Liked the dark gothy vocals and there was some cool songs design and ambience, but I just really don't like the boxy 90s snare clap sound and rigid midi rhythms. Enjoyed it more than I expected, definitely sounds like a product of its time
Really cool, better than I was expecting. Such good grooves, even with the drums pretty low in the mix which was surprising. Two filler tracks I didn't really rate, sister morphine and you've gotta move, but can't you hear me knocking is a stone cold bop. Awesome guitar work and you can really hear big influences on Wilco and beck in tunes like midnight mile, will definitely give it more listens in the future
Probably not the best person to judge this, but it seems like a very good version of what it is trying to achieve and I have to some there is an element of historical significance but I don't really have any contact to make that call. It's a bit samey but definitely created a vibe and I could definitely imagine listening to it driving through the desert in a cranky old car breaking bad style. The main thing that stood out was the quality of the vocals, a really big, rich, warm sound that is at odds with modern production and fantastic harmonies on the leads or backing vocals. Liked that there was over doing with some horns and wish they had included them on more tracks too break things up a bit. Nothing really bad to say about it but not my cup of tea and probably won't go back to listen again
Very cool, I already knew life during wartime and heaven and have tried to get into the talking heads a lot before as they should be right up my street but never listened to this album. I really like the blend of disco beats, additional percussion and very angular quirky guitar playing. David Byrnes vocal delivery is great too, not necessarily a great singer but a fully committed performer who is delivering exactly what they're intending too. You can definitely hear the influence it has had across multiple genres since and I can only assume it sounded pretty ground breaking when it came out.
Way cooler than I was expecting. I would love to know more about her writing and production process. A bit 90s house heavy for me in a few places, like Depeche mode I just don't like some of the drum machine and synth sounds, but on the whole some really really cool stuff going on, interesting arrangements, pretty melodies and odd instrumentation and she has an amazing voice. I get it now
Awesome! Loved it front to back, nothing fancy just great songs all the way through. Like a nerdy Springsteen. A bit samey but the songs are short enough and up tempo enough that I didn't get bored, can't really fault it, should have listened to him a loooong time ago
Killer album, captures that quintessential Britishness that maybe never actually existed. Great production quality (for the era) and strong songs all the way through, not really anything to complain about, you can hear the influence to and from peers like the Beatles and Hendrix whilst still being very much it's own thing incorporating bits of folk and psychedelia without sounding like a pastiche
Pretty good. Not normally a hip hop person and generally prefer the more old school side of it where the funk and soul samples and influences are more apparent, but there were some solid grooves here and lyrics were very good. Very much a product of its time though and not sure I'll come back to it
Sick album! Expansive yet cohesive, covers a lot of ground musically but still makes sense. Really good flows to the rapping and a surprising psychedelic freak out jam in the middle. Loved it
Impeccable recording and production quality and stunning vocals as you would expect. Enough variety to keep it interesting throughout, despite being predominantly sad woman with a piano. I thought the run time was the right length, most of the songs are over 4 minutes but it didn't drag. Just not my kind of thing really and I didn't connect with it emotionally, but I don't think that would ever happen for me with this style of music.
Awesome, felt like I was 14 years old again, should be mandatory listening for all teenage boys. I want to give it 5 stars, but I think dookie is a better early 90s pop punk album so it has to be a 4, would be 9 out of 10 though
Have you ever found yourself wondering why most songs feature someone singing words instead of just having the melody played on a Hammond organ? Well three tracks into this album and you'll have the answer. The tracks are all very well performed and recorded, and as standalone tracks they're fine, but if you've heard one you've heard them all and this album is far from essential listening.
I didn't know music could sound vegetarian before I listened to this. How on earth is this essential listening? It's like someone took the minor chords and cool guitar works out of the smiths and left you with the soundtrack to eating hummus and carrot sticks in the park at sunset. It's so polite and I can't tell where one song ends and the other begins. I'm no fan of autotune but f++k me this album needs some.
