1001 Albums Summary

Amazing what a massive leap their sound and songwriting took between Help and this album

I know the hits but not an album I am going to put on high rotation

Couple of dud tracks but an otherwise crucial album

I have a confession. I don't think I am that much of a Stones fan.

Amazing album, one of my favourites. Why don't I own this on vinyl yet

Some of the lyrics are really dated and ruin the listening experience. The production, beats and grooves still reign supreme

I used to own a tape of this when it came out. Classic album that I haven't listened to for years.

The only band that matters. If I was told I could only listen to one album for the rest of my life it could well be this one

I had only ever listened to best of's before so was surprised by how this works as a cohesive album. Coconut jarrs being such an over exposed silly song, it however works as a middle point of the record

This is a tough one to score. I had never listened to this before and I have listened to a small amount of 10CC. I thought some songs were amazing, early 70s glam tinged weirdness, while others were a bit ho-hum. I did give it another listen and explore the band some more

Very late sixties/hippy indulgence. Not terrible, just not what grabs me. Main grip was they can't really decide what kind of style they are and sound enough like other bands of their era that I would rather delve deeper into those artists.

Classic Dylan. I had never listened to this before or was aware of many of the songs, maybe this is because they are ones that don't get dragged out into the hit parade. I had no idea it was from the mid-90s as some of the songs are comparable to his best. One to listen to again in a mellow moment

Really beautiful album. I will give Anita Baker more of a listen.

From when I first heard, Take Me Out in 2004, I became a fan. They lit up the dance floor of ever indie club across the world. Them touring this album in Australia was a special time as it coincided with the opening of Spectrum, a venue I would go on to do the art for over the next 6 years. I still love the rest of their work but none could ever match this debut

I got heavily into trip hop around the time this album came out. Problem is that I never heard this album until about a decade later so it is never going to be my go to of this genre. I do like the how its sounds are missing link between Acid Jazz and Trip Hop and beyond. This is a great album if nothing but for its legacy

Definitive ska album and set the (two) tone for so much to come

The perfect album about the United States. Shame the ideals that Bruce wrote about have been perverted in the 37 years since this was released.

Some great songs, some good songs and some terrible songs. Patchy

Do you like Gary Numan? Perfect album and it's influence screams out in so many acts that have followed

Not a fan, sorry. Sounds like sub-par Eric Clapton

The ABBA album that didn't get hammered into the Australian psyche. Beautiful in parts it heralds Benny & Björn's shift to musicals. The album is hampered by some of sameness between some songs and feels flat in places

Nope, not a chance am I listening to this again. Quincy Jone production is amazing but sorry, the legacy of Jacko taints this album. It's one pub debate I will walk away from

Near perfect album by New Order. Peter Hook's bass is the star of this album and a very bright one at that

At the height of grunge, one of the hardest and angriest albums released was this hip hop one. Hard to deny what an phenomenonenal lyricist Ice Cube is. The production suits Cube's rapping perfectly, more bomb squad that Dre, DJ Pooh is criminaly underrated Would have given this 4 stars but some of the tracks are sexist and dated.

This album is the musical equivalent of lucid dreaming. The cover art encapsulates the sounds within better than most other albums. Worlds away from Kind of Blue and with an artist like Miles Davis you would hope for that

I remember my older cousins owning this and probably playing it for me when I was a kid. I (re)discovered Sparks in 1997 when they teamed up with Faith No More for This Town Ain't Big Enough for Both of Us, the original of which is on this album. While never a die hard fan, I was aware of what and influence their sound has had on so many other artists. Like many others, my passion for Sparks has been increased in the lead up to the Edgar Wright doco (which I am yet to see) This album is one of their best. Uncomfortable in places it straddles a fine line towards being too wierd. It is weirdness done well, which makes this album so good.

Love Plus One is not only one of my favourite songs but in my opinion, one of the most perfectly crafted pop songs of all time. The rest of the album is good, but not great. A post ska, afro ear-lite sound that blends into Level 42 and A Certain Ratio fails to keep my interest for the full album

I like Le Grange and that is about. I get bluesy jam bands are a lot of people's thing but just not mine

Go listen to John Lee Hooker, Buddy Guy, Robert Johnson or any one of hundreds of other blues artists instead. How this is an essential album is beyond me

You know what, I tried but apart from having the title track and Vincent etch in my memory this album kind of washed over me. By the numbers overly sentimental pop-folk

I have had this on repeat all day. That voice, like gold soaked in honey but with a slight hint of menace on par with Johnny Cash. I can hear Marty Robbins' sound in the DNA of American, Outlaw Country, Gram Parsons and even Nick Cave in his murder ballad era. Amazing stuff and an original artform

Mark E. Smith's singing is garbled, the instruments sound out of tune and it sounds like it was recorded in a toilet block, with a cheap cassette player. Yet it is a brilliant, unique and exciting album that has served as an inspiration for so many acts that followed (yes I am looking at you Pavement). I don't listen to the Fall nearly enough

So very different to Faith or his work with Wham, this album is the pinnacle of George Michael's career. Even to a casual listener and not a super fan like my wife, it is hard to deny that this is pop perfection

This album meanders in places which is why I dropped a star, but damn me if it isn't worth 4 stars for Cherub Rock, Today and Disarm. I'm not the most ardent of Smashing Pumpkins fans due to Billy and the gang disappearing up their own bottoms for the next few albums. This album however is a testament to blend of sounds the band embraced, from Grunge to metal to Dream pop, Sonic Youth style noise and R.E.M.-like sensitivity.

Beautiful, stark and at times confronting album. A surprise for me, knowing only Nina Simone's more popular work as I was expecting smooth jazz

I will probably give all of Bowie's albums 5 and this is no exception. The man was a master

When this came out I was mostly listening to a lot of hip hop, Joy Division, New Order and The Doors. I never really warmed to Metallica but would say this is my favourite album. It marks a turning point for the band from their aggressive speed metal to their slow commercial stuff. I think this middle point is the band at it's best

Unexpectedly amazing. I had wrongly written off Dr John as some proggy old blues appropriator. An amazing blend of Cajun, blues and psych rock here. I and hear how he has influenced the sound of many bands that followed. The layering of some of the tracks is like nothing I have heard from that era Now to explore some of his other albums

It's not Pet Sounds, is it? There are some great songs on here, namely the last three tracks. The rest of the album? Not that that great. This album is marred by soupy production and a patchy song choice, especially "Student Demonstration Time" which just sounds condescending and dated rather than being the protest song it intended to be.

Never has an album felt so familiar yet been so new. It came out at such the right time. So much music had felt stale and to me this album revitalised music. I saw the Strokes a few days before this came out and the day the album came out, I ended up listening to it for about 8 hours on repeat. When it came up as my album yesterday, I listened to it about 5 times along with a few of their other albums.

Truly beautiful album but something about it didn't grab me. Maybe it is my personal taste as this album ticks all the right boxes and much more sonically mature and accomplished in comparison to Stories From The City. Maybe it neeslds a few more listens. PS: whoever thought the bugles on the third track was a good idea needs a talking to

The only thing that let this album down was the main single, Brimful of Asha getting treated like a novelty song after the Norman Cook remix. The album is full or really interesting sound excursions, sitting somewhere inbetween an indie, big beat and Trip Hop while having its own unique sound. I remember finding the album really refreshing in the post Britpop malaise

With this album it will forever be 21/22 year old me drunk on the dance floor of an indie club at 3am, a gin and tonic in one hand, a cigarette hanging from my lips, ready to take on the world. Forget the Britpop hype and all the other BS, this is a powerful band in its raw form. Listening back to it after such a long time I am struck by the fact it still gives me tingles up the spine. To me it really is a good album. Later one the may have disappeared in a pile of white powder and too much borrowed Beatles riffs but this a solid debut

The musical equivalent of a Lancaster Bomber exploding into your ear drums

If the music on this album was a colour, it would be beige. Some epic sounding tracks in amongst a slew of ones that sound like they a lifted from an off off Broadway musical. This is the Bee Gees who are no longer the Aussie pop darlings and not yet the doyens of disco

This album is a testament to the symbiotic relationship that Iggy Pop and David Bowie had in the mid-70s. Both were lost musically and mentally, the collaboration on this album had them bring out the best in each other while surviving the worst. It is argued that this is primarily a David Bowie album but I would disagree as Pop's influence over Bowie stands out in the rawness of much of this record. The dark keyboard and drum sequencing of Nightclubbing would have sounded cleaner without Iggys suggestions and wouldn't have had the impact on so many post punk and new wave artists that heard this album. It is a shame in some was that Iggy moved away from this type of sound later on

So nice to have this album come up the day after Iggy Pop's The Idiot. Because where that was the prologue to the "Berlin Trilogy", this is the middle act. So I had already listened to it in the morning before it came up on here. It is one of the many highlights of Bowie's career and agreeably his greatest album. This is another one of those template albums that broke/enhanced new ground which led later musicians to follow. You will find me giving most Bowie albums 5 stars, this I want to give at least 6 to

This is Talking Heads before David Byrne hijacked the name and started treating the other three as his backing band and long before he started doing Broadway specials. The thing people forget is just how talented the band were as a whole. This album is raw and loses direction in places however overall it is a stunning debut and lacks the cynicism of their last few albums. Arty, funky, punky songs with real heart

I'm not much of an Eric Clapton fan but this isn't too bad. The most popular song on the album is my least favourite as it jars with the smoothness. I've always found it odd that someone who actively spoke out about Jamaican immigration should cover a reggae classic

Good but not overall not as great as the Beatles albums that bookend it. I find some of the cover versions on here a bit underdone. Difficult second album syndrome perhaps, which makes it their weakest album for me. Blasphemous or not, I actually prefer Meet The Beatles to this.

I've never really gotten into Led Zeppelin although I do appreciate their fusion of blues, hard rock and psychedelia. They made a sound that was not so much of their own but far better than their contemporaries. There are some epic songs on here which far out weighs the selections on here that are purely masturbatory

I cringed at the thought of playing this but the more I listen to it, the more I want to go back and hear it all again. I was expecting hokey, old timey rock 'n' roll but instead my ears were blessed with a hardcore punk like energy and so many good tunes.

