I'd always been put off by his guest appearances, where he's always gentle, maybe a bit mopey. But left to do his own thing, it's way more jittery and weird than I thought it'd be and really interesting.
It was nice. Felt like a more modern twist on old chanson stuff. Not an all timer, but very pleasant. Wish I could understand more of the lyrics to hear of it has the wit of a Brel or a Gainsbourg.
Oooh I'd been meaning to do Freddie Gibbs for a while, so cheers to whoever put this in. Great beats, stacked with guests, I really enjoyed it end to end.
Honestly, I thought this was probably getting three stars and I'd move on... But it actually slaps. I've got nostalgia for a couple of tracks, but the whole thing is great. I'm almost thinking grime moved backwards the second time round, cos this has so much more FUN.
Lovely, atmospheric and bleak. I mean it's also got East Hastings, which thanks to 28 Days Later we know is up there with Goblin as the perfect soundtrack to a zombie apocalypse!
I really enjoyed this. Kraftwerk and Neu but something bouncier. I reckon I’ll end up buying it.
I've always avoided this band because their name is so cloyingly annoying. I wasn't right to. But I wasn't necessarily wrong either. It's a sort of scuzzed out psych-garage rock, but performed by incredibly accomplished musicians.
On a record it sounds... Very technically proficient but a little dry. But I can absolutely imagine that these would come alive if you saw them live. So I can't rate it highly, but I think I now see their appeal.
One of the most underrated bands ever. This is a solid, rather than life changing entry in their canon, but still has all of the wit, fun and heartbreak you'd expect. A little too obsessed with a particular acoustic guitar sound, but still zips by and makes you smile with it's unexpected lines... "You don't name a boat Titanic 2"
Dan Auberbach is the master of spending a small fortune to make something sound like it was authentically recorded badly in 1964, isn't he?
Beautiful voice, lovely melodies, but the production left me very cold. I'll definitely listen to more from the artist, but I want to hear how she sounds when not forced to perform through pretentiously vintage kit!
So, I woke up with a stinking hangover and a long journey ahead of me this morning. Seeing this as my selection for the day, my heart sank. What in the easy listening is this?
But then I put it on, and the soothing sounds of Tijuana Brass were like a salve to my aching head and soul. A lovely mix of jaunty and relaxed brass is sometimes exactly what you need, and this was very much the right album at the right time.
Well, it's not even the best Eels album but it's so laden with nostalgia and great songs that it was a joy to go back to!
It sounds like a great local 'scene' band, rather than a life changer. Solid stuff though.
Look, you can't argue with the genius/pretentiousness of an album of songs based on the stories of Edgar Allan Poe. Sadly, 2023 Eurovision geniuses Salena and TEYA outdid Alan Parsons with their absolute banger, "Who the Hell is Edgar?"
Distractions aside, this is probably the best Alan Parsons album. Gleefully camp while incredibly performed.
I enjoyed this far more than I expected to. It goes from rocking hard, to incredibly horrible and bleak, to completely stupid at a whiplash pace. Their bassist is hugely underrated - that filthy funk underneath everything makes the songs more than a 7 string dirge.
In short, it's ace.
It's a bit edgelordy, which leaves it feeling more than a little dated. But the clear Sabbath influence and a weird Isley Brothers cover means I didn't go away from this completely cold.
This was really quite enjoyable. A template for a less irritating RHCP, with more metal bite and more Rakim/Chuck D style rapping. Great fun!
How was this not on the actual 1001? I mean, that's about all I have to say on this. You could bin Kid Rock, The Waterboys or one of the ever present Elvis Costello albums and have some dubby perfection instead!
Yeah, this is great fun. I only knew the obvious track, but it turns out it was surrounded by a very solid soul album!
Not for me. This sort of bluesy rock always sounds the same to me and I've heard it enough for one lifetime already.
Of the 'imperial' phase of Vampire Weekend's first three albums, this is the least brilliant. That's about the worst you can say about it. You don't have the shock of the new (with apologies to Paul Simon) of the debut, or the Rostam led electronic swirl of Modern Vampires, this is a transition between the two.
That said, it's still getting all the stars. A fantastic album by a fantastic band - I still love them now they're in their goofy dad era!
I really enjoyed this! It sounds like nothing else I've heard doing this and felt really interesting. Loads of variety and while my Norwegian is non existent it sounded interesting, and a Wikipedia search shows it was!!!