Hell yeah this is rad! I've never taken acid before but listening to this makes me want to. The first song is aggressive and wild, then it's all trippy kind of like doors
Wow! Incredible album, when it finished I played it again straight away which I think says everything. Phenomenal production, can't believe it's from 1977. Not sure what I was expecting but I was blown away, so cool
What an anti climax! Sunday bloody Sunday is such a banger, and new years is day is great too. And the rest of it is just forgettable trash, honestly couldn't wait for it to be over. I'm no U2 hater, I think Bono has a phenomenal voice and the edge is sick guitarist but this was just 2 food songs and a load of filler, hard pass.
I get why it's important and would have been groundbreaking at the time, but it's too long and there aren't actually that many good songs on there, if you take away pinball wizard there isn't realy anything worth listening to. Also the songs about him being bullied by his cousing and then sexually assaulted are a pretty tough listen
really interesting, lots of cool idea in there but for my tastes it really needed a producer to disect it, trim the fat and leave the good bits, it's just too long and unwieldy for me. I do kind of like how it meanders along doing it's own weird thing and then every now and then a more structured section with a stronger melody and groove appears, also kudos to the bass and drums for holding everything down and remaining consistent while everyone is doing their own thing. I did enjoy it, and it definitely creates a mood, but I think if it was like 15% less weird and had a bit more structure I'd be way more into it, very glad I listened to it though and I could see how you would get a lot out of repeated listens and studying it.
At least it was short. The playing, the production, the mastering, all impeccable, but fuck me it's so just so freaking smooth, and I don't think that's a good thing, it's the auditory equivalent of luke warm water. This did absolutely nothing for me, it's the antithesis of what I want music to be.
Very moody and interesting, but the melodies are a bit too long and sprawling in places, needs more hooks and a shorter run time for my tastes
It's just such a sick album isn't it? The mixing and production are flawless. I don't really like settle for nothing, and I think it loses momentum a little bit after know your enemy, but it still just slaps
Conflicted on this one, there are some really really cool moments and it's so clearly influential and ahead of it's time, but it was a struggle to get through and some of the weird circus noises just did nothing for me. It does sond incredibly modern in parts though and you could mistake the good bits for a Beck album, you could probably say the same for the bad parts actually. ultimately it's just too long and lacking consistency, but there is a great album in there waiting to be edited out
Really enjoyed the use of classic soul/jazz samples, some of the rapping was very stilted and stuck to a classic rhyming couplet pattern which I know is very of the time, but feels a bit formulaic and predictable over the course of a whole album. Glad I listened to it though
The highs are really high but then the filler is just filler. It totally makes sense as a movie soundtrack, but is a pretty boring listen as a full album. The string and horn arrangements are sickj though and the production quality is super high. It feels like I'm not learning anything new from it, but I imagine it would have been really fresh when it was released
Nothing I can add that hasn't been said before. It's just 11 great songs performed, recorded and mixed fantastically.
Really cool, if I think of 70's easy listening radio rock this is pretty much it. Great performances by the backing bad and enough variation in the songs to keep it interesting
Not an easy listen is it? Some bits are really cool and I can definitely see how a track like E-Coli was foundational in allowing bands like Mogwai come through and do what they do, but ultimately too much of it sounds like filler tracks you would put between songs on an album, without enough of the actual songs for it to go between
It's great but there too many songs and the songs are all too long. It's just too self indulgent and loses momentum which is why it doesn't get 5, but it's a sick album, just needs to trim the fat a bit
Riffs, Riffs and more F***ing Riffs!
Too many of the songs are too long and the album seems to sit at the same tempo too much for me, but that's nit picking really, would be a 9 out of ten.
The production and mixing are immaculate, as good as heavy guitars can sound really
It's actually really cool, there's a lot of Western influence in the chord changes and the Spanish sounding guitar parts and his very bluesy voal phrasing, but it's all underpinned by the hypnotic and almost droning percussion and instrumentation. I'm not sure it would be a daily listen for me, but the songs are pretty catchy and it definitely created a mood
An hour and ten minutes I won't be getting back. Outside of the singles it's just long meandering nonsense and I can't stand the mix or production. I've always thought 1999 sounded really thin and boxy and cheesy and the rest of the album is the same unfortunately. All there performances are great, it's just not something I connected with on any level.
