"Trouble" is the stand-out track for me. The piano is hauntingly beautiful. The song is excellent for reasons that I am not able to fully articulate. Yellow is also great, but its hardly new or exciting for me. It has over 2B listens on Youtube Music alone. You'd have to have been living under a rock for the past 20+ years to have not heard it. Spies also started to grow on me over the course of the day and multiple listens. Overall the album is quite excellent for a debut/freshman album from the band. The songs flow together really well. My one critique is that there's really no songs that bump up the tempo or ever really get more aggressive in their approach to music making. What I mean is that there's nothing to punctuate the slow, mellow songs; there's never any sense of building and building and building until release, and so while the music is quite enjoyable, I could see the replay value decreasing over time due to the lack of variety in the songs. My comparison would be to that of Radiohead, where they punctuate their slow mellow songs with aggressive upbeat shredding songs to improve the variety of the music. I never got all of the hate for Coldplay. Probably just being overplayed? Or maybe it just fun to hate on them in the same way it's fun to hate on Nickelback?

This album slaps. It was probably my second introduction to the band after hearing In Rainbows and it's something I keep going back to. The intro to The Bends where you can hear some TV nonsense in the background is for some reason enjoyable to try to catch. I also like the album cover. Its like... robotic or cyborg-ish, with feelings of elation or bliss, given the entity's expression.

Seems very much so a product of its time. Dusty really knows how to belt out those songs. Loud, prominent pipes coming from her. Proper singing. I wouldn't have known this on my own, but apparently a bunch of the songs she sang are covers. I am not particularly a fan. This is not something I'd listen to... ever, had I not been participating in the 1001 albums experience, but I cannot say the music is bad or undeserving of recognition.

"Trouble" is the stand-out track for me. The piano is hauntingly beautiful. The song is excellent for reasons that I am not able to fully articulate. Yellow is also great, but its hardly new or exciting for me. It has over 2B listens on Youtube Music alone. You'd have to have been living under a rock for the past 20+ years to have not heard it. Spies also started to grow on me over the course of the day and multiple listens. Overall the album is quite excellent for a debut/freshman album from the band. The songs flow together really well. My one critique is that there's really no songs that bump up the tempo or ever really get more aggressive in their approach to music making. What I mean is that there's nothing to punctuate the slow, mellow songs; there's never any sense of building and building and building until release, and so while the music is quite enjoyable, I could see the replay value decreasing over time due to the lack of variety in the songs. My comparison would be to that of Radiohead, where they punctuate their slow mellow songs with aggressive upbeat shredding songs to improve the variety of the music. I never got all of the hate for Coldplay. Probably just being overplayed? Or maybe it just fun to hate on them in the same way it's fun to hate on Nickelback?

The music is pretty stripped down. The expected rock instruments are all there, but they are subtle and not always pronounced.The lyrics are mostly simple and not as subversive and I was led to believe they might be based on the description of the band on YouTube Music. The Murder Mystery stands out to me because WTF IS GOING ON on this track. Two different sets of lyrics happening on the same track, one in each ear. Wild.

I've listened to this album dozens of times even before participating in the 1001 albums... The range of different styles and variety of sounds Meg and Jack can make is, quite frankly, astounding. Blue Orchid opens the album so aggressively; every time I hear those first few seconds I get so hyped up, and then the next song, The Nurse shifts gears and is using a marimba or some other type of xylophon, and feels... Tropical almost. I think my favorite song(s) though are Passive Manipulation and Take Take Take. Especially TTT, where you have this escalating scenario of Jack's "needs" and expectations when he meets Rita Hayworth. He can't get enough and boils down the entire experience to one word.TAKE.

