"Trouble" is the stand-out track for me. The piano is hauntingly beautiful. The song is excellent for reasons that I am not able to fully articulate. Yellow is also great, but its hardly new or exciting for me. It has over 2B listens on Youtube Music alone. You'd have to have been living under a rock for the past 20+ years to have not heard it. Spies also started to grow on me over the course of the day and multiple listens. Overall the album is quite excellent for a debut/freshman album from the band. The songs flow together really well. My one critique is that there's really no songs that bump up the tempo or ever really get more aggressive in their approach to music making. What I mean is that there's nothing to punctuate the slow, mellow songs; there's never any sense of building and building and building until release, and so while the music is quite enjoyable, I could see the replay value decreasing over time due to the lack of variety in the songs. My comparison would be to that of Radiohead, where they punctuate their slow mellow songs with aggressive upbeat shredding songs to improve the variety of the music. I never got all of the hate for Coldplay. Probably just being overplayed? Or maybe it just fun to hate on them in the same way it's fun to hate on Nickelback?

Listens: 1 Standout tracks: meh This will be my second 1 in 75+ albums. I cannot understand how something like this made the list. Why? What does this album contribute musically to the zeitgeist? Does anyone actually go out of their way to listen to this outside of a dance club or other such setting in which people are dancing and raving to electronica music? Needless to say, I was not a fan.

Listens: 2 Standout Tracks: Sympathy For The Devil Sympathy For The Devil is awesome, but other than that, I was kind of expecting the album to be a bit more classic rock, high-energy, like Led Zeppelin or Pink Floyd. This felt more like an acoustic, bluesy album; More mellow and plodding. Definitely not bad, just not what I was expecting.

Added to Library: TRUE This album slaps. It was probably my second introduction to the band after hearing In Rainbows and it's something I keep going back to. The intro to The Bends where you can hear some TV nonsense in the background is for some reason enjoyable to try to catch. I also like the album cover. Its like... robotic or cyborg-ish, with feelings of elation or bliss, given the entity's expression.

Seems very much so a product of its time. Dusty really knows how to belt out those songs. Loud, prominent pipes coming from her. Proper singing. I wouldn't have known this on my own, but apparently a bunch of the songs she sang are covers. I am not particularly a fan. This is not something I'd listen to... ever, had I not been participating in the 1001 albums experience, but I cannot say the music is bad or undeserving of recognition.

"Trouble" is the stand-out track for me. The piano is hauntingly beautiful. The song is excellent for reasons that I am not able to fully articulate. Yellow is also great, but its hardly new or exciting for me. It has over 2B listens on Youtube Music alone. You'd have to have been living under a rock for the past 20+ years to have not heard it. Spies also started to grow on me over the course of the day and multiple listens. Overall the album is quite excellent for a debut/freshman album from the band. The songs flow together really well. My one critique is that there's really no songs that bump up the tempo or ever really get more aggressive in their approach to music making. What I mean is that there's nothing to punctuate the slow, mellow songs; there's never any sense of building and building and building until release, and so while the music is quite enjoyable, I could see the replay value decreasing over time due to the lack of variety in the songs. My comparison would be to that of Radiohead, where they punctuate their slow mellow songs with aggressive upbeat shredding songs to improve the variety of the music. I never got all of the hate for Coldplay. Probably just being overplayed? Or maybe it just fun to hate on them in the same way it's fun to hate on Nickelback?

The music is pretty stripped down. The expected rock instruments are all there, but they are subtle and not always pronounced.The lyrics are mostly simple and not as subversive and I was led to believe they might be based on the description of the band on YouTube Music. The Murder Mystery stands out to me because WTF IS GOING ON on this track. Two different sets of lyrics happening on the same track, one in each ear. Wild.

I've listened to this album dozens of times even before participating in the 1001 albums... Added to Library: TRUE The range of different styles and variety of sounds Meg and Jack can make is, quite frankly, astounding. Blue Orchid opens the album so aggressively; every time I hear those first few seconds I get so hyped up, and then the next song, The Nurse shifts gears and is using a marimba or some other type of xylophon, and feels... Tropical almost. I think my favorite song(s) though are Passive Manipulation and Take Take Take. Especially TTT, where you have this escalating scenario of Jack's "needs" and expectations when he meets Rita Hayworth. He can't get enough and boils down the entire experience to one word. TAKE. Edit: Increased to 5. I can listen to the White Stripes until time ends, and this is one of my favorite albums.

Added To Library: TRUE This is probably the only Prodigy album I've listened to. It's mandatory listening for someone who's into early electronica or experiencing electronica's roots. Diesel Power features Kool Keith which is pretty sweet. My favorite song used to be Smack My Bitch Up until a coworker said something dreadful to me: that the entire song only consists of two sentences. "Smack my bitch up. Change my pitch up." Something about that dawning on me ruined the song for a while. It's still really damn good though. The whole album is. 3.5

James Brown sure knows how to whip up the crowd. Honestly, the crowd sort of makes the album for me, in the same way that most people listen to live Grateful Dead rather than their studio albums. It add a whole new dimension to the experience. As for the music. Seems perfectly fine. I have virtually no experience with the Soul or Funk genres (yet) and so as far as first experiences go, the experience was not amazing, but it wasn't awful either. I listened to the album several times, since it was so short. I also opted to listen to the extended/expanded edition, with about 10 more minutes of music. The stand out songs for me are Lose Someone > Medley: Please Please Please, but that's really only because the entire audience is going absolutely wild.

Longggggg album. Could realistically only listen once throughout the day. Loved what I heard. Couldn't speak to any specific song, though I'm pretty sure I heard some tunes that have since been used in rap/hip hop beats. That wouldn't surprise me at all. It's weird. I know that this is largely "Jazz" music, but it's not what I have in my mind (for at least some of the music) when I think of jazz. Something faster with a lot more brass, bass and rhythm. nonetheless, the music is remarkable.

A solid entry. I'm glad I listened. 2.5 listens. Stand out track for me is A Place Called Home. The tunes with Thom Yorke in the are also quite good. Specifically the vocal layering in The Mess We're In is an interesting decision. I definitely hear some Patti Smith in there but I also don't have a ton of experience with any of Patti's music.

Added To Library: TRUE I've never actually listened to Exodus in album format before, but I've heard a number of the songs. The music is largely chill. Something to put on while lounging or relaxing.Exodus, Three Little Birds and Jammin are timeless classics now. It also seems like some of the songs appear on Legends so they are otherwise familiar that way too.

Stand out tracks: Duncan, Hobo Blues and Paranoia Blues (both versions) Listens: at least 4 I really enjoy the wind instruments in Duncan. Similarly, the string instruments in Hobo Blues. It's a short and sweet little ditty. The best ones are.

Standout tracks: none. Listens: 2 No particularly noteworthy songs, but on the second listen-through, the music did click a bit more than the first time. I can understand why the album is on the 1001 albums list. Some of the tracks get pretty psychedelic. I do always appreciate when the listener gets those "behind-the-scenes" bits of dialog or noise or chatter before, during or after the song has concluded; they bring the process to life. It's a person recording these songs, talking with the sound engineer. Talking with their bandmates, figuring out what song to play next -- that they've run out of tape, etc. The "why" behind the album and the context leading up to the album being recorded were interesting, to say the least. There is a certain melancholy-ness to the music, and an exhausted nature to the artist. There's nothing upbeat about any of the tracks.

Tedious, repetitive. There are maybe a few tracks that are okay. It's the kind of music that I might put on if the purpose isn't to listen to music, but rather while I'm doing something else; Playing a game (that doesn't have a good soundtrack). Cleaning the house. Doing laundry. Whatever...

Listens: 2 Stand out tracks: Gods Of War, Pour Some Sugar On Me Not a fan of 80 classic rock hair bands. I can't really discern qualities between most tracks. It's all heavy guitar and strong drums. Pour Some Sugar On Me has transcended time to be one of their (or at least to me) recognizable tracks. I can't deny it as a piece of music; even one that I enjoy, despite categorically loathing most of the 80s rock, electric guitar-heavy genre.

Listens: 3 Stand out tracks: Happiness, Road to Somewhere. Happiness sounds suspiciously like a Beatles song, but I couldn't find a track with that title. Some comments on YTM suggested that Paul McCartney would be jealous or ... Whatever. Regardless, the song is enjoyable. Road to Somewhere on the other hand sounds like it could be a wound down version or cover version of an Audioslave track. Also great.

Listens: 3 Stand out tracks: El Condor Pasa (If I Could), Cecilia

Listens: 3 Standout tracks: You ain't the Problem, Rolling, Final Days Added To Library: TRUE Fantastic. Wow. I'm not sure how I've never heard of Michael Kiwanuka before.

Listens: 2 Stand Out tracks: And I love Her, Can't Buy Me Love Possibly controversial, but early Beatles just aren't as good as their genre shift to psychedelic rock in the latter half of the decade. Some of the tracks are timeless, but most of if not all of the tracks seem to be dealing with some love affair/interest or affection towards a woman or women and the dynamics of relationships with those women. There's virtually no controversial opinions or political views expressed. The lyrics are simple and often repetitive.

Listens: 1 Stand out tracks: Vaguely Christian or at least religious. Mention of halos, angels, the lord, miracles, gospel and other religious influences. Not particularly interested in Christian or pseudo-Christian rock. The psychedelic influences however, are interesting. They elevate the quality of the music, distinguishing the band from otherwise being another typical grunge rock band of the 90s. The use of... I'm not sure if there's an organ, harpsichord or a sitar involved, as well as hand cymbals evoke other influences like the Beatles later work or the early Dead.

Listens: 1 The album felt pretty bland, monotonous from a music perspective. I didn't really focus on the lyrics too much. Has that one song that's been used in car commercials for the past 2 decades. I don't know how I feel about the fact that Damon Albarn went on to form the Gorillaz after this. The Gorillaz are generally fantastic. Maybe I need to give the album another more detailed listen.

Listens: 2 Stand out tracks: The Haunting Idle 80s vibes. A few tracks has vocals that sounded like Bob Dylan. I enjoyed the transition from The Haunting Idle to Burning. Atmospheric, moody qualities.

Listens: 2 Stand out tracks: Raising Hell, Proud To Be Black This album has so many famous tracks. The "Walk This Way" collab with Aerosmith was, I think, unprecedented at the time. Lots of guitar riffs paired with rap lyrics are also unique.

Listens: 1 Stand out tracks: Rent (though not in a good way) Not a fan at all.

Listens: 3 Stand out tracks: Praying for Time, Freedom! '90 Good variety of music styles in the tracks. This is not something I'd go out of my way to listen to, but I enjoyed the opportunity to hear it and was impressed by the music and lyrics.

Listens: 2 Standout tracks: Our Private Lives Very twangy. Some of the tracks almost had a pseudo-Hawaiian quality to them, like as if they are something you'd hear in a spoof/stereotypical Hawaiian scene in a movie, or cartoon. Not for me.

