Vincebus Eruptum

Another album that stands out because of when it happened more than what it's doing. However, if you released this today and said it was a Jack White side project, no one would doubt you.

Among albums recorded underwater, this one is the best.

I'd heard of Blue Cheer but never heard them... can see why people say they beat Black Sabbath to making the first heavy metal album, but while they might have a similar sound to early sabbath they sure as shit don't have the songwriting. The first two songs are covers and the rest seems to be kinda droney, sludgey jam tracks - a 32min album that felt like it dragged on. My guess is they're all one-take jobbies, probably recorded live. Pretty much everything after the cover songs felt like a "big ending" that just kept going and going. 2/5.

Kind of the missing link between Cream and Black Sabbath. Raw recording, love the imperfections. Favorite tracks: "Summertime Blues", "Rock Me Baby"

As pitchfork says, Blue Cheer are "musicians who... live not to perfect their technique, but to simply rock.". Well, that sounds GREAT to me. The playing is rough as guts and pretty over the top, especially the lead playing. Lots of bends and trills, feedback, barely in tune. The slow, heavy, vaguely blues based playing is a prototype for metal in general and stoner rock in particular. This is the shit. This sounds like they set up in a room, chucked a few mics in randomly and just started jamming it out. It's loud, noisy and obnoxious. And that's what I like!

Electrifying combo of blues, hard rock, and rip-roaring riffs and guitar solos. There's some ultra impressive drum work on here too, which I wasn't expecting.

Found this truly pointless. If this is the birth of Heavy Metal, I guess metal is hammy blues rock covers drenched in muddy guitar pedal effects.

Oh Lord, I got to raise a fuss, Lord I got to raise a holler About a playin' proto heavy metal just to try to earn a dollar Oh Lord, I tried to destroy my amps, your ears I did abuse Sometimes I wonder what I'm a gonna do Lord, there ain't no cure for the early hard rock heavy ear-splittin' blues

Third song should have been titled “Doctor Please … make this song stop”. I know it was early metal, but man these guys were clearly not good song writers. Summertime Blues cover is a classic though.

Proto whatever your preferred genre of noise mess is. These guys make filthy, sludgy, gloopy rock--and all while looking like Hanson! Now if only they had a little of the blonde brothers' gumminess, this would actually be as crazy as they're trying to sound.

The riffs come about slowly, dreadful and hyper-distorted, built around depraved melodies. One of the Bands that really starts playing Heavy Metal. (7/10) Favourite Tracks: Doctor Please, Summertime Blues, Out of Focus

It's a very nice surprise to discover these pre-heavy metal bands that I did not know about before. An excellent album.

Solid album, but you can definitely tell this was their first album. Rough around the edges, but some really great ideas in there and some powerful sounds. Favorite Tracks: “Summertime Blues,” “Doctor Please,” and “Parchment Farm”

This is nice and heavy like Psychadelic proto-Fuzz. Definitely ahead of its time—you see the bridge from Cream to Black Sabbath. The drummer sounds does a great Ginger Baker impression. It’s Jammy, heavily distorted and short. Sometimes the jamminess comes off as repetitive and a little rough/unrehearsed. Pretty good. Would buy on Vinyl. B. 3.

7/10. this album is pretty heavy n stuff but it doesnt totally click with me. i think just because of the audio quality? idk if its just the mono mix that i got but it sounds even fuzzier and harder to make out than a lot of 60s stuff already does. plus the songs themselves arent amazing imo, tend to go on for a while. by a bit before halfway thru it just felt like a ton of fuzzy psychedelic noise goin in one ear and out the other. might just be bc i have trouble focusing on stuff though.

“We have Jimi Hendrix at home”

Vincebus Eruptum is promising but disappointing at the same time, it's late 60s rock moving towards metal and has good ideas but not great execution, and given Hendrix was doing some of this stuff lightyears better before this came along, it doesn't really stand up to being included in a must-listen list. High 2, it's too rough to deserve another listen and not as influential as people think it was/is.