Wilco are one of those bands that I have kind of avoided, namely because some Wilco fans I've met have been a bit tedious. This is good. Not the second coming like some people have led me to believe but solid. They sound like a mellower, possibly more refined Replacements, with Jeff Tweedy even emulating Paul Westerberg's vocals in places. Sonically the album is pretty amazingly in places. It has so many layers of sound. Overall I like it and will listen to it and them again. The only negative is a few of the songs towards the end feel drawn out and it is a brutally long album already

This album triggers the olfactory memory of patchouli oil and B.O. wafting from Devendra's fans. This probably isn't a bad album just not just me for me. Autumn's Child is a beautiful way to end the thing

Extra special this album coming up on my list on Ozzy Osborne's birthday. This album for me is working back till 3am on many deadlines, alone in an office with this blasting out of my computer's speakers. Perfect album

Yet another perfect album. Like many others I became aware of Leonard Cohen through the movie Pump Up the Volume and Nick Cave. I though this album was a compilation at first as it has a number of my favourite Cohen songs on it

Stunning debut! I was 18 when this came out and Ride's brand of Shoegaze was music I could lost in. This album and the first eps dominated my walkman for many months that year. I had a long sleeve t-shirt with the cover on it that I got from their Australian tour and it wore it with pride. For me this is a perfect blend of a sonic onslaught and Byrdsesque jangle pop. Stand out tracks are Polar Bear and Vapour trail. Four stars because as much as I love this, it still doesn't capture how good they were live or the perfection of their first eps.

This is the Beach Boys so there are amazing pop songs with flawless harmonising on here. It's just that as with most Beach Boys releases it is just a collection of songs instead of a proper album. I like it but compared to Pet Sounds it overall lacks something

Another of those bands that I am aware of but haven't really listened to. With its sludgy cosmic soundscapes I have definitely become a new fan. That said, the album is a bit hit and miss, going a bit too hippy and a bit too jam band for my tastes at times. Maybe I was on the wrong acid or it was a case of you had to be there and that whole era

Sure it's a pivotal album in terms of folk pop, country and psychedelia but it is patchy! Again, some great songs, and too many not so great ones. If you want a better cover of Hey Joe, go listen to the one by Love on De Capo, also released in 1966.

I hadn't listened to this album in full since the day we found out he had died. I was backpacking around Europe and was drinking cheap sangria in a cheap resort bar in the foothills of Florence. The fellow Aussie I had made friends with convinced the bartender to play his copy of Grace on the stereo. Man what a talent that was lost. Not a huge fan, mostly again by the glut of imitators who followed Buckley (badly) and the over zealous fans who worshipped him to the exclusion of all else. That said, I can appreciate his artistry and his skill as a singer song writer and performer

I didn't think I'd heard this before but knew every song, knew every word. I honestly thought it was a greatest hits. My only minus would be it does feel like it is a collection of songs rather than a cohesive album.

I love Blondie. I find it hard to deny that Debbie Harry and Chris Stein are geniuses, however while there are many classics on this album there are a few songs that kind of plod along. Which had me struggling between giving this 3 or 4 stars. It's highlights are new wave at its finest

Woody Guthrie was always one of those artists that I'd spoken about in reverence but never really took the time to listen to until a few years ago. It took the teacher of a lettering workshop I attended talking about Guthrie having been a sign writer travelling where the work took him in the days before he became a recording artitst for me me finally listen closely. I became a staunch fan after that. So I finally listened to this album after side stepping it for so long. It is one of the few albums on this list so far that I would say is a truly important one. It is not only great music split between Wilco and Billy Bragg but it brings to life these lost lyrics. And they tell a story of a forgetten America and showcase how powerful what Woody had to say was. It also showcases what a fun and clever writer the man was. So good to hear his legacy at work. Now to go listen to some more Billy Bragg and Wilco as I have neglected them for way too long

A band that stands its own when compared to the Beatles and the Stones. This one of the many templates for punk and still rippling with youthful rebellion over 55 years since it's release. The odd muddled throwaway track pulls off a star but this is a fantastic album

I've not listened to enough Fela Kuti or Afro Beat. I've heard 100s of bands who are influenced by him and sampled him. I first heard of him through the Beastie Boys Grand Royal magazine when they did a piece on his life and work. I loved the energy and the grooves on this album and the Ginger Baker/Tony Allen drum off is such a bonus.

This is an exhaustive album. Janelle Monáe has taken me on a musical history lesson that spans the last century. Eclectic is one way to describe it and in a way I am reminded of Beck who did a similar kind of genre smashing. Needs a few listens to capture what is going on, and no interruptions which has been hard listening to it while working in a busy office. Maybe a bit over long and unaccessible in places but I'm OK with that

I love Karen Carpenter and some of the Carpenters greatest songs are on this album but also some of their worst. Overall it is an average album not helped by the worst cover version of a Beatles song of all time.

They all sound like really good musicians, but for me this alb just doesn't hit the mark. If this list was for inoffensive background music to play at dinner parties whilst drinking over priced champagne and running off to the bathroom to do bumps of coke then I would give it 5 stars. But it's not and nothing about this ablum screams essential listening.

Moving album. It fills my head like a film soundtrack, which is what the more know songs on the album have been used as. Sigur Rós flew under my radar for the most part until ( ), and I have never really explored their early work. The beautiful, etheral vocals firm Jonsi put this apart for me. His voice is its own instrument.

Must be a 70s American thing...

I can appreciate that this is seen as a seminal album in the evolution of hard rock/heavy metal but... To me this is just a turgid mess of borrowed blues riffs and a lot of showy guitar playing. And yeah, they can play, the musicianship on this album is phenomenonenal but that doesn't necessarily translate to enjoyable listening. Not for me. One final note, the cover of Greensleeves is possibly the most out of place track ever included on a record

Not my usual choice of listening but can appreciate this pop country gem. I give it higher marks for just how influential it is and mainly for the fact that I enjoyed it a lot. It is Christmas Eve Eve today so this was a nice break from my Xmas song play list. I will come back and listen to this again as it seems like a good soundtrack to kicking back in the summer sun

This is one of the best (my favourite) debut albums of all time. Considering this came out at the height of punk and American mucho stadium rock, this is a very revolutionary album. Nothing I have read has ever summed up the vibe of the B52's than this quote from issue 19 of Rick Remender and Wes Craig's comic, Deadly Class: "B52's are a true original, that's pretty rare. A bunch of art school kids from Athens Georgia putting together a mix of Doo-Wop, surf tones, and free flowing oddball psychedelic lyrics. Two knockouts running around in beehive hairdos, this flamboyant gay guy who is just fearless. They're not trying to plug themselves into some stunted adolescent need to feel tough"

I wanted to like this a lot more than I did. Maybe it's just the mood I am in but overall this album fell flat. It felt like Curtis Mayfield by numbers rather than being an essential work

Don't let Phil ruin Christmas for you, skip the last track. Lovely collection of songs, fantastic vocals and an amazing array of talent on display. It will be nice to get this on vinyl to play next Christmas. To its negative it is just a Christmas album so the appeal is limited. Spector has pulled out the stops with his wall of sound. In places it takes the songs to an amazing level, in others it sounds like a flat mess with the sounds cancelling each other out

Fantastic pop album but I prefer their debut.

This and the other two albums in the "Eno Trilogy" were a staple of my teenage listening. Talking Heads were my band and spoke to this oddball from the suburbs, I even used "Artists Only" as a tag for a little while. This album is testament to the fact that they were four talented artists, not just David Byrne's dog and pony show

This album is a Revolution!

Powerful grooves. Music with a message that you can dance too. Influential and oft sampled. I love it

I was expecting to love this but found it too mawkish to completely enjoy. Astrud Gilbert has an amazing voice and there are some really nice bossa nova and pop tunes on here. However, there are some tracks that are just plain cheesy or simply never rise above background music in a budget cocktail bar. Go listen Getz/Giberto in preference to this

I punkish friend of one of my sisters taped this for me when I was 14 back in 1987. He'd taken the liberty of excluding Exp and the Noel Redding track, which was a good call. This is the first time I listened to this album since the early 90s but it still is a sonic blast and Hendrix was a true pathfinder. I had forgotten what a good lyricist he was, especially with Little Wing and Castles Made of Sand. Got me listening to a bunch of other Hendrix today which isn't not a bad thing

Some killer tracks surrounded by penny ante theatrical numbers that are the crux of the Alice Cooper personality. Not completely for me but not a bad album.

Kurt Weill, Swans and Einstürzende Neubauten walk into a bar... Seriously though, any band that influences Bowie rates high for me. Wasn't that familiar with this album and only ever got into T.V. Sky, the follow up to this which is in English. Not an album that I will have on high rotation due to its brutal sounds but this rates high for me

On one hand this is an album with some great songs the opened the door to people listening to more South African artists. On the other it can be seen as musical colonialism and didn't do much more for the black South Africans apart from steal their tunes. I am torn as I would like to believe Paul Simon went into this project with the best intentions and the legacy of this album is a mostly positive one.

I tried but never got into this band. Sure they sound good and I get little flashes of other bands I really like which instead of warming me to The XX just make me want to go and listen to the others. This album just washed over me and hasn't left that much of an impression. With some other bands I get implored to give them another listen in the hopes that something will grab me, in this case I am just going to move on.

It is a run of the mill Kate Bush album. A touch of weirdness, some beautiful vocals, histrionics and sublime lyrics. Overall it isn't as great as some of her others albums and I would listen to Kick Inside or Hounds of Love in preference to this

One of my all time favourites. Shoegaze is the completely wrong term for this as it is a sonic onslaught. It is one of the best albums released in 1991 and it had some tough competition. I hold seeing them live in November 1991 as one of the most memorable shows I've been to and the one which no doubt caused me the most hearing damage.

Another aural dreamscape. I haven't listened to much Krautrock apart from Can and Kraftwerk so was really surprised as how much Neu!'s sound is echoed in newer acts. They really reminded me of Stereolad who obviously are influenced by them which was great by me. I also picked parallels with Suicide and am curious as to who influenced who or if they hit their sounds independently. Either way, I love this and will be listening to it a lot more

It is just a few weeks away from it being 30 years since Nevermind and Smells like Teen Spirit topped the charts across the world. It is also nearly 30 years since I stage dived at their show at Sydney's long since closed Phoenician Club. Never was there a gig with such energy and excitement, it was impossible not to get caught up in the atmosphere. Few if any albums have captured a zeitgeist as well as this one and it was the perfect soundtrack for 18 year old misfit from the suburbs to find his people.