Listens: 2.5 Stand out tracks: Living for the City, Higher Ground Chef's Kiss. 3.5

Listens: 1 Stand out tracks: We Will Fall. Ram Jai, Jai Ram! We Will Fall is pretty weird. I don't understand the lyrics or the chant itself, but there's some pretty wild guitar playing on the over 10 minute long track. Cursory research at least partially suggests that it's filler content, considering the album would be only ~25 minutes otherwise. I don't know if the track fits on the album or not. This is the first time I've ever heard a Stooges song, let alone an entire album, but I dig it. I also enjoy the vocalist (frontman?) screaming his voice into nothingness at the end of 1969.

Listens: 1 (and countless others outside of this review) Standout tracks: From the Ritz to The Rubble. Added To Library: TRUE I love this album.

Listens: 4 and an increasing amount since hearing it. Added to Library: TRUE First, I didn't have an opportunity to give a proper review of the album when I first listened to it. Second, the album has really grown on me. I've listened to it a handful of times since I first heard it and I find myself coming back to it now with somewhat regularly. I fucking love the organs (I think they are organs) in Close To The Edge part III: I Get Up I Get Down. I love how the music shifts seamlessly between each part of the 18+ minute song. Majorly upgraded to 5. Easily my favorite newly-discovered album since starting this.

Listens: 1 I do not much care for or understand the popularity of Taylor Swift, but I do recognize that she is both a cultural phenomenon and wildly popular. The subject matter of the songs on this album is not something I am interested in. The music is largely synthetic, which, while I do not inherently have any issues with (being an enjoyer of all manner of the electronica genre), I imagine she did not solely create. This may be a disingenuous criticism though, because I imagine Lorde or Lana Del Ray also fall into this category of working with producers to create melodies, and I enjoy some of their music. I may just need to listen to the album a few more times before really casting any further judgement.

Listens: 3 Standout tracks: Burnt Alive This seems like pretty standard affair for a Punk album. I have not much to compare it to. I have never heard of Rocket From The Crypt before and I suppose I won't hear from them again unless they have another album in the 1001 albums list. If I were to speculate, I would say that the music itself pulls in influence from the grunge scene, which was occurring in the 90s, as there are a mix of traditional "Punk-y" songs mixed in with some actual singing. It's not excessively thrasher music.

Listens: 2 Standout Tracks: Mother Mother is pretty uh, interesting. I wonder what the thought process is to come up with a song like that.

Listens: 1.5 Standout tracks: Zuton Fever Musically, this album is all over the place. Sometimes it sounds like the Strokes or Arctic Monkeys, sometimes it sounds slightly country. The trumpets or.horn instruments remind me of Cake. After listening to Zuton Fever I was kind of excited that the rest of the album would have that same level of energy but it doesn't quite land for some of the songs. The album is ok. I might listen to it again in the future.

Listens: 3 Standout tracks: Smash It Up Machine Gun Etiquette is a dope album name, regardless of how I feel about the music.

Listens: Dozens Standout tracks: Under The Bridge, Apache Rose Peacock, I Could Have Lied, others. The Red Hot Chili Peppers were one of the first bands I really recall experiencing on my own volition. Before that, it would be listening to classic rock and pop on the radio with my parents. Granted I started out with By The Way in the 2000s; I then quickly moved on to Californication and then eventually Blood Sugar Sex Magik (and beyond). This album has the right amount bass, funky beats, good lyrics, explicit content and highly memorable songs and melodies on it. It's not a 5, but it's still excellent. It actually is a 5 for me on the scale of Hate it to Love it. I am revamping my scale. I can't be so stingy when it comes to rating music I actually thoroughly enjoy.

Listens: 3 or 4 Standout tracks: Suspended in Gaffa Added To Library: TRUE Early impressions are that this album or Kate Bush in general could be an influence for someone like Grimes or the genre that someone like Grimes falls into. I'm getting major baby/angel pop vibes from a few songs. There's a lot of vocal layering, high pitched shrill, growling-like and other voice manipulation involved. There's also plenty of traditional rock elements, and musical elements found in 80s British rock. It's not clear if the lower, deeper backing vocals are another person or just more vocal layering. There a weird clacking sound in Suspended in Gaffa that keeps faking me out. Did a double take when I heard it the first couple of times. Sounded like there was someone knocking on the wall. This album is the right amount of weird and I am onboard with it.

Listens: 2 Stand out tracks: none Largely unremarkable. Not particularly good, but not offensive to the ears. 2.5

Listens: 4 or 5 Standout tracks: In My Place, The Scientist, A Rush Of Blood To The Head. Added to Library: TRUE And let's be honest, even with all the hate for the band, Clocks is also wildly catchy. ... A second Cold Play album on the 1001 albums list eh? And hearing them both within a month or so of each other... Ok. Anyways, not as good as Parachutes, but still some good tracks. It's crazy how many of the songs I have absorbed through osmosis over the past 20 plus years, despite never once seeking out and listening to the band on my own accord. Quite the feat. I seem to have a thing for adult alternative rock music.

Listens: 2 Standout tracks: none It is refreshing to listen to an entirely instrumental while churning through the 1001 albums list. I think this is one of the only instrumental albums I've heard so far. There is a bit of scatting on one of the tracks towards the end, but otherwise, no singing. The music itself is fine. I don't think its something I am going to listen to long term, but its still enjoyable.

Listens: 3 Standout tracks: The Girl From Ipanema Reminds me of Bitter:Sweet and Thievery Corporation, with a big emphasis brass instrument and R&B.

Listens: 1 Stand out tracks: Love is Blindness, Mysterious Way Besides their iPod collaboration, a super cut of George W Bush "singing" Sunday Bloody Sunday and South Park making fun of Bono, I honestly forgot U2 existed. The album is cromulent. It isn't offensive. It's not mind-blowingly good. It's boring and normal rock music. Unlike the description of the album, I'm not hearing any of the genre qualities being described: industrial, electronic dance. Alternative, sure, I guess. A few of the songs are catchy.

Listens: 4 or 5 Standout tracks: Queer, Only Happy When It Rains, Milk Added to Library: TRUE Honestly, a lot better than I thought it was going to be. It's not Smashing Pumpkins good, but its been a lot better than a lot of the other grunge that's come my way as part of the 1001 albums list. 3.5 stars. Edit: Increased to 4. Listening to this more and more.

Listens: 1 Standout tracks: Tutti-Frutti (obviously), Ready Teddy Proper rock and roll. It's too bad I think virtually all of the songs sound the same. There's obviously a little nuance, but it's pretty consistently the same material. Also, crazy short album; not ever 30 minutes of material. I'm also pretty sure my father took me to see Little Richard in the summer of 1998, and the only thing I distinctly remember is him telling the crowd to "Shut up"... That's his schick, apparently. 3.5

Listens: 2-3 Standout Tracks: Behind the Wheel I have conflicting opinions about this album/band. On the one hand uggggh 80s New Wave is blah; it seems so stereotypical of the era, but on the other hand, the album is growing on me; I am finding myself enjoying it, and I am not sure why. Perhaps its like an accident on the highway. You can't look away. This music is not where my brain goes when I think about or want to listen to Electronic music. 3

Listens: 2 Standout tracks: Slum King The first few tracks have good break beat vibes. Break beat, as a genre, is not something I encounter very often. Good beats. The composition of the album is familiar. MJ Cole producing the tracks with loads of different guest artists providing vocals, samples and skits, though there's not loads of different guests on this album. Feels like proto-dubstep in a way, specifically Rusko or Caspa. The deluxe version is the only available version in YouTube Music, and so I probably listened to variations of some of the songs multiple times. The experience started off good, but it eventually got incredibly repetitive. Dropped to 2. Wholly unremarkable and borderline bad.

Listens: 3 Standout tracks: Where is my mind?, Oh My Golly!, Bone Machine Added to Library: TRUE I've tried to listen to this album for a long time, but its never clicked over the disparate times over the years. Finally forcing myself to listen to it, holy shit is it clicking now. I hear Modest Mouse, Nirvana, Smashing Pumpkins, all bleeding through this album. I will also never get tired of Where Is my mind? Fight Club ending! The renditions of it in The Leftovers. Damn.

Listens: 3 Standout Tracks: Why Does Love Got To Be So Sad?, Little Wing, Layla There are some real bangers on this album.

Listens: 1 Standout Tracks: Holocaust, Big Black Car This is my second Big Star album. The music is significantly darker, more moody and atmospheric. It starts off innocuous enough, but by Big Black Car, the music starts to slow down and become a bit more prodding and emotional. Holocaust is especially dark, both the lyrics and the music. I gave "#1 Record" 3 stars and unfortunately didn't elaborate on why at all. I don't think this album is 4 stars despite being better than their debut album, so I am going to have to bring "#1 Record" down to 2, and put this to 3.

Listens: 5 Standout Tracks: Irganda, Wayei, Petit Metier Added To Library: TRUE So far, I can't understand anything they're saying (and I don't imagine that's going to change much), and YTM isn't showing any lyrics, but the beats can't be denied! They're hoppin'. Major "Irish jig" qualities to the music. Some of the songs remind me of the Dropkick Murphys. Wow, the album is excellent. 4

Listens: 3 Standout Tracks: Metronomic Underground I love the track names; bizarre and totally out there. The music is good, the lyrics less so. For several tracks, there's not so much singing as there is stating the same few phrases over and over again. Its inherently repetitive. The music is keeping the album afloat though. Its a good fusion of electronica, guitar rock, jazz, funk and some other stuff that I can't quantify. 3.5 Edit: Increased to 4. I have started adding this album to my rotation. I am listening to it a month later. I have also started listening to their new 2025 release "Instance Holograms On Metal Film". I am still not thrilled about the repetitiveness of the lyrics sometimes, but the beats and melodies are undeniably good.

Listens: 1.5 Standout tracks: None Nothing particularly exciting for me.

Listens: 3-4 Standout tracks: Hey Hey, My My and My My Hey Hey Added to Library: TRUE The premise of "rust never sleeps" is an insightful one; something we should all keep in mind. You gotta keep moving lest we become complacent in the things we do.

Listens: 1.5 Standout Tracks: Not sure. Something about poop. Couldnt view the track list as I was listening. Could not listen to this on YouTube Music. Not available for some reason. Sounds like a recurring theme based on other reviews/comments. Had to use YouTube. No ads though since I have YTM. Anyways... I enjoyed this album, though I am having trouble rating it. As I continue to rate albums I am torn on what it means for an album to be a 1, 2, 3, 4 or 5. Obviously, 1 and 5 are the ends of the spectrum; either hate it or love it, but in between?? What is the litmus test for a 4? "like it"? Do I expect to listen to an 4-rated album beyond the day I am assigned the album? Do I add a 4 to my rotation? Do I add it to my library? No one knows. I enjoyed the baselines. I enjoyed the lyrics for some of the songs. I enjoyed the artwork for he album (and the art work in general looks great too). I don't think there was anything I actually disliked about the music. 3 Edit: Dropped to 3. I havent thought about this album since listening to it.

Listens: 2 Standout Tracks: Since I've Been Loving You, Immigrant Song, Gallows Pole Since I've Been Loving You has a great blusey feel to it. It's probably the pinnacle of the album for me. I've heard Immigrant Song before, and so it helped that it was the first song on the album for me - to get into mindset of 70s hard rock, but it feels... overplayed somehow? I've heard it (or renditions of it) in at least two movies: Thor Ragnarok and The Girl With The Dragon Tattoo.