Better than 1999! Still pretty cheesy though and not something I can see myself wanting to go back to. Well performed produced and mixed though
The production and vocals are superb but most of the songs are pretty meh, definitely not essential listening
Immaculate production and performances, really nice songwriting but maybe a few songs too long and felt a bit generic, but I don't have huge knowledge of the genre so there might be something I'm missing. Probably won't listen to it again, but that's a matter of taste rather than anything being ingerrently wrong or bad with the music.
Fuck yeah!
Really good musicianship and very interesting musically. A pretty accessible route into jazz I would say, but to my taste it's just like background music for a cocktail bar.
Yeah this is killer. Really love the funk and soul samples and the bluesy phrasing when they rap, exactly what I want hiphop to sound like
Couldn't fault it. Not normally my taste but really great energy and performances, I can imagine this being the shit when it came out
Really well done, excellent performance and production. Loses a star because they're covers and some of the originals are far better
Riffs on riffs on riffs on riffs! loses a point because there's too much reverb on the drums and voals and it kind of just sounds like the same song for an hour
Phenomenal! It's complex but accessible, clever without showing off and the production and mix are superb. It's every genre at once and it pulls it off completely, it's just pure music
Everything I thought a Jack White album would be and nothing different. 16 saltines was ok but it just feels derivative and a bit shit
A pretty good version of what it is, falls dangerously close to being in the same song for an hour territory but just about pulls it out of the bag
A great display of musicianship, way more captivating that I thought an hour of solo piano could be. His mastery of dynamics and ability to take the same phrase and then pivot to a different direction is awesome
Kind of sounds like if The Cure were asked to cover Duran Duran at a garden party in The Hamptons. The mix and muscianship are actually really good, but it just ends up being pretty forgettable inoffensive 80s pop that isn't quite sure where it wants to be
The singles are pretty good, and Kids in particular has a massive nostalgic place in my heart, but overall it's pretty meh. I get that at the time it was kind of fresh and exciting and important in the dancey/indie/synth thing, but there just aren't that many good songs on it
So it just does this one thing huh?
Really cool, not what I thought they would sound like based off of the few later singles I know. Very dark lyrically which was surprising
I've listened to this album a handful of times before, and actually have it on CD, but could never really get into it or understand the hype. This time, with a better pair of headphones and an open mind I started to get it a bit more, but I still find the vocals to be too long and meandering and there just aren't enough hooks overall. A very varied album though and I'm not quite sure that it knows where it wants to land
Really cool actually, takes a while to get used to there being no pitch correction at all though.
I always suspected that their cultural impact had more to do with the outfits and characters than the music, this proved I was right. There's a couple of fun songs but nothing I can see myself wanting to listen to again
Couldn't finish it, it's just the same low tempo dull as dishwater western waltz all the way through, honestly couldn't tell where one song ended and the next one started
What absolute nonsense, genuinely annoyed that I wasted over an hour listening to this.
