Really enjoyed this.

One of if not the greatest voices of the 20th Century singing songs by one of if not the greatest song writers of the 20th Century. This is the sound of pure genius. Yes, it is over 3 hours long but there is a 45 minute best of version. And despite this, even if you only listen to 45 minutes, you are still listening to 45 minutes worth of genius! Sometimes it is impossible to quantify genius. But I will give it a go. If you give this anything less than 5 stars then you need to give your head a wobble boomer!

Enjoyed listening to this for mainly nostalgic reasons. Reminded me of good times in the 90s after leaving university. Coincidentally was listening to the new Beth Gibbons album the day before this came up. Very relaxing and laid back grooves.

Listened to many times before but nice to return to this album once more.

Not listened to this before and was quite hesitant about giving this a go. I found that I enjoyed this more and more as the album progressed.

Enjoyed this album. Dark and reflective.

Can't fault this album. Wings/Solo McCartney at his best. Very strong start to the album with 2 huge numbers. Most other artists would struggle to follow up on this, but not in this case. To give this anything less than 5 stars would be hard to justify.

Not my cup of tea. Gave it a go and quite content to never listen to this again or recommend it to anybody. Although I'm sure there are some out there who may enjoy this, for what it is worth. Lowest score so far at 2 stars.

Good example of jingly/jangly early nineties pop. Very samey and nothing stands out of any note. The only exception is Mrs Robinson, which stands out like a sore thumb mainly because of the genius of Paul Simon. A beige 3 stars for me.

This made for a pleasant relief after some humdrum 90s guitar bands. Vibrant and energetic. Superb guitar playing and a definite 5 stars from me.

I've no real time for this type of music. Far too much distortion covers up any discernable melody. Unable to hear or make out what is being sung. I suppose for some this would be an audio experience of sorts. I would give it 1 star except for the first track which I guess would be almost recognisable as an accomplished tune. At the very least it is unlikely that any of this cacophony will finds its ways as an ear worm. For that mercy I will give it 2 stars.

Really enjoyed this album. Quite a range of songs to savour. Some may argue that 'Changes' and the drug induced FX don't sit well and interrupt the rythym of the album. I think they add some reflection time to the album. The pioneers of heavy metal finding a more experimental approach to the discipline. Is this the best Sabbath album? Probably not. But is this better by a country mile than any other Heavy Metal album at the time or even since? Probably. No reason not to give 5 stars.

I am already familiar with this record and have always felt that this should not be a double album. There are not enough good tracks to justify 4 sides worth. There are around 8 or 9 songs that would make a very good 5 star Clash album e.g. London Calling, Rudie, Spanish Bombs, Lost in Supermarket, clampdown, Guns of Brixton, I'm not down and train in vain. The rest is at best filler. Ask yourself this, and be honest, would you want to see the Clash play Jimmy Jazz live instead of something like white riot or janie jones? The answer is no, of course not. Why would you deny yourself this just to make a cheap point. This is mainly because the likes of jimmy Jazz are not up to scratch; and certainly not punk. Given the songs I have listed above, it is 4 stars despite the weaker songs. If this album was reduced to 2 sides it would be definite 5 star album and arguably up there with the very best. But alas this isn't the case. The album cover is iconic and probably the best of the punk/post punk/new wave era. But you can't judge a book by its cover.

Really like this album. With Phil Manzanera on guitar and Brian Eno on synthesiser you can't go wrong. The first 4 songs are exceptionally good and the album gets 5 star for these alone. Favourites include re make re model and if there is something. British art house experimental rock at its best and still sounds futuristic now.

Britpop's finest. Stand out tracks for me are For Tomorrow, Resigned and the Kinks inspired Sunday Sunday. Parts of this album I quite like but mostly it does not quite do it for me. 3 stars.

I've not heard this before, so I wasn't really sure what to expect. Can see/hear that Clash, Pistols, and Stooges are a big influence. Lyrics seem a bit adolescent, i.e.. Garys got a boner etc, although I guess they were still quite young. And there is a certain charm about some of their songs, e.g., sixteen blue reflects teen angst in an honest way. Might have liked this first time around the mid-80s - similar to the Alarm - and think it would grow on you. A solid 3 stars from me.