This is probably the only Prodigy album I've listened to. It's mandatory listening for someone who's into early electronica or experiencing electronica's roots. Diesel Power features Kool Keith which is pretty sweet. My favorite song used to be Smack My Bitch Up until a coworker said something dreadful to me: that the entire song only consists of two sentences. "Smack my bitch up. Change my pitch up." Something about that dawning on me ruined the song for a while. It's still really damn good though. The whole album is. 3.5

James Brown sure knows how to whip up the crowd. Honestly, the crowd sort of makes the album for me, in the same way that most people listen to live Grateful Dead rather than their studio albums. It add a whole new dimension to the experience. As for the music. Seems perfectly fine. I have virtually no experience with the Soul or Funk genres (yet) and so as far as first experiences go, the experience was not amazing, but it wasn't awful either. I listened to the album several times, since it was so short. I also opted to listen to the extended/expanded edition, with about 10 more minutes of music. The stand out songs for me are Lose Someone > Medley: Please Please Please, but that's really only because the entire audience is going absolutely wild.

Longggggg album. Could realistically only listen once throughout the day. Loved what I heard. Couldn't speak to any specific song, though I'm pretty sure I heard some tunes that have since been used in rap/hip hop beats. That wouldn't surprise me at all. It's weird. I know that this is largely "Jazz" music, but it's not what I have in my mind (for at least some of the music) when I think of jazz. Something faster with a lot more brass, bass and rhythm. nonetheless, the music is remarkable.

A solid entry. I'm glad I listened. 2.5 listens. Stand out track for me is A Place Called Home. The tunes with Thom Yorke in the are also quite good. Specifically the vocal layering in The Mess We're In is an interesting decision. I definitely hear some Patti Smith in there but I also don't have a ton of experience with any of Patti's music.

I've never actually listened to Exodus in album format before, but I've heard a number of the songs. The music is largely chill. Something to put on while lounging or relaxing.Exodus, Three Little Birds and Jammin are timeless classics now. It also seems like some of the songs appear on Legends so they are otherwise familiar that way too.

Stand out tracks: Duncan, Hobo Blues and Paranoia Blues (both versions) Listens: at least 4 I really enjoy the wind instruments in Duncan. Similarly, the string instruments in Hobo Blues. It's a short and sweet little ditty. The best ones are.

Standout tracks: none. Listens: 2 No particularly noteworthy songs, but on the second listen-through, the music did click a bit more than the first time. I can understand why the album is on the 1001 albums list. Some of the tracks get pretty psychedelic. I do always appreciate when the listener gets those "behind-the-scenes" bits of dialog or noise or chatter before, during or after the song has concluded; they bring the process to life. It's a person recording these songs, talking with the sound engineer. Talking with their bandmates, figuring out what song to play next -- that they've run out of tape, etc. The "why" behind the album and the context leading up to the album being recorded were interesting, to say the least. There is a certain melancholy-ness to the music, and an exhausted nature to the artist. There's nothing upbeat about any of the tracks.

Tedious, repetitive. There are maybe a few tracks that are okay. It's the kind of music that I might put on if the purpose isn't to listen to music, but rather while I'm doing something else; Playing a game (that doesn't have a good soundtrack). Cleaning the house. Doing laundry. Whatever...

Listens: 2 Stand out tracks: Gods Of War, Pour Some Sugar On Me Not a fan of 80 classic rock hair bands. I can't really discern qualities between most tracks. It's all heavy guitar and strong drums. Pour Some Sugar On Me has transcended time to be one of their (or at least to me) recognizable tracks. I can't deny it as a piece of music; even one that I enjoy, despite categorically loathing most of the 80s rock, electric guitar-heavy genre.

Listens: 3 Stand out tracks: Happiness, Road to Somewhere. Happiness sounds suspiciously like a Beatles song, but I couldn't find a track with that title. Some comments on YTM suggested that Paul McCartney would be jealous or ... Whatever. Regardless, the song is enjoyable. Road to Somewhere on the other hand sounds like it could be a wound down version or cover version of an Audioslave track. Also great.

Listens: 3 Stand out tracks: El Condor Pasa (If I Could), Cecilia

Listens: 3 Standout tracks: You ain't the Problem, Rolling, Final Days Fantastic. Wow. I'm not sure how I've never heard of Michael Kiwanuka before.