I guess it's a good example of that kind of motown/northern soul influenced strain of britpop that they do. Kind of sounds like a perkier version of late oasis. There's nothing inherently wrong with it, but none of the songs made me feel anything and I didn't feel any differently when it finished
Really cool, every time it seemed like it was staying on one place too long then it would pivot. Incredible vocals too, really happy I got to hear this, had never heard of them before, this is what I wanted Grace by Jeff Buckley to sound like
Sick! So varied and well produced, I always see this album come up in discussions but other than can you get to that I hadn't aqctually heard any of the songs. Back in our minds was a bit cheesey but overall a great album and must have been pretty mind blowing at the time
Surprisingly decent, felt like I should be drinking whisky at a bar next to a retired coal miner called Red who's having problems with his wife and missed his sons football match because he was buying more painkillers
Really fucking cool! Super intense and pretty relentless, you definitely know you've experienced something when it ends. It sounds like the soundtrack to a movie with a plot that you can't follow
There are some cool songs amongst the filler, it feels like someone has taken 4 albums, chopped them up and assembled them in a random order. It just shows that being great and being influential aren't always one and the same
The first time I've ever actually listened to a Bob Dylan album. It was pretty good, reminded me of Rubber Soul era Beatles in places and I thought ti sounded a bit moremodern than it was, would have thought early 70's rather than 1965. Too many of the songs are too long though, I thought I must have been halwayf through the album by the time the third track finished. I would rather listen to 4 3-minute long songs that 1 11-minute one
Some really good stuff in there but also a lot of nonsense. Most of the second disc could be binned off, although if you view them as just being bonus tracks then it's not so bad I guess. The mix is pretty poor too, especially on the second side
Freaking amazing! 2 minutes into the first song I was ready to write it off as just being noisy trash with horrible sounding drums, but they way there's the relentless, hypnotic repetition of beats and dissonance with sudden resolve into melody is incredible!
The mix and production are superb but the lyrics are cringe and even the ones that aren't are pretty uncomfortable
Really good but not quite 5 stars for me. The highs are really high, but it loses some momentum in the middle
Hell yeah!!! I bought this album with money from ym paper round when I was 13. It's got such a timeless production and the performances are all just fantastic. People remember it for I believe in a thing called love, but it's so much more than that, really growing on me is hands down the greatest song ever written about genital warts and love is only a feeling ios just such a great, epic slice of 'classic rock'. Alos, the guitars just sound phenomenal, I'd give it 6 stars if I could. I can also understand if people don't really get the fuss as I'm sure the timing of it and it's context in my musical journey has skewed my opinion
It's alright, doesn't stand out massively from any other retro, garage rock though. They were really big at the time and I remember get free being everywhere for a while, I think that's the strongest song on the album and it's also the shortest which I think says something. It's an alright listen, not super consistent and not really remarkable, not sure it deserves a spot on the list honestly
I can see how it deserves a place on the list ebcause of it's impact, but overall it's not a great album, if you took the singles out I'm not sure I'd be able to tell one song from another, the beats are all so similar and you know every line is going to have emphasis on the 1 and then group vocals on the 4
Really, really good. I think if this was the first Radiohead album I'd listened to I would have gotten into them way sooner. There's a little lull in the middle but it starts and finishes really strongly, probably best enjoyed on a rainy Thursday on a long train journey wearing decent headphones
Was big into this when it first came out, such an immaculate sounding album, great reverb and sparse arrangements. I think it suffers from the fact that the intro is probably the best piece of music on the album, and even though the singles are very strong it doesn't quite live up to what the first track promises. A really great and unique sounding album though, shame the follow up was a step backwards.
Just want to drink a beer and eat some ribs now!
Better than I expected, I wouldn't say it's essential, but if you wanted to feel like you were in England in the early 90's then it definitely captures the spirit. At it's best it's like a disco punk version of blur, but I don't think it's consistent enough across the whole album, it maybe feels like there's 3 different paths they're trying to go down and never really landed in one spot
So freaking good
Nothing really wrong with it but nothing memorable about it either
Right up my street, let down a bit by the cheap production, I know that's part of the whole thing but I do find it harder to listen to
Really great album. Showcases him as a true entertainer, the band are super tight and you can really feel the atmosphere from the crowd
A tricky album to review. When I listened to it I thought the production on the opening track as cheesy as hell, and whilst the vocal recording is exceptional the fact that it is effectively spoken word with very little passion or performance was a real negative, then I read that he's pretty much on his deathbed at this point and it puts it in a whole new light. It didn't really do anything musically for me, and the production and mix are incredibly clean polished, but I need things to have some kind of edge and bite and ultimately it just isn't for me
Way groovier than I expected from a Sabbath album, a couple of tracks could have come from a Hendrix album. The highs are really high but it's a bit too muddled and lacking a cohesive sense of direction as an album. Must have been moved blowing when it came out though
Really good performances, especially the vocals, but more a collection of songs than a great album
The guitar playing is really technically proficient
It's like an angry REM jamming with the Pixies, really cool. Terribly mastered though, could not have less dynamic range if it tried
If I'm nitpicking, there are too many long songs and not enough variety in tempo, but the performances mix and master are all sublime! There's so much dynamic range and the arrangements really are stellar.
