My 1001 Albums Journey

Album	You	Global	Diff
New Boots And Panties Ian Dury	5	2.69	+2.31
The White Room The KLF	5	2.78	+2.22
You Are The Quarry Morrissey	5	2.86	+2.14
Cafe Bleu The Style Council	5	2.88	+2.12
Connected Stereo MC's	5	2.94	+2.06
Black Monk Time The Monks	5	2.94	+2.06
Ghosteen Nick Cave & The Bad Seeds	5	2.96	+2.04
For Your Pleasure Roxy Music	5	2.98	+2.02
Fire Of Love The Gun Club	5	2.99	+2.01
Wild Gift X	5	3	+2

Album	You	Global	Diff
Kind Of Blue Miles Davis	1	4.05	-3.05
Time Out The Dave Brubeck Quartet	1	3.83	-2.83
Let's Get It On Marvin Gaye	1	3.78	-2.78
Dummy Portishead	1	3.71	-2.71
Californication Red Hot Chili Peppers	1	3.69	-2.69
The Miseducation of Lauryn Hill Lauryn Hill	1	3.66	-2.66
A Love Supreme John Coltrane	1	3.63	-2.63
Birth Of The Cool Miles Davis	1	3.63	-2.63
To Pimp A Butterfly Kendrick Lamar	1	3.63	-2.63
Parsley, Sage, Rosemary And Thyme Simon & Garfunkel	1	3.61	-2.61

Artist	Albums	Average
David Bowie	9	4.56
Bruce Springsteen	5	4.8
Beatles	7	4.57
Bob Dylan	7	4.57
The Rolling Stones	5	4.6
The Smiths	3	5
Jimi Hendrix	3	4.67
Black Sabbath	3	4.67
The Cure	3	4.67
Depeche Mode	2	5
T. Rex	2	5
New Order	2	5
The Jam	2	5
Joy Division	2	5
Talking Heads	4	4.25
Morrissey	3	4.33
Queen	3	4.33
Roxy Music	3	4.33
Nick Cave & The Bad Seeds	3	4.33

Artist	Albums	Average
Miles Davis	4	1.25
Tom Waits	4	1.25
Frank Sinatra	3	1.33
Dinosaur Jr.	2	1
Sepultura	2	1
Ali Farka Touré	2	1
Red Hot Chili Peppers	2	1
Mudhoney	2	1
Emerson, Lake & Palmer	2	1
Bee Gees	2	1
Slipknot	2	1
Björk	4	1.75
Kraftwerk	3	1.67
Kanye West	3	1.67
k.d. lang	2	1.5
Primal Scream	2	1.5
Kendrick Lamar	2	1.5
King Crimson	2	1.5
Baaba Maal	2	1.5
Megadeth	2	1.5
Fairport Convention	2	1.5

Artist	Ratings
TV On The Radio	1, 5
Amy Winehouse	5, 2
Gene Clark	2, 5
Lou Reed	4, 1
Nick Drake	1, 4, 4

Led Zeppelin

3/5

Led Zeppelin IV has definitely grown on me over the years, much like the band themselves. When I first heard it, I thought it was good but not exceptional. With each listen though, more layers reveal themselves, and I have come to properly appreciate just how strong the songwriting and musicianship really are. This album balances power and subtlety brilliantly. Black Dog has that swaggering riff and raw energy, while Stairway to Heaven builds patiently into something huge and timeless. It is easy to see why these songs became classics, but the strength of the record goes beyond just the big hitters. The production feels expansive yet controlled, and there is a confidence running through the whole album. It is one of those records that rewards repeat listens, each time offering something new. Favourite song: Stairway to Heaven. Iconic, layered and unforgettable. Least favourite: None. Every track feels like it belongs. Album artwork: Cool and mysterious. The absence of the band name adds to its timeless, almost mythical feel.

Songs In The Key Of Life

Stevie Wonder

4/5

Songs in the Key of Life is a timeless masterpiece. An album overflowing with musical brilliance, heart and soul. Listening to it is more than just enjoyable, it feels like a full experience. The depth across this record is astonishing. It moves effortlessly between joy, celebration, reflection and social commentary. The arrangements are rich, the melodies unforgettable and the musicianship is on another level. Yet for all its scale and ambition, it never loses its warmth. Sir Duke is pure joy. An exuberant celebration of music and the legends who shaped it, bursting with energy and one of the most uplifting horn lines ever recorded. In complete contrast, Village Ghetto Land is delicate and deeply moving, with its sharp social commentary and beautiful, almost haunting arrangement. That balance between light and shade is what makes the album so special. There genuinely is not a weak track here. Every song feels purposeful and adds something to the whole. It is joyful and profound at the same time, and it is easy to understand why it is regularly cited as one of the greatest albums ever made. Favourite song: Sir Duke Least favourite: None. Every track earns its place. Album artwork: Striking and iconic. Bold, warm and perfectly reflective of the music inside

Revolver

Beatles

5/5

A fantastic album and possibly my favourite Beatles record. This is the album that helped me fall in love with music. Fifteen tracks in just over forty minutes and not a second is wasted. It is packed with invention, melody and confidence. Every song feels like it could be a single and the energy never fades. The bassline on Taxman is iconic. It completely drives the song and you can hear its influence years later in Start by The Jam. Two brilliant tracks connected across decades. That kind of legacy says everything about how groundbreaking this record was. Eleanor Rigby is haunting and cinematic. Got to Get You into My Life is pure energy and soul. The variety across the album is staggering, yet it still feels cohesive. It is creative, bold and endlessly replayable. Favourite songs: Eleanor Rigby and Got to Get You into My Life Least favourite: Doctor Robert. It never quite clicks with me. Album artwork: A very cool and striking cover that perfectly captures the spirit of the era

Dummy

Portishead

1/5

Not for me. I have never really been able to get into Portishead, and this album does not change that. I can hear the atmosphere and the mood they are creating, and I understand why it was so influential, but as a listening experience it feels very samey to me. The production is dark and cinematic, and Beth Gibbons’ voice is distinctive and haunting, but the overall tone rarely shifts. After a few tracks it all blends together and I find my attention drifting. I can appreciate the craft and the impact it had in the mid nineties, but it simply is not an album I connect with. Favourite track: None that truly stood out for me Least favourite: The overall sound becomes repetitive Album artwork: A cool, moody cover that fits the music perfectly

Kind Of Blue

Miles Davis

1/5

Jazz is just not really for me. I can appreciate the musicianship and the influence this album has had, but as a listening experience it does very little for me. It feels slow and meandering, and I struggle to stay engaged. I know this is considered one of the greatest albums ever recorded, but it simply does not connect with me. There is no doubt the playing is technically superb, and you can hear the skill and restraint in every note. It is just not a sound or style that moves me in the way rock or soul does. Favourite song: I genuinely could not pick one that stood out. Least favourite: The overall experience felt dull to me. Album artwork: A fairly standard jazz cover, understated and serious, much like the music itself

Urban Hymns

The Verve

3/5

Urban Hymns by The Verve is a standout album that truly defined the sound of a generation—mine included. It captures a unique blend of emotion and atmosphere that still resonates today. The Verve were also an incredible live band, and that raw energy comes through in every track. Favourite Tracks: There are some absolute belters on this album. Bitter Sweet Symphony is iconic for a reason—its sweeping orchestration and emotional pull are unforgettable. Sonnet is another highlight, with its poignant lyrics and haunting melody. Least Favourite Track: Honestly, every song on Urban Hymns brings something to the table. There’s no real weak link—each track feels carefully crafted and worth revisiting. Album Artwork: The cover is effortlessly cool. It perfectly reflects the introspective, moody vibe of the music within.

Sometimes I Wish We Were An Eagle

Bill Callahan

4/5

I wasn’t entirely sure what to expect from this one. I knew Bill Callahan by name but had never really sat with a full album properly. This feels like one of those records that demands patience rather than immediate reaction. His voice is the first thing you notice. It is deep, calm and completely unhurried. There is something very steady about the way he delivers lines, almost conversational but with real weight behind it. The music matches that mood perfectly. Gentle strings, subtle arrangements and songs that take their time to unfold. Nothing feels rushed. Lyrically it is intelligent and often very dry. There is humour in there but it is subtle and understated. The album feels reflective without being self indulgent. It is not a record packed with big hooks or obvious singles, but the more you listen the more it draws you in. It is not an instant classic for me, and at times it can feel a little emotionally distant. But there is depth here and it rewards attention. This feels like a quiet Sunday morning album, one you put on when you want something thoughtful and measured rather than loud or dramatic. Favourite song: Eid Ma Clack Shaw Least favourite song: Too Many Birds Album artwork: Moody and striking. The cover suits the tone of the music perfectly.

Tapestry

Carole King

4/5

Such a good album, packed with songs you already know even if you think you do not. I had never properly listened to Tapestry before, but I really enjoyed it. There is something warm and effortless about the whole record. The songwriting is strong without being flashy, and the melodies just feel natural and honest. I Feel the Earth Move is full of energy and confidence, while It’s Too Late is beautifully understated and emotional. The album flows so well and never feels overdone. It is personal, reflective and quietly powerful. There is not a single track I disliked. It is one of those albums that just feels comforting and timeless from start to finish. Favourite songs: I Feel the Earth Move and It’s Too Late Least favourite: None. Nothing I hated at all. Album artwork: Simple and iconic. A relaxed portrait that perfectly matches the intimate feel of the music

Eli And The Thirteenth Confession

Laura Nyro

2/5

Album Review: Eli and the Thirteenth Confession – Laura Nyro Going into this, I had never heard of Laura Nyro before, so I was genuinely curious to explore Eli and the Thirteenth Confession. It turned out to be a really interesting listen—definitely not what I was expecting. The album has a theatrical, expressive quality to it that feels almost like a stage performance. While many of the songs are strong in their own right, I found myself preferring some of the versions I've heard covered by other artists. There’s no doubt Nyro was a bold and unique talent, but the showy, dramatic tone didn’t fully connect with me.

Dirty

Sonic Youth

1/5

I have spent the best part of twenty years trying to get into Sonic Youth. They are one of those bands that critics and musicians absolutely revere, and on paper they should be right up my street. Every few years I go back in, hoping this will be the moment it finally clicks. Listening to Dirty again, I really wanted it to win me over. It did not. There is no denying the influence or the attitude, and the production has that thick early 90s alternative rock weight to it. But for me it just feels like a fairly standard heavy record from that era. The guitars are noisy, the vocals detached, and the songs blur into one another without ever really grabbing me. I keep waiting for something to spark, a melody, a hook, a moment of chaos that feels exciting rather than just abrasive, but it never quite arrives. I can appreciate what they were doing and why so many people love them. It just does not connect with me emotionally. After multiple attempts over the years, I think I have to accept they might simply not be my band. Favourite song: 100% Least favourite song: Orange Rolls, Angel’s Spit Album artwork: Bold and very of its time. Instantly recognisable.

Duck Stab/Buster & Glen

The Residents

1/5

This was a very tough listen for me. I understand that the point is to be strange, unsettling and completely unconventional, but it just does not work for me at all. The songs feel chaotic and disjointed, with melodies that never really develop and structures that seem deliberately awkward. I can appreciate that it is experimental and probably influential in certain circles, but as an actual listening experience I found it grating rather than interesting. It is the kind of record that feels more like an art project than an album you would ever choose to put on. Favourite track: None stood out for the right reasons Least favourite: The overall sound just never clicked Album artwork: Bizarre and eye catching, which probably sums the whole thing up

2112

Rush

1/5

This really was not for me. I can appreciate the ambition behind 2112. The musicianship is clearly impressive and the concept is bold. But as a listening experience it just does not land for me at all. The long, sprawling title track feels overblown rather than epic, and the theatrical vocals make it hard for me to connect with the story. There is no doubt Rush are talented, but the combination of progressive rock excess and sci fi concept leaves me cold. It feels more technical than emotional, and I struggle to find anything that draws me in. Favourite track: None that truly grabbed me Least favourite: The extended title suite is particularly hard work Album artwork: Striking and instantly recognisable, even if the music does not match it for me

Get Rich Or Die Tryin'

50 Cent

1/5

I know this is considered a landmark album in early 2000s hip hop, and for a lot of people it defined an era. I went into it fully aware of its reputation and cultural impact, hoping I might find something in it that connected. It just did not land for me. The production is polished and confident, and you can hear why it dominated at the time. There is swagger, hooks and plenty of attitude. But across a full album listen, it all felt very one dimensional to my ears. The themes, the tone and the overall vibe never really shift, and I found myself disengaging rather than getting pulled in. I can respect its place in music history and the impact it had commercially and culturally. It is clearly an important record for the genre. It just does not align with my personal taste, and I cannot see myself returning to it. Favourite song: None stood out enough for me Least favourite song: Most of the album blends into one for me Album artwork: Instantly recognisable and iconic for many, but not one I would choose to display

You've Come a Long Way Baby

Fatboy Slim

3/5

I really enjoyed this. It is fun, loud, confident and completely of its time in the best possible way. Big beats, massive hooks and samples everywhere. It does not pretend to be deep or overly serious. It just wants you to turn it up and enjoy yourself. The big hits still sound great. Right Here, Right Now has that huge build that feels cinematic and uplifting. Praise You is effortlessly catchy and impossible not to nod along to. The whole album flows brilliantly and never outstays its welcome. This is easily my favourite Fatboy Slim album. It captures that late nineties energy perfectly and feels like pure nostalgia without sounding dated. Favourite song: Right Here, Right Now Least favourite: None. It is consistently fun throughout Album artwork: Bold and iconic. Instantly recognisable and perfectly matched to the energy inside

Lady Soul

Aretha Franklin

3/5

Aretha Franklin’s voice has always amazed me, but Lady Soul really drives home just how untouchable she was at this point in her career. From the very first note, the album feels confident, powerful and completely in control. There is that unmistakable Northern Soul energy running through it, but it is balanced with real emotional depth. She can sound defiant and gritty one moment, then tender and vulnerable the next. The band grooves effortlessly behind her, but it is always her voice that commands your attention. Every phrase feels lived in, every note deliberate. What stands out most is how timeless it sounds. These are not just great soul songs, they are performances that still feel alive decades later. There is not a weak moment here. It flows beautifully from start to finish and never dips in quality. Favourite song: Chain of Fools. A gritty, infectious groove that captures Aretha’s raw power and charisma perfectly. Least favourite song: None. Every track earns its place. Album artwork: Stylish and era defining. It matches the confidence and class of the music inside.

Happy Sad

Tim Buckley

2/5

I have struggled with Tim Buckley in the past, so I came into Happy Sad hoping this might be the one that finally pulled me in. It has a reputation for being more adventurous and jazz influenced, which made me think it could land differently. There are moments here that are genuinely beautiful. The arrangements are loose and atmospheric, drifting between folk and jazz with a kind of late night intimacy. His voice is expressive and fragile, and at times it creates something quite haunting. You can hear the ambition and the willingness to stretch beyond standard singer songwriter territory. But across a full listen, I found it hard to stay emotionally connected. The album leans heavily into introspection, and for me it tips too far into melancholy. Instead of feeling moving, it often feels weighed down. The songs drift rather than build, and I kept waiting for a moment that would truly lift it. I can appreciate what he was trying to do and why this record is so admired. It just does not quite resonate with me personally. Favourite song: Buzzin’ Fly Least favourite song: Love from Room 109 at the Islander Album artwork: Soft and understated, very much in keeping with the mood of the record

From Elvis In Memphis

Elvis Presley

1/5

This just is not for me. I know From Elvis in Memphis is often regarded as one of his strongest later records, and I can hear the quality in the production and musicianship. The performances are polished and the vocals are powerful. But it simply does not connect with me. Later era Elvis has never really been my thing. It feels smoother and more restrained, and I miss some of the raw energy that made his earlier work so exciting. As a full album, it drifts rather than grabs me. I can appreciate why people love it, but it is not one I will be revisiting. Favourite song: None that truly stood out for me Least favourite: The overall tone just does not land Album artwork: A classic live style image, but nothing that elevates the record for me

Goodbye And Hello

Tim Buckley

3/5

Two Tim Buckley albums in one week, and this time it is Goodbye and Hello. After not really connecting with Happy Sad, which I rated a 2, I was hoping this earlier record might suit me better. It definitely does. This feels far more dynamic and engaging. The folk foundations are still there, but there is a psychedelic sweep to it that gives the songs more shape and drama. The arrangements are fuller, the melodies more immediate, and the performances feel more alive. Buckley’s voice is still distinctive and ambitious, but here it feels anchored by stronger songwriting. There is introspection, of course, but it never feels as heavy or weighed down. Instead, the emotion feels purposeful and expressive. The longer tracks stretch out without losing interest, and there are moments that genuinely stand out rather than drift past. It is not flawless, but it is a clear step up for me and a reminder of why Buckley holds such a unique place in the late 60s folk scene. Favourite song: Morning Glory Least favourite song: Carnival Song Album artwork: Very much of its era, colourful and slightly surreal, which fits the music well

xx

The xx

4/5

I loved this. Intro is such a beautiful opening. Minimal, atmospheric and instantly recognisable. It sets the tone perfectly. Crystalised is another standout. Simple, moody and completely addictive. There were a few songs on here that I had heard before but never realised were by The xx, which made it even more enjoyable. The stripped back production really works. It feels intimate and understated rather than empty. This is an album I will definitely come back to. It is calm, cool and quietly powerful. Favourite songs: Intro and Crystalised Least favourite: None that stood out negatively Album artwork: Simple and striking. Clean and instantly recognisable

I See You

The xx

3/5

It is quite odd to get two albums by The xx in two days, but it has actually been a welcome surprise. It has properly introduced me to the band and made me pay attention in a way I had not before. I See You feels a little brighter and more open than xx. There is still that minimalist core, but the production has more colour and movement. The hooks are stronger and the songs feel slightly more immediate. On Hold is incredibly catchy and easily one of the standout moments. I Dare You has a warmth and confidence that really works. The whole album flows well and is an easy, enjoyable listen. Favourite songs: On Hold and I Dare You Least favourite: None that stood out negatively Album artwork: Simple, bold and instantly recognisable, very much in keeping with their aesthetic

evermore

Taylor Swift

3/5

Evermore is a really strong follow up to Folklore and shows just how much Taylor Swift has grown as a songwriter. The album leans into indie folk and alternative pop again, but it feels slightly darker and more atmospheric. The storytelling is cinematic and detailed, with characters and narratives that pull you in. It is reflective, moody and beautifully arranged. Somewhere along the way I have realised I might actually be a Taylor Swift fan. No Body, No Crime is a clear standout. It has that noir country edge and a gripping storyline that makes it instantly memorable. It adds a bit of grit to an otherwise delicate and introspective record. There are no obvious weak spots. The album feels cohesive and carefully constructed, and it rewards listening all the way through rather than picking out just one or two tracks. Favourite track: No Body, No Crime Least favourite: None. It is consistently strong Album artwork: Muted and mysterious. A cool, understated cover that perfectly matches the tone of the music

Hail To the Thief

Radiohead

2/5

I have never really been a fan of Radiohead, and Hail to the Thief does not change that for me. There are moments where individual songs are perfectly fine, but as a full album it feels overly long and a bit repetitive. The mood rarely shifts enough to fully pull me in, and after a while many of the tracks start to blur together. I can hear the ambition and the political edge running through it, and I respect what they are trying to do. It just does not connect with me emotionally. A lot of it sits in that space of being OK rather than memorable. Favourite track: None that truly stood out Least favourite: The overall sound becomes repetitive over the length of the album Album artwork: Distinctive and bold, certainly more striking than the music for me

The Grand Tour

George Jones

1/5

I can absolutely recognise that George Jones is a giant of country music, and The Grand Tour is often held up as one of his finest records. Going into it, I knew I was stepping into classic 70s country storytelling at its purest. It just is not really my thing. There is no denying the quality of his voice. It is rich, controlled and full of emotion. The title track in particular is a masterclass in heartbreak and delivery. You can hear every ounce of pain in the phrasing, and the production is polished without losing that traditional country feel. But as a full album, it does not quite connect with me. The themes are heavy on sorrow and domestic heartbreak, and while I can respect the craft, I never feel truly drawn in. It is beautifully performed, just not something that fits naturally with my taste. I can see why it is revered, and for fans of classic country this will be essential listening. For me, though, it is more admiration than enjoyment. Favourite song: The Grand Tour Least favourite song: She’ll Love the One She’s With Album artwork: Very much of its time. Simple and classic country styling

Apocalypse Dudes

Turbonegro

1/5

I went into Apocalypse Dudes expecting loud, outrageous, over the top rock and roll. I do not mind swagger or silliness if the songs back it up. Unfortunately, this one just did not land for me at all. It leans heavily into parody and glam infused sleaze, but instead of feeling sharp or knowing, it felt cartoonish. The whole thing came across like a poor man’s Spinal Tap, all attitude and excess without enough genuinely strong songs underneath. The riffs are big and brash, but after a while it all starts to blur into one long exaggerated joke. I can see how the tongue in cheek style and camp bravado would appeal to some. There is clearly a cult energy to it, and I imagine it would be chaotic fun live. On record though, it felt more irritating than entertaining. It is not one I will be revisiting.

Vivid

Living Colour

1/5

This really was not for me. At times it feels like full on wrestling entrance music, all bombast and bluster without much subtlety. I know it has its fans and I can respect the musicianship, but as an album it does very little for me. It is loud, relentless and just not a sound I connect with. That said, I will give it some credit for Cult of Personality. It is a great tune. Big riff, big hook and undeniably catchy. That track alone drags the album up to a two out of five for me. Favourite song: Cult of Personality. A genuinely strong track. Least favourite: The rest of the album does not do much for me. Album artwork: Fairly forgettable. Nothing that stands out in the way the single does

Five Leaves Left

Nick Drake

1/5

This one really did not connect with me at all. I know Five Leaves Left is widely regarded as a beautifully delicate folk record, but I found it slow and difficult to engage with. The stripped back arrangements and hushed tone never really build into anything, and I struggled to stay invested. Nick Drake’s voice, which many people find intimate and haunting, just does not work for me. It feels too subdued and never quite lifts the songs. As a full album, it drifts rather than grabs. I can appreciate the craft and the influence it has had over the years, but as a listening experience it left me cold. Favourite song: I genuinely could not pick one Least favourite: The overall sound just did not land for me Album artwork: Understated and moody, but not something that stands out for me

461 Ocean Boulevard

Eric Clapton

3/5

I have never really been a big Clapton fan, so this one came as a surprise. I genuinely enjoyed this album. It feels relaxed and confident, with a warm, laid back groove running through it. The production is smooth without feeling over polished, and the songwriting is stronger than I expected. I Shot the Sheriff is the clear standout for me. It has a great feel to it and is easily the most memorable moment on the record. Beyond that, there are several solid tracks that make the album an easy and enjoyable listen from start to finish. It may not completely convert me into a die hard Clapton fan, but it definitely made me appreciate this period of his career far more. Favourite song: I Shot the Sheriff Least favourite: None that stood out negatively Album artwork: Simple and understated, fitting the relaxed tone of the music

She's So Unusual

Cyndi Lauper

2/5

There are some really nice pop songs on this album, even if it is not something I would usually choose to put on. It is unapologetically eighties. Bright, bold and full of character. At times it feels very much of its era, which is probably why it is not one I would revisit regularly. That said, there is no denying the strength of the big singles. I absolutely love Time After Time. It is a beautiful, timeless song with genuine emotion at its core. Girls Just Want to Have Fun is pure pop joy. Catchy, energetic and impossible not to smile along to. Those two tracks alone make the album worth hearing. Favourite songs: Time After Time and Girls Just Want to Have Fun Least favourite: The deeper cuts do not leave much of an impression Album artwork: Colourful and very eighties. Instantly recognisable and full of personality

Back To Black

Amy Winehouse

5/5

I love this album. Back to Black felt completely different when it came out. In the middle of mid 2000s pop, this raw, retro soul sound stood out immediately. It was bold, honest and full of character. The songs are sharp and memorable. Rehab is iconic, Back to Black is heartbreaking and powerful, and Tears Dry on Their Own has that Motown energy that makes it impossible not to move. Amy’s voice carries the whole record. It is smoky, vulnerable and full of attitude. What makes the album so strong is that beneath the retro production there is real emotional weight. It feels personal and unfiltered, which is why it still sounds fresh years later. Favourite song: Back to Black Least favourite: None. It is strong from start to finish Album artwork: Simple and striking. A timeless cover that perfectly matches the tone of the music

Triangle

The Beau Brummels

2/5

Another dive into psychedelic folk—this time with Triangle by The Beau Brummels, an album I hadn’t heard of before. While it had some lovely moments, with thoughtful lyrics and charming arrangements scattered throughout, it didn’t quite land for me overall. A few tracks stood out, but as a whole, it’s just not my style.

The Only Ones

3/5

I had never heard of this band before, so this was a genuine discovery for me and a very pleasant surprise. Another Girl, Another Planet is a brilliant song. Instantly catchy, full of energy and with that slightly raw late seventies edge. It is one of those tracks that grabs you straight away and refuses to let go. The album as a whole is really enjoyable. It sits somewhere between punk urgency and classic melodic songwriting, which works well for me. There is attitude, but there are also strong hooks and memorable choruses. It feels like a band with real personality. I went in not knowing what to expect and came away genuinely impressed. Always a good sign. Favourite song: Another Girl, Another Planet Least favourite: None that stood out negatively Album artwork: Very much of its era. Simple, understated and cool

Microshift

Hookworms

3/5

Microshift is one of the most recent albums I have come across in this challenge, and it was a really pleasant surprise. The sound feels modern and textured, but still melodic and accessible. There is a driving energy underneath it all, with layers of synths and guitars that create a slightly hypnotic atmosphere. It manages to feel fresh without being overly experimental for the sake of it. What I liked most is how immersive it is. The songs pull you in rather than hit you over the head, and the mood builds naturally across the album. It is the kind of record that benefits from repeat listens, and I will definitely be going back to it. Favourite song: A Short Distance Least favourite: None that stood out negatively Album artwork: Bold and distinctive. A striking cover that matches the modern feel of the music

War

U2

4/5

I had never listened to War by U2 before today, and I was pleasantly surprised by how much I enjoyed it. Compared to some of the band’s more popular albums, this one felt different—less about big, polished hits and more focused on raw, powerful songs with real meaning. Favourite Song: Sunday Bloody Sunday – an intense, anthemic track that perfectly captures the album’s emotional and political core. Least Favourite: Honestly, I enjoyed every track—nothing felt out of place or skippable. Album Artwork: A striking and iconic cover that sets the tone for the album’s serious, urgent message. War proves that U2’s strength lies not just in stadium-ready singles, but in their ability to craft music that speaks to something deeper.

Red Headed Stranger

Willie Nelson

1/5

I’ve never been a fan of Willie Nelson, and Red Headed Stranger didn’t change that for me. While I can appreciate its place in music history, I found the album quite slow and unengaging. It just didn’t hold my attention, and I won’t be revisiting it.

The Chronic

Dr. Dre

3/5

This really is one of the cornerstones of hip hop. I knew far more songs on here than I expected, which says everything about how influential this album has been. Musically, the production is superb. The beats are smooth, heavy and instantly recognisable. That G funk sound is laid back but powerful, and it still sounds great today. Nuthin’ but a G Thang in particular is a standout. It is effortlessly cool and easily the highlight for me. That said, some of the lyrics feel dated now and, in places, uncomfortable by today’s standards. While I can appreciate the cultural impact and context of the early nineties, certain themes and lines do not sit well decades later. Overall, I enjoyed it more than I expected. The production alone makes it worth hearing, even if parts of the content have not aged as well. Favourite song: Nuthin’ but a G Thang Least favourite: Some tracks feel lyrically dated Album artwork: Iconic and instantly recognisable, fitting for such an important record

Parklife

Blur

4/5

Brilliant indie pop and a proper rush of nostalgia for me. Parklife takes me straight back to my teenage years. It captures that mid nineties energy perfectly. Witty, sharp and full of character. The songwriting is clever without being pretentious, and the melodies are instantly memorable. Girls and Boys is pure Britpop. Catchy, confident and impossible not to sing along to. Parklife is just as iconic. That spoken word delivery and the everyday British observations make it completely unique. These songs were the soundtrack to my youth and they still hit the same way now. The whole album feels vibrant and full of life. It is playful, observational and very British in the best possible way. Favourite songs: Girls and Boys and Parklife Least favourite: None that stand out negatively Album artwork: Instantly recognisable and completely nineties. A perfect match for the era and the sound

Colour By Numbers

Culture Club

3/5

Not normally my sort of album or music, but there is no denying this has some huge eighties moments on it. Colour by Numbers is packed with that unmistakable early eighties pop sound. Bright, melodic and full of personality. At times it feels very much of its era, which is probably why I am not sure I would return to it often. Karma Chameleon is superb. An absolute classic and still incredibly catchy. It carries the album for me and reminds you why Culture Club were so massive at the time. Beyond that, several of the other tracks feel very eighties and slightly forgettable. Favourite song: Karma Chameleon Least favourite: A few of the deeper tracks blend together Album artwork: Bold, colourful and completely reflective of the era

Brutal Youth

Elvis Costello

3/5

Elvis Costello’s fourteenth album and he is still going strong. Brutal Youth feels like a confident return to that sharp, punchy sound he does so well. The songwriting is tight, witty and full of bite, but there is also melody and craft running through it. It does not reinvent the wheel, but it does not need to. It is a solid, enjoyable record from an artist who clearly still had plenty to say. There is energy throughout and it works well as a complete album. No obvious weak moments, just strong, well written songs delivered with that unmistakable Costello edge. Favourite song: Pony Street Least favourite: None. Every song is worth a listen Album artwork: A cool and understated cover that fits the tone of the record perfectly

Selling England By The Pound

Genesis

1/5

This is a very odd album to my ears. The long, sprawling songs move through multiple sections and ideas, often jumping around in ways that feel theatrical and unpredictable. I can see why progressive rock fans love it, but for me it feels overcomplicated rather than immersive. There is a strong pastoral, almost Robin Hood atmosphere running through parts of it, which adds to that slightly whimsical, medieval tone. There is no denying the musicianship. The playing is intricate and ambitious, and the band clearly had huge ideas at this stage. It just does not come together in a way that keeps me fully engaged. It is interesting and creative, but not something I would choose to listen to again. Favourite song: None that truly stood out for me Least favourite: The longer tracks feel particularly hard work Album artwork: Distinctive and very much in keeping with the album’s quirky, English tone

Strangeways, Here We Come

The Smiths

5/5

I absolutely love The Smiths, and like their other records, this is another five out of five for me. Strangeways, Here We Come is an incredible album and, sadly, their last. It captures a band at the height of their creative powers. The songwriting feels expansive and confident, pushing their sound slightly further while still keeping that unmistakable Smiths identity. There is wit, melancholy and drama running through the whole record. Johnny Marr’s guitar work is as inventive as ever, and Morrissey’s lyrics feel reflective and sharp in equal measure. It sounds like a band evolving, even as they were coming to an end. Favourite track: A Rush and a Push and the Land Is Ours. A bold and unconventional opener that sets the tone perfectly. Least favourite track: None. Every song earns its place. Album artwork: Striking and stylish. Elegant, slightly mysterious and unmistakably The Smiths

The Notorious Byrd Brothers

The Byrds

3/5

A really nice album and one that surprised me in places. The cover of Goin’ Back is a definite highlight. It is melodic, warm and beautifully arranged. The harmonies are superb and it captures that dreamy late sixties sound perfectly. It is one of those songs that just floats along and stays with you. There is a lot going on across this record. Psychedelia, country touches, studio experimentation and layered production. At times it feels ahead of its time, and you can hear how influential it would become. That said, I am not a big fan of the instrumentals. They break the flow slightly for me and do not have the same emotional pull as the vocal tracks. Overall it is an interesting and enjoyable listen. Not one of my absolute favourites from the era, but a strong and creative album with some genuinely great moments. Favourite track: Goin’ Back Least favourite: The instrumentals do not quite land for me Album artwork: A very cool and slightly quirky cover that perfectly fits the late sixties vibe

Fever To Tell

Yeah Yeah Yeahs

4/5

Loved this. Fever to Tell is full of raw energy and sharp, punchy songwriting. It has that garage punk edge but still manages to be catchy and immediate. The guitars are jagged, the drums drive everything forward, and Karen O’s vocals give the whole album attitude and personality. It feels urgent and alive. There is no overthinking, just direct, confident songs that hit hard. I had not heard much of their music before this, but this has definitely made me want to explore more of their catalogue. Favourite song: Maps Least favourite: None that stood out negatively Album artwork: Bold and striking. A cool cover that matches the album’s attitude perfectly

Exodus

Bob Marley & The Wailers

4/5

This was my first proper listen to a full Bob Marley album, and it did not disappoint. Exodus flows brilliantly from start to finish. The songs work so well together, balancing political messages with warmth, groove and melody. There is a laid back confidence throughout, but also real purpose in the writing. Three Little Birds is one of my favourites. It is simple, uplifting and timeless. The whole album has that same easy feel, yet there is depth beneath the surface. The rhythms are infectious and the songwriting is strong across the board. I came into this curious and came away genuinely impressed. A great album that fully lives up to its reputation. Favourite song: Three Little Birds Least favourite: None that stood out negatively Album artwork: Instantly recognisable and perfectly in keeping with the era and the sound

Bubble And Scrape

Sebadoh

2/5

I genuinely have no idea what I think about this album. Bubble and Scrape is all over the place. At times it hits something really special. There are moments of scrappy, lo fi brilliance where the melodies shine through the fuzz and the emotion feels raw and honest. Then, almost without warning, it veers into something that feels half formed or deliberately messy to the point of frustration. That unpredictability is probably part of its charm. It feels unfiltered and personal, like you are hearing ideas as they spill out rather than neatly packaged songs. But it also makes for a stop start listening experience. Just as I was getting pulled in, a track would come along that completely lost me. There is definitely something here though. Enough strong moments to make me think it deserves another listen. This feels like one of those records that might click properly with time rather than on first listen

Dog Man Star

Suede

4/5

I have always loved this album. Dog Man Star has such a raw, dramatic and slightly gothic sound. It feels darker and more theatrical than a lot of Britpop from the same era, and that is exactly why it stands out. There is ambition in the songwriting and a real sense of atmosphere running through the whole record. Heroine and We Are the Pigs are particular highlights for me. Both have that brooding intensity and sweeping feel that Suede do so well. The album is bold, emotional and never plays it safe. I have also seen them live and they were superb. The songs take on even more power on stage, with that same intensity and presence that makes the album so strong. Favourite songs: Heroine and We Are the Pigs Least favourite: None that stand out negatively Album artwork: Moody and striking. A perfect visual match for the sound of the record

Amnesiac

Radiohead

1/5

Not a fan at all. I have tried a few times with Radiohead, and Amnesiac does nothing to change my mind. The songs feel cold and distant, and vocally it leans into that fragile, almost whiny style that I struggle to connect with. After a few tracks it all starts to blur together. I understand that this period was about experimentation and pushing boundaries, but for me it feels more abstract than engaging. There is atmosphere, but very little warmth. It just does not move me in the way great albums should. Favourite track: None that truly grabbed me Least favourite: The overall tone feels repetitive and detached Album artwork: Dark, distinctive and memorable, even if the music does not land for me

Talking Heads 77

Talking Heads

4/5

I loved this. Talking Heads: 77 is packed with sharp, clever pop songs that feel fresh and slightly off kilter in the best possible way. The rhythms are tight, the guitars are clean and punchy, and there is a nervous energy running through the whole album that makes it completely engaging. I had not heard many Talking Heads songs before this, but this has definitely converted me. There is something unique about the way they combine art rock ideas with genuinely catchy hooks. It feels intelligent without losing its fun. Psycho Killer is obviously the standout. Such a great song. Instantly recognisable, tense and ridiculously catchy. It anchors the album brilliantly. Favourite song: Psycho Killer Least favourite: None that stood out negatively Album artwork: Simple and cool. Instantly recognisable and very much of its era

The Coral

3/5

It’s hard to believe this album is over 20 years old. I remember really enjoying it when I was younger, and it still holds up today. It’s packed with fun, catchy pop, and Dreaming of You remains an undeniable classic. Favourite Song: Dreaming of You – infectious, timeless, and full of energy. Least Favourite: Some of the later tracks feel a bit flat and don’t quite match the strength of the earlier ones. Album Artwork: A cool cover with a distinct '60s vibe that suits the band's retro-tinged sound. A nostalgic and enjoyable listen that still delivers plenty of charm.

Ingenue

k.d. lang

2/5

This one left me fairly neutral. There is no denying k.d. lang has a superb voice. It is rich, controlled and technically impressive throughout. The production is smooth and understated, leaning into a sophisticated pop and adult contemporary sound. That said, as a full album it feels a bit meh to me. The tempo and mood rarely shift enough to fully grab my attention, and a lot of the tracks blend together. It is pleasant, but not particularly memorable. Save Me is the standout and the one track that really rises above the rest. Beyond that, it is an album I can appreciate more than truly connect with. Favourite song: Save Me Least favourite: The overall album feels too safe and similar throughout Album artwork: A cool and stylish cover that suits the tone of the record

Abraxas

Santana

3/5

I enjoyed this far more than I expected to. Abraxas blends rock, Latin rhythms and blues in a way that feels both loose and precise. The instrumental sections are interesting and genuinely different. They never feel self indulgent and instead add colour and texture to the album. The musicianship throughout is superb, especially the percussion and guitar work. Black Magic Woman is obviously a highlight and a great tune. Smooth, hypnotic and instantly recognisable. The album flows really well from start to finish and feels cohesive rather than a collection of separate ideas. If I am being picky, it perhaps lacks that one enormous, era defining anthem that dominates the whole record, but the overall quality more than makes up for it. Favourite song: Black Magic Woman Least favourite: None that stood out negatively Album artwork: Completely nuts and all over the place, but in a way that perfectly matches the vibrant, psychedelic sound of the music

...The Dandy Warhols Come Down

The Dandy Warhols

2/5

There are a couple of genuinely great tunes on this album. Not If You Were the Last Junkie on Earth and Boys Better are absolute standouts and still sound sharp, catchy and full of attitude. When they hit that groove of fuzzy, slightly sleazy indie rock, it really works. The problem is the length. It is a long album, and there is a lot of material that feels like filler. Many of the tracks drift into a similar mid tempo haze, and after a while they start to blur together. The hooks are not always strong enough to justify the running time, and it loses momentum as it goes on. That said, listening to it did make me want to rewatch Dig. There is something undeniably cool about this era of the band and the whole scene around them. You can hear the ambition and the swagger, even if the album does not fully deliver on it. Favourite song: Not If You Were the Last Junkie on Earth Least favourite song: Hard to pick one, but several of the deeper cuts merge into one another Album artwork: Bold and very 90s, it captures the aesthetic of the band perfectly

That's The Way Of The World

Earth, Wind & Fire

3/5

This was a really fun and vibrant listen. From the first track, the album feels full of life and confidence. Earth, Wind and Fire have that incredible ability to blend funk, soul and pop into something that sounds effortless but is clearly crafted with serious musicianship. What I enjoyed most is how the album evolves as it goes along. It moves between upbeat, groove driven tracks and smoother, more reflective moments, yet it never feels disjointed. There is variety in style, tempo and mood, but it all works together as one cohesive piece. The musicianship is outstanding throughout. Tight rhythms, rich brass sections and those layered vocals give everything a warmth and energy that is hard not to smile at. It is the kind of album that instantly lifts your mood. It even makes me curious to watch the film of the same name, although I have heard that the movie itself does not quite live up to the soundtrack. Favourite song: Shining Star Least favourite song: None that stood out negatively Album artwork: Very 70s and very cool. It perfectly matches the cosmic, soulful vibe of the music

Hot Fuss

The Killers

4/5

Pop rock at its absolute best. Hot Fuss takes me straight back to nights out in my youth. Loud, confident, full of hooks and impossible not to sing along to. It captures that mid 2000s indie disco energy perfectly, with big choruses and sharp, driving rhythms. Jenny Was a Friend of Mine is a brilliant opener. Dark, punchy and instantly engaging. The album is packed with top tunes and feels cohesive from start to finish. It balances swagger with melody really well and never loses its momentum. There are one or two tracks that do not quite hit the same heights, but overall this is a cracking debut and still sounds great. Favourite song: Jenny Was a Friend of Mine Least favourite song: On Top Album artwork: Great cover. Clean, stylish and instantly recognisable. I love it

Songs Of Leonard Cohen

Leonard Cohen

4/5

Songs of Leonard Cohen is a beautifully cohesive debut. It creates a haunting, poetic atmosphere from the very first track and never really breaks that spell. The songwriting is the real strength here. Suzanne and Master Song are genuine masterpieces, lyrically rich and emotionally weighty. There is a quiet intensity to the whole album. It does not shout for attention. It draws you in slowly and rewards patience. So Long, Marianne is my personal highlight. Heartfelt, melodic and timeless. It carries warmth alongside the melancholy and feels like one of those songs that only grows stronger with age. There is not a bad moment on the record, although Sisters of Mercy is probably the one that resonated with me the least. Even then, it still fits the overall mood perfectly. Favourite song: So Long, Marianne Least favourite song: Sisters of Mercy Album artwork: Iconic and understated. It perfectly captures the introspective and enigmatic feel of the music within A powerful debut and a defining early statement from one of the great songwriters

Twelve Dreams Of Dr. Sardonicus

Spirit

1/5

This is quite a far out album and definitely a product of its time. In places it reminded me a little of The Who, particularly in the more energetic sections and the slightly ambitious, conceptual feel. It is a fun listen overall. There is creativity and variety throughout, and you can hear a band trying to stretch beyond straightforward rock into something more expansive. That said, there is quite a bit of filler for me, and too many instrumental passages that interrupt the flow rather than enhance it. When it locks into a strong melody it works really well, but it does not quite sustain that level across the whole record. Favourite song: When I Touch You Least favourite song: The instrumental sections tend to drag for me Album artwork: Completely mental. Psychedelic, bold and very memorable

Your Arsenal

Morrissey

4/5

A massive album for Morrissey and easily one of the high points of his solo career. Your Arsenal has real swagger. The glam infused rock sound suits him perfectly and gives the record a punch that some of his other solo work lacks. The guitars are sharp, the rhythms are confident and the lyrics are classic Morrissey. Witty, cutting and slightly camp in the best possible way. There is a boldness running through the whole album. It feels focused and self assured. This is Morrissey fully leaning into his persona and making it work. You’re the One for Me, Fatty is a standout. Catchy, cheeky and unmistakably Mozza. Tomorrow is solid, but for me it does not quite reach the same heights as the strongest tracks. Favourite song: You’re the One for Me, Fatty Least favourite song: Tomorrow Album artwork: Iconic and striking. A perfect visual match for the album’s attitude A confident and stylish record that stands tall in his catalogue

Fear Of A Black Planet

Public Enemy

4/5

Album Review: Fear of a Black Planet – Public Enemy Brothers Gonna Work It Out and Fight the Power—what a pair of tunes! This album is a definite keeper; it’s going straight into my playlist for repeat listens. As Public Enemy’s 9th studio album, it’s clear I’ll be diving into their back catalog soon. The album tackles heavy, thought-provoking subject matter with powerful delivery, making it both impactful and poignant. The combination of strong lyrics and sharp performance makes it a standout in early hip-hop. Favourite Song: Brothers Gonna Work It Out—a standout track, though all the songs are great. Least Favourite Song: Reggie Jax—didn’t quite hit the same mark for me as the others. Album Artwork: A striking image that perfectly captures the album’s bold message. An essential album for any hip-hop fan, blending social consciousness with unforgettable beats.

Fear Of Music

Talking Heads

4/5

What a great album this is. This challenge has really got me into Talking Heads, and Fear of Music is another example of why they are so highly regarded. There is a nervous, edgy energy running through the whole record, but it is still packed with hooks and clever ideas. Zimbra is such a bold opener, rhythmic and hypnotic. Minds is another standout, driving and slightly unsettling in the best way. The first three tracks in particular are an incredible start. They set the tone perfectly and pull you straight in. The album feels tight and purposeful from beginning to end. It is quirky, intelligent and genuinely engaging. This is definitely one I will be returning to. Favourite song: The opening three tracks. What a start to an album Least favourite song: None. They are all strong Album artwork: Simple yet superb. Stark and distinctive, even if it is not exactly one for a T shirt

The Modern Dance

Pere Ubu

2/5

Never heard of this band before so I had no expectations on what this album was like or idea on the bands sound. that was a nice experience. This was an OK album, not many stand out songs you think thats amazing I want to listen to that again Favorite song: real world Least favourite song: Over my head Album artwork: Great artwork

Chocolate Starfish And The Hot Dog Flavored Water

Limp Bizkit

2/5

I hated this when I was young and, if I am honest, I still do now. For me this is full on wrestling entrance music. Loud, brash and completely over the top. That said, listening to it again did bring back memories. I had a mate, Crowton, who absolutely loved this album back in the day. Hearing it now takes me straight back to those times, and that nostalgia is the only reason it scrapes a two out of five. Sadly Crowton has since passed away, so in a strange way this record now feels tied to those memories of him. Musically, there are a couple of tracks that still have some energy. My Generation and My Way are probably the highlights for me. Beyond the first few songs though, there is a lot of filler and it quickly becomes repetitive. Favourite songs: My Generation and My Way Least favourite: After track six it really drags Album artwork: Completely mental. Definitely not something you would frame and hang on your wall Not an album I enjoy, but one that now carries personal memories that mean more than the music itself

Bridge Over Troubled Water

Simon & Garfunkel

4/5

There are some truly great songs on this album. Bridge Over Troubled Water, Cecilia and The Boxer are all superb. Big melodies, emotional weight and songwriting of the highest level. The title track in particular is timeless and powerful, while Cecilia has that infectious rhythm that makes it instantly memorable. That said, parts of the album lean a little too heavily into the folk side for my taste. So Long, Frank Lloyd Wright and El Condor Pasa do not quite land for me. They feel softer and more delicate, and I find myself drifting slightly during those moments. El Condor Pasa especially with the flutes just is not my thing. When the album hits its peaks it is brilliant. I just prefer the bigger, more direct songs. Favourite song: Cecilia Least favourite song: El Condor Pasa Album artwork: An iconic and instantly recognisable cover

Roger the Engineer

The Yardbirds

3/5

A really good album with that unmistakable mid sixties energy. The Yardbirds have such a strong 60s sound. Bluesy, slightly psychedelic and full of attitude. You can hear how influential they were, especially in the guitar work, which feels sharp and inventive throughout. Lost Woman is a standout for me. It has that driving rhythm and edge that makes the album so enjoyable. The whole record has a raw, youthful feel and never drifts. There are no obvious weak moments. It is consistently strong and a great snapshot of British rock in that era. Favourite song: Lost Woman Least favourite song: None. No bad songs on here Album artwork: I am a fan. Bold, colourful and very much of its time

Being There

Wilco

3/5

I was not expecting much from this album, but it really surprised me. Being There has a relaxed, confident feel to it. It blends alternative rock with Americana in a way that feels natural and unforced. There is variety across the record, yet it still hangs together well as a complete piece. Monday is a great tune. Catchy, upbeat and instantly likeable. Outtasite Outta Mind has real energy as well and adds a bit of punch to the album. There is a warmth to the songwriting that makes it easy to keep listening. Favourite songs: Monday and Outtasite Outta Mind Least favourite song: None that stood out negatively Album artwork: Simple and understated. It suits the laid back tone of the music perfectly

Violator

Depeche Mode

5/5

I love this band and I love this album. Violator is dark, stylish and full of atmosphere. It balances electronic precision with real emotion, and it feels completely timeless. Personal Jesus and Enjoy the Silence are obvious classics, but the depth of the album is what makes it special. Halo is a huge highlight for me. Brooding and powerful, with that unmistakable Depeche Mode edge. World in My Eyes sets the tone perfectly, sleek and confident. Even Dangerous from the later reissue is a brilliant addition and easily stands alongside the main tracks. It is an album that never loses its mood. Every song feels deliberate and part of a bigger picture. Favourite song: Halo, Dangerous or Enjoy the Silence Least favourite song: Waiting for the Night Album artwork: Iconic cover. Simple, bold and instantly recognisable

Welcome to the Afterfuture

Mike Ladd

2/5

Interesting sound, Different. Not for me at all though. Struggling to find a favourite song from this. If i had to pick blade runner is OK. I gave the album 2 listens to see if i changed my mind and didnt. I cant believe it made the top 1001. Favorite song: Blade runner Least favourite song: most of the album Album artwork: No idea what this is

Orbital 2

Orbital

2/5

There is a lot of repetition on this album, and at times it feels like certain ideas are stretched a little too far. The long builds and looping structures are clearly part of the style, but for me they can drag. That said, there are definite highlights. Impact, The Earth Is Burning is a great tune. It has drive, atmosphere and a real sense of momentum. When the album locks into that groove, it works well. Overall, it is interesting and textured, but not something I would rush back to. Some tracks blur together, and a few outstay their welcome. Favourite song: Remind Least favourite song: Time Becomes a Loop. I would not mind never hearing that again Album artwork: OK. I like the bold simplicity and the way the title elements stand out on the cover

A Walk Across The Rooftops

The Blue Nile

4/5

Another band I had never heard of before this challenge, and I am genuinely glad I have now discovered them. A Walk Across the Rooftops has such a moody, atmospheric sound. It feels spacious and slightly melancholic, but never dull. The production is very eighties, yet in a restrained and elegant way rather than over the top. Tinseltown in the Rain is a brilliant track and easy to see why it became one of their best known songs. It has that sweeping, emotional feel that really pulls you in. Stay is another highlight for me. Subtle, heartfelt and beautifully arranged. I really enjoyed the album as a whole. It feels cohesive and carefully crafted, and it has definitely made me curious to dive deeper into their catalogue. Favourite song: Tinseltown in the Rain Least favourite song: None that stood out negatively Album artwork: A great cover. Very eighties, but stylish and perfectly matched to the music

Meat Is Murder

The Smiths

5/5

I absolutely love The Smiths. I have never been able to choose between their albums because, for me, they are all five out of five. Meat Is Murder is incredible. The songs are sharp, emotional and perfectly sequenced. It works brilliantly as a complete piece, moving between anger, wit and vulnerability without ever losing its identity. Johnny Marr’s guitar work is outstanding throughout, and Morrissey’s lyrics cut straight through. There genuinely is not a bad song on the album. “Nowhere Fast” is probably my favourite. What a riff. It has that driving energy that makes you want to turn it up louder every time. Favourite song: Nowhere Fast Least favourite song: None. They are all fantastic Album artwork: Iconic. Stark, political and instantly recognisable

Brown Sugar

D'Angelo

1/5

Not really my kind of album. I can hear the quality in the musicianship and the smooth neo soul production, but it just does not connect with me in the way other genres do. The laid back grooves and mellow vibe never quite build into something that grabs my attention. If I had to pick a highlight, the opening track Brown Sugar is the most engaging. It sets the tone well and has a nice groove. Beyond that, much of the album blends together for me. Coming straight after listening to Meat Is Murder, this felt like a big tonal shift and perhaps a bit of a comedown. Completely different mood, different energy and not one that suits my taste as much. Favourite song: Brown Sugar Least favourite song: The overall sound feels too similar throughout Album artwork: Clean and understated, fitting the smooth tone of the record

Exile On Main Street

The Rolling Stones

5/5

I had not listened to this album for years, so when it popped up in the challenge I was genuinely excited. For me, it is one of the Stones’ very best. Rocks Off is a brilliant way to open a record. Loose, swaggering and slightly chaotic in the best possible way. It sets the tone perfectly for what follows. This album feels raw and unpolished, but that is exactly what gives it its character. Tumbling Dice is one of the first songs I think of when I think about The Rolling Stones. Effortless and full of groove. Let It Loose was one I had almost forgotten about, but revisiting it reminded me what a great track it is. A real hidden gem on an album packed with them. There is so much depth here. Soul, blues, rock and gospel influences all woven together. It is messy, but gloriously so. Favourite songs: Shine a Light and Loving Cup. There are so many you could choose. Least favourite song: Turd on the Run if I had to pick one Album artwork: Amazing and iconic. One of the most recognisable covers in rock history

Odessey And Oracle

The Zombies

3/5

I know this album is critically acclaimed and adored by artists I rate highly, including Paul Weller. That said, I have always struggled with it. There is no denying the craft. The harmonies are tight, the arrangements are thoughtful and it has that classic late sixties melodic charm. But for me, it never quite catches fire. It feels pleasant rather than powerful, and I find my attention drifting at times. I have even seen The Zombies live and, if I am honest, I found them quite boring on stage as well. The songs just do not have the bite or urgency that I tend to gravitate towards. There are moments I enjoy. Maybe After He’s Gone has a lovely melody, and Time of the Season is obviously a standout with its distinctive groove. But the first couple of tracks do very little for me and make it hard to fully settle into the album. Favourite songs: Maybe After He’s Gone and Time of the Season Least favourite songs: The opening two tracks do not grab me Album artwork: A great cover. Colourful, bold and instantly recognisable

Destroyer

KISS

2/5

I had never heard a KISS song before today, so I went in with fairly low expectations. I was expecting full on bombastic rock, heavy guitars and not much else. I was actually surprised. There is more variety here than I expected. The lyrics are decent in places and the album moves between hard rock anthems and more melodic moments. It is theatrical, but not without hooks. Sweet Pain stood out for me. It has a strong groove and feels a little different from what I imagined KISS would sound like. Detroit Rock City, despite being one of their signature songs, did not quite land for me. Overall, it was a more interesting listen than I anticipated. Favourite song: Sweet Pain Least favourite song: Detroit Rock City Album artwork: Love the cover. Bold, dramatic and completely iconic

Phrenology

The Roots

3/5

Loved the sound of this album, the tracks worked together really well. Really good jazz and rap mash up. One of the best rap albums I have ever heard. I feel the lyrics are very powerful. Favourite song: Rolling with heat or seed 2.0 Least favourite song: Some of the fillers between songs. Album artwork: Love it

My Life In The Bush Of Ghosts

Brian Eno

3/5

What an odd yet engaging album. Such different sounds from multiple nationalities but a heavy African influence. Interesting to listen to but not something I would listen to again which is a shame as this app has got me into talking heads. I am not normally a fan of heavily instrumental music. This album had some good moments though and I understand the importance of this album. Favourite song: Regiment for sure Least favourite song: very very hungry Album artwork: Great cover I love it.

Head Hunters

Herbie Hancock

1/5

This is a hard album for me to review because it is so far removed from what I usually enjoy. I can appreciate the musicianship and the influence it has had, especially in jazz fusion and funk, but as a listening experience it just does not connect with me. The extended instrumental passages and heavy keyboard focus feel repetitive, and with only four long tracks, it all starts to blur into one. It is the first album in this challenge where I genuinely considered stopping halfway through. That is not to say it lacks quality, but it simply is not for me. Favourite song: I honestly could not pick one Least favourite song: The overall sound feels too similar throughout Album artwork: Funky and striking. Easily the most immediately engaging part of the album for me

Led Zeppelin

3/5

actually liked this a lot more than I expected to. If I am honest, this whole challenge has made me appreciate Led Zeppelin far more than I have over the years. I have tried with them before and never fully connected, but revisiting these albums properly has changed that. This debut is raw, heavy and full of confidence. Yes, some songs stretch out longer than I would prefer and there are moments where the guitar solos feel a little indulgent for my taste, but there is no denying the power and presence of the band. Good Times Bad Times is a brilliant opener and Dazed and Confused has that dark, hypnotic edge that really works. The blues influence is clear throughout, but it is delivered with real intensity. Favourite songs: Dazed and Confused and Good Times Bad Times Least favourite song: You Shook Me Album artwork: Legendary cover. Instantly recognisable and perfectly matched to the weight of the music

Rid Of Me

PJ Harvey

4/5

A good album from a truly great artist who I adore. This record has a raw, uncompromising punk energy that feels intense and immediate. The production is stripped back and abrasive, which only adds to the power of the songs. It sounds urgent, confrontational and completely authentic. PJ Harvey commands every moment. “50ft Queenie” is explosive and full of attitude, while “Rid of Me” is tense and gripping, building and releasing with incredible control. The whole album feels fearless and unapologetic. Favourite songs: 50ft Queenie and Rid of Me Least favourite song: Yuri G Album artwork: A great cover that perfectly matches the stark, uncompromising feel of the music

Straight Outta Compton

N.W.A.