It's a bit derivative - old psych repackaged. It's done well though, and one track sounded like if Nine Inch Nails had formed in San Francisco in 1967, which was a fun experiment. A mixed bag.
This is actually a masterpiece. It's made me respect some artists who came out afterwards less, because this may actually be the best version of the thing. And I'd never heard it before. I'm gutted that this is the end of this band... I'd have devoured more of this.
It's really nice but also kind of so nice it just washes over you. I liked it but didn't love it.
Better than I expected, but I have an instinctive aversion to 80s production!
Not for me. I like some ambient/EDM type stuff, but in it's attempts at beauty it strived for, it ended up closer to budget videogame music, or classy hold music for a firm swinging and missing at youth.
It was quirky, but the good sort of quirks, not the oh god jam knitting needles in my ears quirky. Left field, folky but without being annoying, heartfelt. This was a lovely new one on me.
Do I save myself time and just give this five stars straight away?
I didn't. It's half an hour and six songs long. And three of them are all time greats. The rest are merely good songs, but you can't argue with an album this charming.
It contains two all time great songs. And while it's not my culture, it feels so culturally important I'm shocked realising this wasn't on the original list.
I feel like this is one of those musicians where I'd love the person, but the music comes out a bit plain despite the interesting ideas and great influences. Similar to Shack or (British) Sea Power. I didn't dislike anything, but didn't get beyond "Hmm, that was quite good".
It's absolutely not a genre I go for (music that sounds like it was made in a small hut miles away from the nearest town) but this album is so much wonkier and more abrasive than records of this type that it held my attention far better than I'd have expected.
I'm here for more B-52s. Glad someone corrected the fact we didn't have both great albums on the list.
I'm not a fan of a live album at the best of times... And here it sounds like the soundman actively hates them. The vocal and drum mixes are an actual hatecrime, and the guitar is more overbearing than some of the parents on my school run.
A crying shame, as it sounds like some of the songs will be atmospheric and cool, done properly. I'm giving a low score, but will listen to more of their stuff!
It's another transitory album. While a dead man couldn't argue with the 1-2 of Sweatpants and 3005, for some of the rest the album tries bold swings which don't always connect - Chance and Donald on the same track should've soared! This sounds critical, but honestly, this is why it's merely great and not all time.
It's absolutely not a genre for me. Very technically competent, well produced, tuneful Americana.
Love albums remain meh for me... But Bruce Springsteen is one of the greatest live artists of all time. It's still not the studio albums, but I can appreciate that it would've been great to be at. Just, I wasn't, so it's never going to be a thing I come back to (I saw him a year ago. It is as amazing as you'd hope.)
Like the other one. If Bruce Springsteen got deeply into Prozac and numbness it'd sound like this. So a deflated Boss, in short. I see the appeal, in today's awful world, but it's not for me.
It's very chilled and atmospheric. A bit too ambient for me, but definitely beautiful.
Good enough weirdo psych rock. Not my thing, but well executed.
This was a wonderful surprise of an album. Gentle, atmospheric and really beautiful. Will be listening again!
Yep, another "how was this not on the main list?" type of album. Punchy, political punk that because of my age, immediately makes me think of playing Tony Hawk on Playstation...
I knew this album already. Gorgeously off kilter oddness, nobody else sounds like this, and some of the best bass playing ever.
It's so far outside what I personally like, but I do remember a lot of people loving them in my youth. With an objective eye, I totally get it now. Not for me, but clearly great.
Wow! This is way more varied than I expected, and really good fun. Punky at points, ballady chill at others. Another lovely surprise I'll definitely come back to.
It's not without merit, as 'edgy' hard rock goes, but it feels a bit like Laibach bought from Temu? The none more 80s production doesn't help ..
Okay, it starts disappointingly. I thought it was going to be one of those very dry "quiet, nice" albums from the early nights, to be filed with Turin Brakes, Starsailor and other such bland and forgettable pap.
But as it goes on, it gradually gets more and more interesting, deep and experimental and becomes really quite brilliant!
It's got all the elements I should like. It's spiky, difficult, female fronted and raw. But I feel like it just happened to me rather than giving me anything to hold on to.
