songs are not bad. but you get reeeeeeally tired of the same formula after a couple of albums.

This one completely failed at capturing my attention. I don't think it's a bad album fundamentally, it's just not for me. It's a clearly great album that overwhelmingly fails to activate the parts of my brain that makes me care and pay attention Standouts - 2/5

Yet another waste of an hour. I'm going to listen to Tigermilk again so I can feel happier about life.

Heard it before, issa classic

I had no clue that Raekwon started the mafioso rap craze, the Tommy Hilfiger craze, the Cristal obsession. Damn. This album is iconic - not to mention filled with enough thick spit-worthy rhymes to clog up a dentist’s sink.

One of the first rap albums I loved.

Man what a great album!

I’ve been a pretty big fan of Ghostface Killah for many years, he’s one of my favorite rappers easily. Enter the Wu Tang is obviously a classic masterpiece in rap music, but outside of this I don’t think I’ve really listened to anything by Raekwon specifically. This album is absolute fire from start to finish. It’s carefully crafted, flows great from song to song, and works incredibly well as a whole. The rapping is amazing throughout, with Raekwon and Ghostface trading bars in top form and guest appearances that add a lot of value, especially Nas on Verbal Intercourse. If I had to complain about anything it’s that it starts off kind of slow (though not bad), but it gets the weakest parts of the album out of the way in the first three songs and it’s brilliant from Criminology all the way to the end. Best songs: Criminology, Verbal Intercourse, Ice Cream, Heaven & Hell

Top tier. Up there with Illmatic by Nas, which should let you know how great it is !

Of all the rap super groups, nothing touches the depth and consistency of Wu Tang. Not only do they combine like Voltron, their independent contributions are full of classics: Liquid Swords (GZA), Supreme Clientele (Ghostface), Return to the 36 Chambers (ODB)... Helps that many of their solo entries share common production in RZA, making for a cohesive superhero-like universe. This is actually one of their solo projects that has completely flown under my radar. Love Ghostface as a "co-star" here. His higher pitched and sharper delivery contrast Raekwon's huskier flows perfectly. Knuckleheadz is a great opener track -- classic RZA production with silky, but powerful delivery from all 3 members involved and plenty of fluid wordplay. Criminology is another classic Wu track. It's got the minimal, dusty drums, orchestral bits, and movie dialog samples. Back to back with Incarcerated Scarfaces -- another jam touting their mafioso ties. Guillotine is another standout here with a deeper posse cut including Inspectah Deck and (more importantly) GZA. Love the beat built around an off-balanced guitar loop with unsettling string jitters. Ice Cream is an unexpected, late album standout -- instrumental is cold as fuck and eminently head-noddable. Meth only comes on here for one feature, but he kills it with his distinctively crusty spoken word overlay. This is some prime Wu Tang tapping more into the mafioso side than their superhero or kung-fu personas. Only knock I could have is that the tape runs a little long at 73 minutes -- but if I'm being honest, I welcome any excuse to step into the Wu's world and more importantly RZAs production. His minimal dusty drums with key loops and string flourishes are always so tasteful and make for a premier canvases for the clan to spread themselves over. Raekwon rocks the helm well with great support. You can see repercussions of this album to this day, most notably (and recently) with Griselda (Westside Gunn, etc.). Easy 5 / 5 for me.

LP

Easily the best solo Wu-Tang project. Rae and Ghost are such a great duo, love hearing them over this type of production. Only weak song on this is Spot Rusherz imo.

5/5 - Awesome

It's Raekwon's name in big lettering on the front cover but this very much an introduction to the flourishing bromance between Rae and his former street rival Ghost Face Killah (former rivals to such an extent that Rae was the perpetrator that shot up Ghost's mom's apartment as mentioned at the start of this album). Both step up their game massively here, finding their voices individually, as a pair and as part of the wider Clan. As with Enter The Wu Tang (36 Chambers) before it and Liquid Swords shortly after it, the album excels in creating its own unique world. In this case gritty neighbourhood street life is blown up into a widescreen mafioso world. The mafia trope has been revisited and mined to the point of cliché ever since by innumerous rappers, from Jay Z to Freddie Gibbs, but it was done first and done best here. The album's cinematic quality speaks to the rapid development of RZA's production skills from the grimy beats showcased in 36 Chambers which was released less than two years before. When there's conversations about the best producers in the game, it seems to get overlooked what a stupidly high level RZA was operating at in the early '90s. Not only was there constant quality, there was an absurd level of quantity. This is the second of three Wu Tang adjacent, RZA produced albums in 1995 alone and it is generally considered the best of the Clan members' solo efforts (although Liquid Swords just about edges it for me). With this album Wu Tang changed the game...AGAIN.

