Relatives in Descent is the fourth studio album by American post-punk band Protomartyr released on 29 September 2017. Their first to be released through Domino Recording Company, the album is much darker and more philosophical than its predecessors. While lyrically not a concept album, it is produced so that many songs flow from one to another seamlessly. Relatives in Descent received critical acclaim upon release, with many publications ranking it one of the best albums of the year.
In a perfect score review for The Guardian, Ben Beaumont-Thomas called the album "sensational" and praised Casey's "soapbox poetry" lyrics, noting that it "never becomes leaden or pedantic" despite tackling serious issues. "While his band has grown into a post-punk monster," wrote Ben Salmon for Paste, "Casey, too, has moved beyond his personal frets and frustrations and developed into a lyricist capable of clear and compelling commentary. He's a voice worth listening to."
You know it's a great album when you get disappointed that it's over.
Excellent balance between harsh a melodic ideas, deadpan vocals reminiscent of Nick Cave, and the flow of tracks from one to another was seamless. This was a great add that I probably never would have listened to otherwise, thanks!
I must be careful not to cross over into glibness, but there's a review which captured Relatives perfectly but in which I come to exactly the opposite conclusion. Yes, it's a sad record, and yes, it has some nice drum recordings. In fact, the compositions feel led by the drums into a crashing city. The rubble thundering is from buildings tall enough to collapse eternally. Joe's writing is apocalyptic, funny, perfect for a lazy listener like me. Just this time around I found myself ready for the Flann O'Brien reference. This record is always a cathartic listen; It's also brutal. Couldn't have been a fun adventure recording, exactly, but I imagine I'll always be grateful to Protomartyr for doing it.
Always excited to hear a band from Detroit that I wasn't already familiar with. I liked this a lot, and I have a feeling it will be rewarded by repeated listening, so that's what I plan to do. Thanks to whoever added this! 4 stars.
Funny enough, I was wearing my Protomartyr shirt when this was revealed. I'm a fan. This wouldn't have been my pick out of their albums ("The Agent Intellect" would have been) but it's still a solid album. The rhythm section acts as the propulsive engine while the guitars craft appropriate atmosphere for Joe Casey's depressed, drunken scholar ramblings. It's oppressive, dour, and I love it. Favorite tracks: "A Private Understanding", "My Children", "Windsor Hum", "Corpses In Regalia"
An excellent record. The band has always been under the radar in Europe I think, but they are nectar for connoisseurs. This is probably their best work
This album reminded me of Joy Division/New Order with a good dose of Sonic Youth style noise rock thrown in. The vocal delivery reminded me of Nick Cave at times as well. Overall, this was a good listen and it is a solid post-punk album. However, by the way the album sounded, I expected it to be older than it was. It seems to retread a lot of what came before.
Big ups to whoever put some Protomartyr on the list. While this is definitely the band's most consistent LP, their entire discography is amazing – led by Joe Casey's trademark vocals and a distinctive post-punk sound, this outfit has created an unmistakable sonic signature that stands out among a crowded field.
I'd listened to most of these tracks in isolation, but they really come together as a full LP. There's an innate sense of isolation and ruin, of things lost and left behind. It's amazing how evocative the songwriting is with just a little reverb guitar, simple pounding melodies, and of course Casey preaching/droning on top. Excellent album and a perfect addition to the more modern 1001 canon.
Post-post-punk-revival? Following the decline of the post-punk revival in the early-mid 2000s, bands would dirty up their production a bit with distinct indie rock and noise rock influences. Women and Preoccupations from Canada, later IDLES and Fountains D.C. from across the pond, and Protomartyr from America. While not particularly popular, it would give rise to the more experimental and playful post-punk acts of the 2020s: Squid, Viagra Boys, Stuck, and of course Black Country, New Road. All good bands and artists, all owing some amount of their success to Protomartyr as they helped pave the way for a cool new rock sound.
Relatives in Descent is a gritty, focused record that stands on the shoulders of the original post-punk progenitors and glides over the overly sleek sound of the post-punk revival. It relishes in dark, existential themes while reintroducing the "punk" back into "post-punk". Protomartyr maintains a consistent level of quality throughout and redefines the modern age of rock music for years to come. We should give thanks for this album.
CONTENDER FOR THE LIST: Yes. Believe it or not, this is a landmark album and we're now far enough removed from its release date to recognize its impact. It should be in the list.
It wasn't awful but I definitely did not need to hear it. It wasn't too long. Nothing really noteworthy about it. I have no desire to revisit. I will generously round up.
"Heraclitus The Obscure" indeed, Joe Casey's dyspeptic presence, deadpan delivery and stoic stream of consciousness paradoxically storm through this record as strikingly as Greg Ahee's gyrating and melancholic guitar lines, Scott Davidson's pointed and driven bass, and Alex Leonard's either understated or propulsive drums do -- funnelling the whole thing to greatness as if the four men were cautiously driving at night on the dilapidated Detroit expressway. Subtle eerie touches of synths or pedal effects give a discreet extra sonic layer at times. And jumps through different rhythms from one track to the next also provide the necessary variety in what is admittedly a greyish, down-in-the-mouth, overall artistry.
Very short fourth track "Caitriona" might sound like a relatively underwhelming interlude here, but everything else is stellar, especially opener "A Deeper Understanding" and "Here Is The Thing", but also "My Children", "The Chuckler", "Windsor Hum", "Night-Blooming Cereus", "Male Plague"... In closer "Half Sister", Casey circles back to the cryptic existentialism of the album's first cut (a private understanding indeed), so as to brand an infinitely unsettling question mark inside the listener's ear. No one can reach the truth, but Joe probably wants you to know you won't find it in capitalism or the entertainment industry. Bleak, yeah. But necessary.