Listens: 3 Standout Tracks: If I Think, Halloween It took me a few listens - actually actively listening helped too - to warm up to Mudhoney. Their sound is raw and bordering on scream-o music which I am not super keen on, but the songs that have actual singing and melodies and good guitar riffs were decent. Halloween was a great track - a good way to close out the album. This is now my 3rd or 4th Grunge album. There are miles between this album and for example, Garbage's self-titled album. Its interesting how both can be classified as Grunge.

Listens: 4 Standout tracks: Graveyard Train, Proud Mary Nice, quick and easy listening album. 7 songs. 34 minutes. :ChefsKiss: I don't, and haven't listened to CCR before, besides whatever gets played on the radio, and while I probably won't put this into my rotation, I enjoy most of the songs and am inclined to rate this higher than I otherwise might have. 3.75

Listens: 3 Standout Tracks: I Heard It Through The Grapevine. Album is RAW. Raw in the same way that Wu Tang Clan's first album is raw. Stripped down; minimal, rough around the edges. Definitely not bad. Some of the tracks are pure punk, but some of them are more like punk-disco or punk-ska or punk-dub/reggae. It's interesting; there is a lot of variety here, but with the scream-o, punk undercurrent throughout. 3.5 (rounded down)

Listens: 2 Standout tracks: Sleep on the Left Side, Candyman The music is all over the place. I initially misread the album date and thought this came out in 1987, to which I would be quite impressed. I would have said it was way before it's time, likening the music to a combination of electronica with soft trap elements. In 1997 this is so much less impressive. It's repetitive and not in a good way. It's funny, I definitely enjoy some definition of "electronic" music, but whenever an album comes up here, I usually rate it really poorly. :( Candyman features someone rapping, which is a nice change of pace, and Norwegian Wood being a cover (albeit in Hindi?) was also pleasant to listen to. I appreciate the spin they put on the track. I don't think these two positives qualities save it though. 2.5

Listens: 3 Standout Tracks: Zen Archer, Just Another Onionhead / Da Dad Dali, Dogfight Giggle Added To Library: TRUE Awesome album. I hear influences from the late Beatles and other psychedelic works. I was also going to say I hear Pink Floyd (Dark Side of the Moon specifically) influences, but that album came out literally one day before this did, so that's probably just a coincidence. I think it was the saxophone in Zen Archer. I enjoy how all of the tracks flow together and even though it can sound disjointed at times, that was described as partially on purpose according to the description of the album - ... supposed to start out chaotic and end with soulful songs ... I know that there was purposefully no singles, but Zen Archer would have made a damn good single. Dogfight Giggle is just plain weird and that makes me like it even more.

Listens: 3 Standout Tracks: Darling Nikki, Purple Rain, Computer Blue This album was... fine? Is that a controversial opinion? I was kind of expecting something much more groundbreaking, powerful, culturally prominent. This is Prince's _Purple Rain_ after all! Maybe it was groundbreaking in 1984, but today, listening to it now, it hasn't moved me much. The only track I found to be particularly eyebrow raising (and part of the reason I liked it) was Darling Nikki. I can see that track being exceptionally questionable and "transgressive" in 1984.

Listens: 2 (with more on the way.) Standout tracks: Blues Music, probably others Added to Library: TRUE I have never heard of this band before, though maybe I have heard at least one of their tracks on the radio before (without ever having known who I was listening to), but I digress... Anyways, judging a book by its (album) cover (and the artist name too), I thought I was in for a seriously awful Saturday music listening session. You could hear my eyes rolling into the back of my skull. Visceral-like reaction to a band named G. Love & Special Sauce. I thought I was going to be hearing some electronica music even worse than Fat Boy Slim or J Cole. So imagine my surprise when not only are these guys palatable, but I actually seriously enjoy what they're putting out for a debut album! I hear Beck. I hear Sublime, I hear proto-Cage The Elephant. I hear good bass lines, good drums, good lyrics and good rhyming. I am exceptionally happy I had the opportunity to discover these guys.

Listens: 3 Standout Tracks: Legalize It, Brand New Second Hand Added To Library: TRUE What's not to love about this album?

Listens: 3 (and probably more in the past) Standout Tracks: Everything In It's Right Place, How to Disappear Completely, Idioteque, The National Anthem. Added To Library: TRUE Kid A is a good album. No; it's a great album, but by no means is it my favorite, second favorite or even third, fourth or fifth favorite. In no particular order, In Rainbows, OK Computer, Hail To The Thief, A Moon Shaped Pool and The Bends and are better. The jazz and violin elements in The National Anthem and How To Disappear Completely are fantastic.

Listens: 2 Standout tracks: My Old Man Wasn't available on YouTube Music, had to listen to it on straight YouTube. It's... Interesting. I'm not loving it, but I'm not hating it either. I couldn't help but look at the reviews before writing this (mostly to see others' experience with finding the album online). The general sentiment seems to be ugh god why. I don't have a visceral reaction to this, either positively or negatively. Some of the songs are amusing. The multitude of sexual references and scenarios in particular; to hear this guy talk about sexual encounters and scenarios is hilarious. Honestly the It's that Essex accent that probably puts a lot of people off. Woof. I probably won't listen to this ever again, partly because it's not easily accessible on YTM. I won't fret much about that.

Listens: 2 Standout tracks: None Yea no. Sorry, not interested. Not even remotely. Its not a 1; I don't hate it, its not offensive, but I definitely do not want to listen to it every again.

Listens: 2 Standout Tracks: Do It Again, Dirty Work, Reelin' In The Years Great debut album. Enjoyed it. 3.5

Listens: 1 Standout tracks: Vibraphonissimo I really struggle with the rating system for this platform. At first I was much more conservative with my ratings, but realized about 45 albums in that even some albums that I've highly enjoyed and would even describe as "loved" weren't breaking into 5, and I had only rated a single album a 1. Then I revaluated both my approach and the albums I had listened to, adjusting if necessary, and came up with a Hate/Dislike/Indifferent/Like/Love scale, which has been working so far... I guess. So where does this fall? Is it musically impressive? Yes. Is it enjoyable? So far, for the most part. Do I love or hate it? No and no. Will I add this to my rotation or listen to it beyond today? Probably not. So then what's the rating? Middle of the pack 3? Am I just playing it safe and not really forming an honest opinion? I'm not sure. Sometimes I wish the rating scale was 1 through 10. Some of the tracks so far are wildly inventive and highly creative. One of the tracks gave me the impression of the world coming crashing down around me. Frantic and aggressive, which I would not have come to expect from the genre of Tango. Other tracks are prodding, serious, sombre and thought provoking. I would consider putting something like this on if I were just trying to mellow out after a day at work. I am inclined to say I more enjoy it than not, so.... 4

Listens: 2 Standout tracks: I Can't Help Myself, Mud In Your Eye I don't know what I was expecting of this music, when i read the description of the band being "post-punk", but it wasn't this. I don't really understand what post punk is as a genre. Ive also usually despised New Wave music based on some of the other bands I've had to listen to in the 1001 albums framework, but I don't strongly dislike this either. There were some genuinely good tracks on this album. Great saxophone and violins on at least two tracks. 3

Listens: 2 Standout tracks: No Sleep Till Brooklyn, Girls, Fight For Your Right I want to like the Beastie Boys more than I do. This album is important for a number of reasons: the foundation they laid for other rap and hip-hop bands, the amount they get sampled, their music's popularity in other entertainment mediums and pop culture, in popularizing the rap-rock genre along with Run DMC. It's crazy how influential they are. And yet, I need to be in a really particular mood to listen to them. There's a lot of shouting and yelling. Everything is amped up to. 11. It's high fucking energy. Energy I want to have, but don't. Also, Girls is really sexist. It's comical how much this wouldn't fly nowadays. This album gets a 4, despite the fact that I don't listen to often at all and probably won't be adding it to my library and rotation. It's such an important piece of work in the genre.

Listens: 3 Standout tracks: Genius of Love, Wordy Rappinghood, Under The Boardwalk Added To Library: TRUE My gut reaction to this was "Oh look. More New Wave...." but there's something different going on here. This is not Depache Mode or Simple Minds or some of the other music I've elected to listen to. This is more like proto-Nightmare on Wax. I get major Nightmare on Wax vibes from this album: African Pirates, Man Tha Journey, Deep Down etc. If I had just heard this album without vocals, Nightmare on Wax would have been a guess. So, all that being said, I was much more impressed with the album than I expected to be. The beat on Genius of Love is... genius (and entirely funky). The pseudo-rapping on Wordy Rappinghood is intriguing. I like how they sneak some French in there. Their cover of Under The Boardwalk is also great. Notably, the Deluxe Edition was not available on YTM, so I only listened to the regular album, plus 3 remix/long version tracks tacked on. And it was plenty. 3.5 Edit: Increase to a 4. I normally do not like New Wave, but this album has an allure to it and some incredibly catchy songs.

Listens: 1 Standout tracks: meh This will be my second 1 in 75+ albums. I cannot understand how something like this made the list. Why? What does this album contribute musically to the zeitgeist? Does anyone actually go out of their way to listen to this outside of a dance club or other such setting in which people are dancing and raving to electronica music? Needless to say, I was not a fan.

Listens: 3 Standout tracks: Four Seasons In One Day, There Goes God, Chocolate Cake Nothing particularly remarkable about this album. I like the album cover. Halloween pumpkin vibes (even though it's a Woodman... Whatever the relevance of that is...) I don't like or dislike it after a full listen. Maybe subsequent listens will evoke something.

Listens: 2 Standout Tracks: Sympathy For The Devil Sympathy For The Devil is awesome, but other than that, I was kind of expecting the album to be a bit more classic rock, high-energy, like Led Zeppelin or Pink Floyd. This felt more like an acoustic, bluesy album; More mellow and plodding. Definitely not bad, just not what I was expecting.

Listens: 2.5 Standout Tracks: Are You Ready (For Some Darkness), The Age Of Pamparius Good guitar shredding on this album. Not quite heavy metal but close and more palatable as a result. The first track, at the 1:30 mark reminds me a lot of the The Who's "Won't Get Fooled Again". The band name was an eyebrow raiser for me. I did not know what to expect when I put the album on. I recognize that the word negro in other cultures and languages mean other things (namely, the color black), but it was still... surprising to see such a band name. I wonder where the band name originates from . Fortunately, there doesn't appear to be any racist lyrics as far as I can tell. Overall, I enjoyed it more than not. 3.5

Listens: 3 Standout tracks: Gin and Juice (obviously), The Shiznit, Lodi Dodi Love the mini-rendition of Notorious BIG's Hypnotize in Lodi Dodi. Rap skits never get old. Lots of dick and ball jokes. Entirely childish and entirely perfect. I still like east coast more than west coast, but this album was great and I am surprised I've never listened to all the way through before.