Quite familiar with the big hits from this album. And can rememboer this album when it first came out and also the ill fated concert in Liverpool 1987. I can recall being updated later that evening by an endless stream of eye witness accounts of dimishing incredulity. Must admit not a big fan of this shouty rap music but by all accounts they did not take themselves too seriously, unfortunately not recipricoted by Liverpool audience in '87! Have always found that the unintended consequence of the type of music was it bring mimicked by TV frat boys on US campuses. Although, as always, there are some out there who really like this type of thing and I can't knock 'em. Resplendent in their turned back base ball cap and pent up middle class, white boy, suburban angst...their fans that is. Produced by Rick Rubin and decent samples of Led Zep and Sabbath makes it 3 stars from me

Setting aside his personal life which would would be a definite 0 stars, I found the raw power of this performance to be outstanding. I doubt there are many live acts who could compete with this. The Nashville Teens are on fire and JLS pounds each piano key with the force and drive that would put to shame Led Zep, the Who or any other hard rock act you would care to mention. 5 stars from me

I'm not familiar with this album. I note that many reviews reference the anger and violence of the lyrics and give it a low rating. But context is everything, this album accurately reflects the anger and reality of racism, poverty and disenfranchisement for many black people in LA during that period. As Ice T himself admits in the, one of many stands out tracks, OG original gangster: "I try to write about fun and the good times But the pen yanks away and explodes and destroys the rhyme Maybe it's just cause of where I'm from L.A. (*bang!*) that was a shotgun.." I can remember the riots that followed the murder of Rodney King in 1992 and this album reflects the rising tensions due to police/LAPD attacks on the Black community of LA that led up to the events of '92. I think this album is brilliant and wish I had come to this sooner. 5 stars all the way!

Setting aside Spector's personal life, which would be a definite zero star. And separating the art from the artist, this is the definitive christmas album. All others are merely attempting to capture some of the essence of this album. Brian Wilson cites this album as one of the greatest of all time, and who am I to disagree. 5 stars.

At last, after a run of 21 albums, a female artist. Not an album I am familiar but quite like it. It's got an easy going Fleetwood Mac vibe. Good blend of bluesy, country and moody tracks for late night listening. However, no real big hitters on this but a merciful break from the early nineties grunge/guitar noise dominated albums that I have recenty endured. More an album that is a sum of its parts and 4 stars for me.

Big fan of Mark Knopfler so happy that this album has turned up. Know this fairly well as my brother had this album early 80s. Have always found that Dire Straits stood out from other bands of the period. There is a slight eccentricity to DS music that went against the norm. Clever guitar picking, steel guitar, moody slide, bluesy with a hint of Chet Atkins country. Although, for a debut album, it seems a bit safe. Some tracks, 'down to the waterline', have a hint of Bob Dylan about them, which is no bad thing. Stand out track is clearly 'Sultans of Swing'. 4 stars from me.

One of my all time favourite albums from the pioneers of electronic/techno music. Futuristic and probably one of the most accessible Kraftwerk albums. The model was a hit single in the UK. This album influenced many of the new wave/new romantic acts including Human League, Gary Newman, Bowie etc...One of the many highlights is the eerily beautiful Neon Lights. Magnificent Machine Muzik. 5 stars.

Not listened to this before and wasn't sure if I would like it. Know and like the the big hits on this, fun loving criminal and Scooby snacks, and found the other tracks to be quite funky and fun. Must say I have a soft spot for Huey Morgan as I regularly listen to his Radio 6 show on a Saturday. He seems a genuine and decent bloke and was a source of comfort for many during the dark days of Covid and lockdown. Unfortunately, the other band members seem to have stitched him up and now trade under the name fun loving criminals but are no better than a tribute act. Still this album is good fun but not good enough for 5 or even 4 stars. It's a 3 from me.

Only familiar with Emmylou Harris due to her connections with Gram Parsons and her featuring on Dylan's, 'Desire'. Not heard much of her solo stuff and quite pleased that this has turned up. Despite there being a few covers on this album, Dolly Parton and Beatles, I like the vibe. It hangs together well and the covers blend in really well. Stand out track for me is, Too Far Gone. 4 stars.