I really enjoyed this one! Very late 20th, just as everyone was working out which genres hadn't met others, but done well, and electroteutonicfolk was a good blend.
If this albums thing has taught me anything, it's that Americana does nothing for.me, I'm afraid.
Anyone who had to live through the noughties can still have their PTSD triggered by this sort of bland landfill indie. There's a road in China paved with the remaindered CDs of this dreck, and even then, the road feels bland and predictable.
It's about the fourth best Mogwai album. But it'd get five stars for Like Herod alone. Can't believe this is the first time Mogwai has come up. Feel like spending the next few years redoing all 1001 plus albums to add a few more!
Nice. Not a life changer for me, but a very pleasant listen.
So many of these songs start hard, like these songs rule... But then run two minutes too long. Can't be too mad, it's got three classics on there.
I tried the crane wife years ago and just didn't get it. I think this is successfully my 'in'. I found it more muscular and compelling and I really enjoyed it's slightly OTT pleasures. Sprawling concept album yes please!
Coming in with an open mind. I only know Jimmy Buffett as a punchline in Yank comedy... I can see why. But it has a degree of charm and invention that elevates it... He's a good lyricist.
I mean five for the nostalgia alone. But I can't believe it was missing from the list anyway?
They have one song and they do it a lot. Thankfully they have the charm to carry it off, within limits.
On the one hand, the 80s synths combined with the outre subject matter is quite fun. On the other, after 40 minutes it feels like 6th form post modern edgelord silliness.
Hmm. There were bits I loved, especially when it went full 70s overblown fun. It was wildly varied as well. For ambition I'd give it five stars. However, none of the songs stuck in my brain or hit me emotionally, so it doesn't quite hit it. It's still glorious, but for me it's just got those final few inches to be five stars.
Very nice. Like the first Bon Iver a bit.
It's not my favourite CG album, but it's a great experiment in making a whole wonky soul album. And some of them are tunes.
An interesting choice. It's from the start of completely artificial pop, and the scene hadn't become completely formulaic at this point, which means this album makes some odd, but delicious choices.
Short, sweet, incredibly 1990s, and good fun.
Nothing that hasn't been said but wildly varied, so much more interesting than a lot of the list and an introduction to some really cool music. Thanks!
Yep. This is mint and skill. Any band that wrote Boogie Wonderland can rest easy knowing they are ALL TIME.
Wow. I was excited for this album at the time, but the electronics and production left me cold and confused by the direction. My ears and heart have now caught up. I listened through nearly three times. The harmonies, the pain, the sheer ambition. Genius.
I couldn't find the appeal myself. Sounds a lot like any other alt-country Americana type thing.
The bot in Barbie where Ken says "I want to play guitar at you". This is what this whole album felt like. Not the joke. The actual experience of an incredibly earnest dude bro doing that while making uncomfortable eye contact the whole time. I can absolutely see why it would be popular, but for me it's my worst nightmare.
After the bland rockism yesterday, this album of breaks that celebrated the rich history of the scene (they probably use every famous breakbeat over the course of this album) while pushing things forward was exactly the shot in the arm and dancing shoes I needed. Absolutely slaps.
I mean I nominated this album so it's only going one way. SUPER!
The best MC to ever do it, some of the most ridiculous sample flips (old Fantastic 4 cartoons and Anita Baker... Go on...) and a sense of fun that belies the razor sharp mind operating beneath it.
I wasn't into this, but it just got more and more enjoyable lyrically, and that made me warm to the slightly OTT dramatics of the music till I really started to enjoy the whole thing a lot. I will be coming back to this one. Intriguing
Nothing blew me away, though there were nice moments, like the duet with Anohni. Solid.
I remember hearing this was an insane, left field turn by the Arctic Monkeys, but it really isn't. It's Alex Turner indulging his love of Scott Walker again and it is good enough, but not any more than that.
An interesting album. But not one that made me feel all that much. The mumbled vocals and distantly mixed instruments almost push you away from emotionally engaging with it. Probably deliberate, but meet me halfway, you know?
Like the Velvet Underground at their most stubborn.
I mean, nothing on it is as brilliant as Mm Mmm Mmm Mmm but it is a brilliantly weird and wonderful album. Incredibly mid 90s. I miss it.
I was listening to this and thinking this is very Super Furry Animals meets Phoenix. I was almost disappointed when I found out they were Welsh!