I did not listen to this album today, but since it released in 1995 I have listened to it too many times to count! Known as the "Purple Tape," this album not only is an important album for the Wu legacy but is also an important album for the whole hip-hop legacy.

Flawless

Easy 5/5 an all time classic! Used to rock the purple tape daily when it came out and it still hits today! This was the Wu at the height of their powers, they were untouchable.

Absolute classic record and one of hip hop’s iconic albums of all time. A pivotal moment in the shaping and progression of hip hop to help cement its place in music as such an important style. Long live the Chef!

Easy 5

RZA has always had a cinematic vision and no album in the wider Wu-Tang scope epitomizes that vision more than Only Built 4 Cuban Linx, the debut album from Raekwon with guest star Ghostface Killah. In over an hour, the world is yours saying that was flown over the blimp in Brian de Palma's Scarface is woven in a tapestry of realization, hustle, emotional tolls and full on braggadocio as Rae and Ghost showcase and crystallize their ironclad chemistry with some of their absolute greatest bars and flows in their discography. Add the contributions of the fellow Wu-Tang members and the only non-Wu member to appear on any of their records (Nas) and what one gets with Cuban Linx is the aural equivalent of a Scorsese flick; one that is guaranteed to amount to as many replays and rewatches as possible. 1995 may have been the peak year for the Wu-Tang Clan and this record stands as the example of not just the group's brilliance but hip-hop's as well, as its seeds grows one's seed as it marries the other's seeds, keeping it all in the family.

Makes me feel whiter than a mayonnaise sandwich on wonder bread the best way 5/5

Dope af

I just love this type of rap

great rap album

So good. Ghostface Killah la botó en todos los feats que tenía, un fucking duro. light 9/10.

A Wu classic. While I prefer the debut and Liquid Swords, this might be third. Depends on how I'm feeling; Ghostface has a few records that could fill that spot. Either way Cuban Linx is over an hour of immaculate beats and intricate rhymes. Raekwon's flow is as luxurious as ever was. *Heard before.

Aged dead well, great prod

One of the greatest hip hop albums of all time and the absolute pinnacle of cocaine rap. Still sounds as fresh as the first time I heard it. An almost flawless album, the one minor flaw being the amount of skits.

Bangers only

Poisonous paragraphs smash your phonograph in half

Raekwon's debut studio album, "Only Built 4 Cuban Linx," released on August 1, 1995, stands as a cornerstone of hip-hop history. The album, often referred to as the "Purple Tape," has left an indelible mark on the genre with its intricate lyricism, innovative production, thematic depth, and lasting influence. 1. Lyrics: Raekwon's lyrical prowess shines throughout the album, blending vivid storytelling with streetwise narratives. His rhymes are precise, diffuse, and thematically consistent, creating a cinematic experience. The narrative loosely follows John Woo's 1989 film "The Killer," adding a layer of cinematic richness to the lyrics[2]. 2. Music: The music on "Only Built 4 Cuban Linx" is a sonic journey through gritty beats and soulful samples. The production, largely handled by RZA, contributes to the album's cinematic feel. The beats are grimy and atmospheric, setting the stage for Raekwon's lyrical storytelling[3]. 3. Production: RZA's production is a standout feature, characterized by its unconventional sampling and intricate arrangements. The beats complement Raekwon's lyricism, creating a cohesive and immersive listening experience. The production quality has stood the test of time, influencing subsequent generations of hip-hop artists[4]. 4. Themes: "Only Built 4 Cuban Linx" delves into themes of street life, crime, and the struggles of survival. The album provides a gritty portrayal of the realities faced by individuals navigating the urban landscape. The thematic consistency adds depth to the project, making it a compelling narrative[2]. 5. Influence: The influence of "Only Built 4 Cuban Linx" extends beyond its release, shaping the sound of East Coast hip-hop. Its impact is evident in subsequent works by artists like Jay-Z and Nas. The album's influence on the genre is immeasurable, solidifying Raekwon's place in hip-hop history[4]. Pros: Lyricism: Raekwon's intricate storytelling and wordplay captivate the listener. Production: RZA's innovative beats contribute to the album's unique sound. Influence: "Only Built 4 Cuban Linx" has left an enduring mark on hip-hop. Cons: Niche Appeal: The album's focus on street narratives may limit its appeal to a broader audience. Dated Sound: Some may find the production style to be rooted in the mid-90s, potentially impacting its accessibility to modern listeners. In conclusion, "Only Built 4 Cuban Linx" is a seminal work that combines lyrical prowess, innovative production, and thematic depth. Raekwon's storytelling, coupled with RZA's production, creates a timeless piece that continues to resonate within the hip-hop community. While the album may have niche elements, its overall impact on the genre is undeniable.

