I have so much nostalgia for this album that’s it’s impossible to be objective. It’s raw, it’s petty, and it’s quintessentialy 90’s. Yeah, it’s dated and some of the songs are cheesy but my memories of belting out “You Oughta Know” as a hormonal 14 year old are priceless.
This album is a masterpiece. It’s considered to be the beginning of Davis’s shift to jazz fusion and his ‘electric’ era. Jazz is not my favorite genre, but this album is absolutely captivating. It’s ambient, has just the right amount of tension, and sounds so fresh for an album from 1969.
Wow. I had never heard of this artist, but I added it to my library halfway through the third song. I love everything about this- the gorgeous melodies, the lyrics, the rich and layered arrangements and percussion, Michael’s soulful vocals. I love the way he weaves gospel, soul and funk together in a way that gives homage to the past but also feels distinctly modern. The songwriting is deeply personal, and I can’t wait to listen without the distraction of getting kids ready for school in the morning. I can tell this is an album that grows better with every listen, and also one that I will hyperfixate on for months. It’s so lush and cinematic. THIS is why I’m doing this project. What a joy to find a new artist that I connect with so deeply on the first listen.
This is a mesmerizing album that warrants multiple listens. I found the album deeply moving even though it’s sung in Icelandic and I can’t understand anything they are saying. I love the slow build, textured melodies, and the rich instrumentals. I feel like this is the ideal album to listen to when taking a walk in the snow. It’s so moody in all the right ways.
I was 8 when this album came out. We only listened to hippie music in my house, so I missed the whole new wave movement. Of course I’ve heard New Order before, but I’ve never listened to a New Order album all the way through. This album is obviously so dated, but I love the acid house vibes and the layered synth melodies. “Round and Round” is a legit banger. I found myself bopping along and enjoying this way more than I expected.
This album is way too long! The punk/rockabilly fusion is fun at first but grows tiresome as the album progresses and every song starts to sound the same.
I haven’t listened to this album in at least 25 years. I went in fully expecting to give it 4 stars, but this album is even better than I remember it. Nevermind is grungy but perfecy polished. In Utero is raw, unfiltered, and emotionally devastating. I can feel Kurt’s pain, and it’s impossible to listen to this album without wondering how their sound would have evolved. I miss Kurt. 😭 His genius is undeniable. In Utero is going back into the rotation. Favorite songs: Dumb, Pennyroyal Tea.
There is so much talent and artistry in this weird, experimental album but I didn’t connect with the music. Maybe I wasn’t in the right space for it.
I struggled with this one. It’s not meant to be an easy listen, and there were parts that I enjoyed. The bass lines are so good and sometimes hypnotic, so I would be bopping along even though the vocals are challenging. The vocals are performed by John Lyndon- also known as Johnny Rotten. This is his post-punk project after the Sex Pistols, and the music is certainly experimental, gritty and dissonant. Not an enjoyable listen, but I can see how it was influential. I wouldn’t listen to it again though.
It’s trying to be edgy but misses the mark. The songs are cookie-cutter 90’s grunge/indie rock and I couldn’t connect to any of them.
Yet another seminal album I’m hearing for the first time (blasphemy, I know). It’s hard to believe it was made in 1967. Nearly 60 years later, it still feels fresh and completely its own thing (though it clearly spawned generations of artists). There are many great songs, but “Venus in Furs” is a 10/10. It’s not a perfect album by any means, but that is part of its brilliance.
This is a sprawling album with moments of brilliance, but it lacks cohesion. It feels disconnected and jumbled, possibly because the band was falling apart at the time. I easily connected with all of the Stevie Nicks songs, especially “Sisters of the Moon.” The rest of the album was very much hit or miss. I think this is an album that needs multiple listens to truly appreciate.
Carole King’s voice is so warm and soothing, and her songwriting is evocative and emotionally relatable. Somehow this album feels so comforting, emotionally tender, and full of longing all at the same time. The recording is gorgeous and feels like a warm hug. The arrangements and piano are beautiful, so soulful. I didn’t connect with every song but overall I love this album. Also, how can I not love an album with a tabby cat on the cover?
Campy, kitschy, quirky, funky, and wildly creative. What did I just listen to, and why did I like it so much? The arrangements, the guitar riffs, the weirdness, and the interplay of vocals just work, and it’s so fun. “Rock Lobster” is straight up genius. B-52’s, you are so much more than just your hits! This was totally bonkers but completely wonderful.