4/5

Love, love, love this and I am not even a massive hip hop fan. Straight Outta Compton is explosive from the very first seconds. The opening track sets the scene perfectly. Bold, confrontational and completely unapologetic. Moving straight into the next run of tracks keeps that momentum going and makes for an incredibly strong start. The production hits hard and the energy never really dips. It feels raw and important, even now. There is anger, confidence and a real sense that this album changed the direction of hip hop. Straight Outta Compton and Fuck tha Police are obvious standouts. Both are powerful, direct and impossible to ignore. If I had to pick a weaker moment, 8 Ball would be it, but even that fits the overall mood. Favourite songs: Straight Outta Compton and Fuck tha Police Least favourite song: 8 Ball Album artwork: Awesome and iconic. One of the most recognisable covers in music

Da Capo

Love

3/5

This album has a strong blend of folk and psychedelia running through it. At times it feels very Doors like in mood and atmosphere, with that slightly dark, late sixties edge. There is a loose, colourful feel to the songwriting, but also some really sharp melodies. Stephanie Knows Who and She Comes in Colours are definite highlights. Both have a great groove and that hazy psychedelic charm that makes the album stand out. There are moments here I will definitely return to. Revelation, on the other hand, drifts too far for my taste. It feels overlong and loses the focus that makes the shorter tracks work so well. Favourite songs: Stephanie Knows Who and She Comes in Colours Least favourite song: Revelation Album artwork: A good, bold cover that fits the psychedelic feel of the record

Highway 61 Revisited

Bob Dylan

5/5

I have always loved this album and was genuinely pleased to sit down and listen to it properly again from start to finish. Highway 61 Revisited is Dylan at his absolute best. Sharp, biting lyrics, swaggering delivery and that electric backing that still sounds bold decades later. It feels confident and slightly dangerous, like he knew he was changing the game. I had forgotten just how strong some of the deeper cuts are. From a Buick 6 has real punch, and the whole album carries that restless energy. Like a Rolling Stone is obviously monumental, but Tombstone Blues is just as thrilling in its own chaotic way. There is not a weak moment on here. It is one of those records where every song feels essential. Favourite songs: Like a Rolling Stone and Tombstone Blues Least favourite song: None. Not a bad song on the album Album artwork: Iconic. Effortlessly cool and perfectly matched to the music

Chelsea Girl

Nico

2/5

have always loved Nico’s voice. Even though she was untrained and pushed in a particular musical direction early on, there is something completely unique about her tone. I think a lot of my affection for it comes from her work with The Velvet Underground. The opening two ballads, The Fairest of the Seasons and These Days, are stunning. Fragile, melancholic and beautifully understated. They set the bar incredibly high. After those first two tracks though, the album starts to feel repetitive. The arrangements become softer and more ornate, and for me it drifts into something that almost feels like a wistful film or Disney style soundtrack. It loses the edge and tension that made those opening songs so powerful. It feels like the album is missing something. Perhaps that darker, experimental backdrop she had with The Velvet Underground. There is beauty here, but not quite enough bite. Favourite songs: The Fairest of the Seasons and These Days Least favourite song: The later tracks blur together for me Album artwork: Very sixties and very cool. Effortlessly stylish and perfectly in keeping with the era

Hunky Dory

David Bowie

5/5

An easy 5 out of 5 and that is before even pressing play again. One of my absolute favourites from one of the very greatest. Changes is incredible. It is one of the earliest songs I remember truly noticing and connecting with, and it still sounds fresh decades later. Then there is Life on Mars. A genuine masterpiece. It comfortably sits in my top ten songs of all time. Dramatic, emotional and completely unique. This album captures Bowie at his most inventive. Witty, melodic, theatrical and thoughtful all at once. The piano led songwriting gives it warmth, but there is still that unmistakable Bowie edge running through it. He blends pop, glam, folk and art rock effortlessly. There is not a weak moment here. Every track feels considered and essential. Favourite tracks: Changes, Oh You Pretty Things and Life on Mars. As good as anything you will ever hear Least favourite: Not a bad song on the album Album artwork: Perfect. That soft focus, cinematic portrait is just as iconic as the music inside

Purple Rain

Prince

4/5

I really enjoyed this album. It was exactly what I needed on an early Saturday morning start. I ended up listening to it twice, which says everything. Purple Rain has an incredible sound. It moves effortlessly between funk, dance and rock, all tied together with gritty, emotional lyrics. It feels big and dramatic but never overblown. There is swagger, vulnerability and pure musical brilliance running through it. Darling Nikki is wild and outrageous. You cannot help but be entertained. Most of the album is packed with strong songs, though I did struggle a bit with Computer Blue. It feels slightly less immediate than the rest. The title track Purple Rain is monumental. Emotional, soaring and timeless. It completely justifies the album’s reputation. Favourite song: Purple Rain Least favourite song: Computer Blue Album artwork: I love the cover. Iconic, dramatic and perfectly matched to the music

Kollaps

Einstürzende Neubauten

1/5

I love Blixa Bargeld. His era with The Bad Seeds is my favourite, and the album he did with Teho Teardo, Still Smiling, is superb. That is exactly why this felt even more disappointing. Kollaps is pure experimental industrial noise. Twenty three tracks of clanging, scraping, abrasive sound with almost nothing resembling melody or structure. I understand it was groundbreaking and deliberately confrontational, but for me there is nothing remotely enjoyable about it. It is relentless and exhausting. I genuinely praise myself for making it to the end. This is easily the hardest listen of the challenge so far and sits well below a one out of five in my personal rankings. Favourite song: None Least favourite song: All of them Album artwork: Stark and harsh, which fits the music, but not something I would call appealing

The Score

Fugees

3/5

Loved this, I had not listened to this since my childhood. It was one of the first cds I ever bought. it still sounds good today. Lots more filler than I remember. Favourite song: Ready or not Least favourite song: Album artwork: Cool

3/5

What a confusing album this is. there are some great rock and roll songs on this album and then some real dross and there are only 7 songs on the album. I was really not a fan of next. The opening 3 tracks are great. I love Faith healer and gang bang. Then the album goes a little downhill. I will be downloading this and listening to it again. Favourite song: Gang bang Least favourite song: Next Album artwork: Love the cover

Bug

Dinosaur Jr.

1/5

I have heard of Dinosaur JR but have never listened to them before. When this came up I was excited and not sure what I was going to get. I was expecting a Feeder, Green Day and Ash vibe. Thats exactly what I got and its not my bag at all. I found this a noisy and sloppy album. Favourite song: couldnt find one I liked Least favourite song: All of them Album artwork: Meh

Buena Vista Social Club

2/5

thi is so far away from being my kind of music. That said whilst listening I noticed I had heard many of these songs before. With a holiday coming up this album took me to a beach in the sun. Lovely harmonies, great spanish guitar and brilliant percussion. The only issue is the repitition over the duration of the album. Easy album to listen to and just switch off, which I am not sure is a good or bad thing. Favourite song: D camino a la vereda Least favourite song: quite a lot of them Album artwork: love it

Jagged Little Pill

Alanis Morissette

4/5

I have never thought about listening to this album but I am glad i did. There were plenty of songs I have not heard and really enjoyed like Mary Jane, All I really want and right through you. No filler. This sounds like the 90s. Favourite song: All the classics we already know and Mary Jane. Least favourite song: All good tunes! Album artwork: Really recognisable cover

White Light / White Heat

The Velvet Underground

4/5

A proper classic. White Light White Heat sounds dangerous from the outset. It is raw, abrasive and completely uncompromising. There is very little polish here, and that is exactly the point. The guitars are distorted, the rhythms feel almost chaotic at times, and the whole record has an intensity that still feels bold decades later. The lyrics are sharp and confrontational, tackling subjects that very few bands were willing to go near at the time. It feels important, not just musically but culturally. You can hear the blueprint for so much punk and alternative rock that followed. It is not an easy listen, but it is a rewarding one. There is a confidence in how far they push things, and that tension gives the album its power. Favourite song: White Light White Heat and The Gift Least favourite song: None. Every track earns its place Album artwork: Simple and stark, perfectly matching the stripped back, confrontational sound

White Light

Gene Clark

2/5

I went into this completely blind. I’d never really listened to Gene Clark before — then realised he was in The Byrds. And honestly, at this point in the challenge, it feels like there are far too many Byrds-related albums on the list. This one just didn’t grab me. It feels very samey throughout — mid-tempo, introspective, and drifting along without much variation. I kept waiting for something to lift it, but it never really arrived. For me, it lacks urgency and bite. It leans heavily into that earnest, rootsy singer-songwriter territory. At times it feels like a stripped-back, softer blueprint for artists who would come later — but without the dynamism. Being a huge Springsteen fan, I couldn’t help thinking this felt like a poor man’s version of that heartland storytelling — similar themes, but without the punch or the hooks. Favourite tracks: “With Tomorrow” and “White Light” stand out. There’s a bit more melody and shape to these, and they’re the reason this scrapes a 2/5 rather than lower. Least favourite: If I’m honest, most of the rest of the album blends into one long, indistinct listen. Album artwork: Pretty average, nothing especially striking or memorable. Overall, it’s not terrible, just dull. And that’s worse. It’s another one ticked off the list, but not one I’ll be returning to.

The Velvet Underground & Nico

The Velvet Underground

5/5

I have previously scored a Nico album poorly and White Light / White heat. Thisalbum though is a classic and all the things right about The Velevt Undergound. Without listening to this again I know its a 5/5. Every song on the album is a classic. The opening 2 songs are so powerful. Heroin is unreal!! All classics. Favourite song: The black angels death song Least favourite song: There is not a bad song on the album Album artwork: could even be the best album artwork ever

Dance Mania

Tito Puente

1/5

I can appreciate that this is considered a classic of Latin music, and Tito Puente’s reputation speaks for itself. The musicianship is tight, the rhythms are energetic and you can absolutely hear why this would have packed dance floors in the late 50s. It just is not for me. Across a full listen, I found it repetitive and struggled to stay engaged. The percussion is impressive and relentless, but without much variation in mood or structure it started to blur together. I can admire the technical skill and cultural importance, but personally it did not connect. I am sure in the right setting, maybe live or in a social environment, this music would come alive. As an album to sit and listen to from start to finish, it did not hold my attention.

Roots

Sepultura

1/5

This is the first proper, full on metal album I have ever listened to from start to finish, so I went in with an open mind. I have to say, I found it tough going. From the opening track it feels relentless. Heavy riffs, tribal drums, aggressive vocals and very little let up. It genuinely felt like being shouted at for an hour. I can appreciate the intensity and the power, and I can hear that there is serious musicianship behind it, especially in the rhythm section. The Brazilian influences and percussion elements are interesting and give it a unique edge within metal. But it is just not my genre. The constant volume and aggression made it hard for me to find anything to latch onto melodically. Instead of energising me, it left me feeling worn down. I can see how this would be a huge album for metal fans, and I respect what they were doing stylistically, but it is not something I would choose to return to.

Public Image: First Issue

Public Image Ltd.

3/5

I actually really enjoyed this, more than I expected to. Going in, I was prepared for something abrasive and chaotic, but what stood out was how inventive and atmospheric it is. The basslines are brilliant throughout, driving the songs in a way that feels fresh and slightly unsettling. There is space in the production, which makes everything feel more deliberate and less frantic than I imagined. Religion I and Religion II are the clear highlights for me. Powerful lyrics, sharp delivery and far stronger melodies than I was anticipating. There is anger there, but it feels controlled and purposeful rather than just noise. It feels like a proper step away from punk into something darker and more experimental, and you can hear the foundations of so much post punk that followed. For a debut, it is bold and confident. Favourite song: Religion I and Religion II Least favourite song: None. Every track brings something interesting Album artwork: Awesome. Striking and very of its era

Hotel California

Eagles

4/5

I was not expecting much from this. I have only really known the title track over the years, and even that I have always thought was just OK rather than amazing. So I came into the full album with fairly low expectations. It surprised me. There is a real polish and confidence to this record. The songwriting is tighter than I expected, and the production has that warm mid 70s California sheen without feeling overblown. New Kid in Town is excellent, smooth and melodic with a great vocal, and Life in the Fast Lane has real bite and energy. Across the whole album there is a strong sense of craft. The musicianship is superb and the songs feel carefully constructed rather than thrown together. It flows well and never drags, which I did not anticipate. I will definitely listen again, which is not something I thought I would be saying beforehand. Favourite song: Life in the Fast Lane Least favourite song: None. All strong tracks Album artwork: Great cover. Instantly recognisable and perfectly suited to the mood of the music

Out Of The Blue

Electric Light Orchestra

3/5

This is a great album. It has taken me a while to properly get into ELO. For years I appreciated the big singles but never fully bought into the whole sound. In recent years though, it has really clicked, and Out of the Blue shows exactly why they were so huge. It is ambitious, melodic and unapologetically grand. The strings, harmonies and huge choruses could easily tip into over the top territory, but somehow it all works. There is a real sense of scale to the album, yet it never loses its pop instincts. The hooks are everywhere. Turn to Stone is a brilliant opener, full of energy and drive, and It’s Over shows the more emotional, dramatic side of the band. Even across a long running time, it rarely drags. It feels like a fully realised vision rather than just a collection of songs. Favourite song: Turn to Stone and It’s Over Least favourite song: Birmingham Blues Album artwork: Amazing cover. Iconic and perfectly matching the space age ambition of the music

Graceland

Paul Simon

4/5

I have heard so much about Graceland over the years but had never actually sat down and listened to it properly. I have always loved You Can Call Me Al, although I do sometimes wonder how much of that is down to the brilliant video with Chevy Chase. Listening to the full album, it is easy to see why it is so highly regarded. The blend of world influences with Simon’s songwriting creates something genuinely distinctive. The rhythms are infectious, the musicianship is superb and the melodies are strong throughout. The Boy in the Bubble is a fantastic opener and sets the tone brilliantly. At times though, I felt it almost overplays its hand. There are so many different sounds and textures that the album can feel like it jumps around a little too much. Instead of flowing naturally, it occasionally feels busy, and that slight lack of cohesion made it more tiring than I expected. That said, there is no denying the quality. It is ambitious, intelligent and full of memorable moments. It is definitely one I will return to, even if I am not quite as blown away as some. Favourite song: The Boy in the Bubble and You Can Call Me Al Least favourite song: I Know What I Know. A bit too crowded for me Album artwork: Love the cover. Simple and striking

All Things Must Pass

George Harrison

4/5

I was genuinely excited to come back to this. I had not listened to it properly in years, but I still remember buying the 20th Anniversary double CD when it came out and playing it constantly. There is something about this album that has always stayed with me. It really is a great record. For me, it is comfortably the best solo Beatles album. There is a confidence and freedom to it that you can almost feel. Harrison sounds liberated, stepping out from the shadow and delivering song after song that had clearly been building up inside him for years. My Sweet Lord, What Is Life and If Not for You are brilliant pop songs, melodic, uplifting and full of warmth. The production has that huge Phil Spector scale, which at times is overwhelming, but it also gives the album a sense of grandeur that suits the material. The only real issue is the length. It is sprawling, and the final few tracks, particularly the extended instrumentals, feel unnecessary. The album could easily lose five or six songs and become an absolute five out of five classic without question. As it stands, it slightly overstays its welcome. Favourite song: What Is Life Least favourite song: The final few instrumental tracks Album artwork: Iconic. Instantly recognisable and perfectly eccentric

Surf's Up

The Beach Boys

2/5

This just did not land for me at all. I went in knowing this was a very different version of The Beach Boys to the sun soaked 60s hits I was familiar with, but I was still hoping something would grab me. Instead, I found it a fairly dull listen from start to finish. It is moodier, more introspective and far removed from the surf pop harmonies most people associate with the band. I can respect that they were trying to evolve and move into more serious, reflective territory, but for me it lacks energy and memorable hooks. The songs drift by without ever really demanding attention. There may be depth here that rewards repeated listens, but on this occasion nothing pulled me back in or made me want to revisit it. Favourite song: I could not really pick one that stood out Least favourite song: Disney Girls Album artwork: I am still not entirely sure what it is meant to represent

It's Too Late to Stop Now

Van Morrison

3/5

Great sounding band with some great songs. I particularly like the live version of Gloria and was looking forward to getting to it as i went through the album. Being a double album I found it quiet long and repetative after a while. I got to the point where I was excited for this album to end. Not one I would listen to again but I can appreciate some good songs and a great voice. Favourite song: these dreams of you & st domonics preview. Least favourite song: There was nothing not to like, just lots of repitiion. Some songs like listen to the lion inside of me are just long and tedious. Album artwork: Great cover for a live album.

Beach Samba

Astrud Gilberto

1/5

The album gave me restaurant vibes with background jazz music. Lovely orchestral music but it’s really not for me. It has a Disney vibe. Glad I gave it a go but I want be listening to this again. Favourite song: My foolish heart Least favourite song: You dont have to be so nice Album artwork: Nice cover.

A Night At The Opera

Queen

4/5

Not Queen’s finest album for me, but it still contains some truly great songs and one of the most beautiful album covers ever produced. There is huge variety here. Opera, balladry, hard rock and music hall all sit side by side. At times it feels almost over ambitious, but it is never dull. It is a great listen and undeniably bold. Three songs absolutely define the record. “You’re My Best Friend”, “Love of My Life” and “Bohemian Rhapsody” are incredible. They lift the album to another level and easily justify a strong four out of five. I also have to say how much I enjoy John Deacon’s writing. “You’re My Best Friend” is a perfect pop song. Warm, sincere and beautifully constructed. Deacon had a real gift for melody and heart, and his contributions always add something special to Queen’s albums. Favourite songs: Love of My Life and You’re My Best Friend Least favourite songs: I have never understood “I’m in Love with My Car”. It does nothing for me and I will never understand why it became a live staple. “Good Company” is also one I tend to skip. Album artwork: One of the very best album covers. Elegant, distinctive and instantly recognisable

Diamond Life

Sade

3/5

Love smooth operator. Great song to open an album. moving into your love is king which is equally great. It goes down hill from there and becomes very biege and safe. Slcik sounds with very little edge. I can see why people like Sade but she is not for me. Favourite song: Smooth operator Least favourite: from track 3 onwards all songs are a bit meh. Album artwork: Strong cover

Dusty In Memphis

Dusty Springfield

3/5

Some great songs like son of a preacher man and so much love. Dusty has a stunning voice. Lots of soul, a British Icon Favourite song: Son of a preacher man Least favourite:All nice tracks Album artwork: Iconic: Great cover

Cosmo's Factory

Creedence Clearwater Revival

4/5

I was surprised by how much I liked this album and how many songs I recognised. I heard it through the grapevine was such a good cover. Such a special song with so many great versions. This album is great, an easy rockabilly listen. One I will be listening to again. Favourite song: I heard it through the grapevine. Least favourite: None, all good tracks Album artwork: Iconic: Great cover

Vulnicura

Björk

1/5

Odd album, Not one I would listen to again and not one of Bjorks finest. I find Bjorks voice a tough listen. The lyrics are just odd, there is very little story telling. This album is not for me Favourite song: Couldnt find one on this album Least favourite: All of the tracks Album artwork: Iconic: Odd

Dry

PJ Harvey

4/5

I really love this album, it feels new, raw and emotional. Really good album. Favourite song: O stella or Oh my lord. Great tracks Least favourite: Water Album artwork: Iconic album as all of PJ Harveys album covers are!

The Rising

Bruce Springsteen

4/5

There is never a bad time to put this album on. The Rising marked Bruce’s return after a long gap between studio records and, crucially, a full return with the E Street Band. You can really feel how important that reunion is. The chemistry, the lift, the sense of togetherness. It sounds like a band playing with purpose again. It is a fun album in places, but it also carries real emotional weight. There is hope running through it, but also reflection. Rediscovering Paradise was a highlight for me this time. What a beautiful, understated song. It quietly builds and stays with you. Favourite songs: Waiting on a Sunny Day, Mary’s Place and The Rising Least favourite: The Fuse Album artwork: Not quite on the level of Born to Run or Born in the U.S.A., but still a solid and fitting cover for the mood of the record

At Folsom Prison

Johnny Cash

2/5

I do find Johnny cash a little boring after a while. None of the big songs are on the album. I wouldnt listen to this again. Favourite song: Folson Prison Least favourite: Nothing was bad but nothing stood out to me. Album artwork: Iconic

Elvis Presley

4/5

Blue suede shoes!!! What a tune. I was excited for this album as I know it’s the big one for Elvis. It didn’t disappoint. So many great songs and such a fun and easy listen. What a great voice. I had no idea that I got a woman was sung by Elvis. Favourite song: I got a woman and Money honey. Least favourite: Trying to get to you. Album artwork: Brilliant.

Rip It Up

Orange Juice

3/5

Never heard of Orange Juice before today. They have a really good sound, post punk with a hint of Ska and Indie. the tracks on the album work well together. Favourite song: rip it up Least favourite: they were all good Album artwork: Standard band cover

Green Onions

Booker T. & The MG's

4/5

Green Onions is pure nostalgia—an iconic track that instantly takes me back to growing up and unforgettable nights out. One hell of a tune! The album as a whole is incredibly easy to listen to—catchy, fun, and packed with groove. It’s a standout R&B/soul record with a distinctive instrumental sound. Many of the tracks have been sampled or heard elsewhere, a testament to the group’s lasting influence. Favourite Song: Green Onions – timeless, unmistakable, and still hits hard. Least Favourite: All solid tracks, though the overall sound can get a little repetitive over time. Album Artwork: Iconic—just like the music inside. A foundational album that still sounds fresh and full of soul.

Talking Timbuktu

Ali Farka Touré

1/5

When this album came up my first reactions was this is going to be terrible! Then after playing the first track I knew I was right and in for a rough ride with this one! Not a fan at all

Metal Box

Public Image Ltd.

4/5

I liked this a lot more than I thought I would, the album has some catch pop/punk songs. I loved the swan lake version! Favourite song: memories and swan lake Least favourite: Its a long album with too many filler instrumentals. Album artwork: I have always loved the symbol for the band. Simple yet effective art work

Bright Flight

Silver Jews

1/5

When this came up I had never heard of the band or album, I was excited with zero expectations. Forgetable indie rock, no meaning, no standout songs and just very boring. Favourite song: there isnt one that stands out Least favourite: All of them, very dull! Album artwork: I like it, very council estate chic!

Innervisions

Stevie Wonder

2/5

Stevie Wonder is awesome but I just cant get into his music. I enjoy his hits but for me his albums as a peice are a miss. Favourite song: Nothing stood out Least favourite: Visions, really dull song. Album artwork: OK

La Revancha Del Tango

Gotan Project

1/5

Not for me, lift or on hold music. Favourite song: Couldnt pick a song I would like to hear again Least favourite: I could pick all of them but I thought Triptyco was very bad. Album artwork: nothing to report here

Myths Of The Near Future

Klaxons

4/5

I loved this album growing up, and it still sounds fantastic today. Klaxons were a standout at the time—there weren’t many bands with this kind of sound back then, and their energy and style really set them apart. They’re also a great live act, which only adds to the appeal. The album is a fun, high-energy listen with great vocals and a bold, distinctive sound. After a string of bizarre albums this past week, this was exactly what I needed. Favourite Songs: Two Receivers and Golden Skans – both iconic and endlessly replayable. Least Favourite: None—every track holds up. Album Artwork: An amazing cover that perfectly captures the album’s vibe. A brilliant return to a sound that still feels fresh and exciting.

Made In Japan

Deep Purple

4/5

This was better than I expected. Proper rock and roll and great guitar riffs. I liked it so much I listened to the deluxe edition. I have always loved a live album Favourite song: Smoke on the water and black night Least favourite: none, all good Album artwork: great cover

Blood Sugar Sex Magik

Red Hot Chili Peppers

1/5

Firstly this is a biased response as I cant stand this band. Terrible live, awful sound and terrible music. This was always going to be a tough listen for me. Wrestling music, the type of music at every festival or school event. the only saving grace on this is under the bridge. Favourite song: Under the bridge Least favourite: Everything else. Album artwork: Crap.

The Slider

T. Rex

5/5

This is such a fun album from one of my favourite bands The Slider sums up Marc Bolan's as an artist. its a great sound, not too serious and stunning music. glam rock at its best with some top guitar riffs ready to be borrowed. Favourite song: baby boomerang Least favourite: Album artwork: great cover

Metallica

2/5

My first ever listen to Metallica. I actually enjoyed the album a lot more than I thought I would. Enter Sandman was great, I also enjoyed sad but true. After a few tracks though it turned into what I would call wrestling music! I think the unforgiven is a great example of that Favourite song: Enter Sandman Least favourite: The unforgiven. Album artwork: dark!!!

Music in Exile

Songhoy Blues

2/5

Musically this was great, I loved it. Lyrics and stroy telling are important to me, I alwsys struggle with the language barrier. Favourite song: Soubour Least favourite: Everything was OK Album artwork: Good

Leftism

Leftfield

4/5

First time listen and I love it. So many good tracks, doesn’t get repetitive, Lots of changes to the sound as you go through the album. Favourite song: The Pressure and Inspection Least favourite: All good Album artwork: No idea what that is suppossed to be.

Pelican West

Haircut 100

4/5

I loved this. I had heard fantastic day before but nothing else. I found the album a fun and easy listen. Favourite song: Fantastic day! and boy meets girl Least favourite: with 17 tracks there is a lot of filler. None of it horrid though. Album artwork: good

This Is Fats Domino

Fats Domino

1/5

fun and funky but not really my thing. I can see its appeal but not my style. I really enjoyed Blueberry Hill

New Wave

The Auteurs

4/5

I started off thinking this album is just a little bit dull. I had no idea what this is and what it is trying to achieve. Then I really grew into it. To a point I listened to it for a second time. It picked up a little from American guitars and got much better from starstruck (great song) Home again was also a great tune. Favourite song: Home again and star struck Least favourite: the opening 2 for sure. Album artwork: nothing to say on this.

NEU! 75

Neu!

1/5

Never heard of this band before. I was very disapointed with the first 3 songs. They were very much background music. The album picked up when hero came on but at that point the album was half the way through. It started to go back downhill from track 4. Hero apart, this is not for me!! Favourite song: Hero Least favourite: 5/6 songs on the album. Album artwork: Good

The Sun Rises In The East

Jeru The Damaja

4/5

Really good example of rap done well. Jeru has great sound and mic style. I will ceetainly listen to this again. there are some great tunes on this. Favourite song: Jungle music and Statik are great tunes. Least favourite: Album artwork: This wont be going on my wall at home

In A Silent Way

Miles Davis

2/5

Very chill, chill to the point of boredom. This is not for me at all. This is perfect lift or hold music. Jazz fusion, never again!!! Favourite song: either track 1 or 2 Least favourite: either track 1 or 2 Album artwork: meh

Nothing's Shocking

Jane's Addiction

2/5

This album is OK!! Good music and functonal lyrics that are occassionally good. After a few tracks it gets very dull and boring. I am not sure the album knows what it is and get lost inbetween many 80s genres. Favourite song: Couldnt pick one Least favourite: Everything is ok Album artwork: Not one to show the kids.

Rumours

Fleetwood Mac

4/5

One of the all time classics. So many good songs on this album and perfect for summer. Every song is a tune. A 4.5/5 for me. The album is full of hits, every song could be a major hit and has been for other bands as well. Favourite song: All of them Least favourite: There is not a bad song on the album Album artwork: Fantastic cover

This Year's Model

Elvis Costello & The Attractions

4/5

Before today I had onyl heard the hits from this album and had not heard it as a piece. It works really well together. Top album. I enjoyed this that much i listened to the 2021 re master that has 40 songs on it! Favourite song: The beat and pump it are classix tunes. Least favourite: All good tunes. Album artwork: Great cover

Californication

Red Hot Chili Peppers

1/5

Awful album and awful band. I have nothing to say about this!!

Rum Sodomy & The Lash

The Pogues

4/5

Superb album, great sound and great lyrics. I had heard a lot of this but never end to end. I really enjoyed it. Favourite song: A pair of brown eyes and riany night in soho Least favourite: All good. Album artwork: classic

Live And Dangerous

Thin Lizzy

3/5

Really good live album. I enjoyed very much. Lizzy are not a band I have listened too much album wise but this was enjoyable and had all the mainstream hits. Favourite song: Jail break and the boys are back in town. Least favourite: All good Album artwork: cool

Appetite For Destruction

Guns N' Roses

2/5

Welcome to the jungle and paradise city are great tunes. Classic rock songs. Axl Rose has one hell of a voice. The songs do feel dated for me and a bit too stadium. The songs are long with no end in sight and they all feel very similar to me. Favourite song: Paradise city Least favourite: there is a lot of filler on this album. Album artwork: Cool cover

Iron Maiden

3/5

Not normally a band for me. I hate heavy metal and this is a fantastic example of heavy metal. Track 1 Prowler really suprised me. I loved it. Favourite song: Prowler Least favourite: They are all ok Album artwork: I love the cover

Arthur (Or the Decline and Fall of the British Empire)

The Kinks

3/5

I absolutely love Victoria it’s a fantastic opener and one of The Kinks’ great anthems. It bursts out of the speakers with energy and irony, setting the tone perfectly for what follows. What really stands out across this album is the songwriting. Ray Davies delivers sharp, thoughtful lyrics that feel bold and socially aware for the time. The album tackles themes of class, empire, and the changing face of Britain with intelligence and bite, yet never loses its melodic charm. There’s real depth here beneath the hooks. It may lack the immediate, top-drawer pop singles that define some other Kinks records, but in many ways this makes it more cohesive and powerful. As a concept album, it feels ambitious and emotionally resonant — a reflection on identity and decline wrapped in distinctly British storytelling. Favourite track: Victoria — energetic, clever, and endlessly replayable. Least favourite track: Australia — it never quite grabs me in the same way and feels a little overextended. Album artwork: Amazing. Bold and colourful, it perfectly complements the grand, reflective themes of the record.

Crime Of The Century

Supertramp

1/5

Dreamer is a great track, apart from that I didnt really enjoy the album at all. This is not one I would listen to again.

Hot Buttered Soul

Isaac Hayes

3/5

I didn’t think I would like this but I did and would listen to this again. Walk on by was fantastic. Really good music Favourite song: walk on by Least favourite: all good songs Album artwork: great

The Downward Spiral

Nine Inch Nails

3/5

I enjoyed this album more than I thought I would. I went fully into this just expecting loud noise. March of the pigs and Heresy are great song and I enjoyed self destruct Favourite song: March of the pigs Least favourite: the becoming Album artwork: I wont be getting the poster.

The Pleasure Principle

Gary Numan

5/5

There are some amazing songs on this album. I saw Gary Numan live in 2023 and since then have been hooked. This album works so well together as a piece. Fantastic album and brilliant genre of music. This is the start of electronic music, and you can tell it influences so many other bands Favourite song: M.E & Cars Least favourite: all good songs. its a 5/5 album Album artwork: Brilliant cover

After The Gold Rush

Neil Young

4/5

Brilliant album. I really loved this and can listen to it on repeat. Favourite song: Only love can break your heart and Southern Man Least favourite: everything is worth a listen Album artwork: Great cover

Happy Trails

Quicksilver Messenger Service

1/5

No idea how this made the top 1001. I can think of so many albums that are better than this. Tracks 1-3 were confusing. I felt like I was waiting for something to happen. Very odd jazz with guitar solos. I will score this a 2 though as I loved the cover of Mona, the album got better after track 6 Favourite song: Mona Least favourite: All of them Album artwork: Odd

The Who Sell Out

The Who

3/5

The Who Sell Out has a fantastic album cover. It is genuinely brilliant and probably the best thing about the whole package. The pirate radio concept is clever and very of its time. The fake adverts woven between the songs give it personality and charm, and you have to admire the ambition. That said, I am not entirely convinced it works as well as some of their other records. I definitely prefer Who’s Next. There are some excellent songs here. I Can See for Miles is huge and powerful, one of their very best singles. Tattoo is another favourite of mine, sharp and melodic. Beyond those highlights though, there is quite a bit that feels like filler, and the novelty of the adverts can wear thin. Favourite song: I Can See for Miles Least favourite: Some of the filler and ad segments drag the album down Album artwork: 10 out of 10. One of the most iconic and memorable covers of the era

If I Should Fall From Grace With God

The Pogues

4/5

This album is fantastic, its fun and full of energy. Each song feels like you are going on a journey. This will be played again!! Favourite song: Fiesta, Lullaby of London. Too many to mention. Least favourite: Nothing at all. Album artwork: Great cover

Cross

Justice

4/5

never heard of them, but they are a great listen. Awesome start to the album with Genisis. Great Electronic music. Favourite song: Genisis Least favourite: none, great album Album artwork: Not my favourtie cover

Pills 'n' Thrills And Bellyaches

Happy Mondays

3/5

When an album starts with Kinky afro you know you are in for a good one. An indie / rave combo is always going to work! Loose fit and step on are the sounds of my youth!! Favourite song: Kinky Afro and Step on Least favourite: Donovan Album artwork: Iconic britpop cover.

Low-Life

New Order

5/5

This album starts with a New Order live classic Love Vigilantes, I have great memories of this song live when I saw them at the O2 many years back. Some of my favourite new order songs are on this album like The Perfect Kiss and Sub-Culture this album doesn’t have any of the big hitters yet its strong! Favourite song: Subculture Least favourite: Sooner than you think. Album artwork: Great cover

Let's Stay Together

Al Green

4/5

Brilliant album, great sound and great songs. I will listen to this over and over again. Favourite song: How can you mend a broken heart Least favourite: all good Album artwork: cool cover.

Killing Joke

3/5

This album had some good moments. Favourite song: Requim and complications. Least favourite: Bloodsport Album artwork: cool cover.

The Piper At The Gates Of Dawn

Pink Floyd

1/5

Not an album for me. Wanky middle class pop music. The lyrics are odd, there is no real stroy telling at all. I do think I am biased and hate most things that Floyd have done. Favourite song: None Least favourite: Flaming Album artwork: Not a fan

Bat Out Of Hell

Meat Loaf

2/5

Paradise on the dashboard lights has to be everyones favourite Kareoke song! Amazing. A lot of filler on this album though and it only has 7 very long tracks!! Favourite song: Bat out of hell is a great song. Least favourite: Most of the rest of the album Album artwork: Fantastic cover

The Libertines

4/5

I cant believe this album is now 20 years old. I have a love hate relationship with the Libertines. Their are some great songs but they are just so poor live!! This is good and middle of the road Indie! Some great pop tunes, some hidden gems and some filler. Favourite song: cant stand me now and what katie did next Least favourite: Dont be shy Album artwork: Iconic cover

Shalimar

Rahul Dev Burman

1/5

Finding this album was tough. When I found it would it be worth the listen??? The first track was awful and really hard to listen too. I am not sure why and how movie soundtracks make this list. It didnt make me want to watch the movie. Favourite song: If I had to pick one it would be one two cha cha cha. At a push. I wouldnt mind never hearing it again. Least favourite: Title music Album artwork: Movie poster.

A Hard Day's Night

Beatles

5/5

I was happy to get this album this morning. I needed this after a poor day yesterday. This is a top album. The title track is iconic and the album has other greats like Cant buy me love and I should have known better. There are some real hidden gems to like any time at all and I love her. Favourite song: I should have known better Least favourite: Ill cry instead Album artwork: Amazing.

Bookends

Simon & Garfunkel

3/5

I have never really been a fan of Simon and Garfunkel. I find the music slow with no build overall. This album was different and all over the place, save the life of a child was different from what I was expecting, and Mrs Robinson is clearly a classic. Voices of old people was not really needed but I guess it led into old friends nicely. Favourite song: Mrs Robinson feels like an easier answer to this but it’s the right answer!! Least favourite: Voices of old people and old friends Album artwork: Great cover

Bringing It All Back Home

Bob Dylan

4/5

Love it!! There are some lovely songs on this album ontop of the big hitters I love She belongs to me, Maggies farm and Its alright Ma. Favourite song: subterranean homesick blues is a great opener and Mr Tambourine man Least favourite: 115th dream Album artwork: Great cover

Double Nickels On The Dime

Minutemen

2/5

It's long in tracks whcih was intimdating when starting the album, In reality the songs are short length, quick, loud and catchy. Quality punk!! but not something I would listen to again Favourite song: Nothing really jumped out to me as a wow song. Nothing was long enough to lend itself to be a favourtie. Least favourite: cohesion. I couldnt see the point in this song. Album artwork: Meh

The World is a Ghetto

War

3/5

This album contains everything. Soul, Funk and Blues. It was good fun at the start. I really enjoyed the Cisco kid, But after a while the album got repetitive with long instrumentals kicking in from city country city. Favourite song: the cisco kid Least favourite: City, country city was far too jazzy for me Album artwork: Brilliant

Maggot Brain

Funkadelic

4/5

I am not a fan of a guitar solo. I found maggot brain (the track) to be a hard start to the album. Its also so out of place when you hear the rest of the album. The album picked up though, can you get to that is a fun track and hit it and quit it really kicked the album off in style and set the tone for the music and direction. This is a fun listen. Very early psychedelica and good psychedelica Favourite song: can you get to that Least favourite: Maggot brain Album artwork: the cover suits the album

Snivilisation

Orbital

2/5

This was always going to be a challenge for me because techno is not really my thing. Track one, Forever, genuinely felt like it was going to last forever. I appreciate the layering and the slow build that electronic fans enjoy, but I struggle with long instrumental passages that do not evolve enough to keep my attention. I Wish I Had Duck Feet is a brilliant track title, but unfortunately not a brilliant track. The whole album felt like being back in Cyberdog in Camden in the mid nineties. All neon lights and relentless beats, but not much emotional connection for me. I can hear the craft in the production and the ambition behind it, but as a listening experience it just is not something I connect with. Favourite song: None stood out for me Least favourite: The overall sound never clicked Album artwork: I actually really like the cover. Bold, colourful and far more engaging than the music for me

The Atomic Mr Basie

Count Basie & His Orchestra

1/5

I can see why people like this and why the album is important but I really cant get into Jazz at all. This is very much posh resturant music for me. Favourite song: Least favourite: Album artwork: I love the cover

The Clash

4/5

This is a top album, a true classic, and one where every track hits. The Clash’s debut album feels like the blueprint for British punk. It captures the energy, attitude, and urgency of the time perfectly. It’s raw, fast, and direct, but there’s also a sharpness to the songwriting that lifts it above a lot of other punk records from the same era. Tracks like White Riot and Remote Control are punk at its absolute best, full of aggression and purpose, but still tight and memorable. The whole album moves at pace and never really lets up, which is exactly what you want from a record like this. Favourite track: White Riot, fast, aggressive, and completely iconic Least favourite track: London’s Burning, still good but doesn’t hit the same level as the rest Album artwork: Iconic, simple and instantly recognisable

The Age Of The Understatement

The Last Shadow Puppets

2/5

I genuinely can’t believe this album has made it into this group of albums. It’s OK britpop at best! Some nice songs but a lot of filler Favourite song: Standing next to me is a tune! Least favourite: the chamber Album artwork: nice

Freak Out!

The Mothers Of Invention

4/5

I had never heard of this band or album, so I was intrigued. Reading further into the band there is lots to look into here with Zappa coming in an multiple members leaving. I am looking forward to learning more! Im giving this a 4. I will be listening to this again Favourite song: Im not satisfied Least favourite: they are all worth a listen Album artwork: Great cover

Different Class

Pulp

5/5

I have never listened to this album all the way through. Its now time!! I had not heard the opening 2 tracks before but thought they were superb, leading into the brilliant common people. Something changed was a really good track. Favourite song: Common people and disco 2000 are classics. Least favourite: Every song on this album is really good. Album artwork: Iconic cover This is a 5/5 for me. Really good album.

Coat Of Many Colors

Dolly Parton

2/5

I am not a fan of country music at all, even though it seems to be the thing for 2024. That said this album was an easy and nice listen with some good songs on it. the songs are country with a hint of pop, fun and engaging. I doubt ill listen to it again but I enjoyed. Favourite song: Travelling man and the way I see you. Least favourite: There is not a bad song on the album. Album artwork: Not one to hang up on the wall at home

Darkdancer

Les Rythmes Digitales

1/5

This was OK. Its not really my music but there were some good tunes on this. I am not sure ill listen to it again though. Favourite song: Music makes you loose control is a good tume Least favourite: Hypnotise Album artwork: Its a pretty naff album cover

Vanishing Point

Primal Scream

1/5

This album is garbage. A lot of the songs are just noise. If this is in the top 1001 I don’t get it as to why. Star is the saving Grace. Favourite song: Star Least favourite: Kawolski Album artwork: I like the cover more than the album

Paul Simon

3/5

I was dreading another Paul Simon album!! I really like me and Julio down by the school yard and mother and child reunion. apart from that the songs are very similar and the album is very similar to graceland. Which some wold think is a good thing!! Favourite song: Mother and Child reunion Least favourite: Duncan, I was not a fan of this at all. Album artwork: Great jacket

Entertainment

Gang Of Four

4/5

Never heard of this band before so again I had no expectations and no idea of what to expect. Loved it, great punk music. very funky. Great sound and punchy lyrics. I shall be exploring their history!! This is a great album, im giving it a 4! Favourite song: Return the gift and guns before butter. Least favourite: Love like anthrax. Album artwork: Great album cover

Live At The Harlem Square Club

Sam Cooke

4/5

Brilliant album. I really enjoyed this. these songs sounded great live. I will be listening to this again. Favourite song: Cupid and twisting the night away live were excellent Least favourite: all good. Album artwork: Good cover

The Suburbs

Arcade Fire

3/5

The opening track is brilliant. Great song that really takes me back to my going out days. I don’t think I have ever listened to this album all the way through until now. I have always found Arcade Fire to be a good singles band. Some of the music on this album is stunning but the album shows inconsistency. Favourite song: Suburbs, Modern man and Ready to start Least favourite: There are quite a few filler songs on this album. Album artwork: Great cover

A Northern Soul

The Verve

4/5

This is very good indie. I have listened to urban hymms before but not this. Its a good and easy listen and I will listen to it again. There are some great songs on this that you just dont hear very often. Favourite song: So it goes, On your own and history Least favourite: All good Album artwork: Great cover

Chicago Transit Authority

Chicago

3/5

This album was great fun. Different to what I was expecting. Listen and Question 67 and 68 are great tunes. I am man could be Hendrix, I love that song! Favourite song: Im a man Least favourite: Free from guitar never needs to be listened to again. Album artwork: Its a cool cover.

Rock 'N Soul

Solomon Burke

2/5

This dude has a great voice and sound. Great rock and roll sound. The album though is very one dimensional with very little else to offer. I can see why its historically important but for me its very samey Favourite song: Cry to me Least favourite: nothing is bad but little stands out Album artwork: Standard cover

good kid, m.A.A.d city

Kendrick Lamar

2/5

Not bad but not something I would listen to again. I'm not a big hip hop/rap fan but I can see this album is good in that genre I enjoyed Crompton. Maybe that is the Dre Dre influence. Favourite song: Crompton Least favourite: A lot of the songs are just the same Album artwork: Not for me

Tommy

The Who

3/5

I was genuinely pleased to see this come up on a sunny summer weekend. I recently saw The Who at the Royal Albert Hall and they played a section of Tommy songs. It sounded incredible live and reminded me just how powerful this material can be on stage. Tommy will probably never top Who’s Next for me, but it deserves huge credit. It is ambitious, theatrical and tells a complete story. As a concept album it is bold and imaginative, and when it works it really works. There are some brilliant songs here. Pinball Wizard is an absolute classic and I’m Free has that uplifting, defiant energy that The Who do so well. The peaks are very high. That said, there are moments that feel like filler and slightly disrupt the flow. Favourite song: Pinball Wizard Least favourite: A few of the linking tracks feel unnecessary Album artwork: Iconic and instantly recognisable, perfectly matching the scale of the project

The Man Machine

Kraftwerk

1/5

Not for me at all.

Axis: Bold As Love

Jimi Hendrix

4/5

I had never been a hendrix fan. I enjoyed this album though. The music is amazing. I will relisten to other albums. Looking at the tracks EXP is not needed. Up from the skies is an excellent song and I really enjoyed Spanish castle magic. Favourite song: If 6 was 9 and up from the skies. Least favourite: EXP Album artwork: Love it

Pearl

Janis Joplin

4/5

This is a nice little listen. A great album I will listen to again!! I really enjoyed my baby and me and Booby McGee, there are some great songs on this album. Mercedes Benz is a classic song and really important. Great and powerful lyrics. Favourite song: get it while you can. Least favourite: There is not a bad song on the album Album artwork: Cool cover and a cool lady.

L'Eau Rouge

The Young Gods

1/5

I have no idea what is happening on this album. Its like French heavy rock with a touch of pop. its not for me at all. The album has so moments of dramatic and great music such as Les Enfants but the rest of it is drivle. Favourite song: Les Enfants Least favourite: The rest of the album Album artwork: Cool cover

Live / Dead

Grateful Dead

2/5

This was OK, Lots of instrumentals. The album has great guitar playing but nothing was exciting on the album. Favourite song: St Stephen Least favourite: Feedback Album artwork: It is a cool cover

The Next Day

David Bowie

4/5

I’ve listened to this album before, but it’s never clicked with me the way it did this time. There’s something genuinely moving about The Next Day. It feels reflective, almost haunted in places — Bowie looking back while still pushing forward. “Love Is Lost,” “Valentine’s Day,” and “Where Are We Now?” are all superb. The latter in particular has a fragile, emotional weight that really stays with you. That said, while it’s a strong and deeply affecting record, I don’t think it quite sits alongside his absolute masterpieces. It’s powerful, but not quite transcendent. Favourite track: Love Is Lost Least favourite: I wouldn’t mind if I never heard Heat again — it doesn’t quite land for me. Album artwork: An iconic cover. The defaced “Heroes” image is bold, clever, and perfectly in keeping with Bowie’s sense of reinvention.

Peter Gabriel 3

Peter Gabriel

4/5

I did not think I would like this album but I really did. It got 2-3 plays back to back. I have never been a Genisis fan but maybe I need to give them a go. Favourite song: Family Snap Least favourite: Lead a normal life. Album artwork: Love the cover

Vulgar Display Of Power

Pantera

1/5

Awful, I did give it my best go though!!

Pink Moon

Nick Drake

4/5

It’s a short album but its stunning. Lovely music and beautiful lyrics. I reviewed five leaves left about 3 months ago and didn’t enjoy it at all. I found Drakes voice tough to enjoy. On this album it really works with the folky guitar sound. I enjoyed this and will listen to it again. Favourite song: Things behind the sun Least favourite: Horn Album artwork: I love the album cover

Kings Of The Wild Frontier

Adam & The Ants

4/5

This album is fun. it started really well with Dog eat dog and antmusic. The lyrics are nuts. I have no idea what this album is about but will listen to it again. Favourite song: Antmusic Least favourite: Los Rancheros Album artwork: Great cover.

Architecture And Morality

Orchestral Manoeuvres In The Dark

5/5

I'm genuinely pretty shocked by how much I loved this album. Its totally brilliant. I've never listened to OMD before and am now going to have to go on a journey learning all about them. This album is excellent - lots of changes and difference in the tracks, Its a very good listen. Favourite song: Sealand and Joan of Arc Least favourite: Architecture and Morality Album artwork: Great cover

GI

Germs

2/5

High enegery and great start with what we do is secret. Hearing that set the scene for an hour of punk. After a while it all got very same! I couldnt understand a lot of the lyrics as they got taken over by screaming. That said the sound is great. Favourite song: every song was the same and average Least favourite: same again Album artwork: I love the cover art

Bossanova

Pixies

4/5

I have never really liked the Pixies before, but I loved this album. It has some great songs on like Alison and Is she weird. Its a solid begining to 90s rock, yet slightly repetative after 6-7 songs. You can see Ash, Feeder and other bands like that being really inspired by the Pixies and this album. Its very close to their sound. Favourite song: Alison Least favourite: Hang wire and stormy weather. Album artwork: I love the artwork

John Lennon/Plastic Ono Band

John Lennon

4/5

Probably Lennons best solo album and its his first. You can hear him really creating his own sound here. Great first 3 tracks. I couldnt remember I found out and loved it. Working class hero has always been one of my faves. Favourite song: Working class hero. Least favourite: God and look at me Album artwork: Love the cover. Great tree!!!!

Germfree Adolescents

X-Ray Spex

1/5

This album was not for me. It was general punk pop but not very interesting or engaging at all. Great album cover though!

In Rainbows

Radiohead

4/5

What a tune Jigsaw falling into pieces is. Only ever heard that one before from this album so the rest of the album was a suprise to me. I have to be honest It started badly. I really couldn’t stand 15 Step After the disapointment of track 1 the album improved dramatically with bodysnatchers and then with Nude which I would say is the standard Radiohead sound!! That said there are some great songs on this album and its a really enjoyable listen, it will be listened to again! Favourite song: Jigsaw falling to pieces and Bodysnatchers. Great songs. Least favourite: 15 Step Album artwork: Great album cover

Hypocrisy Is The Greatest Luxury

The Disposable Heroes Of Hiphoprisy

4/5

The artist’s name is a mouthful. Great voice and sound though. Very Public Enemy. My first though was that this is socially well-behaved rap and hip-hop. Nice lyrics and messages. The lyrics on Television, the drug of the nation and Satanic Reverses are amazing. Very important of the time. Favourite song: Television, the drug of the nation Least favourite: All tracks were good Album artwork: OK cover.

Blur

4/5

I love Blur. This album starts really well with Beetlebum, Song 2 and Country Sad Ballad man. 3 great songs There is some filler on the album like chinese bombs and theme from retro. Apart from that it is a strong indie album. Blur are good, but they are not Oasis!!! Favourite song: On your own and Beetlebum Least favourite: Theme from retro Album artwork: Love the cover

The Madcap Laughs

Syd Barrett

1/5

This was always going to be a tough listen for me. I have never been a fan of Pink Floyd, so coming into Syd Barrett’s solo work I was already on the back foot. “Terrapin” felt like a very flat opener. It reminded me of a weaker Beatles outtake rather than something distinctive in its own right. From there, the album never really grabs hold. The loose, fragmented feel might be part of its charm for some, but to me it just sounds unfinished and meandering. I can understand why people are fascinated by this record. There is a vulnerability and fragility to it, and knowing the story behind Barrett adds weight. But purely as a listening experience, I found it dull and difficult to stay engaged. It is a one out of five for me. Favourite song: None stood out. Least favourite: The album as a whole just does not work for me. Album artwork: A really cool and striking cover. Easily the most memorable part of the package

Enter The Wu-Tang (36 Chambers)

Wu-Tang Clan

3/5

I have always loved this album. Great hip hop, A little bit samy after a while hence a 3/5 Favourite song: CREAM Least favourite: Clan in de front Album artwork: I wouldnt hang it up at home

Electric

The Cult

2/5

Generic hard rock. the sound of everything that was wrong in the 80S. This album is not for me. Favourite song: Lil devil is ok I suppose. Least favourite: Peace dog, awful rock! Album artwork: Not the kind of cover I like

The Specials

5/5

Great album. Ska music at its best The album is just full of bangers. absolutley brilliant. Favourite song: Gangsters, what a track that is!! Do the dog is also a little favourite and great live. Least favourite: They are also classics. Album artwork: Iconic cover

Young Americans

David Bowie

5/5

One of Bowie’s finest records — I absolutely love it. From the opening bars of “Young Americans”, you know you’re hearing something special. It’s one of my all-time favourite Bowie songs: soulful, dramatic, and packed with energy. Considering this was such a bold shift in direction — stepping away from glam rock into what he called “plastic soul” — it’s remarkably close to perfection. A completely new sound, and yet it feels effortless. The album is full of belters. “Fame” has that slinky groove and bite, while “Fascination” keeps the momentum going with pure rhythm and swagger. There’s confidence all over this record — Bowie reinventing himself again, and making it look easy. Favourite tracks: Fame and Young Americans Least favourite: Honestly, there isn’t one — it’s strong throughout. Album artwork: An amazing cover. Sharp, stylish, and perfectly in keeping with this soulful new era.

Red Dirt Girl

Emmylou Harris

2/5

I don't know much Emmylou Harris, I heard some of the tracks she did with Robert Plant and was never a fan. A legend of folk, the only problem is im not a folk fan!! Chilled music, nothing stands out and nothing is horrible. Its a very biege album. Favourite song: Nothing stands out Least favourite: Nothing was horrific Album artwork: A little scary

In The Court Of The Crimson King

King Crimson

2/5

This is my first proper listen to King Crimson, a band that comes with a big reputation, especially with fans like Nick Cave. It’s easy to hear why. In the Court of the Crimson King is a bold, game-changing prog rock album that feels very different to anything else from its time. The musicianship is outstanding, and when it hits, it really hits. 21st Century Schizoid Man is explosive and chaotic in the best way, while Epitaph is a brilliant, more emotional and atmospheric track. For me, though, it leans a bit too heavily into the instrumental sections. While they show off the band’s talent, they can drag at times and take away from the overall flow. It’s a very good album, but not quite a great one for me. Favourite track: Epitaph Least favourite track: Moonchild Album artwork: Mental cover, really striking and memorable

In Our Heads

Hot Chip

3/5

This album is very elctro pop meets Indie. Hot chip have a great sound. Motion sickness is a tune. Favourite song: Motion sickness Least favourite: Dont deny your heart and look at where we are. Album artwork: Love the cover

Oracular Spectacular

MGMT

4/5

This album has stood the test of time. I loved this back in 2007 and love it now. There are so many good songs on this album, electirc feel, kids and time to pretend are my favourites as everyone elses!! Its ashame they never hit these hights again. Favourite song: Time to pretend. Least favourite: everything is good. Album artwork: Love the cover

Juju

Siouxsie And The Banshees

5/5

This album is fantastic. I have played it 3 times in a row very early on a Saturday morning making this a great start to the weekend. There are some great tunes like Arabian nights and Monitor. Favourite song: Monitor Least favourite: All great tunes. Album artwork: Great cover, I have no idea what is going on with it.

Every Good Boy Deserves Fudge

Mudhoney

1/5

I couldnt get into this album at all. The songs did nothing for me. I couldnt really pull out a genre and what the album was trying to do.

The Köln Concert

Keith Jarrett

1/5

Music to have on in the background but nothing more. I have nothing really to say about this apart from this is why this project is amazing as I would have never listend to this otherwise. In summary 1 hour of solo piano playing is boring!!!

