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From the book 1001 Albums You Must Hear Before You Die.

Chocolate & Cheese

Ween

1994

Chocolate & Cheese

Album Summary

This album has been submitted by a user and is not included in any edition of the book.

Chocolate and Cheese is the fourth studio album by the American rock band Ween, first released on September 27, 1994, through Elektra Records. It was the first Ween album to be recorded in a professional studio, in contrast to the four-track home recordings of The Pod and Pure Guava. However, most of the instruments were still played by Dean and Gene Ween, including their drum machine. After self-producing their previous album, Pure Guava (1992), the band reunited with Andrew Weiss to produce the album. Its broad sound has been described as "genre-hopping", prominently featuring styles of music including psychedelia, country, funk, industrial, and Latin music. Chocolate and Cheese was supported by the singles "I Can't Put My Finger on It", "Freedom of '76", and "Voodoo Lady". Though the album did not perform well commercially, it received positive reviews and has been recognized as one of Ween's signature albums. It received a 30th anniversary deluxe edition re-release on August 2, 2024. The album has elements of styles such as circus music, country, folk rock, funk metal, industrial music, jazz, Latin music, lounge music, noise rock, psychedelia, soft rock and synth-pop. It has been labelled as a "genre hopping" album due to its variety of styles, with this aspect of the album being further amplified on the 30th anniversary deluxe edition, which includes more songs. On their next album 12 Golden Country Greats (1996), the band intentionally decided to record an album in a single genre, before releasing The Mollusk in 1997, which was described as them going "back to genre hopping".

Wikipedia

Rating

3.13

Votes

64

Genres

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Reviews

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Jul 02 2025
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5

Chocolate & Cheese is the best and most accessible album by Ween. The production is very good (not lo-fi) and the songs are clearly finished. Apart from some adolescent fun most songs show the great craftmanship of these two guys resulting in classics like "Freedom of '76", "Baby Bitch", "Buenas Tardes Amigo", "What Deaner Was Talkin' About", "A Tear for Eddie" and "Don't Shit Where You Eat"

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Jul 01 2025
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4

Ween is severely underrated. Humor can be very divisive, but their skill and versatility are no joke.

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Jun 29 2025
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4

Weird but I kind of liked it. Not what I expected. I’ve heard Ween songs before but never an album. Will check out more.

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Jun 29 2025
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4

Settle in for fun & weird lyrics plus kicky bass.

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Jun 29 2025
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4

A lot of different genres, and funky lyrics

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Jul 10 2025
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4

Great choice. Quirky, soulful, creative, absurd in all the right ways. What you really get a sense of here is the love Ween have for music. They embrace various genres with an ease that's rare in music. There's also an inherent humor in these songs that mostly lands pretty well without sounding overly smug or ironic, another skill few artists possess. My only real critique would be that there's such a thing as being a little too eclectic, to the point where there isn't a natural sense of flow, particularly on a good chunk of the back half. Fave Songs: What Deaner Was Talkin' About, A Tear for Eddie, Freedom of '76, Baby Bitch, Voodoo Lady, Don't Shit Where You Eat

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Jun 30 2025
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3

I kind of prefer Ween's earlier lo-fi/home recording era, college radio memories of spinning The Pod on vinyl, but there's still a lot to like in this studio era, and a very respectable ratio of their wierdness survived the major label transition.

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Jun 29 2025
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3

Surprised there hasn't been a Ween LP anywhere on the original list or user adds until now. Felt good to finally give this mythic band a listen (I'd only heard Ocean Man before), and for the most part I really enjoyed the distinctive character that made itself present in the well-executed instrumentals. I do think this LP lost a good deal of steam as it went along, front-loading its best ideas and getting a bit monotonous as things went on, but overall I appreciated the Ween crash course and enjoyed this album!

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Jun 30 2025
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3

Ween is never not interesting! 3 stars.

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Jun 30 2025
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3

Alternative rock, neo-psychedelia, experimental rock, comedy rock. Ni fu ni fa.

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Jun 30 2025
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3

Rating: 6/10 Best songs: Take me away

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Jul 02 2025
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3

Are we really doing Ween? Fuck, alright. I know what to expect: 300 different genres, joke lyrics. I dunno what I hate more tbh: these dumbshit Ween albums, or the fact I always like them. Objectively, though, this album is at least 50% filler - like the rest of their stuff. 3/5.

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Jul 03 2025
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3

This was fun and fine but nothing special.

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Jul 03 2025
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3

Quite fun and a good laugh. Up beat and light hearted.

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Jul 05 2025
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3

From the album cover I was expecting this to be some teen pop punk music from an American pie film. It was better than that.

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Jul 08 2025
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3

Weird, mixed up genres, obscure lyrics. Had to turn off "Spinal Meningitis", too much for my weak ass. Not bad, but not really for me. Too much strangeness.

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Jul 09 2025
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3

Oh shiet, Ween that isn’t The Mollusk or Quebec? (Aka the 100% of Ween music I’m familiar with) Let’s go Perhaps the lack of sleep I am operating on contributes to the rating, but I don’t think this is quite as good as those other Weens. (Then again, I didn’t really care for the Mollusk at first listen but I enjoy it a lot more now.) I concur that this band should be in the original list. After all, 69 Love Songs can’t be the only 90s postmodern genre-hopping experiment! “Take Me Away”, “A Tear For Eddie”, “Mister Would You Please Help My Pony?”, “Joppa Road” July 10, 2025

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Jun 30 2025
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2

Ween is such an oddly unique band and I’m sure some people love the oddities and genre bouncing found in this album. To me there were some songs that they really excelled in, like the jazzier funky songs were great. But some of their songs are either really weird or they just aren’t as good in some genres. If they stuck to one genre per album I’d probably find one I’d like but instead it’s just songs here and there. 5.5/10

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