Quite a hard and moody vibe to this. Must say, I didn't enjoy this as much as I did with Ice T's original gangster. I think mainly because lyrically it does not say much to me, although I do accept I am not the intended audience. Found the songs quite samey. 3 stars from me.

Some big hitters on this, Clocks & the scientist amongst others. I've always assumed that Coldplay songs were written by someone with not much to write about. And now after listening to this, from what I can can gather, this is mostly about a needy bloke who, quite rightly in my mind, is being constantly spurned by his lover/partner. And I can fully understand why! Who'd want a needy Chris Martin lallopping around you like a dejected slavering oversize puppy. But with all that said and done, I listened to this whilst on an early morning winter walk, and despite the vapid introspection and needy whining, it made for an interesting companion for on the way. And for that reason will give it 3 stars.

Great album and a great relief having come on the back of Coldplay. Every song is a banger. I really like the earthy rock n roll sound from CCR and all in 4/4 timing. John Fogerty's vocals hit hard and soulfully delivered, and there are few who sound better. Favourite songs: Commotion, Lodi and wrote song for everyone. 5 stars from me.

I've heard a few of these songs but not all together on one album. I find this to be quite mellow laid back jazz which I quite like. I can see why some would necessarily like this first time around. It may need a few more listens but it would be worthwhile. Not so sure about Gypsy Woman, sounds too much like a jam to me, strange feelin and sing a song for you more than make up for this. 4 stars.

I can see from quite a few reviews that there are quire a few accusations of plagiarism flying about some of the songs on this album. And admittedly I can see where this is coming from, 'waking up' is clearly derivative of the Stranglers as 'connection' is of Wire. But that said and done, as Brit Pop albums go, this stands put quite well. It's a debut album and the album contains some big hitters, connection, line up, stutter etc... It makes a change from the gloom of early 90s grunge and as a mostly female outfit they deserve credit for trying to break through the predominant 'ladist' culture of the time. And hey boomer! Before you get on your high horse droning on about girly copycats, have a quick look up Led Zep and them plagiarising Willie Dixon, Howlin Wolf and many others. Not knocking the Zep, just sayin' that's all! 4 stars from me

Must admit that this may not be everyone's 'cup of tea'. I'm a big fan of garage psyche rock/pop from this period and can see how this is an influential album for '66. Like most albums from this period it probably hasn't aged well and I can see why. Very much of its time and definitely worth 4 stars.

The Dark Side of the Moon for the 90s and a great antidote to Britpop. No filler on this album. Each song an exquisite piece of art. Not only 5 stars but a contender to be number 1 album of all time. But unlikely whilst the boomer lurks amongst us. See now, the dark spectre of experimental music haunts the world. Boomer! You have nothing to lose but the shackles of the 12 bar blues chord progession and the world to win!

The follow up album to DSOTM could've easily have been a dud, but not in this case. Leaning more on the bluesy guitar riffs and bends of Gilmour and the sublime musical landscape of Wright, this is a masterpiece. Added poignancy of Syd Barret turning up to the recording sessions of SOYCD. Wish you were here is surely Water's finest hour. Must say I can't fault this. Five stars.

Loved this album. Perfect combination of laid back/mood jazz accompanied by Gil Scott Heron's sublime poetry. All tracks are outstanding and 5 stars from me.

I remember buying the first album and being really impressed by the raw sound of the band. Unfortunately this album is very beige. Apart from the 2 big hits sex on fire and use somebody the rest of the songs are instantly forgettable. Was considering giving this a 3 but then came across the dreadful 17 and instantly deducted a point. So it's a 2 from me. Don't really understand why this hasn't been bumped off the list to be honest.

Remember going to see these play live at the Royal Court (Liverpool) 1987. Short but sweet. Always found these to be the better of the 1980s dreamy guitar type bands. Highlights include Darklands, Deep one perfect morning and about you. 4 stars from me.

Enjoyed this album more than I thought I would. Although my expectations were quite low. I know the singles from this album quite well, Tighten up & Howlin for you, were on the BBC Radio 6. But I was expecting the other songs to be 'samey' and although thesei are mostly bluesy/shouty type songs there was some elements of variation. Probably won't listen to again. I guess this is a case of, 'you had to be there', to get the best from these. And I'm afraid I can't be bothered going! 3 stars.