The Low End Theory

A Tribe Called Quest

3/5

This is a really easy listen, classic hip hop and classic early 90s. Enjoyed in the background this morning and then listened to again in detail. Great beats. Maybe I like hip hop as I have enjoyed a few of these albums now. Favourite song: What Least favourite: all good songs. Album artwork: Cool cover

My Beautiful Dark Twisted Fantasy

Kanye West

3/5

I am not a Kanye fan, that said there are some great songs on this album. Dark Fantasy, all of the lights and Power are paticularly good. I liked this and will listen to it again. Favourite song: Power Least favourite: all of the lights interlude Album artwork: Basic cover

Doolittle

Pixies

4/5

This album is very good. I was suprised as I have not enjoyed other Pixies albums. This will be listened to again and again. This album has a collection of great tunes like here comes your man, debaser and monkeys gone to heaven. Fun songs with great music and lyrics. Its a solid 4/5 for me. Favourite song: Monkeys gone to heaven and Mr Grieves Least favourite: all songs are worth a listen Album artwork: great cover. works well with the overall theme

Mothership Connection

Parliament

2/5

Its a fun album. Lots of funk and happy music. Average hip hop, will probably never listen again

Blue

Joni Mitchell

2/5

Great voice and great lyrics. Its just not an easy listen for me. There is just something missing for me. I think the album lacks fun. Favourite song: River Least favourite: everything was much of a muchness Album artwork: Great cover

Parallel Lines

Blondie

4/5

What an album, It has all the Blondie staples and then great tunes to discover like Picture this and pretty baby. Blondie has a great sound and Debbie Harry has an iconic voice. I rediscovered Sunday Girl and 11:59, so thank you to this challenge. Favourite song: Heart of glass, one way or another or hanging on the telephone Least favourite: Fade away and radiate Album artwork: Really cool cover

Modern Sounds in Country and Western Music

Ray Charles

2/5

This is an odd album!! Its like a cross between a Disney soundtrack and a Chrismtas album an album I want to not like but it is then saved with some great tunes on it. I loved Dont tell me your troubles, you win again and Born to Lose but around those tracks there was a lot of filler. Favourite song: Dont tell me your troubles Least favourite: Midnight Album artwork: Cool cover

Exit Planet Dust

The Chemical Brothers

4/5

I loved this album, great backgound music to move your head to and work through your day. Great electronic album. Favourite song: Leave home and in dust we trust Least favourite: All good tracks Album artwork: amazing cover

At Budokan

Cheap Trick

1/5

Cheap trick is a new one for me but I do love a live album, so I was looking forward to giving this one a go. this felt like boring and generic rock. Nothing grabbed me at all. Uninspiring music. The crowd seemed flat. I have no idea how this album made the list as there is nothing new, different, or engaging about it. Favourite song: I want you to want me was quite pleasant Least favourite: Need your love (it was just long and very boring) Album artwork: Cool cover

Trans Europe Express

Kraftwerk

3/5

I actually really enjoyed this, which surprised me. I gave The Man Machine a very low score and found it a tough listen, so I was not expecting this to click. Trans-Europe Express feels more focused and melodic. The minimalist approach works better here and the repetition feels hypnotic rather than cold. It is electronic, precise and controlled, but still accessible. Showroom Dummies is a standout. Catchy, mechanical and strangely fun. The title track Trans-Europe Express is equally strong, building atmosphere in that unmistakable Kraftwerk way. The whole album feels like an easy listen, which is not something I expected to say. Favourite song: Showroom Dummies Least favourite: None. It is consistently strong throughout Album artwork: A great cover. Stylish, sleek and perfectly in keeping with their aesthetic

At Newport 1960

Muddy Waters

3/5

I really enjoyed this album. I got a brand on you is one hell of a tune! its a good album and will be listened to again Favourite song:I got a brand on you Least favourite: All good Album artwork: Cool cover

D.O.A. the Third and Final Report of Throbbing Gristle

Throbbing Gristle

1/5

Just random noise and nonsense. If this is clever I dont get it. Awful. Favourite song: Nothing Least favourite: Every track Album artwork: Good cover

The Marshall Mathers LP

Eminem

4/5

II loved this album when it came out, that said I was 22 years younger then. Listening to it again after so long I had the following thoughts. There are some great songs on this like Stan, the way I am and the real slim shady. the album is too violent Its homophobic and misogynistic However, I can’t work out if this is sarcasm or not! Favourite song: The way I am Least favourite: all good Album artwork: Good cover

Queen II

Queen

5/5

I love Queen. They were the first band I ever fell in love with, so there will always be some bias here. That said, this is not one I have revisited as much as some of the others. “Seven Seas of Rhye” is superb. Such a brilliant song. It is dramatic, melodic and full of swagger. I have so many memories of watching Queen at Wembley on TV and this song always takes me straight back there. There may not be many of the obvious greatest hits on this record, but that does not matter. As a complete piece it is ambitious and theatrical, split between the light and dark sides, and it really shows the band’s creativity in their early years. It feels bold and imaginative, and I enjoyed it far more than I expected to. Favourite song: Seven Seas of Rhye Least favourite: Procession Album artwork: An iconic cover. One of the most recognisable images in rock history

I’m a Lonesome Fugitive

Merle Haggard

1/5

This album was not for me. Its a poor mans Jonny Cash, with a little more cowboy and sad songs. Its not the type of country music I like and enjoy.

Stripped

Christina Aguilera

3/5

This is one of the best pop albums on the list. Firstly, it has great songs on it. Versatile sounds like going from fighter and dirty to beautiful. 3 great pop songs and songs of the early 00's This is as good as pop gets. Too much filler for me though like underappreciated and make over. This makes it a 3 for me. Favourite song: Dirty Least favourite: Underappreciated. Album artwork: Cool cover.

Dust

Screaming Trees

2/5

I went into this with little expectations having not really heard a screaming trees song before. I found it to be mediocre grunge. There is nothing good or stand out on this album Favourite song: All I know Least favourite everything was a little bit bland Album artwork: nuts cover, not one you would hang up at home

Play

Moby

4/5

This is a great album. So many good songs on it. This will be listened to again. Favourite song: Bodyrock, natural blues and porcelain Least favourite song: all good tracks Artwork: great album cover

One World

John Martyn

1/5

I had never heard of this fella so I went in with no expectations apart from a recommendation from Phil Collins which can never be a good thing. I thought dealer was a terrible song. Boring with terrible lyrics and vocals. It was a tough start. I really didn’t enjoy this album at all. The only saving grace was big muff. That was an ok song. Favourite song: Big muff was ok Least favourite song: the rest of the album Album artwork: Cool cover

american dream

LCD Soundsystem

4/5

I have always wanted to listen to an LCD album so this is my chance. I really enjoyed this album. There are some great songs on it like Tonight, call the police and how do you sleep. Such a good mixture of upbeat songs and ballads. Favourite song: How do you sleep Least favourite song: Black screen was just so long and not needed Cover: It’s a simple yet effective album cover

It's Blitz!

Yeah Yeah Yeahs

3/5

I really enjoyed the first 2 tracks. It set me up with lots of optimism for the rest of the album. The peak was runaway. What a great song The album is all over the place from a genre perspective. Indie, pop, dance and electronic music all in one album. I love it Favourite song: zero and runaway Least favourite song: all good songs. I also enjoyed the acoustic versions on the special edition of the album. Artwork: great album cover

Arise

Sepultura

1/5

I am not a fan of this genre so this was always going to be a rough listen. Track 1 confirmed this. To sum up this album I think it’s simply Just awful. Favourite song: none Least favourite: all of them Artwork: not good.

Copper Blue

Sugar

2/5

This album is ok at best. Average grunge, pop and indie, you can’t tell it wants to be an Foos or Nirvana type album but it just isn’t. If I can’t change your mind and hoover dam are ok. The rest of the album is just so bland and average. I have no idea how this album can make a list like this. Favourite song, Hoover Dam Least favourite: most of the album Artwork: ok

Clube Da Esquina

Milton Nascimento

1/5

I always struggle with foreign language music. Lyrics are important to me. I found the album boring and receptive. It was a very hard listen. I am going to need a good album tomorrow to pick me up from the last 3-4 days

Surrealistic Pillow

Jefferson Airplane

4/5

Flower power at its best. Grace Silks voice is amazing. Her songs on the album are the highlight. Somebody to love is the standout tune but there are some other belters like white rabbit and she has funny cars. Favourite song: she has funny cars Least favourite: everything is cool Album cover: standard cover

Fly Or Die

N.E.R.D

4/5

At first sight, I judged a book by its cover and thought I would hate this album, by track 4 I was hooked I knew some of these songs, fly or die and she wants to move. Massive tunes!! This album has it all. Hip hop, Jazz, pop and even more. Favourite song: she wants to move Least favourite song: all good Album cover: Good cover

Medúlla

Björk

1/5

Awful album. just noise and shouting.

Sticky Fingers

The Rolling Stones

5/5

After the past week and getting back from Mexico, I needed a 5/5 album to kick off my first day back at work, and Sticky Fingers by The Rolling Stones delivered exactly that. What a way to open with Brown Sugar. That riff is unforgettable. Wild Horses is one of my all-time favourite songs, and Sister Morphine is seriously underrated. The album is full of standout moments and that classic Stones swagger, making it a top-tier record from start to finish. Favourite track: Wild Horses, emotional, timeless, and beautifully written Least favourite tracks: None, every track earns its place Album artwork: An iconic cover that’s as bold as the music A true classic and exactly what I needed

1977

Ash

4/5

Lose control, Goldfinger and girl from Mars is such a strong start to an album and is the sound of my youth. This is a great album with catchy songs covering punk, indie and grunge. the Album has variety and substance. They were 19 when they wrote this album which is incredible. Favourite song: Goldfinger and girl from Mars Least favourite: All good Album artwork: Great cover

Eternally Yours

The Saints

3/5

Another band I had never heard of and loved. Standard punk album. if you love punk you will love this. There are some great songs on this. I really enjoyed know your product, memories are made of this and private affair. Favourite song: Memories are made of this. Least favourite: All good Album artwork: Cool cover

Brilliant Corners

Thelonious Monk

1/5

Jazz is not for me at all. This album was pleasant in the background but that is as far as it goes for me. Favourite song: There was not one track I would like to listen to again Least favourite: Nothing was bad it was all just meh!! Album artwork: OK

Power In Numbers

Jurassic 5

4/5

This is an album I never knew I needed in my life. This is, Freedom and break are a strong start to the album. they are great song with variety and strong lyrics. Favourite song: A day at the races Least favourite: Fanstastic album. I couldnt fault a track Album artwork: Cool cover

Let England Shake

PJ Harvey

4/5

I always loved this album, great artist. Brilliant lyrics with a great abnd and music. The only thing stopping this becoming a 5 is I feel there is a bit too much filler on this album. Favourite song: Last living rose and let Emgland shake Least favourite: England and On battleship hill Album artwork: Brilliant

The Queen Is Dead

The Smiths

5/5

A clear ten out of five. Maybe even twenty out of ten. This is not just one of the best albums ever made, it is probably in my top three albums of all time. From the opening of the title track you get everything that makes this band so special. Sharp, fearless lyrics. Powerful, melodic music. Johnny Marr’s guitar playing is extraordinary from start to finish. The riffs are unforgettable. They are the kind you try to copy badly on a guitar in your bedroom because you simply have to play them. Every song feels essential. There is not a wasted moment. The melodies stay with you, the words mean something, and the whole album flows perfectly. It is packed with classics, and genuinely every track could have been a single. Favourite songs: Cemetery Gates and There Is a Light That Never Goes Out. Although you could make a strong case for any song here. Least favourite: None. Every track is a ten out of ten. Album artwork: Iconic. Instantly recognisable and perfectly in keeping with the band’s aesthetic

Endtroducing.....

DJ Shadow

2/5

This album is background or lift music at best. Some of the tracks are pleasant in the background and others are just annoying. I have no idea how this album made the cut. Favourite song: The number song and what does your soul look like are OK. Least favourite: A lot of the music on this album is meh and background noise. Album artwork: Cool cover

Don't Come Home A Drinkin' (With Lovin' On Your Mind)

Loretta Lynn

1/5

Country music is not an easy listen for me!! The album is dated and just boring wirth lyrics that just dont relate anymore!

Superunknown

Soundgarden

2/5

I am not a grunge fan. I find the music all very generic and moany. i can see why this album is top of the pile for grunge but it’s not for me. Its wrestling music!!!! I couldn’t pick a favourite or a song I dont like, the album was just very meh! Album artwork: Cool cover

Permission to Land

The Darkness

2/5

Fun, nonsense and annoying. I wanted to hate this album and did in parts but overall, it’s a nice listen. The album is an easy listen and has some enjoyable tracks, but it begins to get annoying as you go through the album. There are no deep and meaningful lyrics and songs on the album, just fun and cheesy rock songs with catch riffs and titles, get your hands off my woman is a great example of this!! Favourite song: I believe in a thing called love, Friday night and growing on me Least favourite: Giving up and stuck in a rut. They are songs in the second half of the album and by this time I was giving up!! Album artwork: It’s a cool cover

Guero

Beck

3/5

My second Beck album and I fear there is more to come. This album was OK at best not one of his strongest, so I am very surprised it made the cut of this list. I really enjoyed the opening tracks E-pro, Girl and missing. Its was a strong start but the album moved to a more repetitive and slower middle and end. Beck's music is funky, with a hint of indie and grunge yet samy after a while as I do not feel he tries anything new and different. Its an average album. Favourite song: Girl Least favourite: Broken drum and scarecrow Album artwork: It’s a fun cover

Elvis Is Back

Elvis Presley

2/5

Not more Elvis!!! Elvis is phenomenon and a legend, I get this, but he has not made a good album he just has a great voice and sings what he is told to sing! There are some nice tracks on this like the girl of my best friend and Like a baby Favourite song: The girl of my best friend Least favourite: Soldier boy Album artwork: Standard Elvis album cover

Gorillaz

4/5

Gorillaz were just so different at the time of release, when this popped up, I was looking forward to listening to this after so many years. Clint Eastwood and all the remixes of it are brilliant. I never tire of hearing it. Such a good song and sound. There are other great songs too like Punk, Sound check and Re-Hash. I like this album, but I do think Demon Days is better! I will listen to this more regularly. Favourite song: Clint Eastwood and Punk Least favourite: New genius brother Album artwork: Great cover and the artwork of the band is now stuff of legend.

Cheap Thrills

Big Brother & The Holding Company

4/5

Janis Joplin is an amazing singer, really powerful and raw. This album had a strong blues feel and had some great guitar riffs. I really enjoyed it. There are some great tracks on this like Turtle blues and piece of my heart. The album cover is also fantastic. Favourite song: Piece of my heart and magic of love Least favourite: all songs are good Album artwork: I love the cover

Lupe Fiasco's Food & Liquor

Lupe Fiasco

4/5

How have I never heard of this before, this is like good Kanye!!! This is good rap music, it is fresh and clean, it feels responsibile with a good message that has not dated. The music has it all with some songs featuring R&R then spanning the spectrum to Jazz. Its unique. Favourite song: Kick, Push" and "Daydreamin' Least favourite: Outro, what was that all about! Album artwork: I like the cover

Bone Machine

Tom Waits

1/5

My first album by Tom Waits as part of this challengeand I am not looking forward to this. No matter what he’s doing musically, I just can’t get past his voice. It completely takes me out of the album. I know it’s distinctive and part of his appeal, but for me it’s really grating, and it made this a tough listen from start to finish. There may be good songwriting in here, but it’s hard to appreciate it when the vocal style just doesn’t land at all. Favourite tracks: None that stood out Least favourite tracks: The whole album didn’t click for me Album artwork: The cover pretty much sums up the mood of the album

Are You Experienced

Jimi Hendrix

5/5

What a first studio album this is!! It could easily be a greatest hits album. You won’t see a better opening than purple haze, manic depression and Hey Joe. Just brilliant. So many hits that remind me of going out when I was 18-21 and are the reasons, I love music. Stone Free being the biggest. I love it. Its a 5/5 easily Favourite song: Manic depression, Stone free Least favourite: None, all songs are fantastic Album artwork: Perfect album cover

Master Of Puppets

Metallica

3/5

I am not into heavy metal or thrash metal in any way at all. I was surprised that I enjoyed Master of Puppets and Battery as I went into the album with a negative mind frame. The guitar riffs were good and catchy, only downside is the songs are a little long. I grew to like the album. It has some good melodies and acoustic moments. its a 3/5. Favourite song: Master of puppets Least favourite: Disposable heros is not for me. there is a lot of screaming involved there. Album artwork: Cool cover, I won’t hang it up at home though

Aha Shake Heartbreak

Kings of Leon

3/5

I can’t believe this album is now 20 years old!! I used to love this, so I am looking forward to giving it another listen, its been a long time. Slow night, so long is great. Its the KOL era I know and love before the haircuts and pop. KOL should have stayed this way. Its a good album, nothing more than a 3/5 Favourite song: King of the rodeo and Bucket Least favourite: Milk Album artwork: Cool cover

Moon Safari

Air

3/5

Sexy boy is one hell of a tune. So many memories come back from late teens early 20s when listening to it. The album is easy listening and great in the background. Favourite song: sexy boy Least favourite: There is nothing bad on this at all. Album artwork: cracking cover

Transformer

Lou Reed

4/5

I used to absolutely love this album when I was younger. It felt dangerous, cool, and a bit untouchable. Listening back now, I don’t quite hold it in the same reverence — and I can’t help wondering if Lou Reed is slightly overrated. That said, there’s no denying how strong this record is. The songwriting is sharp, the attitude effortless, and the atmosphere unmistakable. The “Perfect Day” demo is beautiful — stripped back and genuinely moving, showing the tenderness behind the bravado. Favourite tracks: It’s almost impossible to choose. “Vicious” is brilliantly biting, and “Walk on the Wild Side” is iconic for a reason — laid-back, stylish, and completely of its time. Least favourite: If I’m being picky, “Goodnight Ladies” — but even that has its charm. Album artwork: A perfect cover. Stark, cool, and effortlessly stylish Even if it doesn’t hit me quite the way it once did, it’s still a hugely important and influential album — and one I’ll always have some affection for.

Pink Flag

Wire

4/5

Short, sharp, and great. Punk at its best. 21 songs in 36 minutes is impressive feet. I had never heard of Wire or pink flag before, but I was impressed. It seemed very ahead of its time for a 1977 release. Favourite song: Three girl rumba and ex lion tamer. Least favourite: Nothing was long enough to not like Album artwork: Cool cover

Go Girl Crazy

The Dictators

3/5

The songs sound like good punk, the lyrics are silly and funny which is a good sign but for some reason I found the album a bit stale at fist. After a second or third listen though I grew to love some songs, and it really changed my opinion on the album. The cover of I got you babe is quite unique and California sun, two tub man and I live for cars and girls are great songs. It’s a fun album. Favourite song: California sun and two tub man are great songs. Least favourite: Master race rock Album artwork: Interesting cover

I Want To See The Bright Lights Tonight

Richard Thompson

2/5

Nice folk music, This album has some great songs on it and some not so great songs. Its a real mixed bag. I really enjoyed the end of the rainbow and when I get to the boarder Then there were songs that I just could not get on with like the great valerio and the little beggar girl. Favourite song: The end of the rainbow Least favourite: the little beggar girl. It could have easily featured in Robin Hood the Disney cartoon. Album artwork: Simple and effective cover

MTV Unplugged In New York

Nirvana

3/5

I was never really a fan of Nirvana and never understood the hype, but this album is good. It adds cover to the hits, and they sound fantastic acoustically. I never really appreciated how many great covers there are on this album until now. Favourite song: About a girl, the man who sold the world and where did you sleep last night. Least favourite: I have never liked Pennyroyal tea Album artwork: Cool cover

Seventh Tree

Goldfrapp

2/5

Clowns is very dull!! and on reflection I found the album to be very dull. I am not a fan of her voice at all. Favourite song: Little bird is a lovely song. Least favourite: The rest of the album. Album artwork: Cool cover

The Bends

Radiohead

4/5

This album is Radiohead at their best. Fantastic stuff. High and dry and fake plastic trees are fantastic songs and then further down the album you have just and my iron lung. there are some great tunes! Favourite song:Just Least favourite: Sulk Album artwork: Iconic cover.

Gunfighter Ballads And Trail Songs

Marty Robbins

1/5

This album is simply awful. Nonsence cowboy music. Favourite song: There really wasnt one Least favourite: All of them Album artwork: Very American

There's A Riot Goin' On

Sly & The Family Stone

2/5

This album was funky, It was OK but nothing more. It couldn’t keep my concentration and became a background sound. This is not one I would listen to again Favourite song: Family affair Least favourite: The instrumentals towards the end of the album Album artwork: American

Tarkus

Emerson, Lake & Palmer

1/5

When I saw the first track was 20 minutes long I nearly gave up from the start. I have never listened to an Emerson, Lake, & Palmer before and had no idea what to expect. I will not be listening again Favourite song: None Least favourite: all of them Album artwork: Great cover.

Larks' Tongues In Aspic

King Crimson

1/5

I really agree with a lot of the comments. I really do hate prog rock!! This album does have some cool moments in around all the intrsumentals, Larks part 2 was a good song. Apart from that it is another poor album Favourite song: larks part 2 Least favourite: All of the other tracks Album artwork: Cool artwork

Off The Wall

Michael Jackson

2/5

Lots of funk and disco but not as good as Thriller. Dont stop till you get enough and Rock with you carry the album. Fantastic songs but past the opening to I found it to be very average Favourite song: Dont stop till you get enough Least favourite: Get on the floor Album artwork: An odd man

Billion Dollar Babies

Alice Cooper

3/5

I have always thought of Alice Cooper as a bit of a joke act, and I have never taken his work seriously before now. I really enjoyed this album. It was fun. I am surprised. I really enjoyed Mary Ann, I loved the dead and Billion-dollar babies. Favourite song: No more mister nice guy Least favourite: Sick things Album artwork: A bit of a lame cover. I expected better

Butterfly

Mariah Carey

1/5

This is going to be a tough listen. This was not for me at all. 90S pop and R&B at its worst, good voice though!! Favourite song: honey was an ok pop song. Least favourite: The rest of the album. Album artwork: Hot!!!

Tidal

Fiona Apple

4/5

Great songs, fantastic voice and angry lyrics. I like it a lot. Pop art at its best. Sleep to dream, sullen girl and shadow boxer are great songs and Carrion is a lovely way to finish the album. There are so many good songs on this album 6/10 are / were big hits. Favourite song: Shadow boxer Least favourite: Never is a promise was a little boring. Album artwork: Lovely eyes!!

Here Are the Sonics

The Sonics

4/5

Good, old fashioned garage rock. 12 great pop songs in under 30 minutes. I really enjoyed this album. There are some great original songs like the witch and Strychnine and some classic rock and roll covers. This album is good fun. Favourite song: Have love will travel and money Least favourite: Walkin the dog Album artwork: Basic

Logical Progression

LTJ Bukem

1/5

Not a fan of this at all. Its safe to say I dont not enjoy drum and bass

The Sounds Of India

Ravi Shankar

1/5

The second album in a row that my review is just one word. Awful!! This is not an album, its a history lesson in indian music and culture.

Band On The Run

Paul McCartney and Wings

5/5

I really enjoyed this album, I had heard the singles before and liked them even more as an album all together. Its very good and complete I had never heard ninteen hundred and eighty five before, what a great song. That will be played again!! Favourite song: Band on the run Least favourite: Bluebird, I was not a fan of this at all. Album artwork: Iconic album cover

Siamese Dream

The Smashing Pumpkins

2/5

90s grunge music was never my thing. I feel the album starts well but gets boring as it progresses. there are songs at the start where you can see they are trying to do something different and something that is a bit more than 90s grunge. The album has moments and great melodies. I would explore more smashing pumpkins. Favourite song: Disarm Least favourite: the latter half ot the album Album artwork: A bit creepy.

Throwing Muses

3/5

I like female punk music, I never knew this!! The vibrance and energy is amazing. Favourite song: Call me is a great tune. Least favourite: All songs are good but they do get a bit repetative after a while. Album artwork: Cool cover

Can't Buy A Thrill

Steely Dan

4/5

The album cover makes me want to love this album enough I want the print of the cover on the wall at home. Lets see!! I have not heard much Steely Dan before but this album is a great introduction for me. It has some of their most popular hits and the rest of the album is really good too. The opening three tracks are really good and set the tone for the album. Favourite song: Do it again and reeling in the years. Least favourite: All tracks are great. Album artwork: I love the album cover.

Celebrity Skin

Hole

2/5

Good album but nothing special. It feels very average. Bar a few songs I would not listen to this again. Celebrity skin and hit so hard are good songs. Favourite song: Hit so hard Least favourite: All are OK. Album artwork: Cool cover.

Lam Toro

Baaba Maal

1/5

This was not for me at all. Some moments of nice music though

Highly Evolved

The Vines

2/5

A very average rock / punk album. Nothing to write home about at all but pleasant to have on in the background and not have to concentrate on. There are some fun songs and high energy in moments making some of the tracks good. Homesick and get free for example is great. Favourite song: Homesick Least favourite: 1969 Album artwork: Cool cover though

OK Computer

Radiohead

3/5

Not a fan at all. I know this album is widely regarded as a masterpiece, but it just does not connect with me. The overall tone feels overly bleak and, vocally, it leans into a style that I struggle with. After a few tracks, everything starts to blur together and I find it hard to stay engaged. I can hear the ambition and the atmosphere they are aiming for, and I respect how influential the record has been, but for me it feels cold rather than moving. Personally, I have always found Radiohead to be a little overrated compared to some of their contemporaries. Favourite track: None that truly stood out for me Least favourite: The overall sound feels repetitive Album artwork: Distinctive and instantly recognisable, even if the music does not land for me

One Nation Under A Groove

Funkadelic

3/5

A brilliantf funk album, with a blend of rock and psychedelia all thrown in. Its a very enjoyable listen. Favourite song: One nation and who says a funk band cant play pop Least favourite: All great songs Album artwork: Cool cover

Ambient 1/Music For Airports

Brian Eno

1/5

I dont understand this at all. I would give this the lowest score possbile if there was something below a 1.

At Fillmore East

The Allman Brothers Band

1/5

I really didnt get on with this at all. 1/5

S&M

Metallica

3/5

God this is long!! Interesting concept to add a string orchestra to this band and songs. I liked it. It added a layer to the music I had not experienced before. Favourite song: Master of puppets is a great song, but does it need to be 9 minutes!! I also enjoyed no leaf clover. Least favourite: The rest of the album became much of a muchness. Album artwork: Love the cover

Beautiful Freak

Eels

4/5

I am not that familiar with Eels; I have no idea how I missed them in the 90S There are some stand out songs on this album, Novocaine for the soul is a brilliant opening track. I also loved your lucky day in hell and not ready yet, but there is quite a bit of filler. It’s an album of good moments. Favourite song: Novocaine for the soul. Least favourite: Manchild, I was not a fan of at all and Spunky was pointless. Album artwork: The album title is summed up in the album art

Konnichiwa

Skepta

4/5

Brilliant album, great lyrics, and great music. 4/5. I shall delve into the back catalogue. Favourite song: Lyrics and shutdown Least favourite: Numbers Album artwork: Average cover

Mellon Collie and the Infinite Sadness

The Smashing Pumpkins

3/5

Double albums rarely work. This album has some great songs on it but there are 28 tracks covering 2 hours, so there is lots of filler. An ode to no one is an example of that. This album had some beautiful moments. Mellon collie is a lovely instrumental and the album really kicks off with the fantastic tonight tonight. It was a strong opening but really dragged until track 14 take me down. Favourite song: tonight tonight. Least favourite: I was not a fan of zero or ode to no one. Album artwork: Creepy cover

Cut

The Slits

4/5

I was excited to see this album. This album is a fun pop punk album that spans all genres but focuses on reggae & ska. It’s fun and an easy listen. I will go there and say I think their version of heard it through the grapevine is the best cover I have ever heard. Favourite song: Heard it through the grapevine Least favourite: All songs are worth a listen Album artwork: Iconic cover

Let's Get It On

Marvin Gaye

1/5

This album is far to sexy for me!! One good song and 7 others seductive numbers that don’t really add much. Not one of Marvins greatest’s Favourite song: Let’s get it on Least favourite: You sure love to ball and just to keep you satisfied Album artwork: Good cover

Lust For Life

Iggy Pop

5/5

I love this album. It is punk at heart but wrapped in catchy, driving pop that flows effortlessly from track to track. It feels raw yet polished at the same time. There is attitude and swagger everywhere, but also melody and structure. It is such an easy and enjoyable listen. Iggy and Bowie together were some double act. You can feel Bowie’s touch in the production and songwriting, but it never overshadows Iggy’s personality. The result is sharp, energetic and completely iconic. Favourite songs: The Passenger and Lust for Life Least favourite: None worth mentioning Album artwork: An iconic cover that perfectly captures Iggy’s charisma and confidence

Ogden's Nut Gone Flake

Small Faces

1/5

A couple of good songs in Lazy Sunday and Afterglow but apart from that I really didnt understand the album at all. Lots of nonsense. Favourite song: Lazy Sunday Least favourite: All of the album Album artwork: Cool cover

At Mister Kelly's

Sarah Vaughan

1/5

More Jazz, This album was not for me at all.

Crooked Rain Crooked Rain

Pavement

2/5

I had never heard of pavement before! My first thought is very generic 90s alt rock and indie. It was a nice album but nothing stuck out. It reminded me of American Pie and music from that era of american comedy. Favourite song: Newark Wilder and cut your hair Least favourite: the rest of the album is very meh. Album artwork: Cool cover if not a little messy.

Vol. 4

Black Sabbath

4/5

70S Sabbath is very good! One thing that Sabbath do well is mix heavy rock with beautiful moments. Changes followed by FX is a great example of that. I love Ozzy’s voice on this album. This album is great. Favourite song: Changes Least favourite: I hate a not needed guitar solo. Wheels of confusion has a very long one Album artwork: Cool cover.

Fisherman's Blues

The Waterboys

3/5

Well-crafted and produced music, in summary this album is cool folk rock! I love the Waterboys. My only critic is the album is very long with little variation. Favourite song: Fisherman’s blues is a great song Least favourite: The stolen child. Album artwork: Cool cover

Only Built 4 Cuban Linx

Raekwon

1/5

Sexist, misogynistic, and homophobic lyrics. Very dated and uncomfortable listening! Favourite song: I didn’t really like anything Least favourite: All of the tracks Album artwork: not for me

Machine Head

Deep Purple

3/5

7 songs and 38 minutes. It’s a short one!!! Great intro to Deep Purple though. I have not heard much of their work apart from smoke on the water (what a guitar riff that is!!) I really enjoyed Maybe im a Leo, pictures of home and never before. There are some great Dad rock songs on this album. Favourite song: Maybe I’m a Leo Least favourite: All were good. Album artwork: Good album cover

The Dreaming

Kate Bush

2/5

Polarising reviews. I was looking forward to giving this a listen to see where I sit on the 1’s or 5’s. There is little in-between. I gave it 2 listens before reviewing to make sure I was fair as this album is nuts. On reflection this is an album of moments, some of them are brilliant and some of them are just bizarre. I can’t work out if I love Sat in your lap and there goes a tenner or absolutely hate these tracks. Favourite song: I couldnt pick one, they are all nuts. I dont know if I love them all or hate them. Least favourite: Same as above Album artwork: Cool cover

Catch A Fire

Bob Marley & The Wailers

4/5

This is a very good album. Bob Marley is a fantastic talent for writing accurate social commentary lyrics that’s still work and are applicable to this date! There is anger and happiness on top of great music in this album. Favourite song: Stir it up and concreate jungle are great songs. Least favourite: All songs were good. Album artwork: Cool cover.

Nebraska

Bruce Springsteen

5/5

What an album of storytelling. A clear five out of five, even allowing for my obvious bias when it comes to The Boss. This is such a stark shift away from the sound of the E Street Band. It is stripped back, intimate and haunting. Just voice, guitar and atmosphere. It feels like Springsteen meeting Johnny Cash and Bob Dylan somewhere on a lonely highway. The production is minimal but the impact is huge. I love this album, although emotionally it does not quite sit alongside Born to Run, The River or Born in the U.S.A. for me. Those records soar. Nebraska broods. But lyrically, Springsteen proves he can do absolutely anything. These are short stories set to music, full of desperation, regret and quiet humanity. Favourite song: Atlantic City. A masterpiece of tension and storytelling. Least favourite: None. Every track is listenable and has a story worth hearing. Album artwork: A fantastic cover that perfectly reflects the bleak, empty landscapes within

Court And Spark

Joni Mitchell

2/5

An average album, one that can be easily put on and forgotten about as it is playing. The album had some nice moments like Court and Spark and help me, but I did not enjoy the moments of Jazz that seemed to run throughout the album. Favourite song: Court and Spark Least favourite: Twisted Album artwork: I like the cover

Parsley, Sage, Rosemary And Thyme

Simon & Garfunkel

1/5

Not more Simon & Garfunkel!!!! I find it hard to find any enthusiasm to listen to any of Simon & Garfunkel work. The music is slow, passive and boring. In short, it's a dull album full of passive songs that you dont really care about or pay attention to. Favourite song: homeward bound Least favourite: most of the album is boring Album artwork: lame

Surfer Rosa

Pixies

3/5

I thought this album was a lot earlier than 2007. Where is my mind is a great tune. Its a good album. Not the type of album I would listen to lots but I would listen again. Favourite song: where is my mind Least favourite: River Euphrates Album artwork: Cool cover

KIWANUKA

Michael Kiwanuka

5/5

This album is cool. Really good in fact. The sound felt new and different, and the tracks showed variation. I really enjoyed this. Favourite song: So many to choose from, I really enjoyed solid ground, Piano joint, and Hero. Every song was great in its own right Least favourite: Nothing to pick here Album artwork: Cool cover

Blue Lines

Massive Attack

5/5

Awesome album, an album I was not expecting much from but really enjoyed and will listen to it over and over again. This album can easily be background music or an album to really pay attention too. It has it all. Musically there is some great drumming on this album!. Favourite song: I have always loved safe from harm and unfinished sympathy but discovered day dreaming and blue lines through this challenge. So many great tunes. Least favourite: None Album artwork: Love the cover

Take Me Apart

Kelela

1/5

This album sounds like all R&B albums. It could be anyone, singing anything. Very meh. This one is particularly bad. I have no idea how it made the list. Favourite song: I couldn’t pick one Least favourite: All tracks Album artwork: Meh

90

808 State

3/5

I did enjoy this, it is great background 80 electronic music. Lots of Synths and some fantastic baselines. Favourite song: Pacific 202 Least favourite: nothing to hate, there are some great sounds and tracks on this album Album artwork: Cool cover

Sgt. Pepper's Lonely Hearts Club Band

Beatles

5/5

What an album. I have always loved this from my first listen 30 years ago to now. You couldnt make ths album better. From a Beatles perspective it can only be beaten by Revolver Getting better, a day in the life and Lucy in the sky with diamonds are perfect songs. Favourite song: All of them Least favourite: Everything is perfect Album artwork: Iconic labum cover

The Real Thing

Faith No More

2/5

Rock that borders onto metal is not my thing. There are a couple of good songs on this album but that is about it! Favourite song: Zombie eaters was a good song out of a bad bunch and I liked the cover of War Pigs but it doesnt touvh the original. Least favourite: The rest of the album Album artwork: Cool cover

Kenza

Khaled

1/5

Not for me, It sounds like the sound track to Aladdin 2!! I did enjoy some of the music and I appreciate the change in vibe and being taken out of the comfort zone but I won’t be listening to this again. Favourite song: Aalach Tloumouni Least favourite: The rest of the album Album artwork: Not one I will be hanging up at home

My Aim Is True

Elvis Costello

5/5

Having seen Elvis Costello play an acoustic show recently I was very excited to listen to this album again! I started to play this album on Monday morning at 9:30 and welcome to the working week came on loud!, great song, and a great welcome to another week. So many good songs on this album, I love Blame it on Cain, Alison, and the angels wanna wear my red shoes. This is just a fun pop album that is easy to listen to. Favourite song: The entire album is superb Least favourite: There is not a bad song on the album Album artwork: Cool cover

Layla And Other Assorted Love Songs

Derek & The Dominos

2/5

It was allright, as good as an Eric Clapton album can be. Layla is a fantastic riff and song though I think if I had to sum up this album and Claptons career I would say generic classic rock Favourite song: Layla Least favourite: every song is a little meh Album artwork: I love the cover

Soul Mining

The The

4/5

This is a great album. The The have a great sound that feels unique. Another example of why the 80s was so good. Favourite song: Perfect Least favourite: Not a bad one on the album Album artwork: Cool cover

Kick Out The Jams (Live)

MC5

1/5

This was poor, loud, and pointless noise with over sexualized lyrics. With reagrds to the tracks nothing stood out. I am guessing this made the list as its very early punk and at the start of the era. Favourite song: None Least favourite: All of them, its a poor album Album artwork: meh

Goodbye Yellow Brick Road

Elton John

5/5

Double album with an 11-minute-long opening track. Very brave and it works. The album has so much variety from ballads, Reggae, and rock. everything is nailed and perfect. It’s an easy 5/5 album Favourite song: Bonnie and the Jets and Saturday Least favourite: Jamaica jerk off. this really didn’t work. Album artwork: I love the cover

Fuzzy Logic

Super Furry Animals

3/5

I had 0 expectations from this album, but I really enjoyed it. This has been downloaded and will be listened to again! I had never listened to them before but feel I have seen them live at a festival once. I was not expecting all different types of genres. Rock at the core and a little Springsteen thrown in with elements of pop, psychedelic, glam and everything you can think of. Fantastic melodies but lacking a couple of real bigger hitter on the album that would make it memorable. It’s a 3/5 but nearly a 4 Favourite song: Something for the weekend Least favourite: Everything was worthy of being on the album Album artwork: Cool cover

GREY Area

Little Simz

1/5

I was not a fan of this album at all. I thought the lyrics were dated and dangerous and offered nothing new that was not done and done better 20 years ago. Poor album

Murmur

R.E.M.

3/5

I am not that familiar with R.E.M and looking at the track list on this album it has none of the big hitters are on it. I am looking forward to seeing what this album is all about. It was OK, A 3/5. Musically it was very tight. You can hear that R.E.M guitar sound forming and there is some brilliant piano on this. I feel the album lacks a killer song that you remember it for though. Favourite song: Radio free Europe Least favourite: All songs were OK to good, nothing is bad. Album artwork: Cool cover

Fetch The Bolt Cutters

Fiona Apple

4/5

This is a great album, Lots of variety and great music and lyrics. I really enjoyed it. Shameika and I want you to love me are 2 great songs to open the album and real set the tone and it goes from strngth to strength from there. Favourite song: On I go and under the table Least favourite: All tracks were good Album artwork: Cool cover

Bert Jansch

3/5

I enjoyed this album a lot more than I thought I would. You can hear so many bands that have been influenced by Bert Jansch. The album is hard to put into a genre, the tracks go from Blues to folk to pop linked together by some great guitar work! Loved it!! Favourite song: Angie and Needle of death Least favourite: Alices wonderland Album artwork: Cool cover, It’s a classic look

Shadowland

k.d. lang

1/5

I agree with a lot of the reviews. Cabaret / Christmas songs that are perfect for a hotel or restaurant. There is nothing on here that grabs you or is worth listening too. I have no idea how it made the list.

Illinois

Sufjan Stevens

4/5

I was so surprised by how much I liked this album. The music was really good, it sounded new, different and refreshing. This album is such a good surprise and why I have loved this challenge. Favourite song: Come on feel the lilinoise is a great tune. Least favourite: Prairie fire that wonders about was a bit too whimsical for me. Album artwork: Superb artwork

Emperor Tomato Ketchup

Stereolab

2/5

Electric music without any point or substance. It was an OK listen, but I have nothing positive or negative to say. It was just on in the background and nothing grabbed my attention. French music and language just doesn’t work for me. Favourite song: Metronomiuc underground. Least favourite: Nothing was terrible, but nothing stood out. Album artwork: Very cool cover

3 Years, 5 Months And 2 Days In The Life Of...

Arrested Development

4/5

This challenge has taught me I really like early hip-hop and arrested development. This is a great album. Funky music and great lyrics. I was 10 when this album came out and I have great memories of hearing Mr Wendal and Tennessee on the radio. I loved haring these again Favourite song: Mr Wendal Least favourite: All good. Album artwork: Cool cover

The Rise and Fall of Ziggy Stardust and the Spiders from Mars

David Bowie

5/5

This album is a classic and a clear 5 out of 5. “Five Years” is one of the greatest album openers ever recorded. It builds so perfectly, drawing you into the story with tension and emotion. From there the record barely puts a foot wrong. Every track feels essential to the Ziggy narrative and the whole thing flows brilliantly. Then you get one of the strongest closing stretches on any album. “Suffragette City” explodes with energy and attitude, and “Rock ‘n’ Roll Suicide” is an unforgettable finale. Dramatic, theatrical and deeply moving, it is Bowie at his absolute best. Favourite songs: Starman, Suffragette City and Rock ‘n’ Roll Suicide Least favourite: Every song is brilliant Album artwork: An iconic cover that has become part of music history

Winter In America

Gil Scott-Heron

3/5

Halfway through track 1, I decided that I would not like this album, I thought this is just Jazz and not for me like many other jazz albums on this challenge. I was wrong. as the album went on it grew and I grew to enjoy it. This album has far more to it than just jazz. it is funky and groovy with some great instrumentals and meaningful lyrics and songs. In summary the album is not one that I would run to put on again, but I enjoyed it none the less. Favourite song: Least favourite: Album artwork: Good cover

Abbey Road

Beatles

4/5

Abbey Road by The Beatles is a fantastic album, made even more impressive by the fact it was recorded while the band were starting to fall apart. This feels like one last moment of brilliance, where everything comes together perfectly. George Harrison delivers some of his finest work with Something and Here Comes the Sun, two of my all-time favourite songs. At the same time, Paul McCartney is at his best, with tracks like Golden Slumbers and She Came In Through the Bathroom Window adding to the album’s strength. What really sets this album apart is how cohesive it feels, especially across the medley on side two. There are also some brilliant deeper cuts like Oh! Darling that often get overlooked but add real depth to the record. Favourite tracks: It’s hard to choose, but Come Together, Here Comes the Sun, and Something are three of the best songs ever recorded Least favourite tracks: Because doesn’t quite land for me Album artwork: An iconic cover, and arguably their best

...And Justice For All

Metallica

2/5

Even more Metallica, this must be the 3rd or 4th now in 320 odd doing this challenge! My gut reaction is not another album and its a long one at 1 hour and 5 minutes for 9 tracks. This is all a bit meh and sounds like all the others. There is nothing new and different. Favourite song: I enjoyed eye of the beholder and the opening guitar riff to one. Least favourite: The rest of the album Album artwork: Cool cover

Heroes

David Bowie

5/5

For me, this is the best album of the Berlin trilogy. It feels like a culmination of everything Bowie had experimented with before. Art rock, electronic textures, atmosphere, drama and melody are all here, and he pulls them together brilliantly. There is ambition in every track, yet it never feels forced. It is bold, confident and completely distinctive. “Heroes” is of course the centrepiece. It is one of the greatest songs ever written, building layer upon layer into something euphoric and timeless. “Beauty and the Beast” bursts out of the gate with energy, and “Joe the Lion” is a real hidden gem with its driving rhythm and sharp edge. Honestly, every track feels strong enough to have been a single. Favourite song: Heroes Least favourite: Everything is superb Album artwork: Iconic and instantly recognisable, perfectly matching the mood of the record

This Is Hardcore

Pulp

4/5

Not quite on the same level as Different Class, but still a very strong album in its own right. Where Different Class was sharp, witty and socially observant, This Is Hardcore feels darker, more cinematic and more self-aware. There’s a sleazy glamour running through it — and at times I get major Bowie vibes, especially in the dramatic delivery and theatrical atmosphere. “Help the Aged” is a standout for me. It’s witty, uncomfortable, catchy — and classic Jarvis Cocker. The album as a whole leans into decadence and disillusionment, but it does it with style. Favourite track: Help the Aged Least favourite: None really — it’s consistently good throughout. Album artwork: A sexy, provocative cover that perfectly matches the album’s mood and themes.

O.G. Original Gangster

Ice T

2/5

Looking at the track listings and awful titles of the songs this is going to be a very hard listen. Favourite song: Least favourite: Album artwork: I wont be hanging this one up at home.

Nilsson Schmilsson

Harry Nilsson

3/5

I really liked this album. I would listen to it again. I have always loved the song Without You but had never heard this version before. Some good Beatles inspired pop songs. Favourite song: Without You Least favourite: Coconut. What on earth was that about. Album artwork: Standard album cover

Frank

Amy Winehouse

2/5

I found this album a real struggle. It’s nothing like back to black. I find Amys voice a tough listen, and it grates as you go further through the album. There are no big hits on this either to help to redeem my score. Favourite song: I couldnt pick one Least favourite: All the songs were just not for me. Jazz mixed with pop is a bad combo. Album artwork: Good cover, she looks waisted on it though

Songs From A Room

Leonard Cohen

4/5

I loved this album. It wasnt one I was familar with all the way through but I really enjoyed exploring it. Cohen is one of the greatest musical storytellers there is. Great lyrics delivered well. Bird on a wire and the partisan are great songs. Favourite song: The Butcher and Partisan Least favourite: All great stories Album artwork: Standard Leonard Cohen album cover

Club Classics Vol. One

Soul II Soul

4/5

I really enjoyed this album. Great song and great memories from nights out 20 years ago. I can’t believe this came out in 1989. I can see why this is an influential album and a trend setter for this genre. Lots of songs and beats that have been heard on many different albums and nights. This is a brilliant record. Favourite song: Back to life and feeling free are great tunes. Least favourite: Nothing is bad on the album. Album artwork: Cool cover.

Music for the Masses

Depeche Mode

5/5

This is a good album, Great tunes and a great sound that is very unique to the band. I am a Depeche Mode fan, but this one has gone under the radar with me before now. I will listen to this again. Favourite song: Nothing and Strange love Least favourite: All good tunes Album artwork: Cool cover

69 Love Songs

The Magnetic Fields

2/5

This album is really going to test the aged old saying of quantity does not equal quality. Let’s see. 3 hours is going to be a long chunk out of my day. Track one grabbed me, I liked it, following on the album had some nice moments like I don’t want to get over you, the one you really love and Fido, your leash is too long. Overall through it was full of filler and was like a poor Leonard Cohen album, lots of love but poor story telling. It went on too long. I feel with 10 of the best tracks this could be good. Favourite song: Absolutely Cuckoo Least favourite: 60 out of the 69 tracks Album artwork: Simple yet smart cover.

A Love Supreme

John Coltrane

1/5

4 songs and 33 minutes, a very different challenge today than yesterday’s 69 songs and 3 hours with The Magnetic Fields. After that I needed the time back. The only issue is 1960s jazz, probably my least favourite genre of music. This is just not for me at all. Hotel lobby music. Favourite song: I couldn’t tell the difference between the 4 songs on this album. I couldn’t pick a favourite or least! Least favourite: Same as above. Album artwork: Serious

Reggatta De Blanc

The Police

3/5

This is such an average album. I have never understood the hype with Sting or the Police. There are a handful of good songs on this like message in a bottle and walking on the moon and some hidden gems I had never heard of like no time this time and the bed is too big without you. The rest of the album is very meh though. Favourite song: Message in a bottle Least favourite: Reggatta de blanc Album artwork: Iconic cover

En-Tact

The Shamen

3/5

Listening to this album you can really hear the Shamen move from psychedelic rock into a new rave sound. I really enjoyed move any mountain, what a great song to start the album. Its an OK album but not one I would want to listen to again Its avergage. I have no idea how it made the list. Favourite song: Move and mountain and Hyperreal orbit Least favourite: Omega Amigo Album artwork: Standard album cover

Bluesbreakers

John Mayall & The Bluesbreakers

3/5

Another Clapton record or at least an album he is featured on!. It’s going to be a tough day. This album I am aware of and always liked. I think it’s the John Mayall influence. This is a good Blues album. I love What I’d say, another man and All your love. Great songs. Favourite song: What I’d say Least favourite: All good Album artwork: Cool cover.

Qui sème le vent récolte le tempo

MC Solaar

1/5

French rap!!! I went into the album with a very negative mindset based on an important component to good rap is being able to understand what is said!! The music is very good and very varied. Great beats but lyrics are important to me. I cant score this album easily without knowing whats being said!

The Miseducation of Lauryn Hill

Lauryn Hill

1/5

This album is not for me at all. I enjoyed the Fugees but this was a struggle.

Future Days

Can

2/5

Very short album, it was ok. Nothing stood out. I do wonder how this made the list. Favourite song: moonshine was a good song Least favourite: track 1 Album artwork: Cool cover

Gold

Ryan Adams

4/5

It seems very appropriate to be listening to this whilst in Nee York!! I have never heard a Ryan Adams song before but have heard good things. I’m excited to listen to this. I really enjoyed this. I will listen to this again. It’s an album I would have never tried without the nudge from this challenge. Favourite song: Somehow Someday and when the stars go blue Least favourite: Sylvia Plath and enemy fire. The album goes on a mid album slump. Album artwork: cool cover, very born in the USA

Beauty And The Beat

The Go-Go's

4/5

I had no idea this was Belinda Carlisles band!! I loved a couple of her solo songs! At first listen I thought, Another generic female punk group and album. I was wrong, I enjoyed this album. it’s a good listen. What can go wrong when an album has great music and fun lyrics. There are some great tracks like, tonite, automatic and lust for love. Favourite song: Tonite was a good song Least favourite: All songs are fun and a good listen. Album artwork: Cool cover

The College Dropout

Kanye West

1/5

Not an album I will listen to again. Horrid lyrics and boring beats. It’s also very hard to give any of your time to such a bigot and moron. All falls down and the new workout plan are great songs but the rest of the album seems lazy. Favourite song: all falls down Least favourite: the school spirit tracks are all awful Album artwork: freaky

Electric Prunes

The Electric Prunes

1/5

I have never heard of this band or any of the tracks before so I am looking forward to some 60s Psychedelic rock. This album has some great songs but goes on a massive decline as you go through the album. Songs like the king is in the counting house and toonerville trolley are just awful! This should be a short 6-8 track album of just the good stuff. Favourite song: Get me to the world on time and Are you loving me more but enjoying it less. Least favourite: The Toonerville trolley, what on earth is that all about. Album artwork: Standard 60s classic cover.

Is This It

The Strokes

5/5

Last night, Hard to explain and someday are songs that remind me of my going our days, such belters!! This is a really good indie album. Effortlessly cool and completly fresh and unique sounding. 5/5 easily!! Favourite song: So many of these tracks are 5/5. If I had to pick 2 favourites I would pick Soma and Last night. Least favourite: Everything is perfect Album artwork: Nice!!!!

Definitely Maybe

Oasis

5/5

The perfect album!! Pure rock and roll. It’s in my top 5 for sure. Favourite song: supersonic and slide away Least favourite: you couldn’t find a bad song on this album. Album artwork: One of the best covers of all time.

The Modern Lovers

4/5

I liked this album. I had know idea it was produced by John Cale. Very cool!! Art, rock, pop and punk. What more could you want. Favourite song: Hospital Least favourite: all songs are good Album artwork: nice cover

1999

Prince

4/5

Amazing funk, the sound of the 80S in one album. This is album sounds dirty and sexy. 1999, Delirious and D.M.S.R are great funk songs. I really enjoyed this album Favourite song: 1999 Least favourite: All good Album artwork: Cool cover

I Should Coco

Supergrass

4/5

At first, I was surprised that this made the list. After listening to this again for the first time in probably 10-15 years I am now not surprised. It is very good. Supergrass best album for sure. Its full of indie hits. Favourite song: Stange ones and Allright Least favourite: Every song is a good one Album artwork: Great cover

Screamadelica

Primal Scream

2/5

Movin on up is a great tune and great way to start an album and set the tone. Unfortunately, the album goes downhill very quickly, as the album progresses it gets worse. Psychedelic background music is a struggle and not an easy listen. I have had this album in my collection for years and years and this challenge is the first time I have managed to get all the way through it. The album has some great moments though that give it a score of 3/5 like come together and loaded (even though loaded is about 4 minutes too long) Favourite song: Movin on up Least favourite: Dont fight it, feel it and inner flight. Album artwork: Brilliant cover

A Christmas Gift For You From Phil Spector

Various Artists

4/5

The perfect Christmas album to listen to on Christmas Day with the family. This can only be listened to in December but Phil Spectors versions of these hits are good. Favourite song: Santa Claus is coming to town. Least favourite: silent night. I have always found this song creepy. Album artwork: Could be more festive

Inspiration Information

Shuggie Otis

1/5

Chilled out soul music that is just a little boring. It feels like the album wants to go somewhere but it doesn’t quite get there. In short this album is dull. Favourite song: Least favourite: Album artwork: Not one for the wall at home.

There's No Place Like America Today

Curtis Mayfield

2/5

This album was OK. Not my type of music and not something I can ever see myself listening to again though. Favourite song: couldn’t pick one Least favourite: again couldn’t pick one Album artwork: Cool cover

16 Lovers Lane

The Go-Betweens

4/5

Australian Smiths or Cure. Really good stuff!! Favourite song: Love is a sign, You cant say no forver and streets of your town. Least favourite: Im allright was not the best if I am being picky. Album artwork: Cool cover from a great band

Out of Step

Minor Threat

1/5

Cashing in was a great tune. I had to wait to the end of the album to get to a song with meaning and not just noise. I did not enjoy this album. No Melodies and pointless lyrics. Favourite song: cashing in Least favourite: tracks 1-8 Album artwork: I love the album cover

Sheer Heart Attack

Queen

4/5

I am slightly biased because Queen were one of my childhood favourite bands, but this is still a fantastic record. It is brave to open an album with an instrumental, yet “Brighton Rock” is a masterpiece. Brian May’s guitar work is astonishing and it sets the tone perfectly. To follow that with “Killer Queen”, which could genuinely be their greatest song, is an incredibly strong one two punch. Overall, this is not their very best album, but it is a very good one. It works brilliantly as a complete piece and shows a different side of Queen beyond the overplayed greatest hits. There are real hidden gems here. “Flick of the Wrist” has bite and edge, and “Lily of the Valley” is delicate and beautiful. It proves just how versatile they were in the mid seventies. Favourite song: Killer Queen. One of the best songs of all time. Least favourite: Tenement Funster. Not for me at all. Album artwork: A superb and striking cover that perfectly captures the band’s theatrical style

The Hissing Of Summer Lawns

Joni Mitchell

2/5

This album is pleasant background music but also easily forgettable. Nothing grabbed me at all, everything sounded the same and blended into one. Jazz and folk are not my genres and when mixed together give you a 1/5 Favourite song: I couldn’t pick one Least favourite: Harry’s House / Centre piece. Album artwork: Cool cover

Dare!

The Human League

4/5

80s Music at its best. I really enjoyed this album. There are some great pop songs on this album like Open your heart, The things that dreams are made of and dont you want me. Favourite song: Love action ( I belive in love) and dont you want me. Least favourite: All good Album artwork: Cool cover

The Hour Of Bewilderbeast

Badly Drawn Boy

4/5

I really enjoyed this album. I saw Badly Drawn Boy support Squeeze in November and meant to listen to this album the day after that and never got round to it. I am glad I did today. There are some lovely melodies and pop songs on this album. Favourite song: The Shinning is a lovely song, and I really enjoyed once around the block. Least favourite: I enjoyed all the tracks on the album. Album artwork: Cool cover

Tres Hombres

ZZ Top

3/5

I have never listened to Z Z top before, I am looking forward to this, I am expecting Bearded rock and roll!! What I got is what I expected and I enjoyed it. Beardy blues rock with some great guitar riffs. The album is enjoyable but not ground breaking, its a decent score of 3/5. it lacks a couple of really big songs! Favourite song: Hot blue and righteous and La grange Least favourite: None of the tracks were bad! Album artwork: Green!!!

The White Album

Beatles

4/5

The White Album by The Beatles is a brilliant record, and at times close to perfect, even if it does feel a little too long. There’s an argument that if this had been trimmed down to a tight 11 or 12 tracks, it could be their very best album. As it stands, it’s more of a sprawling collection of ideas, but what a collection it is. The range on display is incredible, jumping from rock and blues to folk and experimentation, and showing just how versatile the band had become. At its best, it’s outstanding. Songs like Glass Onion, Blackbird, and While My Guitar Gently Weeps highlight the individual strengths of each member and just how strong they were creatively at this point. Ob-La-Di, Ob-La-Da has always been a bit of a hidden favourite for me, and Back in the U.S.S.R. is a brilliant, high-energy opener that sets the tone. There are moments where it drifts and feels indulgent, which is where the length becomes an issue, but the highs are so good that it hardly matters overall. Favourite tracks: Ob-La-Di, Ob-La-Da and Back in the U.S.S.R. Least favourite tracks: Revolution 9, Mother Nature’s Son, and Cry Baby Cry feel unnecessary Album artwork: Classic, simple, and instantly recognisable

Here Come The Warm Jets

Brian Eno

4/5

A really interesting and genuinely different listen — I enjoyed this a lot, and I’ll definitely come back to it. Musically, the sound shifts constantly throughout the album. It’s inventive, unpredictable and very clever. There’s art-rock chaos, glam swagger, and moments that feel both loose and tightly controlled at the same time. You can hear how influential this record became. That said, it does lose a bit of momentum for me around the midpoint. From “Dead Finks Don’t Talk” onwards, it dips slightly before picking itself back up. The first half, though, is electric. Favourite tracks: The Paw Paw Negro Blowtorch and Baby’s on Fire. You can hear clear hints of both Talking Heads’ angularity and Bowie’s glam theatrics in these — forward-thinking and full of attitude. Least favourite: Tracks 8–10 drag a little for me. Album artwork: A cool, abstract cover that perfectly reflects the album’s experimental edge.

Time Out

The Dave Brubeck Quartet

1/5

1hr and 33 minutes of late 60s jazz. What a way to start the week!! I was not a fan at all. Everything sounds the same and is boring. I couldnt pick a favourite or least favourite track. Album artwork: Cool cover though

Maxinquaye

Tricky

3/5

I surprising liked this album in moments, Initially, I judged a book by its cover and thought it wouldn’t be my thing, but it was good. There is good variation in the album with a very unique sound throughout with a sense of familiarity like I had heard it before with tracks like Pumpkin and Hell is round the corner. Favourite song: Overcome and Black Steel Least favourite: Abbaon fat tracks. just horrible lyrics. Album artwork: Not for me.