There are worse influences to have, this is a fun album!
I love the title. The album itself was tight enough, but didn't find a way in with me, which is a shame
This wasn't on the 1001? I'm shocked! It's an amazing album! Such Great Heights is a perfect song
Oh it was great fun. I was disappointed when it wasn't Tale of the Tape, as that has the Big Beat on it, but this still goes balls out fun and mostly hits!
I like the sound of it, but it didn't sustain a whole album. Could have done with more variety.
Well this was fun. There wasn't enough ska punk and now there's some more. A bit of me is hoping that someone from my era had put some Less Than Jake, Reel Big Fish or MU330 on here!!!
Passable emo fun. Loved it lyrically more than musically.
Yeah, it turns out brat summer was six years ago and actually Oil of Every Pearls un-Insides summer and you missed it. Bot this, and Brat are incredible works of complex feminine genius. RIP Sophie
A good replacement for Nick Cave as he drifts to becoming a mediocre talking head for hire.
Someone likes Jonathan Richman! And so I enjoyed this. A lot!
The Blower's Daughter has soundtracked a lot of boring couples' first dances at beige weddings, I reckon. It does kinda blow, so you can't accuse him of false advertising? Cannonball was done better by Little Mix, and still wasn't great.
Ultimately, I feel like Ed Sheeran sanded the rawness of this sound and ruined the 2010s.
Well it's 3c here today and I have a brilliant summer album on.
It opens with one of the greatest songs ever written! The Best Ever Death Metal Band Out Of Denton. I like the Mountain Goats, but I've never really checked this album out.
Essentially more of the same. Lo fi storytelling loveliness
I get that the plod of the thing gets across the heavy emotions and such, but this album tired me more than anything else.
Wow. I thought this was going to be crap, but now I'm regretting writing it off 20+ years ago. Surprisingly moving, but also capable of being fun, snot nosed pop punk. This was a cut above a lot of the bands that broke in the early oughts.
Didn't know what to make of it at first. Not entirely my thing, but surprisingly stirring in places, if a little overlong
Nice, but nothing that has stuck with me, sadly.
I didn't rate them at the time, and I was wrong. Great drummer. Bags of charm. The singles are good, the more maudlin album tracks are better. While the idiots were distracted by sh!t like the Libertines and Razorlight, these guys were making quietly brilliant music in spite of the scene...
Well that was just very good fun. I always liked Yellow Snow, but it carries on in a fun, surreal, joyous way. One of the better Zappa albums.
Perfectly pleasant. Not a whole lot more than that, a bit too coffee table for me.
An interesting album. Poppy italohousey fun that's at its best when it gets weird and dark.
Oh no. It's a live album. A double disk live album. It's listenable, but a single disc, with all the songs half the length woulve been a lot less of a chore.
Imagine if My Chemical Romance were completely hooked on Outlander. It's that, basically. Very OTT, actually more fun than I expected.
I can hear what the Clash loved so much. It's a bit too polished for me, though there are some nice flourishes. Good but not great.
Metalcore isn't my bag. But it's nice to hear it with a positive, uplifting message, rather than nihilism and darkness.
It just trundled past for me. Nothing offended me, but equally, I remember nothing about it 12 hours on.
Never going to complain about more Roger Waters. But this album isn't great. It's probably how the dullard Dave Gilmore managed to convince people he was as central to the band as it's two geniuses - Waters and Barrett.
It was nice. Upbeat. The electronics were good, his voice wasn't.
This album is too good. Gonky electopunk with a daft sense of humour and energy for days. Any time it gets a bit samey, it'll give you a folky song about frogs or a ska punk banger about a bad tooth to keep you on it. Genuinely one of the best albums of the decade so far. Now gimme all of your freakin Doritos and Fritos.
Trashy, campy fun with solid tunes. I enjoyed it!
It doesn't have Sweet Dreams My LA Ex...
But. It's far better than I expected. With any given pop album I tend to expect 4 singles then dreck and filler. Here, you get Cure sampling oddities, neodisco bangers, and lots more than you'd expect. Don't get me wrong, you could still cut 15 minutes of fat from this, but it's better than it had any right to be.
Oh this was lovely. Big spacey dub that filled my kitchen on a Friday night.
I've said it before and I'll say it again, anything in French sounds cooler.