This list is giving me a treat this week as this is the 3rd album from late '91 that happens to be an absolute favourite of mine. I was 18 when this came out 30 years ago and what a time it was be be immersed in music. Some have said I am biased because of mny youth but this, Nevermind and Loveless have stood the test of time with me. And in the case of Screamadelica, I love it more now than I ever had. This album is genius on every level and I am forever grateful for Andy Weatherall and Alex Paterson for helping take a bunch of leather clad noise merchant's and shape them into the blissed out rave gods of this album.

One Beatles album worthy of all the hype. Sgt Peper caught them at the right time, they had rightly moved on from being a boy band but not hit the full tilt in fighting and thinking they were untouchable geniuses. She's leaving home is one of my favourite Beatles tracks and it is in good company with all the tracks on the album being high points for the band.

I Have confession, I found this album a bit of a slog to get into. Maybe it was my mood but I just didn't find this as good as Live at the Apollo Vol II which I used to play to death as a teen. Something about it just misses the mark for me. Maybe the mix or production doesn't do it justice on Spotify - I feel like I am listening to the gig for the foyer rather than being up front in the thick of the action

It is a decent enough album but another one of those ones I question whether it is essential listening. I always saw this band as grunge also rans. A band that changed their style to suit a trend. Mark Lanegan has an amazing voice and there are some nice songs on here but nothing that will get me to put this on high rotation

I bought my copy second hand and it came from the library of a radio station (not sure which). They labelled the album with \"Mellow, contemporary, soft rock\". Which is kind of apt when you think about it. Paddy McAloon is a genius song writer since re-discovering Prefab Sprout through my wife, I have always wondered why they weren't bigger.

Another one of those albums that question how it sits on an essential list. Again it is musically good even if it does meander but nothing stands out. I didn't even realise the album had finished when Spotify decided to autoplay random songs after it had finished.

Though it came out in `97, I always associate this album with the middle of 1998. At the time, this album along with Eagle Eye Cherry's Desireless and Ian Brown's Unfinished Monkey Business were my Sunday afternoon chill out albums. Shaking off the hangover from the night before they hit the rest button before I went off and did it all again. I remember getting paid out for liking these albums but they were important to me at the time. Listening with fresh ears after not having played Maverick a Strike for over a decade, the parts I loved are still as good as I remember. Flawed in places, it still deserves the acolasdes it got in Britain and I wish it took off more in Australia.

One of those albums that feels like a comfy blanket or a warming drink. Soothing without being trite. Along with Tupelo Honey this is a an Morrison at his finest

The best thing about this album is that Nirvana used their set to showcase the Meat Puppets, The Vaselines, David Bowie and Lead Belly. Another stand out about this album is it's accessibility. I remember at the time it was released on CD, a person who never would have listened to songs off Bleach commenting to me what an amazing song writer Kurt Cobain was. To be honest, I found watching the Video of this performance to be a bit boring. The pauses between songs drag and the show is visually too subdued. Thankfully on the record the gaps are edited out and you don't have to watch a disinterested Cobain and instead concentrate on the music

Again, I sidestepped this album at the time it came out due to overly slavish Wilco fans. I am finally warming to the band, I swear but my immediate reaction to listening to them is to be reminded of another band and go listen to them instead. For example, Heavy Metal Drummer is the best song that Pavement never wrote (I actually though it was a Steve Malkmus solo effort when I first heard that song). Did I enjoy it? Sure Was it good? A bit twee in places but yeah it was good I can't say I will ever become a dyed in the wool fan like I am with Big Star, Belle and Sebastian and the Replacements but Wilco are finally starting to grow on me

A U2 album I don't actually hate. While I didn't mind a few singles this was never a band I got I to as a teenager, they were just never as interesting as they wanted to be. Maybe that was part of their appeal and what hated then and still to this day. This album grew on me. It took hearing One as a single to finally hook me. I had avoided it at first, not by choice but it being late `91 as music lover I was spoilt for choice. Achtung Baby and it's follow up Zooropa we're a welcome relief after Rattle and Hum and Joshua Tree. This was Bono and the gang at their most adventurous and most fun. All the posturing of the previous albums was replaced with... Well more posturing, but of a different kind Give me MacPhisto any day over a low-rent Southern Preacher wannabe. And the music is good. It is a really nice distillation of alternative music at the time. I can hear Young Goods, Pixies, MBV and many others buried in the sound of this album. While Achtung Baby never converted me to a fan it is still 30 years on an enjoyable listen

This ablum holds a special place for me. By 1994, I had written Kiss off as a bit a joke band who had gone away when they lost their make up. So the week or so before I turned 21 that year I was browsing a second hand market when I ran into the boyfriend of a friend of mine. He was in a semi popular local band and I was always embarrassingly in awe of him. He said he had heard it was my birthday coming up (probably as I told everyone and anyone who would listen). When we hit a stall selling old tapes and CDs, he picked up a Tape of Destroyer and asked me what I thought. I scoffed and he corrected me by saying that it was one of the greatest rock albums of all time, and that the band where all showmanship and class. He handed over the $2 the tape was selling for and then put the tape in my hands saying, go home have listen to is with out abn preconceptions and just enjoy it. I did. And I enjoyed it. Even though I was elbow deep in listening to all things Alternative© at the time, this was revelation. Kiss rocked so well. I got paid out about my new love of Kiss but got my revenge at my 21st by putting this tape on and watched my friends who either hadn't listened to the band since they were 7 or secretly loving them and hiding it all enjoying Destroyer

Ferocious and powerful album. I remember being amazed by it at the time it came out and am still amazed by it now. Lyrically it is peak Public Enemy and the beats behind the raps take on a new level. In comparison, It Takes a Nation of Millions sound stripped back. It is an uncomfortable listen at times and the length of the album made it an impossible task to listen to in one sitting. Worth it for the amount of top tracks on here, 911 Is A Joke, Welcome To The Terrordome, Burn Hollywood Burn and Fight The Power all as relevant as the day they got released

Another of those albums I missed when it came out which is a shame as I love Gillian Welch's contributions to the O Brother Where Art Thou soundtrack. I'll admit Time (The Revelator) loses my interest towards the end but I have a feeling that this would fade with more listens and an increased familiarity of Welch's style of Folk Country. After this album I do want to listen to more of her work

Blinkers on listening to indie and big beat, I didn't appreciate this when it came out and never saw the associated doco by Wim Wenders. When I finally realised what amazing music this is through , I couldn't find a copy of the CD anywhere! So I bought a compilation that used other versions of the songs on there. I have a confession, I when I finally listened to this album I still preferred the compilation. There was something about those other recordings that had a rawness that gets lost on Buena Vista Social Club which at times sounds too polished. At times this album too sounds like a compilation rather than a cohesive album I do love this album though and it was instrumental in introducing people to a music mostly lost because of the pointless embargoes put on Cuba by the US. It is worth checking out the Afro Cuban Allstars if you enjoy this. They share members and recorded in the same studio around the same time. More up tempo and raw than the Buena Vista Social Club.

As a full album this just doesn't work for me. The whole added jingle concept just falls flat and is mostly farcical instead of the cutting satire it is trying to be. Some classic Who songs on here for sure but overall it was a struggle to get into. I am going to chalk this up to being another of those lauded albums I just don't get.

One of those albums that make me wish we were able to give half stars. While Post Orgasmic Chill is far better than most of the albums I have tagged with 3 stars I don't think it is as engaging and memorable as Stoosh or Paranoid & Sunburnt. One reason why I won't argue against its inclusion in this list is how formidable the band and how until listening to this album again I never drew the connection between them and a heck a of a lot of loud/quiet emoesque bands that followed at their heels. I was lucky enough to see Skunk Anansie supporting Garbage on their Australian tour in 1996, just when Stoosh was released. Skin has such a presence as a front woman that she gave Shirley Manson a run for her money that night.

This one gives Disintegration a run for its money in the moribund stakes. Millions of sad goths united listening to this album, no doubt finding a kinship lost to them in the isolation of whatever suburban hell they were living. What I love about this album is that it is rawer sounding Cure with Robert Smith and co. crafting almost a concept album around depression. With only Hanging Garden (one of my Favourites) sounding even remotely like a single this is vastly different to most other Cure albums which usually contained a radio friendly pop hit or two. I can hear the influence of Krautrock and Joy Division on this album and the fact that this album influenced every dark wave band to follow. While Pornography isn't my favourite Cure album, it's darkness a bit to hard to handle sometimes it is one of the most cohesive and best works

Another of those bands that I appreciate are really good, really influential etc but never got into beyond the singles. This album is great and I don't recall having listened to it before. Wierd thing is I can hear how Bryan Ferry's voice influenced Nick Cave's vocal styling. A connection I had never made before. Really they are a band I should listen too more

I always associate this album with seeing them play at the Palace in Melbourne 1994. It was just over a month before Superunknown was released but I remember hearing a few tracks that night. It was the night grunge was well and truly over for me as the venue was packed with aggressive shirtless jocks sweat dripping from ceiling due it was so hot and the venue was so poorly ventialed. The sound was terrible and Chris Cornell dynamic frontman that he was struggled over the muddy guitars. So I never really got into this album. It was never a grunge album but beyond a few releases in the early days, few bands pegged with the tag were. This was metal to me. Really good metal but not what I actively listened to. Black Hole and Fell On Days are both amazing songs but Spoonman is generic Soundgarden and could well be Jesus Christ Pose MKII.

When I listened to For Your Pleasure by Roxy Music two days ago, as part of this challenge/list I concluded by saying I need to hear more of the band. Well my request was answered and I got Country Life by Roxy Music. This is an altogether better album than For Your Pleasure which was in itself great. The thing about this is that the band's music clicks with me and I am now a fan. I never go to listen to this growing up, God knows the reaction my strict father would have had to the baudy artwork. By the time I was old enough to seek them out for myself, to my own detriment I wasn't bothered. I can see now why this band is so influential. Along with the Sparks that same year, Roxy Music transcended glam rock with this album and sewed the seeds of British punk and New Romantic that would follow

Testify! Kick Out The Jams is one of the best debut albums and one of the best live albums of all time. This and the Stooges debut are the birth of punk. I can not describe how much I love this album. I'd the name MC5 for years seeing the name dropped by so many bands. Pre internet it was nearly impossible to track this stuff down. Hearing the Bad Brains version of Kick Out The Jams while watching Pump Up The Volume finally put the music to the name and got the reverence for the band straight away. I don't think I listened to this album in whole until I went out and bought it finding out I was to design the poster for a special show by MC5/DTK. I have never been so excited by designing anything as much as that poster.