Direct and templated bluesy psychedelic rock from the '60s of which there is much too much on this list. Nothing distinguished here – not the vocals and the jamming is replacement level for the era. Maybe was influential the, but today is merely not bad and sorta boring.

Not for me ... at the time I could see it as breaking new ground, maybe. From the current paradigm, it feels derivative of all influences that are contributing to the sound, its a half-formed thought of what music should be. I imagine I hate people that point to this album as life changing.

Don’t you ever just want to throw caution to the wind, have fun and make some goddamn noise? Apparently not, judging by the reviews here. It’s time to lighten up, kids… Bow down unto the church of acid rock.

This is absolutely rockin

As one half of UK cover band Houmous & Chutney, I know a thing or two about taking a great song and doing a terrible cover and almost ruining it. 3.7

If Black Sabbath's debut is the birth of metal, then this album is it's conception. So how does it sound? Well, it sounds like blues. But not like blues but like... █▄▄ █░░ █░█ █▀▀ █▀ █▄█ █▄▄ █▄█ ██▄ ▄█ Ridiculously heavy and psychedelic, it's not that pleasant as a listen. Not to mention the vocals, which felt like they were mere decorations to the gigantic sound. Yet for some reason, it rocked me hard. And I enjoyed it quite a lot.

Sounded like controlled chaos

This is interesting, it's got some cool moments, proto metal type stuff, and I quite like it - it's got a bit more edge than a lot of stuff that was floating around at the time. That said, there's plenty from that era that did this better, it's too rough and the production is painful in places. Think it deserves a 3, I enjoyed it, but it's a low one.

Interesting artefact, and to hear the roots of metal, but the record itself is heaving going

Proto-metal. Heavy Acid Rock. I have a weakness for 60's era fuzzy guitar and I think I just OD'd. They are obviously channeling Cream and trying to take it to the next level. The results are mixed at best. This is a studio album that sounds live. I read someone's comment that said it is the missing link between Cream and Black Sabbath and I kind of agree although its not nearly as accomplished as either. It sounds like the generic scene setting music being played in the background of a house of ne'er do well hippie druggies in a 60's police drama. The album is short but feels long, which is never a good sign. Some tunes, in excessive effort to make them seem epic, go on way too long. Others seem like they are not fleshed out ideas that start and end with no real development. However, for me, they completely hit the mark with their cover of Summertime Blues. Its one of the 1st songs I remember listening to over and over on my own albeit the Eddie Cochran version. Later on I loved The Who's version. But when I heard this around 10 years old, I think my head exploded; I loved it. On the strength of that song, and the inarguable fact that this album is a priceless museum piece, I give it a 3.

These guys sure do sound like Hendrix and The Who did at that time. Summertime Blues is a dead ringer for The Who's live version. Let me guess, these guys saw Hendrix and The Who at the Monterey Pop festival (down the road from where they live), started to play like them and rushed an album out in time for the new wave of heavy metal? I like late 60s heavy metal. This is where it all started and it was original and exciting back then. I'm just not sure how much of the wave can be attributed to influence from these guys. They deserve a few points for how fleet footed they were jumping on the bandwagon.

J'ai adoré le moment où le chanteur casse sa guitare et l'enflamme sur scène devant un public éberlué.

Oh the days of driving hard rock with angry white-man vocals. This has everything. The requisite culturally appropriated blues track, the near 8-minute guitar riff overloaded love song, and echoes of the Stones and Hendrix (wait, who came first?). Hold my beer and pass the hookah, it is 1968.

Cochran x Hendrix = a heavy blues-rock soup! Nothing stands out until the final track 'Second Time Around' which was cool. Not cool enough for me to ever play this again though!

Cool to listen to some early heavy metal but I can’t see myself coming back to this.

yuck wasnt remastered so it sounds tinny and terrible

Saved Prior: None Saved Off Rip: None Cutting Edge: Rock Me Baby, Out of Focus Overall Notes: Yeah this ain't it chief. Not as god awful as it was as background music the first time listening to it but definitely not my thing.

Felt like it dragged on, even for such a short album. Typically a fan of heavy metal but didn't really enjoy this, only redeemable song was Out of Focus.