Listens: 3 Standout Tracks: My Generation, The Kids Are Alright I don't yet have a ton of experience with The Who yet. This being their debut album, and smack dab right in the middle of the 60s, mind you, they are all over the place musically. There's a smattering of early 60s songs about girls and lovey-dovey shit (Much Too Much, Please Please Please) mixed in with late 60's psychedelic rock. Sometimes they sound like the early Beatles (La-La-La-Lies, The Kids Are Alright) , sometimes folksy Bob Dylan (The Good's Gone), sometimes they are going ape shit like in The Ox. Again, I don't have much experience with The Who, but i kind of seems like in later albums their "The Ox" won out and that's the direction they went with. 3

Listens: 3 Standout tracks: Tooting Bec Wreck Seems a bit post-new wave veering into classic hair metal with a Finnish twist, to be honest, if there was no mention of them being Finnish in the album/artist description I'd have never known that. I largely dislike new wave and I'm really really not a fan of 80s hair metal, so although there are a few catchy or weird tracks and some good guitar riffs, it's not particularly interesting or exciting to me. 2

Listens: 4 Standout Tracks: Amsterdam Amsterdam is a crazy strong opener. I was blown away by both the power of the song itself and the audience's reaction to it. Totally the highlight of the album. Other than that, its short, sweet and to the point. I would give it a 4 if I understood French and could better appreciate the lyrics. 3.5

Listens: 3 or 4 Standout tracks: Old Devil Moon, Too Marvelous For Words This is the king of crooners. My grandfather loved Frank Sinatra; couldn't understand how anyone could listen to any of the "music you kids listen to" when I was a kid in the 90s and 2000s. I get it now. I understand his perspective. Sinatra can sing, for daysssss. My only gripe is that this album, is how every goddamn song is about him loving some woman. Trying to bang her. Infatuated with her. She's a drug for him. He'll be her slave. The only thing that redeems the album from this point is that it's expressly "Music For Swingin' Lovers". The entire point of the album is to have these kinds of songs. It's basically a concept album and the concept is utterly loving women. I have no idea if there will be other Frank Sinatra albums on the 1001 albums list. I also have no idea if literally every song Frank ever sang is about a woman. It wouldn't surprise me in the slightest, but I sure can hope that one day I come across a song that is about literally any other topic. It's still a 4.

Listens: 1.5 Standout tracks: Starfish and Coffee, If I Was Your Girlfriend, Housequake Second Prince album so far, with the other being Purple Rain. It's still not clicking for me. There's clearly talent here, I do enjoy some specific songs, and he's pouring his soul into the music, but overall I'm still not sure it's for me. It's certainly not something I'm going out of my way to listen to As far as the music is concerned, there's a mix of genres going on: soul, rock and roll, funk, some rock ballads, pop music. Even with all the different genres, there's still an underlying consistency of the album shining through. There are themes of love and passion, gender identity, drugs use and sickness, parties and partying. It's definitely a product of the 80s for sure. 3

Listens: 2 Standout tracks: Many of them: Unfinished Sweet, No More Mr. Nice Guy, Generation Landslide, Sick Things, Mary Ann, I Love The Dead. In Unfinished Sweet I enjoy the transition from a regular song into a bit of a Munsters ditty into a rendition of James Bond theme. Interesting. Mary Ann has an interesting bit of Piano in is which is a significant instrument insofar that most of the rest of the album is basically all guitar, drums and bass. I Love The Dead has wildly transgressive lyrics. I could certainly listen to this again. 4

Listens: Countless Standout tracks: Freedom, Remember His Name, What's Golden, Thin Line, High Fidelity, DDT (Kool Keith!). Added To Library: TRUE College buddies turned me on to J5 a decade plus ago. Here, hit this blunt, check out this Alt-rap group that's putting out excellent lyrics, sweet beats and not dropping N-bombs every 10 seconds (except that one song, "One of Them", but that's more of a criticism of a particular sub-culture within rap music more than excess for the sake of excess). All hail Chali 2na's crazy deep voice. This album is fucking amazing. Easy 5.

Listens: 2 Standout tracks: For My Lover Ehhh. This album is not really of any interest to me. It's not bad per se, in fact it's not bad at all - its quite good - but it's not particularly exciting. I do not find myself wanting to listen to it again. Most of the tracks sound virtually identical. The album too bare bones. Far too acoustic. If I were to evaluate the tracks individually - if I were to have heard one of the tracks on the radio for example - I would say the certain songs are quite moving. Most of the songs tell a story, Tracy is sending out a message. The songs are passionate and soulful. There are political connotations. There is empathy. There is sadness. There is real life. There's just too much of it concentrated into a single 30-somthing minute package. I give it a 4. It's powerful music. Music I might find subjectively unappealing, but which may be objectively highly relevant in today's society (not to mention 1988).

Listens: 3 Standout tracks: The classics: (Come As You Are, Polly, Something In The Way), The Man Who Sold The World, Lake of Fire. Added To Library: TRUE This album is excellent. The inclusion of the audience (soundboard?) and the between-songs banter elevates the the album from just being an exceptional acoustic set to being highly intimate and equally casual. It doesn't sound like a big audience. It would probably have been amazing to actually be there. The premise of the set being acoustic means that the band isn't going absolutely ape-shit wild - something you might see at a regular grunge concert. Anyways, solid set. I do wish they played Smells Like Teen Spirit (I am a sucker for that song, and a bunch of covers of it (Patti Smith's in particular), for some reason). An acoustic rendition from them would have been amazing. 4.5

Listens: 2.5 Standout tracks: No No thanks. Dislike this "classic" type of country music. Too twangy, to southern. Not psychedelic enough, which apparently was a deviation from the Byrd's previous album. Disappointing.

Listens: 2 Standout tracks: Heroes and Villains, Child Is the Father Of Man Wild coincidence. Brian Wilson has passed away and the very next day I get to listen to (one of?) his solo album(s). This is barbershop quartet meets acid trip. Musical layering, harmonies, weird sounds, farm animal noises, singing about "vega-tables", kazoos!?. Pretty out there if you ask me, and there's absolutely nothing wrong with it. There's a carousel-like quality to the music; its evocative of the kind of music you'd here on a carousel, at a theme park. Round and round... It also kind of reminds me of the Beatles, probably Sgt. Pepper's Lonely Heart Club Band or Yellow Submarine. All the whistles and kazoos. It's quite the piece of music for a solo musician.

Listens: 1.5 Standout tracks: High Plains Drifter A little surprised to see a second, lesser known Beastie Boys album in the 1001 albums list. I didn't recognize a single song while listening. There are some decent tracks, but otherwise this album simply isn't as good as License To Ill or Ill Communication.

Listens: 3 Standout tracks: None A lot of duets on this album. That's pretty uncommon. This is also probably one of the most recent albums (chronologically) I've listened to on the list. It all sort of blends together. It was fine. Not terrible, not great.

Listens: 4 Standout tracks: People Ain't No Good, Where Do We Go Now But Nowhere? Added To Library: TRUE I have "Where Do We Go Now But Nowhere?" on repeat. Dreadfully depressing, powerful and moving, and insanely good. Excellent use of the violin to really drive the emotion home. The song could be about a few things; It sure seems like it's about the loss of a child, driving a psychological and emotional wedge between two parents, further resulting in one of them having a mental break and being committed to a hospital or psych ward. Possibly one tries to kill the other, blaming them for the child's death. The other parent is reminiscing about life before it happened, both thinking about the child (and the event) and their relationship with their spouse. I am equally satisfied with the rest of the album. It being stripped down lends to the intimacy and power of the song. 5

Listens: 3 Standout tracks: The Final Sound --> The Forest The first time I heard The Final Sound end, I thought my Bluetooth connection got corrupted, it just... ended, and immediately transitioned into The Forest. The Forest is pretty sweet; makes sense that it became a single for the album. My first impressions/gut reaction with the album in general were "meh", and I was glad it was only 35 minutes long. By the end of the album, though, I was pretty satisfied with what I had listened to. The second go around I listened to the deluxe version that had been remastered and had some demos and live tracks, making the album 3x as long; I had a better appreciation for the album after the second listen. It still sounds a little too new wave for my taste, but I don't hate or dislike it like my usual dislike the genre. 3

Listens: 2 Standout tracks: 1/2 (I guess) Definitely, unquestionably, music for airports. I'm not in the habit of being in, at or around airports for any longer than I need to, but I can imagine that this is the kind of album that would really come alive while wandering though a preferably foreign, catastrophically large, utterly deserted, international airport at, say, 3 am on a Tuesday. Let's also say its the dead of winter, to really set the mood. Just you, your supra-aural noise cancelling headphones, and this album playing as you casually stroll down miles of seemingly endless concourse, staring at the occasional sleeping person, janitors milling about, empty storefronts, and a wasteland of empty seating. Ambient music, meet liminal spaces. Enjoy. All that said, I've never done anything like that before and I have no desire to. This is not something I care for very much. I wanted to make a cheeky remark about Minecraft wanting it's music back, but this came out in 1978, so uh, its got C148 beat by about 30 years. This would go well with Minecraft. I would give this a 2, but bump it up to a 3, because Brian Eno has apparently coined the concept of the "Ambient" genre with this album.

Listens: 3 Standout tracks: Where The Streets Have No Name, I Still Haven't Found What I'm Looking For The album starts off strong enough, probably because I recognize the first two songs. After that, I really have no desire to keep listening. It's fine background music, but I'm not looking forward to any of the tracks. Usually by the third listen of an album, I tend to hone in on songs I like (or dislike). I've encountered no such songs. They all sort of blend together. I could stop listening to this and will most likely never have any interest to go back to [the album] again.

Listens: 3 Standout tracks: Spaced Cowboy The yodeling in Spaced Cowboy is positively absurd, otherwise this album is just okay. There are some good hooks and bass lines. That's about all I've got. 3

Listens: Probably a dozen or more. Standout tracks: Cherub Rock, Today, Disarm, Spaceboy Added to Library: TRUE I have a controversial confession to make: While I enjoy the Smashing Pumpkins early work, especially certain tracks across their first 5 or so albums, my real enjoyment comes from their later works starting with Zeitgeist, Oceania (especially), Monuments To An Elegy, SHINY AND O SO BRIGHT, and Cyr. They have completely transformed from being a prolific 90s post/grunge band to a more mellowed out equally prolific (in my opinion) alternative rock band. I hope at least one of those albums comes up on the 1001 list, but I'd wager a bet it's more likely to be Melon Collie and the Infinite Sadness. With that out of the way, this album is great. Cherub Rock is a fucking amazing starter, and it really gets you in the mindset of of what you're about to listen to. There's also a good mix of hard rocker songs and ballads, well spaced out throughout the album to keep things from getting too monotonous. I can't give this a 5 since I prefer some of their other albums over this, but it still gets high marks. 4

Listens: 2 Standout Tracks: Stolen Car, Stars All Seem To Weep, Devil Song It's okay. Some decent tracks and some unmemorable. Nothing particularly bad.

Listens: 1.5 Standout tracks: My Sweet Lord, Beware of Darkness, Thanks for the Pepperoni This album being a triple album, meant I really didn't get the opportunity to dive into the tracks and really appreciate any particular track. The album was decent. Glad I listened. I think each of the individual members of the Beatles music will always be overshadowed by their music _as The Beatles_ though. That's probably an unfortunate reality of the situation.

Listens: 1 Standout tracks: I Feel The Earth Move I only had a chance to listen to this album once. It was fine. The reviews say that its groundbreaking for a number of reasons. The lead single spent 5 weeks at the top of the hot 100 charts. That's insane. It's also something I don't really comprehend, because I was not even close to being blown away by what I was hearing.