The Boss! Difficult not to like this album. It has an honest and raw appeal to it. Must admit, I've grown to like Springsteen more and more as I get older. This album was generated on the same day as the Trump inauguration (2025) And a timely reminder that we should all listen to what the Boss has got to say from time to time. Born to Run sandwiched between Thunder Road (great opener) and Jungleland (even greater closing track) is the makings of a master piece. It would be disrespectful to the Boss, as a true working class poet, to give this anything less than a 5!

Never been a big fan of Elvis Costello, mainly due to his voice. So was curious to see how this album 'panned out'. The opening tracks reinforced my worst fears, wobbly/quivering verses and loud stomping/shouty chorus. I can recall an episode of Frasier were EC was performing in the cage were Nialls and Frazer frequented. The joke was once he started playing Nialls snootily complained whilst everybody else cheered EC. For once I was in complete agreement with Nialls. Terrible racket! The album then seemed to settle down and melody was more audible. Things settled down and I quite liked This is Hell and Clown Strike. Overall, I get why people like EC but its just not my cup of tea. 3 stars from me.

Not listened to this before and for good reason! From the get go I was immediately transported back to the Swan pub (early '90s) in Liverpool when the adolescent metal heads seized control of the juke box with devastating effect. Shouty, grunty, angry & silly. And it did not relent. I persevered and finally some discernable melody broke out during Jasco & Itsár. I could even hear the tribal sounds of Brazil that this album is famous for. And then, back to shouty, angry man again. I can admire in some ways the people who like listening to this type of stuff. Fair play on them they have ploughed a singular furrow for themselves & one that any sane person would never enter. Unfortunately, this is not for me and I would award 2 points only, if only for some nice acoustic guitar work in the aforementioned tracks listed above.

Been a while since I've listened to this. And quite enjoyed it and has aged quite well. Can see how this has been influential. 4 stars from me.

Have already got this on CD and spent many happy hours listening to this during various car journeys. I often find that Queen can be hyped up and not sure if all their albums deliver in the same ways as ANATO. For me this certainly lives up to the hype and there a number of bangers on the, obviously BH, but also Death on Two Legs, love of my life and I'm in love with my car (yes, it's the drummer singing and not Freddie. But, what a voice!). I know that the prophet's song is not everybody's 'cup of tea', but I like it for its experimental edginess and, dare I say it, prog rock potential. Maybe this album is the reason that Queen are hyped up, and if so, it definitely deserves 5 stars.

Not a huge fan of Elton John mainly because, as with Elvis Costello, I don't like his voice. 1971 was clearly a prolific year for EJ with this being his 3rd album that year. Favourite tracks are Tiny Dancer and Madman Across the Water. For me the musicians who contribute to this album bump up the overall score, most notably Rick Wakeman and the exquisite bass playing of the now late Herbie Flowers. Obviously some dodgy numbers e.g. Indian Summer. But overall some good tracks make it a 3 1/2 for me.

The definitive West Coast psychedelic album. Perfectly encapsulates how I imagine San Francisco to be in 1967. Some big tunes on this Somebody to Love and White Rabbit. Other than STL and White Rabbit, favorite tracks include Embyonic Journey and Today. A far out 5 points from me!

Not really heard this before. And by the sounds of things not missed much. Can only describe this as a lightweight version of the Smiths. Songs seemed to drift by without catching my attention. The only song with any kind of bite was, 'Dive for your memory'. All a bit meh really. 2 stats.

Had this album on in the background whilst working so did not really listen to it. Most of the songs just drifted by. Did recognise a few from back in the day and can appreciate why it is so important in the evolution of hip hop. 3 from me.

Quite enjoyed going back and listening to this. Stand and OC clearly the stand out tracks. Really enjoyed Hairshirt. 4 stars

Really enjoyed this album. Although frustrated by not understanding the lyrics despite best attempts to get translation online. Can fully understand how Rod Stewart lost the Taj Mahal plagiarism verdict, although fair play to Rod for donating royalties to charity. And can hear how this album has inspired and be used on many other samples. A definite 4 maybe 5.