I’m giving this album an extra star for “Free Bird” and “Simple Man.” The rest is extremely straightforward, boring rock & roll which is just not my genre.
This album has wild, manic party energy and I’m sure the drugs made it sound great but it doesn’t hold up now that the party is over. The sound is warbled and chaotic, and it all feels like an incoherent mess.
I was not excited about this album because so far all of the punk on the list has been terrible. This album surprised me though. There’s a high level of musicality combined with catchy riffs and a lot of creativity. They even foray into psychedelia a bit. Overall this was a fun listen! Favorite songs: “Plan Nine Channel 7” and “Smash it Up.”
I’m a sucker for synths, pretty melodies and lush arrangements and this album is flush with them. It’s very dated, but still slaps.
I’m giving this album an extra star because BB King is a legend and there’s a lot of passion and energy in his performance. I just don’t like the blues. Every single song sounds the same as the one before but with different lyrics. It’s repetitive and the only thing that saved it was BB King’s vocals.
I listened to “Rock Lobster” by the B-52’s after I finished this album because I felt a deep need for music that doesn’t take itself too seriously.
I don’t think I fully realized how grating Anthony Kiedes’s vocals are until this album, but I’ve never listened to an RHCP album all the way through until now. Kiedes is an abusive piece of shit and the creep energy radiates through this album. The lyrics are vacuous. The music is bad. Why is this band so popular?
This album is really good and I think it deserves multiple listens to really absorb all of the textures and storytelling. Beautiful vocals, unique arrangements, interesting musical compositions, and poetic lyrics.
Did I really need to listen to 2 Kings of Leon albums before I die? I still can’t stand the lead singer’s vocals, and some of the lyrics are extremely gross. Like “she’s seventeen but I done went an plum forgot it.” I’m so sick of grown ass men singing about teenagers. Can we stop normalizing this please? Enough.
Solid punk album released the year I was born, with influences of rockabilly and blues. I like the songs by the woman vocalist the most, but also appreciate the variety of duel vocalists. This album is creative and catchy. Definitely deserves to be on the list!
They need to remove this album from the list. Boring, bland and uninspired with not a single standout track. Also way too long! Meh.
I like this album more than You Want It Darker, but I’ve decided that Leonard Cohen is not for me. He sort of sings on this one, which I prefer to the spoken word approach. Musically, I love the pared down, folky acoustic vibe, even though every song sounds the same. I recognize that his lyrics are poetry, but something about them feels so distinctly masculine. I can’t connect lyrically, and I feel no emotional impact, even when I read the lyrics along with the album.
Mental illness is not an excuse for antisemitism and fascism. I can’t listen to this album without the weight of the horrible things he’s done ringing in my ears. Just no.
This album is perfectly fine, perfectly pleasant, completely inoffensive, and perfectly forgettable.
Apparently this album was instrumental in the evolution of glam rock, so points for that. My last 14 albums have all been male artists and I need some estrogen up in here. “Cosmic Dancer” is a genuinely great song but I wasn’t in the right space for this album today.
This album is a time machine. I’m wrapped in the nostalgia and joy of hearing it again, transported straight back to my raver days. I love drum & bass, and Logical Progressions is a masterpiece—jazzy, atmospheric, moody, with complex beats and epic bass lines. It’s a classic for a reason. Thank you, random 1001 albums generator, for taking me back to my raver youth. This album is everything.
Guided by Voices intentionally curated a lo-fi sound, but this album feels like a demo tape. There are 28 songs in 41 minutes, and they all feel underdeveloped because they are so short. They’re like micro songs. Which, in the end, turned out to be a blessing because the lead singer’s voice started to grate by song 18.
I was so thrilled to get an album by a woman artist after 17 straight albums written by men. This album is dense, and gets better with every listen. It’s a concept album with poetic lyrics and folk influences, which is right in my wheelhouse. The melodies and arrangements are interesting and cohesive, and the album feels sonically satisfying. But it’s also emotionally impactful, deep, and brutal. I can feel the weight and heaviness of war. I’ve never fully gotten into PJ Harvey with the exception os a few songs, but this makes me want to try again. Favorite songs: “The Glorious Land” and “On Battleship Hill.”