Exciting album. Exciting times! Part of the Post Strokes/Hives breaking the indie wall and making music fun again. Big Beat and electronica no longer felt new, Nu Metal was getting old and indie was all Radiohead/Jeff Buckley sound alikes. A frantic call from a friend in New York, sent me to see one off show by them in 2001 at the Annadale Hotel. It was a blistering performance and I was amazed by all the sounds coming out of Nick Zimmer's guitar. Karen O was a front woman extraordinare and had a whole room of people who knew maybe one song if that eating up the worthy hype. So this album captures that night perfectly. The production really captures that energy and style and makes this a perfect debut. Date With Night and Maps couldn't be two more different songs and that extreme is one of the things that still has me loving this album nearly 20 years on

I know Emmylou Harris from her work with Gram Parsons which I love but regrettably have listened to much more. That is the great thing about this challenge as it is getting me to listen to more than my dozen favourite albums on repeat. This is a beautiful album. Really good traditional country that just shys away from the Nashville glitz. I need to give this a few more listens for all the songs to sink in. A couple of songs lose me but a few others sound as good as her work on Grevious Angel.

I love Hüsker Dü especially Zen Arcade and Candy Apple Grey as well as Bob Mould's other work. So I don't know if I conciously avoided Warehouse Songs or just never got around to it. There are some great songs on here which always the case for Hüsker Dü but it just feels over-long and I don't think the magic of the previous albums is there.

Look, I didn't exactly hate it, but Chemtrails over the Country Club just wasn't for me. There are some good songs, which surprised me as I never really rated Lana Del Rey before. The most notable song being White Dress. Unfortunately the rest of the album mostly sticks to a flat tone which gets boring fast. I guess the monotone, low husky vocals are Lana Del Rey's raison d'etre and she does a great job of it but it isn't for me. I do find Lana Del Rey alarmingly pretentious and this album with the exception of White Dress that is very much on display. Jack Anton as producer off gets a special mention. This album does sound pretty good but I can't work out if he is a genius bringing artists to new heights or a scourge, banding out what could have been fun and interesting. I posit this because in the gaps between Lana's voice I could've been listening to Taylor Swift or Lorde. Whatever works for them, I guess

How can a band as lauded as the Beatles also be responsible for releasing on of the worst songs ever recorded. Yes I am talking about Maxwell's Silver Hammer. The rest of the album is all over the place and with the exception of Here Comes The Sun, I don't make it through side 2 as it is a struggle. The purists will hate me for it but comparing Abbey Road to Sgt. Peppers or Revolver, this just isn't a fantastic album

Solid blues/rock n roll album. While I find it odd that this list leans into too many live albums, this is one of the great one. Heard live these tracks are more interesting to my ears as I find Blues can go a bit samey for me. No disrespect to the genre, just not completely my taste. No doubt a hardcore blues fan would think the same of some of the punk and pop I love. Muddy Waters is at the top of his game here and his backing band are tight. This is good stuff

Sublimely beautiful album. Truly under rated if you consider that most people know Donovan as a kind of novelty act from only hearing Mellow Yellow. Sunshine Superman shows he was a doyen of psychedelia and blending it with folk. It parallel what was happening in the Laurel Canyon scene at the same time but half a world away. I'd never listened to this album before but had a best of CD that I was given that I used to cherish which had most of the tracks on it. Great album which I need to listen to more.

Why I don't have a copy of this on vinyl is a mystery. I compare this album to a short acid trip, you definitely get taken on a journey and it is a delightful, sprawling cacophony of funk and psychedelia. Maggot Brain is another of those albums that I had never heard completely until relatively recently. It was always played at friends houses, winding down after a long night out or tracks from it made it onto mix tapes and compilations. Essential listening if only for that fact that it is pretty genre defying and doesn't easily fit into a neat category. It feels way longer than it's 36 minutes because George Clinton, Eddie Hazel and the gang fit so much music in there. I got to the end, surprised only a short amount of time had passed so I gave it a few more listens just to be sure I hadn't floated into another dimension.

Like many other people my age, I first heard of John Lee Hooker by seeing him in the Blues Brothers. So I was surprised when he released this back in 1989. Admittedly I didn't fully appreciate this album until I saw Henry Rollins talked about John Lee Hooker in an interview a few years that I really gave this a proper listen. Blues isn't my go to genre and I find the production a bit slick for my tastes in places. This is a great album, for one to have a performer in their 70s turning out such grooves is amazing and there is a real craft on display here.

Beautiful sometimes uncomfortable listening. How can an album so subdued make me feel so anxious? The layered sounds, pioneering synth lines and monotone vocals of Trans-Europe Express are a master work. This is another album that is so influential I find it hard to imagine what it would have been like to be one of the artists inspired by it hearing it for the first time.

Up until this album the only hip hop I had heard Rapture by Blondie and a few Sugarhill and Furious Five tracks. OK I was not quite 10 but for this lanky carnival barker who was told was someone important, it was time to give this genre a listen. It was also my first introduction to so called world music as well, years before Paul Simon colonised the genre. Having said that, I am taking a star off for McLaren and Trevor Horn's failure to credit Boyoyo Boys or Mahlathini and the Mahotella Queens. Anyway great album, essential really because of the fact that the same guy who a few years earlier was marketing Punk bought Hip Hop to a wider appeal. I was lucky to pick this up on vinyl a few years ago so am pretty happy with that

There was one good song on this album, it is just a shame that it got repeated for 72 minutes. I really wanted to enjoy this album as I like some songs I've heard from Erykah Badu in the past. This album though is not for me. I never got into the whole Neo Soul style. Her voice and the instrumentation is great but I don't find any highs or lows on Mamma's Gun just mid range monotony.

The first thing I noticed about this is how accessible this album is. I would bet I could play this to a hardcore jazz aficionado or someone who didn't listen to any jazz and they would enjoy it. The recording and the playing on this is masterful. Orrin Keepnews the produced is as much to credit hear as the band as he captured this performance so well.

I can't begin to describe how much I love this album. I was aware of Spaceman 3 but initially didn't make the connection between them and Spritualized and letting my own musical snobbery take hold thought they would sound like watered down Mercury Rev. Boy I was wrong. I friend gave me a rip of a recording of a live show Triple J broadcast when Spritualized toured Australia one time. I found myself listening to it over and over again. I was mesmerised by the performance, especially the tracks that came off Ladies and Gentlemen. So I I tracked down the album and it became a firm favourite of mine. It has become my soundtrack to those days that the world gets too much. The dreaminess and swirling sounds negate any dark mood I am in, the sonic equivalent of a valium.

After listening to that I feel hungover from too much moonshine, and drenched in sweat from the bayou. I am not complaining, Cosmo's Factory takes you to a particular time and place, that is for sure. Creedance aren't what I usually listen to but this has some raucous good tunes on it so I would mind giving it another listen one hot afternoon

I remember being disappointed with this album when it came out. It was just so different to the youthful exuberance of Suede's debut that I didn't know how to absorb it. Where their first album was a celebration of lust and difference, Dog Man Star was smack laden depression. You can hear the tension between Brett Anderson and Bernard Butler seething behind the music which at the same time adds excitement to the album but also weighs it done. With the benefit of the decades since it was released I think this album is a triumph. How brave for the band to release such a discordant album while their peers were going into "ello guvnor" Britpop shallowness. Not an album I listen to on a regular basis, in fact it was only a couple of weeks ago I listened to it for the first time in many years but I really enjoyed rediscovering it.

I tried really hard to like this. Musically the beats are solid but by the end of the album it began to feel like they were on a loop. I also found Like Water For Chocolate over-long which is probably what caused the album not to grab me. Maybe it is my background but I found some of the lyrics like Common says in the last track "not for me". That is fine, I can't for a second say that I know what a black person in America goes through. It is a form of Common's story telling fair enough but I found the more gangster elements of the album a bit false. I also found a couple of lyrics a bit sexist and couldn't work out if Common was being serious in what he rapped. A good ablum overall but one that isn't going to go on my high rotation list.

At the time it came out I did enjoy this album but given Ryan Adams history I thought I would give this a pass. I instead listened to Mandy Moore's Silver Landings and Phoebe Bridges' Punisher, both stellar albums in their own right.

As someone who has battled with depression on and off for most of my life, Nick Drake is one artist who I decided to avoid. His death was such a tragedy and the fact that his music was largely unsung during his lifetime is such a shame. So when I played this yesterday, I was expecting to come away crying like I do when I listen to Elliot Smith but instead I was struck by how beautiful Pink Moon, and what a lose it is to me that I had never given it a proper listen before. Contrary to my preconceptions this is a joyous album. I played it this morning on our lounge room speakers unsure if it was the right soundtrack to a restless Saturday morning. My wife said she enjoyed it and that it wasn't what she was expecting either. My daughter, just said, "this is really nice, I like this music". They both have great taste.

When this came out I was struck by how off the wall it was. Such good grooves and clever nasty lyrics. I remember dance floors getting filled when tracks from Boy In Da Corner got dropped. Listening to it again after many years I was surprised by a possible Sparks influence on track. Dizzee Rascal made an intelligent album that never took itself too seriously while still being important

It's February 1994 and I am at a spontaneous illegal rave on a beach near La Perouse. I am dancing in the ocean the water up to my thighs. The sun is just coming up on the horizon as the cops come to tell us to move on. Apart from a few sculls of goon on the drive there mind is not altered in any way, just vibing to the beats and rhythm coming off the sound system. I'm not sure if even anything off this album was playing that night, which was mostly local doof DJs but listening to this album evokes the memories of that night. I still love listening to the Orb, this album threading the sacred ground between anthem and come down music. Best played through my headphones at a volume not right for my damaged ear drums.

Such a voice, such a talent, such a waste. I wish Amy Winhouse had been able stick around for a couple of lifetimes longer to keep making albums like this.