Bon Scott's ACDC for me is the authentic sound of the group. Really enjoyed listening to this and there is a raw edge to Scott's voice that drives the album forward. With this being his last album means its 5 stars from me.

Really enjoyed this.

One of if not the greatest voices of the 20th Century singing songs by one of if not the greatest song writers of the 20th Century. This is the sound of pure genius. Yes, it is over 3 hours long but there is a 45 minute best of version. And despite this, even if you only listen to 45 minutes, you are still listening to 45 minutes worth of genius! Sometimes it is impossible to quantify genius. But I will give it a go. If you give this anything less than 5 stars then you need to give your head a wobble boomer!

Was expecting much more from Paul Simon here. Unfortunately found it to be dull and uninspiring. Stand out track was, Julio down by the school yard. Surprising this album actually makes the cut. Disappointing 2 stars.

For me not the best Beatles album from the early days - Hard Days Night is better. But still it has some classics on it, All my loving and Money. I don't think it is conceivable to rate any album by the Beatles less than 5 points. Especially when the Beatles were at the pioneering stage for most groups.

Can't believe there a 6 Elvis Costello albums on here!

Really enjoyed this album if truth be told. It came as a timely respite coming on the back of another painfully worthy Elvis Costello album. Be warned there are 6 (SIX) of them lurking within the generator. Some may describe this as 'hair metal' or bubble gum pop or whatever. I think what they are griping against this album because it has, shock/horror, melodic choruses! And that is why I rate it higher than any stoner/shoe gazing trite nonsense from, Sound Garden, My Bloody Valentine etc... A joyful music experience, long may they rock! 4 stars

Really like Kate Bush's music and really must make an effort to listen to more than just the big hits. Need to listen to this again to fully appreciate.

Know this album quite well having bought it many years ago. I've always enjoyed the music of Bob Marley as it brings back memories of hearing this music booming out of local house in 1970s/80s South Liverpool

Already familiar with this album. Never really taken to it as much as Back to Black.

I'm really pleased that this album makes the cut. Coming from the 'Nashville of the North', Liverpool (UK), I am quite familiar with C&W music. Liverpool is one of the few, if not the only, cities in the UK of having had a dedicated C&W radio channel. My brothers friend was the son of the legendary Joe Butler - C&W dj. This is a great album and my stand out favourite is, 'we had it all'. 5 stars all the way!

I like everything that Public Enemy stand for. They have something to say and are relentless in their politicking. The message they deliver is as important today, if not more given the present incumbent as POTUS, as it was in the 80s/90s. I don't listen to much rap/hip hop but always enjoy Public Enemy when I get a chance to.

An interesting album. Must confess I preference the more mellow and laid back tracks. Nice interplay between electronic beats and traditional Indian music. The odd track I found a bit jarring. I can find time for the experimental nature of this album.

Enjoyed listening to this for mainly nostalgic reasons. Reminded me of good times in the 90s after leaving university. Coincidentally was listening to the new Beth Gibbons album the day before this came up. Very relaxing and laid back grooves.

Really pleased thar Stevie Wonder has come up, have been listening to a lot of his music recently. There's a lot to like about this album. To begin with it has Superstition on it - the greatest ever motown single? It has some great funk, maybe your baby, with sublime guitar playing from Jeff Beck. An album that needs to be listened to more than once. 5 stars all the way.

At first seems quite long at 1hour 42 but after checking that the original album is disc 1 only and that this is all that needs listening to. Quite enjoyed this and got quite nostalgic about hearing this in various student venues frequented in late 80s liverpool. Some big hits, Fisherman blues but also enjoyed Hank Wlliams song and strange ship. Didn't like the van morrison cover sweet thing so much.

I've quite enjoyed listening to this. Not listened to much TW in the past but find this really accessible. I'm quite pleased with some of the albums that have been thrown up as it has expanded my listening range. In particular I like the guitar playing of Marc Ribot on jocky full of bourbon. Favourites include Clap Hands, hang down your head and time.

Amazing achievement by Brian Wilson. Went to see this performed live in Manchester 2004. Hearing surfs up made the hairs stand up on the back of my neck, still does. Was already familiar with outakes/smiley smile but heard in this format as a cohesive piece of music was a moving experience.