Country Life

Roxy Music

4/5

This is a brilliant album, a genuine 5/5, and one I absolutely wasn’t expecting to give. It’s the first time I’ve properly listened to a full Roxy Music album, and I was hooked. As soon as it finished, I went straight into Avalon and then followed it up with For Your Pleasure. That says everything. There’s something incredibly confident about Country Life. It balances art rock experimentation with sharp, melodic songwriting. You can hear how influential it’s been, from the dramatic poise of Morrissey to the darker romanticism of Nick Cave. The glamour, the moodiness, the slightly detached cool, it’s all here. I loved Prairie Rose, A Really Good Time, All I Want Is You, and Out of the Blue. There are so many strong tracks that the album never dips. It feels cohesive but never dull, stylish without being shallow. Favourite track: Out of the Blue, brilliant from start to finish. The driving bassline carries it, and the instrumental break in the middle is superb Least favourite track: Bitter-Sweet, this one didn’t quite click and felt more like atmosphere than a song Album artwork: Lovely, bold, provocative, and instantly iconic, perfectly matching the album’s confident and slightly decadent feel

Odessa

Bee Gees

1/5

A Bee Gees concept album!!! and not only a concept album, but it’s an album also that caused the group to break up! I am excited to listen to it all the way through. When I last heard this about 20 years ago, I thought it was naff! Listening again there is a country influence on this album which I don’t think suits them and their melodies. There are also some very odd songs like Edison and Melody fair and no big hits. The Bee Gees have made some of the greatest pop songs of all time. there are not any on this album though. It’s one I wouldn’t listen to again and was not worth the heartache it caused them in the 4 months it took to record. That said I love Robins voice and Lamplight is a great tune! and I love First of May so that gives this album a 2/5. Favourite song: Lamplight and First of May Least favourite: Most of the album Album artwork: Standard yet effective.

Africa Brasil

Jorge Ben Jor

3/5

I liked this album. Had no idea what the lyrics say but the music is funky, well put together and fast paced. That said I am not sure I would listen to it again. Great grooves, great variation and some great guitaring on this album. Favourite song: Mesus Filhos, Meu Tesouro has a great sound to it. I have no idea what it is about and I love Africa Brasil, it has a real feel good vibe. Least favourite: Nothing was horrible. the music on the album is very good. Album artwork: Good cover. its doesn’t look like a 70s cover

It's A Shame About Ray

The Lemonheads

2/5

90s alt-rock is such an average genre of music. there are so many bands this album could have been and so many bands who were doing the same thing at this time. Mrs Robinson and knowing me knowing you are good covers; they get a star on their own! Apart from the covers this is a very basic album that could be by anyone at that time and is instantly forgettable. That said I enjoyed Rockin stroll and It’s a shame about ray. Particularly the demos that are on the extended versions. Favourite song: Knowing me knowing you Least favourite: Nothing was bad, yet nothing was very good at all. Album artwork: Cool cover.

Frampton Comes Alive

Peter Frampton

3/5

I do love a good live album and this one is very enjoyable. Frampton is a good songwriter, and fantastic guitarist who sounds like he is having fun on stage. There is a huge hint of Dad rock, but Dad rock at its best. Baby I love your way is a fantastic song. Favourite song: Do you feel like we do was brilliant. What a guitar solo to finish the gig. Least favourite: I really didnt enjoy the jumpin jack flash cover Album artwork: Cool cover

Brothers

The Black Keys

3/5

This is a good album. Great bluesy sound, with good lyrics and vocals. I enjoyed it. Plus, points are the bluesy sound, the backing tracks, the lyrics, and vocals. Fantastic! On the negative side the album is very front loaded and far too long. It could have easily been the first 10 tracks. Shorter and sharper would have made it a 4/5 There are some great tracks, I really enjoyed too afraid to love you and ten cent pistol. The big hits tighten up and Howlin for you are great tracks too. Favourite song: Too afraid to love you Least favourite: the last 5-6 tracks. they feel like filler. Album artwork: Love it

Yeezus

Kanye West

1/5

An awful person singing about awful things. The lyrics on this album are genuinely awful and repressive. It’s a 0/5 score if that was possible!!

Liquid Swords

GZA

4/5

I love the Wu-Tang Clan, When this albm came up I was excited to give some of the members solo work a go. This album has very clever lyrics that flow well. Its a step ahead of other hip hop albums as GZA talks about important subjects in a meaningful way. Very good!! Favourite song: 4th Chamber and I gotcha back Least favourite: Everything had a place and was worth a listen Album artwork: Not one to be hung up at home

The La's

3/5

The indie artists of the 90s and 00s love this album. Noel Gallagher raves about it. I have never understood the hype. There she goes is a fantastic tune but it doesn’t make an album. That said let’s give it another listen. It’s been 20 years!! After another listen this is a fun / average Britpop album with 1 great song on it. I also enjoyed IOU and Freedom song. Its a better album than I originally thought!! Favourite song: There she goes Least favourite: Nothing is bad, there are just quite a few average tunes on it. Way out is a good example of that. Average music and average story telling lyrics Album artwork: It’s an iconic album cover

Zombie

Fela Kuti

3/5

This is not my thing at all, yet it’s a fun listen. It’s a protest album with powerful lyrics, strong energy, and great music throughout. It’s fun. Favourite song: Only 4 to choose from but it is easily Zombie Least favourite: Everything was an easy listen with some great beats. Album artwork: Cool cover

Homework

Daft Punk

1/5

Around the world is a good song as a stand-alone song, when you listen to it as part of the album its repetitive and boring as all songs on the album follow the same pattern. I know people adore Daft Punk, I have never understood why. This album in summary is dull, all the songs are the same with repetitive lyrics and very little change in gear. It’s just very boring. I have no idea how this made the list. Favourite song: Around the world Least favourite: Everything is just very meh and boring. Album artwork: Cool cover

Crazysexycool

TLC

3/5

I can’t believe this album is 30 years old. I can remember it coming out and Waterfalls being all over the radio! Its OK with some good pop songs but not really my thing. Favourite song: Switch, waterfalls and creep are great tunes Least favourite: Sexy interlude and Intermission lude. I am not sure they were needed Album artwork: Standard album cover

Blonde On Blonde

Bob Dylan

5/5

This album is perfect. My favourite Dylan album. Every song is a belter. I loved the turn to electric and the new rock and roll sound of Dylan. It is also great to hear the move lyrically from politics to love. Dylan is a poet! Favourite song: I love stuck inside of mobile with the memphis blues again and just like a woman. Least favourite: Every song is perfect Album artwork: Iconic album cover.

Casanova

The Divine Comedy

2/5

This felt like a parody album or a bit of a joke. It has some good moments but is so random in parts. The album switches from French to instrumental with no rhyme nor reason. That said it has some good tracks on it, I really like "songs of love". I have heard it somewhere before but I can’t picture where (Father Ted). I also enjoyed 'love is lighter than air". You can see why the reviews are so polarising. The good moments on the album lifted the score to 2/5. I liked the miracle is mine from the extended version. Maybe this is just because I am a fan of father ted. Favourite song: Songs of love Least favourite: The theme from Casanova is a very boring instrumental. Album artwork: Cool cover

Sound Affects

The Jam

5/5

A perfect album. Sound Affects is full of energy, urgency and anger, but it is also sharp, melodic and incredibly intelligent. The lyrics are powerful and socially important. The fact that songs written in 1980 still feel completely relevant more than forty years later says everything about how good Paul Weller was at capturing everyday British life. “That’s Entertainment” should be the national anthem. It is the song of my youth. Observational, honest and beautifully simple, yet it hits harder than almost anything else from that era. The whole album is relentless in the best possible way. It is tight, focused and full of attitude, but never loses its musicality. Every track feels essential. Favourite songs: That’s Entertainment, Start and Pretty Green. I could easily list every track. Least favourite: None. It is perfect. Album artwork: An iconic cover that perfectly reflects the mood and style of the record

Like A Prayer

Madonna

3/5

This is so 80S!! The main tracks on the album, "like a prayer", "express yourself" "cherish" and "pray for Spanish eyes" are superb. I also enjoyed songs I had not heard before like "till death do us part" On the downside, there are some bang average songs on this album there to make up the numbers like Love song and "Dear Jessie" In summary this is a good fun that is very of its time. Favourite song: "Like a prayer" is one of the all-time great pop songs Least favourite: There were some tracks on the album I just couldn’t get into like "Love Song" Album artwork: Great cover

White Blood Cells

The White Stripes

3/5

There are some tracks on this album Hotel Yorba and Fell in love with a girl are fantastic rock and roll songs. 2 minutes each of guitar music and raw energy. Great songs. Favourite song: Hotel Yorba. I have always loved this song. Least favourite: From track 10 onwards there is a lot of filler. I feel this album could easily just be the first 10 songs. I didn’t enjoy I think I smell a rat. Album artwork: Cool cover

The Blueprint

JAY Z

1/5

I really don’t get the hype with Jay-Z. I find this record hard to rate as it was just very mediocre, nothing stood out at all, and it was all very same! Really dull stuff. I will never listen to this again. Favourite song: All I need. Least favourite: Almost every track in the album. Album artwork: Meh!

Close To You

Carpenters

2/5

There is a couple of very nice songs on this album Close to you and Weve only just begun are lovely. The rest of the album is just really wet! Favourite song: Close to you. Least favourite: The cover of help is awful Album artwork: A little bit creepy

Imagine

John Lennon

5/5

This is a really good album. I always had Lennon down as a single’s solo artist. I take it back. this is a great album. Taking away the big hits of Imagine and Jealous guy there are some great hidden gems like How? and crippled inside. Favourite song: Jealous guy. I have always loved that song. Least favourite: There isn’t a bad song on the album Album artwork: Iconic cover

Madman Across The Water

Elton John

3/5

I really enjoyed this album; it was a pleasant listen with some great lyrics and melodies. It will be listened to again. I felt it lacked a couple of killer hits for it to be anything more than a 3/5 Favourite song: Tiny Dancer is a belter. Least favourite: "All the nasties" was a bit naff Album artwork: Cool cover.

Here's Little Richard

Little Richard

5/5

Every song is pure rock and roll fun. I loved the album and will listen to it again. It is the birth of rock and roll. Brilliant vocals and great guitar. The demos on the deluxe version show just how raw and powerful little Richard was vocally. Favourite song: Tutti Frutti and long tall Sally are brilliant tracks Least favourite: Everything is really good. Album artwork: Cool cover

Only By The Night

Kings of Leon

2/5

Kings of Leons transition to pop music and a new teenage fanbase!! I heard this album so much growing up. I hated it at the time, let’s see how I feel 15 years later. The start of the album is superb, Closer and crawl are traditional KOL songs, driven by pure raw pop rock. Use somebody and sex is on fire are great pop songs that bring in new fans and widen their reach. It’s a great start. After track 4 the album really does drop of a cliff. The rest of the album feels like it is going through the motions with the tracks being very dull and samey without any style. The album is not one I would listen to again. Ill stick to the greatest hits. Favourite song: the first 4 songs, they are superb. Least favourite: Be somebody, overplayed and awful. Album artwork: I like this cover, I do remember it being different and green back in the day.

Illmatic

Nas

1/5

This album is not for me at all. Favourite song: I couldnt pick one Least favourite: There was nothing on the album I enjoyed. Album artwork: Meh

The Contino Sessions

Death In Vegas

1/5

The only Death in Vegas song I know is Scorpio rising so I am looking forward to listening and learning more about them. The album starts with Dirge and its a great start, its dark and gloomy and builds well. I love it. Aisha was also a fun track. The rest of the album was just boring. there was nothing that grabbed you. I am shocked this made the list!! Favourite song: Dirge and Aisha are great tunes Least favourite: The rest of the album was just boring Album artwork: Cool cover

Oxygène

Jean-Michel Jarre

1/5

Not my type of music at all. In summary I found this album to be background noise and absolute rubbish!! Favourite song: Oxygene part 4. I have heard this somewhere before and can’t quite place it. Least favourite: Every song on the album called oxygene! Album artwork: Cool cover but that’s about as good as it gets.

Bayou Country

Creedence Clearwater Revival

3/5

Creedence Clearwater Revival have such an American sound. Rock and roll with a dash of country. There is some great guitar on this album. Penthouse Pauper was a great song. Proud Mary is an all time classic. Favourite song: Good Golly Miss Molly. Least favourite: they were all good Album artwork: A bit blurry

It Takes A Nation Of Millions To Hold Us Back

Public Enemy

4/5

This is hip-hop I can truly get into and enjoy! After my first listen, I immediately played the album back-to-back three more times—it’s that good. Lyrically, musically, and through its well-chosen samples, this album delivers on every level. It manages to be funny, powerful, and even intimidating all at once, showcasing brilliant craftsmanship. The variety here is incredible—different sounds, styles, and rappers all coming together to create something special. This album has it all. Favorite song: Don't Believe the Hype is an absolute banger, and I also loved Terminator X. Least favorite: Honestly, every track is worth listening to—there’s no filler or weak spots apart from possibly show em wathcha got. Album artwork: Not something I’d hang on my wall, but that doesn’t take away from the music

The Village Green Preservation Society

The Kinks

4/5

I once had the chance to meet Ray Davies and it wasn’t the warm encounter I’d imagined. Impeccably dressed, yes, but an odd chap and not especially pleasant. That slightly detached, eccentric air you sense in some of his writing. That said, The Kinks Are the Village Green Preservation Society remains a remarkable piece of work. It stands apart not only within The Kinks’ catalogue, but from much of what was happening in 1968. While others were leaning into psychedelia or heavier blues rock, this album turned inward celebrating small-town England, fading traditions, and everyday characters with warmth, irony, and nostalgia. There’s a Beatles-esque melodic sweetness in places, but the storytelling is unmistakably Davies: observant, gently satirical, and steeped in longing for a disappearing world. Beneath the whimsical surface sits a quiet melancholy that gives the record real emotional weight. Favourite tracks: Animal Farm and Picture Book — both brim with sharp lyrics and wonderfully nostalgic melodies. Least favourite track Honestly, there isn’t one. It feels cohesive and purposeful throughout, more like a carefully constructed world than a loose collection of songs. Album artwork: I absolutely love the cover. It perfectly captures the album’s timeless and whimsical feel.

Survivor

Destiny's Child

2/5

This isn’t my usual genre, but I gave it a fair shot. In short, the album starts strong but gradually loses momentum. It’s far too long, with too much filler weighing it down. Favorite song: The opening trio—Independent Women, Survivor, and Bootylicious—are the undeniable hits. Great pop tracks! Least favorite: Everything from track 4 onward, with Nasty standing out as one of the weakest. Album artwork: A cool cover, at least!

Rock Bottom

Robert Wyatt

1/5

Unfortunately, I really struggled to connect with this album. None of the tracks stood out to me, and I couldn’t find one that I truly enjoyed. I’m honestly baffled by its inclusion in the Top 1001 Albums of All Time list. While I can understand that musical tastes are subjective, this album didn’t resonate with me on any level, and it didn’t offer much in terms of innovation or lasting impact. It left me wondering what made it so highly regarded.

Private Dancer

Tina Turner

2/5

This album is solid overall, with standout tracks like What's Love Got to Do with It and Private Dancer, which showcase some truly memorable pop moments. These big hits are undeniably catchy and demonstrate Tina Turner's incredible vocal talent. However, the rest of the album feels a bit lackluster and doesn't quite live up to the strength of those iconic songs. It’s a bit of a mixed bag, with some tracks feeling forgettable or uninspired. Favorite Songs: What's Love Got to Do with It and Private Dancer Least Favorite: Help – I wasn’t fond of the cover version at all. It didn’t capture the energy I expected. Album Artwork: I really like the album cover—it’s stylish, and the cat adds a cool, quirky touch!

Physical Graffiti

Led Zeppelin

4/5

I’m slowly but surely becoming a Led Zeppelin fan thanks to this challenge. Physical Graffiti is nothing short of a masterpiece, and I absolutely love it. The guitar work on this album is exceptional, truly some of the best I've heard. The lyrics and vocals are powerful and captivating, adding so much depth to each track. One thing that stood out to me is how much Trampled Under Foot reminds me of Take Me Out by Franz Ferdinand. It feels like the band must have drawn inspiration from this track while crafting that iconic song. Favorite tracks: Trampled Under Foot and Kashmir Least favorite: Honestly, every song is worth a listen—there’s not a bad track on this album. Album artwork: The cover art is brilliant—I love its design.

Cupid & Psyche 85

Scritti Politti

2/5

This might just be the most unapologetically '80s album I’ve ever heard. Initially, I wanted to hate it—but somehow, it grew on me. That said, I don’t think I’ll be revisiting it anytime soon. Favorite Tracks: The first three songs are genuinely fun, full of energy and catchy melodies. Unfortunately, the momentum fades as the album progresses. Least Favorite Track: Flesh and Blood is a bizarre clash of ska and ‘80s synth-pop, and the result is pretty rough. It just didn’t work for me. Album Artwork: The cover is undeniably cool—easily one of the album’s strongest points.

Toys In The Attic

Aerosmith

2/5

I went into this expecting some run-of-the-mill dad rock—let’s see what I actually got. To my surprise, this album leans heavily into a glam rock vibe rather than the heavier sound I anticipated. And honestly? I loved the campy, over-the-top energy it brought. Favorite Song: Walk This Way is an absolute classic—such a fun, infectious pop-rock anthem! Sweet Emotion stood out too, bringing a different kind of vibe that I really enjoyed. Least Favorite: A lot of the tracks felt pretty forgettable—nothing terrible, just a bit meh. Album Artwork: The cover? Absolutely awesome.

Violent Femmes

3/5

I had never heard of Violent Femmes before, so I went into this album with no expectations. What surprised me most was how ahead of its time it sounded—despite being released in the 80s, it has a raw, lo-fi energy that feels more in line with 90s indie rock. The band’s stripped-down sound and unfiltered intensity immediately stood out to me. Favorite song: Blister in the Sun—an undeniably catchy and infectious track. Least favorite song: Honestly, I enjoyed every song on the album and will definitely be giving it another listen. Album artwork: A slightly eerie cover that adds to the album’s offbeat charm.

Kimono My House

Sparks

4/5

I’ve been looking forward to a Sparks album popping up on the list, and this one did not disappoint. "This Town Ain’t Big Enough for Both of Us" kicks things off with a bang. It’s dramatic, theatrical, and easily one of the strongest songs in Sparks’ entire catalog. That falsetto? Iconic. After a full listen, I can confidently say this album is pure glam rock fun. It’s not weighed down by deep meaning or heavy themes, but that’s part of the charm—it’s an effortlessly enjoyable listen. Every track bursts with eccentric energy and quirky melodies. Favorite song: This Town Ain’t Big Enough for Both of Us Least favorite song: Nothing stood out as bad Album artwork: Funky and fitting for the music

The Genius Of Ray Charles

Ray Charles

2/5

Ray Charles is undeniably the man. I’m not usually a jazz fan, but if I have to listen to jazz, I want it to be him! This album stands out with its rich variety and dynamic sound, making it an easy exception to my usual tastes. There are some fantastic tracks here—Deed I Do and It Had to Be You were definite highlights for me. You can really hear the foundation being laid for the rock and roll explosion of the ‘60s, which makes this album feel even more influential. Even if jazz isn’t usually your thing, this album is worth a listen—Charles brings so much soul and style that it’s hard to resist. Favorite song: Deed I Do Least favorite song: Just for a Thrill—way too Disney for my taste. Album artwork: Cool and timeless.

Alien Lanes

Guided By Voices

1/5

This album did absolutely nothing for me—I’m honestly surprised it made the list. It lacks standout moments, the hooks are forgettable, and the overall sound feels like a generic take on ‘90s indie. I struggled to find anything worth revisiting. Favorite song: Couldn’t pick one. Least favorite: All 17 tracks. Album artwork: Cool cover, though.

Sunday At The Village Vanguard

Bill Evans Trio

1/5

This one really was not for me. I know this album is considered a landmark live jazz recording, and I can appreciate the technical skill on display, but as a listening experience it does very little for me. The improvisation feels loose and meandering, and I struggle to find a clear hook or melody to latch onto. After a while, it all blends into one continuous wash of piano, bass and drums. At best, it works as background music, but even then it is not something that leaves a lasting impression on me. I understand why jazz fans might love the intimacy and interplay, yet it simply does not connect with me in the way other genres do. Favourite track: I genuinely could not pick one, as nothing stood out enough. Least favourite: The overall sound just never grabbed me. Album artwork: A classic black and white jazz cover. Understated and serious, much like the music itself

Exile In Guyville

Liz Phair

3/5

"Exile in Guyville" is a fantastic album, blending meaningful lyrics with a raw, punk-influenced sound. Every track feels intentional, making it a great listen from start to finish. Favorite song: Divorce Song Least favorite song: None—every track is solid. Album artwork: A great cover that perfectly suits the album’s tone.

With The Beatles

Beatles

4/5

"With the Beatles by The Beatles, their second studio album, builds on their early sound and hints at the greatness to come. You can hear their pop instincts really sharpening here, with tight harmonies, energetic performances, and confident songwriting. The album brings together seven original Lennon-McCartney tracks, George Harrison’s first composition Don’t Bother Me, and a set of brilliant rock and roll covers. It’s a near-perfect record that captures the raw energy and excitement of early Beatlemania. Favourite tracks: All My Loving is an undeniable classic, Don’t Bother Me is a real surprise, and Roll Over Beethoven is pure rock and roll Least favourite tracks: None, there isn’t a weak song here Album artwork: Simply iconic, the moody black and white portrait is one of their most striking covers

Pornography

The Cure

4/5

The Cure has such a distinct and captivating sound, and this album perfectly showcases their darker, more atmospheric side. It’s not designed to be a crowd-pleaser—there are no big pop hits here. Instead, the music is haunting and immersive, featuring brilliant guitar work, hypnotic loops, and eerie, mysterious synths that pull you into its shadowy world. Favorite track: 100 Years—an absolute standout with its intensity and gripping energy. Least favorite track: Pornography—a slow build that doesn’t quite land as strongly as the rest. Album artwork: A striking and moody cover that fits the music perfectly.

The Sensual World

Kate Bush

3/5

Kate Bush remains an enigma. Every time I revisit one of her albums, I find myself both intrigued and challenged. I’ve always struggled to fully connect with her work, as many of her songs tend to blend together for me. That said, this album had its moments. Reaching Out and Heads We're Dancing stand out as fantastic pop tracks, showcasing her unique ability to tell stories through catchy melodies but there is also a lot of tracks that dont really offer much at all and all sound very similar. Favorite track: Heads We're Dancing Least favorite track: I struggle with whimsical, dreary songs like Deeper Understanding and Rockets tail. Album artwork: A stunning cover that perfectly captures the album’s essence.

The United States Of America

4/5

This album is truly fascinating—one that takes multiple listens to fully process. On my first two plays, I swung between loving and hating it, unsure where I truly stood. Before this, I had never heard of The United States of America (the band and album, not the country), so I had no idea what to expect. What I got was something wildly unique. It feels like Sgt. Pepper’s meets early electronic experimentation—avant-garde, unpredictable, and at times, completely unhinged. With 20 tracks, some are absolutely brilliant, while others feel like total garbage. It’s hard to articulate exactly what this album is or whether I love or loathe it. For something released in 1968, it feels shockingly ahead of its time. The fact that there’s no guitar on the entire album makes it even more intriguing. Favorite songs: Hard Coming Love and The Garden of Earthly Delights. The album starts strong from track 2 through track 7. Least favorite song: The American Metaphysical Circus—it just felt out of place compared to the rest of the album. Way too circus-like! Album artwork: A really cool cover that perfectly matches the album’s experimental nature.

World Clique

Deee-Lite

4/5

I’ve just discovered a new guilty pleasure—World Clique is a fun, infectious dance album that’s impossible to resist. The beats are catchy, the energy is high, and I thoroughly enjoyed every track. This is definitely an album I’d revisit. Going in, the only song I knew was Groove Is in the Heart, a track I’ve always loved. The rest of the album carries that same vibrant, feel-good energy, making for a great listening experience from start to finish. Favorite song: Groove Is in the Heart Least favorite: Honestly, every track is worth a listen. Album artwork: A cool, psychedelic cover—very Scooby-Doo vibes.

Punishing Kiss

Ute Lemper

1/5

I had never heard of Ute Lemper before, so I had no idea what to expect from Punishing Kiss. The album has a distinct German Gainsbourg vibe with a touch of Bond soundtrack flair. Unfortunately, it just didn’t work for me. It feels raunchy but ultimately unimpressive and cabaret—definitely not something I’d revisit. Favorite song: If I had to pick one, Passionate Fight would be my choice. Least favourite song: every track Album artwork: She’s undeniably stunning.

The Seldom Seen Kid

Elbow

2/5

I've always wanted to like Elbow but have struggled to connect with their music. That said, I was looking forward to giving The Seldom Seen Kid a proper listen to see if it could change my mind. I can definitely see the appeal of this album—it has shades of Coldplay and Radiohead, two widely beloved bands. Musically, it’s fantastic, and the lyrics are beautifully crafted. However, for me, the pacing feels quite slow. A song like The Loneliness of a Tower Crane Driver is undeniably beautiful, but it’s not something I could listen to repeatedly. The album leans heavily into a melancholic, almost dreamy atmosphere, which doesn’t entirely resonate with me. Favorite song: Grounds for Divorce—a great track with a strong, driving energy. I also like One Day Like This, though it has been overplayed in recent years. Least favorite: Starlings—it’s such a slow start to an album that it feels like you’re waiting for something to happen. Album artwork: A cool cover. I also really like the interactive version on Apple Music.

Buffalo Springfield Again

Buffalo Springfield

4/5

I had never heard of Buffalo Springfield before, so I went into this listen with no expectations. There are some great songs on this album! I really enjoyed Mr. Soul, A Child's Claim to Fame, Bluebird, and Hung Upside Down. The way they blend blues and psychedelic sounds is really well done. Overall, I agree with many other reviews—when this album is good, it’s very good. However, there are also moments of mediocrity, making it a clear middle-of-the-road album. Favorite songs: Mr. Soul and Bluebird stand out as fantastic tracks. Least favorite songs: Everydays and Expecting to Fly. Album artwork: A very whimsical cover.

Disintegration

The Cure

5/5

My second Cure album this week, and this one is a longtime favorite. Disintegration is a stark contrast to Pornography, yet just as powerful in its own way. From the very first notes of Plainsong, the album pulls you into its world. It’s an incredible opening track—lush, melancholic, and absolutely mesmerizing. And what follows is nothing short of perfection: a collection of deeply emotional, orchestral, and immersive songs that feel timeless. The atmosphere throughout is dark yet beautiful, haunting yet inviting. It’s an album you can play over and over again, always finding something new to appreciate. Favorite songs: Plainsong, Lullaby, Lovesong—though honestly, I could name them all. Least favorite song: There isn’t a single weak track. Album artwork: Absolutely iconic.

Desperate Youth, Blood Thirsty Babes

TV On The Radio

1/5

After listening to Desperate Youth, Blood Thirsy Babes and reading various reviews, I’ve come to the conclusion that this album simply isn’t for me—I just don’t connect with it the way others seem to. While there are some interesting musical moments, the vocal delivery feels uninspired, and the album as a whole lacks momentum. Across its 11 tracks, it constantly seems to be building toward something, yet never quite reaches a satisfying payoff. In the end, TV on the Radio doesn’t resonate with me. Favorite track: If I had to choose, “Bomb Yourself” stands out. Least favorite: Unfortunately, the entire album. Album artwork: The cover is fine, but nothing particularly memorable.

Oedipus Schmoedipus

Barry Adamson

3/5

I was very surprised to see a Barry Adamson album make the list after listening to some of his other work, but I couldn’t wait to give this one a go. I’ve always loved his contributions to The Bad Seeds. Overall, this album has some great tracks but also a fair amount of filler. It felt about four or five tracks longer than it needed to be. You could easily cut out Dirty Barry and In a Moment of Clarity and focus on the stronger, more complete songs like Something Wicked This Way Comes and The Sweetest Embrace. Favourite song: Set the Controls for the Heart of the Pelvis—what a track! A fantastic way to open an album and set the tone. There are some great songs here, and The Sweetest Embrace is brilliant. That said, I might be a little biased, as I love Nick Cave. Least favourite: The Big Bamboozle—one of several instrumental-led tracks that I just didn’t connect with. Album artwork: A really cool cover.

Rings Around The World

Super Furry Animals

2/5

I’ve never been a fan of Super Furry Animals, so I expected this to be a tough listen. After not enjoying Fuzzy Logic at all, I was surprised to see them get a second album on this list—this band has just never clicked with me. "Alternate Route to Vulcan Street" has potential but never really gets going. From there, Sidewalk Serfer Girl follows, offering little more than standard UK rock of its time. It’s a dull start, and the album never picks up or improves from there. To be fair, the band experiments with different sounds throughout, but none of it really lands for me. Favorite song: Touch Sensitive—one of the few tracks I enjoyed. Juxtapozed With U was also a good one. These two tracks alone push the album to a 2/5 for me. Least favorite song: Receptacle for the Respectable—what an awful noise. Minature is also completely pointless. Album artwork: The cover gives off an electronic music vibe, but that’s not what you get at all. That said, it’s a great cover.

The Black Saint And The Sinner Lady

Charles Mingus

1/5

This challenge has not been kind to me this weekend. First, Super Furry Animals—and now, more jazz. Unfortunately, this album felt like dull background music. The tracks blended together so seamlessly that I struggled to tell when one ended and another began. Track 3, in particular, stood out—but not in a good way. It had an odd, 1950s Disney-esque vibe that felt completely out of place. Very bizarre. I can’t help but wonder how many more jazz or swing albums I’ll have to endure. Favorite track: None stood out enough to pick. Least favorite track: Track 3, without a doubt. Album artwork: Nothing noteworthy to mention.

Nowhere

Ride

2/5

This album is okay. I’ve always found Ride to be fairly standard indie—nothing groundbreaking, but still worth a listen. This record follows that trend. It has a strong Cure influence, with dark tones and melancholic lyrics. Definitely not an album to put on if you're looking for something uplifting. Favorite song: Vapour Trail—it was decent. Least favorite: Nothing stood out as particularly bad, but nothing really stood out as great either. The album is the definition of average. Album artwork: I actually really like the cover.

Foxbase Alpha

Saint Etienne

4/5

This album is a standout example of UK electronic pop at its best. I played it at home, in the car, and even at work—it’s truly an album for all occasions. It’s a fun, effortless listen, packed with well-chosen samples that add to its charm and energy. The production feels fresh, making it an engaging experience from start to finish. Favorite track: A tough choice, as I loved Girl VII, Nothing can stop us now and Stoned to say the least, but I have to go with Only Love Can Break Your Heart. It’s one of those rare cases where a cover surpasses the original—sorry, Neil Young, but this version is incredible. Least favorite aspect: The album has a few too many short filler tracks, some barely over a minute long, which disrupts the flow for me. Album artwork: A sleek, visually striking cover that perfectly complements the music.

Electric Music For The Mind And Body

Country Joe & The Fish

3/5

Jazz-infused psychedelic rock—what could go wrong? I’ve never heard of this band or album before, so I was looking forward to giving it a listen. Overall, I found the album to be an easy listen with some great moments. That said, it’s not something I’d revisit often. Favorite songs: Flying High and Not So Sweet Martha Lorraine—both are great tracks with some lovely, twangy guitar. Least favorite: Grace felt pointless. Album artwork: Cool cover.

Supa Dupa Fly

Missy Elliott

1/5

A Tough Listen—For All the Wrong Reasons From the very start, I had a feeling this album would be difficult to sit through—and I was right. The sound is grating, the lyrics fall flat, and there’s nothing remotely enjoyable about the experience. It’s a mess from start to finish. Favorite track: None worth mentioning. Least favorite track: The entire album. Album artwork: Bold attitude, but not something I’d ever display.

Raw Like Sushi

Neneh Cherry

2/5

I went into Raw Like Sushi by Neneh Cherry with no real expectations, but I ended up having more fun with it than I anticipated. This album is undeniably 80s—both in production and style—which is a big part of its charm. The beats are infectious, and there are some genuinely solid tracks here. That said, some songs already felt dated even back in 1989, and they haven’t aged particularly well. While I enjoyed the listen, it’s not an album I see myself returning to. Favorite song: Nothing really stood out as a clear favorite—some tracks were decent, but none felt like a standout hit. Least favorite song: Buffalo Stance didn’t work for me at all. Album artwork: Bold, confident, and totally in-your-face—just like the music.

Clandestino

Manu Chao

2/5

When I first saw this album, I expected to hate it — but I didn’t. Clandestino is energetic and fun, with some great guitar moments and a handful of standout tracks like "Bongo Bong." I especially loved how "Bongo Bong" flowed into "Je Ne T'aime Plus" — fantastic! I struggle with lyrics in another language since I love hearing the story behind a song and following where it takes me. Because of that, I’d rate the album 2/5 — but I can definitely see why people like it. Favourite song: Bongo Bong Least favourite: There were a lot of songs I just didn’t connect with. Album artwork: Cool cover.

Golden Hour

Kacey Musgraves

3/5

Before listening to Golden Hour, I had never heard of Kacey Musgraves, so I was curious to dive into this 2018 release. Exploring modern music outside my usual genres is part of why I took on this challenge, and this album felt like a good place to start. The opening track, "Slow Burn," lives up to its name — it’s a gentle introduction, but it never really takes off for me. On the other hand, "Lonely Weekend" and "Butterflies" are more engaging and easy to enjoy. My favorite track, though, was "Love Is a Wild Thing." It's beautifully written and captures the heart of the album with its emotional depth and warmth. What stood out most were the lyrics. Musgraves brings a socially conscious edge to country music, which isn’t something you encounter often. It gives the album a sense of purpose and authenticity beyond the usual themes of love and heartache. Overall, Golden Hour is a pleasant listen. It’s not groundbreaking for me, but I’d happily give it another spin. Favorite song: Love Is a Wild Thing Least favorite: Slow Burn and Mother — both felt a bit too slow and dry. Album artwork: Cute and fitting for the album’s vibe.

Ready To Die

The Notorious B.I.G.

1/5

This one’s tough. While I really enjoyed some of the music and samples on the album, the lyrics are just dreadful — misogynistic, violent, and ultimately pointless. It makes for a difficult listen. The intro is a perfect example: the samples and musical flow are impressive, but the lyrics completely ruin it. Honestly, I’m not sure this album should even be played anymore. This is the easiest 1/5 I’ve ever given. There really should be an option to give no score at all. Favourite song: Juicy is a great track. Things Done Changed was okay — but even then, it’s about robbery, violence, and identifying a body. Lovely stuff. Out of 19 tracks, only two are really worth a listen. Least favourite: Fuck Me is particularly awful. Album artwork: He was innocent once!!

First Band On The Moon

The Cardigans

4/5

I was pleasantly surprised by this album. I always thought of The Cardigans as a bit of a one-hit wonder with Lovefool, but I couldn’t have been more wrong. Beyond Lovefool, there are some real gems on this album. Your New Cuckoo, Never Recover, and Heartbreaker stood out to me — all catchy and well-crafted. Nina Persson’s vocals are fantastic, and the band sounds tight and polished throughout. It’s a solid album that I’ll definitely be revisiting. Favourite song: Lovefool is a classic, but aside from the obvious pick, I really enjoyed Step on Me. Least favourite: Honestly, there isn’t a bad track on the album. Album artwork: Very cool cover — it suits the vibe of the album perfectly

Cypress Hill

1/5

I have never really been a fan of gangsta rap, so I came into this hoping it might surprise me. I have always been curious about Cypress Hill given their reputation and influence, but this album just did not land for me. A lot of the lyrical focus revolves around crime, confrontation and hostility toward the police, and there is not enough variety in theme to keep me engaged. The production and sampling are solid, and you can hear why the record had an impact in the early nineties, but overall it feels one dimensional to my ears. I can respect its place in hip hop history, but as a listening experience it did not grip me and it is not something I would return to. Favourite song: None that stood out enough to revisit. Least favourite: The overall tone felt repetitive throughout. Album artwork: A fairly typical early nineties hip hop cover. Striking enough, but not particularly memorable for me

Debut

Björk

4/5

My previous experiences with Björk haven’t been great. Her music can be very hit or miss, and honestly, she comes across as nuts as we know she is — which is front and center in her sound. That said, Debut is an album I’ve always been curious about. It’s where it all started for her, so I figured it was time to give it a proper listen. I was surprised by the variety of songs on the album. Venus as a Boy is a beautiful track — smooth and delicate — but then it shifts into There’s More to Life Than This, which is completely different yet somehow works perfectly in the album's flow. The range of styles here is impressive, but it still feels cohesive. Favourite song: There’s More to Life Than This — it’s fun, lively, and stands out in the best way. Least favourite: Like Someone in Love — it’s whimsical and dreamy, but not really my style. It sounds like it belongs in a Disney film. Album artwork: One of Björk’s most iconic covers — simple but instantly recognizable.

Sound of Silver

LCD Soundsystem

4/5

Sound of Silver is a fantastic album that showcases an impressive variety of sounds and styles. It effortlessly shifts from slower indie ballads like "New York, I Love You But You're Bringing Me Down" to upbeat, club-ready tracks like "Get Innocuous!", and more guitar-driven anthems such as "North American Scum." This dynamic range keeps the album feeling fresh and engaging from start to finish. Listening to it has made me eager to see LCD Soundsystem live and explore more of their back catalog. Their ability to blend electronic beats with emotional depth is truly captivating. Favorite Track: "Get Innocuous!" stands out with its hypnotic rhythm and layered production, while "New York, I Love You But You're Bringing Me Down" delivers a beautifully slow build that hits all the right emotional notes. Least Favorite Track: The title track, "Sound of Silver," didn’t quite click with me—it felt a bit less impactful compared to the rest of the album. Album Artwork: The cover art perfectly captures the album's vibe—cool, understated, and reflective of the music’s blend of energy and emotion. Overall, Sound of Silver is a compelling listen that balances danceable beats with introspective moments, reinforcing LCD Soundsystem’s reputation for innovation and emotional depth.

Your New Favourite Band

The Hives

4/5

I can’t believe this album is already 24 years old—I loved it growing up! The Hives always bring the punk energy, and Your New Favourite Band delivers 30 minutes of pure punk gold. That said, I’m not sure a greatest hits album really belongs on the list! Favourite song: You can’t beat the opening two tracks, Hate to Say I Told You So and Main Offender—they’re signature Hives hits. Least favourite: The Hives Are Law, You Are Crime didn’t really add much to the album. Album artwork: Cool cover—brings back great memories of having this on CD and vinyl.

25

Adele

2/5

Adele has an incredible voice and a charming personality when she speaks, but her music often feels a bit dull. 25 has some standout moments, though. I really enjoyed Hello—surprisingly, I hadn’t listened to it all the way through until this challenge. Send My Love was also nice, but most of the album felt pretty uninspired, similar and flat. Favorite song: Hello is a great track, though it feels about a minute or two longer than it needs to be. Least favorite: Remedy was painfully boring—it felt like it was never going to start or end! Album artwork: Cool cover, but Adele looks way older than 25 in it.

I See A Darkness

Bonnie "Prince" Billy

1/5

I had never listened to a Bonnie "Prince" Billy track before, so I went into I See a Darkness with an open mind. In short, this album is dark and moody — but ultimately quite boring. I struggled to find much I enjoyed and wouldn’t revisit it. It felt like Nirvana without the bite and anger, leaving it flat and unmemorable. Favorite song: I thought Death to Everyone was a nice track. Least favorite: Honestly, the whole album felt dull. Album artwork: The cover is pretty cool, though.

Merriweather Post Pavilion

Animal Collective

1/5

I am genuinely surprised this album made the list. It feels like it is scraping the lower end of the 1001 for me. I understand that Animal Collective are deliberately aiming for something different and boundary pushing. There is clearly ambition here. But as a listening experience it just does not land. The songs feel repetitive and cluttered, with layers of sound competing rather than complementing each other. Instead of creating atmosphere, it becomes an indistinct blur. At times there are glimpses of something interesting underneath the noise, but the production feels so overloaded that it buries any real hook or emotional connection. It simply did not click with me. Favourite song: No More Runnin was decent enough and the most listenable for me. Least favourite: Daily Routine was particularly hard work. Guys Eyes had potential, but the clashing layers turned it into a chaotic mess. Album artwork: Very cool. The optical illusion cover is easily one of the most memorable aspects of the whole package

Non-Stop Erotic Cabaret

Soft Cell

4/5

I didn’t expect to love this album as much as I did — but wow, Soft Cell is so much more than Tainted Love. This album oozes that unmistakable '80s vibe. It’s sleazy, packed with synths, and dripping with pop and sexual undertones — exactly what you’d hope for from Soft Cell. Favourite songs: It’s hard to choose, especially with the deluxe edition offering so many gems. Disco 2 feels like the soundtrack to a wild night out, and I couldn’t get enough of Sex Dwarf, Chips on My Shoulder, and, of course, Tainted Love. Least favourite: Honestly, there’s not a single bad track here. Album artwork: Super cool cover — it perfectly captures the vibe of the music

Legalize It

Peter Tosh

3/5

One of the Wailers!! I was excited to dive into this since I haven’t explored any of the other Wailers' solo work before — so Legalize It felt like a good place to start. Peter Tosh delivers a solid reggae sound — exactly what you’d expect. After the opening track, I wondered, Is this going to be an entire album about the legalization of weed? I get it, and he was probably right — but there’s more to this album than that. Tracks like Burial, Why Must I Cry, and No Sympathy offer heartfelt lyrics about love and heartache, adding real depth beyond the central theme. It’s a solid album — I’ll definitely play this again. Favourite song: No Sympathy — such a great tune. Least favourite: I couldn’t get into the title track at all. It is the weakest track on the album for sure. Album artwork: Alright, we get it — you like weed!

Paranoid

Black Sabbath

5/5

I'm not a big heavy metal fan, but to me, Paranoid is the pinnacle of the genre. It's the best heavy metal album I've ever heard, and I’d bet it's one of the most influential too. The guitar riffs and instrumentals are phenomenal, and the vocals are both unique and powerful. This is the kind of album you’ll want to play on repeat. Favorite songs: Paranoid and War Pigs Least favorite: There isn’t a bad track on the album. Album artwork: A cool and memorable cover that fits the vibe perfectly.

Rapture

Anita Baker

2/5

Anita Baker undeniably has a great voice, and Rapture features some solid tracks, with highlights like "Sweet Love" and "Caught Up in the Rapture" standing out as particularly strong. However, while the album is pleasant and well-produced, it doesn’t feel groundbreaking or particularly memorable for its time. It’s a good pop record with smooth production and some nice moments, but it lacks that spark that would make me want to revisit it. It’s easy listening, but nothing more. Favourite Songs: Caught Up in the Rapture, Sweet Love Least Favourite: Nothing was outright bad—it’s just middle-of-the-road overall. Album Artwork: A nice, classy cover.

Electric Ladyland

Jimi Hendrix

5/5

I had never listened to Electric Ladyland in full before, and I was really looking forward to it. Wow—what an album. I absolutely love it. It feels like a massive jam session layered with some truly fantastic songs. Hendrix’s guitar work is incredible, and his voice really stands out—underrated, in my opinion. Favorite songs: All Along the Watchtower and Have You Ever Been (To Electric Ladyland) are just perfect. Least favorite: None. Every track on this album feels purposeful and adds something valuable to the experience. Album artwork: Very cool cover—it perfectly sets the tone for the music inside.

Joan Baez

1/5

I like Joan Baez’s voice, but the folk style feels a bit too whimsical for me—not really my thing. It’s like listening to a collection of songs from Robin Hood’s era. Favorite songs: Silver Dagger and House of the Rising Sun were definite highlights. Least favorite: Henry Martin felt pretty dull. Album artwork: Cool cover—it suits the vibe of the album well.

Hot Shots II

The Beta Band

4/5

This was my first time listening to The Beta Band, and after just one playthrough, I knew I had to download it and give it another spin. I was already familiar with Squares, which is a fantastic track, and I’m happy to say the rest of the album holds up well. It’s an easy, enjoyable listen with a laid-back vibe reminiscent of Gorillaz and MGMT — perfect for background listening. While it lacks a few standout moments, it’s consistently solid throughout. Favorite song: Squares — a great track. Least favorite: Honestly, every track earned its place on the album, but I wouldn’t have minded a couple more big hitters like Squares. Album artwork: Cool cover — though I’m still not sure what’s going on in the middle!

Solid Air

John Martyn

3/5

When this popped up, I’ll admit I had never heard of John Martyn or Solid Air. I had no idea what to expect — but let’s see. I liked it. Enough to listen again and explore more of his back catalogue. The album has a serious, dark tone, but it’s still an easy and enjoyable listen. I especially love the rich, dark vocals. The production is excellent — it’s hard to believe this was made in 1973; it feels surprisingly modern. Favorite song: Every track was enjoyable, but I particularly liked the opening two — Solid Air and Over the Hill. Least favorite: There isn’t a bad track on the album. Album artwork: Cool cover.

Connected

Stereo MC's

5/5

I've always loved Stereo MCs, and Connected stands out as their finest work. I'm thrilled to give it another listen and glad to see it recognized on the top 1001 album list. This album is proof that electronic music can be not just good—but great. Favorite songs: Connected, Step It Up, and Ground Level are the big hits, but there are also some excellent hidden gems like Everything, Pressure, and Playing with Fire. Least favorite: Honestly, there isn’t a bad song on the album. Album artwork: The cover is very cool and perfectly reflects the vibe of the music

Talk Talk Talk

The Psychedelic Furs

4/5

I'm a fan of The Psychedelic Furs, and Talk Talk Talk has always been my favorite album of theirs. It’s a solid blend of pop with a touch of post-punk and new wave — a combination that really works. Favorite Songs: Pretty in Pink is a standout, and So Run Down and Into You Like a Train are also fantastic. Least Favorite: Honestly, there isn’t a weak track here. It’s a consistently strong album that absolutely deserves its place on this list. Album Artwork: The cover is cool, though it feels very much of its time — a lot of 80s bands seemed to have similar aesthetic choices and a surprising number of album titles with talk in them!

More Specials

The Specials

4/5

I’ve always loved The Specials, and More Specials, their second album, showcases a bold evolution in their sound. Moving away from the raw energy of their debut, they embrace a more jazzy, easy-listening style with touches of Northern Soul. The result? An eclectic, refreshing, and undeniably cool album that still feels innovative today. The tracklist is packed with variety, from the big hits like Rat Race, Enjoy Yourself, and Do Nothing to hidden gems like Hey Little Rich Girl, Man at C&A, and Holiday Fortnight. Every song brings something unique, yet they all belong on this album. Favourite tracks: Enjoy Yourself, Do Nothing, and Rat Race—huge songs from my youth and still absolute classics. Least favourite track: Honestly, there isn’t a bad one. Every song is worth a listen. Album artwork: A legendary 2 Tone cover that perfectly matches the band's iconic style. More Specials is a fantastic listen from start to finish—an album that proves The Specials weren’t just a ska band, but true musical innovators.

Sulk

The Associates

2/5

Going into this, I had never heard of The Associates or their album Sulk, so I had no idea what to expect. This album took me on a journey—some parts I loved, some I couldn’t stand, and others just left me confused. There are a few solid tracks, like 18 Carat Love Affair and Club Country, but then there’s also a fair share of chaotic, almost video game-like 80s noise and outright terrible songs. It’s not a 1/5 disaster, but I won’t be revisiting it. Favorite song: 18 Carat Love Affair and Love Hangover Least favorite: Most of the album Album artwork: Really cool cover.

The Message

Grandmaster Flash & The Furious Five

4/5

This album is hip-hop at its finest. It’s an incredible mix of funk and soul, with lyrics that remain just as relevant today as they were upon release. Every track has something to offer, making for a compelling and timeless listen. I absolutely loved every song on this album—except Scorpio. Even the two unexpected soul tracks in the middle, which seem to pay tribute to Stevie Wonder, were a pleasant surprise despite their different tone compared to the rest of the album. Favourite Songs: The Message and It’s a Shame are absolute standouts. Least Favourite Song: Scorpio felt a bit out of place—like something from a spoof Doctor Who soundtrack. Album Artwork: I love the cover; it perfectly captures the essence of the era.

Music From The Penguin Cafe

Penguin Cafe Orchestra

2/5

I had never heard of this band or album before, but with Brian Eno involved, I expected something interesting. This is easily one of the most bizarre albums I’ve ever listened to. Judging by the reviews, I must be missing something—there are plenty of five-star ratings out there. Unfortunately, it won’t be getting one from me. Musically, some tracks were undeniably beautiful. I really enjoyed Penguin Cafe Single, Zopf from the Colonies, and The Sound of Someone You Love. However, the songs felt like they dragged on endlessly without much variation or progression. I can appreciate its artistry, but ultimately, I found it tedious. Favorite song: The Sound of Someone You Love—a lovely piece, but it could have been 10 minutes shorter. Least favorite song: Tracks 3–8 didn’t offer much at all. Album artwork: The cover is certainly unique.

Youth And Young Manhood

Kings of Leon

4/5

Before Kings of Leon embraced a more polished, mainstream sound, they delivered Youth and Young Manhood—a raw, energetic debut that still holds up today. I’ve always loved this album; it’s a nostalgic time capsule that takes me right back to my youth. Hard to believe it’s been 22 years! I’m excited to revisit it with fresh ears and a new perspective. On reflection, I’d rate it a solid 4/5. There are some fantastic tracks around Molly Chambers, like Wasted Time, Happy Alone, and Genius, but there are also a few fillers and not a lot of variation in sound. That said, it still absolutely rocks! Favorite song: Molly Chambers—the ultimate going-out anthem of my younger years. What a tune! Least favorite song: Honestly, there isn’t a bad song on the album. Album artwork: A really cool cover that perfectly captures the album’s gritty vibe.

Rattlesnakes

Lloyd Cole And The Commotions

3/5

This was my first proper listen to Lloyd Cole and the Commotions, and I was genuinely looking forward to giving them a go. I ended up listening to Rattlesnakes three or four times because I struggled to land on a clear opinion. There are definitely some great songs here, but overall, it feels quite middle-of-the-road. That said, it’s an easy, pleasant listen — the kind of album that works well in the background. On reflection, I’d give it a solid 3 out of 5. Not groundbreaking, but good to have on rotation when you want something mellow and unobtrusive. Favourite tracks: “Perfect Skin” and “Rattlesnakes” stood out as real highlights. Least favourite: Nothing jumped out as terrible — it’s all pretty consistent. Album artwork: I really like the simplicity of the cover. It suits the tone of the album perfectly.

The Idiot

Iggy Pop

4/5

Iggy Pop, produced by David Bowie—on paper, it sounds like a dream team. And honestly? It delivers. The Idiot is a fascinating listen, drenched in the moody, experimental vibe of Bowie’s late '70s Berlin era. Right from the opening track, Sister Midnight, it’s clear Bowie’s fingerprints are all over this. The production, the atmosphere, even the phrasing—this could easily be a Bowie track, and that’s not a bad thing. Songs like Dum Dum Boys and Funtime carry that same twisted glam energy. And then there’s China Girl—Iggy’s raw, haunting version is nearly as good as Bowie’s later polished take. It's cool to hear the original in all its gritty glory. Standout Tracks: Sister Midnight and Nightclubbing are absolute highlights. Both are hypnotic, weird, and utterly iconic. Least Favorite Track: Honestly, there isn’t a weak link here. The album flows in a strange, compelling way from start to finish. Album Artwork: The cover perfectly matches the music—striking, offbeat, and undeniably cool.

Blunderbuss

Jack White

2/5

This might be a tough listen. Personally, I never really connected with The White Stripes or any of Jack White’s other projects. Still, I thought I’d give his first solo album Blunderbuss a shot. Surprisingly, I didn’t hate it—but I also don’t think it’s essential listening. I’m honestly puzzled as to how it ended up on any “must-hear” lists. The album feels pretty basic overall, without offering anything particularly new or groundbreaking. There are a few decent moments scattered throughout, but nothing that truly stands out. Favourite track: Love Interruption – a rare moment of genuine intrigue. Least favourite track: Blunderbuss the title track was very dull. Album artwork: A moody, melancholic cover that suits the tone, even if the music doesn’t quite live up to it.

Tuesday Night Music Club

Sheryl Crow

3/5

Before this, I’d only heard Sheryl Crow’s biggest hits—never a full album—so I was curious to give Tuesday Night Music Club a proper listen on a quiet Sunday evening. I’ve always enjoyed her greatest hits; they’re catchy, easygoing, and fun, even though pop/country isn’t usually my go-to genre. That said, a few tracks on this album really stood out. “Leaving Las Vegas” shines with its storytelling and energy, and “Can’t Cry Anymore” delivers an upbeat, infectious vibe that’s hard not to enjoy. On the flip side, a few songs didn’t quite land. “Strong Enough” and “Solidify” felt flat and lacked the spark to keep my attention. Overall, the album leans into a middle-of-the-road country-rock sound—solid and well-produced, but nothing particularly groundbreaking or adventurous but a good fun album with some good songs. That being said, Crow’s voice is excellent, and her songwriting talent is undeniable. While this album didn’t fully click with me, I can absolutely see the appeal for fans of this style. Favourite Tracks: “Leaving Las Vegas” and “All I Wanna Do” – both standout sing-along anthems with great energy. Least Favourite: “Strong Enough” and “No One Said It Would Be Easy” – both felt dull and forgettable. Album Artwork: A fitting, well-designed cover

Horses

Patti Smith

5/5

My review of Horses may come with a hint of bias—I love Patti Smith, and this album represents her finest hour. From the moment Gloria kicks off the record, it's clear you're in for something electric. It's an explosive opener, full of raw energy and poetic defiance, setting the tone for the rest of the album. That same intensity carries through every track, making Horses feel like a continuous wave of bold, unapologetic artistry. Standouts like Redondo Beach and Land showcase the album's range—from reggae-tinged rhythms to sprawling, spoken-word rock epics. Honestly, every song here feels essential; there's not a single misstep. Favourite track: Gloria is superb, and Land is an absolute masterpiece. Least favourite: Not applicable—there’s no weak link on this album. Album artwork: An iconic and effortlessly cool cover.

Marcus Garvey

Burning Spear

5/5

Marcus Garvey is a brilliant album and an essential gem of 1970s reggae. As a longtime fan of the era, I had this record on repeat all day—easily spinning it four or five times without ever tiring of it. The tracks are powerful and purposeful, combining uplifting rhythms with a deep sense of righteous anger and spiritual conviction. Burning Spear’s sound is distinctive, and their storytelling is rich with history, identity, and resistance. Favourite Tracks: “Marcus Garvey” and “Slavery Days” stand out as unforgettable—both sonically and lyrically impactful. Least Favourite: Honestly, there isn’t a weak moment on the album Album Artwork: The cover has a strong presence—simple, iconic, and fitting for the message within

Blackstar

David Bowie

5/5

David Bowie’s Final Masterpiece: Blackstar Blackstar is nothing short of superb. As his final work, it stands as a bold, emotive, and forward-thinking statement from an artist who continued to innovate until the very end. In an industry where many artists struggle to remain creatively relevant with age, Bowie defied the trend — evolving, experimenting, and delivering something truly fresh. This album isn't just a farewell; it’s a reinvention. Deeply atmospheric and layered with meaning, it feels like Bowie knew this would be his last artistic statement — and he made it count. Favourite Track: It’s hard to choose, as every song is a gem, but Dollar Days resonates most with me. Least Favourite: Honestly, I couldn’t find a single weak track. Album Artwork: Minimalist, striking, and instantly iconic — perfectly befitting the music within.

Basket of Light

Pentangle

1/5

Before this listen, I had never heard of Pentangle, their album Basket of Light, or any of its tracks—so I went in completely blind. What followed was unexpected and, at times, fascinating but not in a good way. I definitely wasn’t anticipating psychedelic, medieval folk music—but that’s exactly what I got. To be honest, it wasn’t really for me. While the album has a few nice moments, much of it is steeped in mystical, whimsical sounds that just didn’t resonate with me. It felt like I was listening to the soundtrack of a Renaissance fair rather than an album I’d want to revisit. Favourite track: Springtime Promises really stood out—beautifully arranged and easy to connect with. I also enjoyed the remix of Sally Go Round the Roses; it had a more contemporary, accessible vibe. Least favourite: Lyke-Wake Dirge was the low point for me. It felt more like a scene-setter for a medieval film than a standalone song. I just couldn’t get into it. Album artwork: I actually loved the cover art. It has a cool, retro charm that perfectly captures the era and aesthetic of the album.