Whole not quite at the Guided by Voices level, this is an intriguing album that never stays in one place long enough to bore you.
Some funky prog in the first half won me over enough that a rock opera about an inventor from Walthamstow becoming a birdmen was fun, rather than a cautionary warning about overdoing the LSD...
It's all very route one lyrically. Nice music, and I get it was a musical, but it always seems to go for the easiest rhyme, the most obvious statement. Not a bad album, but it felt a bit obvious. Probably suffers from following some prog lunacy yesterday.
Just some good, listenable goth. Lovely bass.
Yeah, so I knew and liked the singles. On the one hand, this is a gorgeously bleak and cold album, with some deft lyricism to match. On the other, it sounds so of the now in its production it'll age like milk. Not really fair as I know The Weeknd was a pioneer of this autotune alienation type sound...
They're incredible musicians. It's funky as hell. But I can't help the feeling they enjoyed themselves more than I did. Great stage banter though!
Wow. I thought they stopped making this stuff in 1989! It's not changing the world, and many bands did it better in hard rocks golden age, but it's great this is still being catered to, and it's done well.
I don't have loads to comment here. I feel like I'll grow to love this on further listens. But at this moment I just like it and can sense it's potential to work it's way into my brain!
The strings elevate this from a good indie album to a great one. Even if they stole one melody line from Sweet Child O Mine.
I didn't know what the Jesus Lizard sounded like. I think because of Mary Chain I thought they were shoegazey. They're actually on the same lines as Fugazi. Brilliant stuff.
Alarmingly short for prog. Best front cover. Very surprised it wasn't on the main list.
The cover has been turned into luxury flats for terrible people.
It's nice, but the folly Americana thing is more than a little played out at this moment in time. At it's best when it wigs out and tries a more interesting angle.
Occasional interesting quirk, but mostly pretty MOR. Was about three tracks in when I realised I'd not paid much attention to it at all
I enjoyed it not my usual thing but it had passion and soul, and that goes a long way!
It's nice, but I feel like this sparse, eerie music works better in his film work. Arrival is beautiful
A subgenre of record in this list I think. Underappreciated 60s psych pop gems. Fuzzy and fun.
I'd have given this a 1 but I'm actually moderately sure Dave Matthews feels the same way about his band as I do. There are touches on here of him seemingly pleading to do something other than this grunge/jam band pop and try something weirder, but it keeps getting squashed down. Somewhere in his mind, there's a really interesting album he's not being allowed to make. #FreeDaveMatthews
Prog but French! You'd think it'd be an automatic 5/5 but sometimes it's comfortable sitting on an idea a touch too long.
It's so fun, and complete filth. I love it.
It was a very pleasant album. Not much stuck with me, but the warmth of the sound.
It's pleasant and nice. I like John Martyn but can't find a route to love.
Sounds like a more affordable version of REM...
It's chill, it's funky, but after a while it became wallpaper. Still enjoyable.
I was surprised this came out as late as 1992. It sounds intensely 80s.
It was delightfully varied, though none of the songs themselves were full marks from me. I've been more bored by better albums!
Another albums m almost certainly put forward by a musician. Incredible technical competence and very few tunes.
It just didn't grab me. She's a talent, I was just a bit bored.
I associate this sort of clap hey folk revivalist shite with modern day nazis and the mentally subnormal who want music like it was before black people. In short, I longed for tinnitus over this.
Unexciting singer songwriter stuff, but I'll save it from one star inogminy, as I feel bad that Ed Sheeran made millions shilling the same bland tripe a few years later.
Like Slayer boned Aphex Twin. Love it
I love Moldy Peaches and Adam Green... But this was the first album where they dialled up the production, and the relative lack of scuzz made it slightly less appealing to me?
Surprised this wasn't on the list... It was the hipster's hipsters album of choice for the longest time. It is a very good album TBF.
It's more they might be giants and it's pretty much exactly what you think you'll get!
Sometimes you get exactly what you expect. Their name is Death. They are metal. It sounds like a metal album by a band called death. Lots of breakdowns.
It's not the most exciting album. Lovely vocals, lovely lyrics... Dull musically
I enjoyed it. I wish I spoke better Spanish and understood it too, but that's my failure! Good mix of hard rock and more traditional Spanish music. Very cool.