Listens: 3 Standout tracks: Death To Everyone, Another Day Full of Dread, Black Added To Library: TRUE There's something about this album that reminds me of John Frusciante, specifically his solo work. It's not the guitar shredding or the music per se; it's something to do with the singing, the emotion, and the whole "doing it on your own" thing that they seem to share. The subject matter is bleak and dark and brooding. The music is minimalist for the most part; I thought my headphones were busted and I had to turn up the volume more than normal to actually tease apart the different components of the music. Anyways, I really enjoyed this album. It was arranged well, and once I got the volume up to where it needed to be, I was engrossed with the music.

Listens: 3.5 Standout tracks: Death of a Disco Dancer Added To Library: TRUE As I do this listening and review process, one of the ways I've begun measuring my perceived interest in a given album, is if I ever have an itch to consciously look at and acknowledge the name of a track I'm listening to. Three songs deep, Death of a Disco Dancer, this happened. Specifically during the instrumental "verse" of the song. Something clicked, and I found myself jamming out while listening to the song during my bedtime routine. There's something about the guitar, possibly violin and perhaps piano all melding together that really elicited something. Epic song. Girlfriend in a Coma is disturbing, and disturbingly upbeat considering the subject matter. Likewise for "Stop Me If You Think You've Heard This One Before", which, if I caught the gist of the song, amounts to someone being a shithead and making excuses for not being "there" for a myriad of (probably) bad reasons. And then, Last Night I Dreamt That Someone Loved Me for some reason sounds to me like it could have been a James Bond title song (at least, once you get part the first part of the song). It has some orchestral and cinematic qualities to it.

Listens: 1 Standout tracks: Nope Oh boy. I'm not down with this at all, and that's being extremely polite. I'm going to have to break my rule of listening to each album twice. I can't even begin to listen to this album a second time. I don't even want to continue a first time after hearing the first few songs. How and why is this album an hour long!? Cut each song in half and maybe this would amount to a slightly less tolerable fusion of Fat Boy Slim meets MJ Cole with a dash of new age hippy bullshit. A PG version of The Prodigy. Anyways, there's a growing theme here for me. I do not like dance music. Particularly so if I'm not dancing.

Listens: 2 Standout Tracks: It's The End of The World As We Know It (And I Feel Fine), The One I Love. This album is fine. I have no bad things to say about it. The two most popular songs (above) are excellent and show off the best of what R.E.M. can be.

Listens: 3 (and probably another dozen over the 20 years this album has been out) Standout tracks: Points of Authority, In The End The first half of the album, maybe up until In The End is pure nostalgia for me, and absolute bangers to boot. The latter half is adequate and sort of fizzles out. But just because the music is nostalgic and many of the tracks are seared into my mind, doesn't make it objectively good. Sometimes - most of the time - the songs feel angsty and edgy for the sake of being angsty and edgy, with virtually no variety in the message, though I will concede the message is consistent. It's 38 minutes of "I feel feelings" type shit. Yea. We all feel feelings. We get it. It's less edgy and more corny, eyes-roll-into-the-back-of-your-head inducing when you're in your late 30s. But God damn when I was 13 this shit was great. Nu-metal in general isn't a particularly favorable genre for me. But of all the Nu-metal bands I listened to or in some specific cases still listen to, Linkin Park is pretty close to the top (perhaps behind System Of A Down). It's a 4 because I enjoy listening to it and even consider playing it from time to time if I'm in the mood

Listens: 2 Standout tracks: Mad, F.U.B.U. The use of interludes is kind of excessive. I understand the context and long history of using skits and interludes in rap, hip-hop and RnB genres, but damn there's 8 interludes and a closing in an album with 21 tracks. That's 42% of the album dedicated to basically not music. There are a couple of good tracks. Mad with Lil Wayne is decent, F.U.B.U. is great. I would also say anything with Q-Tip is good, but he's barely on the track.

Listens: 1.5 Standout tracks: Only The Strong Survive, Long Black Limousine, In The Ghetto Not a fan of country music, generally but I think I can give the King of rock and roll a break. He's a great singer and he's got both excellent backing vocals (very gospel-like) and a great band (The Memphis Boys) providing additional instrumentation. Im sure I've heard at least one Elvis song before, but scrolling through the top tracks on YTM I don't see any that I might be familiar with. I would have expected to see Hound Dog on the top songs, but nope. Anyways, I've definitely never listened to a whole album before.

Listens: 3 Standout tracks: Everybody's Talkin', Cynicrustpetefredjohn Raga I have heard "Everyone's Talking" before, specifically during the Episode of Futurama in which Zapp Brannigan and Kif Kroker are out of pocket, having been dismissed from the DOOP for... blowing it up! But! It's actually the Harry Nilsson version, which is decidedly more popular (41 million plays vs 713k plays in YTM). That's got to suck a lot, for someone to take your song and play it (subjectively) better than you. It's a great song, both versions of it. Anyways, I just got off of listening to Elvis's 'From Elvis in Memphis', and had rated that a 4. I listen to this and like... why would I give Elvis a 4 when I want to give this an actual 4 because I like this so much more! Its not exactly apples to apples, but this is actually something I want to listen to more than a few times. Elvis was riding high off being the King of rock and roll in my mind. As far as actual other tracks go, hands down Cynicrustpetefredjohn Raga is the best track on the album. Very psychedelic. Very 60s. A fusion of folk and psych rock with a mix of middle-eastern/Indian influence in the form of what could be a sitar. Excellent track.

Listens: 2 Standout Tracks: Emergeny on Planet Earth, Revolution 1993 This was pretty funky. Good to put on for a while and sort of half tune it out while working on something like coding or writing documentation. Easy to groove to. I could have done without the album being two hours long though. It would have been nice if there was a version of the album that didn't include all of the live tracks, extended versions, and demo of songs tacked on at the end.

Listens: 4 or 5 Standout tracks: I've Seen All Good People, Starship Trooper Added To Library: TRUE YES! Second Yes album on the list. I still think I like Closer To The Edge more, but this album is also quite excellent. I just love how "I've Seen All Good People" and "Starship Troopers" are like 2 or 3 songs in one with each part being significantly distinct from the others. I've heard "I've Seen All Good People" before but had never really known it was a Yes song, and so when it came on for the first time I was like Ohhhh shiiit.

Listen 1.5 Standout tracks: Jimmy Jazz, Lost In The Supermarket Musically all over the place, with several different genres present across the 19 tracks, and yet, it all still sort of sounds the same. I wasn't particularly impressed with what I heard. It wasn't bad or offensive. Just meh. Edit: I listened to this again, with better headphones, and while working and it might be starting to click. I am not ready to bump it up to 4 stars yet, but I may continue listening and make a decision later.

Listens: 1.5 Standout tracks: Sweet Dreams (Are Made Of This), This Is The House With the exception of the album title track, which I have absorbed through radio osmosis and the general zeitgeist, I haven't heard of or listened to a single track on this album prior to today. Pop music is my second least favorite genre, and I'm very picky about what pop music I do enjoy, so this really isn't doing anything for me. I don't know what the cultural impact of this album or the band is, and I don't particularly care.

Listens: 3 Standout tracks: Squares, Gone So, the first song... started off quite weird; Muted and lacking in instrumentation and I was like okay.... and then it started to coalesce into something ... something .... familiar, upon which I had that eureka moment that they were sampling Daydream/Daydream in Blue. I really really quite like what I Monster did with Daydream (Daydream in Blue) and have listened to that album (Neveroddoreven) extensively, but I digress. Squares turned out to be a good song. Beyond that, things sort of went down hill. With the exception of one or two songs, the album was not too impressive. Some tracks are really muddy or fuzzy sounding. The audio clarity is severely lacking. Bad recording techniques? Poor copies on YTM? On purpose? I am not sure. There's a lot of repetitive lyrics on several tracks on the album, with verses being the same line over and over again. There is no album "Hot Shots", so I'm not sure where Hot Shots II came from. I get Flaming Lips vibes on some of the tracks. Evening though this album seems mostly electronica, there is a prog rock quality to it. Music aside, the album cover is cursed. Gaudy "diamond studded" text on a fake star background with a fake... explosion in the center. Duly noted. Edit: I'm torn on this, and am bumping it up to 3 stars. It has some allure to it. I am thinking about it two days later, and can't really understand why. I may go listen to it again even :/

Listens: 4 Standout tracks: Friction, Marquee Moon, Torn Curtain Added To Library: TRUE Kind of reminds me of the Strokes, the music more so than the singing. I quite liked this, between Friction, the crazy good hook in Marquee Moon, and Torn Curtain, which is a banger track to close the album with. I've added the album to my library.

Listens: 10 Standout tracks: Televators, Take The Veil Cerpin Taxt Initial Review: I like much of the influence surrounding this album: Chili Peppers bassist Flea, Rick Rubin, Omar Rodriguez-Lopez's guitar playing, but so far I'm not feeling the music itself, specifically the vocals. It sounds (and is from) the exact era in which the emo subculture and music started to become (more?) prominent and I can't help but find the singing to be, well... a little too whiny sounding. I was expecting the excellent bass, guitar and drums to be accompanied with more mature vocals. Maybe that happens in later albums. I don't dislike it, but I was excited to listen when it came up and was hoping that I would have enjoyed it more. End of the Day Review: After four or so listens, I've mostly changed my mind on the vocals. It's definitely still not what I was expecting from a sound perspective, but the subject matter and the instrumentation more than makes up for it. I hear the Latin influences - bongos/conga and possibly maracas accompanying the traditional instruments, mentioned in the album synopsis. I appreciate the hectic-ness of the music and Omar's guitar playing. Absolute beast. It reminds me of a amalgamation of System of a Down, Incubus, Rage Against the Machine, early Chili Peppers, and maybe a dash of Linkin Park. One week Later Review: I am listening to this album a LOT. It's high-energy and great to listen to when you're jamming - I bike to and from work in a city and its awesome to bike to. All of my notions of the voice being too screamo/emo have since melted away. I am upping the rating to a 5. This album is in the rotation.

Listens: 3 Standout Tracks: 2112 Overture / The Temples of Syrinx / Discovery At about the 3 minute mark (and at about 17:30) of 2112 Overture, I am strangely reminded of the music present in the video game Risk of Rain 2 (The Rain Formerly Known as Purple); the same kind of Power guitar shredding the music in that ROR2 has. In A Passage to Bangkok, that little ditty that is typically associated with Asian culture, feels a tad um... jarring in today's world. I don't know if it's downright offensive but it definitely caught me by surprise hearing it. Otherwise the album was perfectly adequate.

Listens: 3 Standout tracks: Babylon, Sail Away I'm sure I've heard Babylon on the radio in the car growing up. Instantly recognizable - not as a "David Gray song" necessarily - just recognizable in the sense that it has been played far and wide. It's cool when you can finally put an artist to a song you've heard, known about but never had the energy or bother to actually look up. Granted it's been made so much easier these days, in the age of the always-listening smartphone. Anyways, I get some Bob Dylan influences, probably in the rasp of the voice. The music is eclectic, easy listening, not offensive. As I wrote this, I'd probably argue it's a little too safe, and plain. There's no daring or challenge here. Nothing particularly musically adventurous. I also really like Sail Away. There's some additional instrumentation going on besides just acoustic guitar. Light drums; Possibly piano or maybe a string instrument (besides guitar), and some nice whistling at the end. It also feels like a departure from the rest of the album in that is stands out musically.