So many live albums on this list. I'm not complaining, especially if they are ones of the calibre of Johnny Cash at Folsom Prison. This is the album I would tell people to listen to next if the discovered Johnny Cash through his NIN cover or the bio movie. Really nice cross section of the Man in Black's career until that point. None of his other recordings capture the underlying humour of Cash's music, something that is often overlooked about his work. San Quentin is a perfect follow up to this release so check it out if you haven't already.

So unashamedly 80s and hits the mark because of this. Finally out of the shadow of (and trauma caused by Ike) Tina Turner shone on this album. So many hits, so many good songs. I'd forgotten the covers too. Tina really makes Let's Stay Together her own and manages to follow it with a just as good Bowie cover of 1984, a song I would never have pictured her performing. OK, I'm not a fan of the Beatles cover nut I think that one is down to my taste. Only thing against sound is too polished in places which is at odds with Tina's raw vocals.

Once you get past the fact that some of the songs are so over played and trigger memories of drunk people who can't dance trying to dance, C'est Chic is a solid album It's disco but something more as well. There is funk and pop in there that helped shape music through the 80s. This thankfully isn't some cheaper attempt at capturing a trend but something more valid. This is mostly due to Nile Rodgers deft touch at producing timeless classics.

They are the anti-Beatles right? Get rid everything that "good and pure" or radio friendly about the Fab 4, rough it up, add some fuzz and some guttural vocals and you have The Sonics. Not detracting from either band but I am so glad The Sonics existed to lay the roots of punk and Garage rock. I love them and could listen to this album in repeat for hours (which I did).

Great album even to a casual The Jam fan like myself. While never a stalwart fan of Weller, I can see the appeal of this album and the perfect blend of punk, new wave and sixties mod aesthetics. Give or take the rest of the album it is worth just for Down in the Tube Station at Midnight which to me is the best Jam song and worth listening to the album to get to.

Are there many other albums as perfect as this?

Sounds like 34 minutes of Paul Simon trying to sound different to when he was with Art Garfunkel. Some of the songs are nice and memorable, with the stand out being "Me and Julio Down by the Schoolyard" but the rest just faded into the background.

Initially I thought that Bryter Layter wasn't as good as Pink Moon which I got to listen to properly for the first time last week. I'm still giving it 5 stars as it is an amazing album. The problem I had was that I was so ready to compare the two which was my error. Where Pink Moon was Nick Drake's soul stripped bare this is his heart, with him trying to show the world his talent that we didn't get to experience for long. I can hear attempts to be commercially friendly, a little bit of Van Morrison, a taste of the Stones but this is very much Nick Drake. I really can see why he so revered now.

So amazing and expansive but also so long. I wasn't expecting to like this as much as I did, for some reason I thought it would be some Dr Hook or Grateful Dead hippy Jams. I was not prepared for nearly two hours of devine bluegrass. I really need to explore this again when I am not trying to also look after a sick 5 year old and meet deadlines. Part of me wonders if it is too long and could have done with losing a few songs. Not quite 4 stars, more lile 3 and a half

I try so hard to love the Charlatans as they are everything I want in a band but then again they just aren't. With the exception of a couple of early singles I have always found the band excel at being average. I wouldn't go as far as calling the also rans as they have etched out a reasonably successful and long career, they have just never burnt as bright as some of the contemporaries. So that brings me to this album Tellin' Stories, it came out at a time where Brit Pop was on the wane, big beat had stared to take over, Blur had reinvented themselves etc. Nothing on this albllum is exciting or new. Even 25 years on it feels like a lesser version of other bands. And Tim Burgess, his vocals start to grate by the time the album finally ends. For reasons, I can't even remember, North Country Boy is one of my least favourite songs of the era. I cringe when I hear it. Anyway, not a bad ablum but maybe not that essential either.

Such a great album as nearly all David Bowie's are. The title track and fame being stand out singles in Bowie's long career. You can however hear the exhaustion taking hold and sense of unrest within the music. The massive amounts of cocaine taking their toll as well. You can tell listening to this that Bowie was ready for another change which he did in the form of his partnering with Iggy Pop and then the Berlin Trilogy.

Astonishing debut that set the style for Goth. Siouxsie and the Banshees were still finding their feet musically so the sound flits from punk to noise to something new entirely. It doesn't sound pretty in places and regardless of whether or not that was intentional, it does start to grate. Overall it is a good album and worthy of its praise just not one I would revisit regularly. Minus points for Helter Skelter, a terrible cover of a terrible song.

It's the Pixies so of course I am going to love it as they are one of my favourite bands. Veloouria and Dig For Fire are the stand out tracks but this album works best listened to in one sitting. When I was first getting into the band I remember a guy in the year above me at school refer to the band as surf music for people who hate the beach. It was a pretty accurate discription.

What more can be said about Dark Side of the Moon that so many of others have already written? It is a good album and I don't mind it on occasion. It is a bit pompous for my like and dare I say patchy. It maybe got a bit overplayed and over worshipped by others for me to get into. I get the the love but this is another one of those albums that never really had much impact for me.

The soundtrack of Covid, and BLM. Not because any of the songs related to those events but due its release date Fetch The Bolt Cutters was being played on repeat and my twitter feed was filled with people singing its praises. I didn't like it on first listen, finding it a bit over the top and somewhat pretentious. I gave it a few more listens because something about it did intrigue me. I ended up really enjoying the offbeat instrumentation and clever lyrics finding some of the songs were really catchy and others had a depth few artists can match. For me, this is the best work by Fiona Apple

White Light/White is an unflinching and at times brutal album which in many ways surpasses Velvet Underground & Nico. Gone is the softness added by the chanteuse Nico, replaced by John Cale's sardonic spoken singing. Sister Ray is the stand out with it's assault of noise becoming and influence on kraut rock, Joy Division and the whole no-wave scene. This is another one of those albums soaked in turmoil. You can hear the turmoil between Lou Reed and John Cale bubbling over and in this case leads to a couple of the less amazing parts of this album Often overlooked when compared to the Velvets first album.

Great pop rock album. The only thing I would say is that listening to this again years on, I would hardly call this heavy or metal. That is not to say it is not a great album with Diamond Dave shining like... well... A diamond. The Van Halen brothers are on fire, pushing their music beyond the simple hard rock that was by then expected of them.

The influence Jazz Samba had is indefinable however I have to confess it didn't really grab me. Where later Stan Getz albums perfected the art of Bossa Nova, this one just misses the mark, playing it too safe. While not with its moments, this album is more like something you would chuck on in background of a dinner party rather than feel in your heart

A-ha have always been much more than a one hit wonder. Take On Me ranks as one of the best pop songs and certainly the most memorable film clip of all time and for that, a-ha deserve their place on this list. Hunting High and Low is a fantastic pop album. Very mucb of its time but also innovative in terms or its synth arrangements, I would hazard a guess that they were a tiny bit influenced by Sparks (but who wasn't in some way or another). Listening to the album again after so long, I am surprised Love Is The Reason and The Sun Always Shines on TV didn't chart better at the time. Some of the songs sound dated or are obvious filler which is the main downside of the album.

I would be lying if I said I hate this album. There are a few songs I really like on the album, namely Don't Panic and I admit that Yellow probably wasn't bad before hearing it 800,000 times rendered it unlistenable for me. This is Coldplay before Chris Martin disappeared completely up his own ego and there are some shining moments as well as some floundering ones as the band were searching for their own sound. It is a soundtrack to what they could've been along with what they became. Love or hate Coldplay now but Parachutes is a solid debut.

Another one of those albums that I listen to over and over. It is a perfect soundtrack to a hwad clearing walk when I need to get lost in my thoughts.

I love Tracy Thorne's voice especially the work she did with Massive Attack. However with the exception of the Todd Terry remix of Wrong, this album is largely dull. Walking Wounded is trip hop light an better suited as waiting room music than anything else. Musically sound and lyrically decent but hardly ground breaking stuff.

Such beautiful and dark album. I wrongly considered Depeche Mode a fluffy pop band before this and had my eyes/ears opened hearing Personal Jesus when it first came out. Nothing prepared me for Enjoy the Silence, how could it be so slow and so intense at the same time. Happy memories of this album as well. Of getting convinced to go to a Goth club by a workmate and after being scared of entering a room full of living vampires I had the delight of watching those mad kids pounce around so joyously to tracks from this album.

Apart from a few songs I found this album underwhelming. Maybe I caught it on the wrong day.

Over rated and over long, Black Keys, Brothers is one of those albums I never took to.

Wow, I wasn't expecting All Hail The Queen to sound like it did. OK I wasn't sure what to expect but it certainly wasn't a mix of house and soul and the best of the Native Tongues collective. I had heard a few tracks off this before I just that were Queen Latifah guesting with others not out the front. I have to give this some more listens

Some clever lyrics and excellent beats. My Name Is, is still a killer after 23 years. The rest of the tracks are juvenile, sexist, borderline racist and in places just dumb. The parts I enjoyed I really enjoyed but for the most part the album was a struggle. I've kept it as 3 stars as it is landmark album even though it is very dated

Are Radiohead and overrated band? Absolutely. Is the Bends still a decent album? Definitely. I never got that into Radiohead in any large way. I have always found too aloof, too pretentious to form any real connection to the band. That said there are some fantastic songs on here, especially Just and Fake Plastic Trees. There are a few clunkers where the band just want to showcase whatever it is they try to showcase.

The Holy Bible reminds me of my early 20s, unrequited crushes on Manics fans, missing Richie. Not my favourite album of the Manic Street Preachers, that honour goes to Generation Terrorists. This album while mostly really good, has some dull or patchy moments. That said after not listening to them for decades i am surprised but the fact this sounds like a prototype for My Chemical Romance.

Will I go to hell if I say I thought this was overrated and boring? I ask this because I feel like I am stuck at a Christian youth camp in the late 80s whenever I have to hear the title track

Not my favourite album on this list

I have always appreciated Frank Zappa but when ever I listen to his work I always feel like I am missing something. It is like I am not privy to some kind of in joke and I would suddenly get it if I got told what the reference meant. Or like the comedy of Monty Python, I will just never get, no matter how many times it gets explained to me. Having said that, I still enjoy this album and consider him and the other talented musicians on this geniuses. It is just that I probably won't rush out and listen to Hot Rats again for a while.