Time (The Revelator)

Gillian Welch

4/5

I hadn’t heard of Gillian Welch before, but I was curious to check out this album — and I’m really glad I did. It’s a beautifully stripped-back blend of folk and bluegrass, with minimal instrumentation that really lets the vocals and lyrics shine. What surprised me most was how much I connected with it — the storytelling is exceptional and pulls you in with each track. Favorite songs: I Dream a Highway and Elvis Presley Blues stood out to me — both are haunting and beautifully written. Least favorite: I Want to Sing That Rock and Roll felt a little out of place. The sudden shift to a live track broke the flow of the album for me. Album artwork: I love the cover — simple, but striking and perfectly suited to the mood of the music.

Halcyon Digest

Deerhunter

2/5

This was a new discovery for me—I’d never heard of Halcyon Digest or Deerhunter before. That’s surprising, considering 2000–2010 indie was right in my wheelhouse. Somehow, this one just slipped through the cracks. Overall, the album leans toward fairly standard indie rock. It didn’t blow me away, but there were definitely standout moments. “Memory Boy” and “Desire Lines” caught my attention and hinted at something more interesting beneath the surface. While Halcyon Digest didn’t fully land for me, there’s something about the band that makes me want to dig deeper. I’ll definitely be checking out their back catalogue. Favorite tracks: “Memory Boy,” “Desire Lines” Least favorite: “Don’t Cry,” “Revival,” “Sailing” Album artwork: Cool cover—eye-catching and distinctive.

Faith

George Michael

2/5

I don’t think I’ve ever listened to a George Michael solo album all the way through before, and what better place to start than his debut, Faith? There are moments I genuinely enjoyed—especially the opening two tracks. The title track "Faith" is undeniably brilliant, and "Father Figure" also stood out as a highlight. However, much of the album didn’t land for me. Songs like "Kissing a Fool" and "Look at Your Hands" felt like filler, and I couldn’t really connect with "I Want Your Sex" either—it just didn’t resonate. Overall, Faith strikes me as a very dated slice of ‘80s pop, heavy on the sex appeal but light on substance. It’s not something I’d revisit. Favourite song: “Faith,” with “Father Figure” as a close second. Least favourite: “I Want Your Sex (Pts 1 & 2)” didn’t do much for me, and “One More Try” felt quite dull. Album artwork: Very cool cover—simple but iconic.

Otis Blue/Otis Redding Sings Soul

Otis Redding

5/5

Otis Redding really does sing soul. This album is a joy to listen to—I've had it on repeat 3 or 4 times today. It's just so effortlessly enjoyable and easy to get lost in. It has everything: it can be light-hearted and funny one moment, then full of sorrow the next. His darker, more emotional take on Respect is brilliant. Some of the covers even outshine the originals—My Girl and Wonderful World are both standout versions. Favourite songs: Hard to choose! My Girl and Wonderful World are classics for a reason, but I found myself really drawn to Respect and Satisfaction as well. Least favourite: Honestly, there isn’t a single bad track on this album. Album artwork: A really cool cover—simple but striking.

Trafalgar

Bee Gees

1/5

I’m genuinely surprised this album made the list. Trafalgar sits in a strange, in-between phase of the Bee Gees’ career—after their ‘60s baroque pop heyday and before their iconic disco dominance. Unfortunately, it doesn’t measure up to either era, both of which represent the Bee Gees at their creative peaks. Now, I get that the rules for this list exclude soundtracks, but leaving Saturday Night Fever off while including Trafalgar feels like a major oversight. That soundtrack defined an era; Trafalgar, on the other hand, barely leaves a mark. Aside from the standout ballad “How Can You Mend a Broken Heart,” the album leans heavily into bland, middle-of-the-road folk-pop. It lacks the energy, emotion, and innovation that define the best of their work. Even Robin’s usually moving vocals can’t save some of these tracks. Favorite song: "How Can You Mend a Broken Heart" Least favorite: Most of the rest—largely forgettable Album artwork: A cool visual tribute to the Battle of Trafalgar, which is sadly more memorable than the music inside.

Want One

Rufus Wainwright

4/5

I've always meant to dive deeper into Rufus Wainwright's work, so I was really looking forward to giving Want One a proper listen. He's always been on my radar, mostly as "the guy who did the best version of Hallelujah," but I hadn’t explored much beyond that. With all the glowing reviews out there, expectations were high—and the album absolutely delivered. Want One exceeded my expectations. I genuinely enjoyed it from start to finish. Of course, there are the well-known tracks like Oh What a World and Go or Go Ahead, but what really stood out to me were the lesser-known gems. Movies of Myself and Vicious World were personal highlights—unique, emotional, and beautifully arranged. This album has definitely made me excited to explore more of Rufus’s catalog. It’s one I’ll be returning to for sure. Favourite track: Movies of Myself Least favourite: I couldnt pick one. I really enjoyed every song on the album Album artwork: A very cool, striking cover—fits the theatrical vibe of the album perfectly.

Elastica

5/5

I am looking forward to listening to this album. Elastica for me are a fun, female-led indie/post-punk band known for their tight musicianship and punchy 2–3 minute tracks so this album should be a belter!! I liked this album, Their sound is aggressive, energetic, and full of attitude. While they might not be reinventing the wheel with theis album, they definitely know how to deliver a good time and fun tracks. Waking Up instantly took me back to my early 2000s indie nightclub days—what a tune! It’s the kind of track that gets you moving and sets the tone for a night out. I’ve always loved that one. Beyond the big hit, there are some absolute belters here—Car Song, Line Up, and Hold Me Now all stand out as highlights. The whole album keeps a strong momentum and delivers consistent energy from start to finish. Favourite songs: Waking Up and Car Song take the top spots, but honestly, I enjoyed every track. Least favourite: None—there’s not a bad song on the album. Album artwork: Pretty standard cover—nothing too exciting visually, but the music more than makes up for it.

Fishscale

Ghostface Killah

3/5

Another Wu-Tang Clan member appears on the 1001 Albums list—there really are quite a few of them! I’ll admit, I tend to struggle with this genre; the gangster rap themes don’t particularly resonate with me, and with 27 tracks spanning 1 hour and 12 minutes, this is a long listen. Wish me luck. Fishscale has its moments. It leans heavily on collaborations—perhaps a bit too much at times—but those features often end up being the highlights. Tracks with Ne-Yo and Raekwon, for example, really stand out. The flow is smooth, the production is tight, and the lyrical delivery is sharp—even if the subject matter isn’t quite my thing. One thing that really surprised me was the number of writers credited on each track. It genuinely took an army to put this album together. Favourite track: I really enjoyed “Big Girl” and “Back Like That,” but if I had to pick one, I’d say “Back Like That” takes the top spot. Least favourite track: I actually felt the album improved as it went on. It started off a bit weak for me, and I didn’t enjoy the tracks that leaned heavily into gangster themes. Album artwork: That stare on the cover is intense—I feel like I’m being personally challenged just by looking at it!

London Calling

The Clash

5/5

I love The Clash, and London Calling, their third album, is easily one of the greatest records of all time. At its core, it’s punk at its best, full of raw energy, but played by proper musicians with real range. What makes this album stand out is that it goes far beyond punk. Across its 19 tracks, it blends genres effortlessly, moving through punk, pop, reggae, and ska without ever losing its identity. The band push into new territory while keeping that edge, which is what makes it feel so timeless. The title track London Calling is an explosive opener, driven by an unforgettable riff and urgent, powerful lyrics that set the tone perfectly. At the other end, Train in Vain closes the album as a personal favourite, catchy, emotional, and slightly unexpected. Favourite tracks: London Calling and Train in Vain Least favourite tracks: None, every song earns its place on the album Album artwork: Absolutely iconic, with Paul Simonon smashing his bass, one of the most memorable covers in music history

Disraeli Gears

Cream

5/5

I’ve spent years trying to get into Eric Clapton’s music—partly because I feel like I should enjoy it, even though he’s a deeply problematic figure. That said, Cream is by far the best version of Clapton. His solo work and time with the Yardbirds never clicked with me the same way. Disraeli Gears stands out as the album I return to most—it's a perfect fusion of blues and psychedelic rock, packed with memorable riffs and standout tracks. This album is so good I played it three times in a row. The biggest hit, “Sunshine of Your Love,” features one of the most iconic guitar riffs of its era. It’s brilliant—an undeniable classic. But the rest of the album holds up just as well. Tracks like “Strange Brew,” “Dance the Night Away,” and “SWLABR” are absolute gems, each with their own unique groove and iconic guitar work. Favourite tracks: “SWLABR” and “Sunshine of Your Love” Least favourite: “Mother’s Lament” – feels very Monty Python. I’m not convinced it needed to be on the album. Album artwork: A super cool, quintessentially '60s psychedelic cover—totally fitting for the sound within

Mask

Bauhaus

3/5

Going into this, I had never heard of Mask or even the band Bauhaus—so I was curious to see if this album could turn me into a goth. Right away, the sound reminded me of Joy Division: minimal, moody, and atmospheric. But as the album unfolded, it veered into darker, stranger territory—and I mean that in the best way. The production is raw and unpolished, giving the music an edge that feels authentic and deliberate. It’s goth rock stripped to its essentials, and done incredibly well. I gave the album a few spins to really sit with it. The first listen was compelling enough to hit replay immediately. Overall, I really enjoyed it and I’ll definitely be coming back to it. It’s brooding and unconventional, with flashes of punk energy woven into its gothic-rock core. It just sounds effortlessly cool. Favorite Track: “Kick in the Eye 2” was a standout—sharp, punchy, and full of energy. “Muscle in Plastic” also left an impression. Honestly, most of the tracks hit the mark. Least Favorite Track: The album lost some momentum toward the end. Tracks like “Earwax” and “Harry” didn’t land as strongly and felt a bit less focused. Album Artwork: The cover is excellent—strange, stylized, and perfectly aligned with the music it represents.

The Stooges

2/5

As a fan of Iggy Pop and The Stooges, I was genuinely looking forward to giving this album a listen. The Stooges is a short and punchy record—just 8 tracks spread over 35 minutes. While I can appreciate that this album was groundbreaking in 1969, it didn’t quite land for me. Despite Iggy’s unmistakably raw and powerful vocals, the album felt flat and lacked momentum. It never really seemed to build or go anywhere interesting. Favourite Track: I Wanna Be Your Dog – A standout with gritty energy and an unforgettable guitar riff. Least Favourite: We Will Fall – At nearly 10 minutes long, it takes up almost a third of the album, yet it feels like it goes absolutely nowhere. A total bore. Album Artwork: The cover is great—simple, moody, and iconic.

Fromohio

fIREHOSE

4/5

American alternative rock from the late ’80s and early ’90s usually isn’t my scene, and I’d never even heard of fIREHOSE—or their album Fromohio—before this. Honestly, the quirky way they spell their name didn’t give me high hopes going in. That said, Fromohio turned out to be a pleasant surprise. It’s a genuinely easy listen, with a sound that’s both warm and stripped-back. The production is clean but unpolished in a good way—there’s a rawness that adds charm. The band jumps between blues, acoustic, and rock influences, and each track is anchored by standout drumming that really pulls everything together. The lyrics are solid too—nothing overly poetic, but they suit the vibe perfectly. Favorite track: In My Mind – laid-back and catchy. Least favorite track: Honestly, nothing here falls flat. The album is short, sweet, and full of variety. Album artwork: The cover is chaotic in a cool way—there’s a lot going on, and it matches the band’s eclectic sound.

Black Holes and Revelations

Muse

2/5

I’ll be honest—I've never been a fan of Muse. This album was always going to be a tough listen for me. I remember Black Holes and Revelations being everywhere when it was released—praised to the skies by the music press. At the time, I just didn’t get it. To me, it sounded overproduced, overblown, and unnecessarily theatrical. Revisiting it now, almost 20 years later, those feelings still hold up. There are a couple of standout tracks—Supermassive Black Hole and Knights of Cydonia still hit hard with their bold, dramatic sound. But much of the rest feels like filler: overly polished, lyrically weak, and lacking real storytelling. The band leans heavily on loud, cinematic bombast to carry the songs, which often ends up feeling more like a wall of noise than meaningful music. Favourite track: Supermassive Black Hole and Knights of Cydonia – they’re solid, memorable tunes. Least favourite: Assassin – sounds like polished noise with whiny vocals and no real substance but I could have picked 6 other songs as the worst. Album artwork: I’ll give credit where it’s due—very cool cover.

Doggystyle

Snoop Dogg

1/5

I’ve never been a fan of Snoop Dogg’s voice or delivery, but I have to give credit where it’s due—his choice of beats and samples is top-tier. There’s a clear musicality to his work that’s hard to ignore. That said, Doggystyle just doesn’t land for me. The lyrics are repetitive, and much of the language feels overused or outright off-putting. The album leans heavily into predictability, and the interludes, in particular, add little value. In fact, they break up the flow in a way that feels more distracting than creative. In summary, while the production is strong and undeniably catchy in places, the lyrical content drags the experience down. I wouldn’t choose to listen to this again. Favorite track: “Who Am I (What’s My Name?)” – undeniably a solid tune. Least favorite: The interludes are pointless, and tracks like number 9 are downright unpleasant. Album artwork: There’s a bit of comedic value to it, but it’s not something I’d want hanging on my wall

Idlewild

Everything But The Girl

1/5

I remember Everything But The Girl feeling quirky and a little different back in the nineties, so I came to Idlewild expecting something with a bit of edge. Instead, it falls quite flat for me. The album leans heavily into soft, middle of the road ballads that feel safe and overly restrained. There is a gentle, understated style running through it, but very little that truly grabs the attention. I found myself zoning out for much of the listen, with tracks blending into one another without a standout hook or moment. I can appreciate the clean production and Tracey Thorn’s smooth, controlled vocal, but as a complete record it feels lifeless rather than intimate. It is hard for me to see why this would land on a must hear list when there are so many more dynamic albums from the era. Favourite track: None really stood out. Least favourite: Difficult to choose as everything felt similarly subdued and forgettable. Album artwork: A nice, nostalgic cover that captures their late eighties image well

Melodrama

Lorde

4/5

One of the more recent entries from the 1001 Albums You Must Hear Before You Die list, Melodrama by Lorde delivers a fresh, emotional take on modern pop. I remember when Lorde first emerged, but I don't think I had properly listened to her music until now. I was genuinely looking forward to giving this a proper listen. This is a fine, polished pop record with excellent production, catchy songs, and a strong vocal performance from Lorde. Although modern pop isn’t usually my style, I genuinely enjoyed experiencing this album. Favourite Songs: There are several standout tracks here. "The Louvre" was a particular highlight, blending dreamy production with raw, intimate lyrics. I also loved "Supercut" and the heartfelt ballad "Liability." Overall, it’s a consistently strong collection of pop songs. Least Favourite Song: There really isn’t a bad song on the album — every track feels carefully crafted and meaningful. Album Artwork: The cover art is striking and beautifully artistic, perfectly capturing the album’s emotional and introspective tone.

Ágætis Byrjun

Sigur Rós

4/5

Until today, I hadn’t really listened to Sigur Rós. But with tickets booked to see them at the Royal Albert Hall later this year, it felt like the perfect time to finally dive in — and Ágætis Byrjun seemed the ideal place to start. This is not a typical album, nor is it like anything else I usually listen to. It demands — and deserves — your full attention. After two or three focused listens, the album’s true character begins to emerge. It’s not background music; it's an experience to surrender to. And once you do, the rewards are undeniable. There are moments of real beauty here. Viðrar Vel Til Loftárasa stands out — the piano work is stunning, delicate yet powerful, and the production is immaculate. Olsen Olsen is another highlight, feeling almost cinematic, like the soaring conclusion of an epic film. And then there’s Svefn-G-Englar — a brilliant, otherworldly piece that lingers long after it ends. Favourite track: There are so many to choose from, but Svefn-G-Englar just edges it for me. It's wonderful — haunting, immersive, and deeply moving. Least favourite track: Intro felt a little unnecessary. It didn’t add much to the album and could easily have been omitted — but everything else is so superb that I’m really just nitpicking. Album artwork: Honestly, not my favourite. It doesn’t quite capture the depth, scope, or beauty of the music inside.

Beggars Banquet

The Rolling Stones

4/5

Beggars Banquet was one of the first albums I truly fell in love with growing up. “Sympathy for the Devil” remains a stunning opener—bold, provocative, and utterly iconic. “Street Fighting Man” is just as powerful, and I’ve always had a soft spot for “Factory Girl,” especially after hearing the live version on Flashpoint, one of the first albums I ever owned. Revisiting Beggars Banquet now, what strikes me most is how stripped-back it sounds. The production is raw, the lyrics often angry and biting—it's gritty in the best way. There are some undeniable highlights, but also a few tracks that hold it back from being a perfect 5/5. Songs like “Prodigal Son” and “Dear Doctor” don’t quite hit the mark for me, and I feel the album could have used a couple more standout tracks to elevate it further. In summary, Beggars Banquet might not reach the heights of Exile on Main St., but it's still a very strong album and a pivotal moment in the Stones' evolution. Favourite song: “Sympathy for the Devil” – an all-time great with that unmistakable Stones sound. “Street Fighting Man” is brilliant too, and I love some of the lesser-known gems like “No Expectations,” “Jigsaw Puzzle,” and of course, “Factory Girl.” Least favourite: “Dear Doctor” feels a bit naff and throwaway. Album artwork: A classic. One of the most memorable and iconic covers in rock history.

Birth Of The Cool

Miles Davis

1/5

After spending time with a range of jazz records during this challenge, I can confidently say that Miles Davis is a master of his craft. His technical skill and musical intuition are undeniable, and I understand why he is held in such high regard within the genre. That said, jazz simply doesn’t resonate with me. Despite recognizing the artistry involved, I find the music unengaging — it tends to blur together and leave little lasting impression. It’s a genre that, for me, lacks emotional connection or excitement. Favourite Track: Jeru stood out with its lighter, more melodic tone — it was the one moment that genuinely caught my attention. Least Favourite: Unfortunately, much of the rest of the album felt indistinct; the tracks seemed to merge into one continuous, unmemorable experience. Album Artwork: A classic, minimal jazz cover — fitting but nothing remarkable.

Opus Dei

Laibach

3/5

Before listening to Opus Dei, I had never heard of Laibach. Based on the album cover alone, I wasn’t expecting to enjoy what was ahead. From the opening track, my immediate thought was, This sounds like Rammstein. Then I saw the release date—1987—and realized it’s likely this is what inspired Rammstein in the first place. I genuinely wanted to dislike this album, but I couldn't. It's so bizarre that it becomes fascinating. There’s something compelling about its industrial sound—harsh, dramatic, yet strangely captivating. Their cover of Queen’s “One Vision” is outstanding, and I picked up on several samples and stylistic nods to '80s Queen throughout the album. While I enjoyed the experience, I don't see myself returning to it often. Still, it’s a unique listen that left a strong impression. Favourite Tracks: “Opus Dei” and “Geburt Einer Nation” Least Favourite: Nothing stood out as bad—every track was at least interesting. Album Artwork: Stark and evocative, with a strong 1940s German aesthetic.

Bryter Layter

Nick Drake

4/5

Nick Drake has come up a few times during this challenge, and I’m a bit surprised. Personally, I’ve never found his music especially groundbreaking or compelling—but I went into Bryter Layter with an open mind. And I’m glad I did. This is a genuinely enjoyable album. It’s mellow and folky, with some beautiful moments. “Hazey Jane II” stands out as a highlight—gorgeous guitar work and thoughtful lyrics make it an easy favorite. “At the Chime of a City Clock” blends jazz and acoustic folk in a way that’s quietly brilliant. That said, the album feels a bit slight. Three instrumental tracks is too many, especially when the total song count is just ten. With only seven vocal tracks, it ends too quickly and leaves me wanting more of the actual songs. Favourite song: “Hazey Jane II” Least favourite: The instrumentals—they just don’t add much. Album artwork: A cool cover, and excellent shoes.

Elephant Mountain

The Youngbloods

1/5

Elephant Mountain by The Youngbloods was a completely new listen for me, and I was curious to see what it had to offer. There were a few moments that stood out—especially the opening track “Darkness, Darkness,” which I really enjoyed, and “On Sir Francis Drake,” which had its own charm. However, the rest of the album felt disjointed and lacking direction. Many tracks came across as odd or meandering, without any real payoff. Overall, the album doesn’t have any standout tracks or recognizable hits. Most great albums tend to have at least a couple of memorable songs they’re known for, but Elephant Mountain felt mostly forgettable. It left me with a pretty lukewarm impression. Favorite track: "Darkness, Darkness" Least favorite: Pretty much the rest of the album Album artwork: The cover is cool, at least.

Marquee Moon

Television

4/5

music. I’ve listened to this album before, but revisiting it today was a real treat—I ended up spinning it three or four times in a row. What makes Marquee Moon so captivating is its refusal to fit neatly into a single genre. It’s a brilliant, off-kilter blend of post-punk, art rock, and psychedelia. The interplay between the guitars, the sharp lyricism, and the raw yet precise production make it feel timeless and ahead of its time. Favorite Track: “Marquee Moon” – an epic, sprawling masterpiece that showcases the band’s musical vision at its peak. Least Favorite Track: Honestly, there isn’t a weak song on the album. Album Artwork: A cool, minimalist cover that fits the mood perfectly. This listen has definitely inspired me to dig deeper into Television’s catalog beyond this iconic debut.

Fleet Foxes

4/5

I wasn’t really on the Fleet Foxes hype train back in 2008—hard to believe that was so long ago. I did buy the album at the time, but I’m not sure I ever listened to it all the way through... until now. Revisiting it with fresh ears, I’ve come to appreciate just how beautifully crafted it is. The harmonies are rich, the production is flawless, and every track feels carefully put together. It’s an album that has grown on me over time, and I find myself valuing it much more now that I’m older. Favourite Song: There are quite a few tracks I’d describe as gentle and easy to listen to—“White Winter Hymnal” and “Oliver James” stand out in that regard. However, the album does feel like it’s missing a couple of big, standout moments. That said, “Your Protector” is probably my favourite—it’s a truly lovely song. Least Favourite Song: Honestly, there isn’t a bad track on the album. Everything is pleasant and cohesive, making for a consistently enjoyable listen. Album Artwork: The cover art is charmingly whimsical and full of intricate detail. There’s a lot going on, and it really draws you in—perfectly matching the album’s layered, pastoral sound..

The Velvet Underground

2/5

I've always wanted to love The Velvet Underground. They're one of those bands critics and musicians endlessly praise, yet I’ve never fully grasped the hype. To my ears, their music feels... average. Sure, it’s a bit more daring and unconventional than a lot of what came out in the late '60s. At times, it’s even quite beautiful. There’s a certain charm in the way they blend rock, folk, and avant-garde textures. Some arrangements are genuinely lovely. But I can’t shake the sense that The Velvet Underground were more about aesthetic and attitude than real substance. And let’s be honest—they definitely leaned into the other kind of substance. This self-titled album doesn’t come close to the impact or intensity of The Velvet Underground & Nico. That debut had standout moments and a gritty edge that made it feel urgent. In contrast, this album is slower, softer, and more uniform in tone. It lacks dynamic range, and the songs—while polished—blur together. That said, there are a couple of bright spots. “Some Kinda Love” and “I’m Set Free” stand out as genuinely enjoyable tracks. They show a more refined side of the band that works. Those two songs alone lift the album to a 2/5 for me. Favorite track: “Some Kinda Love” / “I’m Set Free” Least favorite: Everything else feels pretty forgettable Album artwork: Cool cover—no complaints there.

Wild Is The Wind

Nina Simone

2/5

Wild Is the Wind is a compilation of songs pulled from various recording sessions, and that patchwork nature is evident. The album lacks a clear sense of cohesion or structure, which makes the listening experience feel somewhat disjointed. The first two tracks start strong—bold, powerful, and emotionally charged. They set a high bar and establish a compelling tone. However, the momentum shifts quickly into slower, more introspective piano ballads. Simone’s rendition of “Wild Is the Wind” is beautiful in its own right, though I personally find David Bowie’s later cover more impactful. I listened to the album multiple times in one day, which suggests it certainly has merit. There are standout moments, but overall, the pace slows too often, veering into a territory that felt dreary to me. Favourite tracks: “I Love Your Lovin’ Ways” and “Four Women” are absolute highlights—both are fierce, loud, and captivating. A fantastic way to open an album. Least favourite track: “Black Is the Color of My True Love’s Hair” didn’t work for me. It felt overly slow, meandering, and ultimately unengaging. Album artwork: A cool, striking cover that adds to the album's mystique.

Neon Bible

Arcade Fire

4/5

Following their acclaimed debut Funeral, Arcade Fire faced the "difficult second album" challenge with Neon Bible. While Funeral carved out their space in the indie scene, Neon Bible takes a darker, more grandiose turn—though not always to great effect. After two to three full listens, my impression remains mostly unchanged. The album has strong highlights, particularly “Intervention” and “Keep the Car Running,” which showcase the band’s signature urgency and orchestral depth. “Black Mirror” also stands out with its brooding atmosphere and sharp production. However, not everything lands. The title track “Neon Bible” feels underwhelming and flat, easily the weakest moment on the record. There are sections of the album that drift into a kind of stylized gloom that feels more hollow than haunting. Favorite Tracks: “Black Mirror,” “Keep the Car Running,” and the anthemic “Intervention.” Least Favorite: “Neon Bible” – a forgettable and oddly lifeless entry. Album Artwork: As always, Arcade Fire nails the visual aesthetic. The artwork for Neon Bible is striking and memorable—one of their best.

The Man Who

Travis

3/5

I’m genuinely surprised by some of the harsh reviews for The Man Who by Travis. Seeing people rate it a 1 and dismiss it as boring feels a bit extreme—especially when there are far weaker entries on the 1001 Albums You Must Hear Before You Die list. This is a pleasant, easy-listening indie pop record. While it's not groundbreaking, it certainly has its charms. There are a few standout tracks—"Driftwood," "Writing to Reach You," "Sing," and "Turn"—all of which deliver catchy melodies and well-crafted hooks. Sure, there’s some filler, but that’s true of many albums. Favourite song: I've always loved "Sing"—I can’t help but belt out the lyrics whenever it's on. Least favourite: The album loses steam after track 7. Songs like "Luv" and "She’s So Strange" feel like filler and lack the impact of the earlier tracks. Album artwork: A very cool cover—it looks like it was taken on a freezing day, which somehow suits the introspective mood of the album.

Untitled (Black Is)

SAULT

4/5

I had never heard of Sault or their album Untitled (Black Is) before, so discovering it for this list was a fresh and exciting experience. This is a powerful and deeply affecting album. It’s charged with anger and frustration at the state of society in 2020, but it’s also filled with resilience and hope. The messages are clear, urgent, and uplifting—offering a sense of strength and possibility even in the face of injustice. The lyrics and soundscape take the listener on a profound journey through the Black experience—expressing outrage at the systemic killing of African Americans, sorrow in mourning, and tenderness in the portrayal of everyday life. The album captures both the pain and the beauty of living while Black. It's a complete narrative, told through stunning music and poetic, pointed words. Although this isn't my usual genre, I was struck by how beautiful and meaningful the album is. It's the kind of work that stays with you long after the last track finishes, and I would definitely listen to it again. Favourite song: Wildfires – a standout track with both emotional weight and musical brilliance. Least favourite: None. Every track plays an essential role and contributes to the album’s impact. Album artwork: Simple yet powerful—its minimalism adds to the overall weight and meaning of the project.

Mermaid Avenue

Billy Bragg

4/5

As a longtime Billy Bragg fan, I’ll admit this review comes with a bit of bias—but I was thrilled to see one of his albums included in the 1001 Albums You Must Hear Before You Die. Well deserved, Billy! Before today, I didn’t realize that this album was built around previously unreleased lyrics by the legendary Woody Guthrie. That alone makes the project remarkable. The album itself is a joy. It offers a little bit of everything—heart, grit, warmth, and soul. Natalie Merchant’s guest vocals are a standout, adding a beautiful texture and depth that complement the material perfectly. “California Stars” is an all-time classic—dreamy, wistful, and unforgettable. “Way Over Yonder in the Minor Key” is another gem, rich in melody and storytelling. Honestly, there’s not a bad track here. Favourite Songs: “California Stars,” “Way Over Yonder in the Minor Key” Least Favourite: None—every track brings something worthwhile. Album Artwork: A great cover that fits the timeless, rootsy feel of the music.

Ladies And Gentlemen We Are Floating In Space

Spiritualized

4/5

Ladies and Gentlemen We Are Floating in Space is nothing short of a transcendent listening experience. The album overflows with lush soundscapes, intricate instrumentation, and an exceptional roster of collaborators—including the Balanescu Quartet, The London Community Gospel Choir, and the inimitable Dr. John. The title track opens the album with grace and power, serving as its emotional and sonic centerpiece. Ethereal and deeply moving, it sets the perfect tone for the sprawling journey that follows. Across its runtime, Spiritualized weaves a rich tapestry of soaring melodies, adventurous arrangements, and raw, heartfelt lyricism. Each song brings its own distinct flavor, yet the album never loses its cohesiveness. It’s an ambitious and immersive work—part space rock, part orchestral soul—that stands as a landmark in late-'90s alternative music. Favorite track: “Ladies and Gentlemen We Are Floating in Space” Least favorite track: “Cop Shoot Cop” – an overlong closer that slightly overstays its welcome. Album artwork: Minimalist, elegant, and instantly iconic—perfectly aligned with the music’s aesthetic.

The White Room

The KLF

5/5

The White Room by KLF is a fantastic album—I’ve already listened to it three or four times today, and with each listen, something new stands out. This is Electronica at its finest: immersive, inventive, and endlessly replayable. The use of samples is particularly strong, adding layers of texture and intrigue. There’s a surprising amount of variety across the tracks, with shifting beats and inventive sound effects that keep things fresh. The vocals are diverse and well-placed, adding character without overpowering the production. This 1001 Albums challenge has helped me realize just how much I enjoy this genre. I’ll definitely be diving deeper into Electronica moving forward. Favourite track: “Last Train to Trancentral” is a standout, as is “No More Tears.” Least favourite track: Honestly, every song earns its place—there’s no filler here. Album artwork: A very cool and fitting visual for the music inside.

What's Going On

Marvin Gaye

4/5

What’s Going On is a phenomenal album—one I’ve returned to time and again. It’s more than just music; it’s an emotional and social statement that still resonates today. The title track What’s Going On and Mercy Mercy Me (The Ecology) are absolutely stunning—both musically and lyrically. They’re timeless pieces that blend soul, jazz, and heartfelt commentary on the state of the world. There are moments of profound pain throughout the album, powerfully conveyed through the lyrics of songs like Save the Children and God Is Love. Gaye’s voice is filled with both sorrow and hope, giving these tracks a deeply human quality. Favourite tracks: What’s Going On, Mercy Mercy Me Least favourite: — (Honestly, it’s hard to pick one) Album artwork: Iconic. When you think of Marvin Gaye, this cover—his solemn, thoughtful gaze in the rain—instantly comes to mind. It’s as legendary as the music itself.

White Ladder

David Gray

2/5

I hadn’t revisited White Ladder in years. When it first came out, the hype was massive—and honestly, I never quite understood it. I always felt it had some nice moments but was overall a pretty average album. Listening to it again two decades later, my opinion hasn’t really changed. One thing that did stand out this time around was how much “Nightblindness” reminded me of The Who’s “Behind Blue Eyes”—both in mood and melody. There are some genuinely solid tracks here, like “Babylon” and “My Oh My,” but the album suffers from a lack of variety. The songs blend into one another, creating a repetitive, almost monotonous listening experience. Favourite track: “Babylon” – still a great tune. Least favourite: “We’re Not Right” – just feels flat and uninspired. Album artwork: A cool and distinctive cover that holds up well.

Actually

Pet Shop Boys

5/5

Actually, the Pet Shop Boys' second album, is a brilliant showcase of the duo at the height of their creative powers. With this release, they perfected the distinctive sound and style that would define their music for the next three decades. This is pop/dance music at its finest. Tracks like “One More Chance” and “What Have I Done to Deserve This?” exemplify the group’s talent for crafting flawless melodies, infectious rhythms, and lyrics that are both powerful and meaningful. Favourite Song: “What Have I Done to Deserve This?” is a standout. The collaboration with Dusty Springfield adds emotional depth and a timeless quality. That said, it’s hard to choose—“Shopping,” “It’s a Sin,” “Heart,” and “Rent” are all 5/5 tracks in their own right. Least Favourite Song: There truly isn’t a weak track on the album—every song earns its place. Album Artwork: A brilliant, minimalist cover that perfectly complements the sleek, sophisticated sound within.

Pretenders

5/5

Pretenders is a fantastic debut album, and Chrissie Hynde proves herself to be a powerhouse. Her sharp lyrics and commanding presence drive the entire record. The album bursts with energy and raw emotion. Tracks like “Precious,” “Tattooed Love Boys,” “Up the Neck,” and “The Wait” are urgent, punchy, and packed with infectious riffs. The rhythm section is tight and relentless, giving the songs a powerful backbone. There’s also great variety here. Slower, more melodic tracks like “Kid,” “Brass in Pocket,” and “Mystery Achievement” show the band’s range and add emotional depth without losing momentum. This is an album I can happily return to again and again. Favourite song: “Brass in Pocket” — a confident, catchy standout. Least favourite: None. Every track feels essential to the whole. Album artwork: Cool and iconic — a great fit for the music inside.

Ellington at Newport

Duke Ellington

1/5

This album didn’t resonate with me, as I’ve always found jazz a challenging genre to connect with. Ellington at Newport is clearly a landmark recording for jazz fans, but personally, I found it difficult to engage with the style and energy of the performance. Favourite Track: I couldn’t identify a standout track, as the overall sound didn’t quite click with me. Least Favourite: The whole album blended into what felt like an overwhelming wall of jazzy improvisation — not something I found easy to follow or enjoy. Album Artwork: The cover is fine — nothing remarkable, but it suits the era and genre

Pretzel Logic

Steely Dan

3/5

I’m not sure I’ve listened to much Steely Dan before, so Pretzel Logic was a fresh experience for me. I gave it a couple of spins today and found it to be an easy, enjoyable listen with a few standout tracks. The album has a lively energy and smooth production, making it accessible and pleasant. That said, nothing on it really gripped me or compelled me to hit repeat right away. It’s solid, but not particularly groundbreaking on first impression. Favourite songs: “Rikki Don’t Lose That Number” is a clear highlight—catchy, confident, and effortlessly cool. “Night by Night” also stood out with its groove and punch. Least favourite: Honestly, nothing felt skippable. Every track was worth a listen. Album artwork: I love the cover—simple and iconic. And yes, lots of pretzels!

Wild Wood

Paul Weller

5/5

I’ve always considered Wild Wood to be Paul Weller’s finest solo album—better, in my opinion, than Stanley Road. I’m revisiting it today to see if that still holds, and it absolutely does. This album is packed with some of Weller’s most iconic solo tracks. Sunflower, Wild Wood, and The Weaver are all brilliant, timeless songs that really showcase his songwriting and sound. But what lifts this album even higher for me are the deeper cuts. Tracks like All the Pictures on the Wall and Has My Fire Really Gone Out? add real depth and emotion, making it feel like a complete piece of work rather than just a collection of standout singles. I also found myself really enjoying the instrumentals, which is rare for me. They add a subtle atmosphere and help the album flow beautifully from start to finish. Favourite tracks: Sunflower, Hung Up, and The Weaver Least favourite tracks: None, it’s a flawless listen from start to finish Album artwork: An iconic Weller cover, simple, earthy, and instantly recognisable Rating: 5/5

Sincere

Mj Cole

1/5

While I can enjoy dance music at times when I am in the right space, it's rarely something I seek out by choice. So, I went into Sincere by MJ Cole with an open mind, curious to see if it could win me over. Unfortunately, the album didn’t quite hit the mark for me. At over an hour long, it feels bloated, and much of the content blends into a repetitive, generic 90s sound. This is very much a product of late-90s British dance music—with all the polish but little of the innovation. Too many tracks lack distinction, and nothing really stood out or grabbed my attention. To be honest, I was surprised to find Sincere included in 1001 Albums You Must Hear Before You Die. It seems like a questionable inclusion when compared to other, more impactful records. Favourite track: I couldnt pick one Least favourite: I couldnt pick one Album artwork: I actually really like the cover—stylish and visually appealing.

Good Old Boys

Randy Newman

2/5

It’s hard for me to hear Randy Newman’s voice without immediately thinking of Toy Story. Honestly, I haven’t explored much of his music beyond the soundtrack, so I was curious to give Good Old Boys a proper listen. There are definitely some strong moments on this album. I found a few tracks genuinely enjoyable—but they’re surrounded by a fair amount of filler. Some lyrics feel dated or uncomfortable, and several songs suffer from lackluster melodies or weak musical arrangements. Overall, I’m not sure I’d return to this album. Favourite Tracks: “Birmingham” stood out—though I’ll admit I might be biased, being a Brummie myself. “Rollin’” is another highlight: a bright, catchy pop tune. “Naked Man” also caught my attention, though it’s hard to ignore how much it echoes Ob-La-Di, Ob-La-Da. Least Favourite: Some lyrics haven’t aged well and detract from the experience. “Every Man a King,” in particular, felt totally out of place and was a real low point for me. Album Artwork: The blurry photo style just doesn’t do it for me—visually underwhelming.

California

American Music Club

2/5

This has been the hardest album to track down on the list so far—and I’ve gone through over 500 of them. So naturally, my expectations were high. I’d never heard of American Music Club or their album California before, even though I’m a huge indie fan. It’s always exciting to discover hidden corners of American indie, so I was curious to see what this one had to offer. In some respects, California feels ahead of its time for a late ’80s release. There are some genuinely strong moments—tracks like "Somewhere" and "Lonely" stand out with their haunting melodies and thoughtful lyrics. That said, the album as a whole leans heavily into a slow, somber tone. At times, it feels like it drags—not in a meditative or emotionally deep way, but in a way that risks losing the listener’s attention. Perhaps the pace is intentional, aiming to evoke a certain mood, but for me, it didn't always land. There’s a definite hint of Morrissey in the vocals—an interesting touch—but it’s not enough to carry the album through its more lackluster stretches. Favorite Tracks: Somewhere, Lonely, I also enjoyed Bad liquor. It was heavier and different than anything else on the album Least Favorite: Pale Skinny Girls is one of the duller moments, though it’s not alone. A few tracks share that same uninspired feel. Album Artwork: I really like the cover. It has a quiet, evocative quality that suits the album’s tone. In summary, while California has some standout moments and a certain nostalgic charm, I think there are stronger indie records waiting in the ’90s.

Speakerboxxx/The Love Below

OutKast

3/5

A two-hour double hip-hop album—Speakerboxxx/The Love Below was always going to be a love-it-or-hate-it experience for me. I went in curious and open-minded, but I knew this would be a serious time commitment. This is truly an album of two halves. The Speakerboxxx side delivers a lively, confident set of energetic hip-hop tracks. While some lyrics feel a bit dated, the overall production is vibrant and punchy. The clear standout is "I Love the Way You Move"—an absolute banger that still hits hard. It's a perfect reminder of why OutKast made such a mark in their prime. Then comes The Love Below. Honestly, the first eight tracks were a struggle—slow, dated, and lacking anything catchy or engaging. But just as I was ready to write it off, it pivots into two phenomenal tracks: "Hey Ya!" and "Roses". These songs completely change the momentum and show André 3000's flair for genre-bending brilliance. Side two is saved—barely—but it took a long detour to get there. In conclusion, I loved moments of this album. There’s greatness here, but it’s buried under too much filler. Trim about ten tracks, and this could easily be a 5/5. As it stands, it’s a fascinating but flawed listen. Favorite Tracks: I Love the Way You Move, Hey Ya!, Roses Least Favorite: Love Hater was a low point, the interludes were unnecessary, and most of the first nine tracks on The Love Below could have been cut. Album Artwork: Not exactly wall-worthy, but it reflects the bold, dual-natured concept of the album.

I Against I

Bad Brains

1/5

Going into this, I’d never heard of Bad Brains or their album I Against I, but I was intrigued by the talk of their punk roots mixed with funk, soul, and reggae. On paper, that sounds like a bold and exciting combination. In reality, I didn’t hear much of that fusion come through. I gave the album a couple of listens, it’s short and sharp, but I just couldn’t connect with it. The tracks felt quite forgettable, and the sound jumps around in a way that makes it hard to settle into anything. At no point did a song really grab me. Secret 77 was probably the only track that stood out slightly, with a bit of a cinematic, almost James Bond feel to it. Aside from that, nothing really landed. Favourite track: Secret 77 Least favourite tracks: Most of the rest didn’t leave much of an impression Album artwork: Very 80s, not bad, not amazing, just very of its time I’m honestly not sure how this made the 1001 Albums You Must Hear Before You Die list

21

Adele

4/5

21 is an album made for the masses—and it works. Adele’s voice is undeniably powerful, and this album is where it truly shines. In my opinion, 21 is her best work, packed with some of her biggest and most iconic hits. The production is polished to perfection—maybe even too polished at times, teetering on the edge of being overproduced. Still, it serves the songs well and showcases Adele's emotional range. You can really feel what she’s thinking and going through with every track. The heartbreak is raw, the delivery honest. Favorite Song: Of course, the big hits like Rolling in the Deep and Rumour Has It are classics, even if they’ve been played to death. But a personal standout for me was I’ll Be Waiting—it’s musically brilliant and has a great Northern Soul vibe that adds something fresh to the album. Least Favorite: This might be an unpopular opinion, but Someone Like You just doesn’t do it for me—it’s slow, and I find it quite boring. Album Artwork: A classic Adele cover—simple, emotive, and instantly recognizable.

Raising Hell

Run-D.M.C.

5/5

Raising Hell by Run-D.M.C. is a landmark hip-hop album that delivers brilliance from start to finish. It cemented the group's status as pioneers of the genre, blending raw energy with sharp lyricism and hard-hitting beats. Every track offers something special, from the iconic cover of Walk This Way, which charted even higher than Aerosmith’s original, to the legendary It’s Tricky. The album also boasts some underrated gems like You Be Illin', Is It Live, and Perfection, each showcasing the group's dynamic flow and genre-defining sound. Simply put, Raising Hell is hip-hop perfection. I’ll be playing this album again without hesitation. Favourite track: You Be Illin' Least favourite: There isn’t a single bad song here. Album artwork: An effortlessly cool cover that matches the album’s attitude.

Heavy Weather

Weather Report

1/5

Weather Report is a band I’ve generally steered clear of over the years. I'd loosely file their sound under modern jazz—a genre I've never quite clicked with. Still, I figured it was time to give Heavy Weather a fair shot. Most of the jazz I've explored so far for this challenge has been from the late ’50s, and truth be told, it hasn’t really resonated with me. So how does ’70s jazz stack up in comparison? Let’s find out. The opening track, “Birdland,” was an enjoyable listen—upbeat, polished, and packed with vibrant wind instrumentation. I found myself liking it, along with a couple of other tracks. That said, the album as a whole strikes me as a rather bland attempt at modernizing jazz. Technically impressive, yes—but emotionally, it left me cold. Favourite track: “Rumba Mama” stood out as a fun, energetic detour from the rest of the album. It’s very short, but memorable. “Birdland” was also a highlight. Least favourite track: “Palladium” is the kind of jazz that really puts me off—disjointed and hard to engage with. Album artwork: I genuinely love the cover. It’s bold, vivid, and perfectly captures the experimental vibe of the music within.

Among The Living

Anthrax

2/5

Among the Living by Anthrax surprised me — I didn’t hate it! It's full of intense headbanging energy and a lot of shouting, which isn't usually my thing, but I found it more listenable than expected. Thrash metal isn’t a genre I typically explore, so I appreciated that this challenge pushed me out of my comfort zone. While the album overall wasn’t exactly to my taste, I did notice some tracks had a punkish edge and occasional melody that made them more engaging. That said, many of the songs started to blend together for me. The album tends to stick to a single tempo and sound, with little variation in riffs or rhythm, making it hard to distinguish one track from another. Favourite tracks: “I Am the Law” and “Caught in the Mosh” were decent — not instant favorites, but they stood out a bit. Least favourite: By the time I reached track 9, Imitation of Life, I felt like I’d heard enough. Album artwork: Odd, but in a good way — I actually really like it. In the end, it’s not an album I’d revisit, but I’m glad I gave it a try.

Achtung Baby

U2

5/5

Following The Joshua Tree was no easy feat—an almost impossible task, in fact. But U2 rose to the challenge not by repeating themselves, but by reinventing their sound. Achtung Baby marks a bold and brilliant departure from their earlier work. With this album, U2 leaned into experimentation, embracing new sonic textures and a more modern, edgy feel. The lyrics carry deeper emotional weight—often more reflective and positive—and the melodies are vibrant and fresh. The result is a confident, innovative record that stands tall in their discography. Highlights include the hauntingly beautiful “So Cruel”, the emotionally charged “Who’s Gonna Ride Your Wild Horses”, and, of course, the iconic “One”—a song that has become one of U2’s most enduring anthems. Honestly, every track holds its own, making this a cohesive and thoroughly enjoyable listen from start to finish. Favourite song: One Least favourite: None – every track shines in its own way. Album artwork: Easily U2’s best cover. It's vibrant, chaotic, and full of energy—just like the music. There's so much to look at; it perfectly captures the spirit of the album.

The Fat Of The Land

The Prodigy

2/5

The Fat of the Land is a defining example of '90s rave culture—a chaotic, high-energy record that captured the rebellious spirit of its time. I absolutely loved it when it first came out. Revisiting it over 25 years later, though, I have to admit the album doesn't hold up quite as well as I remembered. While Firestarter and Breathe remain absolute anthems—tracks that instantly transport me back to my youth—the rest of the album tends to blur together. Much of it feels repetitive, leaning too heavily on looping beats and aggressive energy without enough variation or depth. Favourite tracks: Firestarter and Breathe – timeless classics that still hit hard and bring back powerful memories. Least favourite tracks: Fuel My Fire and Narayan stand out as weaker moments. They feel more like filler—tracks where The Prodigy latch onto a groove and ride it a little too long without much payoff. Album artwork: Absolutely iconic. The crab on the beach is striking, weird, and unforgettable. It's one of the most memorable covers of the era—hard to beat.

Selected Ambient Works 85-92

Aphex Twin

1/5

I gave Selected Ambient Works 85–92 by Aphex Twin a couple of listens, but honestly, most of it went in one ear and straight out the other. The album feels like it's caught in an endless loop, never really building toward anything or resolving. There’s a drifting, meandering quality to it that, for me, fails to engage. It comes across more as ambient background music than something to actively listen to—and not in a particularly memorable way. At best, it sets a mood. At worst, it's electronic music at its most forgettable. Favourite track: Xtal – largely because it's the first track, and at that point, you’re still interested and hopeful for what’s to come. Least favourite: Pretty much the rest of the album. It blends into a single, indistinct soundscape that left no lasting impression. Album artwork: I actually love the cover—minimalist, iconic, and a perfect fit for the album’s aesthetic.

Darkness on the Edge of Town

Bruce Springsteen

5/5

Last year on my birthday I unwrapped Killing Joke by Killing Joke, which was not exactly the most uplifting soundtrack for the day. This year I struck gold with one of my all time favourite albums, Darkness on the Edge of Town by my hero Bruce Springsteen. Before even getting into it, this is an easy five out of five. It is a towering follow up to Born to Run, and you can hear the weight of those three years in every note. The sound is leaner, tougher and more focused. The romance is still there, but now it is hardened by reality. There is not a single weak moment. From the opening punch of Badlands to the stark emotion of the title track, every song feels essential. Prove It All Night and The Promised Land have always meant so much to me. They are two of his greatest songs and they never lose their power. This album is incredibly important to me. It feels honest, resilient and defiant. It is the sound of someone refusing to back down. Favourite song: Badlands. Not just because it is brilliant on the record, but because of what it represents live. When it kicks in during the final stretch of a show, you know you are in for something special. Least favourite: None. Every song belongs. Album artwork: Classic. The cover perfectly captures the gritty, introspective tone of the music within

Midnight Ride

Paul Revere & The Raiders

3/5

Going into this, I had never heard of Paul Revere & The Raiders or their album Midnight Ride. But with the late '60s artwork and vibe, I was curious to give it a listen. Midnight Ride is a fun and energetic rock and roll record that captures the spirit of the '60s. At times, it channels a very Beatles-esque sound, which was a pleasant surprise. Standout tracks for me were “There She Goes” and “Get It On”—both catchy and full of that classic vintage charm. That said, not every song hit the mark. A few tracks felt like filler, with “Melody for an Unknown Girl” standing out as the weakest—it just didn’t hold my attention and felt out of place with the rest of the album's energy. Favourite song: Get It On Least favourite: Melody for an Unknown Girl – it’s just a bit dull. Album artwork: I really love the cover. It sets the tone well and has that cool, retro appeal. Overall, Midnight Ride is an enjoyable slice of '60s rock, even if it’s a bit uneven at times. Definitely worth a listen if you're into that era.

OK

Talvin Singh

1/5

I went into OK by Talvin Singh with no idea what to expect. I vaguely remembered it winning the Mercury Prize years ago, so I was curious to hear what made it stand out at the time. Unfortunately, this album just didn’t work for me. The fusion of tabla, Indian classical elements, and electronic production felt overly polished and, at times, disjointed. It was a challenging listen, and I found myself struggling to get through it within a day. This one’s not for me, and I don’t see myself revisiting it. Favourite track: “Traveller” – one of the more listenable songs on the album Least favourite: Honestly, most of the rest – it just didn’t land Album artwork: Surprisingly decent – probably my favourite part of the experience

Drunk

Thundercat

1/5

Drunk is one of the most recent albums on the list, released in 2017, and I was curious to see what made it an “instant classic” in the eyes of some. Personally, I didn’t feel that way at all. Maybe I just didn’t get it, but to me, the album felt like background noise. It lacked a clear narrative or emotional direction, and I struggled to connect with it. Nothing really stood out—no big moments, no memorable hooks. It didn’t take me on a journey; it just drifted. That said, “The Turn Down” and “Walk On By” were okay—probably the most listenable tracks for me. But overall, the album felt flat and unengaging. Favourite song: The Turn Down, with Walk On By as a close second Least favourite: Honestly, most of the album felt “meh” Album artwork: Very unsettling and kind of creepy

Every Picture Tells A Story

Rod Stewart

3/5

Rod Stewart has an incredible voice—versatile and full of character. Whether he's singing rock, folk, or blues, he brings genuine emotion and style to every track. Every Picture Tells a Story features one of the greatest songs of all time in “Maggie May”, which alone earns the album a high score. Beyond that, the guitar work is outstanding—Ronnie Wood’s talent really shines throughout the record. There are plenty of other strong moments too, like “(I Know) I’m Losing You” and “Reason to Believe”, which help round out the album beautifully. Overall, it’s an easy, enjoyable listen from start to finish, with both emotional depth and musical flair. Favourite song: Maggie May – a timeless classic Least favourite: Honestly, every track feels like it belongs Album artwork: Very cool cover that fits the era and vibe This is a solid, well-crafted album that shows why Rod Stewart became a legendary figure in rock music.

Sweet Baby James

James Taylor

3/5

Sweet Baby James is often hailed as a landmark album that helped define the singer-songwriter genre. Its historical importance is undeniable, but personally, I find it a difficult and somewhat dull listen. The album is simple yet beautiful in moments. Taylor’s guitar playing is understated—softly spoken, almost whispering beneath his vocals. This allows his lyrics and the emotion behind them to really shine. However, the overall pace of the album feels sluggish, almost as if it’s constantly waiting to get going but never quite does. Favourite Tracks: Sweet Baby James, Fire and Rain Least Favourite: Nothing stands out as bad; the album is consistently mellow. Album Artwork: A standard folk aesthetic—nothing remarkable, but fitting for the genre.

Ramones

3/5

Ramones by the Ramones is one of the definitive punk albums—raw, fast, and unforgettable. Clocking in at just under 30 minutes with 14 tracks, it’s a masterclass in punk efficiency: short, energetic, and irresistibly catchy. The album features some absolute classics. “Blitzkrieg Bop” is punk perfection—undeniably iconic and explosive. “I Wanna Be Your Boyfriend” stands out as a melodic gem with surprising tenderness amidst the chaos. I also loved their punchy cover of Chris Montez’s “Let’s Dance,” which adds a fun twist to the tracklist. If there's one critique, it's the album’s repetitiveness. Many of the songs follow a similar structure and riff pattern, which can blur the lines between tracks. Still, the relentless energy and attitude more than make up for it. Favourite track: “Blitzkrieg Bop” – a brilliant, timeless punk anthem. Least favourite aspect: The uniformity of sound can get a bit monotonous, but every song earns its place. Album artwork: Instantly iconic—simple, stark, and as classic as the music itself.

Slipknot

1/5

Slipknot’s self-titled debut album is a relentless barrage of aggression and noise that, for many listeners, may feel more exhausting than exhilarating. The band clearly set out to make a statement with their chaotic blend of metal, but for me, it often crosses the line into simply being unpleasant. There are, to be fair, occasional flashes of strong musicianship—particularly in the guitar work and drumming—which manage to break through the overwhelming wall of shouting and distortion. However, these moments are fleeting and buried under layers of abrasive sound. Favourite Track: Me Inside – It stood out slightly more than the others, though it still suffers from the same over-the-top vocal delivery. Least Favourite: Honestly, nearly every other track blends into a relentless blur. Album Artwork: The cover does little to inspire interest—visually chaotic and unappealing, much like the music itself.

Under Construction

Missy Elliott

3/5

I went into Under Construction expecting not to enjoy it—this isn't a genre I typically gravitate toward. But to my surprise, I found myself not only enjoying the album, but replaying it several times in one day. There are some standout moments here. The star-studded collaborations with Beyoncé, Jay-Z, and TLC bring variety and elevate several tracks. "Work It" in particular is a brilliant showcase of Missy Elliott’s creativity and energy. It's hard not to appreciate her originality and flow—she may well be the best female rapper out there. Favourite Tracks: The collaborations really shine. I especially enjoyed “Gossip Folks,” “Nothing Out There for Me,” and “Bring the Pain.” Least Favourite: Honestly, every track was worth a listen—there weren’t any obvious skips. Album Artwork: Not something I'd hang on my wall, but it suits the album's tone.

If You're Feeling Sinister

Belle & Sebastian

4/5

If You're Feeling Sinister is a standout album that perfectly captures Belle & Sebastian’s signature blend of heartfelt storytelling and beautifully crafted melodies. The songwriting is rich with character and emotion, drawing listeners into vivid, intimate scenes. Favourite Songs: The opening track, The Stars of Track and Field, is a gentle, gorgeous introduction—its wistful tone and subtle build set the stage perfectly. Seeing Other People follows seamlessly, offering another slice of poetic melancholy. Both songs are beautiful and create a strong emotional foundation for the rest of the album. Least Favourite: Honestly, every track on the album holds its own. There isn’t a weak link; each song contributes to the cohesive, dreamy atmosphere that makes the album so special. Album Artwork: Belle & Sebastian’s album art is always distinctive, and this one is no exception. The cover for If You're Feeling Sinister is striking in its simplicity, complementing the introspective mood of the music.

Pet Sounds

The Beach Boys

4/5

It felt almost poetic to receive Pet Sounds the day after Brian Wilson passed away. This album is his masterpiece — a timeless showcase of his genius and emotional depth. From the opening notes of “Wouldn’t It Be Nice,” the album sets a hopeful, wistful tone that carries through the entire tracklist. Pet Sounds is filled with beautifully crafted pop songs — fun and romantic lyrics layered over rich, innovative arrangements. There’s a mix of well-loved classics like “God Only Knows” and deeper cuts like “Here Today” and “Sloop John B,” which together create a cohesive, emotionally resonant listening experience. Favourite songs: “Wouldn’t It Be Nice” and “God Only Knows” are undeniable all-time classics, but I have a soft spot for “Sloop John B” — it’s endlessly replayable. Least favourite: “Let’s Go Away for Awhile” didn’t quite land for me. It felt like an unnecessary instrumental interlude between two standout tracks. Album artwork: Iconic — simple, nostalgic, and instantly recognizable.

