Sublime is the self-titled third studio album by American ska punk band Sublime. Produced by Paul Leary and David Kahne, the album was released on July 30, 1996, in the United States by MCA Records. Sublime formed in 1988 in Long Beach, California by vocalist/guitarist Bradley Nowell, bassist Eric Wilson, and drummer Bud Gaugh. The trio toured heavily from their inception while developing their sound. Their first studio release—40 Oz. to Freedom (1992)—featured the single "Date Rape", which attracted heavy airplay in Southern California. MCA signed the band and distributed their second independent album, Robbin' the Hood, in 1994.
By the time it came to record their major label debut, Nowell had been struggling with a heroin addiction. Sublime was recorded over a period of three months in Austin, Texas, in sessions characterized by heavy drug use and raucous partying. The album's musical style contains elements of punk rock, reggae, and ska, as well as dancehall, hip hop, and dub music, with tempos ranging wildly. Nowell's lyrical subject matter relates to relationships, prostitution, riots, and addiction. Nowell had been ejected from the recording near its completion. Nowell died due to a heroin overdose in May 1996, just two months prior to the band's major album release, which led to the band's dissolution.
Bolstered by numerous hit singles, among them "What I Got", "Santeria", and "Wrong Way", the record proved to be enormously successful, despite the band being defunct and thus not able to promote the album through touring. It sold over five million copies in the United States by the end of the decade, and it continues to be a popular catalog album. The album was released during the third wave ska peak, and etched Sublime into a permanent place among the stars of the 1990s. Critical reviews were positive, praising Nowell's songwriting ability and the album's musical variety. Sublime has since been listed as one of the most well-regarded albums of the 1990s by Spin and Rolling Stone.
My main roommate in college absolutely loved Sublime. And by love I mean he played Sublime and this album maybe 90% of the time at his desk when listening to music. So that was my introduction to it.
It's not bad, but it's peak 90s skate/surfer reggae-stoner music.
Ironically my roommate did not smoke weed.
This is one of the biggest failures of the list. How could they not include Sublime? Their absolutely perfect blend of punk, hip hop, and reggae; their hits that still get attention today; the tragic story of Bradley; it should be a foregone conclusion that this belongs on the list.
Maybe it is my bias as a Californian? Is Sublime just not as big of a thing outside of their home state? I genuinely am baffled how this isn't included.
This album takes me back to being a chilled out freshman in high school. I still expect to hear “I can play the guitar like a mother mother riot” in the explicit version.
In this albums peak my first girlfriend got me 40oz of Freedom (shout out Pam, a real one). That album gave me feeling of low commitment rebelliousness.
Caress Me Down, What I Got, and Doin' Time are some of the best songs of the '90s, no doubt. This CD made the rounds in my middle school when it came out. I remember having a taped copy of it because my friend let me borrow his CD. All-time great and takes me back right to my friends in middle school and the memories of adolescence (and not truly understanding all the lyrics back then) :D
Though I don't really believe in guilty pleasures, this might be mine. Not a perfect album by any means, but surely worth inclusion on the list. Some of the lyrics are cringey, but the combination of genres works for me. An undeniable part of the soundtrack to my high school years.
I like Ska, though I don't choose to listen to it a lot, but I've long felt like it is a kind of limited (and limiting) genre. The added punk flavoring and laid back California thing helps it break out of that mold a bit. A lot of the lyrics are pretty puerile and the political-ish stuff is laughable but it does that punk trick of refusing to wear out its welcome, and overall it lands.
Forgot how many classics originated from this one LP until they kept coming one after the other. The band’s distinctive reggae-punk fusion is at its peak here, infectious and melodic as a sense of carefree wonder meets some heavier instrumentals. You know it’s an effective blend when my father (your standard white dude) feels compelled to belt out ‘Santeria’ every time it comes on rock radio in the car. The highs are definitely high here, but given its runtime the LP does drag a bit later on as not all of the tracks can sustain the wildly impressive first half. Still a great album though, and a worthy addition that should be on the official 1001 if we’re being honest
This was a classic 1001 albums experience. An album I've heard about but never got a chance to listen to that has a couple classic songs and introduces me to some I never would've heard on my own. While I wouldn't say this is a great album and this streak of crass, crude records is getting old, I could at least enjoy what i got santeria and caress me down (a middle school classic for me). I also had no idea that this is the original doin time instead of the much superior lana del rey version.