The greatest soundtrack to a movie that does not exist. Barry Adamson is a maestro. Side note, if you are a fan of the classic, first Bad Seeds album, this should appeal

The greatest soundtrack to a movie that does not exist. Barry Adamson is a maestro. Side note, if you are a fan of the classic, first Bad Seeds album, this should appeal

Classic album for the most part but I did feel it dragged along towards the end. There are a few gems on there I had forgotten about and of course Come On Eileen which is close to perfect even if you have heard it eleventy-thousand times and are sick of it. The album is patchy in places which let's it down

Not 100% sure I listened to the right album. Not to worry as that was a couple of hours of exquisite jazz sing by an angel.

I had heard that Folklore was good but I wasn't expecting to like it as much as I did. I can't really add more than other reviews have. It was really enjoyable to listen to and there is beautiful depth to Taylor Swifts voice and songwriting. The synergy with her collaborators is spot on, strengthening her style rather than being dominated by something different. Only minus is that some of it sounds like I have heard it before. Probably due to Jack Antonoff having written with so many other artists recently. Not necessarily a bad thing but distracting

I can appreciate this but I'm just not that much of a B.B. King fan. Personal taste really

Some of the beats were good and the rapping smooth but I really didn't enjoy this album.

A truly miserable album which is what makes it so perfect.

Strange, after all the Spotify turmoil which led me to join Tidal and spend two days listening to Neil Young records, most of his stuff has disappeared from that platform as well. Anyway, I still have my beat up, scratched to hell copy on Vinyl which I got for about $1 back in 1994. Though I don't play it often, I love this album. For me it is the most accessible of Neil Young's work. Not too Mellow not too driven by directionless noise.

I dislike the Fugees so I wasn't expecting to enjoy this album as much as I did when I picked a tape of it (yes a cassette) at a discount music store selling it as part of a 5 for $20 deal. I do love her voice, the production and some of the songs are amazing. It is a bit all over the place and a few of the not quite cover versions border on over indulgence. First time I have listened to this in ages and can hear the influence it has had and understand that it was ground breaking at the time. I still enjoy it just not as much as I used to.

I love this band, I love this album

Listening to this album again for the first time in 33 years was torture. It was a flash back to being forced to go to a Christian youth camp and listen to bad cover versions of the songs on it. It is not that I hate U2 or this album and admit that some of the songs a great when I hear them by themselves but together to my ears this is a cacophony of pompous twaddle Sorry Bono

If not Prince's best album (which I think it is) it is his most accessible.

Oh to be young, free and careless again, and to fully embrace the anxiety and confusion that comes with it. No album somes that time up better for than Suede.

Led Zeppelin are always going to be one of those bands that no matter how hard I try I just don't get into. I can appreciate why people love them but not for me

Another of those albums that I appreciate that just doesn't grab. Seems like I am just not that big on white boy blues.

Music made by men pretending to be robots for people who are pretending not to be robots. Overall my favourite Kraftwerk album

Great album.

I forgot how much I loved this album when it came out. It was one of the first heavier bands I ever listened to. I always admired their mix of punk and metal. So much energy, so much rage.

So much better than I remember. At the time I thought This is Hardcore was luck lustre compared to Pulp's previous albums. It is just different and in many ways better. It is like a concept album focusing on a very British brand of sleaziness. I can almost smell the stale cigarettes, disinfectant, and vaseline as I listen to this album. Where I doubt I could listen to Common People again on a regular basis, I have now found a new Mellow album to wind down to in This Is Hardcore

I love Talking Heads and was obsessed by them after seeing Stop Making Sense when it came out on video. That said, as brilliant as this album is, it is tainted by the sheer pretentious of a couple of songs. Talking Heads were always more than just David Byrne, and the other three are geniuses in their own right. This is the point with Talking Heads where Byrne really starts to dominate and they are lesser for it

Beautiful Americana/alt country but is it ground breaking or life changing enough to be on this list.

Really enjoyable Latin salsa. Usually I find this style of music gets pretty same but there was some really nice variations going on. Something to play again when the weather gets hot and it is time to party on the sand

If 1995 were to be summed up in an album it would be this one. Forget Blur or Oasis, Pulp were always the clear winners of the Britpop wars. I hadn't listened to this in years, as I had overplayed it and felt it was maybe dated. Hearing it with fresh ears it is a such am amazing album. Timeless but also so link to an era it is a document of social commentary To 22 year old me, "Won't it be strange when we're all fully grown?" because yeah it is

I am reading "Our Band Could be Your Life" at the moment and I was really surprised by the amount of bands with hard core punk roots were name checking Creedance as a major influence. I wouldn't have picked it before then but now I have had a chance to listen to them I can see why they were such a beacon to disaffected kids of the late 70s. This is a raucous and powerful album and going on to my want list for a copy on Vinyl

Frank Sinatra has a great voice and I do love his work but this is largely back ground music. Go listen to some Chet Baker or even better Sammy Davis Jr instead

Enjoyed this, especially all the breaks that found another life sampled on other tracks. Not usually my thing and I really need to give this another few listens to decide between 3 or 4 stars

Revolutionary in every meaning of the word!

I had been a massive Nick Cave fan for nearly a decade leading up to this coming out. Murder Ballads marks a point where I started to lose interest in the Bad Seeds. For all the grime and murder than is sung about this album sounds as dangerous as the poser at the local shopping mall pretending to be a gangster. The days of the wild Birthday Party Nick Cave were long gone, replaced by a Nick more suited to parlour rooms and red wine. It is still a good album if what a little subdued and patchy in places

Some nice hits and good song writing. A bit too middle of the road and bland for my tastes

Black Star is the most perfect requiem ever written. David Bowie knew he was dying and injected that last months of soul searching and reflection into this album. It was heart wrenching to listen to its for the first time a feq days after he had passed away. I one way it felt ghoulish but for the most part it was a fitting tribute and parting gift from an artist that has meant so much to me.

How about no...

Perfect singing, nice arrangements but ultimately it didn't grab me as much as I hoped.

After excitedly waiting what felt like years for this album to come out when it finally came out it was a bit of a let down. I remember discussing it with a friend after I'd brought it and lent her the CD, never bothering to get it back. It just doesn't feel like an evolution from Dummy 14 years earlier and music, especially lad back trip hop electronica had moved on. Listening to it again after another 14 years it is unquestionably a good album but I am still just not that excited by it? PS: suddenly halting the songs mid note was a @#&*ing terrible idea and not clever like the band throught it would be

Nearly peerless in its influence on post punk bedroom heroes. It is not without it's flaws but damn me if Teenage Kicks isn't one of the best pop songs of all time. This album makes me want to crush up a couple of dexies and wash them down with the cheapest vodka I can find.

Great album. A bit patchy and dated in places but I remember how good it was when it came out

The last Nick Cave album I got into. Warren Ellis dominates the sound and drowns out Mick Harvey and Blixa Bargeld a bit to much for my like. This is like a hand over album of the Seeds that were to what they are now. Not necessarily bad but lacking the fury of Nick Cave's earlier stuff. I saw them play in Austria when they toured this and it was a terrible show with Nick Cave bumbling around even falling off stage.

This is great. I hadn't listened to much Jungle Brothers apart from singles before and this is as good as every other release from the Native Tongues Collective. Amazing blend of hip hop and early house. More mature than De La Soul and more fun than Tribe Called Quest. I will definitely play this some more

Not too bad but I started to lose interest by the end of the album. Adele can sing and the production is great but it all just feels too safe.

Overall not completely amazing but this gets 5 stars for the fact that "The One I Love" and "It’s the End of the World as We Know It" are so perfect.

Amazing album. Wish I had more time to write my thoughts about this album

Musically proficient and rumour has it that it paid for the Sex Pistols but this is so not my thing.

A Psychedelic master work! I would give this 5 stars if I could edit out the electric jug

Fantastic debut but not as good as some people feel it is. To me it is dated and clunky in places the singer's wry lyrics sounding a lot more affected as the years pass. I do enjoy the album, don't get me wrong but it just feels like a safe nephew or what the Libertines had already just done. Could be worse it could be Coldplay

Fun album. I remember loving it when it came out as so many other great albums including Nevermind came out around the same month. Really nice depth and wide range of songs, the band were definitely at their peak when recording this and they have never captured that same energy for me as they did here. Some of the songs grate after 30 years but that is forgiven as the rest of the album is worth it

A good album, just not a great one. Beck has always been a chameleon and some of his musical dalliances have been amazing. He is at his weakest when he does the folky thing which is where he got his start. It is refreshing to see him not lean into the weird vibe of previous outings which he could have easily done. If only the material was as strong as his earlier stuff

The challenge is making me realise how much I love Depeche Mode. I have really neglected them in the past but wow what an amazing body of work.

Really hard to describe this album. It is beautiful stuff. It is easy to call it World Music but that does it a disservice as that can just be used for anything not euro/American. I really enjoyed it and want to hear more

One of my favourite Bowie albums.

Bob Dylan at his best. Poetry and folk music wedded in perfect bliss. The artfulness of his lyrics on this album is rarely surpassed

Enjoyable. I've heard of Jacques Brel but never really listened to him before. I was well aware of his influence and now have a better understanding of why he is praised. Performance wise, I don't need to understand French to get the story telling involved in his songs.

I love how relaxed the atmosphere is on the album. It is like Sarah Vaughan is putting on a show just for you. Such an intimate live album as opposed to the at times bombastic stadium fillers. I need to listen to Sarah Vaughan some more.

I previously had only heard of Jeru through him being sampled by DJ Shadow. This is great stuff and with the exception of one dated track really top class Hip Hop.

Teardrop Explodes are one of those bands that I appreciate but have never really gotten into. I can't put my finger on it as they tick all the right boxes for me musically. I found my mind wandering while listening to Kilimanjaro. There are some great cosmic, very English songs on here, Reward is a pop classic. Good album that just didn't capture my attention

Not as good as Bleach or Nevermind. Still a great album but lacking the ferocity of Nirvana's previous albums. I always felt the production too clean for what they were trying to do. After listening to this, I had a listen to the Steve Albini mixes. They were right to change the vocals as they were too Low in Albini's mix but the rest of the sounds were perfect. The released result being to slick. Still this is the soundtrack of a band who couldn't deal with the massive changes success had brought. Cobain's lyrics being were conflicted. Fun fact: I was interning at Juice Magazine (an defunct Australian mag that was partnered with Spin) when the advance copy of the album cam into the office. Even though I was there as a graphic designer, one of the editors invited me to listen to the album with him so I could give a punter's opinion. I can't remember exactly what my response was. Something along the lines of not being as excited by it as Nevermind but still loving it. 29 years later my opinion hasn't changed that much

Perfect album. Defies definition.