I do love a power trio.

What an amazing album, straight out of the gritty demonic psychedelic 60s. The self penned songs are really great and the covers are the hardest takes of said songs at the time. Its not really heavy metal but it's Cream or Jefferson Airplane turned to 11.

Ich kenne "Blue Cheer" gar nicht, aber nach dem ersten Anhören gefällt mir das Bild, die Band ist das Bindeglied vom Blues zu Heavy Metal. Auch dass sie der Funken für Black Sabbath seien. Alles nachvollziehbar. Harter Blues, lange Solis, anspruchsvolle Arrangements, was ist mit da entgangen.

Like early Sabbath. Loved it.

That was awesome - definitely adding it to my collection. I can't believe I've never heard of them! Raw and hard.

I needed this today. "Vincebus Eruptum" is the debut album by American rock band Blue Cheer. Hard rock, pyschedelic rock, acid rock and heavy metal are the assigned genres and they all fit but this album is known as and considered one of the first heavy metal albums. The band was a trio consisting of Dickie Pearson (vocals, bass), Leigh Stephens (guitar) and Paul Whaley (drums). The album did well commercially hitting #11 in the US and was well received by the critics. The album opens with a cover of Eddie Cochran's " Summertime Blues." This is fast and heavy. Rolling drums and bass. The guitar explodes and goes in all directions. The song gets faster. This is chaotic, messy and wonderful. Lead singer Pearson mentioned the result had something to with large amounts of LSD. They do another cover in B.B. King's "Rock Me Baby." It's slower, more bluesy. Two large extended guitar solos by Leigh Stephens. There are four words to describe "Doctor Please:" lo-fi, fuzzy, hazy and heavy. Another chaotic monster guitar jam. It's a song about whether Person should take drugs; no need to think about what direction he took. In "Out of Focus," you really start to see the influence of Jimi Hendrix in Stephens' guitar sound. The song has got a groove and is funky. There's also some high level screaming by Pearson. Pounding drums, a thumping bass and driving guitar begin the closer "Second Time Around." Stephens guitar is oscillating between melodic and random, extended solos. Whaley gives a "Moby Dick-esque" drum solo. There's a long silence which goes into guitar solo and the song ends in two-minutes of total chaos. Amen my friends. This album is just fantastic. The band sounds like a punk-i-fied, more reckless version of Led Zeppelin. The music is energetic, fuzzy, garage, lo-fi, heavy, chaotic and totally rockin.' At times the band goes off in random directions and I don't even know if they know where they're going, what the other musicians are doing or if they even care. Leigh Stephens' guitar playing is just plain awesome taking off in each song...very unique. This is an album that every person that likes hard rock needs to listen to.

Sounds much later than it was. Class heavy blues.

cool

Absolutely fantastic album. Only knew the first track, never heard any of the other songs before. I found nothing about this that would discourage me from listening to more. 5 stars easy peasy.

This felt like early metal, and I loved it.

This is what I'm here for! I had never heard or heard of these guys or this album, and its a great album. Its very "of its time" but its got a lot of future-looking sound in it as well. 5/5

Classic 70s rock

Kicks ass.

Kicks ass. Cant believe I’ve never heard this album.

There are bands today still trying to recreate the sound and intensity of this record. You can hear the DAN of so many hard rock and metal genres forming in the incredibly brief run time of this album. Loved it. Gnarly.

Captures rock of its era

Even the causal metal fan is familiar with this band and the cover of Summer Time Blues, though Parchment Farm is the true gem. Also one of the few proto metal bands that was not from England. The good is of course the music, big loud fuzzy guitars, this is the birth of Doom/Stoner metal for sure. My biggest problem is some of the vocals especially on Doctor Please. It's a 4 star album but I'm given 5 given how influential it is on music that I love so much.

I have heard of Blue Cheer before. I had always read they were "proto" heavy metal. And yeah, that's exactly what this is, similar to Deep Purple. And I love it. It's raw and low production, but that's cool with me. There's quite a bit of jammin' too. I love it.