Rubber Soul

Beatles

5/5

Rubber Soul by The Beatles stands as one of the greatest albums of all time, and arguably their finest work. It’s a masterful blend of styles, moods, and lyrical depth, showing the band’s evolution and willingness to experiment. From the reflective storytelling of Norwegian Wood and the introspective Nowhere Man to the warmth and beauty of Michelle, every track brings something different. At the heart of it all is In My Life, one of my favourite songs of all time. It’s deeply personal and has resonated with me for over 30 years, still holding a special place. Favourite track: In My Life Least favourite tracks: None, every song is perfect Album artwork: An iconic cover that matches the timeless feel of the music perfectly

The Trinity Session

Cowboy Junkies

2/5

Today called for something slower and more relaxed — and The Trinity Session by Cowboy Junkies delivered exactly that. It’s a chilled, folk-inspired album with a soulful, moody vibe that makes for an easy and calming listen. The band’s sound is slow-burning and atmospheric, with a few standout moments like Blue Moon Revisited, which stood out as a highlight. While the album has a pleasant overall feel, many of the tracks tend to blur together and aren’t especially memorable. I’d listen to it again, but it didn’t quite leave a lasting impression. Favorite song: Blue Moon Revisited – a lovely, haunting track Least favorite: Several songs didn’t stand out and felt forgettable Album artwork: A classic cover that suits the album’s mood

Let Love Rule

Lenny Kravitz

2/5

Let Love Rule is Lenny Kravitz’s debut album, but unfortunately, it didn’t leave much of an impression. Overall, the record felt like a diluted version of Prince — lacking the charisma, energy, and standout moments that might have elevated it. Most of the tracks faded into the background, with a consistently low-key, slow-paced vibe that never really gained momentum. Standout Tracks: Let Love Rule and Fear were decent, but even they didn’t quite hit the mark. Weakest Aspect: The rest of the album was forgettable — not bad enough to be offensive, just overwhelmingly average. Album Artwork: Nothing remarkable here either — a fairly standard cover that matched the overall tone of the music. Verdict: A forgettable listen. I won’t be revisiting this one

Ragged Glory

Neil Young & Crazy Horse

4/5

Ragged Glory by Neil Young & Crazy Horse is a powerful blast of raw rock and roll, released right at the heart of the grunge era. It's loud, loose, and full of energy — a reminder that rock doesn't need to be polished to hit hard. This is Neil Young’s 18th studio album and the sixth with Crazy Horse, and it’s remarkable how fresh and urgent it sounds after so many years together. It’s rare to hear a band with this much history still sound so alive, inspired, and genuinely loud. The guitars are absolutely massive — drenched in distortion and unafraid to sprawl out into long jams. Unlike some critics, I actually really like Neil Young’s voice, especially in this heavier, more aggressive setting. It adds an authenticity and edge that suits the music perfectly. This is an album I’ll be returning to again and again. It was the perfect soundtrack for a sunny Monday morning, turned up loud. Favorite Tracks: Love to Burn, Over and Over, F!@ing Up Least Favorite: Honestly, not a single bad song here. Album Artwork: Simple but cool — it fits the music.

Ananda Shankar

1/5

Ananda Shankar by Ananda Shankar is, quite frankly, not for me. Despite only running to around 40 minutes, it felt like a bit of a slog to get through. At its core, this is a novelty record, taking well-known Western songs and reinterpreting them through the sitar. It sounds interesting in theory, but in practice it didn’t land. The fusion feels more gimmicky than innovative, and the arrangements don’t have enough depth or energy to keep you engaged. Favourite track: If I had to pick one, Jumpin’ Jack Flash stands out, mainly for the novelty of hearing The Rolling Stones in this style Least favourite tracks: The rest of the album blurred together and didn’t leave much of an impression Album artwork: Like the music, it didn’t really resonate and feels quite dated Overall, this might appeal to fans of experimental fusion or musical curiosities, but it missed the mark for me

Hybrid Theory

Linkin Park

3/5

Hybrid Theory takes me straight back to my youth. It's hard to believe this album is now 25 years old. At the time, I wanted to hate it. I was a mod, and this was what we used to call "greaser music"—something we were meant to avoid. But secretly, I loved it. I just couldn’t admit it out loud. Revisiting it now, more than two decades later, I’m struck by how many solid tracks still hold up. The energy, the angst, the fusion of rap and rock—it all comes rushing back. There’s a raw urgency that captures a very specific moment in time. That said, age brings perspective. As a 40-year-old listener, the cracks show more clearly. The album lacks variety, and its sound rarely strays from a narrow formula. There’s a sameness to the production that makes the second half blur together. In hindsight, Linkin Park wasn’t alone—many bands of that era, like Limp Bizkit and Papa Roach, mined similar territory with similar limitations. Favourite tracks: The big hits still land: One Step Closer, In the End, and Papercut remain standout anthems. Least favourite: I never liked Crawling. It still sounds like entrance music for a pro wrestler. Album artwork: Still a cool and iconic cover—gritty, bold, and instantly recognizable.

Rust In Peace

Megadeth

1/5

The name Megadeth alone isn’t exactly inviting, and Rust in Peace doesn’t do much to spark confidence either. From the outset, I had low expectations—and unfortunately, the album didn’t change my mind. While I can appreciate the technical skill, particularly the guitar work, this brand of thrash metal—intense, aggressive, and laced with a touch of theatricality or dark humor—just isn’t for me. It’s loud, chaotic, and emotionally distant, leaving little that I personally connect with. Favorite track: None. I wouldn’t revisit any of these songs. Least favorite: Honestly, all of it. The best part was that it was relatively short. Album artwork: Not to my taste.

Heartbreaker

Ryan Adams

4/5

As someone new to Ryan Adams, I was really looking forward to giving Heartbreaker a proper listen—and it did not disappoint. If you're looking for a place to start with Adams, his debut album is absolutely the right entry point. Right from the beginning, the album grabs your attention. I loved the opening—a casual argument about two of Morrissey's greatest albums sets a perfectly offbeat, intimate tone. From there, the music only gets better. The first two tracks set the bar high. To Be Young (Is to Be Sad, Is to Be High) bursts with energy, while Winding Wheel delivers a beautiful melody paired with heartfelt lyrics. As the album unfolds, it continues to impress, layering emotional depth with raw, rootsy instrumentation. I'll definitely be coming back to this one—it’s an album that invites repeat listens. Favourite songs: Winding Wheel and Oh My Sweet Carolina stand out as emotional and melodic highlights. Least favourite: Honestly, there weren’t any weak links. Every track brought something to the table. Album artwork: Moody and cool—perfectly in tune with the music inside.

Electric Warrior

T. Rex

5/5

Electric Warrior by T. Rex is, without a doubt, one of my favourite albums of all time. This is easily the most effortless 5/5 I’ve ever given. Favourite song: Cosmic Dancer ranks in my top five songs of all time—it's absolutely brilliant. Add to that the swagger of Jeepster and the iconic Get It On (Bang a Gong), and you're already looking at a masterpiece. And that’s just scratching the surface—there’s so much more to love. Least favourite: Honestly, there isn’t a single weak track. Every song earns its place and contributes to the album’s magic. Album artwork: Simple, cool, and elegant. The cover perfectly reflects the album’s stylish and timeless vibe.

Either Or

Elliott Smith

3/5

Going into this, I had never listened to Elliott Smith before, so I wasn't familiar with any of his albums or songs. Either/Or turned out to be an excellent introduction — a brilliant, emotionally resonant album that showcases Smith's talent beautifully. His songwriting is quietly devastating, filled with poetic, introspective lyrics and hauntingly beautiful melodies. The production is raw and intimate, giving the album a timeless, deeply personal feel. It’s easy to understand why Either/Or is considered one of the defining singer-songwriter records of the 1990s, and after this listen, I’m eager to explore more of his back catalogue. Favourite Track: “Alameda” stood out as the highlight for me, though it was a close call. “Speed Trials,” “Ballad of Big Nothing,” “Pictures of Me,” and “Angeles” are all equally compelling. Least Favourite: While the album is strong overall, there are a few moments that felt less inspired. Tracks like “Rose Parade” and “No Name No. 5” come across as more generic and lack the emotional punch of the stronger songs. These dips keep the album just shy of a perfect score. Album Artwork: The cover is cool and understated, complementing the mood and tone of the music well.

Quiet Life

Japan

3/5

Quiet Life showcases a forward-thinking and remarkably polished sound—Japan were pioneering what would soon be known as New Wave, even before the term had entered the musical lexicon. Released in the late '70s, the album serves as a stylistic bridge between glam rock, the emerging New Romantic movement, and the sleek, synth-driven textures that would define much of '80s pop. It’s easy to see why this record is considered so influential. The lush synthesizer arrangements and punchy, melodic basslines feel ahead of their time, laying the groundwork for artists like Duran Duran, who clearly drew inspiration from Japan’s sonic blueprint. Favourite tracks: “Quiet Life” stands out as a synth-pop anthem bursting with style and sophistication, while “Fall in Love with Me” delivers a romantic, moody elegance that adds emotional depth to the album. Least favourite track: While the core of the album is strong, it does begin to feel repetitive at times. The cover of “All Tomorrow’s Parties,” in particular, feels like an unnecessary detour. Additionally, the bonus remixes included on the version I listened to didn’t add much and slightly diluted the overall impact. Album artwork: The cover is striking—stylish, enigmatic, and perfectly matched to the cool, modern aesthetic of the music. It captures the band’s distinctive visual identity and the forward-looking spirit of the album.

Want Two

Rufus Wainwright

4/5

Through this challenge, I discovered that I really enjoy Rufus Wainwright’s music—and Want Two is a fantastic album. He’s an incredibly talented artist from a famously gifted family, and it shows in this record. The music throughout the album is beautifully composed, with melodies that are both tight and catchy. Favourite song: The One You Love stands out as a brilliant track. It’s got a great blend of music and lyrics—memorable, emotional, and easy to keep playing on repeat. Least favourite: Some of the slower songs in the middle didn’t quite resonate with me—Memphis Skyline, for example, felt a bit too subdued. But overall, the album was a very enjoyable listen. Album artwork: Edgy and cool—perfectly suited to the tone of the music.

Green

R.E.M.

4/5

I've spent the past 20 years trying to get into R.E.M. I’ve always felt like I should be a fan—I love their hits—but I’ve struggled to find a full album that really connects with me. Could Green be the one? Surprisingly, yes. I really enjoyed this album. It’s an easy, fun listen, and before I knew it, I’d played it three times in a row without even realizing. Michael Stipe’s voice is truly unique—haunting, expressive, and perfectly suited to his lyrics, which often balance the strange, the magical, and the delightfully nonsensical. His delivery draws you in, even when you’re not entirely sure what the song is about. The guitar work on this album is fantastic—varied, textured, and always interesting. It keeps things fresh from track to track and showcases the band’s versatility. Brilliant stuff. Favourite song: Orange Crush stands out as an absolute highlight—urgent, catchy, and powerful. I also love Get Up and Stand. The faster, more upbeat R.E.M. tracks are definitely the ones that resonate with me most. Least favourite: Honestly, there isn’t a weak song on the album. Each track brings something to the table. Album artwork: Very cool—distinctive and eye-catching without being overdesigned.

Coles Corner

Richard Hawley

4/5

I've always had a soft spot for Coles Corner by Richard Hawley. I remember buying it when it was first released and being immediately drawn into its warmth and sincerity. Hawley's sound echoes the emotional depth of artists like Rufus Wainwright and Leonard Cohen, but with a distinctly English, working-class poeticism that makes his music feel both grounded and romantic. I'm a big fan. Interestingly, I only recently discovered that Hawley was once a member of Pulp. Knowing that now, it somehow fits—the richness of his arrangements and his understanding of mood make perfect sense in that context. The album's sound is calm and melodic, with a quietly cathartic atmosphere. Each song resonates with themes of heartbreak, yearning, and nostalgia. It speaks deeply to the emotions I was navigating 20 years ago—listening to it now is like revisiting a long-forgotten part of myself. Favourite tracks: “The Ocean,” “Hotel Room,” and, of course, the title track, “Coles Corner.” Honestly, it’s hard to pick a favourite—nearly every song on this album has something special. Least favourite track: None. There isn't a single weak song here. Album artwork: A really striking and evocative cover—cool in the best sense.

To Pimp A Butterfly

Kendrick Lamar

1/5

To Pimp a Butterfly is an impressively produced and engineered album, showcasing a rich tapestry of sounds, beats, and musical experimentation. The instrumentation is layered and creative, blending elements of jazz, funk, and soul in a way that clearly demonstrates artistic ambition and technical skill. However, I personally struggled to connect with the lyrics and the narrative themes explored throughout the album. The stories and messages, while clearly meaningful to many, didn’t resonate with me—perhaps hip-hop simply isn’t a genre that clicks for me. Despite giving it a full 24 hours, I found the listening experience quite difficult, and ultimately, I didn’t enjoy the album as a whole. Favourite track: Wesley’s Theory was a strong opener, and For Free? stood out for its energy and originality. Least favourite: Most of the remaining tracks didn’t land with me. Album artwork: A fairly standard hip-hop cover—bold and in-your-face, fitting for the genre but not particularly distinctive to my eye.

Devotional Songs

Nusrat Fateh Ali Khan

1/5

Devotional Songs by Nusrat Fateh Ali Khan took me far outside my musical comfort zone. I found it challenging to locate the album, and even more difficult to engage with the music itself. While I recognize that the purpose of this challenge is to broaden horizons through exposure to different languages, cultures, and musical styles, this particular genre didn’t resonate with me. That said, I appreciate the opportunity to explore something so deeply rooted in tradition and spirituality, even if it wasn’t to my taste.

Hejira

Joni Mitchell

4/5

Hejira is my favourite Joni Mitchell album, and it continues to grow on me with every listen. The blend of jazzy and bluesy tones creates a rich, introspective soundscape that perfectly complements her poetic, deeply reflective lyrics. Standout tracks like “Black Crow” and “Blue Motel Room” showcase Joni’s ability to merge storytelling with musical sophistication. “Black Crow” in particular is a brilliant, restless journey — both lyrically and musically — and stands out as my favourite song on the album. Honestly, there isn’t a single weak track here; each song offers something unique and meaningful. The album flows with a quiet intensity that rewards repeated listens. The artwork also deserves a mention — cool, mysterious, and perfectly aligned with the album’s moody, traveling spirit.

Ys

Joanna Newsom

1/5

I found Ys by Joanna Newsom to be a difficult and ultimately unpleasant listen. Her childlike vocal style didn’t resonate with me at all, and the songs—long, winding, and seemingly directionless—failed to hold my attention. The album felt more like a test of patience than a musical journey. I won’t be revisiting it. Favourite Song: None stood out. Least Favourite: Honestly, the entire album. Album Artwork: It has a quirky, Tudor-inspired charm. I wouldn’t hang it on my wall, but it’s an amusing and memorable cover.

Justified

Justin Timberlake

3/5

This was my first time listening to Justified all the way through. While I was already familiar with the big hits, I’d never given the full album a proper spin—and I was curious to see how it holds up. I’ve always had a soft spot for tracks like “Rock Your Body” and “Cry Me a River.” They’re undeniably catchy, still sounding fresh today, and serve as prime examples of early-2000s pop done right. Other highlights include “Señorita” and “Like I Love You,” which showcase Timberlake’s early promise as a solo artist breaking away from *NSYNC. Vocally, the Michael Jackson influence is unmistakable—especially in Timberlake’s falsetto and phrasing. The production, courtesy of The Neptunes and Timbaland, is a major asset, delivering tight, danceable beats with a slick, futuristic edge that defined the era. That said, the album loses steam after “Rock Your Body.” The second half is weighed down by forgettable ballads and filler that lack the energy and charisma of the first half. Tracks like “Still on My Brain” and “Right for Me” fall flat, and “Never Again” makes for a surprisingly dull closer to an album that starts off so strong. Overall, Justified is a solid pop debut with a stellar front half and some truly iconic singles. It just doesn’t quite sustain its momentum all the way through. Favourite track: “Rock Your Body” Least favourite: “Still on My Brain,” “Right for Me,” and “Never Again” Summary: Tracks 1–6 are great; the rest, unfortunately, feel like filler. Album artwork: A clean, iconic cover—perfectly suited to Timberlake’s solo breakout.

Sunshine Superman

Donovan

4/5

Sunshine Superman by Donovan shines in parts, especially with standout tracks like the title track “Sunshine Superman” and the hauntingly groovy “Season of the Witch.” These songs capture the best of ‘60s psychedelic pop, complete with memorable guitar riffs and an effortlessly cool vibe. However, the album struggles with consistency. At 19 tracks, it's a long listen, and unfortunately, not all the material holds up. Several folk-inspired songs, such as “Three Kingfishers,” fall flat and lack the spark found in the album’s stronger moments. The filler dilutes the impact of the hits, making the album feel a lot more average than it could sound. Sunshine Superman has flashes of brilliance, but those highs are surrounded by too many forgettable tracks. A tighter tracklist would’ve made for a more compelling listening experience. Favourite Track: “Sunshine Superman” – effortlessly cool and catchy but Celeste runs it a very close second. Least Favourite: “Three Kingfishers” – meandering and underwhelming. Album Artwork: A vibrant, very '60s cover – bold, colorful, and totally of its time.

All Hope Is Gone

Slipknot

1/5

All Hope Is Gone marks my second encounter with Slipknot as part of this music challenge. Unfortunately, much like my first experience with the band, this album didn’t resonate with me. It’s clear that this style just isn’t my genre—I find it difficult to connect with on any meaningful level. The album feels overly long and, at times, repetitive. I found the listening experience challenging, with relentlessly aggressive drums, a heavy reliance on power chords, and little in the way of melody. The vocals—mostly harsh shouting—struck me as more chaotic than expressive. I had to break the album into three or four sessions just to get through it. Favourite Tracks: Sulfur and Snuff stood out as relative highlights. Their more melodic and melancholic tones offered a welcome contrast to the otherwise abrasive soundscape. These tracks felt more structured and emotionally resonant. Least Favourite Track: Gematria was particularly tough to get through—dense, loud, and exhausting. Album Artwork: The cover came across as unintentionally comical. I’m not sure that was the intended effect, but it felt somewhat at odds with the album’s dark and aggressive tone.

Headquarters

The Monkees

3/5

Headquarters by The Monkees feels like a very average Beatles album—it’s pleasant and easy to listen to, but nothing truly stands out or leaves a lasting impression. Released in 1967, it came at a time when The Beatles had already moved beyond this style of pop and were entering their more experimental Sgt. Pepper era. As a result, Headquarters sounds somewhat dated, almost like a parody or throwback to an earlier Beatles sound, rather than something fresh or forward-thinking. Favourite Track: You Just May Be the One – a catchy, well-crafted song that rises slightly above the rest of the tracklist. Least Favourite Track: None stood out as particularly bad, but many blended together without much distinction. Album Artwork: Classic '60s—simple, light-hearted, and very much of its time.

Penthouse And Pavement

Heaven 17

1/5

I’ve seen Heaven 17 live before, supporting Squeeze at the Royal Albert Hall, but I’d never actually listened to one of their albums in full—until now. I decided to give their debut Penthouse and Pavement a try. Given my love for 80s music and synths, I thought this would be right up my alley. Unfortunately, I was wrong. I found the album surprisingly dull and directionless. I’m honestly baffled as to how it earned its place on any “must-listen” lists. It didn’t chart particularly well upon release, and the critical reception at the time wasn’t glowing either. In my opinion, it hasn’t aged gracefully and is a really poor album. Favourite track: Penthouse and Pavement — probably the most listenable song on the album. Least favourite: Soul Warfare — an absolute low point; it just didn’t work for me at all. Album artwork: A very corporate, business-like cover that matches the aesthetic but doesn’t excite.

The New Tango

Astor Piazzolla

1/5

While The New Tango is undeniably impressive in its ambition and the fact that it's a live performance, I found the overall listening experience deeply underwhelming. Despite the skill of the musicians involved, the music came across as meandering and lacked the emotional resonance I was hoping for. To me, it felt like an hour-long stretch of uninspired background music. Unfortunately, I struggled to find anything redeeming in the album. None of the tracks stood out in a positive way, and I couldn't select a favourite song. In fact, every track left me disappointed, and I don't plan on revisiting this album. Even the album artwork failed to leave a good impression—it felt as uninspired as the music itself.

Close To The Edge

Yes

4/5

I'm genuinely excited to dive into Close to the Edge by Yes. This album holds a unique and influential place in music history — it's not only a cornerstone of progressive rock but also one of the genre’s finest achievements. As pioneers of prog, Yes crafted something truly special here. The album consists of just three expansive, beautifully composed tracks, each filled with intricate movements and shifting dynamics. Despite their length, the songs never drag. Instead, they feel like musical journeys — adventurous, immersive, and emotionally rich. The variety and complexity are stunning, yet everything flows naturally. I absolutely loved it. In summary, Close to the Edge is a brilliant experience. I’m honestly surprised by how much I enjoyed it. Listening to it feels like embarking on a sonic adventure — unpredictable, vivid, and full of atmosphere. The soundscapes are lush, the ambience is striking, and the musicianship is off the charts. Favourite Song: With only three tracks, it’s hard to choose — especially since each one evolves so much throughout. But if I had to pick, the title track Close to the Edge stands out as a true masterpiece. Least Favourite: Honestly, everything on this album is fantastic. There are no weak points. Album Artwork: I love the minimalist cover. It's simple, elegant, and fits the music perfectly.

Come Away With Me

Norah Jones

2/5

Norah Jones undeniably has a beautiful, soothing voice, but Come Away With Me left me underwhelmed. Despite its critical acclaim, I found much of the album to be monotonous and lacking energy, which made it a surprisingly difficult listen. Favourite Tracks: “Don’t Know Why” and “Come Away With Me” were pleasant and stood out slightly from the rest. Least Favourite: Many of the other tracks blurred together and felt overly mellow, making the album feel repetitive. Album Artwork: The cover is iconic and suits the understated style of the music.

Blood And Chocolate

Elvis Costello & The Attractions

3/5

Elvis Costello is undeniably brilliant, and I was excited to revisit Blood and Chocolate today after not hearing it for quite some time. While this album has its moments, I wouldn’t rank it among Costello & The Attractions' strongest work. Albums like This Year’s Model and Armed Forces are far more impactful in terms of songwriting and overall energy. Blood and Chocolate feels a bit uneven in comparison. That said, there are some standout tracks—“I Want You” is darkly mesmerizing, and “Blue Chair” is a real highlight with its melodic flair. However, the album lacks a few truly unforgettable songs that would elevate it from good to great. Favourite songs: “I Want You” and “Blue Chair” Least favourite: “Home Is Where You Hang Your Head” felt somewhat forgettable. Album artwork: The cover is striking and intriguing, though I’m not entirely sure what’s going on. Still, it has a cool, chaotic charm that suits the album’s tone. Overall, Blood and Chocolate is a solid listen, but it doesn't quite reach the heights of Costello's best work.

Sea Change

Beck

2/5

Sea Change is a pleasant listen, but ultimately left me underwhelmed. Given Beck's impressive discography, I expected more from this album than what it delivered. One of the major shortcomings is the lack of a standout hit or a more energetic track. The album leans heavily into a slow, melancholic vibe and misses the spark of earlier Beck classics like "Devils Haircut" or "Loser." While the mood is consistent, it sometimes feels too one-note and meandering, lacking the dynamism that usually defines his work. Favourite track: "Lost Cause" – a beautifully written and performed song that stands out as a highlight. Least favourite: "Round the Bend" – unfortunately, it lived up to its name; slow, uneventful, and difficult to sit through. Album artwork: Fairly typical for Beck – nothing particularly striking, but fits the tone of the album. Overall, Sea Change is a mellow detour in Beck’s career, but for me, it felt a bit too subdued and lacked the engaging edge I was hoping for.

Henry's Dream

Nick Cave & The Bad Seeds

3/5

Henry’s Dream is a solid album—perhaps not among the very best in the Bad Seeds’ discography, but it still contains some truly great tracks. The opening run of four songs is as strong as anything they’ve done, and closing the album with “Jack the Ripper” is a masterstroke. While the middle of the record has a bit of filler, overall it's a compelling listen—just shy of a 5/5. Personally, I prefer Murder Ballads, The Boatman’s Call, and Skeleton Tree, but writing this makes me appreciate just how incredible the Bad Seeds’ back catalogue really is. Nick Cave is one of the finest lyricists around, and the early Bad Seeds sound is phenomenal. They transition effortlessly between heavy, intense tracks and more delicate ballads, all while maintaining a distinct and cohesive style. Truly brilliant music. Favourite Songs: There are so many standouts—“Papa Won’t Leave You, Henry,” “I Had a Dream, Joe,” “Straight to You,” “Brother, My Cup Is Empty,” “John Finn’s Wife,” and “Jack the Ripper” are all excellent. You could pick any of these as a highlight. Least Favourite: “Christina the Astonishing” feels like a weak spot on an otherwise strong album. Album Artwork: One of my favourite covers—visually striking and perfectly suited to the music.

The Last Of The True Believers

Nanci Griffith

1/5

Going into this album, I had never heard of The Last of the True Believers or Nanci Griffith, so I approached it with an open mind and no expectations. Unfortunately, it didn’t resonate with me. The album leans heavily into whimsical, folk-inspired melodies, paired with a generally upbeat tone and optimistic lyrics. While I can appreciate the craftsmanship and charm that others might enjoy, it simply wasn’t to my taste. Favourite track: I couldn’t single one out. Least favourite: The entire album didn’t connect with me personally. Album artwork: The cover is nicely done—pleasant and fitting for the genre. In the end, while this album clearly has a warm spirit and strong folk roots, it's just not my style.

Songs Of Love And Hate

Leonard Cohen

2/5

Songs of Love and Hate by Leonard Cohen isn’t, in my view, one of his strongest albums. The lyrics are as poetic and thoughtful as ever, but overall it feels slow and a bit directionless. Compared to something like I’m Your Man, it lacks the energy and momentum that make his work really gripping. Joan of Arc stands out as a highlight, a haunting and deeply lyrical song that carries real emotional weight and is one of the few moments that truly connected with me. Avalanche didn’t quite land in this version. The lyrics are strong, but the arrangement feels flat. I actually prefer the version by Nick Cave, which brings a darker, more intense atmosphere that suits the song better. Favourite track: Joan of Arc Least favourite track: Avalanche Album artwork: A real highlight, stark, minimal, and striking, perfectly matching the tone even if the music didn’t fully connect

Unhalfbricking

Fairport Convention

2/5

I've been listening to quite a bit of English folk music lately as part of this challenge, and Unhalfbricking by Fairport Convention is the latest addition to that journey. Let’s dive in. Overall, the album was enjoyable. While rooted in folk, it offers a nice variety in sound and style, keeping things from feeling too one-note. The lyrics are strong, and I was especially drawn to the vocals—Sandy Denny’s voice is beautiful, with a tone that reminded me a bit of Nico. The guitar work throughout the album is also excellent and adds real depth to the listening experience. Favourite tracks: I particularly liked A Sailor’s Life, Dear Landlord, Million Dollar Bash, and Cajun Woman. Least favourite: The album starts a bit slowly, and some of the earlier tracks—like Autopsy and Genesis Hall—felt a little dull and dragged in parts. Thankfully, it picks up momentum as it goes along. Album artwork: I love it—so distinctly '60s and full of character.

Haunted Dancehall

The Sabres Of Paradise

1/5

Haunted Dancehall by The Sabres of Paradise was a tough listen. To be honest, I found it monotonous and directionless—more noise than music. I'm genuinely surprised it made the list. The album struggled to hold my attention from start to finish. The tracks blur together with little variation or structure, making it hard to distinguish where one ends and the next begins. It felt more like an endurance test than a musical experience. Favourite track: If I had to choose one, Tow Truck stood out slightly—though that's faint praise. Least favourite: Honestly, it's hard to single out just one track. The entire album felt aimless and repetitive. Album artwork: The cover is probably the most interesting part of the release—visually striking and nicely in line with its 90s aesthetic.

Low

David Bowie

3/5

Low is not my favourite Bowie album, but it contains one of his very best songs, and that alone lifts the whole record for me. When it was first released it divided opinion, and I can understand why. The minimalist approach and the instrumental heavy second half make it a challenging listen. It is not an album that immediately opens itself up. It takes patience. That said, I appreciate it far more now than I did when I first heard it. With time, the atmosphere really starts to reveal itself. There is something brave about how stripped back parts of it are. It feels experimental without being careless, and the mood it creates is genuinely striking. Sound and Vision is the clear highlight. It is upbeat, melodic and full of colour, and it stands in perfect contrast to some of the colder moments elsewhere on the record. Favourite track: Sound and Vision Least favourite: Art Decade. It still feels slightly impenetrable to me Album artwork: Very cool and iconic. Simple, bold and instantly recognisable

Born To Run

Bruce Springsteen

5/5

It is hard to write about Born to Run because it means so much to me. This album is incredibly important in my life and I genuinely listen to it every single week. It is perfect. It is also almost impossible for me to choose between this and Born in the U.S.A.. On different days either one could be my favourite. They both sit right at the very top for me. This record has everything. It builds with intent and power. The sound is huge and cinematic, yet deeply personal. The lyrics are heartfelt, romantic and full of longing. Every song feels like it is chasing something bigger. And then there is Thunder Road. I absolutely adore that song. For me it is the greatest song ever written. From the opening piano to the final line, it is hope, escape, love and belief wrapped into five perfect minutes. It moves me every single time. There is not a single thing I would change about this album. Every track matters. Every track is five stars. Favourite song: Thunder Road. The greatest song ever written. Least favourite: None. Every song is flawless. Album artwork: Iconic. Even better on vinyl when you open the sleeve and see The Big Man standing tall beside him.

Stand!

Sly & The Family Stone

4/5

Stand! by Sly & The Family Stone was a really enjoyable listen. The album strikes a great balance between funk, pop, and psychedelic rock, blending genres in a way that feels both fresh and timeless. The lyrics are thoughtful and purposeful, often carrying a strong social consciousness. I particularly enjoyed Everyday People—a standout track with a powerful message about unity and acceptance. There are so many great songs on this album. From a musical standpoint, tracks like Soul Clappin’ and My Brain showcase the band’s funky instrumental flair. Lyrically, Somebody’s Watching You and Sex Machine stood out for their depth and creativity. Favorite Songs: I Want to Take You Higher and Everyday People are definite highlights. Least Favorite Song: Honestly, there isn’t a bad track on this album. Album Artwork: A cool, vibrant cover that fits the spirit of the music perfectly.

Infected

The The

3/5

Infected by The The is an enjoyable slice of ‘80s alt-pop—fun, listenable, and representative of its era. While it doesn’t break any new ground or deliver standout “wow” moments, it holds up reasonably well today with only minor signs of aging. The album is easy to get into, making it a solid, if not essential, listen. Favourite Track: Slow Train to Dawn stands out as a strong track with a memorable groove and atmosphere. Least Favourite: Honestly, nothing felt like filler—every song had its place and was worth a listen. Album Artwork: The cover is a bit chaotic and cluttered, lacking the visual impact or cohesion that might elevate it.

Nick Of Time

Bonnie Raitt

1/5

Today’s listen was Nick of Time by Bonnie Raitt—an artist and album I had never come across before. Unfortunately, this one really didn’t land for me. Overall, I found the album to be a rough example of dated '80s production. The sound felt overly polished in a way that stripped the emotion from the songs, and I struggled to connect with it. Real Man stood out—but for all the wrong reasons. Honestly, it might be one of the worst songs I’ve ever heard. I really did give the album a fair shot, but it just wasn’t for me. Favourite track: I couldn’t pick one—I didn’t enjoy any of them enough. Least favourite track: Real Man Album artwork: Very much of its time—classic ’80s aesthetic.

Scream, Dracula, Scream

Rocket From The Crypt

2/5

Going into this, I had never heard of Rocket From The Crypt. On first listen, it quickly became clear that their brand of 90s American punk rock isn’t typically my style. Still, I gave Scream, Dracula, Scream! a fair shot. The album is sonically consistent, with high energy, aggressive guitar work, and a noisy, chaotic vibe throughout. While that might appeal to fans of the genre, I found the lyrics underwhelming and felt the album lacked standout moments or memorable hooks. Overall, it struck me as a very average effort. Favourite tracks: Come See, Come Saw, Born in 69 and Bali Lightning stood out slightly—they had some energy and groove that worked. Least favourite: As the album progressed, the songs began to blur together, becoming repetitive and hard to distinguish. Album artwork: Creepy, fitting the chaotic vibe of the music.

Sex Packets

Digital Underground

1/5

I always thought I enjoyed '90s hip hop—until this challenge had me listen to Sex Packets by Digital Underground. Honestly, the album felt flat. It dragged on without much purpose or standout moments. Most of the tracks blurred together, lacking impact or memorability. Overall, I found it pretty underwhelming and don’t see myself returning to it. Favourite track: The Humpty Dance gave me a laugh—it has some quirky charm—but even that felt a bit stretched out. Least favourite: Hard to pick just one. The whole album felt like a sea of mediocrity, nothing really rose above the rest. Album artwork: Typical of the era—dark tones, oversized fonts, and a gritty aesthetic. Nothing particularly distinctive.

Black Sabbath

5/5

What a surreal coincidence—spinning Black Sabbath’s self-titled debut just a day after Ozzy Osbourne’s passing. RIP to a true icon. I’m not usually drawn to heavy metal, but I’ve always appreciated Sabbath’s influence. Listening to this album, it’s easy to see why it's often credited as the birth of heavy metal. In 1970, this was the heaviest, darkest sound the world had heard—and it still hits hard today. Tony Iommi’s guitar work is especially striking. The riff on The Wizard is phenomenal—bluesy, menacing, and brimming with attitude. Favourite tracks: N.I.B. and The Wizard—both absolute standouts. Least favourite: Honestly, there isn’t a weak track here. Album artwork: Haunting, eerie, and perfectly aligned with the music’s ominous tone—I love it

Antichrist Superstar

Marilyn Manson

1/5

I remember giving Antichrist Superstar a listen when it first came out—I was curious, even though it was far outside my usual tastes. I gave it a fair shot, but honestly, I think it’s a terrible album. The music feels chaotic and abrasive, with constant shouting and little sense of structure or storytelling. It just doesn’t work for me. Admittedly, my perception of Marilyn Manson himself—given his well-documented controversies—also casts a shadow over the experience. Favourite track: The Beautiful People is a solid song and easily the highlight. Least favourite: Pretty much the rest of the album. Album artwork: Dark and unsettling—not really my style.

Don't Stand Me Down

Dexys Midnight Runners

3/5

I haven’t spent much time with Dexys Midnight Runners before, so I was excited to give them a proper listen—and Don't Stand Me Down felt like the perfect place to start. I really enjoyed this album. It’s a smooth and engaging listen—I played it three or four times within 24 hours. The standout track for me was This Is What She's Like. It perfectly captures that unmistakable Dexys energy: heartfelt, conversational, and a bit theatrical. Very Dexys indeed. Honestly, every track on the album feels like it belongs; nothing seemed out of place or like filler. The whole album holds together really well as a complete piece of work. As for the artwork, I really like the album cover. It has a clean, understated style that reflects the mature tone of the music. Favourite track: This Is What She's Like Least favourite: None – every song earned its place.

Dookie

Green Day

3/5

I never got into Green Day when I was younger—I was a Mod, after all—so I must be one of the few people who had never actually listened to Dookie. In hindsight, I would’ve loved this album if I’d given it a chance back then. With 15 songs packed into just 38 minutes, it’s exactly what good punk music should be: tight, fast, and full of energy. Dookie is fun, guitar-driven pop-punk with standout tracks like Basket Case and Welcome to Paradise. It’s clear why this album is so highly regarded—it’s catchy, confident, and bursting with youthful attitude. That said, I feel like I’ve now had my fill of Green Day. Since Dookie is often considered their best work, I’m happy to leave it there. Favourite track: Basket Case Least favourite: Honestly, I enjoyed everything on the album. Album artwork: Really cool cover—busy, playful, and very '90s.

New Boots And Panties

Ian Dury

5/5

New Boots and Panties!! by Ian Dury is not only a fun album—it’s a brilliant one. Dury’s lyrics are meaningful, poetic, and often laugh-out-loud funny. The songs are rich with melody and wildly eclectic—you never quite know what’s coming next, and that’s part of the magic. This album is pure genius. Giving a 5/5 to something I’m hearing for the first time is rare for me, but this one absolutely earns it. I’ll be returning to it again and again. Favourite track: Sex & Drugs & Rock & Roll – a timeless classic. Least favourite: None. Every track deserves its place—there’s not a weak one here. Album artwork: Brilliant cover—striking and full of personality, just like the music.

Chirping Crickets

Buddy Holly & The Crickets

5/5

I’ve always enjoyed Buddy Holly’s classics like Oh Boy, but I’d never listened to a full album—until now. I was looking forward to diving into The "Chirping" Crickets, and it didn’t disappoint. The album kicks off with Oh Boy and Not Fade Away, two of my all-time favourite tracks. From the start, it’s clear why Buddy Holly is considered one of the founding fathers of rock and roll. Chirping Crickets is tight, melodic, and immaculately produced. The love songs are simple but beautifully written, full of catchy harmonies and charm. There’s a warmth and precision to the performances that still holds up today. This album is not just enjoyable—it’s historically important, and it absolutely deserves its place on any essential albums list. Favourite track: Oh Boy – a classic pop-rock anthem that’s hard to beat. Least favourite: An Empty Cup felt a little flat for me. Album artwork: Classic '50s/'60s style. Their smiles are... intense, and I’m not convinced those suits were made to measure!

The Bones Of What You Believe

CHVRCHES

4/5

The Bones of What You Believe by CHVRCHES is a vibrant, uplifting, and sonically rich debut that left a strong impression on me. I went in with no expectations and was immediately hooked—this is the kind of album that grabs you from the first listen, especially if you have a soft spot for indie electronic music like I do. Each track bursts with energy and features infectious melodies that linger long after the album ends. The synth-driven production is polished but never sterile, and the emotional undercurrents in Lauren Mayberry’s vocals add depth to the shimmering soundscape. Favourite Tracks: “The Mother We Share,” “We Sink,” and “Recover” are standout moments that showcase the band’s knack for crafting memorable hooks and dynamic arrangements. Least Favourite Track: Honestly, I enjoyed the entire album—there were no real low points for me. Album Artwork: The cover is simple yet effective, echoing the clean, modern feel of the music within.

Life's Too Good

The Sugarcubes

3/5

Life’s Too Good is a fresh discovery for me—I wasn’t familiar with The Sugarcubes or aware that Björk was their lead singer. Her distinctive vocals really shine throughout the album, adding an otherworldly charm to the band’s sound. The record is a bold and quirky mix of post-punk and new wave, full of unpredictable energy and off-kilter melodies. It’s inventive without losing its pop edge, with standout tracks like "Birthday" and "Motorcrash" showcasing the band's unique blend of rawness and playfulness. Favourite Tracks: "Birthday" and "Mama" both stood out for their dynamic arrangements and Björk’s emotive delivery. Least Favourite Track: Honestly, nothing felt skippable—each track brought something interesting to the table. Album Artwork: Eye-catching and strange in a good way—perfectly in tune with the band’s eccentric vibe.

Beyond Skin

Nitin Sawhney

1/5

Beyond Skin blends traditional jazz with Indian musical influences—a combination that, while ambitious, didn’t quite land for me. From the start, I had a feeling this wouldn’t be my kind of album. The opening track showed some promise, but overall, the album felt like a slow decline. The fusion of styles just didn’t resonate with me, and I found it hard to connect with the mood and pacing. Favourite Track: Broken Skin stood out as a solid moment with interesting textures and rhythm. Least Favourite Track: Homelands didn’t work for me at all—it felt disjointed and overly dramatic. Album Artwork: The cover is a bit jarring—Nitin looks like he’s in pain, and it’s not the most inviting visual.

Closer

Joy Division

5/5

Closer is dark, moody, and full of restrained anger—and I really like it. The album pulses with raw emotion, creating a sound that’s both haunting and hypnotic. It’s impossible to separate the music from the tragedy surrounding it. Released just months after Ian Curtis’s death, Closer feels like a parting message—a final, vulnerable glimpse into his state of mind. The lyrics and atmosphere carry a deep emotional weight, making the album feel deeply personal and intense. Musically, it’s exceptional. Peter Hook’s basslines are unforgettable, carving out grooves that are both cold and captivating. The tracks are layered with dark melodies and sparse, eerie production that adds to the album’s bleak beauty. Favourite Track: Isolation is one of Joy Division’s finest—urgent, emotionally charged, and perfectly constructed. Least Favourite Track: Honestly, there isn’t a weak moment on this album. Album Artwork: A stark and iconic cover that reflects the music’s sense of finality and distance.

Lost Souls

Doves

4/5

Lost Souls isn’t my favourite Doves album, but I’m looking forward to revisiting it—it’s been a long time. I was surprised to realize it only came out in 2000; for some reason, I always thought it was from the early '90s. Doves have a timeless quality that makes their music feel like it’s been around forever. There’s a lot to like on this album. Standout tracks for me include “Here It Comes,” “Sea Song,” “The Cedar Room,” and “Catch the Sun.” The instrumentation is atmospheric and rich, while the lyrics lean into a darker, more introspective mood. It’s a solid, immersive listen from start to finish. Favourite tracks: “The Cedar Room,” “Catch the Sun” Least favourite track: Honestly, every song earns its place. Album artwork: Very cool cover—moody and fitting for the music.

Penance Soiree

The Icarus Line

1/5

I have never heard of Penance Soiree by The Icarus Line nefore and have no idea what to expect here. lets give it a go. Favourite track: I couldnt pick one. Least favourite track: everything was just so pointlessly loud and yet boring at the same time. I could happily never listen to this again. Album artwork: Not a fan

Honky Tonk Heroes

Waylon Jennings

2/5

I was expecting some old-fashioned, dated country music from Honky Tonk Heroes, but I was pleasantly surprised. This album is far better than I anticipated. It’s classic country at its finest—rich with melody and storytelling that weaves pain, hope, and love into every track. The album is short and sweet, making it an easy, enjoyable listen. While I liked it, I’m not sure it’s something I’ll come back to regularly. Favourite tracks: “Omaha” and “Willy the Wandering Gypsy and Me” Least favourite track: Honestly, every song was worth a listen. Album artwork: The cover captures a joyful moment—everyone looks like they’re having a great time.

Very

Pet Shop Boys

4/5

As a big fan of the Pet Shop Boys, I was really looking forward to listening to Very—and it didn’t disappoint. This album is pure fun: upbeat, danceable, and packed with witty lyrics and catchy melodies. It leans into a campy charm that's completely intentional and totally effective. While it may not feature as many massive hits as some of their other albums, it stands out for its consistency—every track feels strong, making it one of their most cohesive and complete records. I think this might actually be my favourite PSB album. Favourite track: “Can You Forgive Her?” is fantastic. Least favourite track: Every song earns its place. Album artwork: Simple, but very cool—bold and iconic.

Teen Dream

Beach House

1/5

Teen Dream by Beach House completely passed me by back in 2010—I’d never heard of the band or the album until now. Given the glowing reviews, I was expecting something truly special. But honestly, this one just didn’t land for me. I understand that it was seen as a fresh alternative to indie and pop at the time, but to my ears, it feels middle of the road. Nothing stood out, nothing stuck with me, and overall, I found it quite dull. It lacks the energy and inventiveness of similar-era acts like MGMT. Favourite tracks: “Real Love” and “Silver Soul” were okay. Least favourite tracks: Most of the album, unfortunately. It just feels very mediocre. Album artwork: Not much to say—uninspiring.

Who's Next

The Who

5/5

Who's Next by The Who has been one of my favourite albums for over 30 years—certainly since seeing them live for the first of many times back in 2002. Listening again with a little less nostalgia, it’s clear the album features some truly powerful songs. The big hitters are as brilliant as ever, but tracks like “Bargain” and “My Wife” also deserve more recognition. That said, the middle section does dip slightly, with songs like “Getting in Tune” and “Going Mobile” feeling more like filler. Still, I’ve always loved Pete Townshend’s vocals on those tracks—especially on “Bargain” and “Going Mobile.” In summary, Who's Next is an album with a strong start and finish, a slight lull in the middle, but it remains a fantastic listen. It's one I’ll always come back to. Favourite track: “Baba O’Riley” – iconic, with that unforgettable intro and lyrics full of angst and despair. Honourable mentions: “Won’t Get Fooled Again” and “Behind Blue Eyes.” Least favourite track: “Getting in Tune,” if I had to pick one. Album artwork: Iconic and instantly recognisable.

Modern Kosmology

Jane Weaver

4/5

Modern Kosmology by Jane Weaver is one of the more recent entries on the list, released in 2017. I’ll admit, I’d never heard of her or her work before. At first, this was a tricky album to get into. I ended up listening to it two or three times today just to form an opinion—which, in hindsight, probably says I liked it enough to keep coming back. The music feels fresh and distinctive, with a style that’s unmistakably her own. Weaver’s vocals are a highlight: at times they feel like an instrument in themselves, weaving through the dark, melodic soundscapes. While no single track jumped out as a runaway favourite, the album is consistently engaging from start to finish. Favourite track: Loops in the Secret Society is a gorgeous ballad that flows seamlessly into the more club-like The Architect. Two great songs—completely different, yet perfectly complementary. Least favourite track: None in particular—it’s a solid listen throughout. Album artwork: Striking, stylish, and instantly eye-catching.

Raw Power

The Stooges

4/5

Raw Power is a great album, though I still have a soft spot for The Stooges’ debut. That said, I was looking forward to giving this one a proper listen today. My first impression might have been off — this is a fantastic record, packed with energy, aggression, and some truly brilliant guitar riffs. Overall, it’s an easy and enjoyable listen. Raw Power delivers exactly what its title promises: raw, aggressive music bursting with energy. Favourite track: Gimme Danger – an outstanding song with a killer riff, though honestly there are plenty of contenders. Least favourite track: Penetration – just a bit too grim for my taste. Album artwork: An iconic Iggy Pop cover that perfectly matches the music’s intensity.

Car Wheels On A Gravel Road

Lucinda Williams

1/5

It’s hard to see how Car Wheels on a Gravel Road by Lucinda Williams earned a place on such a prestigious list as 1001 Albums You Must Hear Before You Die. To my ears, this is average, formulaic modern country. From the very first track, you know exactly what’s coming — and the next dozen songs stick to the same formula. Williams has a pleasant voice, but the songwriting feels forgettable, with nothing that truly grabs you. I can’t help but think there are stronger albums in this genre that deserve the spot more. Favourite tracks: “Can’t Let Go,” “Joy,” and “Still I Long for Your Kiss” — a little more up-tempo and lively compared to the rest of the album. Least favourite track: Honestly, most of them could fit here; the record felt basic and uninspired overall. Album artwork: Simple yet appealing.

Grace

Jeff Buckley

5/5

Grace by Jeff Buckley is an album I’d always intended to hear in full but, for one reason or another, never quite got around to—until today. I was genuinely excited to finally give it my undivided attention. What struck me most was its range: it moves effortlessly from soaring, impassioned rock to delicate, heartfelt ballads, with subtle threads of prog and psychedelia woven throughout. Expansive yet perfectly cohesive, it’s a stunning showcase of Buckley’s extraordinary talent—both as a vocalist and as a musician. This is an album I’ll return to time and again. Favourite track: Every song is excellent, but “Grace” and “Hallelujah” stand out. Least favourite track: None—there isn’t a weak moment here. Album artwork: Iconic and instantly recognisable.

Yoshimi Battles The Pink Robots

The Flaming Lips

4/5

I’ve never really managed to get into The Flaming Lips, despite trying a few times over the years. Today, I decided to give Yoshimi Battles the Pink Robots a proper listen—and I’m glad I did. Their 10th studio album leans more into an electronic sound, which is much closer to my taste. I ended up listening to it several times today and found myself really enjoying it. Standout moments include “Yoshimi Battles the Pink Robots, Pt. 1” and “Pt. 2,” as well as “Fight Test.” “Do You Realize??” is also an absolute belter. While the album can blur into itself after a while, it’s a pleasantly immersive kind of “samey.” Who would have thought I’d enjoy a concept album about robots—blending psychedelic rock and electronica—with such introspective and emotional lyrics? Favourite track: “Do You Realize??” Least favourite track: None—every track is worth a listen. Album artwork: Really cool and eye-catching.

Viva Hate

Morrissey

4/5

Today’s listen is Morrissey’s debut solo album, Viva Hate—an album I’ve loved for years. In my view, Morrissey’s strongest solo work is the material he created with Stephen Street, and this record is a prime example. You can hear echoes of songs that might easily have found a home on a Smiths album, which gives Viva Hate the feel of a natural continuation while also marking a confident, distinctive solo debut. On most days, I’d say this is my favourite Morrissey solo album—though that opinion tends to shift depending on my mood. The lyrics are poetic, powerful, and perfectly of their time, capturing Morrissey’s wit and melancholy in equal measure. Favourite track: “Everyday Is Like Sunday” and “Suedehead” are superb, but I also love hidden gems like “Alsatian Cousin” and “Angel, Angel, Down We Go Together.” Least favourite track: “Bengali in Platforms” and “Break Up the Family” are the weaker moments here. Album artwork: A classic Morrissey cover—iconic and understated.

Dirt

Alice In Chains

1/5

Dirt was my first time listening to Alice in Chains. I went in expecting something dark, grungy, and heavy — and that’s exactly what I got. Grunge, hard rock, and metal aren’t usually my genres, so I suspected this wouldn’t be for me. I still gave it a fair try, but I struggled to get through it in one sitting. The album feels very one-note, with little variation in sound or mood, and I often found my attention drifting. Favourite track: None — this style just isn’t my thing. Least favourite track: Honestly, all of it. I won’t be revisiting this one. Album artwork: Not something I’d want on my wall.

Tubular Bells

Mike Oldfield

2/5

Tubular Bells is an interesting and ambitious listen. There are some genuinely lovely moments throughout, and it’s incredible to think that Mike Oldfield played every instrument himself—especially considering he was only 19 at the time. The album is made up of just four tracks spread over an hour, with the opener stretching to 25 minutes. It’s a unique structure, but one that makes it difficult to stay fully engaged. For me, it quickly became background music rather than something I actively wanted to focus on. It’s a clever, experimental album with some strong musical ideas, but ultimately, it’s not something I’ll return to. Favourite track: Tubular Bells Pt. 1 – the most recognisable and engaging piece. Least favourite: Nothing stands out as bad, but much of it feels like musical nonsense by the end. Album artwork: An iconic and instantly recognisable cover.

John Barleycorn Must Die

Traffic

4/5

Through this challenge I have discovered I really like Traffic and Steve Winwood. I am currently going down the rabbit whole of his entire back catelougue. Todays album is their fourth album John Barleycorn Must Die and this album really is good fun and an easy listen. I think the sound of this album is quite modern and new for 1970. There are so many sounds on this album from R&B to jazz to a bit of northern soul with heavy use of piano an organ. I like it and I like the instrumentals. Favourite track: Empty Paiges, stranger to himself and I just want you to know are great songs. Least favourite track: I think the title track John Barleycorn Must Die is probably the weakest on the album. Album artwork: Cool cover.

Central Reservation

Beth Orton

2/5

My first impression of Central Reservation is that Beth Orton has a lovely voice — warm, natural, and easy to listen to. The album itself sits firmly in that late-90s wave of singer-songwriters experimenting with an electronic-folk blend. It’s pleasant enough, but never rises above that. There are a few nice moments scattered throughout, but equally as many forgettable ones. Overall, it feels safe, inoffensive, and firmly middle-of-the-road — nothing really grabs your attention or makes you stop and think wow. The biggest issue is that the songs often overstay their welcome. They meander on without a strong sense of direction or resolution, which makes parts of the album drag. Favourite track: Stolen Car and Pass in Time are genuinely nice listens. Least favourite track: Much of the record is too average to stand out, but the title track Central Reservation in particular feels like it doesn’t go anywhere. Album artwork: A standard cover that doesn’t leave much of an impression.

L.A. Woman

The Doors

4/5

L.A. Woman by The Doors is, for me, their best album — and one I’ve always loved. The Doors can be very hit and miss. At their best, they’re brilliant, but too often they drift into middle-of-the-road blues or songs that just don’t work. L.A. Woman, however, captures them at their strongest. Standout tracks like Love Her Madly, L.A. Woman, and Riders on the Storm are exceptional — full of atmosphere, groove, and unforgettable basslines. The lyrics are haunting yet melodic, and these songs were a huge part of my musical journey growing up. Favourite track: L.A. Woman and Love Her Madly Least favourite track: Crawling Kiss Snake Album artwork: Iconic, instantly recognisable cover.

Smokers Delight

Nightmares On Wax

1/5

Smokers Delight by Nightmares On Wax was a completely new listen for me, as I’d never heard of the artist or the album before. Unfortunately, it didn’t win me over. The opener, Nights Introlude, genuinely sounds like the template for phone hold music — I honestly felt like I was on the line to HSBC. Things do improve slightly after that, but not by much. The record settles firmly into background music territory: nothing really grabs your attention, and nothing feels particularly memorable. At 16 tracks, it drags on far too long, and overall it felt rather pointless. I won’t be coming back to this one. Favourite track: If I had to pick, Bless My Soul stood out a little, but only just. Least favourite track: Nights Introlude — an awful start. Album artwork: A chaotic, messy cover with far too much going on. Not for me.

Tragic Songs of Life

The Louvin Brothers

2/5

Tragic Songs of Life by The Louvin Brothers is about as far into country music as I can manage. The album feels very dated, with a heavy reliance on banjo, though there are some nice guitar flourishes — the riff in Let Her Go, God Bless Her being a standout. The storytelling is strong, with each song steeped in themes of loss and heartache, but overall I found the record a little naff and difficult to connect with. Country music simply isn’t for me. Favourite track: In the Pines and Alabama are about as good as it gets. Least favourite track: Kentucky didn’t work for me. Album artwork: A very standard cover for its time.

Led Zeppelin II

Led Zeppelin

4/5

This challenge has finally got me into Led Zeppelin—something I’ve struggled with for over 30 years. Led Zeppelin II is another excellent album that’s helped change that. Going in, the only track I really knew was Whole Lotta Love—a brilliant song—but what surprised me was how it sits among a whole album of brilliant songs. It’s a consistently strong listen. One thing I’ve really grown to appreciate is Jimmy Page’s guitar work. His riffs are outstanding, and he has such a unique style and sound. Add in the powerful bass and drums, and you’ve got a band firing on all cylinders. Favourite track: Whole Lotta Love Least favourite track: Honestly, every song here is worth a listen. Album artwork: A great, distinctive cover.

Crocodiles

Echo And The Bunnymen

4/5

Crocodiles by Echo & The Bunnymen is one of my favourite albums by one of my favourite bands. The Bunnymen’s lyrics have always been a little surreal and don’t necessarily make sense—that’s part of their appeal. What really makes them stand out is their sound and style, and this album shows that off brilliantly. Tracks like Rescue, Do It Clean and Going Up are absolute bangers, though there are a few filler moments that stop it from being perfect. For me, that’s why Ocean Rain edges it as my favourite Bunnymen record overall. That said, Crocodiles is still a strong 4/5. Favourite track: Rescue and Villers Terrace Least favourite track: None in particular Album artwork: A very cool, striking cover

Highway to Hell

AC/DC

2/5

Highway to Hell by AC/DC often feels like the same song played on repeat with only minor variations. It’s a straightforward rock album—loud, simple, and catchy—but it doesn’t offer much in terms of invention or variety. The title track is an undeniable classic and easily the standout moment, but beyond that, the record doesn’t bring much new to the table. In summary, it’s an OK album by an OK band. Favourite track: Highway to Hell is the clear highlight, though If You Want Blood (You’ve Got It) comes close. Least favourite track: Most of the songs blur together, but Love Hungry Man felt particularly dull. Album artwork: A cool and iconic cover that perfectly captures the band’s image.

Shaft

Isaac Hayes

2/5

I didn’t think soundtracks were even allowed on this list—if they are, then where’s Saturday Night Fever? Honestly, I don’t see why Shaft deserves a place in the 1001 albums to hear before you die. As a soundtrack, the music probably works well within the film, and there are some nice moments—Theme from Shaft, No Name Bar, and Do Your Thing all stand out. But as a standalone album, it feels flat, with too many aimless instrumentals that struggle to hold your attention. For me, it’s a fairly pointless listen outside of its cinematic context. Favourite track: Theme from Shaft is the obvious highlight, with No Name Bar and Do Your Thing also enjoyable. These three songs just about lift the album to a 2/5 instead of a 1/5. Least favourite track: Most of the instrumentals blur into one, making it hard to pick out anything memorable. Album artwork: A standard soundtrack cover—nothing special.