As debut albums go this is a great introduction. Been a big fan of the Who since school. Really like the raw energy that goes into this album. There is no let up and no prisoners taken. Stand out tracks include, the good has gone, legal matter, kids are alright and the Ox (Moon's drumming is insanely brilliant). My Generation, the song, transcends any possible criticism as it is a nailed on classic up there with any Beatles, Dylan or Bowie number. What a band! 5 stars all the way.

Brings back memories of borrowing this from the library when I was at school. Title track is an all time classic and other tracks heavily Bowie influenced.

Not heard of this before. Found thar most tracks seemed to pass me by and really capture my attention. Found myself more interested in later tracks and quite liked, 'stranger than kindness' and 'here before'. I guess 3 stars would be a fair estimation.

Quite enjoyed this despite its quirkiness. Some good background tracks and moody jazz pieces, 'miles'. Must admit that some of the voice overs were annoying and think that Jarvis Cockers talent could've been better used. 4 stars

Have come to appreciate New order in later years. At the time of recording I generally felt they were a bit too synth pop for my liking. Having listened to this a few times, I am starting to appreciate New Order a lot more. I particular like the synth/heavy guitar fusion of eligia. I find this more in tune with the original Joy Division incarnation of the band. Would give this 5 but for the weak vocal delivery, it's just not to my taste.

Quite enjoyed this album. Not ordinarily a genre I would listen to until I started the album generator. Found this to be more melodic and easier to listen to.

It's good to hear non western music. Quite liked the differing musical styles on offer. Bit frustrated on not knowing what lyrics meant.

I wasn't expecting to like this album but was surprisingly enjoyable. Always considered this band to be a one hit wonder with their big hit, gary gimores eyes. But was quite impressed by the raw energy of the band and reminded me of early Love/Arthur Lee, 7x7 is etc... a definite 4 stars from me.

First album from modern era (2018) and the first pop album. I can appreciate this is C&W but sounds like more of a pop crossover to me. Either way a welcome break from the endless heavy rock male dominated albums that predominate the albums so far. 4 stars.

Great album! Can't think of a better way of spending a spring Sunday walk listening to Dusty Springfield. Some big hits as well, son of a preacher man, breakfast in bed and windmills of your mind, clear favourites. 5 stars all the way.

Really enjoyed this album as it captures the raw power of Joplins voice. It is quite poignant that the instrumental track was left as it was because Joplin had died before she was able to record vocals. A tragic loss. 5 stars.

Great album and can clearly head the golden period of Bowie's influence. After a few listens you begin to hear the later bands that this was a big influence on, joy division, Depeche mode etc... no such bad thing. 5 stars all the way!

Really enjoyed this album but didn't expect to. Always considered H17 to be slick yuppie music and until now avoided. But couldn't have been more wrong, the title track has a real groove to it and is politically on point. I know at the time it was aimed at Reagan but unfortunately the song resonates even more now with Reform, Trump, Tate, Musk the list goes on. Great album and will definitely dip into again. An anti facist 5 star bonanza.

Never really had much time for this type of music and thought that this would be an opportunity to revise my opinions. Alas I was reminded of all the things I disliked, the unsettling loud outbursts and disjointed melodies. This really isn't my cup of tea. 2 stars for the method of compiling these samples.

Not paid much attention to this album until now. Familiar with the big hits, EWTRTW & Shout, but didn't expect to like the lesser known hits. For me the album really gets going on side 2 with the Robert Wyatt inspired, I believe, then the electro/prog (?) fusion of Broken/Head over heals. Must say I enjoyed this much more than I thought and can't think of a reason this can't be 5 stars.

First tried listening to this over 30 years ago and my opinion has not changed since. The sound is too clinical. The guitar, bass and drums offer no melodic nuances, just a relentless thudding and angular guitar patterns. I am not knocking them as musicians I just wish don't get it. Too shouty as well. 2 stars.

Not listened to this for a while, and for good reason. This album has not aged well. I can understand that at the time this was part of the Brit pop zeitgeist but unfortunately them days are long past. Basically this is uninspiring music played by uninspiring musicians. Apart from the big hits, rock n roll and C&A, this is quite mundane and I am being generous in giving 3 stars.