Run of the mill sixties stuff. Not bad, just not pushing any boundaries. The singles are good, but the rest of the album isn't very exciting

How can I not like this album? Raucous, primal, swampy punk produced by Alex Chilton no less. My only regret is that the Cramps never really hit my ears and loins until way past my teens when they would have been so potent. I can't fault this album. I will admit that it is maybe not for everyone but isn't that the case for all great bands

Not really my thing but I enjoyed. I like how Dire Straits took the often turgid Eric Clapton take on the blues and made something interesting out of it

Good, though at times sprawling bit of noughties psychedelia.

Over the years this has become one of my favourite albums. Challenging, jarring, just plain wierd in places but so beautiful and uplifting. I remember seeing this in a cousin's record collection when it came out but never got to listen to it properly until a couple of years later. By then It was all about Doolittle for me. The songs on here are so amazing, Gigantic, Bone Machine and Where is My Mind all classics. And the skit songs, show the band didn't take themselves anywhere near as seriously as some of their fans

Fun synth pop album. Very 80s but that is a great thing. I took of a star as along with all the amazing there a few duffers.

I really tried but I found this bland. Three stars as she must be doing something I am missing and her voice is something special

Brilliant but sprawling album. Not always my taste but I appreciate how great it is.

I have heard people raving on about this band for a while. I remember trying to get into them but never could. It is good and all but just a bit boring for me. Nothing terrible, just nothing special either

A pop masterpiece

Not what I would usually listen to. Some tracks were just trite, runn of the mill boasting raps. Drew Barrymore and the last track were excellent though and worth every ounce of praise. The production is top notch and so beautifully layered

For a band that named itself after a fictional steam powered dildo, this is some pretty inoffensive music. I can't fault the playing of the songs, I just don't find them that interesting

I am going to burn in hell for saying this album and the La's are massively overrated. There are a few unbelievably great songs on here, "There She Goes" of course and "Timeless Melody" but most of the album sounds like sub par Hermins Hermits to my ears. I wonder if they would be as revered if they released more albums

If you were to check my profile, it will no doubt show that Blues is my least favourite genre. This really isn't the case as it only that insipid English Claptonesque Blues that I have an aversion to. This Album and Muddy Waters in general is the stuff of greatness. His growling voice, the metronomic rhythm section making this music dirtier and meaner than young Eric could dream of playing.

Dirge and Aisha are the stand outs In this latenight comedown. I love this album and could listen to it I. A loop as the droney electronica washes over me

Brilliant ablum with in some ways the worst timing of any release in the history of music. I feel sorry for how much that Courtney Love was hound after Kurt's death and I watched her unravel on stage not quiet a year later. Took me ages to listen to this again but when I did it eclipse most other late grunge releases.

I didn't hate this. I did find it overbearing and found the otherwise solid beats were ruined by Kanye's braggadocio

I liked some of the tracks a lot more than I thought I could with Chicago but there was a decent bit of sonic blues assault going on. The rest of the album not my thing but can appreciate it

Decent enough but nothing I would put on repeat

I love Stevie Wonder but probably in small doses. This is a beautiful album but I actually had to double check I had already listened to it. Maybe I was distracted but the album didn't leave a lasting impression on me

It is albums like this that keep me doing this list. Having only know of Robert Wyatt through his song Shipbuilding I was expecting an album of folk ballads. That would have been OK but an album of wild sounding jazz fusion mixed with psychedelia was a 100 times better. I had to check I was still listening to the right album at one stage as some of the noises wouldn't have been out of place on some bands I like that came 10-20 years after this release. I had no idea about Robert Wyatt's accident and the struggle he had gone through in the lead up to this album. It makes what I heard on Rock Bottom even more meaningful. I need to explore more of his work now

It wasn't until Neon Bible took me by surprise when it was released a few years later that I finally got around to listening to this. I'm not sure what caused my resistance to Arcade Fire, I think it was that I thought that they would be another lame Radioheadesque mess of a band. I was very wrong. The music on here is so rich and deep. It has filmic quality where my mind images scenes from some unmade movie that this is the soundtrack of. I also love how it is so melancholic yet joyous at the same time

Fun rock album. The best I've heard the band and enjoyable from start to finish

Nice but not that essential

One of those perfect albums.

Another perfect album

What amazing debut album. Perfect glam played by a band that looked the part and played the part unlike the other brickies in lipstick that doomed the genre. Four stars for this one though as it was in many ways a band still discovering their sound. The experimenting feeling disjointed stacked against Re-Make/Re-Model and Ladytron

Feels like a lifetime since I listened to this. Great album that blended French disco with 80s synth pop. I forgot how much I loved this. I have vague memories of seeing him DJ but I may have hallucinationed it. Fun times

Another of those classic albums that has so many memories tired up in it for me. Still such a ground breaking and more importantly fun album.

Generic American indie. I like it but not as much as their previous album. Some solid tunes but not really essential

Wilco-Lite Nice production, good music but nothing that grabbed me. Maybe it isn't for me or maybe I have it all before

A powerful and sublime piece of music. Pushes the boundaries of jazz

I love this album. It so simple, so primal but at the same time so accessible and skilled. It took me ages to fully appreciate this band. I always thought they were a bit pretentious (and I still do) but Jack White's passion give the music and honest edge that is rare.

I love this album (mostly). Melodic guitar pop delivered with witty lyrics. Music that makes being miserable fun and not so bad as it seems. With the exception of Frankly Mr Shankly. I feel sorry for Marr, Rourke and Joyce to have written the music to this only for Morrissey to add some of the worst lyrics ever. I find it hard to listen to the Smiths since Morrissey turned into an embarrassing racist uncle but strangely enough I listened to the Queen is Dead the day before this came up on my list. You have got to love happenstance

I find Tom Waits a tough listen, always have. So it was a nice surprise that one of his stranger albums is his most appealing.

I love this album and Billy Bragg is a true troubadour. Who else can mix lovelorn Ballads with protest songs with such conviction and perfection

The only bad thing about this album is that I waited until my mid 20s to listen to it. This isn't music, this is a force of nature

As someone who had been a fan of both Damon Albarn and Jamie Hewlett for nearly a decade when this came out, I knew I would be and instant fan. I honestly thought it would be an experimental noise fest like the Blur remix album. I was wron, this was an instant classic and a soundtrack that lifted me up during some pretty rubbish times.

Unlike their debut, this album takes itself way too seriously. I few tunes but they are outweighed by musical onanism

I love Elvis Costello but at worst this just feels by the numbers and at best it is a bunch of unfinished ideas for later works. Not that bad, just not that memorable

My first loves. I was 8 when this came out and I was enthralled by not just the their looks but the fun and memorable pop the Go-Go's were making. This was a welcome far cry from Bucks Fizz and their ilk to my young ears

Such a fun album and it is hard to believe it is a debut release. The first half of She's So Unusual plays out like a best of. The second half meanders a little but that is forgiven as it serves as a counter point to the first half.

At the time the Pavement appeared they felt like a nice break from the testosterone driven grunge clones that dominated the scene. Too bad they turned out to be a bunch of smug jerks at times, too clever for other people's good and platitudes about what is cool. Musically I still love this but it was the last Pavement album I enjoyed. Go listen to Slanted and Encanted to hear what the band could've been

Such a amazing album. The Forest is still my favourite Cure song

Perfect debut for R.E.M. It really set the template for all the work to follow. Left of the mainstream jangle pop with a lot a heart and even more sensibilities

More glam and heavy than I was expecting. I'd only listened to Queen's later albums in full before and had only heard a few tracks off this previously. I don't think that they hit their stride until the next album but this lays down so pretty nice groundwork for what was to come

Turgid

Chilling echo's or Bowie's Blackstar in that this album was recorded with Leonard Cohen knowing that his time was short. A suitability dark Leonard Cohen album it understandably is missing some of his almost trademark sardonic humour. I was too sad about his passing to give this a proper listen when it came out. Listening to it now I am struck by how sparse it is, but this suits the themes and the lyrics perfectly

An amazing album and arguably on of the most influential releases of all time with it's pronto-punk weirdo genius. Even more amazing as it was nearly never released

It would be easy to that this album does psychedelic folk rock by the numbers, but that fact is that Arthur Lee and Love wrote the rules then broke them as many times as they could. How does an album so syrupy on one level exhude such punk as f**k energy?

This is a hard one for me to rate as I am not really familiar with this style of music. Language was also a barrier and the times the album lost me is when I feel the lyrics would have carried the songs. It did sound amazing and had such a interesting blend of sounds

Beautiful. Not much more I can add

Trailblazing sure, especially in respect to the fact the band side stepped gangsta rap to continue the daisy age vibe of De La Soul. Great fun raps with a nice array off beats. I had never listened to this before in full but had one of their later albums which I would blast while working in '95. I have to admit I struggled a little with this album as it got a bit messy - lots of ideas not all of them winners

This grew on me as I listened to it. Kendrick Lamar's rhymes are solid and show an at times harrowing amount of depth. The beats are what drives this album for me. Having said that it gets repetitive by the end and the skits/dialogue between tracks pulled me out of the moment rather than added to the experience. If we could do half stars I would give this 3 1/2 but will give this 4 as I appreciate the importance of this album even if it ain't completely to my taste

My favourite Beatles album and the only one I listen to from beginning to end. I think this is the Beatles at the peak of their powers.

Amazing album amazing band. I count myself lucky I got to see them live

Fury and bliss all rolled into one. For all the angry songs on here there are also the ones that lull you into a false sense of safety. I love this album.

Hard to get a grasp of this after only one listen. Powerful and smooth at the same time. I need to listen to more of Hill Scott-Heron's work

This mostly isn't my music but damned if that epic version whipping post didn't astonish me.