Listens: 2 Stand Out tracks: And I love Her, Can't Buy Me Love Possibly controversial, but early Beatles just aren't as good as their genre shift to psychedelic rock in the latter half of the decade. Some of the tracks are timeless, but most of if not all of the tracks seem to be dealing with some love affair/interest or affection towards a woman or women and the dynamics of relationships with those women. There's virtually no controversial opinions or political views expressed. The lyrics are simple and often repetitive.

Listens: 1 Stand out tracks: Vaguely Christian or at least religious. Mention of halos, angels, the lord, miracles, gospel and other religious influences. Not particularly interested in Christian or pseudo-Christian rock. The psychedelic influences however, are interesting. They elevate the quality of the music, distinguishing the band from otherwise being another typical grunge rock band of the 90s. The use of... I'm not sure if there's an organ, harpsichord or a sitar involved, as well as hand cymbals evoke other influences like the Beatles later work or the early Dead.

Listens: 1 The album felt pretty bland, monotonous from a music perspective. I didn't really focus on the lyrics too much. Has that one song that's been used in car commercials for the past 2 decades. I don't know how I feel about the fact that Damon Albarn went on to form the Gorillaz after this. The Gorillaz are generally fantastic. Maybe I need to give the album another more detailed listen.

Listens: 2 Stand out tracks: The Haunting Idle 80s vibes. A few tracks has vocals that sounded like Bob Dylan. I enjoyed the transition from The Haunting Idle to Burning. Atmospheric, moody qualities.

Listens: 2 Stand out tracks: Raising Hell, Proud To Be Black This album has so many famous tracks. The "Walk This Way" collab with Aerosmith was, I think, unprecedented at the time. Lots of guitar riffs paired with rap lyrics are also unique.

Listens: 1 Stand out tracks: Rent (though not in a good way) Not a fan at all.

Listens: 3 Stand out tracks: Praying for Time, Freedom! '90 Good variety of music styles in the tracks. This is not something I'd go out of my way to listen to, but I enjoyed the opportunity to hear it and was impressed by the music and lyrics.

Listens: 2 Standout tracks: Our Private Lives Very twangy. Some of the tracks almost had a pseudo-Hawaiian quality to them, like as if they are something you'd hear in a spoof/stereotypical Hawaiian scene in a movie, or cartoon. Not for me.

Listens: 2.5 Stand out tracks: Living for the City, Higher Ground Chef's Kiss. 3.5

Listens: 1 Stand out tracks: We Will Fall. Ram Jai, Jai Ram! We Will Fall is pretty weird. I don't understand the lyrics or the chant itself, but there's some pretty wild guitar playing on the over 10 minute long track. Cursory research at least partially suggests that it's filler content, considering the album would be only ~25 minutes otherwise. I don't know if the track fits on the album or not. This is the first time I've ever heard a Stooges song, let alone an entire album, but I dig it. I also enjoy the vocalist (frontman?) screaming his voice into nothingness at the end of 1969.

Listens: 1 (and countless others outside of this review) Standout tracks: From the Ritz to The Rubble. I love this album. Not a perfect five, but still excellent.

Listens: 4 and an increasing amount since hearing it. First, I didn't have an opportunity to give a proper review of the album when I first listened to it. Second, the album has really grown on me. I've listened to it a handful of times since I first heard it and I find myself coming back to it now with somewhat regularly. I fucking love the organs (I think they are organs) in Close To The Edge part III: I Get Up I Get Down. I love how the music shifts seamlessly between each part of the 18+ minute song. 3.5/5

Listens: 1 I do not much care for or understand the popularity of Taylor Swift, but I do recognize that she is both a cultural phenomenon and wildly popular. The subject matter of the songs on this album is not something I am interested in. The music is largely synthetic, which, while I do not inherently have any issues with (being an enjoyer of all manner of the electronica genre), I imagine she did not solely create. This may be a disingenuous criticism though, because I imagine Lorde or Lana Del Ray also fall into this category of working with producers to create melodies, and I enjoy some of their music. I may just need to listen to the album a few more times before really casting any further judgement.