Zalig hoe je hoort op welke manier deze muziek invloed heeft gehad op latere genres! Weer iets onbekend die me verraste

What a great record! Never heard it but it’s amazing!

Pioneers.

Epic album. Amazing sound by a super talented band

This rules

excellent hidden gem, hadn't heard about them before, but enjoyed the proto-heavy metal sound.

Whoa. Hard to find to listen to but it was worth the hunt - oh the fuzz and the fuzz - the drums pounding throughout and the voices tearing through this 30 min powerhouse of an album. I’m sold on blue cheer - kind of in the world of a more bluesy stooges and a rougher hendrix experience.

Loved it! An early forerunner of lots of stuff I like, and one of the first power trios. Every song was great, but their version of summertime blues was greatest for me. Really intrigued to hear more of their stuff.

It is uncanny how much the White Stripes sound like these guys. Never heard of them before but this album is fire.

Loved the album as a whole. Exactly what it needed to be. Second half of the last track was a little much for me but still giving it a 5.

Nice heavy metal or hard rock

false

Wow, dit vind ik tof. Blues is niet mijn ding maar als j het zo speelt!! ook live gezien op Roadburn, fantastisch toen

extremely stupid hole in my knowledge, and the closest thing ive personally heard to a whole record of helter skelter. dont wanna overstate that tho, the similarities are kind of superficial lol and this is actually much more earnestly like a proto-metal venture i think? the slower bluesier passages could deffo find some space on a sabbath record, and theres even some faster flashier stuff that's less typical of a standard 60s guitar master and more recognizably heavy metal. the Soul of metal as an aesthetic exploration clearly beyond rock music prob still originates in full flight on the sabbath debut , but theres a lot more purely musical stuff being prodded at and exposed to the sun here than i expected! definitely a fun record

What is it about the song "Summertime Blues" that's had it covered by everyone from these guys, to The Who, to Alan Jackson, to Joan Jett, to Brian Setzer? This record is what you get when you're not burdened by perfection and instead just make pure unadulterated rock and roll. It's not a pretty album, but it punches you in the gut with primal vocals, howling guitars, bombastic drums and massive bass.

Day327 -the first two cover songs were good but i really got into it after “out of focus”. the drumming on this album is excellent. i’ve never heard of them but this seems like a pretty influential album

Loved it. It's the precursor to a large majority of music I like, though, so that makes sense.

psychedelic rock, acid rock. Año 67.

Garage rock roots! the best!

4/5

Pretty solid album all the way through, great instrumentals and vocals, some really good riffs and drum fills mixed in

I've never heard of Blue Cheer or Vincebus Eruptum before, but apparently their cover of 'Summertime Blues' is one of the earliest heavy metal songs. Honestly, this is one of the only "first" metal songs that I can get behind - both 'You Really Got Me' and 'I Can See For Miles' have metal elements, sure, but I was pretty flabbergasted that 'Summertime Blues' is a metal bues song through and through. In 1968! On the rest of the album, Blue Cheer deliver heavy, psychedelic blues driven in large part by the ferocity of Paul Whaley behind the drums.

The earliest examples of metal is sometimes attributed to everyone from The Who to The Beatles and The Kinks. And while those bands definitely was an early influence on the genre, Blue Cheer just went straight ahead and played heavy metal - no influence needed.

Classique du rock des 60 ! Je connaissais déjà Summertime blues car c'est clairement un tube. J'aime bien les autres chansons, mais on sent que c'est un peu toujours la même chose... Les riffs et même les mélodies à la voix sont très similaires à leur hit. Mais globalement très cool !

Who invented Heavy Metal? Consensus would say Black Sabbath but detractors simply point to Blue Cheer's version of Summertime Blues. Earlier yet the sdame heavy riffs. But not quite, I'm firmly in the Sabbath camp. However, the originality of the 'sound' created by Blue Cheer here is absolute;ly worthy of acknolwedgment. No screaming banshees or Satanic lyrics but that guitar soundf is...heavy. In fact, I think you could make a great case that Blue Cheer invented a sub-genre called Stoner Metal. This is a s heavy as the blues will ever get and its brilliant.