Ray Of Light

Madonna

3/5

I remember loving Ray of Light by Madonna when it first came out—I thought it was a brilliant album, and I was excited to revisit it today. On re-listen, it still holds up in parts, but the record is let down by its length. From Frozen onwards, the quality dips noticeably, with tracks 10–13 adding very little. They’re slow, overly drawn out, and, frankly, dull. That said, the album does contain some real highlights—Drowned World / Substitute for Love, Swim, Ray of Light, and of course the hauntingly brilliant Frozen. Overall, a good but uneven record that starts strong and then fades badly. For me, it’s a 3/5. Favourite track: Frozen—a powerful, haunting classic. Least favourite track: Everything after Frozen, especially Shanti / Ashtangi, which really doesn’t work. Album artwork: An iconic Madonna cover.

Sign 'O' The Times

Prince

2/5

Sign ‘O’ the Times by Prince is, for me, the definition of an average album. I was expecting so much more—perhaps Prince is more of a singles artist than an album one. When I first saw it was a double album, I was excited: plenty of material to help me really get into Prince, and by his ninth studio album he should have been at the peak of his powers. Unfortunately, it didn’t land that way. The record feels uneven and often underwhelming, with only the odd highlight shining through. I will not be listening to this again. Favourite track: Slow love was OK. Least favourite track: Starfish and Coffee felt especially weak but in reality there are a lot of songs that do not stand out and blend into 1. Album artwork: A brilliant, iconic cover—probably the best thing about the album for me.

Brothers In Arms

Dire Straits

4/5

Brothers in Arms is a superb album from one of the greatest bands of the era, Dire Straits. I’ve always loved this record, and it remains a defining moment in their catalogue. Mark Knopfler’s guitar work is, of course, exceptional—subtle yet powerful—and it drives the entire record. The opening three tracks on Side 1 are outstanding, setting a high standard right from the start. Side 1 as a whole is incredibly strong, packed with energy and memorable hooks. Side 2, while not as consistently gripping, still holds one of the band’s true masterpieces: the title track, Brothers in Arms. It’s haunting, emotional, and one of the greatest songs Knopfler has ever written. Favourite tracks: So Far Away, Money for Nothing, Walk of Life, and of course Brothers in Arms. Least favourite tracks: Your Latest Trick and Ride Across the River feel weaker compared to the rest. Without them, this would easily be a flawless 5/5 album. Album artwork: Iconic. The instantly recognisable guitar against a soft blue sky is as timeless as the music itself.

The Stranger

Billy Joel

5/5

I’m currently in my Billy Joel era, so listening to The Stranger feels perfectly timed. I love Joel’s voice in his 70s work—warm, distinctive, and full of character. His ability to tell a story within a single song is remarkable, and when all those songs come together, the album paints a complete picture. The Stranger is packed with highlights and stands as a true showcase of his songwriting brilliance. Favourite track: It’s hard to choose, since so many feel like 5/5 classics. But Movin’ Out (Anthony’s Song), Just the Way You Are, and Vienna stand out for me. Least favourite track: Every song here has its place—there isn’t a weak moment. Album artwork: A cool, slightly quirky cover that suits the album well.

Buenas Noches From A Lonely Room

Dwight Yoakam

1/5

Buenas Noches From a Lonely Room by Dwight Yoakam is very much 80s country—and for me, that made it a tough listen. At least it only runs 37 minutes. I didn’t enjoy this album at all. The music felt dated, and the lyrics didn’t connect with me in any meaningful way. This was easily a 1/5 listen. Favourite track: None stood out. Least favourite track: Honestly, every track. Album artwork: Nothing special.

Too Rye Ay

Dexys Midnight Runners

5/5

Today’s album is one I’ve always wanted to hear: Too Rye Ay by Dexys Midnight Runners. One of my first impressions was just how good Kevin Rowland’s vocals are. He has a brilliant tone and delivers every line with real passion and drama. I also loved the instrumental sections on the B-side – they add so much texture and variety. The record spans so many genres—New Wave, ska, folk—and somehow blends them seamlessly. It’s fun, upbeat, and full of energy from start to finish. I really enjoyed this listen and will definitely be returning to it. Favourite track: Come On Eileen is a classic, of course—an iconic dancefloor filler. But I enjoyed plenty of other songs just as much, including Show Me and Dubious. A brand new discovery for me was Let’s Make This Precious, which I loved right from the start and will be playing on repeat. There are so many strong tracks here. Least favourite track: Honestly, every song was worth a listen and brought something enjoyable. Album artwork: A fantastic cover that perfectly suits the band’s style.

Stephen Stills

4/5

This was my first time listening to Stephen Stills’ self-titled debut, and I really enjoyed it. From the opening track, Love the One You’re With, the album grabbed me straight away. Stills blends folk, blues, and rock seamlessly, giving the record a great sense of variety and energy without ever feeling disjointed. There are plenty of strong moments across the tracklist, and it’s an album I’ll definitely come back to. Favourite track: Love the One You’re With and Go Back Home Least favourite track: Nothing stood out as weak – everything was worth a listen. Album artwork: A pretty standard cover, nothing too memorable.

In The Wee Small Hours

Frank Sinatra

1/5

I’ve always found Sinatra a tough listen when it comes to full albums. His style feels dated to me, and since this record was released in 1955, it naturally carries that weight of time. I’m not a fan of the crooner sound, but I gave In the Wee Small Hours a fair try today. Unfortunately, I didn’t enjoy it. The crooner/big band style just isn’t for me, and this particular album lacks the big, dramatic songs Sinatra is most celebrated for. Instead, it’s a collection of slow, melancholy tracks that all blur together, leaving the record feeling long, dull, and heavy in tone. That said, there’s no denying Sinatra’s voice. It’s powerful, commanding, and instantly recognisable—even if the material here didn’t connect with me. Favourite track: None really stood out as something I’d want to revisit. Least favourite track: Nothing was awful, but nothing left a lasting impression either. Album artwork: The iconic cover is great—moody, stylish, and evocative of the album’s tone.

Black Metal

Venom

1/5

Metal is always a tricky genre for me—it has to be really good metal for me to even give it a chance. So what exactly is Black Metal by Venom all about? Let’s find out. On my first listen, I genuinely couldn’t work out whether this was meant to be taken seriously or if it was some sort of parody, closer to Spinal Tap or Tenacious D than a serious metal record. At times, it felt almost cartoonish in its attempt to be dark and heavy. The whole experience was odd, confusing, and ultimately not for me. It’s safe to say this isn’t my thing—I won’t be coming back to it. There’s too much focus on Satanic theatrics and too much noise for the sake of noise. Favourite track: I couldn’t pick one. Least favourite track: Most of the album—I really didn’t enjoy much of it at all. Album artwork: Dark and grim, not something I’d ever want hanging on the wall.

Damaged

Black Flag

3/5

I had no idea Black Flag was Henry Rollins’ band, so I was intrigued to finally give Damaged a listen. I’ve read plenty about Rollins but wasn’t familiar with his sound, and I expected loud, heavy punk music. That’s exactly what I got. The album is fast, furious, angry, and completely relentless—full of raw energy. I still can’t decide if I love it or hate it, but the fact I went back for a second listen suggests it got under my skin. The lyrics are sharp and biting, and the mix of words and noise somehow becomes strangely catchy. Favourite track: Room 13 – it has a cool Iggy Pop vibe. Least favourite track: Honestly, every track has something worth hearing. Album artwork: A striking, gritty cover that suits the music perfectly.

So Much For The City

The Thrills

3/5

I was really happy—and a little surprised—to see So Much For The City by The Thrills included on this list. I loved this album when it first came out, and I can’t believe it’s now 23 years old. It made me wonder: where are The Thrills now? At its heart, this record feels like a whimsical trip to California, remembered fondly from a cold winter’s day. It’s sweet, nostalgic, and very of its time. Musically, it’s good, easygoing indie—nice to listen to, but perhaps not groundbreaking. That said, the opening run of tracks is fantastic. “Santa Cruz,” “Big Sur,” and “Don’t Steal Our Sun” make for a strong start, and “One Horse Town” is another highlight. Toward the end, though, my excitement began to fade. Slower songs like “Plans” and “Till The Tide Creeps In” felt weaker and lost some of the early momentum. Favourite track: “Santa Cruz,” “Big Sur,” “Don’t Steal Our Sun,” and “One Horse Town” Least favourite track: “Plans” and “Till The Tide Creeps In” Album artwork: A really cool cover that captures the spirit of the album.

Peace Sells...But Who's Buying

Megadeth

2/5

This week has been all about heavy metal, and today’s challenge was Peace Sells... But Who’s Buying? by Megadeth. Honestly, the band and album title already sounded unappealing to me before I even pressed play. To be fair, there are flashes of talent here—particularly the guitar work. The intro to Good Morning/Black Friday is superb and shows real skill. But beyond that, I struggled to find much to enjoy. The songs all blended into one wall of noise, and the lyrics didn’t do anything for me either. I can imagine fans of the genre loving this, but it’s definitely not for me. Favourite track: Devil’s Island stood out the most, with some solid guitar work. Least favourite track: Honestly, most of the album—it felt repetitive, with weak lyrics and little variety. Album artwork: Pretty horrible.

Le Tigre

3/5

Going into this, I’d never heard of Le Tigre or their self-titled debut album—so I wasn’t sure what to expect. What I found was an enjoyable, if not groundbreaking, record. It’s packed with catchy, politically charged pop songs that are both fun and sharp in their messaging. Highlights for me included Eau d’Bedroom Dancing, Friendship Station, and Let’s Run—all infectious tracks with memorable hooks and lyrics. One quirky moment: the riff in Les and Ray kept reminding me of the Only Fools and Horses theme tune, and once I noticed it, I couldn’t un-hear it. Overall, I’d happily return to this album. It’s clever, catchy, and enjoyable throughout. Favourite track: Let’s Run and Friendship Station Least favourite track: Honestly, everything is worth a listen. Album artwork: A cool cover that fits the vibe.

Remedy

Basement Jaxx

2/5

Remedy by Basement Jaxx is an OK electronic dance album from the late 90s, but in truth it doesn’t stand out from the wave of similar records of that era. For me, it’s nothing particularly special. There are a couple of undeniable bangers—“Red Alert” and “Rendez-Vous”—but beyond those, the rest of the album feels bland and forgettable. I gave it a 2/5 purely for those two tracks, but it could just as easily have been a 1/5. Favourite track: Red Alert—a proper clubbing anthem from back in the day. Least favourite track: Pretty much everything else. Album artwork: Lots of flesh—very of its time.

Everything Must Go

Manic Street Preachers

3/5

I go through phases with the Manic Street Preachers—sometimes I play them a lot, other times I forget they even exist. I saw them live last year, which reignited my interest, and Everything Must Go has been on regular rotation since. This is a solid indie album with a strong opening, though it loses steam towards the end. That might explain why, despite their status as one of the UK’s biggest indie bands, this record doesn’t quite feel like a big landmark album. For me, the Manics embody Britpop mediocrity: decent, polished indie music but nothing groundbreaking or wildly original. Like Stereophonics, Ash, and Ocean Colour Scene, they fall into that bracket of bands who have excellent greatest hits compilations, but no single killer album. Favourite tracks: A Design for Life, Everything Must Go, and Australia—all great indie tunes. Least favourite track: Small Black Flowers That Grow in the Sky—too whimsical and a bit naff, not one I’ll revisit. Album artwork: An iconic indie cover.

Rage Against The Machine

4/5

I’ve never been a fan of Rage Against the Machine, but I promised myself I’d give their self-titled debut a fair shot. To my surprise, I enjoyed this album far more than I expected. It’s not just mindless head-banging — it’s a sharp mix of genres with real purpose behind the noise. The record is full of raw power, anguish, and unfiltered anger, driven by anarchic lyrics that still feel relevant to America today, more than 30 years on. I have to admit, I probably liked this album more than I’d ever admit publicly. Consider my opening statement withdrawn. Favourite track: Killing in the Name is iconic for a reason, and Take the Power Back really hit me. I also loved the Zeppelin-esque guitar intro to Wake Up. Least favourite track: Honestly, I enjoyed every track. Album artwork: Simple, bold, and instantly recognisable.

Introducing The Hardline According To Terence Trent D'Arby

Terence Trent D'Arby

4/5

Introducing The Hardline According to Terence Trent D’Arby was a completely new listen for me, and I was genuinely curious to see what it had to offer. Right from the start, I was hooked. The opening two tracks, If You All Get to Heaven and If You Let Me Stay, are easily the standouts, setting the tone with energy and charisma. Add Wishing Well into the mix, and you’ve got a fantastic opening run that I found myself returning to throughout the day. This is a seriously strong debut. The album moves confidently across genres, blending rock, soul, and R&B into something vibrant and full of personality. At times, it carries echoes of Prince and Stevie Wonder, but with D’Arby’s own flair. His voice is outstanding, and the fact that he played most of the instruments himself makes it even more impressive. Overall, it’s a great slice of 80s music—stylish, bold, and packed with talent. Favourite track: If You All Get to Heaven Least favourite track: Lets go forward was a bit dull. Album artwork: Standard 80s cover

Listen Without Prejudice Vol. 1

George Michael

4/5

Listen Without Prejudice Vol. 1 feels like a real coming-of-age moment for George Michael, marking a deliberate shift away from the glossy pop of Faith. Personally, I think I still prefer Faith, but the two records are so different it almost feels unfair to compare them. Where Faith was vibrant, upbeat, and made for the dancefloor, Listen Without Prejudice Vol. 1 is slower, more acoustic, and more focused on melody and introspective lyrics. It’s a more mature, reflective piece of work. Michael’s voice is, as always, stunning — rich and powerful, yet perfectly suited to these more restrained ballads. The songwriting is equally impressive, moving seamlessly between touches of rock ’n’ roll, gospel, and funk. It’s a thoughtful, beautifully crafted album that rewards multiple listens, and I found myself coming back to it several times throughout the day. Favourite track: Freedom! ’90 is an absolute belter. Least favourite track: Mother’s Pride dragged a little for me — overly long and a bit dull in comparison to the rest. Album artwork: A very cool and striking cover.

Aladdin Sane

David Bowie

4/5

I love David Bowie, and while Aladdin Sane has never struck me as one of his absolute finest records, I wanted to revisit it today and see if that opinion changes. It was always going to be a tough task: following up The Rise and Fall of Ziggy Stardust and the Spiders from Mars is no easy feat. That said, this is one of Bowie’s more playful albums — almost like Ziggy goes to America and discovers something new. There’s an energy here that’s fresh and adventurous, with standout tracks such as Watch That Man, Panic in Detroit, Cracked Actor, Drive-In Saturday, and of course, The Jean Genie. I also really enjoy his cover of Let’s Spend the Night Together — a bold choice that fits right into the album’s spirit. The piano work throughout is fantastic, adding another layer to the record’s character. Musically, the album feels rich and dynamic, and there are so many songs worth returning to. Favourite track: Cracked Actor — it’s always been one of my favourite Bowie songs, raw and theatrical, with Drive-In Saturday a very close second. Least favourite track: Honestly, there isn’t a bad one here. If I had to choose, I’d say Aladdin Sane itself feels slightly weaker compared to the others. Album artwork: Simply iconic. One of the most recognisable and influential album covers of all time. In short, while Aladdin Sane may not eclipse Ziggy Stardust, it stands tall in Bowie’s catalogue — bold, fun, and packed with great moments.

Let It Be

The Replacements

5/5

Going into this, I had never heard of The Replacements or their album Let It Be. I was, however, excited for a punk album today, so I gave it a listen. I’ll get the obvious joke out of the way first: I think I might actually prefer this Let It Be to The Beatles’! This record was a lot better than I expected. I gave it 2–3 listens today, and it’s already downloaded to revisit again and again. It’s much more than just loud, rowdy punk—there’s real maturity here. The band blends punk energy with thoughtful lyrics and strong melodies, almost leaning toward power-pop at times. It feels like a group evolving beyond their raw beginnings into something richer and more meaningful. I’ll definitely be checking out their earlier albums to see how they got to this point. Favourite track: I Will Dare and Favourite Thing are standouts. Least favourite track: Honestly, every song is worth a listen, but by the time it reached Answering Machine it felt like the album had run out of steam just a little. Album artwork: Simple yet effective.

High Violet

The National

2/5

I’ve tried many times over the last decade to get into The National, but I always struggle. High Violet hasn’t changed that. For me, around 80% of this album feels dull and dreary, with only the occasional highlight breaking through. When the band does lift the tone, the music comes alive—“Conversation 16” being a perfect example. It makes me think that The National are at their best when they allow a little more energy into their sound. Overall, though, High Violet comes across as monotonous and forgettable. Favourite track: “Conversation 16” is brilliant, and “England” is also a strong moment. Beyond that, most of the album doesn’t leave much of an impression. Least favourite track: The opening two songs, “Terrible Love” and “Sorrow,” are such slow, uninspired ways to start an album—I won’t be revisiting them. Album artwork: Very cool cover—possibly the best thing about this record..

Haut de gamme / Koweït, rive gauche

Koffi Olomide

1/5

This album was an hour of my life I’ll never get back. Beyond Olomide’s reputation as, by all accounts, a deeply unpleasant individual, the music itself is a real struggle to endure. While there are fleeting moments that hint at something better, the overall sound feels like a dated, dubbed-out soundtrack that quickly wears thin. I found no reason to return to it and no track worth revisiting. Favourite track: None. Least favourite track: Honestly, every track on the album. Album artwork: Awful.

Pacific Ocean Blue

Dennis Wilson

5/5

Pacific Ocean Blue is the first and only solo album by Dennis Wilson, and one I’ve often heard mentioned but never actually sat down with—until now. The version on iTunes runs close to two hours, so I braced myself for a long listen. Thankfully, it was time very well spent. This is exactly why I’m doing this challenge: to uncover hidden gems I might have otherwise missed. To my surprise, I enjoyed this album far more than most of the Beach Boys’ catalogue. It has a warmth and depth that feels more personal and soulful. The two singles, “River Song” and “You and I”, somehow failed to chart on release, which baffles me—they’re superb. The use of brass and instrumental flourishes throughout the record is a real highlight, adding richness and character to the sound. Overall, it’s a beautiful and rewarding listen that deserves far more recognition. Favourite track: River Song and You and I Least favourite track: Honestly, every song here feels worth the time. Album artwork: A great cover—simple but striking. Wilson even looks a little like an American George Harrison.

Tea for the Tillerman

Cat Stevens

5/5

I was surprised to realise I hadn’t already reviewed Tea for the Tillerman by Cat Stevens. I return to this album so often that I must have mistaken a casual listen for having written about it before. This is one of the easiest 5/5 ratings I’ll ever give. It’s a masterclass in the art of the three-minute pop song—catchy, concise, and deeply meaningful. The songwriting and storytelling are exceptional, and the recording and production capture it perfectly. It’s no wonder this album is regarded as an all-time classic. Favourite track: Father and Son—as close to perfection as a song can get. Least favourite track: None—every song earns its place here. Album artwork: A charmingly twee cover that fits the album’s gentle spirit.

Step In The Arena

Gang Starr

4/5

Going into this, I had never heard of the album or the group, but as a hip hop fan I was curious to see what it had to offer. This is a really strong record. The lyrics are sharp, funny, and surprisingly timeless—over 30 years later they still feel relevant. The rhymes flow effortlessly over beats that are catchy and well-produced, making this an easy and enjoyable listen. It’s definitely one I’ll come back to again. Favourite track: Who’s Gonna Take the Weight – brilliant lyrics matched with a killer beat. Least favourite track: Honestly, everything on here was worth a listen. Album artwork: A fairly standard hip hop cover, nothing groundbreaking but it fits.

1984

Van Halen

3/5

I’ve never really been a fan of Van Halen, and I didn’t expect this album to change that. I went into it with an open mind, but I was bracing myself for generic ’80s American rock. After listening, my opinion is mostly the same, though I did find moments that I genuinely enjoyed. As a whole, Van Halen’s sound feels a bit one-dimensional to me, with not much variation between tracks. That said, this album does have some standout moments: the iconic Jump is still an outstanding track, I’ll Wait is another highlight, and the instrumental opener 1984 is a clever touch. There’s also some undeniably impressive guitar work scattered throughout. On the flip side, much of the record sounds dated, leaning heavily into its ’80s sheen. Songs like Drop Dead Legs just drag and add nothing for me. Overall, it’s not enough to change my mind about Van Halen, but I can at least appreciate why this album struck a chord with so many. Favourite track: Jump – it’s the clear peak of the album. Least favourite track: Drop Dead Legs – dull and forgettable. Album artwork: Not for me – a bit creepy, to be honest.

Slanted And Enchanted

Pavement

4/5

I had never listened to Pavement before today, but I really enjoyed Slanted and Enchanted. It’s full of fun yet meaningful lyrics, paired with a scrappy blend of punk and early indie that makes the whole record feel fresh and exciting. The lo-fi energy adds to its charm, and it’s easy to hear why this album became so influential. Favourite track: Hard to choose, but In the Mouth a Desert, Trigger Cut, and Here all stood out as brilliant tracks. Least favourite track: Honestly, every song was enjoyable and added to the experience. Album artwork: A very cool cover that suits the music’s raw edge.

Wild Gift

X

5/5

Going into this, I hadn’t heard of Wild Gift or the band X, and based solely on the album cover I wasn’t expecting much. I was pleasantly surprised by just how cool this record sounds. At its core, Wild Gift is punk rock, but X mix in country, blues, R&B, and even touches of rockabilly to create something distinctive. The alternating male and female vocals work brilliantly and give the album a fresh, dynamic edge. The opener, “The Once Over Twice,” sets the pace perfectly — fast, energetic, and full of sharp riffs and memorable lyrics. From there the album stays varied and engaging, full of strong melodies and attitude. I ended up spinning it two or three times in a row today, which says it all: this is a thoroughly enjoyable, easy-to-love record. Favourite track: “The White Girl” and “The Once Over Twice.” Least favourite track: Honestly, every song earns its place here. Album artwork: I really like the cover, though it doesn’t exactly scream punk..

No Other

Gene Clark

5/5

I hadn’t heard of Gene Clark or his album No Other before today, but it turns out I’m a big fan. This is a stunning record—very Neil Young–esque in places, but with its own unique character. Every track has something to offer, and the whole album feels beautifully crafted, with powerful lyrics, gorgeous harmonies, and vocals that blend perfectly with the music. It’s rich, emotional, and timeless—a must-hear for anyone who loves classic songwriting. Favourite track: “Strength of Strings” is a brilliant song. Least favourite track: Honestly, none. Every track adds to the experience, and I’ve found myself listening to this album multiple times today. Album artwork: A really cool, detailed cover—there’s so much to take in.

Dig Your Own Hole

The Chemical Brothers

4/5

I’ve always liked The Chemical Brothers, though their greatest hits have usually been enough for me, and I’ve never fully explored their albums. Today’s challenge gave me the chance to dive into Dig Your Own Hole. The positives: the album kicks off in style with Block Rockin’ Beats and the title track, both huge club anthems. Setting Sun is another standout, with Noel Gallagher’s vocals giving it real punch. In fact, the tracks with vocals generally bring much more to the table. The negatives: after Setting Sun, the album starts to feel repetitive, drifting into long stretches of synth-heavy noise. Tracks like Don’t Stop the Rock and It Doesn’t Matter don’t add much, and songs such as Piku and It Doesn’t Matter drag on far too long. In summary, this confirms my view that The Chemical Brothers shine brightest on their singles. For me, their greatest hits compilation is more than enough. Favourite track: Block Rockin’ Beats is an undeniable tune, and Setting Sun features some of Noel Gallagher’s finest vocals — both are 90s club classics. Least favourite track: Not bad as such, but Piku and It Doesn’t Matter felt overlong and added little. Album artwork: A cool and striking cover.

Fire Of Love

The Gun Club

5/5

Fire of Love by The Gun Club has always been a favourite of mine, so I was glad to give it another spin today. At just 40 minutes, it’s short, sharp, and packed with energy – pure punk joy from start to finish. The album feels raw and dangerous, yet surprisingly melodic, with echoes of Iggy Pop but enough originality to stand firmly on its own. It has that rare quality of sounding both familiar and entirely fresh. Favourite track: Sex Beat and She’s Like Heroin to Me are standout songs, the kind I can’t help but recommend to anyone who hasn’t yet discovered The Gun Club. Least favourite track: Every track earns its place here – nothing feels wasted. Album artwork: Striking and eye-catching, perfectly in tune with the music inside.

Third

Soft Machine

1/5

I’d heard of this album before but never felt compelled to listen, mainly because it’s Soft Machine’s take on prog rock with a jazz twist—which already sounded like a bad idea. True to prog form, the record stretches to 75 minutes across just four songs, one per side. It was a slog to get through, and honestly, even giving it a 1 feels generous. This was not for me and I won’t be revisiting it. Favourite track: None worth picking out. Least favourite track: All four of them. Album artwork: Simple but effective.

Django Django

4/5

Django Django’s self-titled debut is pure fun. I remember loving it when it first came out and even rushing off to see them live at Wolverhampton Civic Hall. Strangely though, I never followed up on anything they released after this. Revisiting it now, I’m glad to say it still holds up brilliantly. Tracks like Default, Zumm Zumm, and Hail Bop sound as fresh and different as they did on release—even if I’ve never had a clue what the lyrics actually mean. The whole record feels inventive, playful, and consistently enjoyable. Favourite track: Hail Bop Least favourite track: Honestly, every track earns its place. Album artwork: A striking and stylish cover that fits the music perfectly.

Southern Rock Opera

Drive-By Truckers

1/5

I had never heard of Drive-By Truckers or their album Southern Rock Opera before today. Judging by the cover, I suspected this one might not be for me—and the fact it’s a double album (90 minutes, 20 tracks) made it feel like an uphill battle from the start. It takes something truly special to hold attention for that long. Unfortunately, this wasn’t it. Musically, the album is very one-paced and doesn’t really shift gears. Across so many songs, I struggled to find any real standouts or moments that grabbed me. The lyrics are clearly politically charged, but without much background on the US context of the time, they didn’t resonate with me. Favourite track: Birmingham (a small connection, as much of my family comes from there). The Southern Thing wasn’t bad either. Least favourite track: Hard to choose when so many felt flat, but The Three Great Alabama Icons stood out for all the wrong reasons—I now feel like I know far more about Alabama than I ever wanted. Album artwork: The cover immediately gave me the ick, and honestly, it set the tone for the listen.

Our Aim Is To Satisfy

Red Snapper

3/5

I had never heard of Red Snapper before, so Our Aim Is To Satisfy was a completely fresh listen. At first it felt a little outside my comfort zone, but it quickly won me over as an engaging, inventive, and surprisingly entertaining record. What makes this album stand out is the way it fuses electronic music with influences from metal, hip-hop, rock, and jazz. That blend keeps things fresh and unpredictable, and when the vocals do appear, they give the tracks an extra edge. It’s an album full of inventive sounds and textures, constantly shifting without losing its flow. Favourite track: Don’t Go Nowhere and Shellback were excellent, but The Rake with MC Det’s vocals was the real highlight. Least favourite track: Nothing felt skippable, though Alaska Street and They’re Hanging Me Tonight didn’t leave much of a mark. Album artwork: The cover is fantastic—bold and perfectly suited to the adventurous sound inside.

Two Dancers

Wild Beasts

3/5

When I hear the phrase “nominated for the Mercury Prize” I usually brace myself for something a bit pretentious—but Two Dancers by Wild Beasts turned out to be far better than that. I had never listened to Wild Beasts before today, but their sound immediately felt familiar—somewhere between MGMT and Arcade Fire, with a distinctive twist of their own. The songs are catchy, the vocals really stand out, and the whole record feels like a strong, well-crafted indie album that I’d happily return to. Favourite track: Through the Iron Gate and Hooting and Howling really stood out. Least favourite track: A few songs blended together a bit, but there wasn’t anything I didn’t enjoy. Album artwork: A cool and fitting cover that matches the album’s vibe.

Teenager Of The Year

Frank Black

1/5

I had never heard of Frank Black or his album Teenager of the Year before today, and honestly, I could have happily kept it that way. The album is long, meandering, and often dull. There are a couple of moments worth noting—“Freedom Rock” stands out as a genuinely strong track, and “Headache” is well-titled, as that’s exactly what I was left with after sitting through the rest. I can’t quite understand how this record made the list, and it’s not one I’ll be revisiting anytime soon. Favourite track: Freedom Rock Least favourite track: Pretty much the rest of the album Album artwork: A terrible cover that does nothing to improve things.

Sunshine Hit Me

The Bees

4/5

I’ve always loved The Bees—they have such a distinctive sound—so I was really looking forward to giving Sunshine Hit Me another listen today. As their debut album, it’s a real burst of joy. The music instantly brings to mind summer and festivals, with a style that feels both nostalgic and fresh. What makes it stand out is how eclectic it is: a mix of psychedelia, Jamaican dub, reggae, indie, 1960s rock, and even a touch of modern Mod. It’s playful, inventive, and brilliantly put together. I’ve seen The Bees live many times, and this album captures the spirit that makes them so good. That said, I’d actually recommend exploring their next two albums—Free the Bees and Octopus—which, in my opinion, take things up another notch. Favourite track: Still undecided—there are plenty of highlights. Least favourite track: None that I’d skip, though the more instrumental tracks like Zia can drag a little. Album artwork: A cool, very 60s-inspired cover with definite Yellow Submarine vibes.

At San Quentin

Johnny Cash

4/5

I’ll admit, I’ve never been a huge Johnny Cash fan, but I’ve always had a soft spot for live albums—and At San Quentin is one of his most famous. I went into this with curiosity, and I’m glad I did. Cash’s catalogue can feel overwhelming, with plenty of hits and misses scattered across it, but this record cuts straight to the good stuff. The energy of the crowd, the rawness of the performance, and the banter between Cash and the audience make it feel more like an experience than just an album. You can almost sense the tension and excitement in the prison setting, which adds so much weight to the songs. The setlist is packed with powerful performances, all delivered with that unmistakable Cash presence. For me, this has become the definitive Johnny Cash album—the one I’ll come back to. Favourite track: Wanted Man and, of course, the timeless I Walk the Line. Least favourite track: None—every song feels essential to the flow of the performance. Album artwork: A striking and iconic cover that perfectly matches the grit of the music.

Abattoir Blues / The Lyre of Orpheus

Nick Cave & The Bad Seeds

5/5

I was excited to see Abattoir Blues / The Lyre of Orpheus on the list today. As a huge Nick Cave fan, I realized it’s been a long time since I last gave this one a proper listen. Going in, my view was that there are far stronger Bad Seeds albums—The Boatman’s Call and Let Love In are particularly brilliant. I never really connected with this record when it came out, apart from the standout tracks Get Ready for Love and Breathless. Still, I was curious to revisit it and see if my opinion had shifted. As a double album, Abattoir Blues / The Lyre of Orpheus has room to stretch out, offering a wide range of styles—rock, ballads, and slower bluesy numbers. The variety really works, and Nick’s vocals sound fantastic throughout. The Bad Seeds are in top form too, delivering a full, powerful rock and roll sound. The whole record is bigger, louder, and ultimately better than I remembered. I also enjoyed rediscovering songs I’d forgotten about, like Cannibal’s Hymn, Hiding All Away, and Messiah Ward. Side one in particular feels especially strong. Add to that the gems O Children and There She Goes, My Beautiful World, which are just gorgeous songs. And of course, there’s Breathless—a moment of pure joy and one of my absolute favourite Bad Seeds tracks. Favourite track: Breathless Least favourite track: None that truly fall flat Album artwork: A really classy cover

Bitches Brew

Miles Davis

1/5

More jazz — and more Miles Davis! I really don’t have much to say about this one, other than it’s bloody long and I really struggled to get through it. I just don’t enjoy jazz, especially the more experimental kind, and this album didn’t change my mind. Favourite track: I couldn’t pick one. Least favourite track: Honestly, they all blend into background music for me — I can barely tell the difference between them. Album artwork: A really cool cover, and definitely the best thing about this album.

This Nation’s Saving Grace

The Fall

4/5

I’ve spent years trying to get into The Fall and have always struggled — but maybe This Nation’s Saving Grace is the album that finally does the trick. It’s a really strong, catchy punk record. The opening side is brilliant — Mansion, Bombast, Barmy, and What You Need are fantastic tracks that set the tone perfectly for what’s to come. Vixen and Couldn’t Get Ahead are also standouts, and the addition of Brix Smith’s vocals gives the songs real texture and energy. The Fall’s sound is stripped back, simple, and raw, yet incredibly powerful, with sharp lyrics and strong themes. This album captures exactly what I imagine mid-80s Manchester must have felt like — gritty, restless, and alive. I really enjoyed this one and will definitely be giving it another listen. I think I’ve finally found my way into The Fall’s world. Favourite track: Barmy Least favourite track: The album does drag a little toward the end. At 16 songs and just over an hour long, it’s a hefty punk record. If it were trimmed down — dropping a track or two like I Am Damo Suzuki — it could easily have been a 5/5. Album artwork: I really like the cover — it’s busy, chaotic, and perfectly suits the album’s character.

Funeral

Arcade Fire

3/5

I’ve always liked Funeral by Arcade Fire, but I’ve never been fully convinced it’s as groundbreaking or important as many make it out to be. So, I decided to give it another listen today to see if my view has changed. After today’s listen, I’d say Funeral is a good indie album with some excellent moments, though it’s not quite the masterpiece it’s often described as. Tracks like “Crown of Love,” “Wake Up,” and “Rebellion (Lies)” really stand out — Rebellion in particular has been a favourite of mine for years. However, the songs surrounding them feel fairly standard, even a little basic by comparison. Overall, it’s a solid album but not a game-changer — a steady 3/5 for me. Favourite track: “Rebellion (Lies)” – a fantastic song. Least favourite track: “In the Backseat” – not terrible, but the album ends with a bit of a whimper. Album artwork: A cool, distinctive cover that fits the tone of the record.

Live!

Fela Kuti

3/5

Live! by Fela Kuti is an album I’ve always wanted to listen to, so I was looking forward to giving it a try today. Fela Kuti is certainly an interesting listen — there’s so much happening musically, with incredible musicianship throughout. That said, I’m not a huge fan of long, largely instrumental tracks, and that’s exactly what this album offers. There’s a lot of repetition and some seriously extended drum and guitar solos. I can fully appreciate the talent on display, but for me, this works best as enjoyable background music rather than something I’d sit down and focus on. Favourite track: All of the tracks are worth a listen, aside from the lengthy drum solo. Least favourite track: The extended drum solo — it goes on far too long for my taste. Album artwork: Cool album cover — simple but effective.

Songs For Swingin' Lovers!

Frank Sinatra

2/5

Another Frank Sinatra album! I can appreciate his importance and his wonderful voice, but I still struggle to really enjoy listening to him. Still, I gave Songs for Swingin’ Lovers! a go. The whole album just reminds me of Christmas, somehow. I’m not a swing fan, but I do love a good love song—so I should love Songs for Swingin’ Lovers! I just don’t. On the plus side, Frank sounds at his very best here. What a voice—though I’m hardly saying anything new. The problem is that I simply don’t enjoy swing, and after a while all the songs start to sound the same. It becomes a bit repetitive and, honestly, a little boring. Favourite track: “I’ve Got You Under My Skin” is a lovely song, although I actually prefer the Frankie Valli version. “You Make Me Feel So Young” is also great. Least favourite track: The rest of the album feels too samey. You can’t deny the songs are beautiful and sung perfectly, but after three or four tracks, it all starts to blend together. This album isn’t really for me, although I can appreciate its quality. Album artwork: A standard album cover for the time—simple and classic.

Psychocandy

The Jesus And Mary Chain

3/5

Going into Psychocandy, I hadn’t listened to much of The Jesus and Mary Chain before, so their debut album felt like the perfect place to start. I was expecting a much heavier, harder sound than what I actually got. The album is drenched in feedback and distortion—sometimes to the point where it becomes overwhelming and difficult to get through. You often find yourself turning it down just to give your ears a break. But underneath all that noise, there’s the foundation of early indie rock, and on certain tracks you can hear genuinely good songwriting trying to break through. I went on a bit of a journey with this album. The opening few tracks are full of promise, and I really enjoyed them. But around the midpoint, the distortion starts to dominate, and by the end I just wanted it to be over. That said, you can clearly hear how Psychocandy influenced bands like Primal Scream and The Charlatans—the DNA of that sound is right here. Favourite track: Just Like Honey and The Living End – both great songs and a strong start to the album. Least favourite track: Later songs like My Little Underground and You Trip Me Up are swamped by distortion and feedback, which really take away from the music. Album artwork: A cool and iconic cover.

Histoire De Melody Nelson

Serge Gainsbourg

1/5

Histoire De Melody Nelson is, quite frankly, an unsettling listen. Serge Gainsbourg’s whispery, sleazy vocals and the disturbing subject matter make for a deeply uncomfortable experience. The only redeeming features are the occasional flashes of great guitar work and the fact that the whole thing is mercifully short—over in under half an hour. Favourite track: I couldn’t pick one if I tried. Least favourite track: Take your pick from any of tracks 1–7. Album artwork: A cool cover, even if what’s inside doesn’t live up to it.

Music For The Jilted Generation

The Prodigy

3/5

Music for the Jilted Generation by The Prodigy is a brilliant dance record that makes you want to get up and move. It’s full of energy and attitude, capturing the sound of a generation discovering rave culture. There are some fantastic samples throughout, especially on No Good and Poison — pure nostalgia and the soundtrack to my clubbing youth. The only downside is that it can get a bit repetitive. The pounding drums and similar structures across tracks mean it lacks the variety of later Prodigy albums like The Fat of the Land or Invaders Must Die. Still, it’s an important and exciting record that helped define 90s dance music. Favourite track: Break and Enter — I love the sound of the glass smashing! Least favourite track: None really, but the album’s sameness can get a bit tiring by the end. Album artwork: A classic cover that perfectly matches the raw energy of the music.

G. Love And Special Sauce

G. Love & Special Sauce

1/5

I’d never heard of G. Love and Special Sauce before, and to be honest, I probably won’t be revisiting them—or this album—again. I really struggled to find anything I liked here and genuinely don’t understand how it made the 1001 Albums You Must Hear Before You Die list. It just didn’t click with me at all. Favourite track: Couldn’t pick one. Least favourite track: Pretty much every song. Album artwork: At least the cover is decent.

Kenya

Machito

1/5

1950s samba and jazz fused together—what could go wrong? Kenya by Machito is at least upbeat, but beyond that, it didn’t do much for me. I listened to this album two or three times today and honestly couldn’t tell when one track ended and another began—it all just blended into the same sound. This isn’t your stereotypical jazz album; it’s more energetic and packed with horns and percussion, but in the end, it just feels chaotic. There’s a lot happening, yet somehow nothing really stands out. Favourite track: Holiday was quite pleasant, I guess—it sounded like something that could play during a slapstick comedy scene. Least favourite track: Everything else just blurred into nothingness. Album artwork: Cool cover. In summary, this one’s not for me—I won’t be listening to it again.

Swordfishtrombones

Tom Waits

1/5

My first album by Tom Waits as part of this challenge, and it’s not a great start. No matter what he’s doing musically, I just can’t get past his voice. It completely takes me out of the album. I know it’s distinctive and part of his appeal, but for me it’s really grating, which made this a tough listen from start to finish. There may be good songwriting in here, but it’s hard to appreciate it when the vocal style just doesn’t land at all. Favourite tracks: None that stood out Least favourite tracks: The whole album didn’t click for me Album artwork: The cover pretty much sums up the mood of the album

Tank Battles

Dagmar Krause

2/5

I’d never heard of Dagmar Krause or this album before today—and it turned out to be quite a challenge to even track down! After all that effort, I was really hoping it would be worth the hunt. The best way to sum up Tank Battles is “unique.” There aren’t any traditional songs here that you’d sing along to or even tap your foot with. Instead, it’s a strange, theatrical, and often jarring collection of performances. At times, it sounds more like a dark cabaret soundtrack or a set of eccentric sketches than a conventional album—some tracks even reminded me of parody songs from The Simpsons. That said, Krause’s vocals are powerful and utterly distinctive—like a German PJ Harvey performing a wartime opera. The instrumentals are intricate and well crafted, but overall, this isn’t an album I enjoyed or would listen to again. Still, I’m glad I gave it a go—it’s unlike anything else I’ve encountered on this list, and I learned a lot about Krause and the influences behind her work. Favourite track: “Ballad of the Slackersingers.” I might even suggest my daughter’s school add it to their harvest festival playlist next year. Least favourite track: “Mother Beimlein” — short, creepy, and genuinely unsettling (like a few other songs on this album). Album artwork: I actually really like the cover—it’s striking and perfectly fits the album’s eccentric tone.

Junkyard

The Birthday Party

1/5

It’s hard to believe Nick Cave and the Bad Seeds evolved from The Birthday Party, the two sound worlds apart. As much as I like Nick Cave, I just can’t warm to The Birthday Party. Their music feels chaotic, abrasive, and for me almost impossible to connect with. I’m a big fan of Nick Cave and the Bad Seeds, but Junkyard feels more like noise than music. It’s messy, jarring, and sounds quite dated. I can appreciate the influence it had on what came later, but it’s not something I’d go back to. Favourite track: Junkyard, if I had to choose one Least favourite tracks: It could be any of them, nothing really stands out Album artwork: Fantastic cover, wild and chaotic, and more enjoyable than the music itself

Superfuzz Bigmuff

Mudhoney

1/5

I went into this album knowing very little about Mudhoney, but judging by the cover I was expecting some grungy, indie chaos—and Superfuzz Bigmuff certainly brings the grunge. My first impression was how much they sound like a rough mix between Nirvana and The Stooges. They’re not on the same level musically, but it’s easy to hear how they influenced the grunge scene that came after, especially Nirvana. That said, grunge really isn’t for me. There’s a lot of noise, shouting, and distortion, but not much melody or storytelling to hold onto. I can see why fans of heavier rock would enjoy it, but I found it one-dimensional and, honestly, a bit dull. I won’t be listening to this one again. Favourite track: I honestly couldn’t pick one. Least favourite track: Pretty much the whole album. Album artwork: A cool, gritty cover that fits the sound perfectly.

Floodland

Sisters Of Mercy

4/5

After a run of disappointing 1 and 2 out of 5 albums this week, I really needed something good — and Floodland by The Sisters of Mercy absolutely delivered. I loved this album. It’s dark, gothic, and unmistakably 80s, with moody lyrics and powerful, synth-driven tracks that feel perfectly atmospheric. It’s very much my kind of sound, and I know I’ll be coming back to it again and again. Favourite track: Dominion / Mother Russia — it’s epic and feels like a full journey in itself. Least favourite track: Honestly, there isn’t a weak song on the album. Album artwork: A perfect slice of 80s gothic style — I love it.

Born To Be With You

Dion

3/5

I’d never heard of Dion or the album Born To Be With You before today, so I was looking forward to giving it a spin this morning. I found it to be a really easy and enjoyable listen — the kind of album you can put on, sit back, and let wash over you. I even ended up listening to Streetheart straight after, as it’s bundled with this album on Apple Music. While Born To Be With You doesn’t have any major standout tracks, it flows beautifully from start to finish. It’s produced by the vile Phil Spector — an unfortunate fact — but his signature “Wall of Sound” production style definitely adds to the record’s lush atmosphere. Dion’s voice really impressed me: soulful, reflective, and full of warmth. I’ll definitely be revisiting this one. Favourite track: Born To Be With You – a lovely, heartfelt song. Least favourite track: Make the Woman Love Me – a bit dated and slightly creepy. Album artwork: A fairly standard cover, nothing remarkable.

Vento De Maio

Elis Regina

2/5

This is a mysterious album and quite hard to track down — it’s not on Spotify, there’s very little about it online, and I had never heard of Elis Regina or Vento De Maio before listening. As you’ll know from my other reviews, I often struggle with albums sung in languages I don’t understand, and that’s partly true here too. That said, the music and vibe of this record are superb — it feels surprisingly modern, with a touch of Amy Winehouse-style soul, which is remarkable for something released in 1978. It’s hard to say I loved or disliked this album because I don’t fully grasp what’s being sung about, but purely from a musical perspective, it’s warm, stylish, and easy to enjoy. Favourite track: Sai Dessa – a fun and lively tune. Least favourite track: None really stood out as weak. Album artwork: A good, classic-looking cover.

All That You Can't Leave Behind

U2

2/5

U2 does pop. I never liked All That You Can’t Leave Behind when it came out 25 years ago (how quickly time flies), and revisiting it today hasn’t really changed my mind. I get that for many U2 fans, this isn’t their finest hour. It’s a pop record — polished, people-pleasing, and a bit tired, as if the band were running low on fresh ideas. It offers a few catchy tunes but little of the innovation or emotional punch that made The Joshua Tree or Achtung Baby so special. That said, there are still some solid moments here. Stuck in a Moment You Can’t Get Out Of, Walk On, and Elevation all hold up well. But from track five onwards, the quality really drops off. Overall, it’s a very average album, and I’m honestly baffled that it made this list. Favourite track: Elevation Least favourite track: Beautiful Day – I’ve always hated it. Completely overplayed. Album artwork: A cool band shot — simple but effective.

Live At Leeds

The Who

4/5

I think Live at Leeds was the first live album I ever bought, nearly thirty years ago. It was either this or Rank by The Smiths, both superb in very different ways. For this challenge I went all in and listened to the full two hour deluxe edition. Live at Leeds is everything a great live album should be. Raw, explosive and completely relentless. It captures The Who at their absolute peak, tight but still on the edge of chaos. You get the power of the early hits alongside standout material from Tommy, which had only recently been released at the time. The bass is thunderous, the vocals are fierce, and the guitar and drums feel like they could tear the venue apart. You can almost feel the sweat and noise coming off the stage. It must have been unbelievable to witness in person. Favourite track: I could easily choose one of the big hits, but this album introduced me to Heaven and Hell and Tattoo, both absolute gems. Least favourite track: None. Everything here earns its place. Album artwork: A classic and instantly recognisable cover. Simple, understated and completely iconic

Gentlemen

The Afghan Whigs

1/5

I’d never heard of The Afghan Whigs before, so I was curious to give Gentlemen a listen. Unfortunately, I really didn’t enjoy this album. It’s very much generic 90s indie/grunge with nothing that particularly stands out. The vocals grated on me, and the overall sound felt dull, depressing, and uninspired. This was a tough listen to get through from start to finish. Favourite track: Fountain and Fairfax – it was okay and had a decent guitar riff. Least favourite track: Honestly, the entire album. Album artwork: Quite a creepy cover that fits the mood, but that’s about it.

The Gilded Palace Of Sin

The Flying Burrito Brothers

3/5

I was looking forward to today’s album, as I’ve never really listened to Gram Parsons before. I know The Gilded Palace of Sin with The Flying Burrito Brothers is highly regarded and seen as an influential record, so I was keen to see what the fuss was about. I’ll admit, I found it hard to fully concentrate on this one — mainly because today is the day Nebraska ’82 came out, and that’s all I really want to listen to! That said, this album was a good listen. It blends Country and Western with touches of 60s pop really well. Nothing particularly blew me away, but it was still enjoyable from start to finish. Favourite track: “Burrito #1 & #2” Least favourite track: I struggled with some of the slower songs like “Do Right Woman,” which leaned more heavily into the country side. Album artwork: A fairly standard 60s cover — nothing special, but it fits the era.

Born In The U.S.A.

Bruce Springsteen

5/5

Born in the U.S.A. is not just one of the greatest albums of all time. It is probably in my top three albums ever, and it is my go to record whenever I need something to lift me up. I must listen to it at least five times a week. It is an easy five out of five, right up there with Born to Run for me. The album is packed with incredible songs. The title track is one of the most powerful protest songs ever written, and still widely misunderstood. It sounds huge and anthemic, but the story at its heart is devastating. Bobby Jean, written for Steve Van Zandt, is a beautiful reflection on friendship and loyalty. I’m on Fire is pure atmosphere, simple, tense and unforgettable. No Surrender feels like the anthem of my upbringing. Then you still have Dancing in the Dark, My Hometown and Glory Days. The depth on this record is ridiculous. What makes it even more remarkable is that it followed Nebraska. From stark acoustic storytelling to stadium sized rock songs, and yet the emotional weight never disappears. Favourite track: The entire album. It is all brilliant. Least favourite track: None. Every song feels essential. Album artwork: An iconic cover and one of the most recognisable images in music history

Morrison Hotel

The Doors

3/5

Morrison Hotel is a really strong album from The Doors — a perfect blend of blues and psychedelic rock. It feels like a return to their roots after a few more experimental releases, and the result is a tight, confident record that flows beautifully from start to finish. While it doesn’t feature some of the band’s biggest hits, the overall sound and atmosphere more than make up for it. I’ve always loved Jim Morrison’s voice (even if not everyone does!), and this album really showcases his depth and charisma. Favourite track: Roadhouse Blues and Ship of Fools are both fantastic. Least favourite track: Every song here earns its place. Album artwork: An iconic cover that perfectly captures the spirit of the band.

Jazz Samba

Stan Getz

2/5

More jazz today — Jazz Samba by Charlie Byrd, to be precise. There really is a lot of jazz in this challenge! That said, this was easily the best jazz album on the list so far. It’s more upbeat and engaging than most, with shorter, punchier tracks that keep things moving. The blend of samba rhythm and jazz shuffle gives it a lively and enjoyable groove throughout. Favourite track: O Pato and Samba Triste Least favourite track: The last two tracks felt a bit dull compared to the rest. Album artwork: Cool, stylish cover that fits the vibe perfectly.

Be

Common

3/5

I’m probably not the audience Common had in mind for this album, but I still really enjoyed it. Before listening to Be, I had never heard of Common, but his rhythm, flow, and lyricism immediately stood out. He’s often described as an “intelligent rapper,” and that comes through clearly here — his storytelling feels purposeful, powerful, and genuinely engaging. The album blends sharp production with thoughtful writing, and it’s made me want to explore more of his back catalogue. Favourite track: Testify – an outstanding track. Least favourite track: Everything on the album is worth a listen. Album artwork: A simple, standard cover.

The Predator

Ice Cube

1/5

The Predator by Ice Cube is everything I hate about rap. Gangsta rap is dreadful. the lyrics are dated, vile and quite frankly thick! This music just does nothing for me. The music is good throughout on this album but the nature of the lyrics is off putting and not for me. Favourite track: Least favourite track: Album artwork: I dont love it!!

American Beauty

Grateful Dead

3/5

I’m not a Deadhead, and to be honest, I don’t think I’ve ever listened to a Grateful Dead album all the way through before. I’m aware of their huge following and their importance in music history, but I’ve never quite understood the hype. That said, I was genuinely looking forward to giving American Beauty a proper listen. I have to admit, I was expecting something quite different. I thought it would be edgier and more psychedelic, but instead it leans heavily into folk and harmony-driven songs. It’s not a bad album by any means, but it wasn’t what I anticipated. Favourite track: Truckin was a fun song. Least favourite track: “Attics of My Life” – I found it a bit dull, and the melodies didn’t land for me. It felt like a weaker attempt at a Beach Boys-style sound. Album artwork: I really like the cover — it’s simple but classic.

On The Beach

Neil Young

4/5

I’ve always really enjoyed On The Beach by Neil Young. Aside from Harvest, it’s my favourite of his albums — an easy listen with some truly great songs, the perfect recipe for a timeless record. I was pleased to give it another spin today. On The Beach feels musically laid-back yet carries an undercurrent of anger and frustration in the lyrics, balanced by a faint sense of optimism for the future. It’s a beautifully crafted album, both mellow and meaningful. Favourite track: Walk On and On The Beach Least favourite track: Every song earns its place here. Album artwork: A lovely, evocative cover that perfectly matches the album’s mood.

Bongo Rock

Incredible Bongo Band

2/5

I am expecting lots of bongo from the Incredible bongo band!! Bongo Rock sounds incredible, the horns are loud, there is a lot of bongoing for sure and bongo solos and their are some great guitar riffs ontop. This is a very cool album. Bongo Rock really is a 70s sound and sums up the vibe of that time but it can get a bit tiresome as it has vary little variation throughout and its a long listen. Favourite track: Apache and Bongolia were brilliant songs Least favourite track: After time the labum begins to drap and feel very repitiative. it could do with losing 4-5 of the last tracks. Album artwork: More bongos

Live 1966 (The Royal Albert Hall Concert)

Bob Dylan

4/5

I’ve seen Bob Dylan at the Albert Hall myself—though it was a good 40+ years after this legendary gig. I’m still not entirely sure why so many live albums make this list, but Live 1966 (The Royal Albert Hall Concert) is certainly deserving of its place. Dylan’s voice is in excellent form throughout. The stripped-back, acoustic performances are stunning, and the harmonica adds a raw emotional edge. You really go on a lyrical journey with these songs—it’s intimate, powerful, and beautifully captured. Favourite track: She Belongs to Me is absolutely beautiful. Least favourite track: Every song earns its place here. Album artwork: A fairly standard Dylan cover, but it suits the mood.

Duck Rock

Malcolm McLaren

4/5

Duck Rock by Malcolm McLaren is a really cool record — and very different from what I’d usually listen to. I’m grateful to this challenge for introducing me to it. The album is fast-paced and full of variety, blending global sounds with an early glimpse of hip hop. The first three tracks are superb, and I was fascinated to learn that Eminem later sampled Buffalo Gals. I found myself replaying those opening songs several times today. While the second half doesn’t quite maintain the energy of the explosive start, Duck Rock remains a fun, inventive listen and an important piece of musical history for what it pioneered and inspired. Favourite track: Buffalo Gals, Double Dutch, and Punk It Up — there’s so much happening in Punk It Up, it’s hard not to love it. Least favourite track: The album loses a bit of momentum halfway through; Legba in particular feels weaker and duck for the oyster is either garbage or a genius bit of comedy. Album artwork: A vibrant, colourful cover that perfectly captures the spirit and energy of the record.

Fever Ray

3/5

The self-titled Fever Ray album completely passed me by when it was first released, so I was really looking forward to discovering it today. This record feels very Björk-like — cold, dark, and deeply captivating. It draws you in and demands your attention from start to finish. Each listen reveals new layers and textures, making it an album that rewards repeated plays. It’s not usually the kind of music I’d gravitate toward, but I really enjoyed it. Favourite track: Keep the Streets Empty for Me – a dark, mysterious, and beautifully haunting song. Least favourite track: Everything here is worth a listen. Album artwork: A striking and atmospheric cover that perfectly matches the music’s mood.

You Are The Quarry

Morrissey

5/5

You Are The Quarry is the album that began my love affair with the great man himself, Morrissey. When it came out, I played it endlessly and went to around eight shows on the tour. Listening again twenty years later, it still sounds fantastic. Lyrically, this album is superb — classic Morrissey wit, melancholy, and sharp observation. The music holds up brilliantly too, full of swagger and melody. Tracks like I Have Forgiven Jesus, First of the Gang to Die, and Irish Blood, English Heart remain standout moments, but honestly, every song here is a belter. This is an easy 5/5 for me. Favourite track: Irish Blood, English Heart and First of the Gang to Die Least favourite track: Every song deserves its place Album artwork: One of Morrissey’s simpler covers, but still iconic

Crosby, Stills & Nash

4/5

I’ve always enjoyed Crosby, Stills & Nash — their music is easy-listening folk with beautiful harmonies and thoughtful lyrics. That said, I’ve always preferred their later work with the addition of Neil Young, which adds a bit more edge and depth. This debut album, though, is solid from start to finish. It might not have one standout track that completely blows you away, but every song is strong and well-crafted. It’s a smooth, cohesive listen that captures the late ’60s folk-rock sound perfectly. Favourite track: “49 Bye-Byes” — brilliant songwriting and vocals. Least favourite track: I genuinely enjoyed every song on the album. Album artwork: A fairly standard cover, but it suits the relaxed tone of the record.