Listens: 3 Standout tracks: Burnt Alive This seems like pretty standard affair for a Punk album. I have not much to compare it to. I have never heard of Rocket From The Crypt before and I suppose I won't hear from them again unless they have another album in the 1001 albums list. If I were to speculate, I would say that the music itself pulls in influence from the grunge scene, which was occurring in the 90s, as there are a mix of traditional "Punk-y" songs mixed in with some actual singing. It's not excessively thrasher music.

Listens: 2 Standout Tracks: Mother Mother is pretty uh, interesting. I wonder what the thought process is to come up with a song like that.

Listens: 1.5 Standout tracks: Zuton Fever Musically, this album is all over the place. Sometimes it sounds like the Strokes or Arctic Monkeys, sometimes it sounds slightly country. The trumpets or.horn instruments remind me of Cake. After listening to Zuton Fever I was kind of excited that the rest of the album would have that same level of energy but it doesn't quite land for some of the songs. The album is ok. I might listen to it again in the future.

Listens: 3 Standout tracks: Smash It Up Machine Gun Etiquette is a dope album name, regardless of how I feel about the music.

Listens: Dozens Standout tracks: Under The Bridge, Apache Rose Peacock, I Could Have Lied, others. The Red Hot Chili Peppers were one of the first bands I really recall experiencing on my own volition. Before that, it would be listening to classic rock and pop on the radio with my parents. Granted I started out with By The Way in the 2000s; I then quickly moved on to Californication and then eventually Blood Sugar Sex Magik (and beyond). This album has the right amount bass, funky beats, good lyrics, explicit content and highly memorable songs and melodies on it. It's not a 5, but it's still excellent.

Listens: 3 or 4 Standout tracks: Suspended in Gaffa Early impressions are that this album or Kate Bush in general could be an influence for someone like Grimes or the genre that someone like Grimes falls into. I'm getting major baby/angel pop vibes from a few songs. There's a lot of vocal layering, high pitched shrill, growling-like and other voice manipulation involved. There's also plenty of traditional rock elements, and musical elements found in 80s British rock. It's not clear if the lower, deeper backing vocals are another person or just more vocal layering. There a weird clacking sound in Suspended in Gaffa that keeps faking me out. Did a double take when I heard it the first couple of times. Sounded like there was someone knocking on the wall. This album is the right amount of weird and I am onboard with it.

Listens: 2 Stand out tracks: none Largely unremarkable. Not particularly good, but not offensive to the ears. 2.5

Listens: 4 or 5 Standout tracks: In My Place, The Scientist, A Rush Of Blood To The Head. And let's be honest, even with all the hate for the band, Clocks is also wildly catchy. ... A second Cold Play album on the 1001 albums list eh? And hearing them both within a month or so of each other... Ok. Anyways, not as good as Parachutes, but still some good tracks. It's crazy how many of the songs I have absorbed through osmosis over the past 20 plus years, despite never once seeking out and listening to the band on my own accord. Quite the feat. I seem to have a thing for adult alternative rock music.

Listens: 2 Standout tracks: none It is refreshing to listen to an entirely instrumental while churning through the 1001 albums list. I think this is one of the only instrumental albums I've heard so far. There is a bit of scatting on one of the tracks towards the end, but otherwise, no singing. The music itself is fine. I don't think its something I am going to listen to long term, but its still enjoyable.

Listens: 3 Standout tracks: The Girl From Ipanema Reminds me of Bitter:Sweet and Thievery Corporation, with a big emphasis brass instrument and R&B.

Listens: 1 Stand out tracks: Love is Blindness, Mysterious Way Besides their iPod collaboration, a super cut of George W Bush "singing" Sunday Bloody Sunday and South Park making fun of Bono, I honestly forgot U2 existed. The album is cromulent. It isn't offensive. It's not mind-blowingly good. It's boring and normal rock music. Unlike the description of the album, I'm not hearing any of the genre qualities being described: industrial, electronic dance. Alternative, sure, I guess. A few of the songs are catchy.