The disjunction ends up delicious. Reading notes has you expecting ska from the jump, and when it finally arrives it's hardly the encouraging stuff worth pressing play for. Santeria has just enough name-unrecognition to sneak into my ears, and the album capitalizes in simply musical music. There's a middle stretch of diminished strength, but that's diminished from mighty.
8/10. Has a handful of hits that make up for some of the weaker numbers (Pawn Shop dragggged on). And considering the main list's shortcomings in terms of ska and reggae, this was a refreshing listen
Band and album from the second division of that crossover of genres that led the music of much of the 90s.
Even Fishbone's albums have stood the test of time better
Now we’re talking! I was expecting more well known bands and albums from the user submissions. I know this one well because I had a huge Sublime phase in college (don’t we all?) I was never even a stoner, but I sure did love songs like 40oz to Freedom and Badfish, which led me to this album. For a band who had an unfortunately short period of operation, they sure did have a big impact culturally. I don’t think any other act that has broken up prior to their major label debut has gone on to find so much renown and notoriety in the scene. Their songs are a nostalgic trip back through time for me that I’ll always have a soft spot for. Love for Sublime is what I got.
One of the best and most nostalgic albums of the 90s. It’s impossible to ignore how good sublime was at making songs that felt like summer. This album is a bit long on the back end but it has some of the best hits alternative has seen and they’ve held up over the years. 7.8/10
https://www.youtube.com/watch?v=9WNlcDdVwQc&t=10s
It's you
It's that shit stuck under my shoe
It's that smell inside the van
It's my bed sheet covered with sand
Sittin' through a shitty band
Gettin' dog shit on my hands
Gettin' hassled by the man
Wakin' up to an alarm
Stickin' needles in your arm
Pickin' up trash on the freeway
Feelin' depressed every day
Leaving without making a sound
Pickin' my dog up at the pound
Livin' in a tweeker pad
Gettin' yelled at by my dad
Sayin' I'm happy when I'm not
Findin' roaches in the pot
All these things I do
They're waiting for you
Oh man, I love this album. I've loved it for - omfg - nearly 30 years.
Sure, the lyrics are horrifying and most of the music is flagrantly stolen from other artists, but it sure is a great vibe that this puts out.
Well I absolutely love this album. Listening to this album as a kid lead to some many bands that I love. Sublime were such a great starting point for me getting into ska and punk etc. This album has some absolute classic bangers but also some great deeper cuts. There are so so many bands that I love that were influenced by Sublime.
Sublime were one of the original third wave ska bands. If it wasn’t for Sublime, I’d wage that bands like Reel Big Fish, Less Than Jake, and others wouldn’t be around today as we know them. I actually got into Sublime a few years after hearing RBF and LTJ, so I maybe heard them in the wrong order. Anyway, this album is fantastic. I love how the happy sounding music contrasts with the often dark themes in the lyrics - something that has become fairly common in ska-punk as a whole. I love this album. Wrong Way is under-appreciated, in my gammy little opinion.
I know Sublime's hits well but not this album. I've probably listened to it a few times but I really enjoyed giving it a closer listen. The hits are all still awesome - What I Got (the reprise is the superior version), Wrong Way, April 29 1992, Santeria, Caress Me Down, and Doin Time. But some of the non-hits were excellent - Garden Grove (slacker reggae at its best), Same in the End (the ska opens up into a wicked rocker at every chorus), Jailhouse (more slacker reggae with some awesome guitar and bass licks), Burritos (classic ska punk sound), and Under My Voodoo (starts bluesy but turns into Hendrix-like rock). A couple other songs weren't as good but still solid - Seed (irreverent punk), Pawn Shop (they go real heavy a few times in this cover and it's cool), Get Ready (white reggae). If I have one gripe, it's that the album goes a little long. But there's not many songs that I don't like despite that. Maybe a 4.5 but rounding up to 5 because I don't think there's really any other album of this style (or styles) that does it so well. Lots of ska or skater/surfer punk but none as close to as good as this.
I like it. The vocal is particularly clear and pleasant without silly affectations that plague punk (eg. Billie Armstrong mimicking British accent) or hard rock (growling and screaming). Sad to hear about the lead singer's death.
This album brought me right back to high school. This album was released after Bradley Nowell’s death and is bookended by absolute hits. I was largely unfamiliar with the middle of the album and it fell a bit flat for me. I was surprised to hear more straightforward rock tracks as Sublime is known for their ska primarily. I’m surprised that Sublime wasn’t on the original list.
Definitely enjoy the ska punk reggae vibe from Sublime. There is enough really strong tracks in here (Santeria, Wrong Way, What I Got, Sam in the End, Caress Me Down, Doin’ Time) that make the long journey worthwhile. There a bit of uneven content, nothing bad, but not particularly interesting.