Better than I was expecting, the title track si definitely the best one though, none of the others really capture that energy and sparkle and it kind of meanders and trails off.
I guess it was nice to listen to, and his lyrics are very poetic, but it's just not my cup of tea. All of the songs were very similar in tempo, tone and subject matter and none were particularly interesting musically
Starts strong and then just meanders off and honestly I couldn't wait for it to end. No doubt hugely influential, you could draw a line from songs like Fuck and Run to lo-fi emo/punk bands like mom jeans or the front bottoms and alt female bands like best coast, but there are just way too many songs and not many of them are that good
Pretty sure I'm pregnant now and I'm a dude. This should eb the national anthem for countries with low birth rates! I thought this was so good, the production and performances are outrageously good and the mastering has so much headroom that you can really feel it when the volume ramp[s in and out at then end of walk on by. Really glad I listened to this, now I'm gonna go take a cold shower
Meh. The harmonies are nice and Cecelia is a good song, but it's too soft and polished and polite and just sounds like a 5 year old tapping you on the leg and saying excuse me
I'm sure if I took a load of e's then did a few lines of coke I'd feel differently, but it's just not my thing. Individually the songs are pretty good and definitely get you pumped up and in a chaotic, frenzied kind of mood, but they're all too long and it isn't until the penultimate songs that there's nay musical variety, ironically climbatize was my favourite on the album and the only one that strays into any different musical territory. Well produced, mixed and performed but not for me
A couple of good songs, a lot of doo-wap filler
Really good. I actually have this on CD but haven't listened in ages. I think it suffers from the fact that Funeral and the Suburbs are better/more accessible, but I enjoyed it a lot more this time around than I remember. Intervention is a sick track though and my go to for testing new speakers or headphones because that opening wall of sound from the organ is soooo cool and it's a goos test of a system to see how clearly the bass and guitars can cut through
At it's best it's kind of a hair metal ramones, but at it's worst it's kind of like a hair metal ramones
The passenger is a banger, but I feel like this wuold have just been retreading old territory even when it was released and I can't see how this justifies it's place in the list
He's got a nice voice and it's well recorded, more variety than I was expecting but if I'm thinking of an album as a singular piece of art that takes you on a journey this just isn't it for
So much better than celebrity skin! Less polished, but all the better for it
You can really hear the shift from bluesy R&B covers band to a group starting to forge their own sound become something special. Doesn't get 5 stars because some of the afformentioned Bluesy R&B aongs are a bit naff
It's such a cool album, but it's a bit too long and there's a couple of skippable tracks. but I'm a big fan and it was the first Beck album I bought, although I think I listened to modern guilt first
Didn't finish it, got to the 14th track, they all sounded the same, there was no flow to the rap, the lyrics weren't particularly clever and I get that maybe the subject matter was meant to have a comedy shock factor, but I just found it lame, maybe if I was 13 I'd be impressed. In it's defence I've never heard an album that sounds exactly like it before, and if I'm lucky I won't hear one like it again
So it's pretty much just Midnights by taylor Swift but a few years earlier. Really great production, a little bit samey though, doesn't really take you on a journey, but immaculately crafted modern pop
So he just heard that's entertainment by the Jam and made a career of it? The songs and the songwriting are actually really good and right up my street, I just wish he had a full band
not entirely sure what I was expecting, but this was sick! A couple of tracks were very skippable and the mix is a bit muddy but still very very cool
Not revolutionary, but I really like the mop top era Beatles and Mr Postman alone makes it worth the price of admission
Would anyonne care if this album was by someone else and not the doors? It's a good kind of bluesy rock album but nothing spectacular IMO