Still imperial phase Wu Tang. Raekwon and Ghostface basically rendered all dealer rap after this fully redundant by doing it better than anyone before or after could. Rae brings the street knowledge, bit Ghostface Killah's rhymes are so complex and involved that most are still digging out more meaning and jokes from them 25 years on.

It’s hard not to think of this album as a Wu Tang Clan album with its cinematic interludes and mafioso centric themes. RZA’s production is phenomenal and Raekwon’s vocal performance with its dynamic flow and shifting rhythms make this album stand out and place it in the upper echelons of 90s east coast rap. I loved this album.

One of the best hip-hop albums of all time. Arguably the best solo Wu-Tang record. So many classic tracks. Incarcerated Scarfaces, and Guillotine are two of my favourite beats of all time. Raekwon and Ghostface are iconic and there's no misses on this. Classic. 10/10

"Only Bulit 4 Cuban Linx..." is the debut solo studio album by American rapper and Wu-Tang Clan member Raekwon. Also referred to as "Purple Tape," the album was produced by Wu-Tang member RZA and mostly all members of Wu-Tang appear at some point including Ghostface Killah who is the co-star. The album is considered a pioneer in the mafiaso rap genre as it tells the story of two guys that have had enough of the negative life and want to get their life together but they need to pull off one more sting. It was composed to play as a film with lots gangster film dialogue sampling. Commercially, it hit #4 in the US and had unanimous critical acclaim. "Striving for Perfection" starts things off with Raekwon and Ghostface talking about their long term goals which is to get out. Nice sampling with the theme from the 1989 John Woo film "The Killer." "Criminology" begins with dialogue sampling from "Scarface." Imagine that. Hypnotic beats and laid-back. Ghostface comes in strong as he tells his crimilogy story. The remix of Wu-Tang's " Can it Be All Simple" starts with arguments, fighting and gunshots. The glorified mafiaso lifestyle and how they want to get out. A sample of Gladys Knight & the Pips is expertly used as the chorus. "Ice Cream" compares women to the flavors of ice cream. Cappadonna joins Ghost and Rae in the rapping verses. I think just about all the Wu-Tang members appear in "Wu-Gambinos." The rappers talk over the sampling as they compare themselves to the mob. The album proper closes with "Heaven & Hell." It's slow and soulful. A Syl Johnson sample. It's come to an end as they hope for redemption. Even with the mafiaso theme, the music and beats are chill and at times souful. There's absolutely excellent production by RZA with the music, the sampling and the flow between all the rappers. The forceful Ghostface works with the more-laid back Raekwon. I don't if I completely followed the story as a whole; each song seemed to be its own story. However, the album does flow musically as a whole. The album is not only one of the best rap albums in the mafiaso rap genre but rap genre overall.

The peak of Wu-Tang shone brighter than the sun in the mid-90s. The fact that multiple albums were lost when Rza's studio flooded likely means that there were more albums of this level of quality that the world never got to hear. Can't spend your time thinking about might-have-beens, though. Built for Cuban Linx is one of those albums that I had heard about for a long time before I listened to it. On it's face it seemed like a strange thing. Raekwon didn't go on to the level of success that other member of the clan did, so it was hard to believe that one of the best solo albums came from an artist who isn't in the top 5 most highly regarded members of the original Wu-Tang clan. When you put this album on, it seems baffling that Raekwon didn't manage to break through to the main stream. So much of what made 36 Chambers great is here, the samples that only seem to work through a form of alchemy, the lyrical storytelling, tracks filled with different voices that come together in a powerful way. Cuban Linx is incredible, right from the first song. I'm not in love with the skits between the songs, but that's how things were back then, and it does work well with the cinematic approach to the lyrics. 5/5 An absolute classic

All time classic, lyricism invented

I basically love anything wutang related.