This is an album that I absolutely want to hate. Not because it's a bad album but because it's beloved by some of the most annoying people ever: barely functional burnouts and frat douchebags (this may be a dated experience. I'm 39 and those pukka shelled pukes lost their mind over this way back when I went to school)
Now that I got that nonsense out of the way: I really like this album. I don't need to hear any of those singles ever again. The local rock station I'm sometimes subject to at my job still beats those songs into the ground; but they are good songs nonetheless.
The rest of the album has more hits than misses. I like when they keep things punkier and not so deep into dub/reggae/whatever territory.
It's a really good album. I had this as a teenager and believe me there are few albums I was listening to back in the 90's that I still enjoy today.
It seems like every time somebody says they don't like Sublime, it's not because of the music, but rather because they associate it with an annoying frat bro they knew named Chadley or something.
Anyways, banger. Another baffling exclusion from the list. On a roll the past few days.
God, the insane number of hours I've spent driving around stoned as fuck and listening to this album. If we're going strictly by nostalgia, this album is a solid 5 stars, even though I got sick of it by the end of my time in college. We'll see how this album feels in 2025.
It's hard to listen to this one with fresh ears. Overall it sounds really good, and I was shocked to find out that it was produced by a member of the Butthole Surfers. The lyrics are often not great, but not terrible either (I'd put them slightly above RHCP in terms of quality). This album is certainly less of a cover album than 40oz was, which is good, but I like listening to that album more. I feel like the highs are really high on this album, the overall quality is pretty good, but then at times the band sounds like they're not trying very hard.
4/5, but far closer to 3/5 than my teenage self would have felt comfortable with
A pivotal ska album that really deserves a spot on this list. Now that I think about, I’m not sure if there was any ska in the original 1001 albums. There was hardly any reggae either - basically just a couple of Marley records and that dogshit Clapton album.
I’m very glad I got to check this out again, as I remember not really vibing with it a few years ago. I think I went in expecting bright and punchy horns-led ska like Reel Big Fish, so the harder skank of Sublime just didn’t hit that spot. It’s much more an extension of skate punk, with some hip-hop and almost nu-metal influences in there too, along with some great hooks even if they’re a bit more subtle than other bands. Enjoyed this quite a lot in the end
I've heard this one before! weird flashback of music. Catchy as hell. Predicting a 4. I'm enjoying it more than I expected, especially since their lead singer died.
I like this but I just can’t love it.
I feel like maybe it’s not quite what I want it to be. I want it to be more stoner chill reggae, or more punky angry political but it just doesn’t quite hit the mark.
It’s harsh, because they have no obligation to please me, but I’m not quite there for a 5 I’m afraid.
Reminds me of my college roommate. He loved these dudes! This album definately deserves to be on the official 1001 list. This stoner ska punk sound was huge in the 90's.
Favorite songs: Wrong Way, Santeria, Same In The End, What I Got, Caress Me Down, The Ballad of Johnny Butt, Pawn Shop
Least favorite songs: Seed, Get Ready
4/5
I have this album, but it's been a long time since I have listened to it in its entirety. It's a fun album, although a bit overlong.
It's sad that the band did not become big until tragedy because it would have been interesting to hear their next steps afterwards.
There was a time I got tired of hearing "Santeria," because it seemed on the radio ALL the frigging time.
This would be a perfect album of about 40 minutes long, you cut things like "Pawn Shop" and "Seed," maybe put them on the next album or something. It's not that they're bad, but they don't stand up to the top songs on the album
Top tracks: "Wrong Way," "Caress Me Down," "What I Got," The Ballad of Johnny Butt"
It is a longer album, but it has a lot of well known songs. I have always been on the fence about Sublime. I would definitely listen to some of there songs again, but I do not have the desire to listen to everything by them.
Ska punk plus a wide mix of genres, it's not really my thing but has good energy and some catchy melodies and hooks. Ahead of it's time in 1996 and possibly paving the way for the rock/rap crossover of the early 00s? Like many records or the CD era, it's about 20 mins too long, but that's forgiveable.
It's really sad that the singer didn't live to see the release and huge success of this album.
Rating: 3
Playlist track: What I Got
Date listened: 19/07/24
Sublime was never really my thing, but I will hand it to them. They had a particular gift for building various influences into a sound and vibe that is very much their own. Add to that Bradley Nowell's (RIP) natural charisma, and you have something really interesting. That stylistic diversity can be a double edged sword though, which sometimes can come off as being a bit scattershot and unfocused. But overall, this was a really well made album that absolutely should have made the original list.