It's nostalgic, it's a great sound and it has two classics on it. But it is a victim of CD culture, and gives you a lot of samey filler to fill the disc.
Yeah, I know it's almost SXSW cliche hipster chill nonsense, but it's done so well and so charmingly I can't help but really like this record.
Honestly, their hearts appear to be in the right place, the ingredients are all there, but I can't get my head around why people are so devoted to them. They're a good band. Maybe they're the best right now of a weak pack?
I was giving it a chance, it sounded like budget Phil Collins, but the moment he sang, straight faced "Lavender's blue dilly dilly" they lost me. Well more than lost me, I felt like he should be banned from opening his mouth ever again.
It's definitely at the bleak and cold end of the Cure spectrum, whereas I am more of a pop Cure person... But no band has any right to be this good at it this far into its career. They're at the pipe and slippers end of their career and still turning this out? Fair play.
Has a hyped pop album ever lived up to the hype as well as this? It's pop, but it's savagely skewering pop while loving it, while drawing in the more avant sensibilities of PC music and talking about some really emotionally complex stuff. Anyone who says there aren't any geniuses left these days hasn't heard this with the right ears.
Although it's missing Guess, and the Caroline Polachek version of everything is romantic. I'd want brat and its completely different but also still brat included as part of this.
I was expecting the blandest sort of grunge with a singer who sounds like he needs a laxative to get the 'emotion' out.
Instead I got an album of fun, Prince aping grooves and songs that knew exactly how welcome they'd be for, length wise. Thoroughly enjoyable.
Nothing on this was bad... But equally, I cannot remember a single thing that stuck in my head 12 hours later.
It's good, but far too nice and polite to form a part of my record collection. Clearly made by music lovers, but not necessarily amazing songwriters.
Good enough scuzzy indie.
Well... It wasn't for me. But it was really good, interesting not for me, and deserves credit for that!
I don't miss the indie landfill years. This is marginally better than the dreck of that era, but it wasn't memorable.
Wow, I was surprised at how much they developed. Not in love with the vocals, so good they got Robert Smith in for a bit!!!
Yeah, it really wasn't for me. Very much a jam band.clearly very good musicians though.
Hmm. Overlong, but more interesting than it first appeared... Some good variety and more than a touch of Springsteen.
Nothing more adult to say than sexy Mike Patton is sexy
I like this, the angry, instant Joe Jackson. You can tell he could end up a capital s Songwriter, but this has more immediacy, and takes itself less seriously.
It's a live album. There are some okay bits but it does nowt for me.
It's very nice. Just not overly exciting. Felt a bit like an Air album, which was nice. Might fall in love with it if I used it for afters one night?
A second Marillion album? Whyyyyy
Had this come out a decade prior, I think this band would have had a huge Pitchfork following and would be reissuing albums like this. The additional decade means I've since had a lot of similar albums come and go, but it was very good, grand and sweeping.
Most of this sounds like those terrible live recordings people put on their Insta stories. If you've ever wondered what the Stooges sounded like on a night where the sound man was on ket, recorded on an iPhone... This is the album for you. There is a fun bit of Iggy trolling the crowd.
I give Oasis a lot of (deserved) hate for being boring music. But Teenage Fanclub is Oasis with the few interesting bits sanded off (I realise they came first, but the metaphor is accurate). It's music that happens, and then it's happened.
I mean... It's got some singles, and a sense of fun, but is wildly overproduced and has very little to say. And I've always hated the talky bits on That Don't Impress Me Much.
It is almost exactly what you'd expect Pitchfork to recommend in 2007. That's alright with me!
Far more traditional than I was expecting. I was thinking tool were proggy and technical, this was fairly route one!
JUST REMEMBER ALL CAPS WHEN YOU SPELL THE MAN'S NAME.
RIP DOOM.
This was surprisingly good. The singers voice was a mixed bag, but overall, an enjoyable 40 minutes
Oh it's lovely. Heartbreaking... Lovely too. Making a case for being the best Sufjan album. Not going to lie, had a little cry at Eugene.
Pleasant, but a bit too coffee table fancy chill out for me.
Pleasantly bleak. Like a more metal Mogwai.
Messy but fun. I feel like if I listened to it in the right mood I might fall for it, but I wasn't on that mood yesterday. Take these three stars as a potential future four.
I didn't realise emo sounded like this this early on!? It's not for me, but they were certainly ahead of the curve.