Mysterious and intoxicating, potent in the political subtext possibly animating those pessimistic songs, both elegant and abrasive, never heavy-handed, Protomartyr have been one of the pivotal forebearers of the American strand of that late 2010s post-punk revival whose ripples can still be felt today in the music landscape (along with Women/Vietcong/Preoccupations). Hard to say which one of their most prominent LPs is the most important, between *The Agent Intellect*, *Relatives In Descent* or *Ultimate Success Today*... One thing's for sure, though: this band will be remembered for the idiosyncratic and automatically discernible manner in which they seized that post-punk tradition, infusing unmistakable mundane Midwestern features into their work -- which seep through without ever letting the listener pinpoint where those features exactly stem from. Probably Casey's presence and vocals, I imagine...
Just like the girl the man talks about in the opener and closer, I am thus "trying to reach you" with this review. And I will probably fail. But failing is OK when you love this act. Because rarely have human failures put to music been so evocative and even inspiring. Let the Heraclitus paradox flow here.
Number of albums from the original list I find relevant enough to be mandatory listens: 465
Albums from the original list I *might* include in mine later on: 288
Albums from the original list I won't include in mine: 336
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Number of albums from the users list I find relevant enough to be mandatory listens: 35 (including this one)
Albums from the users list I *might* select for mine later on: 44
Albums from the users list I won't select for mine: 91
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Émile, quelques réponses au dessus
Like Nick Cave & the Bad Seeds, Joy Division, and At The Drive-in had a jam session in Manchester in 1980, then sent the results through time to be polished and produced to modern standards.
A great suggestion, by a band I am looking forward to exploring more
This is another one I had to listen to several times to get into. There were a couple of great standout songs right away, but some of the other songs took me longer to appreciate.
Standouts: Male Plague, Here is the Thing, Up the Tower, Half Sister
Others: A Private Understanding, My Children
Rating: 3.75
A moody and spiky post-punk record in the vein of Parquet Courts (reminds me of Idles as well but I think this album predates them) with fantastic grooves and thoughtful lyrics. I only discovered Protomartyr from the album they put out after this which is also really good - definitely one of the most exciting and consistent rock bands of the last few years
Definitely not bad. I enjoy the song structures, but I kind of want it to be a bit more "raw" a la The Fall. Like the vocals are a bit too pretty? Even though they aren't. I dunno.
Musically, this captures many of the proper notes of old school post-punk, but the vocals don't really do it for me. I don't know if it bring anything new to the table, but it was pretty good.
Fave Songs: A Private Understanding, Here Is the Thing, The Chuckler, Don't Go to Anacita, Half Sister
This felt like something straight out of the early 80s. Pure post punk that I didn’t love but it wasn’t terrible I guess. It all blurred together but that was kinda by design on this one with each song running into the next.
Never heard of this band before but I thought they were alright. Extra points being from Detroit, but their biggest drawback was definitely the singer. Everything was pretty solid for a modern alternative band but the singer just didn’t have that factor that want had me wanting more. Overall it’s still good. 6.5/10
Reading some of the other comments on which bands these compares to I see names like Nick Cave and New Order and it's clear why I don't like this. I didn't particularly enjoy either of those bands on the og list and this does remind me of them. Also are the vocals mixed a little low at time? Sometimes a bit hard to hear. The vocals themselves aren't actually that great either which didn't help.
My personal rating: 3/5
My rating relative to the list: 3/5
Should this have been included on the original list? No.
I thought 'Nick Cave'! straight away.......but it's more than just that. I don't normally like Post -punk but this is intelligent, varied and interesting.
Relatives In Descent is a gloomy affair, though it's better than some of the stuff we've had in this style and genre. The vocals just about work because the music is really well put together and creates a compelling atmosphere, I really liked My Children as well as Half Sister towards the end, think it scrapes a low 3/5 because I didn't really find it impressive, just solid to good without much bad in there.
I persevered through the first two unattractive and unappealing songs to My Children which lifted my ears and reminded me a lot of Joy Division.
However, I
it's all a bit mumbly and quite similar.
Kind of a beat poet/rap delivery over generally interesting/mini-wall of noise alt rock instrumentation. The lyrical delivery is uninteresting, and there’s nothing particularly engaging or catchy with the music either. It is different but not particularly great. Kind of aimless. There’s nothing that is a major turnoff, it just gets old after 20 minutes.
Fourth studio album anyone? Seems like someone else was paying attention! It's a pretty decent album, but some of the instruments are off for me. Just different. Some in a not so good kind of way. Very heavy. Ultimately difficult to listen to again.
Professional word sayer saying words over instruments going BWOHHH for 40 minutes. Blends together so much that I didn't even notice when the album ended and Spotify started autoplaying other stuff from this band.
In the 2010s, there were roughly 3 dark brooding post-punk bands per capita. These guys, Squid, Women, Iceage, Fontaines, Savages, list goes on. Every now and then somebody interesting breaks the mold, like BCNR putting a trillion horn instruments into every song, or Viagra Boys singing about having sex with my mother. This ain't it though.
I dislike this vocal style and the sound of their voice so much. It just sounded like someone talking over the music with little effort to match the ebbs and flows. The music itself was fine and is the main reason this is getting a 2.
Definitely a unique sound and I can hear why one of us picked why everyone should hear it. But it’s not for me. The vocalist kinda talk-sings and mumbles while the mix has his vocals buried under the music.