Fave Songs: Santeria, What I Got, Garden Grove, Wrong Way, April 29, 1992 (Miami), Pawn Shop
I had this album in the 90s, but lost interest in the ska-ish music despite all the hits on it. A fun return to the era today listening to this even though it isn’t going to become a regular listen.
I've heard the band name but never listened. This was not for me. It just reeks of the 90s and has that vibe of a type of music I just don't really enjoy. Maybe you had to be there to get it.
Also, too long. Cut 20 minutes.
My personal rating: 3/5
My rating relative to the list: 3/5
Should this have been included on the original list? Sure why not. I know they've had impact on the industry with this album.
Yeah this was pretty fun actually! I wish I could give it a 3.5. wasn't 100% my thing but I enjoyed that it was upbeat and light hearted. A couple of songs I didn't like so much... pawn shop got a bit annoying. But overall... Good!
Perfectly fine and chill and it's all good (which was more or less one's real-time resopnse to this back in the day), just not very engaging or edgy or interesting in the end. Maybe one's just a square, but is at least a little embarrassed to admit one might like Jack Johnson a bit better.
Ok this is actually good. I am shocked this wasnt on the original list, so I have no complaints about it being here. I’m not obsessed with the vocals but I do see influence and I like the music.
Mixed feelings towards Sublime, as while they've never been my favourite bands (even with their evergreen karaoke pick "Santeria"), it seems wrong that they're not a part of the original list.
Maybe they forgot to release it in the UK or something, because the hits from Sublime's self-titled are all over Canada.
I just refreshed myself on the 1996 portion of the book and woof...
Didn't need a 2nd Barry Adamson or Everything But the Girl; I'd argue Manic Street Preachers or Belle and Sebastian* didn't need a 2nd album either. There was plenty of room for one 1996 slacker-ska-punk record!
3.5/5
worth it for the singles at least
HL: "What I Got", "Santeria", "Burritos", "Get Ready", "Doin' Time"
November 27, 2025
*I'm sorry Belle and Sebastian, I would never cut you
I think I'll keep my negative thoughts to myself. The album is well-performed, and while it doesn't gel with me, there are songs that haven't been overplayed to death enough to enjoy. Favorite tracks: "Caress Me Down", "Doin' Time", "Under My Voodoo"
It's hilarious that I just scorched the last pick for being dub and so what do I draw next? The teen angst version of dub.
This is way worse than I ever suspected, even though I never gave it the time of day when it was new. They've got 3 good songs.
I was never a Sublime fan, even though they skirt close to some of my favourite genres, they're too far into the ska/reggae/stoner sound and not enough of the punk side for me. This album has its moments though, Pawn Shop is really good, Get Ready is a jammer, but most of it is a little too laid back with some ropey lyrics. High 2/5.
The additional albums to this list are exposing that in the gap between British and US listening they also had a list of bog standard song free albums that people listened to as rites of passage in college. It's like they had 20 or 30 Razorlites and Stereophonics as well.
Man this is absolute pub band level.
Wow I hated Sublime. Just hated them.
Decades pass, I mellow out, haven't heard them since the 90s.... <sigh> the music isn't what I'm into ...but it's actually not bad but these lyrics are just stupid. I'll just politely pass.
(but yes this album should have been in the book, so my ranking - as none are - is not subjective)
3/10 2 stars.
IMO: like it or not: should this have been in the original book [which should be called: 1001 Albums That Helped to Shape Music History]? yes.
When it comes to ska, the original list only covers the 2 tone era such as Madness and the Specials. Third wave ska really only took off in America, so it's a bit of a misfire not to include the likes of early Smash Mouth, No Doubt, and of course Sublime. Sublime took more than just ska into consideration for their sound though, fusing reggae rock and occasionally straightforward punk to create a multi-faceted album. Even today, they still play Santeria on the radio. So. They obviously did something right.
My opinion? I only like the punk parts. So much of Sublime's self-titled appeals to college-aged white guys who are getting really into weed, which is not me. There are some interesting parts (Under My Voodoo kinda goes crazy), but I personally do not get much out of white guys doing reggae. It's not terrible, but it's just not my thing either.
CONTENDER FOR THE LIST: Maybe? There's no denying the band was immensely popular during their time (especially with this album) and are a core pillar of third wave ska, I just can't help but feel like they are overrated to some degree. I could lean towards their inclusion on the list, but that doesn't mean I'll like it.