Listens: 4 Standout tracks: Let's Get It On, If I Should Die Tonight I tried to think of a witty or clever remark or pun about how this album will help get you laid or at least increase your chances with a prospective partner, but I couldn't think of anything before I had to submit my rating :( . Also It's been a bit of a dry spell lately, so, thanks a lot for reminding me Marvin Gaye.

Listens: 2 Standout tracks: Blister In The Sun, Gone Daddy Gone Raw, stripped down, post-punk with minimal instrumentation and interesting vocals to say the least. I had no idea Blister In The Sun was a 50 year old track. I'd heard it on the radio and assumed it was much more recent. Like something Cage The Elephant would put out. In fact, this band reminds me of Cage The Elephant, just with less instrumentation and polish.

Listens: 3 Standout tracks: Viscious, Take a Walk On The Wild Side, Perfect Day, Make Up Added to Library: TRUE The Velvet Underground's eponymous album was 4th albums I listened to when I started the 1001 list. I found the music to be subdued and stylistically stripped down (been hearing that a lot lately with Violent Femmes, Bonnie ('Prince' Billy), and so I kind of expected this to be more of the same. This album is certainly not sonically dense like The Mars Volta album I just heard the other day, but it was richer than the The Velvet Underground and definitely more enjoyable. I quite liked a number of the songs; enjoyed the subversive themes in Take a Walk on the Wild Side and Make Up in particular. Perfect Day incorporated some classical string instruments and a piano at one point, which was a nice touch to an already great track. The album or rather the artist is described as Glam Rock... And while I understand the sentiment and relevance of the idea or concept as it relates to live shows and cult of personality and overall presentation of the artists, I find it weird to attribute what mostly amounts to visual and stylistic representation of artists (the "Glam") as a way to describe their music. How an artist dresses or presents themselves, in my (limited) opinion, has little bearing on how the music gets made and/or is sung. Taking your shirt off or wearing platform shoes or KISS makeup doesn't generally change how the music sounds. Genres should describe the qualities of the music, not the people singing or playing the instruments. /rant

Listens: 2 Standout Tracks: Enjoy The Silence I guess I liked this more than "Music For The Masses". The synths were better sounding. That's probably about it. This is my second Depeche Mode album on the list. I am going to be pretty pissed off when these guys got (at least) two albums on the List and some bands I actually like only got one. (I don't know which bands those might be though; Not peeking at the list). Anyways. I would give this a 2.5, but I can't, so rounding down it is.

Listens: 2 Standout Tracks: Love Letter So listen. I was not looking forward to hearing this, but it wasn't nearly as bad as I was expecting. Is this an objectively bad album? Not by my own standards and certainly not based on how many Grammys it won, including album of the year! Is the instrumentation good? Yes. It's diverse; there's blues, R&B, (what I consider) country, rock and pop found on all the tracks. A good spread. The backing band, whoever they may be, put their work in. Especially in Love Letter, which I could imagine hearing on Shakedown Street by the Grateful Dead. Are the vocals good? Yes. Bonnie can sing and she does it well. So where does that leave me? Well, I don't particularly care for this. It's just not my style. I will probably never listen to this again and I certainly won't go out of my way to put it on. I will not add it to my library. I will not play it for company when they come over. That puts it in solid 3 territory for me. Objectively, probably a 4 Subjectively, a 2

Listens: 3 Standout Tracks: Into The Drink, Shoot The Moon I was surprised to see a second Mudhoney album on the List. I had never heard of them prior to starting this journey and so to see them get two albums, the authors of the List either have a soft spot for Grunge or there is a perception that they are just a good band. I think the album is average. I don't exactly expect grunge music to be particularly harmonic or melodic, but the vocals are meh. The instrumentation is great. There was a harmonica on one of the tracks that I liked. I went back to listen to Superfuzz Bigmuff to see how the band's sophomore album compared, and I think I like their freshman album more. I think they are at their best when they are actually singing instead of yelling, and they are actually playing chords and guitar riffs instead of just absolutely off-the-walls shredding and hammering on cymbals. On "If I Think", they actually do this. They sing. The guitar has a good hook (if that's the right terminology). There might be one of two of these kinds of tracks on Every Good Boy Deserves Fudge, but they are far and few between, and so I think the album suffers from a lack of musical diversity. All the songs are basically screaming and blasting guitar drums and bass. I also dig both the album art and the album title.

Listens: 3 Standout tracks: Sentimental Journey, Real World, Chinese Radiation. Well, that was certainly something. What genre do we call this? Experimental rock? Post-punk and grunge? Experimental, post-punk grunge-rock. Yea! Does qualifying the genre even begin to truly classify or quantify what I just listened to? Does it even matter? I have so many questions about this album, but honestly, maybe you just take it for what it is and just sort of go along for the ride. Loud horn instruments resembling honking geese or dying... something, mumbling lyrics, grungy guitar, bass and drums. Sounds of someone just periodically shattering glass bottles... perhaps an alcoholic. I actually didn't hate this. I would even say I dislike it. I won't, however, be adding this to my rotation. I think this album just exists in a place and space entirely on its own. Perhaps it is like a violet accident on the opposite side of the highway. A train wreck. Something you just can't look away from. You stare at it. Marvel at it. And then move on with your day.

Listens: 5 Standout tracks: Homemade Dynamite, Hard Feelings/Loveless, Sober II (Melodrama), Writer In The Dark I really liked this. I have Pure Heroine on Vinyl, and for some reason I've never listened to any of her other music besides Homemade Dynamite (which I suspect is probably a single) before. So, it was nice to branch out and listen to something else Lorde has produced. Perhaps part of the reason why I enjoyed it so much is that I've just come off of two bands on the List that absolutely SUCKED (comparatively) at singing, keeping a melody, composing music, harmonizing, and pretty much all of the things you typically look for in music. And so, it was a very nice change of pace. I've mentioned before in other reviews that Pop music is very hit or miss for me. Lorde seems to be largely in the hit category. There's something about the music that seems more adult like, even though she's only 28 (21 when the album came out). An old soul-like. I could just be making stuff up though. Who knows.

Listens: 3 Standout Tracks: Why Don't You Find Out For Yourself, The Lazy Sunbathers First Morrissey album, but I've heard The Smiths Strangeways, Here We Come from the List (maybe 30 albums ago), so I have some familiarity with what I'd be getting into on this album. I quite liked Strangeways, Here We Come, but this hasn't yet clicked for me. There are a few tracks that are okay, but it mostly just passing through my brain. Nothing bad, but nothing particularly standout.

Listens: 3 Standout Tracks: Gomni A second world desert folk album on the List. I personally liked Songhoy Blues', Music In Exile more than this, but this was also pretty good. Easy listening. No understandable lyrics to get hung up on. Can't complain.

Listens: 2 Standout Tracks: Don't Believe The Hype, Night Of The Living Bassheads "Brothers and Sisters!" Believe the hype. Public Enemy is the real deal. East coast, politically-motivated rap and hip-hop music. Great lyrics, awesome sampling and decent relatively minimalist beats (though, there are one or two that are really annoying); the result of which is a totally solid sophomore album. My only real complaint with this album is Flava Flave's wildly excessive use of "Yeaaaaa Boyyyyy".

Listens: 4 Standout Tracks: Not Ready Yet, Susan's House, Your Lucky Day In Hell, Manchild This is pretty offbeat alternative rock even for my own standards. Or perhaps its just miscategorized. I hear a bunch of influences or perhaps the other way around: Morcheeba, Portishead or I Monstor; elements of trip-hop in Novacaine For The Soul and Your Lucky Day In Hell. Your Lucky Day In Hell could be a Flaming Lips song, similar to Ego-tripping At The Gates Of Hell. When you actually get a guitar heavy track, it sounds like it could be from a Weezer album. And I can't fail to mention that 'Manchild' is played at the end of an episode of my favorite TV show, Futurama (Game of Tones). My gut reaction to this album was out-of-tune vocals and quite strange song composition, but this album is growing on me a lot, mostly for its weirdness. You could say it's a Beautiful Freak.

Listens: 5 Standout Tracks: War Pigs / Luke's Wall Okay, so this is the second time it's happened now: An artist dies (The Beach Boy's Brian Wilson last time) and I get his album the next day. So, yesterday, Ozzy Osbourne sadly kicked the bucket and now I get a Black Sabbath album? Not complaining, but majorly :sus: Maybe I'm just being paranoid. I'm not being paranoid. There is apparently a way for the maintainer of this platform to slip albums into the queue, or at least artists/genres. On the one hand, listening to an Ozzy album immediately after he passed is a nice tribute to him and the band, on the other hand, the knowledge that my queue can be influenced or modified introduces an element of distrust in the platform. Is my album ordering really random? Is my queue influenced by upcoming artists releasing music? It's not really random if someone has the ability to tweak it. ---- Anyways, this album is epic. No bad songs. Not a single one. On the first side, I really enjoy how Planet Caravan audibly punctuates War Pigs/Paranoid and Iron Man. It's a nice chill, seedy beat. Congas and hazy, atmosphereic-like style. Like you're in a dingy smoke filled lounge just chilling. War Pigs, Paranoid and Iron Man are all fucking epic high energy rock/metal songs totally deserving of all the popularity they receive and their place in the cultural zeitgeist. Side B is equally awesome, especially Electric Funeral. 5

Listens: 2 Standout Tracks:Help Me, Rhonda I guess the Beach Boys get a point for modernizing (relatively speaking) the concept of the barbershop quartet/quintet with their harmonizing and whatnot, but otherwise, this mostly sucks. The early and mid sixties are inundated with this boy band lovey-dovey shit and it's fucking exhausting. Some other poster said it best, when talking about the Everly Brothers - A Date With The Everly Brothers (it's the top voted comment for that album), paraphrasing: "there's something to be said about the Vietnam conflict that caused 50/60s rock bands to finally shut the fuck up about girls for a bit", and he couldn't be more right. I have no idea how old these guys were when they recorded this album, but some of these songs are so cringy. When I Grow Up (To Be A Man) and So Young in particular are just mind-numbingly bad. The only redeeming song on the album is Help Me, Rhonda.

Listens: 4 Standout tracks: Blackstar, Lazarus I've never listened to David Bowie, at least not intentionally, and I don't think I can name any songs by him. I do recognize him by name and I am aware of some of both his tremendous musical career, and through his acting credits, mostly The Prestige, and Labyrinth (though I've never seen the latter). All of this is a long winded way of saying that I therefore think it weird for me to start listening to Bowie by listening to his 26th and final studio album he ever released while alive, rather than, for example, The Rise and Fall of Ziggy Stardust..., which I understand to be some of his most highly recognized work. As of listen one I haven't yet formed any strong opinions on the album yet besides enjoying Lazarus. The album feels musically dense, with lots of music transitions happening within songs, and I suspect I'm going to need a few listens to really soak it in. --- A few listens later, I think the album is totally fine. Nothing stands out as particularly bad or offensive, but I am not entirely blown away by any of the tracks. Lazarus and Blackstar is good tracks. I like the alternating between <Blank>-star and Black Star: porn star, gang-star ;) white star, rock star, movie star, etc. I can't help but thinking that "I Can't Give Away Everything" is directly related to the fact that he knew he was going to die soon. Annoyingly, Youtube Music does not have lyrics for this album and so I can't really easily dive into what the song is saying.