I get it's cool to shit on them now, and everyone has heard Sweet Child of Mine enough for a lifetime already, but you know why you've heard it so much? Because it's a killer song and this album is full of them! The performances are sooo good, the rhythm section is so tight but then there's a looseness that the guitars and vocals bring when they play off it and it just sounds like a big old fucking party. It's not clever, or fancy or reinventing the wheel but it's just a big old slice of kick ass rock and/or roll. Even the longer songs have interesting enough arrangements that they don't drag on too much and although a lot of the songs are fairly similar they're up tempo enough not to get stale. Fuck the haters, it's a victim of it's own success and a stone cold classic
Not normally kind of thing, but it's so evocative and you definitely feel like you've been on a bit of a journey by the time the album finishes, which is quite impressive because all of the songs are pretty samey. After the first 3 tracks I was ready to write it off as just disney princess/bond music but there's something really captivating about her voice and the string and backing vocal arrangements are gorgeous. I don't normally like 'romantic' music, but I just wanted to listen to this having a very fancy dinner in an old hotel with my wife, and then maybe going dancing afterwards
The issue with this project is that if I only have one day for each album then I'm probably only going to listen to it once and that's usually while I'm working. It seems that the main attraction with Bob Dylan is the lyrics rather than the music and that's not something that you can easily pick out first time. The music was fine, nothing that blew me away, no riffs or arrangements that I thought were incredible and I couldn't really pick out any lyrics. I'm sure if I was more familiar with the album or any of the songs I might be rating it higher, but based on one day it's just ok
Pretty much as good as you could expect a live album from 1970 to sound, although I'm sure I picked out a few overdubbed bits here and there. Pete Townshend is such an underrated guitarist, keeping everything locked down whilst Moon and Entwhistle embelish the crap out of everything, but showing some real chops of his own when given the chance.
Hated the first track but then it really grew on me, really not what I was expecting
It's alright. Well produced and mixed but can't say I feel like it treads and new ground or does anything you haven't heard somewhere else before, don't see this as being essential
Really fun. Silly, campy, over the top rock and roll fun
If I was depressed in the summer and wanted to imagine I was in some swampy small town in the deep south drinking whisky then this is what I'd listen to. It's not necessarily anything revolutionary, but the performances are great and the mixing/production are sublime, beautiful harmonies and reverbs manage to create something very evocative despite being relatively simple
The openeing song is defintiely the best, the other 12 could all be the same song as far as I'm concerned
Can't fault the production or the performances, but it's soooo smooth and polished! Beat it is a great song but really it's not my cup of tea. Can see why it is so highly regarded though
Better than thriller I think, not as polished but I enjoyed the songs more
Next time I wanted to listen to the same song for over an hour I know which album to pick
i get it n The rhythm section really grooves in a way that I wasn't expecting and even though there aren't any lyrics each track manages to create/capture a different kind of mood and feels like it's about a different subject. Really glad I gave this another listen and it definitely won't be the last one
It's really, really, reeeeeeeeally long! but the sequencing and variety in the songs keeps it feelign fresh the whole way through. The production and musicianship are out of control, but the closing track is garbage and I could happily never hear isn't she lovely ever again
It just does one thing and it gets pretty tiring by the end
The best songs sounded like when The Cure are having fun, the worst songs just fade into the background. I can imagine it being hugely impactful when it came out though and can understand it's place on this list
Absolutelt deserves it's spot based on the legacy and influence, but there are some pretty dull tracks that go on too long.
Well produced, well performed, well written, just really bland and a day later the only song I can remember is one that sounded like a demo version of superstition
Kind of sounds like MGMT covering my least favorite vampire weekend album
I never got into The SMiths because I just can't stand Morrisey's voice and the one cadence he seems to end every melody with. This was more of the same really, I hate all the soft chords and gentle melodies, it's all just tepid. It's very competently recorded and performed, but I got nothing out of this listening experience, didn't bother with the last two tracks and won't be going back to it