Really enjoyed this album despite not having listened to this before.

So pleased that another Baaba Maal album has made it onto my album list. A perfect musical companion on a early spring sunny day in England. Beautiful voice, guitars and accompaniment. Nothing less than 5 stars would suffice.

Second time Dusty has been offered up as part of this project and always a pleasure to listen to.

Always enjoy listening to early Sabbath. This album is a good showpiece as to how tight a band Sabbath were. All stand out tracks for me and in particular enjoyed, behind the wall of sleep and NIB this time around.

Always a big fan of Johnny Cash and remember continously listening/watching the video to hurt when it was released. There are so many big songs on the album and my particular favourites include the biographical, desperado and as soon as I saw your face. The latter is very moving as I always imagine this being about June Carter who died a few months before Cash.

Didn't really pay much attention to this album so don't want to rate it too low a score. Must say I liked the musicality of this although the lyrics did not seem to hit home.

Not my cup of tea at all. Gave it 2 listens. Second time around the 1st track seemed better but unfortunately not the rest. All a bit samey and no fan of lead singers voice. Last track had an interesting pause for around 4 mins and then a middle eastern type guitar solo and raised this to 2 stars.

No review given due to this being outside of my critical evaluation. This is clearly a masterpiece.

Already familiar with this album but it is a while since I have listened to it. All songs are delivered with high energy and there is no let up. Clearly no time for ballads. Always enjoy hearing the big hits, 'Jacqueline', 'Take me out'.

Really enjoyed the varied musical styles here incorporating both folk and trip hop. Very mellow and perfect for winding down to after a busy day.

I'd forgotten about this band but memories soon came flooding back on listening to this album. I can remember the big hits, santa cruz, big sur etc being all over the radio/festivals early 2000s. Quite pleasing melodies but always found them a bit soulless and/or lacking in the sophistication that made contemporaries such as Flaming Lips so vibrant/exciting. Despite good intentions seems a bit lack lustre. Lead singers voice grates after awhile too. Solid 3 stars.

Bought this album when it first came out and was an introduction to African music. As far as I am concerned a land mark album that is faultless and beyond my critical sphere.

For me this is the Talking Heads going through the gears. And arriving at the peak of their powers around the Remain in Light years. That said I did really enjoy revisiting this album and favourites include, warning sign.

The best solo Beatles album? Despite the length of this album, I'm certain it was not this long on release, it works really well. I'm discarding the 3rd 'bonus' disc when rating this album. The 2 discs have plenty of big hitters on them that raises this album above the other solo Beatles albums. My favourites are, beware of darkness, all things must pass, isn't it a Pity...in fact too many to mention. Brilliant stuff!

Not heard of this before. And now having listened to this glad I gave it a wide berth. Not my thing at all.

Brings back memories of sitting in Flanaghans Apple, Liverpool, mid to late 80s. Spent many hours listening to this album and enjoyed every moment. Strangely uplifting but also poignant - brilliant stiff!

Must admit not listened to this album before. Aware of the big hits TL and SHWG but unaware of other songs. Given that this is a really low production/DIY debut it is really good. I like the stark synthesised music and sleezy/snarky lyrics from Almond whose contempt for suburbia is more authentic than most punk songs. SHWG is a brilliant way to close the album. Again surprised by how good 80s music really was.

I thought I would like this more than I did but unfortunately I don't think this has aged well. Its far too screechy, Janis' voice is much better utilised on Pearl. I have no doubt that BB&THC are a tight band and they are, it's just that sometimes lengthy guitar solos can get too grating.

Found this a difficult listen. And not so sure why this is so influential as an album. Both Hendrix and Cream were playing this style of heavy blues guitar, and much better at it as well. Can't think why this deserves more than 2 stars.

An outstanding album. Quite possibly the best I have heard so far. There are no filler tracks here. Each song exquisitely crafted and beautifully sung.

Really pleased when this style of music gets an airing during this project. The samey rock guitar stuff can get monotonous at times! Beautifully arranged music and a pleasure to listen to, despite the protestations!