One of my favourites of all time. Favourite track is hard enough, favourite verse is probably even harder. One of my favourite tracks is Knuckleheadz, and the three verses on that track are legit all in my top 25 verses ever. This is a top 3 album of the 90s for me, and honestly #1 on most days. Can NOT recommend it enough. It’s one of those records that deserves hundreds of listen

Absolute banger

Classic and amazing

Always a pleasure

Downgraded Enter The Wu-Tang to 3 stars some 18 months ago and was not sure what to expect of Only Built 4 Cuban Linx. But no, sounds - apart from its length - still as good as ever.

Thumping beats, coke slinging rap, classic soul samples, RZA creating that dark, dark mood and Ghostface and Raekwon spitting darts. This is grade A stuff. Like a movie for your ears.

cool

Absolutely fantastic. Love everything Wu

I wanna learn the special technique of shadowboxing

An all time classic!

One of the 3 best things made by Wu Tang or a solo member imho. Love it. criminology and verbal intercourse are absolutely brilliant.

banger shittt

Only Built 4/5 Cuban Linx

pusha t, freddie gibbs, griselda, or any other mafioso rapper would probably not exist if it wasn't for this album. the beats and the lyrics work so well together and i love the gritty atmosphere of all of it. despite this being a raekwon album though, i feel that the person who really takes the show is ghostface killah as he has the best verse on nearly every song on this album. but don't get me wrong, everyone on this album does great. there are still some problems i have with the album, namely some of the outros going on for too long and a lot of the homophobia as well. but despite that, this album definitely deserves it's classic status.

Caught between 4 and 5 for this. Love the production, love the rapping and overall vibe. But.. I didn't feel like it was one that I will return to very regularly unlike the other 5s. Sorry Chef.

Rating: 7/10

Dope we

I don't listen to a lot of hip hop, but when I do... I want it to be hip hop like this. Love this era. Whether it's the more socially conscious stuff like Tribe or street-wise Wu it's just too damn good. boom

First mainstream "mafioso" album still feels as enthralling today as it did when it was thrust to the forefront of hip hop with this. It's a bit punishing as a rap album clocking in at almost 70 minutes but Raekwon's persona looming large and being engaging enough alongside Ghostface Killa makes it work. It's an important and incredibly influential album with plenty left to still engage with.

8/10. This is really good, great lyrics and production throughout. Loses points because i think trimming it down by 10-15 minutes would have made it stronger, and the conversational interludes didn't really add much.

🥷🏿

Staten Island is really only good for two things - The mob, and the wu-tang. This kind of wraps up and connects all that shit into a modern gangster mobster rap 90s thing. Anyway, its a good album. 4/5

Grimy hip hop at its best - feels like steaming city sewers and darkened alley ways populated by Shaolin and Samurai - battling leather clad spiked epauletted hoodlums for street supremacy. It gets better the longer you listen to it - and while on first listen it might feel special - it’s a hauntingly awesome album with great beats and rhymes and deep cut hooks.

4got to mention last entry: 9/10s are now bein registered as 5s on here. 7s r 4s. 5s r 3s. etc etc its never bad but gets very repetitive. have trouble focusing on lyrics so if thats supposed to be this albums draw there aint much here for me. some of the beats are nice but most of them arent anything that impressive to me and they all kinda blend together. ice water is my fav track here and not suprisingly its also the one (sonically) least focused on being some dark gritty mafia bs. its just kind of a banger. anyway this is pretty good but drags a lil. not bad enough to be below an 8 so im giving it exactly that score. would rather be listenin to Insane Clown Posse - Riddle Box (1995) rn !!!!!!!!