Listens: 4 or 5 Standout tracks: Queer, Only Happy When It Rains, Milk Honestly, a lot better than I thought it was going to be. It's not Smashing Pumpkins good, but its been a lot better than a lot of the other grunge that's come my way as part of the 1001 albums list. 3.5 stars.

Listens: 1 Standout tracks: Tutti-Frutti (obviously), Ready Teddy Proper rock and roll. It's too bad I think virtually all of the songs sound the same. There's obviously a little nuance, but it's pretty consistently the same material. Also, crazy short album; not ever 30 minutes of material. I'm also pretty sure my father took me to see Little Richard in the summer of 1998, and the only thing I distinctly remember is him telling the crowd to "Shut up"... That's his schick, apparently. 3.5

Listens: 2-3 Standout Tracks: Behind the Wheel I have conflicting opinions about this album/band. On the one hand uggggh 80s New Wave is blah; it seems so stereotypical of the era, but on the other hand, the album is growing on me; I am finding myself enjoying it, and I am not sure why. Perhaps its like an accident on the highway. You can't look away. This music is not where my brain goes when I think about or want to listen to Electronic music. 3

Listens: 2 Standout tracks: Slum King The first few tracks have good break beat vibes. Break beat, as a genre, is not something I encounter very often. Good beats. The composition of the album is familiar. MJ Cole producing the tracks with loads of different guest artists providing vocals, samples and skits, though there's not loads of different guests on this album. Feels like proto-dubstep in a way, specifically Rusko or Caspa. The deluxe version is the only available version in YouTube Music, and so I probably listened to variations of some of the songs multiple times. The experience started off good, but it eventually got incredibly repetitive.

Listens: 3 Standout tracks: Where is my mind?, Oh My Golly!, Bone Machine I've tried to listen to this album for a long time, but its never clicked over the disparate times over the years. Finally forcing myself to listen to it, holy shit is it clicking now. I hear Modest Mouse, Nirvana, Smashing Pumpkins, all bleeding through this album. I will also never get tired of Where Is my mind? Fight Club ending! The renditions of it in The Leftovers. Damn.

Listens: 3 Standout Tracks: Why Does Love Got To Be So Sad?, Little Wing, Layla There are some real bangers on this album.

Listens: 1 Standout Tracks: Holocaust, Big Black Car This is my second Big Star album. The music is significantly darker, more moody and atmospheric. It starts off innocuous enough, but by Big Black Car, the music starts to slow down and become a bit more prodding and emotional. Holocaust is especially dark, both the lyrics and the music. I gave "#1 Record" 3 stars and unfortunately didn't elaborate on why at all. I don't think this album is 4 stars despite being better than their debut album, so I am going to have to bring "#1 Record" down to 2, and put this to 3.

Listens: 5 Standout Tracks: Irganda, Wayei, Petit Metier So far, I can't understand anything they're saying (and I don't imagine that's going to change much), and YTM isn't showing any lyrics, but the beats can't be denied! They're hoppin'. Major "Irish jig" qualities to the music. Some of the songs remind me of the Dropkick Murphys. Wow, the album is excellent. 4

Listens: 3 Standout Tracks: Metronomic Underground I love the track names; bizarre and totally out there. The music is good, the lyrics less so. For several tracks, there's not so much singing as there is stating the same few phrases over and over again. Its inherently repetitive. The music is keeping the album afloat though. Its a good fusion of electronica, guitar rock, jazz, funk and some other stuff that I can't quantify. 3.5

Listens: 1.5 Standout tracks: None Nothing particularly exciting for me.

Listens: 3-4 Standout tracks: Hey Hey, My My and My My Hey Hey The premise of "rust never sleeps" is an insightful one; something we should all keep in mind. You gotta keep moving lest we become complacent in the things we do.