LP

Really good fuzzy, bluesy, psych-rock on display here. Very strong open with Summertime Blues, best track on the album but the remaining tracks are also solid. Made in ‘68 I gotta imagine this had a huge influence on the fuzz rock scene. 4 stars

This album is kinda fascinating for a few reasons. It sounds distinctly ‘60s (vocally and stylistically), yet it was entirely boundary pushing for the metal genre. It oozes personality through its oddball takes on various songs that already existed, especially the boisterous opener, “Summertime Blues,” which is handily my favorite version of the track. Every song on here makes choices you just wouldn’t expect, which very much makes it preemptive of what was to come for metal in the ‘70s. While it was in a primitive state at the time, feeling like a bridge between ‘60s rock and ‘70s metal, it finds itself as an interesting piece of musical history, on top of the fact that it’s incredibly enjoyable as well.

Proper dirty 60s bluesey pub rock. Sounds like it was recorded in a pub, but that kinda works

3.5

Proto metal blues with a bit more soul

Very late sixties rock. Taking tones from Hendrix and moving it to harder rock. Not bad!

psychedelic rock, acid rock. Año 67.

psychedelic rock, acid rock. Año 67.

Aldrig hørt om det før, og det er lidt en skam! For vild guitarlyd for en 60er plade

CAUTION: the second you press play to this album, you cause an earthquake. “Vincebus eruptum” is a dense, heavy album with really enjoyable songs and mysterious vibes. While listening, I couldn’t believe that this was released in 1968. The guitar tone tempestuous - something that you can hear on Queens of the Stone Age 40+ years later. Before Sabbath and Zeppelin, there was Blue Cheer. Let it sink.

Loud and a bit psychedelic blues / hard-rock

Great hard rock sound throughout

Great rendition of summertime blues! Awesome guitars. Lots of electronic gimmickry going on. BTW seeing the picture of these pathetic looking old dudes on Spotify while listening to the album took some of the magic away 😂.

A great pre-metal album that was really ahead of its time.

ik kan me voorstellen dat dit 55 jaar geleden heel wat straffer klonk... maar ook nu staat het overeind... solide plaatje

Proto-metal is an underrated genre. With albums like Vincebus Eruptum, you can hear the melodic precision that was so favoured by critics in the late 60s, along with the pent-up energy that would soon explode into popularity. We have some great (but very simple) riffs in tracks such Rock Me Baby, accompanied by Robert Plant-esque blues wailing and in-sync drum/bass. Not terribly much letting loose and going all-out metal jam – but then, I doubt the album would have sold as well if they had taken that approach. Plenty of precursor elements of metal (and hard rock) are still present here, and considering it was 1968, this must've been pretty darn wicked to spin in front of your horrified parents. Interesting texture. A distinctly 60s mix, with vocals and drums panned to the right and lead guitar primarily on the left. Additionally, there isn't actually much going on at once. It's very easy to hear the complexities in all instruments, unlike music like Steely Dan where there's so much complex interweaving sound that it can't be mentally separated (though it still sounds great). Reminds me of the Doors. The texture often picks up during the allocated "jam" portions of the songs – for example, in the middle third of Doctor Please – even though no vocals are present. Good music, though dated and limited by the technologies and societal preferences of the time. 4/5 Key tracks: Summertime Blues, Out Of Focus, Second Time Around

I have to give this 4 stars, just because it is essentially the grandfather of "Stoner Rock," and while it is mostly feels dated, it still has an energy and a legacy. I do revisit this album every few years, in the same I do some other classic rock.

Heavy, trippy, and fun to listen. Also the rare 60s proto-metal album that actually does sound like metal. Best song: Summertime Blues

8 / 10 Hard-Rock bastante sucio. Sorprendente para ser de los años 60. Lastima que hay canciones que parece que están mal grabadas.

Never heard this record, but it's pretty compelling, definitely a different beast than either the pop music popular at the time, or the overtly psychedelic counter culture tunes.

I liked it straight away, bluesy rock