Old school hiphop, rene bars, chill beats, wu-tang-vibes

An album i know very very well. I grew up with this one. Criminology, Rainy dayz, Guillotine, Verbal intercourse, Glaciers of ice, Ice cream, Heaven and Hell, are all 100% absolute classics, some of the best hip hop ever made. The rest is made up of prime Wu Tang era production, with the two best rappers from the crew. Putting this alongside Ironman, Liquid Swords and Tical, all released within the same few years, is peak Wu Tang.

yoo

I'm a sucker for 90s Wu Tang. RZA in a creative fever pitch. To me his beats are THE quintessential hip hop sound.

Huh, julmetun kovat biitit jälleen RZA:lta. Teknisesti hyvää räbää myös, vaikka lyriikat aika lörs. Ehkä 3,5/5, mutta pyöristyköön ylös, kun tämmöiselle todella on paikkansa taustamusana. Säälihän se, että niin monessa musiikillisesti upeassa rap-klassikossa sanoja ei jaksa kuunnella.

Slaps hard

Four stars An all-time classic, and an album which still holds its own many years after it was released. The only grudge I have against this album is that it's too long compared to other early Wu-Tang solo outputs such as Genius/GZA's *Liquid Swords* or Method Man's *Tical*, which are straight to the point and offer a more rewarding experience on the whole. As is usually the case with those classic albums, I won't write a full-blown review here given that others have already written wonderful stuff about them and there's not much I can add that I feel could be relevant and interesting. *Only Built For Cuban Linx* is just a timeless gem for anyone who has even a remote interest in rap and hip hop. Go and listen to it a.s.a.p. Number of albums left to review or just listen to: 952 Number of albums from the list I find relevant enough to be mandatory listens: 22 (including this one) Albums from the list I *might* include in mine later on: 12 Albums from the list I will certainly *not* include in mine (many others are more important to me): 15

Chacho es que hay mucho menda tocho en este álbum, Nas, medio Wu Tang clan ahí metido. Vale, la movida es que es hip hop cubano... Yo poco más tengo que decir... Me la agarras con la mano si acaso. Me han molado muchas canciones del álbum, osea no es una joya, pero esta guapo y bueno al final hay que respetar los rangos, esta gente son padres de muchas cosas. Mi favorita diría que es Heaven & hell, es bastante big stoner energy y luego la peor diría que es Criminology quizás porque la base me raya demasiado. Pues yo que se peña, ganó Raek. Fuck raperos Pirris con swing. Bobby out

Idk kinda hit, sore throat td, nervous about apt, let’s chill

i wanted more from this. its solid, well produced and well performed but there isn't enough of a reason for most of the tracks, i'm not saying there needs to be a massive chorus or hookline but a lot of them just were there. maybe the purpose is in the lyrics, but i'm not really one for prioritising lyrics over the music, and besides trying to listen to hip hop intently listening to lyrics would be some serious mental exercise due to the sheer quantity of words used and unreferenced slang.

Raekwon was part of the Wu-Tang Clan, which is nothing to mess with

Not my favorite member of the Wu-tang clan, but the lyricism is undeniable. It is laced with a significant amount of homophobia and misogyny, but I accept that a bit of that came with the time. Good beats, but a little too long to maintain my interest.

I need to listen to more Wu-tang

Surprisingly good, I'm far away from the target audience but an enjoyable if overlong album.

coolio

ever heard this album before. Great stuff. Hard to top the beats and musical production on the stuff I've heard from Wu Tang members. Definitely on the "return to" list.

Pretty awesome tracks with a couple lukewarm ones. RZA really shows off his production skills entirely in this album, whereas albums like 36 Chambers or Liquid Swords are built a lot on the rapping and beats. Raekwon really imposes a lot of help from Ghost, and most of the good songs use him. The features on here are crazy too. GZA, Deck, & Nas all kill their parts. Overall a tiny big bloated but great nontheless 8/10 As of July 13th 2021 Best Tracks: Striving For Perfection, Knuckleheadz, Knowledge God, Criminology, Rainy Dayz, Guillotine (Swordz), Verbal Intercourse, Heaven & Hell

Really fantastic stuff here.

Fresh lyrics

This is a great record, arguably the best Wu Tang "spin-off". It really only has one flaw: it's too damn long. I don't know precisely what I'd chop off of this album but as enjoyable as the songs are, fatigue sets in for real. It's a great record that I will certainly continue enjoying, but I prefer to do it as a sundae rather than an entire half gallon tub. Damn album's got ice cream on my brain.