Most bands that say they're influenced by My Bloody Valentine are boring (exception- Mogwai). Where this crosses it with doomy, droney metal, it's anything but. Like a bleak warm bath.
Tres bien. Je connais seulement Plastec Bertrand en la scene de punk francaise, et Les Sherrif sont plus forte.
Second Tool album in a week and this is more what I'd hoped for.
I had the singles of The Distance and I Will Survive as a kid at the time, but never got the album. It's as good as I expected. A unique and lovely thing
Yeah, this was a step up on some of the R&B about these days. Crunchy, light on autotune, interesting I'm there for it!
There are some good moments, and while I shouldn't speak I'll of the dead... It's a bit dull in a Coldplay since 2003 kind of way but dance.
This was a really strangely charming record. The old big band sound with an ambient twist made for something strangely warm and moving.
It's nice to hear modern non-metal prog, and my favourite prog always has a plot and narration, so a win all round!
It's nice. But despite being a complete indie kid, all that shoegaze does get boring across a whole album.
This was really great! I think I glanced at it when it came out, but I wish I'd paid more attention now!
I think I have the last Jimmy album a 4 or 5. This one feels like a more serious and underdeveloped album... Which is exactly what I don't want from them, sadly.
This was a joy. 25 odd tracks over 50 minutes of punk, ska punk and all such other joys.
Oh God. I worked for HMV the year this came out and this would be one of the five albums picked for the stereo every day. It still gives me PTSD. He seems like he'd be a lovely guy to hang out with, so long as he doesn't have his guitar, but the music is possibly the reason the term "toxic positivity" was coined. Spent the time I was re-engaging with this after 20 years out of body waiting for it to be over.
It contains one of the greatest pop singles of ALL TIME. Then two okay ones, then photocopies those three songs three times with diminishing returns. So both a perfect and an irritating reminder of the state of pop in 99
Two things. One, I feel like Australian music was given short shrift in the original list, and I'm glad that it is getting rectified here... But this wasn't hugely for me - if I had to pick a hugely underrated Aussie metal band, I think I'd have gone with Voyager.
Just a bit dry for me. I once stood through their set at a festival to get near the front for the next act, and felt bad as a lot of people loved it but I was a bit bored.
Yeah, like the internet, version 1.0 was more enjoyable! Poppier, while keeping an edge, it lacks the kick and queasiness that made me love the first album. Not bad, but not perfect.
Kind of just in the middle. Like R.E.M. but without the moments of transcendence and beauty.
Ooh. It's like Madonna if Madonna were more interesting. Lovely stuff.
A nice oddity. Good weird. Didn't blow my mind, but it kept me entertained
It is good. Prefer his film stuff though. Weird Science is probably the only song I'll go back to...
Well you can see where Alanis got it from!
Yeah, I see why it's so loved.
There was a lot more to like on this record than I expected. But that was from an admittedly low bar of "I hate Lady In Red".
His voice is annoyingly reedy, and half the album is terrible, but when he goes more left field (the title track, A Spaceman Came Travelling) I can't help but feel there are redeeming features.
Still didn't love it, but it has moved De Burgh from "Enemy of the People" to "not my cup of tea".
I quite liked the other Fontaine's album... But this has icky late stage Coldplay vibes I can't get with. It feels stadium as a perjorative.
I loved Postal Service but never fell for Death Cab (even though their name is from one of my favourite bands of all time!). I came closer today than I have before.
Just standard prog. Counted a nice little 7/8 bit but nothing stuck around after I finished.
Still Bjork at her very peak. A longer peak than many managed, from Debut to Medulla?
What an album should be. 10 or so interesting concepts none of which outstay their welcome. Experimental without being annoying or convinced of its own 'genius'
Easily one of the all time great love albums. Every song has evolved from its album version onto some new type of beast. The transitions are like sweeping joyful moments
It's charming. Simple and dated, but full of warmth.
Very beautiful. I don't love it as much as the other one, but it is a feast of ideas over an hour
It's a touch too folksy for me, but the opening Slade cover won me over quickly, and it is nice. A bit of me feels like the Pogues did it much better.
How was this not in the 1001? It'd be in my top 10! Every single track is a stone cold classic or a technical masterpiece.