Listens: 2 Standout tracks: Honey (remix track at the end of the album) Gut reaction: Well, at least its not one of the Christmas music ones. Initial impressions: Way more R&B and hip-hop than I was expecting, but then again, that was THE THING to do in the late 90s. I did not like this. Vapid lyrics, synth beats reminiscent of what I would imagine could be playing in dance clubs at the turn of the century. Vaguely hip-hop crossed with pop music. Everything sounded the same. Songs start and end without really anything interesting happening.

Listens: 4 Standout Tracks: Running Up That Hill (A Deal With God), Hounds Of Love, Waking The Witch, Jig Of Life Second Kate Bush album on the List. I enjoyed The Dreaming much more than this, but this was still great. Running Up The Hill was the first Kate Bush song I ever heard (knowingly) and it came to my attention probably the same way as a metric shit-ton of people: Stranger Things. It's a great song; Catchy. I am still chewing on this album. I didn't fully come around to The Dreaming until about 7-10 full listens, and it was only then that I decided to retroactively give it a 5 (up from a 4) and I though I don't think this album is also a 5, I do think it will be something that I will add to my listening rotation. I plan to continue listening throughout the week to further digest the music.

Listens: 2 Standout Tracks: Big Me I like the Foo Fighters later stuff better: In Your Honor, Echos, Silence, Patience & Grace. That being said, I really don't think I ever knew or truly appreciated that this is solely a Dave Grohl album. He created the entire album virtually by himself: vocals, guitar, drums (bass too I assume) with only the help of a producer to put it together into a consumable format, and so soon after Nirvana disbanded with Cobain's suicide. Crazy to think about. Not out of this world crazy (you still have people like Jack White and Billy Corgan who can do it) but it's nonetheless still incredible talent. As for the music itself. It's fine. Like I said, I like their more refined, mature sound in the mid 2000s more so than the post grunge stuff he threw together. I also really need to be in the mood for this kind of music, because it can get a bit monotonous.

Listens: 2 Standout tracks: Teacher's Pet, Sacrifice This is what I consider to be a proper descriptor of the genre that is "metal". I just listened to Ozzy Osbourne's Paranoid which is dubbed a heavy metal album, and although that album came out a decade earlier, I've just never considered the sound found on Paranoid to be anything other than classic rock - "Dad's garage" rock. This album is decidedly not that. This album has all of the hallmarks of metal: Screaming vocals, insane guitar shredding and thrashing, aggressive, wildly suggestive, satanic and subversive lyrics, and an epic album cover to boot. All that said, metal has never really been a genre that I've gotten into in any meaningful way. I can't relate to it. It doesn't call to me. But even then, I still like it more than the Beach Boys or Mariah Carey.

Listens: 3 Standout Tracks: The Teams That Meet in Caffs, I'm Just Looking, Geno Is "English Blues" a genre? That's how I'd label this, or at least some of the tracks. Most of the time, I can't make out what the hell the singer is saying. I quite like a few of the middle tracks; tracks 3, 4 and 5 are all pleasant. The instrumental track in particular I really enjoyed. Not much else to say. Didn't love it, didn't hate it. Solid 3 material for me.

Listens: 4 Standout tracks: Silver Daggers, House of the Rising Sun Was a bit tough to find this on YouTube Music. The link on this site goes to a version of the album that is not available for listening. The album does exist though, under her list of albums; came out in 2021, and just titled Joan Baez (the implicit and sometimes explicit Vol 1 has been dropped). Hope this helps someone find it. --- Enjoyed the cover of House of the Rising Sun a lot. Would have been even better if she really got into it, even if it's an acoustic version. She has a lovely voice. That being said, it seems like most if not all of these songs are covers of "traditional folk music". Okay. Something about this album reminds me of the Coen Brothers movie O Brother, Where Art Thou?, specifically some of the songs on the movie the soundtrack. That soundtrack does have a very folksy feel to it so tracks with what the album is putting out. I love that movie and I think this album is pretty good.

Listens: 3 Standout Tracks: Roundabout, Long Distance Runabout Yes album number three on the List. In my opinion, this album is not as good as Closer to the Edge or The Yes Album. It's a perfectly cromulent album, its just not clicking the same way the other albums did. I may need to have a few more listens. Closer to the Edge had the epic 18 minute eponymous song on side A that pretty much sealed the deal for me, and The Yes Album had both Starship Trooper (which I had not heard until listening for the first time) and I've Seen All Good People (which surprisingly isn't their most popular song, and in fact its more surprising that Roundabout is their second most popular song by plays). Anyways, even after 3 listens, the album still didn't really click.

Listens: 3 Standout tracks: La fille de la mort The extent of my experience with the industrial rock genre is almost exclusively tied to Nine Inch Nails, and I really enjoy most of what NIN has put out, so when I got an industrial rock album - my first in 140+ albums so far, I was a little excited. The genre is underrepresented (so far) compared to the deluge of post punk, new wave, "classic rock" and pop music I've heard on the List. To my dismay, though, the band is French, and all the songs are too. No hate for the French, but I can't really appreciate the lyrics in the same way a native speaker can. For all intents and purposes, I am listening to jibberish screaming, groveling and grunting, with industrial rock instrumentation in the background. This album is categorically industrial rock. It's hard for me to pin down and articulate exactly what differentiates industrial rock from other sub-genres in the rock and roll category. I sort of imagine walking around a warehouse that makes... I don't know... car parts, and I can imagine banging on on the robot arms with drum sticks or swinging a metal chain around into things and recording those sounds. When I think of the genre, for some reason I get this picture in my mind of some of the later levels in Donkey Kong Country I, where the Kongs are moving through factories with dangling chains and flaming barrels - Oil Drum Alley is the name of one of the levels. Anyways, the album starts off decidedly not industrial rock, and had I not known the genre ahead of time, I would be wondering what I was getting myself into. Creepy theme park music or a distorted and uneasy caresol song. But knowing the genre I was basically just waiting for the proverbial shoe to drop and finally about a little more than a third of the way into the track, the music starts to take on an even more corrupted, disturbed quality before diving head first into the hallmark signs of the genre: hollow drums, synth sounds, distorted guitar, chains rattling, banging on metal, etc. The rest of the album is a wild ride. I would possibly give this a 5; I just wish I could understand what the songs were saying.

Listens: 3 Standout Tracks: Tunic (Song For Karen), Kool Thing, My Friend Goo I wasn't blown away by any of the tracks; the latter half especially (with the exception of Mildred Pierce) was nothing to write home about. I thought Tunic was weird at first, this girl talking about how she's making it on her own, but it grew on me after a few listens. My Friend Goo was kind of weird, but in an enduring way? I wasn't left with any lasting impressions of the music itself. A lot of guitar heavy tracks, a ton of making noise experimenting with the guitar, but none of it particularly mind blowing.

Listens: 4 Standout Tracks: Master of Puppets, Welcome Home (Sanitarium), Disposable Heroes Growing up, I never listened to Metallica (or really any heavy metal), but to me, they were infamous for being the poster child of "Napster Bad, Piracy Bad" and so naturally as a kid with no disposable income or means to buy music: Napster good. Napster very good. Metallica bad. Boo Metallica. Then I grew up, had disposable income, a love for music and the means, through modern, sensible streaming platforms, to no longer have a need to Sail the High Seas. We're in the golden age of listening to music, but I fear that's coming to an end with the incessant rising of streaming subscription prices. But I digress. This album is great. Master of Puppets is masterclass (and sounds a lot like the first Doom level, to boot... or maybe, its the other way around?). Disposable Heroes is a scathing critique on the the industrial war machine. It's 55 solid minutes of wild guitar shredding, loud drums and bass, and quite good vocals. Good job Metallica!

Listens: 2 Standout Tracks: Who's Gonna Take The Weight?, Check The Technique DJ Premiere is a masterclass at producing beats and samples and Guru's monotone style elevates his rapping to top-tier. The lyrics are so dense it practically requires half a dozen listens to really hear it all. Most of the time I listen to Gang Starr, I listen to Hard To Earn; I have surprisingly never heard this album (though I have maybe heard some of the songs). This album is just as good as Hard To Earn, but I think I still like Hard To Earn more. That being said, this is being added to the rotation for sure. I also especially love the use of California Soul in Check The Technique

Listens: 3 Standout Tracks: Smoke on the Water, Space Truckin', Child In Time Deep Purple feels like the Grateful Dead of Heavy Metal. Good crowd work, psychedelic rock vibes, on-point subject matter in the lyrics and song titles. And then all of the hallmarks of early Heavy Metal. Shouting and screaming, Heavy guitar riffs and shredding, heavy drums. I liked this, but I don't think I can rate it more than a 3. I am not wanting more after three, almost four full listens. There's a lot of screaming and howling, a lot of noise. It's not easy listening and it's not something you can throw on in the background while you're doing something else like working at your desk in an office. It requires dedication. Perhaps I feel this way because of how long the album is. I could much more easily tolerate a 30 or 45 minute album of this. Cut Space Truckin' into like... a third of the length. Trim some fat on Child In Time, etc. Save the jamming for actual jam bands. Maybe this is the case for their studio albums. Not sure.

Listens: 4 Standout Tracks: All And Everyone, In the Dark Place Second PJ Harvey album on the List. There's a recurring theme topics ranging from the UK, America, war, death, exceptionalism, exploitation, country, patriotism, pride, etc. These are valid and interesting topics, in the 19 and 20th centuries, 2011 and certainly now, 14 years later. I would speculate then that this is a concept album detailing the country's (UK) past, imperialistic, exploitative, and rich history. As far as the music is concerned, I found that the lyrics on some songs have some depth and richness, while others, are thin and often repetitive. It's a mixed bag. Likewise with the backing vocals or simply background loops. I could easily do without the Bugle in The Glorious Land. It ruined the track for me. Same problem with Written on The Forehead. The vaguely African/Caribbean "Blood Blood Blood and Fire" feels very out of place. All this being said, there were a few tracks that I did like, and overall I was pretty satisfied with the instrumentation present: All And Everyone and In Dark Places I found to be pretty beautiful pieces. I am torn on giving this a 3 or 4. Does my dislike of several tracks outweigh my enjoyment of the rest of the album? I might add a few of the tracks I liked to my rotation, but not the whole album.

Listens: 2 Standout Tracks: None Utterly uninteresting. Good voice, good acoustic instrumentals, but nothing about this album is exciting or challenging or compelling, and I am not interested in continuing to listen once the day ends. All of this, despite how highly-rated this album is.

Listens: 3 Standout tracks: Meus Filhos Meu Tesouro, Xica Da Silva This album is excellent. I seem to have a thing for "world" music, where I can't understand the lyrics because I don't speak the language. Perhaps it allows me to really focus on the music itself. The songs a varied, unique, exciting and catchy. Its crazy to me that this came out in 1976. It's so fresh!