I never got into Foo Fighters despite being a huge Nirvana fan. It’s impressive that Dave Grohl wrote and recorded every song on this album, and I appreciate that it’s less polished than later Foo Fighters albums. But I just can’t connect, even though musically, it’s a perfectly serviceable album.
There’s so much talent here but I found the album to be frustrating. There are elements of greatness, but none of the songs go anywhere. I like the rhythms and many of the individual arrangements, but this album lacks cohesiveness. It’s a pleasant but unremarkable listen.
Heard before? Not all the way through
Would I revisit? Yes
Listen before you die: Yes
Fav Songs: Footprints, Bonita Applebum, Can I Kick It
Oh hell yes to starting my morning off with a cup of coffee and A Tribe Called Quest! I'm amazed at how fresh this album sounds even though it was made in 1990. These guys are so creative and smooth. The album is playful, with excellent storytelling and vibes so thick it's impossible not to smile and bop along. Loved it!
I went through a phase where I listened to this album constantly, but then it fell out of the rotation. I’m thrilled that the random generator put this album back into my consciousness. It’s timeless and classic. This is music that never goes out of style, and fulfills something deep and nourishing within my soul.
John Cale is a founding member of the Velvet Underground and his musical chops are undisputed, but I found this solo album to be largely forgettable. I expected something a little more avant garde and interesting, but the music is fairly bland and the lyrics sound muddy.
I was certain that I would hate this, but I was surprised to find that it’s actually pretty good. There are grooves to be found in the chaos, and the musicians (especially the drummer and bass player) are top notch. I wouldn’t revisit this, but I’m not upset that I listened to it.
I don’t have anything to say about this album. It’s fine and mostly unremarkable.
I get why this album is on the list, but I would be happy to never hear Mr. Brightside again.
I haven’t listened to this album since I was a baby raver and considering how long ago that was, this album absolutely holds up. Lots of genres going on here, but I can’t resist the acid house and dub vibes. It’s a great mix of bangers and more ambient, trip-hop tracks. I was not expecting to rave my face off in the kitchen while making coffee and breakfast but it put me in a great mood and was a lovely surprise for this geriatric raver.
Finally, a Beatles album. And not just any Beatles album, but arguably their very best and one of my favorite albums of all time. The band was falling apart, and yet they still managed to create an absolute masterpiece that feels cohesive even though creatively they were at odds. I could rhapsodize about this album for hours and still leave things unsaid. It’s timeless. I love it so much.
An impressive debut album from a generational talent, even if some of the lyrics didn’t age well (but also it was 2003). She was tortured, and her lyrics on this album reflect her inner turmoil and emotional pain, but also her humor and intelligence. She was 19 when she wrote this album, and the talent is overwhelming. I love the jazz and soul influences, and her voice is astounding and deeply emotive. It almost feels haunting to listen to her now. She left us way to soon.
This album is listed as psychedelic rock, but there’s some early punk, blues, surf rock and folk mixed in. Unfortunately, the lead singer’s vocal style makes every song sound like a joke. It makes the entire album feel satirical and goofy.
Another boring 80’s pop record. I would like to have a word with the people who made this list.
This album is dreamy and ethereal with an interesting mix of electronic and orchestral instrumentation. The songs have a jazzy, circus vibe and sometimes the music feels eerie and spooky. The cabaret/lounge singer meets trip-hop vibe is interesting and provides a cinematic feel to the music. Most of the songs are very slow and sultry, good for background music or when you’re feeling moody.
Vapid, misogynistic, hyper-masculine garbage and of course, there’s a song glorifying r*pe. I hope I live to see the day where we stop canonizing music like this.
What a lovely album! There’s something about Willie Nelson covering classic American standards that soothes the nervous system. The instrumentation is pared down and sparse, allowing Willie’s voice to lead the way. It’s snowing this morning, and listening to this album while baking was a real treat. I enjoyed every minute.
A strange, meandering album from a man who had just spent 6 months in a mental institution. There are moments of lucidity, and other songs where you can feel his descent into madness. The lyrics are muddy and unclear, but his pain and torment come through. Not a pleasant listen.
IMO this is one of the greatest live albums ever recorded. The interplay between the rowdy crowd and Johnny Cash is electric, and I love the banter and playfulness. Johnny Cash advocated for prison reform and felt strongly that even the incarcerated deserve music. I love how raw this recording is, and of course Johnny Cash plays a set of straight bangers. I’m not a fan of country, but I make an exception for Johnny Cash. Love this one.