I love Blood Sugar Sex Magik and even some moments on One Hot Minute but this just sounds like laztly garbage in comparison. I thought so at the time it came out, even stand out track Scar Tissue sounds by the numbers

Spiritualized are what me dreams sounds like. I was lucky enough to see them live a few weeks ago and it was amazing So of course I give this 5 stars

I love some of LCD Soundsystem's work but this just washes over me. A decent listen but I will go back and give their other albums a relisted instead

Essential '80s album. Admittedly the second side lose a bit of steam but the rest of the album is a classic

Chaotic bunch of noise that rips through the norm. Not a comfortable listen but not all music needs to be. Bonus points for just how influential this is, even for the bands that have listened to Throbbing Gristle

Solid French hip hop. I remember it being a breath of fresh air for me after a wave 2nd string gangster rap and New jack swing had left me cold on hip hop. Wish I knew French but that doesn't stop me enjoying this

I enjoyed this album and it is something I need/want to listen to more as I think I have only begun to experience it

Post punk fury mixed with Kinksesque pure pop. The Jam at their best and a go to album for them

Really nice folksy country. The album didn't completely grab me but I really need to listen to it again. Wish you could alter your score on here later but I will give it a 3 today

Raucous genius. A band at the height of their sound. I love the Replacements

I swear I tried to like this but I find XTC one of those impossible bands that most of my friends love that I just don't get.

Having not been bothered by Nick Cave's output post '97, I had never listened to a single not off this. I was actually pleasantly surprised. It is the most focused I have heard Nick Cave since the Good Son. There are some nice subtle elements on here, Warren Ellis managing to accompany rather than dominate the sound. The only negative is I found it a bit over long especially the last track that felt like an afterthought rather than the epic it wanted to be

I was surprised by this as I hated the last Steely Dan album I had to listen too. There is a great groove happening in a few of these songs and the overall sound of the album is never dull

Perfect album.

This album is so ADULT©! This album is 1998/2001 and people who kept telling me to grow up always seemed to mark this as the favourite album. They were probably right but if their idea of adult was David Gray I'm glad I kept on being a ne'er-do-well. Also, why does this album sound like a bunch of bad B-sides by the Verve?

Some amazingly bright moments on this brought down with an bit too much dull and aimless experimentation. Worth a listen for the good tracks

I was excited by the first time I heard Badly Drawn Boy when he appeared on the UNKLE album Psyence Fiction. However this album capture none of that. Tuned down shambling folk. Good for some but I found it half baked and over rated

I remember loving a few songs off this album when it came out but was left lost after listening to the whole thing. Twenty odd years have passed and I still feel the same. Some good Americana on here though nothing revolutionary

Interesting and unexpected album. Willie Nelson takes these standards and makes them his own in every way. I had never realised some of these were cover versions.

Perfect! Even if hated the rest of the album I would still give this 5 stars for the last track

Raw fury!

I am more of a casual fan when it comes to Bob Dylan and this album is in my opinion one of his finest.

One of those albums that is fun and fresh even after years of listening to it

2pac was one talented person and it is horrible that his life was cut so short. How can something be so smooth and so angry at the same time?

Really enjoyed this punkish dose of proto hair metal.

A joyous album when compared to Rum Sodomy and Lash. Some of the bands best work and such an interesting mix of many different styles of music. Now I am off to do a jig

Probably the only Clapton effort I actually enjoy. The first side is some killer blues rock. The second half loses its way into jammy filler which means I rarely flip the record over an listen to it

Great album and I am glad I own a copy of it on vinyl as the cover art is amazing

It is usually the Stones singles that hit the mark for me, in this case Let It Bleed has a few of those. Unfortunately like all Stones Albums half of what you get is bluesy harmonica laden filler. Great for some but it brings down the quality songs on here

Fantastical sonic journey.

I had no idea this was considered an essential album by the critics. Not that I am complaining as this is a brilliant slice of 80s pure pop. ABC were a great band

My favourite Pink Floyd album and a glorious dose of madness. Interstellar Overdrive on repeat with the volume loud = heaven

No MJ, you aren't Bad, but you are average

Some nice music but not being a big fan of commercial sounding country it is hard for me to judge.

I enjoyed this album but it felt like it came to an end before it really got started. Maybe I need to give it another listen one day

Rightly brutal and helped me work off the bad mood I was in when I listened to it. Not as much of an impact for me as Roots is which came up for me to listen to a couple of weeks ago

Perfect album. I still miss Elliott Smith

A band and album that is so hard to properly describe. I got into Neubauten through listening to the Bad Seeds and I was lucky enough to see the play in 1991. It was like visiting hell, am I mean that as a compliment to the unabashed fury on display that night. Cut pieces of shopping trolley raining over the audience and sparks from angle grinders adding a sense of danger that they may just set the venue alight. This album doesn't even come ose to capturing that but it still gets five stars as it is still on a whole other level to most of the albums on this list

Overall this is one of those albums that is better played loud! I find the spoken parts break the flow but understand they are important to what Missy Elliot wants to say

A perfect blissful album. A friend described it as all hits, no filler. Essential listening really

Very much his father's son in terms of music. This album sounds so big, the production makes it sound like you are being surrounded by horns, enveloped by the sound. Not really listening to afro eat that often I found it a bit repetitive but by the same token the beat was like a metronome, becoming hypnotic as the album progressed

Instrumental masterpiece. I can't help but think of The Blues Brothers when I hear the title track. Such a groove

In some ways this is more artifice than art, Marc Bolan jumping on a trend. It paid off and there are some stonking tunes on this album.

So this is what caused Britpop? PS: I love the Kinks

My third favourite Bob Dylan album. Tangled up in Blue is arguably my favourite Dylan track and overall it is a perfect folk album that can be appreciated by anyone not just the Dylan die hards

The singles are some of Madonna's best but the rest of the album is a bit of a mess and average at best

Going off first impressions and in this instance trying not to look at the history, I thought these recordings were a lot older than they are. I enjoyed this album but overall it was nothing I haven't heard before done better. Not writing it off, just intrigued as to how essential this is

Janis has a belting good voice and the band is tight. Hard for me to judge otherwise as this jammy style of hoe down rock just isn't something that excites me

Wants the be seminal but comes in off as insipid

Why I never properly listened to this before is a mystery.

I soft and sombre masterpiece. This album is the musical equivalent of a reassuring hug

Amazing and I want to listen to more Aretha. This is another review I wish I the time to write more

OK so this is early Beatles and Beach Boys before those bands existed. I never gave the band much of a listen as I wrote them off as mid-American hokum. I was wrong. This is pop bliss and whether it is directly or note this album is so much of an influence on what followed.

Oh, to be a outrageous and overcompensating teenager again. The fun and the fury of the album will never get old for me

My Favourite Blur Album and their best in my opinion. Others have better tracks or were more revered or sold more. From memory this one didn't fare too well at the time so it is nice to see it recognised

Funking brilliant

One of the greatest soundtrack albums for a film that will only ever be made in our imaginations

Smooth and dirty

I mish mash of so many styles. I wasn't expecting some of the sounds coming out of this. It took me a bit to get used to but I got hooked when I realised this is the missing like between Fela Kuti style Afro Beat and the stuff Talking Heads infused into their music

This album stinks of Gitanes and sex.

This is a blueprint, a template, a guide book, a whole damned education in what Rock and Roll (emphasis on the Roll) should sound like

This has been on repeat all day as I try to solve the mysteries of this album. This is truly music as story telling.

It made me want to go listen to The Wedding Present and The Go-Betweens. This is a style of music that I usually love but I found this album fall flat in comparison to the aforementioned bands

Kickin' album. The mash of Where is My Mind and Blue Monday on 20dollar still astounds me.

Parts of this album still rocks as hard as it did when I got a preview copy of it back in early `98. The fury, the fear, the intensity. Too bad half of the album is just dated and some of the lyrics are majorly (as the kids these days say) cringe. No quite a 3, more of 2.5

So smaltzy! Billy Joel is so not my thing but I have to admit this has some fine pop stuff on it.

OK, I needed this as a kick start this morning. I enjoyed it despite myself

I first became aware of this album (and Eno) through the movie Dogs In Space. One of the people in the chaotic share house the film is based around would put this on as whenever he took a lady up to his room, much to the disgust of his fellow housemates. While I am not ready to admit if I used this album as the soundtrack of any of my adolescent fumblings, I did have a tape of this that I was played until warping on my yellow walkman

I really enjoyed this but it did get a bit samey by the end

35 years from first hearing this album I still can't find the words to properly describe it. I do enjoy it, though it isn't something that has been on regular rotation. Maybe that will change now

Well it is unmistakably an Elvis Costello album. I love Elvis Costello but to be honest, apart from I Want You, this album isn't essential. That isn't to say it isn't good album

Parts of this are the smoothest and most hypnotic Afro Beat I have encountered on this list. However other parts attempt a similar sound to Youssou N'Dour but don't teach the same heights

I am most likely one of the first people in Australia to hear this ablum and possibly the only perto review it ahead of it's release. From memory the albums release got put back from around June to September and missed the memo so we ran the review early. No great landmark as it was for an unknown teen Mag that had a readership of maybe 12,000 on a good month. By the time the album came out I had been telling people about this amazing Swedish band and how their song Lovefool eclipsed 99% of the pap masquerading under the banner of Britpop. I gave my copy of the CD to and indie DJ in the hope she would play it. She did eventually but that was after a certain movie was released. I remember saying in my review that whole it was easy enough to slot the band as saccharine heirs to the crown of ABBA but their Black Sabbath influences gave them a hard edge under the sweet appearance

Perfect Sunday soundtrack that just rolls through the heart. Even though I now barely drink and haven't touch a cigarette in over a decade, for me this album envokes the sweet haze of a mild hangover, more sleep deprived than feeling ill, your body infused with the scent of stale cigarettes as you chainsmoke lying in the afternoon sun

Wicked!

Seminal album. Arguably Beck's finest effort as it is still filled with purposeful experimentation and not the dry cynicism of some of his later stuff. Very much a snapshot of the potential of music back in `96

Along with live at Folsom this is the perfect introduction to the Man in Black

I love Frank Black and I live the work he has done with the Pixies. I do really enjoy this album and regret not taking the chance to properly watch him perform at the `94 Vivid Festival. I was there and know I watched a bit of his ste but that is about it. This album just doesn't hit as hard as some of his others. Maybe he was taking a break from the persona of Black Francis, which is fine. Maybe it will grow on me a bit more now that I have rediscovered it but for now I will give it 3 stars