Listens: 2 Standout tracks: Cars Man. There are just too many god damn new wave albums on this List. I am so tired of 70's/80's synth pop. And as a repercussion, Electronica is one of my worst genres. Which is insane, because I listen to so much modern Electronica: ODESZA, Zed's Dead, Gorillaz, The Avalanches, I Monster, etc. Even stuff like Rusko, Bassnectar, Ill.gates, An-ten-nae. But no, instead of any of that, I get piles and piles of new wave: Simple Minds, Depeche Mode, Eurythmics, whoever the hell Gary Numan is. This album feels devoid of any emotion. It is soulless.

Listens: 2 Standout Tracks: Let The Good Times Roll, Alexander's Ragtime Band I listened to this album twice. Really nothing stood out to me. It's not like Ray Charles isn't talented. I just wasn't enjoying it; Not my type of music. I preferred the first half of the album; the big-band stuff, and the ragtime style.

Listens: 5 Standout Tracks: Changes, Supernaut Second Black Sabbath album on the List. Definitely not as good as Paranoid, but still an great entry. This album has a lot of highs and lows in it; by that I mean not the quality of the songs but rather, some very heavy metal forward tracks and then some super chill ones that I would say are more in the realm of just being classic rock songs. Changes in particular is so mellow compared to like, Iron Man or War Pigs. It's more in line with how Paranoid sounds. Unlike, Paranoid, there aren't as many standout tracks for me, despite 5 listens. The album goes by fast, and is easy to listen to in a variety of settings: biking to and from work, at work, in the evening getting ready for bed. Just put it on and let it ride for 42 minutes.

Listens: 3? Standout tracks: Phaedra (2018 remix) For a period of time, I got really into the idea of lucid dreaming. I used to try the WILD method, where you let your body physically fall asleep while you keep your mind awake. Not an easy feat, because you can't move around at all, and there's a strong sensation to do so. Anyways, to aid in this approach I downloaded a pack of Isochronic Tones, which are among the nebulous claims of spiritual healing, charkha balancing and such nonsense pseudoscience BS, are supposed to help get your mind into a particular sleep state, as well as the added bonus of helping block out other external stimuli. Some of those Isochronic tones basically sound like these tracks, except they was more monotonous and there was way more brown/pink/white noise, and lots of droning sounds. That's the first thing that comes to mind when I listen to this album. The second thing that comes to mind is this album or maybe just all of Tangerine Dreams' albums potentially being a precursor to some of the work guitarist John Frusciante did on his solo albums in the 2000s: A Sphere In The Heart Of Silence (Sphere) with Josh Klinghoffer, Shadows Collide With People (Negative 00 Ghost 27 and Failure33Object). If you like this music, you might really like those songs too. A third thought that occurred to me during an additional listen is possibly just how prolific, not necessarily any of these songs or this album, but this kind of music is in setting the mood in a movie or TV series. I am reminded of series like Netflix's Dark and other moody dramas, that employ a lot of the elements found in these songs. I enjoyed this album. I enjoyed it enough to listen to it, like, 3 times in a 24 hour period, that being said, it's way to fucking long. I wish I could have listened to the non-deluxe version that wasn't 2.5 hours long. If this album was 55, 70 or maybe even 90 minutes long, it would be even more enjoyable.

Listens: 4 Standout Tracks: It's Not Up To You, Frosti I think this album was fine, but I probably listened too it one too many times. By the end of the day, on the last listen, I was basically really for the album to end about 20 minutes in. Its pretty long, clocking in a 55 minutes for 12 songs. No prior experience with Björk, so don't really have anything to compare per se. Closest artist for me would be someone like Imogen Heap maybe? Grimes comes to mind, with the vocal layering and electronic beats and whatnot but that's basically it. I really liked the track Frosti. Instrumental and short and sweet.

Listens: 2 Standout Tracks: Sara, Sisters of the Moon I've never listened to Fleetwood Mac before in album form. Probably heard several tracks on the radio, but never listened to their albums. Strangely however, I saw them in concert in 2013, in Boston, with my dad and sister. Not really knowing them or any of their music, I had a hard time keeping my eyes open (man, is that a boring, depressing thing to write down or what?) during the concert. Anyways, this album, like so many others on the List for me is just fine. Not terrible, not amazing. Some good songs: Sisters of the Moon and Sara stood out to me. Incidentally, those are both songs written and performed by Stevie Nicks. She has a nice voice. What I tend not to like on this album were the country-like songs. Still haven't ever really acquired a taste for any country music so far while listening to albums from the List. I would have liked to listen to this album one or two more times before rating, because I think it could be a 4 for me if I gave the music some time to sink in. My listening ritual was interrupted last night, and so what normally would have been at least three listens turned into two.

Listens: 3.5 Standout tracks: Angel Of Death, Criminally Insane, Raining Blood First foray into the thrash metal genre. Seems like a good choice for demonstrating the genre. I can definitely understand the controversy around making a song about the Holocaust. It's a fine line between singing about it and singing about it critically. It's especially tough in 2025. The old adage is true: If you have 11 people and 1 Nazi around a table sharing dinner, you have 12 Nazis. The song isn't an outright criticism of what happened in concentration camps; romanticism is definitely too strong of a word, but like, it's not too far off either. Let's call it an interpretation. To be clear, these guys aren't Nazis and the song isn't xenophobic, but it's a complicated issue. With the exception of outright hate speech, people should be able to sing about whatever they want. If you don't like it, don't listen. Criminally Insane for me is the actual standout tracks. It has some semblance of a guitar hook and was just overall enjoyable. Great subject matter :) I also love the album art. It's weird that the band didn't like it at first. I don't think this is a genre of metal I'll be listening to on the regular, but I did appreciate hearing it.

Listens: 3 Standout tracks: Emily, Bear and Monkey Well this is certainly unique and off the beaten trail from what you normally get from the List. "Baroque Showtunes" , with a orchestral quality, steeped in heavy metaphoric, symbolic, poem-style lyrics, with a great use of harp and other string instruments. It's wild this was produced in 2006. I really liked this. It's clear Joanna really poured her soul into this album. I enjoy how her voice squeaks or cracks at the high notes and beginnings of stanzas. There's something about the quality of her voice that I cant quite place, someone she sounds like (or someone who sounds like her).

Listens: 3 Standout Tracks: Son of a Preacher Man, The Windmill of Your Mind Second Dusty Springfield on the List: I enjoyed this a lot more than "A Girl Called Dusty". Immediately recognized the intro of Son of a Preacher Man as having been sampled by Cypress Hill's Hits from the Bong. Double thumbs up there. And the other standout track is The Windmill of Your Mind, which reminds me of Kero One's Windmills Intro, I guess because of the name, but also I just felt the two songs were somehow intertwined, conceptually. Not sure. Anyways, I think this could have been a James Bond Intro song. It's got a cinematic quality. This album was short and sweet and with two good songs and nothing terribly dull or maddening, I am inclined to rate this favorably.

Listens: 3 Standout tracks: Danse Fambeaux, Jump Sturdy, I Walk on Guilded Splinters I enjoyed this. It was weird. I felt like I was witness to a Witch Doctor Vodo ceremony. Otherworldly almost. Danse Fambeaux sounds very old-country (Gypsy music?) - where the old country is the southern bayou Louisiana. Crocker Courtbullion has some weird parts where it sounds like he's calling a cat pst pst pstpstpst pst. Jump Sturdy has great chorus and backing vocals and the lyrics themselves are great.

Listens: 4 Standout Tracks: A Man Needs A Maid, Old Man, The Needle and the Damage Done Second Neil Young Album (technically Neil Young and Crazy Horse). This album is great, but also kind of weird. It has like acoustic compositions juxtaposed with orchestral, cinematic ones. For example, going into Old Man, you've got a pretty down to earth acoustic song and that's immediately followed up by this hugely dramatic gong, chimes/bells and keyboard intro to There's a World. A Man Needs A Maid is similar in this regard; the music itself has an overly-dramatic quality to it. It's a good thing. It really breaks up what could otherwise be a largely acoustic/acoustic-sounding set of songs. I can't decide what to make of A Man Needs A Maid.. Is it sexist to need a maid because you're too much of a mook to take care of yourself? Is it elitist for similar reasons? Or is there some deeper meaning about pitifully being unable to take care of ones self and needing a maid to clean your house and make you dinner? I am not sure. It's still a good song; it makes you think. Alabama is another track I'm not so sure about. Is it political? There's some bits at the end of the song that make me think its a criticism of the state for... well, lets just say the state isn't winning many awards from a societal, economical, public works or educational perspective. "I come to you and see all this ruin / What are you doing Alabama? / You got the rest of the union to help you along" With the last line being an implication that Alabama is part of the United States and it doesn't have to go it alone. But I could just be missing some point entirely. I am not generally familiar with the state.

Listens: 3 Standout Tracks: Brooklyn Took It, Da Bichez, You Can't Stop The Prophet Produced by DJ Premier == Double Thumbs Up! It's very clear his influence on the album, you can hear this in the sampling style on all of the tracks. You Can't Stop The Prophet sounds like a proto-superhero rap song, something you'd here from MF Doom or more recently Czar Face. Love it. I get a kick out of Damaga calling women bitches for almost 4 minutes and then in the middle of the track he has the balls to say explicitly that he's not misogynistic. LOL, like I get it, to differentiate "Queens" from "Bitches" but, come on. Being misogynistic against only one "category" of women is still in fact misogynistic. It doesn't change my attitude that the song is excellent in all regards, especially paired with the the jazz trumpet/sax sample. Overall, this aligns with my enjoyment of rap and hip-hop from the 1990s. I found it appealing in the same way I enjoy Gang Starr, Notorious BIG, Wu Tang and other albums that came out of the 90s. And then from the west coast, Del The Funky Homosapien. Also Mos Def's Black on Both Sides, specifically his love for Brooklyn.

Listens: A LOT (20+ listens, 430+ song scrobbles) Standout Tracks: 2+2=5, Sail To The Moon, Where I End And You Begin, We Suck Young Blood, There, There, A Punchup at a Wedding I have listened to this album somewhere in the range of 20-30 times according to Last FM, and more recently a Maloja container I've been running in Docker. Look it up; its basically a locally-hosted Last FM deployment, but more simplistic. But I digress. When I first started listening to Radiohead, this album didn't even register on my radar. I was all about In Rainbows and OK Computer. Jigsaw Falling Into Places, Karma Police and especially Climbing Up The Walls are some of my favorite Radiohead songs and perhaps some of my favorite songs of all times. As I explored their extensive catalog, I got into The Bends (which is the first entry of my 1001 Albums Journey) and A Moon Shaped Pool before discovering Hail To The Thief. It was only in the last ~12 months that I tried out this album, and damn does it hit hard. I am hard-pressed to name a bad song on this album. Some are more forgettable than others, but not a single one is skippable or un-listenable. This album isn't quite the perfection that is OK Computer, but its in my top 3 I think. If I had to pick favorites, it would probably be We Suck Young Blood; Such a haunting, creepy tune, and There, There which has a killer, trippy third "verse" where they really go ham on the instrumentation. But honestly, this album is just full of bangers, and its one of the easiest 5-stars (so far) I will give out during this journey. And just recently, Radiohead released a live version of this album, a live recording of each song on the album put together in the same order as the studio album, so I've been listening to that as well.