If you can listen to Run Away Without Me or I Really Like You without bursting into a big grin, you need therapy to get your joy back. Just brilliant pop.felt unfair I had to return to reality afterwards.
It all went by quickly, and it all sounded emotional (and I always trust Secretly Canadian) but I don't know if it was interesting enough for me to go back to.
Not what I was expecting! It was pleasantly pop punky but nothing really stuck with me.
Why did all early 00s emo bands seem to have one singer from a boy and, and the other from a mine in Middle Earth?
Far more major key than I expected from the name. Not for me, but I respect it.
It was pleasant enough, but ultimately, the title is better than the songs themselves.
I had a stinking hangover, so the final 'non pop' album by indie rocks leading drunken misanthrope is exactly what I needed. The start of their imperial phase and a beautiful, brutal album.
Too many Tool albums in these recommendations, or at least, three in a short space of time. This one wasn't as interesting or fun I'm afraid.
A rare complaint. At barely 22 minutes, this was too short! I was falling for the woozy, slightly Nick Drakey neo folk souliness of the whole thing, and then it was over!
It's actually hilarious that this is his worst album. Did not expect that when I first heard it. It's amazing. It's just... A bit simple compared to everything that followed!
Actually great. Some bloat after the killer opening stretch but mostly pitch perfect pop punk
Like a time capsule to the late noughties. The music was tedious mediocrity, but boy did they wear Top Man well and have almost too perfect scruffy hair. A happier time, maybe, but the music was crap, made only to sound risible E4 yoof sitcoms and reality shows.
This properly alternates between exciting and forward thinking stuff and dry bluesy cruft. It's simultaneously a 1 and a 4 or 5.
Well, everyone would be biting on this snot nosed Buddy Holly style of pop punk by the end of the decade. So this is forward thinking. It's also bloody great fun.
In no mean way, Amyl are always going to be one of those bands I like. Big and bold and fun. I'm not sure I'm ever going to love them though, and I see loads who do.
It's gloriously lofi and it has some perfectly good songs. Not blown away by it, but I'd not skip if I heard them again.
I hate most live albums. But this and Daft Punk's Alive 2007 are the exceptions. Watch the film if you can. Immaculate.
Then watch the Muppets parody. Also immaculate.
Then buy a big suit.
It sounds like Art Brut if Art Brut were ever to go major label. This is a compliment, and I'll be coming back to this.
A lot more stripped back than some Sufjan, but very beautiful. Not peak, but still great.
Best album of the Nu Metal era. System were just a cut above everything else. Shocked this wasn't on the main list. All time operatic, politically charged, but also stupid canon metal album.
I already really like this album. But the best thing is it has something new each time. This time, Depreston really got me. Simple, less wit, more emotion. Brilliant
Look, so many songs, so fast, so fun you can't really resist them. Bloody great live too.
Eesh. As the old saying about jazz goes, I reckon the musicians are loving it, this audience at least van see the talent on display, but it's not a joy to watch.
A pretty okay indie album, pulled up a little by a bloody amazing drummer
Soooo lyrically this is absolutely brilliant. Musically od probably just leave it.A+ contend, D delivery
To my absolute shame, I slept on this at the time. Largely on the assumption, based purely on her name alone that it would be bland singer songwriterly crap. I COULD NOT HAVE BEEN MORE WRONG. This is intensely emotional, wildly innovative electronic pop that still sounds years ahead of it's peers. Absolutely brilliant and I am so happy to have been proven utterly wrong and a shallow, judgemental fraud.
It's great and all. Will always feel like the jazz hop album that isn't Tribe though... Unfair as it's still great, but that's where I'm at with it!
Heh. Just had a signed copy of the 20th anniversary edition come in the post. It contains No Children, a song that struck me deeper in the dark parts of my soul than possibly any song ever. And it may not even be the best song on the album.
Prog punk? Ja danke! 18 continuous minutes, with real dynamics, not just 130 BPM oi. I didn't know NOFX were this ambitious musically!
Yeah. I'm never going to apply critical thinking to ska punk.
It's just a wonderful album. Possibly better than the debut. After Contra was a disappointment I went in with low expectations so was fully mind blown by the greater ambition and the general sense of sadness and death that looms over the whole thing.
Also, check out the remix of the already brilliant Step with Heels and Danny Brown on it if you enjoyed this. Maybe the best love song ever!