Treasure

Cocteau Twins

3/5

Treasure by Cocteau Twins is a beautiful and remarkably original album — especially considering it came out in 1984. That really surprised me. This record is such an intriguing listen. I put it on and ended up playing it three or four times today, hearing something new with each spin and never once getting bored. It’s definitely not the kind of music I’d normally go for, but there’s something captivating about it — the textures, the atmosphere, and Elizabeth Fraser’s vocals all draw you in. That said, there are moments that lose me a bit — like the track “Otterley,” which I just can’t quite get my head around. Still, Treasure is an intense, immersive, and fascinating album that rewards repeated listens. Favourite track: “Ivo” — a brilliant song, Domino is also very lovely and twee. Least favourite track: “Otterley” — I’ve no idea what’s going on there. Album artwork: A lovely and fitting cover for the music within.

A Girl Called Dusty

Dusty Springfield

4/5

I love Dusty — what a voice, and what an icon. I was really looking forward to giving A Girl Called Dusty a listen today. I have to admit, I’m not entirely sure how an album made up mostly of covers makes this list, but then again, when every song Dusty touches sounds this good, it’s easy to see why. Her voice is outstanding throughout, and the sound and production are excellent for the time. Her versions of Mama Said and You Don’t Own Me are particularly strong and full of character. Favourite track: Anyone Who Had a Heart is beautiful, and Mama Said is a classic. Least favourite track: Every track is worth a listen — all sung and performed brilliantly. Album artwork: Double denim! A cool and confident cover that suits Dusty perfectly.

All Hail the Queen

Queen Latifah

1/5

It’s not exactly fair to have to listen to this one on a weekend! I’ve never listened to Queen Latifah before, and to be honest, I knew going in that All Hail the Queen probably wouldn’t be my thing. That said, it was slightly better than I expected. It’s very much a product of its time — classic late ’80s hip hop with that dated sound — but there’s still some charm to it. I wouldn’t listen to it again, though. Favourite track: Dance for Me was okay. Least favourite track: Pretty much everything else. Album artwork: Not one I’d be hanging on the wall at home.

Dire Straits

4/5

Dire Straits’ debut album is a brilliant introduction to one of the most distinctive sounds in rock. I’ve always loved Mark Knopfler’s guitar tone, that clean, effortless picking is instantly recognisable and Sultans of Swing has been one of my most played songs over the last 20 years. While I personally prefer Brothers in Arms and Making Movies, this album has a stripped-back charm that really highlights Knopfler’s vocals, storytelling, and signature guitar work. It’s understated but full of class. Favourite track: Sultans of Swing – a fantastic song that never gets old. Least favourite track: Every song here is worth a listen. Album artwork: A simple but stylish cover very “Dire Straits” in its understated way.

James Brown Live At The Apollo

James Brown

3/5

James Brown isn’t usually my thing, but I really enjoyed Live at the Apollo. It’s bursting with energy, and the sound is powerful from start to finish. You can tell he was an incredible live performer — the band sounds fantastic and perfectly tight throughout. My only complaint is that it’s over too soon; I wish the album was longer! Favourite track: I’ll Go Crazy, Night Train and Try Me are great tunes. Least favourite track: Every song is worth a listen. Album artwork: A cool and iconic cover that perfectly suits the performance.

Tical

Method Man

1/5

I have no real sense of what makes great rap or hip hop — a lot of it sounds quite similar to me, and that definitely applies to Method Man’s Tical. I’ve tried to get into Wu-Tang Clan over the years, mainly because I love “Gravel Pit,” but their sound has never quite clicked with me. This album has some strong moments and a few great beats, but overall the lyrics feel dated and nothing really grabs my attention. It’s just not my kind of music. Favourite track: “Mr. Sandman” was decent. Least favourite track: Most of the album feels dated — it’s just not for me. Album artwork: A fairly standard rap and hip-hop cover.

BEYONCÉ

Beyoncé

1/5

Beyoncé has an incredible voice. There is no questioning her talent or presence. Unfortunately, this album just did not do it for me. Beyoncé feels far too long, and I really struggled to stay engaged from start to finish. There are moments where the production is interesting and the ideas are ambitious, but overall it drags. The pacing makes it feel heavy, and too many tracks blend into one another without a standout hook or spark to pull me back in. I can see why it was culturally significant and praised for its surprise release and visual concept, but purely as a listening experience it felt like hard work rather than something I wanted to revisit. Favourite track: Jealous. The most listenable and emotionally direct for me. Least favourite tracks: Haunted and Blow were particularly difficult to get through. Album artwork: Simple and effective. Clean, bold and probably one of the stronger elements of the whole package

Me Against The World

2Pac

1/5

I’ve never liked 2Pac or gangsta rap, so approaching Me Against the World felt like the start of a long day — and unfortunately, that feeling never quite lifted. There seem to be far too many albums like this in the 1001 challenge, and this one did little to change my mind about the genre. To me, 2Pac remains overhyped and overrated, perhaps further elevated by the mythology surrounding his untimely death. The music and production are the album’s saving graces: the sampling is strong, the beats are well-crafted, and occasionally the instrumentals shine through. My main issues lie with the lyrics and themes. Much of the content feels dated and at odds with today’s culture, and the writing often comes across as simplistic rather than profound. What many praise as raw honesty or emotional intensity simply feels, in my view, bleak, repetitive, and unappealing. That said, there are moments where the production carries the tracks — “Heavy in the Game” features a great sample, and a few other beats caught my attention. Favourite track: Me Against the World was decent, and I enjoyed the “Just Be Good to Me” sample in Heavy in the Game. These two tracks might just nudge the album up to a 2/5. Least favourite track: Honestly, most of the album blurred together. Album artwork: A standard ’90s rap cover — moody, minimal, and predictable.

You're Living All Over Me

Dinosaur Jr.

1/5

Dinosaur Jr just don’t do anything for me. Their sound feels completely flat and, honestly, a bit of a slog to get through. I kept waiting for something to grab my attention, but nothing ever did. Favourite track: Nothing stood out. Least favourite track: Pretty much everything — the whole album felt underwhelming. Album artwork: Cool cover, at least.

Home Is Where The Music Is

Hugh Masekela

2/5

This challenge has really reinforced something I already suspected before starting it nearly two years ago: I genuinely struggle with jazz. And this album was no different. It’s long, repetitive, and doesn’t offer much variety to pull me in. The Afrobeat infusion does add some energy and makes parts of it more engaging, but overall it’s not something I’d return to. Favourite track: Honestly, I couldn’t pick one – it all blends together for me. Least favourite track: “Ingoo Pow Pow” felt like a complete and utter mess. Album artwork: A classy cover, at least.

Teenage Head

Flamin' Groovies

3/5

I’d never heard of Teenage Head by Flamin' Groovies before this challenge, but I really enjoyed it. It’s exactly the kind of discovery I was hoping for when I started. My first reaction was how much it reminded me of The Stooges and The Rolling Stones. I later read it came out the same year as Sticky Fingers, and that Mick Jagger was a fan, which makes complete sense. It has that same gritty, swaggering Stones energy that’s hard to replicate. The band have a brilliant, raw, guitar-driven sound that runs right through the album and keeps it engaging from start to finish. Favourite track: The bonus disc covers stood out for me, all superb Least favourite track: Nothing really, it’s all worth a listen Album artwork: Great cover, really striking

Truth And Soul

Fishbone

3/5

I had never heard of Fishbone or their album Truth and Soul before today, but I’m really glad this challenge brought it my way. The album is a cool mix of ska and reggae, and while my first impression was that it might be a novelty record, it actually grew on me the more I listened. There’s a real energy and uniqueness to it, and by the end I found it a fun and refreshing listen. Favourite track: Ma and Pa — a genuinely fun song. Least favourite track: Freddie’s Dead threw me off at first and made me think I wouldn’t enjoy the album. It felt like a novelty track, but thankfully my first impression didn’t hold. Album artwork: Simple but effective; I quite like it.

Deep Purple In Rock

Deep Purple

4/5

Deep Purple have mostly passed me by. I’ve learned plenty of their guitar riffs over the years, but I’d never sat down and listened to a full album until today and Deep Purple In Rock was a brilliant place to start. This album is fantastic. It’s packed with great, hard-edged guitar rock with a hint of early metal. It’s tight, energetic, and gets straight to the point. There is a lot of shouting, though and not always in a good Daltrey kind of way but it never drags the experience down. Favourite track: Speed King sets the tone perfectly, and Hard Lovin’ Man is a fantastic way to close the album. Least favourite track: Honestly, every track is full of energy and worth a listen. Album artwork: A very cool cover, I love it.

The Lamb Lies Down On Broadway

Genesis

3/5

Today’s listen is The Lamb Lies Down on Broadway by Genesis — a band I’ve tried to get into many times over the years but never quite managed. It’s a double album, and it’s rare that a double album truly wins me over. They often drift into vanity-project territory, packed with more filler than focus. Combine that with the fact that prog rock is very hit-and-miss for me with far more misses than hits and this was always going to be a tough one. That said, there are genuinely good moments here. In fact, Genesis could have carved a fantastic single album out of this material. Which brings me neatly back to my point: double albums often prove exactly why they shouldn’t be double albums. Favourite track: The Lamb Lies Down on Broadway is a great opener that gave me high hopes for the rest of the album. I also really enjoyed Broadway Melody of 1974. Least favourite track: There’s a fair amount of dross scattered across the record, The Carpet Crawlers being a prime example. Great title, very dull song. Album artwork: A cool, striking cover that suits the album’s surreal story.

I Never Loved a Man the Way I Love You

Aretha Franklin

5/5

I love Aretha Franklin, what a stunning voice she has, so I was really looking forward to listening to I Never Loved a Man the Way I Love You today. What a way to open an album. “Respect” is such a phenomenal song, and the quality doesn’t dip from there. The whole record has this warm, effortless soul sound that just draws you in. It’s one of those albums that feels easy to listen to but still completely commanding. I really enjoyed it. Favourite track: “Respect” it would be very hard for anything else to top that. Least favourite track: Honestly, there isn’t a bad song here. Album artwork: A fairly standard cover, but it does the job.

Truth

Jeff Beck

3/5

I love Jeff Beck as a guitarist, and Hi Ho Silver Lining has always been a favourite of mine, but I’d never actually sat down with one of his full albums until today. With that in mind, I went for the bonus edition of Truth. The original 10-track album is a solid listen, classic blues-rock with Beck’s unmistakable guitar tone and some genuinely brilliant vocals from a young Rod Stewart. There’s no denying the musical royalty involved, but there are perhaps a few too many covers and borrowed tracks for it to truly stand out as a cohesive album. Favourite track: If I’m allowed to pick from the bonus tracks, it has to be Hi Ho Silver Lining. It’s one of my most-played songs every year a great tune and one that always reminds me of the Villa. Least favourite track: Greensleeves doesn’t feel essential and doesn’t add much to the overall experience. Album artwork: I really like the cover its simple, striking, and even if I’m not entirely sure what the image is meant to be, it just works.

Scissor Sisters

3/5

I remember not liking the Scissor Sisters’ self-titled debut when it first came out. Back then I was deep into indie and mod, and this felt like the opposite of what I thought was cool. But listening again today, I let it run—and ended up playing it three times. It’s fun, packed with pop bangers, and far better than I gave it credit for. With a broader taste in music now, I can hear the cleverness in the songwriting and the nods to Bowie, Gary Numan, and that glam-electro spirit. It’s a cool, confident record, and I’d happily put it on again when the mood strikes. Favourite track: Filthy/Gorgeous—with Mary and Laura close behind. Least favourite track: Honestly, every track earns its place. Album artwork: Superb. There’s so much happening visually, and it fits the album’s energy perfectly.

Group Sex

Circle Jerks

3/5

I’d never heard of the Circle Jerks before, but when I saw that Group Sex squeezes 14 songs into 16 minutes, I knew I was in for some hard and fast punk. Let’s go. And that’s exactly what I got. This is an excellent hardcore punk record—bursting with energy, immaturity, brash guitar riffs, shouting, and pure noise in the best possible way. I absolutely loved it. Favourite track: Paid Vacation was a standout. Least favourite track: Nothing lasts long enough to dislike—blink and each song is over. Album artwork: A classic punk album cover.

Fresh Fruit for Rotting Vegetables

Dead Kennedys

4/5

2nd punk album in two days, good news! I really enjoyed Fresh Fruit for Rotting Vegetables by Dead Kennedys. This is exactly what this challenge is about: discovering albums I somehow missed along the way. And what a discovery this is. I absolutely loved it. This is proper punk — raw, political, furious, and full of energy from the first second to the last. Let’s Lynch the Landlord might be the most relatable track ever written for anyone who’s lived in London. Pure anger wrapped in the perfect punk song. The whole album hits hard, keeps the pace, and never drops the intensity. I’ll definitely be coming back to this. Favourite track: The cover of Viva Las Vegas is good fun, and Holiday in Cambodia is a brilliant, biting way to close things out. Least favourite track: Honestly, everything is fast, energetic, and fun — nothing worth skipping. Album artwork: A very cool, very punk cover

Jack Takes the Floor

Ramblin' Jack Elliott

2/5

I’d never heard of Ramblin' Jack Elliott before this listen, so I went into Jack Takes the Floor with no expectations. It turned out to be good fun — I enjoyed it more than I thought I would — but nothing really leapt out or grabbed me enough to make me want to return to it. The whole album has the feel of an early Johnny Cash record: warm, earthy, and charming, but fairly samey across the tracks. Favourite track: Nothing truly stood above the rest, though I did enjoy the between-song chat and personality scattered through the album. Least favourite track: Nothing was bad; it’s all consistently solid. Album artwork: Standard folk album cover

3 Feet High and Rising

De La Soul

4/5

I love De La Soul. Their sampling is incredible, the rhythm of their tracks is always spot-on, and their lyrics manage to be both clever and funny. They’re pretty much the only hip hop group I can consistently get into. 3 Feet High and Rising is brilliant. I couldn’t wait for the opening intro to finish so I could get straight into “The Magic Number” — what a superb song. The album is packed with tracks that live up to that standard too. “Tread Water,” “Eye Know,” and “Jenifa Taught Me” are all fantastic, and then it closes with the iconic “Me, Myself and I.” The whole thing is a joy to listen to. Favourite track: “The Magic Number” and “Me, Myself and I” — absolute hip hop classics Least favourite track: The intro felt totally unnecessary Album artwork: Great cover, colourful and iconic

Station To Station

David Bowie

5/5

Station to Station by David Bowie is a superb album and has long been one of my favourites, so this was always going to be an easy listen. At just 38 minutes and only six tracks, the record flies by, I’d happily take another couple of songs because it’s over far too soon. The Thin White Duke era really is Bowie at his best, and this album is a perfect example of that run of brilliance. Station to Station is an effortless 5/5 for me. Every track is superb. Favourite track: If I had to choose, it would be Wild Is the Wind, TVC 15, or Golden Years, which is half the album! Least favourite track: There isn’t a weak moment here. Album artwork: Pure Bowie, striking, stylish, and iconic.

The Infotainment Scan

The Fall

4/5

Another Fall album! This challenge is really helping me dig into their vast catalogue, and today’s listen was The Infotainment Scan. I really enjoyed this one. It’s an easy, engaging listen with fantastic lyrics and a surprising amount of musical variety. The bonus Peel Session tracks on the extended version were a real treat too. This is definitely an album I’ll return to. Favourite track: The cover of “Lost in Music” is brilliant—The Fall give the Chic classic a totally new dimension. I also loved “Why Are People Grudgeful?”, even if it technically only appears as a bonus track on the CD version. Great tune regardless. Least favourite track: Honestly, every track is worth a listen. Album artwork: Not a fan. The blur effect doesn’t work for me—I’m much more into clean, simple album covers.

The Last Broadcast

Doves

3/5

My first thought when I saw The Last Broadcast by Doves was that it had to be older than 2002. I remember hearing tracks from this album back in the going-out days! This is a solid indie record, full of atmosphere and promise, but it often feels like it’s building towards something it never quite reaches. The Last Broadcast has so much potential, yet it lacks a true standout hit to anchor it, and it dips in quality at points with a few tracks that don’t add much to the overall experience. That said, when this album gets it right, it really gets it right. Favourite track: There are some great indie moments here, especially “There Goes the Fear,” “Words,” and the brilliant “Pounding.” Least favourite track: The album drags in places, particularly with “Friday’s Dust” and “The Last Broadcast,” and the intro didn’t feel necessary. Album artwork: A very cool album cover, striking and memorable.

Savane

Ali Farka Touré

1/5

Savane by Ali Farka Touré is a beautifully crafted album, but I have to admit I found it quite boring. There’s no denying the musical quality here, it's rich, warm, and full of gorgeous interplay between guitar lines and traditional instruments. The sound is unique and undeniably atmospheric. But that atmosphere drifts into the background far too easily. Before long, the album becomes something you forget is even playing, and despite the beauty, it just never held my attention. I found myself waiting for it to end, and I can’t see myself returning to it. Favourite track: Soya is a lovely, gentle highlight. Least favourite track: The title track Savane felt particularly dull. Album artwork: A fitting cover that sets the tone for the music inside.

Harvest

Neil Young

4/5

There are so many Neil Young albums in this challenge, but Harvest really stands out as one of the best. The album is packed with great songs, and Heart of Gold feels like Young’s finest moment, a perfect blend of warmth, melody, and timeless songwriting. Harvest is undoubtedly one of his strongest folk records, full of charm and beautifully crafted tracks. Favourite track: Heart of Gold: A genuinely perfect song. Least favourite track: A Man Needs a Maid didn’t land for me at all; it felt overly sentimental and almost like a slightly off Christmas tune with the heavy use of strings. Album artwork: A classic cover that suits the album perfectly.

Dub Housing

Pere Ubu

4/5

Dub Housing by Pere Ubu was such a fun surprise. I’d never heard the album before, and it’s completely different from anything I usually listen to. The mix of strange sounds, off-kilter rhythms, and experimental beats made the whole thing a really enjoyable experience. There’s so much variety packed into it that it never gets dull. Favourite track: Every track had something interesting going on, but I especially enjoyed the ones with strong vocal parts. Least favourite track: Honestly, nothing here felt weak—everything was worth a listen. Album artwork: A very cool, intriguing cover that fits the album’s odd, experimental vibe.

Movies

Holger Czukay

3/5

Movies by Holger Czukay is certainly a unique experience. The album is packed with layers of sound, unexpected samples, and surprisingly strong lyrics for something so experimental. It’s one of those records where you’re never entirely sure what you’re listening to—or why it exists—but somehow it works, and I found myself enjoying the ride. Whether I’d return to it again, I’m honestly not sure. Favourite track: Oh Lord, Give Us More Money is superb. What an absolute trip that song takes you on. Least favourite track: Persian Love sounded like background music in an Indian restaurant. Album artwork: A very cool cover with plenty happening—fits the album perfectly.

Tom Tom Club

3/5

Tom Tom Club’s self-titled debut is good fun and an easy, breezy listen. For an album now over 40 years old, it still feels surprisingly modern. It’s also fascinating to revisit just how fresh this sound was at the time, especially as a Talking Heads offshoot and a creative project from husband-and-wife duo Tina Weymouth and Chris Frantz. The record is packed with great grooves and playful production, and you can hear how ahead of its time it was. That said, while the style was groundbreaking in the early ’80s, some of it now feels a little dated. As the album progresses, the tracks start to blend into one another, and beyond track five it begins to lose momentum. Favourite track: Wordy Rappinghood is a lot of fun even if it does go on a bit and overall everything is enjoyable with nothing actively bad. Least favourite track: Not one specific track, but the issue is how samey the back half of the album becomes, which makes it drag. Album artwork: A brilliant cover itscolourful, quirky, and instantly iconic.

The Poet

Bobby Womack

4/5

The Poet by Bobby Womack is a genuinely fun and satisfying listen. The album blends R&B, funk, and jazz with effortless confidence, all carried by Womack’s soulful delivery and some truly brilliant backing vocals. The pacing is tight, the mood romantic, and the whole record flows beautifully from track to track. It’s one of those albums that feels both polished and deeply heartfelt. Favourite track: Just My Imagination and If You Think You’re Lonely Now are the standouts — both rich, emotional, and superbly crafted. Least favourite track: Honestly, every track has its charm; nothing feels out of place. Album artwork: A fairly standard cover, but it fits the era and the tone.

Gasoline Alley

Rod Stewart

2/5

Gasoline Alley by Rod Stewart left me wondering how it made this list. Yes, Stewart’s voice is unmistakably great, but the album itself leans heavily on fairly standard covers and a handful of original songs that don’t land at all. Overall, it’s a boring, pedestrian and just very dull. Musically, it just never gets out of first gear, and I won’t be revisiting it any time soon. Favourite track: The cover of It’s All Over Now is genuinely enjoyable. Least favourite track: Most of the album—so much of it just drifts by without impact. Album artwork: At least the cover is nice.

The Scream

Siouxsie And The Banshees

3/5

The Scream by Siouxsie and the Banshees is a striking and thrilling debut that I genuinely enjoyed. It’s an album that still feels sharp-edged and alive, full of jagged guitars, icy atmospheres, and Siouxsie Sioux’s commanding presence. There’s an intensity running through the whole record that pulls you in straight away dark, dramatic, and completely self-assured. What stands out most is how fresh it still sounds. For a late-70s release, it feels wildly forward-thinking, carving out a bold space between punk, post-punk, and something uniquely theirs. The basslines are hypnotic, the guitars angular, and the rhythms relentless, creating a kind of controlled chaos that is utterly compelling. It’s easy to see why this album is considered such an influential cornerstone. Even with its raw edges, the album is cohesive and atmospheric, and I found myself really immersed in its world. It’s intense but never alienating, experimental but still accessible a balance few debuts manage so well. Favourite track: I really like the cover of Helter Skelter and Nicotine Stain is also an excellent song Least favourite track: Everything on the album was worth a listen Album artwork: Dark album cover

Suzanne Vega

3/5

Suzanne Vega has a lovely voice, I am looking forward to listening to her self titled debut album. I enjoyed it, the songs are catchy and pleasant to listen to. There is some lovely guitat work throughout the album and it flows really well with variety throughout. This is a great album. She has a great NYC sound and is very similar to the Caves and Cohen type of music. Favourite track: Everything was a pleasant listen but I particularly enjoyed Freeze Tag Least favourite track: Everything on the album is worth a listen. Album artwork: Standard album cover

I Do Not Want What I Haven't Got

Sinead O'Connor

4/5

This is the first time I have ever listened to I Do Not Want What I Haven't Got by Sinead O'Connor, I have always wanted to give this a listen. This album is beautiful. There is so much variety on it, powerful songs and lyrics of great meaning. I really enjoyed the listen and will be playing this again. Favourite track: Nothing comapres to you is a classic song and so emotional when watched with the video. Feel so different was also a great song. There are a good 5 on the album you could pick as a favourite. Least favourite track: Everything on the album is great. Album artwork: Classic album cover, raw with emotion.

Dear Science

TV On The Radio

5/5

I’d been meaning to give TV on the Radio a proper listen for years, and I’m so glad I finally did. Dear Science is a fantastic album—full of energy, invention, and genuinely brilliant tunes. There’s so much going on here: layers of sound, huge variety, and constant shifts in mood and texture that make it a really exciting listen. The album opens strongly with three excellent tracks. Halfway Home immediately grabbed me; I couldn’t shake how much the intro reminded me of The Velvet Underground’s All Tomorrow’s Parties, before it swelled into something completely its own. That’s one of the album’s real strengths—these songs build so well, evolving as they go and keeping you hooked. By the time you reach Crying, it’s a perfect, powerful way to close things out. I loved this album, and I’ll definitely be returning to it. Favourite track: Crying and Halfway Home—though honestly, I could have picked several more. Least favourite track: None. Everything landed. Album artwork: Simple but effective.

Cee-Lo Green... Is The Soul Machine

Cee Lo Green

1/5

I’ve always struggled with Cee-Lo Green’s voice—its high, whiny tone has never clicked with me, so I came into this album hoping it might change my mind. Unfortunately, Cee-Lo Green… Is The Soul Machine didn’t win me over. I found the record long and ultimately boring. The production rarely landed, the lyrics felt pointless, and I couldn’t understand how this ended up on the 1001 list. It was a slog to get through, and it’s not something I’ll return to. Favourite track: The art of noise was an OK track. Least favourite track: Several tracks were weak, but Childz Play stands out as a low point grating vocals paired with clumsy production. I Am Selling Soul also felt completely out of place, adding to the album’s lack of cohesion. Album artwork: Standard rap/hip-hop cover, nothing special.

Kilimanjaro

The Teardrop Explodes

4/5

Kilimanjaro is a slice of early ’80s British pop/new wave that sits comfortably alongside many of its contemporaries. While it’s a solid listen, there’s nothing here that truly stands out or feels especially unique—this is very much a product of its time, sounding similar to a host of other bands from the era. That said, the band’s clear overlap with Echo & The Bunnymen—one of my all-time favourites—means this album naturally plays to my tastes. Because of that, I did enjoy it and it’s enough to make me want to explore more of The Teardrop Explodes’ catalogue. Favourite tracks: Second Head, Sleeping Gas, and Treason were all strong and memorable songs. Least favourite track: Nothing here is bad, and every track is worth a listen if you’re an indie fan. That said, if this isn’t your genre, I can see the album being a bit of a struggle. Album artwork: A standard band cover from the era—perfectly fine, but nothing particularly eye-catching.

Daydream Nation

Sonic Youth

4/5

I’ve never really managed to get into Sonic Youth before. I’ve tried on a few occasions, but Daydream Nation was my first proper listen — and now I finally get it. Daydream Nation is a genuinely great album. It grabs you immediately with the brilliance of “Teenage Riot” and never really lets go, carrying that momentum all the way through to the closing trilogy of tracks, which are absolutely superb and a perfect way to end the record. Musically, the album sounds fantastic. The drumming, bass, and guitars are all outstanding, but it’s the guitar work that really stands out — noisy, inventive, and endlessly engaging. The lyrics are dark yet strangely catchy, giving the album an edge without ever feeling inaccessible. I’m not usually a fan of grunge, but if this sits anywhere near that genre, it’s easily the best version of it I’ve heard. Favourite tracks: The closing trilogy — an incredible and immersive finale. Least favourite track: None. Every track deserves your time. Album artwork: Simple, understated, and very effective.

The Band

3/5

The Band is often held up as a classic, but for me it lands firmly in the “perfectly OK” category. There are moments of quality throughout, but they’re offset by stretches that feel dull and unremarkable. Nothing here really grabbed me or made me want to return for another listen. The musicianship is good but the album never truly lifts itself beyond competent Americana. It’s pleasant enough while it’s on, yet it fades quickly once it’s finished, leaving little behind that lingers or demands revisiting. Favourite tracks: The Night They Drove Old Dixie Down is a genuinely nice song, and Jawbone was another highlight. Least favourite track: When You Awake was dull, to say the least. Album artwork: A standard, no-frills band album cover.

Music

Madonna

2/5

Music by Madonna is an OK album, but it’s far from her strongest work, which makes its inclusion on the 1001 Albums list a bit surprising. The shift towards a more overtly dance-focused sound is interesting, and there are moments where the production and beats really work. However, despite its slickness, the album never quite feels like it goes anywhere meaningful, lacking the spark and songwriting depth of her best records. There are some genuinely enjoyable pop moments. The title track Music is a great tune and still sounds infectious, while Runaway Lover and What It Feels Like for a Girl are well-crafted, memorable pop songs. Elsewhere, though, the album struggles to maintain momentum. American Pie, in any of its forms, remains a miss for me flat and unnecessary and Paradise (Not for Me) fails to leave much of an impression. Favourite tracks: Music; Runaway Lover; What It Feels Like for a Girl Least favourite tracks: American Pie; Paradise (Not for Me) Album artwork: A classic Madonna album cover

Warehouse: Songs And Stories

Hüsker Dü

2/5

I’d never heard of Hüsker Dü before and went into Warehouse: Songs and Stories with no real expectations. My first reaction was simply: this album is far too long. At 20 tracks and over 70 minutes, it feels wildly overstuffed, with very little justification for its runtime. My second thought was less charitable — much of it sounds like a bargain-bin, Temu version of R.E.M. Taken individually, a handful of tracks are perfectly serviceable indie songs, but as a complete album it becomes a slog. The sheer length drains any momentum, and what might have worked in smaller doses turns into something repetitive and ultimately dull. By the halfway point, I was genuinely desperate for it to end. This is not an album I’ll be returning to. Favourite tracks: Could You Be the One and Too Much Spice were decent enough indie tunes. I also enjoyed the Rockabiliy vibe of Actual condition. Least favourite track: Fried — which sounds like the Foo Fighters before the Foo Fighters existed, and I hate the Foo Fighters. More broadly, a lot of the album feels generic and uninspired. Album artwork: At least the cover is quite cute.

Rain Dogs

Tom Waits

2/5

Rain Dogs is, by some distance, the best Tom Waits album I’ve listened to so far. That’s not to say it’s without its problems. There are some genuinely horrible moments, most notably Anywhere I Lay My Head, which really highlights everything I dislike about his voice. The remastered version’s take on Downtown Train is also particularly unpleasant and does the album no favours. That said, unlike other Tom Waits albums I’ve tried, Rain Dogs does at least show a much wider sense of variety. There’s more going on here musically, and for the first time I actually found myself enjoying a handful of tracks. Clap Hands, Diamonds and Gold, and Hang Down Your Head all stood out as songs I could appreciate in isolation. Even so, those highlights aren’t quite strong enough to pull me back for repeat listens. While this is clearly his most listenable album for me, it still doesn’t fully convert me. Favourite tracks: Diamonds and Gold, Clap Hands Least favourite tracks: Anywhere I Lay My Head; I also didn’t enjoy the title track Rain Dogs Album artwork: A cool and distinctive album cover

Goo

Sonic Youth

4/5

This is my second Sonic Youth album of the week, and today it’s Goo. If I’m not into Sonic Youth by the end of the week, I probably never will be. Thankfully, Goo makes a very strong case. It’s a brilliant indie/grunge album: dark, abrasive, and strangely melodic, with a cohesion that makes it flow effortlessly from track to track. The sound feels deliberate and confident—no filler, just a band fully in control of its noise. Dirty Boots is a standout: jagged, grimy guitar work that genuinely feels dirty in the best possible way. The Kim Gordon–led tracks are consistently superb, adding an edge and attitude that balances Thurston Moore’s vocals perfectly. Tunic (Song for Karen) is a highlight—haunting, emotional, and quietly powerful. Favourite tracks: Tunic (Song for Karen), Kool Thing Least favourite track: Mildred Pierce — the screaming didn’t quite work for me. Album artwork: Iconic. One of those covers you instantly picture when you think of Sonic Youth—simple, striking, and unforgettable. Overall, Goo feels like a defining statement: abrasive yet accessible, experimental but grounded, and absolutely worthy of its reputation.

Water From An Ancient Well

Abdullah Ibrahim

1/5

Water From An Ancient Well by Abdullah Ibrahim leans fully into jazz territory—perhaps more so than anything else I’ve listened to recently. I’ll be honest: I’m not qualified enough to judge whether this is good jazz or bad jazz in any technical sense. I can only judge it on how it made me feel, and unfortunately, it didn’t connect with me at all. Like most jazz I’ve tried, I found it difficult to engage with. The album felt slow, meandering, and oddly impersonal—more like background music than something I actively wanted to listen to. At times it even reminded me of a cartoon soundtrack, pleasant enough in places but never gripping or memorable. Overall, it reinforced my long-held feeling that jazz often sounds like music designed to fill space rather than demand attention—something you’d hear in a lift rather than seek out at home. Favourite track: If I absolutely had to choose, The Wedding. It was quite nice, I suppose, and more approachable than the rest. Least favourite track: The rest of the album—it all blended together for me without leaving much of an impression. In short, while I can appreciate that Water From An Ancient Well is likely respected within jazz circles, it simply isn’t for me, and I won’t be returning to it. Album artwork: Its quite a nice album cover

S.F. Sorrow

The Pretty Things

3/5

Before today, I’d never heard of The Pretty Things, so S.F. Sorrow was a complete discovery and a very enjoyable one. This is a seriously cool album. It has strong echoes of the late psychedelic era of The Beatles, but with a rougher, noisier edge. It’s an easy and fun listen, full of fuzz, experimentation, and swirling ideas. You can tell how ahead of its time this must have sounded when it was released. What really stands out is how creative and cohesive it feels. The songs flow naturally, and the band fully lean into the strange and experimental without losing the thread. It’s the kind of album that rewards repeat listens, and one I’ll definitely come back to. Favourite tracks: Bracelets of Fingers and She Says Good Morning, both capture the album’s psychedelic charm perfectly Least favourite tracks: None, everything here feels worth listening to Album artwork: A very cool cover that fits the trippy late 60s vibe perfectly Overall, S.F. Sorrow was a genuine surprise, creative, psychedelic, and far more enjoyable than I expected

Tonight's The Night

Neil Young

4/5

Even more Neil Young, he really does feature a lot on this challenge. I went into Tonight’s the Night expecting something similar to the other Neil Young albums I’ve heard, but this turned out to be very different. This album feels raw, bruised, and emotionally exposed in a way that Harvest or After the Gold Rush never quite are. There’s an unpolished, almost uncomfortable honesty running through it, and that’s what makes it so compelling. It sounds like an album made out of grief and exhaustion rather than craft. Borrowed Tune, Lookout Joe, and Tonight’s the Night really stood out for me. There are genuinely great tracks here, but more importantly, the album works as a complete statement. Every song feels necessary, adding to the atmosphere and emotional weight rather than padding out the runtime. This might actually be my favourite Neil Young album so far, its messy, imperfect, and deeply human. Favourite track: Borrowed Tune Least favourite track: None, everything earns its place Album artwork: Effortlessly cool and perfectly matches the mood of the record

Millions Now Living Will Never Die

Tortoise

1/5

Millions Now Living Will Never Die by Tortoise was completely new to me and unfortunately, not in a good way. I went in open-minded, but the album quickly became a slog. What’s often praised as experimental and forward-thinking landed here as pointless. Rather than drawing me in, the album felt like a test of endurance, with tracks that just did nothing for me at all. There’s no moment that stood out enough to redeem the listen, and by the end I was relieved it was over. Favourite track: None – I struggled to find anything enjoyable. Least favourite track: Every track felt equally tedious. Album artwork: Ironically, the highlight. A genuinely cool and appealing cover

Hunting High And Low

a-ha

4/5

I went into Hunting High and Low curious to see whether a-ha were more than just one iconic song. I’m happy to say this album proved they absolutely are. Hunting High and Low is pure 80s pop—undeniably of its time and occasionally a little dated—but it’s packed with strong, well-crafted songs. Tracks like Here I Stand and Face the Rain and The Sun Always Shines on TV show real depth beyond the hits, while Take On Me remains an all-time classic for good reason. If someone asked what the 1980s sounded like, this album would be a perfect answer. It’s catchy, confident, and far more consistent than I expected. I’ll definitely be coming back to this one. Favourite track: Take On Me – an absolute pop classic Least favourite track: Nothing truly bad here; some songs may start to feel a bit samey over time Album artwork: A very cool, unmistakably 80s cover that fits the sound perfectly

The Freewheelin' Bob Dylan

Bob Dylan

5/5

The Freewheelin' Bob Dylan is a genuinely brilliant record and one of the most important albums in popular music. As Bob Dylan’s second album, it feels looser, more human, and more grounded than his debut—leaning further into blues influences while stripping back some of the overtly biblical imagery. What really stands out is the storytelling. The songs are simple in structure but immense in meaning: poetry delivered with minimal accompaniment, where every lyric matters. This is a groundbreaking album precisely because of its restraint. There’s no excess here—just voice, guitar, harmonica, and words that changed what songwriting could be. It feels timeless, intimate, and quietly revolutionary. This album is more than just music; it’s a statement of intent and a masterclass in lyrical expression. Favourite tracks: Blowin’ in the Wind – one of my all-time favourite Dylan songs. Don’t Think Twice, It’s All Right and I Shall Be Free are also right up there. Honestly, it’s hard to single anything out. Least favourite track: None. Every song earns its place. Album artwork: An iconic Dylan cover—effortlessly cool and perfectly matched to the album’s spirit.

Stankonia

OutKast

2/5

Stankonia just isn’t really for me. While there are undeniably some strong beats and moments of energy, the album leans heavily into familiar crime and gangster tropes that I find tiring rather than interesting. At 24 tracks and well over an hour long, it’s an exhausting listen that often feels like it’s dragging its feet. There’s a good album buried in here somewhere. Trim away a lot of the filler and Stankonia could easily be a sharp, punchy 10-track record. As it stands, though, it feels bloated and unfocused, with too much dross getting in the way of the highlights. That said, when OutKast get it right, they really do get it right. Tracks like B.O.B, Xplosion, and especially Ms. Jackson show just how strong they can be when the songwriting tightens up. Favourite tracks: Ms. Jackson (a genuinely superb song), B.O.B, Xplosion Least favourite track: Beyond the standouts, much of the album blends into overlong, forgettable filler Album artwork: A fairly standard hip-hop cover—functional, but nothing memorable

Bad Company

2/5

I went into Bad Company having never listened to Bad Company before, fully expecting classic dad rock fronted by a huge Paul Rodgers vocal. Unfortunately, that’s exactly what I got and not in a good way. The album is competent but painfully safe: bland, predictable, and largely unremarkable. There are a few decent moments—Ready for Love, Don’t Let Me Down, and Can’t Get Enough all hint at what the band could do—but they’re islands in a sea of mediocrity. The most positive thing I can say is that the album is short; any longer and it would have been a real slog. Even the stronger tracks tend to overstay their welcome, stretching simple ideas further than they deserve. While there are flashes of quality throughout, they never overcome the overwhelming sense of boredom. Favourite track: Don’t Let Me Down – a good song, but it really could have been a minute shorter Least favourite track: Much of the album blends into dull, forgettable rock Album artwork: A genuinely cool cover, and arguably the album’s strongest feature

We Are Family

Sister Sledge

4/5

We Are Family is funk, pop, and disco at their absolute best—and it also showcases Nile Rodgers at the peak of his powers. His signature guitar sound is everywhere, and you can clearly hear the DNA of Chic running through the record. This album moves. It’s funky, it swings, and it’s impossible not to want to sing and dance along. The vocals are outstanding—full of joy, confidence, and warmth—while the musicianship is tight, elegant, and effortlessly cool. Sister Sledge sound completely in control, delivering iconic disco-pop that still feels timeless. There are a couple of slower moments that slightly blunt the momentum, but they don’t take away from just how strong and influential this album is. At its best, We Are Family is pure celebration. Favourite tracks: He’s the Greatest Dancer, Lost in Music, We Are Family – all absolute classics Least favourite track: Somebody Loves Me and You’re a Friend to Me are a bit slow and dull, stopping this from being a full 5/5 Album artwork: A cool, stylish cover that perfectly matches the music inside

E.V.O.L.

Sonic Youth

4/5

This challenge might genuinely have turned me into a Sonic Youth fan. I really enjoyed EVOL. I love how dark and brooding this record feels. The atmosphere is heavy, uneasy, and unmistakably gritty, with a grungy edge that pulls you in rather than pushes you away. The guitar work is the real star—distinctive, dissonant, and unmistakably Sonic Youth. I Not everything lands perfectly, but the mood, tone, and guitar textures make this a compelling and rewarding listen from start to finish. Favourite track: Least favourite track: Secret Girl – a bit much for me and doesn’t really add anything to the album Album artwork: Dark, minimal, and very cool—perfectly matches the mood of the music

American Pie

Don McLean

3/5

American Pie turned out to be a far more enjoyable listen than I expected. I went in with fairly low expectations, largely because I’ve always associated Don McLean with the title track, a song I’ve long found overplayed, overly long, and frankly a bit dull. Thankfully, the rest of the album paints a much richer and more engaging picture. Away from American Pie itself, this is an upbeat, melodic, and surprisingly fun record. There’s a warmth and lightness to the songwriting, with strong melodies, lively arrangements, and lyrics that feel playful rather than slow. I was genuinely surprised by how much I enjoyed large parts of the album, and it’s definitely better than its most famous song suggests. Favourite tracks: Winterwood, Crossroads, Everybody Loves Me, Baby, and Till Tomorrow — all lovely songs that showcase McLean at his best. Least favourite track: American Pie remains a slog for me — too long, too familiar, and still not to my taste. Empty Chairs also drags and feels particularly dull. Album artwork: A standard, unremarkable cover that doesn’t add much personality, but does the job. Overall, a good album that deserves to be judged on more than just its iconic (and overplayed) title track.

Hounds Of Love

Kate Bush

4/5

Hounds of Love is a genuinely unique and innovative pop record, and still sounds unlike anything else from its era. It’s a thrilling listen from start to finish, balancing accessibility with ambition in a way very few artists manage. Every song feels purposeful and fully realised. The music is rich and inventive, while the lyrics are vivid, story-led and deeply imaginative. Bush comes across not just as a pop star, but as a poet and conceptual artist, weaving emotion, drama and experimentation into songs that remain instantly engaging. Favourite tracks: Running Up That Hill and Hounds of Love – iconic, timeless pop songs that fully deserve their iconic status. Least favourite track: Waking the Witch was very odd. Album artwork: A cool, distinctive cover that perfectly matches the album

Rio

Duran Duran

4/5

I listened to Rio on New Year’s Day while driving back from Birmingham — my hometown and also the birthplace of Duran Duran. Fittingly, I chose the Collector’s Edition, which clocks in at two hours and twenty-seven minutes… exactly the same length as the drive. It felt like the perfect soundtrack to start 2026. I absolutely loved this album. What a way to kick off the year. Rio is unapologetically 80s: glossy synth-pop, tight rhythms, and a sound that is completely unmistakable. You instantly know when a Duran Duran song comes on, and that distinctive identity runs right through the album. I honestly didn’t expect to enjoy it as much as I did, but it’s a brilliant listen from start to finish. Favourite tracks: “Rio,” “Hungry Like the Wolf,” and “Save a Prayer” are superb pop songs and Duran Duran at their absolute best. I was also pleasantly surprised by “Hold Back the Rain,” which I hadn’t heard before and really enjoyed. Least favourite track: There are a couple of weaker moments — “The Chauffeur” and “Last Chance on the Stairway” felt like filler compared to the album’s highs. Album artwork: A very cool album cover. The colour scheme and artwork are instantly recognisable and perfectly match the slick, stylish feel of the music.

Vespertine

Björk

1/5

Vespertine feels very much in line with most Björk albums for me: dense, noisy, and deliberately strange, often tipping into something I find difficult to engage with. It sometimes feels weird for the sake of being weird, and much of it is close to unlistenable from my perspective. That said, there are moments where the album shows a softer, more accessible side. A few tracks hint at melody and atmosphere that briefly cut through the layers of experimentation, but these moments tend to get lost in what feels like a lot of unnecessary nonsense. I’ve never really connected with Björk’s music, and Vespertine ultimately reinforces that feeling rather than changing it. Favourite track: Undo – a genuinely nice moment on the album Least favourite track: Most of the album Album artwork: A cool, striking cover that suits the icy, insular mood of the record

Eliminator

ZZ Top

2/5

I’ve never really spent time listening to ZZ Top, always writing them off as “dad rock” and the kind of heavy rock that should probably have stayed in the 1980s. With that preconception firmly in place, I went into Eliminator curious to see whether I’d been unfair. The big hits are undeniably strong. Sharp Dressed Man, Legs, and Gimme All Your Lovin’ are excellent pop-rock singles: slick, hooky, and perfectly engineered for MTV-era success. They’re fun, instantly recognisable, and still work well in isolation. Beyond those highlights, though, the album quickly loses momentum. The slower tracks feel flat and uninspired, and much of the remaining material blends into a fairly forgettable stretch of generic 80s rock. There’s little here that compels a full-album revisit. Lyrically, too, parts of Eliminator feel dated, with some moments tipping into tired and mildly misogynistic clichés that haven’t aged especially well. Overall, Eliminator is a record defined by its singles: a handful of brilliant tracks surrounded by a lot of filler. Favourite track: Gimme All Your Lovin is a great tune Least favourite track: TV dinners is an example of how boring this album can be Album artwork: Cool album cover

A Rush Of Blood To The Head

Coldplay

4/5

A Rush of Blood to the Head feels like the last truly great Coldplay album — and at its best, it’s genuinely brilliant. It’s packed with strong songs and era-defining hits, and it captures the band at a point where ambition, emotion, and melody were perfectly aligned. I’ve never been shy about giving Coldplay a hard time. I’ve often found them a bit middle-class, music-school polished, and occasionally bland. But tastes evolve. After seeing them live recently — and perhaps mellowing a little myself — I’ve come to appreciate what they do well far more than I used to. Yes, they can veer into cheesy territory, but on this album it mostly works. The production is superb, the songwriting confident, and the run of singles is excellent. It’s full of big, catchy pop songs that still feel emotionally grounded rather than overblown. That said, the album does drag in places. The back half isn’t as strong, and tracks like Whisper and the title track feel flat and overly earnest. Trimmed slightly, this could have been a tighter and even more impactful record. Favourite tracks: Politik, In My Place, The Scientist, and Clocks — all outstanding pop songs. Least favourite tracks: Whisper and A Rush of Blood to the Head feel dull and expendable. Album artwork: A cool, understated cover that suits the mood of the record perfectly.

Music From Big Pink

The Band

3/5

Music From Big Pink is a remarkably assured debut from The Band, and one that immediately stands out for its breadth and confidence. The album blends country, rock, folk, blues, R&B and soul with an ease that feels completely natural rather than showy. There’s a sense that this band already knew exactly who they were from the outset. Reading up on the background only deepens the appreciation. I hadn’t realised quite how closely connected they were to Bob Dylan before this record, touring as his backing band and co-writing three of the songs here. His influence is unmistakable throughout, not just in the songwriting but in the album’s loose, rootsy feel and understated confidence. What really works for me is the variety. Music From Big Pink is an enjoyable, rewarding listen with several standout tracks, and it’s an album I can see myself returning to. It’s also made me keen to dig further into the band’s back catalogue, which feels like a strong endorsement for any debut. Favourite tracks: There are many excellent tracks. This Wheel’s on Fire is a standout, though I can’t help wondering if I slightly prefer the Absolutely Fabulous cover. To Kingdom Come, Long Black Veil and We Can Talk were also real highlights. Least favourite tracks: The album does start on a slightly dull note for me. Tears of Rage is a slog, and some of the slower songs elsewhere struggle to hold my attention. Album artwork: A beautiful cover, painted by Bob Dylan himself. It perfectly suits the feel of the record and adds to its timeless, rustic charm.

Groovin'

The Young Rascals

4/5

Groovin' is a genuinely cool record. On first listen I assumed it was little more than a Beatles-inspired record that didn’t offer much that was new. I couldn’t have been more wrong. After playing it three or four times across the day, the album really clicked. Tracks like You Better Run, I Don’t Love You Anymore and the title track Groovin’ are immediate highlights, but the truth is that most of the record is strong. It’s one of those albums that quietly grows on you until you realise how consistently good it is. At its core, this is pure 60s music: simple three-chord songwriting, pop and soul seamlessly blended, tasteful musical flourishes and straightforward, heartfelt lyrics. There’s nothing overcomplicated here, just great songs played with confidence and feel. Side two in particular is superb and really elevates the album as a whole. This is a record I’ll happily return to again and again. Favourite tracks: A Girl Like You and I’m So Happy Now — perfect examples of joyful, effortless 60s pop. Least favourite tracks: None — everything earns its place and contributes to the album. Album artwork: A very cool cover that suits the music perfectly.

Better Living Through Chemistry

Fatboy Slim

2/5

Better Living Through Chemistry by Fatboy Slim starts off as a lot of fun, but the enjoyment fades as the album wears on. The early tracks are clever, energetic and packed with smart samples, yet there’s very little variation across the running time. What begins as a punchy big-beat statement gradually blurs into one long groove, making the album feel far longer than it needs to be. While I can appreciate its place in the rise of big beat and late-90s club culture, I’m still surprised this made the 1001 Albums list. It’s enjoyable in short bursts, but as a full album listen it struggles to hold attention. I can only really imagine returning to it as background music—perhaps on a run—rather than something to sit down and properly revisit. Favourite tracks: First Down, Santa Cruz, and Going Out of My Head stand out as genuinely cool tracks. I particularly like the use of the “Can’t Explain” riff, and the fact that it earns a writing credit for Pete Townshend is a nice touch. Least favourite tracks: Much of the album blends into one after a while. It feels overlong, and several of the later tracks don’t add anything new. Listening to it now, it also sounds quite dated nearly 30 years on. Album artwork: A cool, eye-catching sleeve that suits the era and the music well.

Guitar Town

Steve Earle

1/5

Guitar Town really is not my thing. I am not a big country fan to begin with, and this leans heavily into that sound. At times it almost feels like a caricature of the genre, which makes it even harder for me to connect with. The twang, the themes, the delivery. It just does not land for me. A few tracks feel like second hand Bruce Springsteen, but without the emotional punch or drama that makes that style work so well. There is very little here that grabbed me or made me want to revisit it. The only positive in that sense is that it is a fairly short album. Favourite track: Someday. If I have to choose one, this is the most listenable. Decent lyrics and a solid rhythm, even if it still does not fully win me over. Least favourite track: My Old Friend the Blues. Relentlessly dull and the moment where the album really drags. Album artwork: A genuinely cool cover. Arguably the best thing about the record

Synchronicity

The Police

1/5

I went into this review determined to be fair and not let my long-standing dislike of Sting colour my judgement. That resolve didn’t last long. Synchronicity gets off to a painfully bad start: Synchronicity I and Walking in Your Footsteps are awful, setting an immediately sour tone. There’s a brief lift midway through. O My God and Miss Gradenko inject a bit of energy and character, and Synchronicity II finally delivers some genuine bite. Every Breath You Take is the obvious high point. Beyond those moments, the album quickly sinks back into pretentious, joyless territory. Tracks like Mother are borderline unlistenable, and the overall experience feels far weaker than the band’s reputation suggests. Favourite track: Every Breath You Take — a genuinely great pop song and the album’s sole saving grace. Least favourite tracks: Synchronicity I, Mother, and Walking in Your Footsteps — all genuinely horrid and I had so many poor songs to choose from. Album artwork: A decent cover, though it feels overly obsessed with Sting’s image.

Aja

Steely Dan

4/5

Listening to Aja made me stop and think: what exactly are Steely Dan? I have never got them before today, This is easily the best Steely Dan album I’ve heard. From the first moments, Aja feels well produced and crafted. “Black Cow” is a superb opener, while the title track alone justifies the album’s status. “Peg” and “Josie” are outstanding—effortlessly catchy and the kind of songs you love more with each listen. The sound throughout is immaculate. The production is pristine, the musicianship faultless, and the drumming in particular is exceptional. Favourite tracks: “Josie” and “Peg” – both are superb Least favourite track: None – everything here earns its place Album artwork: A cool, iconic cover that suits the album perfectly

Remain In Light

Talking Heads

4/5

This challenge finally introduced me properly to Talking Heads, and I’m honestly a bit annoyed it took this long because I am now a big fan. Remain in Light is an album I’ve been looking forward to listening to properly, and it really doesn’t disappoint. There are some genuinely great songs on here. I really enjoyed Unison, and of course Once in a Lifetime is just fantastic. Musically, this album is brilliant. It’s full of loops, strange rhythms, and ideas that shouldn’t work but absolutely do. I love how creative it is. There’s loads going on stylistically too — punk, funk, world music — all mashed together into something that still sounds tight and focused. It feels bold, confident, and completely its own thing. Even now, it still sounds fresh. Favourite track: Once in a Lifetime — pure 80s brilliance. An iconic pop song for a reason. Least favourite track: Fela’s Riff — not awful, just a bit dull. I’m not sure what it really adds. Album artwork: Iconic Talking Heads cover. Instantly recognisable and suits the music perfectly.

Blood On The Tracks

Bob Dylan

5/5

Blood On The Tracks has always been one of my favourite Dylan albums, and every time I come back to it I’m reminded why. This is Dylan at his absolute best: great tunes, simple arrangements, and some of the most unbelievable storytelling he ever committed to tape. It feels raw, personal and honest without ever tipping into self-indulgent. Tangled Up in Blue has always been a standout for me – it’s one of those songs that changes slightly every time you hear it, depending on your mood and where you are in life. There’s not much fat on this record. The songs are strong, the melodies stick, and the lyrics do the heavy lifting. It’s an album you can sit with, properly listen to, or just let play and absorb. Favourite tracks: Tangled Up in Blue, Shelter from the Storm, If You See Her, Say Hello and Twist of Fate – all beautiful songs, each for different reasons. Least favourite tracks: None. Everything on this album earns its place. Album artwork: An iconic Dylan cover that perfectly matches the mood of the music.

Rejoicing In The Hands

Devendra Banhart

1/5

I had never heard of Devendra Banhart before and went into Rejoicing in the Hands with no expectations at all. Unfortunately, that didn’t help. In short, this is one of the most boring albums I’ve ever sat through. It feels like that bloke at a party who insists everyone listen to him, despite having absolutely nothing interesting to say. It’s all wispy, hippy nonsense, meandering acoustic guitar, and ideas that never really go anywhere. It drags on far longer than it should, and every track blends into the next in the most forgettable way possible. I struggled to stay engaged and, honestly, getting to the end felt like a chore rather than a pleasure. Favourite tracks: None. I didn’t connect with anything here and found it a very hard listen. Least favourite tracks: All of it. Album artwork: Cool album cover – easily the best thing about the album.

Spy Vs. Spy: The Music Of Ornette Coleman

John Zorn

1/5

Spy vs. Spy: The Music of Ornette Coleman by John Zorn is one of those albums that’s oddly hard to track down — and once you finally do, you start to wonder why you bothered. I’ll be blunt: this is awful. It feels like lazy, chaotic jazz played at you rather than for you. The constant, overbearing drumming never lets up, smothering whatever ideas might have been lurking underneath. Instead of sounding exciting or confrontational, it just becomes exhausting. It’s noisy without being interesting, intense without being engaging, and genuinely hard work to sit through. I get that this is meant to be abrasive and experimental, but for me it comes across as self-indulgent and joyless. There’s no groove, no hook, no moment where it clicks — just relentless clatter from start to finish. Favourite tracks: None. I honestly couldn’t pick a single one. Least favourite tracks: Every track — they all blur into the same unpleasant experience. Album artwork: Genuinely brilliant. Easily the best thing about the album.

Live Through This

Hole

4/5

This was my first proper listen to Live Through This by Hole, and I was genuinely looking forward to it. I wasn’t expecting it to be this good. The album is raw, loud, and full of attitude, but it’s also packed with really strong, catchy songs. There’s a proper energy running through it from start to finish – it moves quickly, never hangs about, and feels exciting the whole way through. Punky, messy, and melodic in the best possible way. I loved it and I’ll definitely be coming back to this one. Favourite tracks: Doll Parts, Rock Star, and Softer, Softest are all cracking songs and really stand out. Least favourite tracks: There isn’t a bad track here – and even if there was, it would be over in two minutes and you’d be straight onto the next one. Album artwork: Great album cover – iconic and suits the record perfectly.

Rhythm Nation 1814

Janet Jackson

1/5

This really isn’t my thing at all. At 20 tracks and well over an hour long, Rhythm Nation 1814 felt like it was always going to be a slog—and unfortunately, that’s exactly what it turned out to be. My immediate reaction was just how dated it sounds now. It absolutely screams late-80s, and not in a charming or nostalgic way. The production feels stiff and overcooked, and none of the songs landed with me at all. I also realised I don’t really remember any of these tracks, which suggests it completely passed me by at the time—and listening now, I can see why. The constant interludes don’t help either. They feel like unnecessary filler that only pad out an already overlong album, breaking any momentum it might have had. Favourite tracks: I genuinely couldn’t pick one. I found this an awful listen. Least favourite tracks: The interludes — pointless and distracting. Album artwork: Fine, but fairly standard and nothing special. Overall, this was a tough one to get through and not an album I’ll be revisiting.

The Healer

John Lee Hooker

2/5

The Healer by John Lee Hooker is a more modern take on Blues by a Blues legend. I didnt enjoy this album, After the first track I felt I was on track to give me third 1/5 in a week. The album however did pick up and had some nice moments like Rockin chair and My dream. The Healer is a good intro into the blues music genre before digging deep into the history of earlier artists and albums. As a blues Alum in its own right I feel the colaborations made this more mainstream than John Lee Hooker would have wanted it and made it a very soft album. They clearly wanted this record to do commercially well. Favourite track: Rockin Chair is a more traditional blues number. I really enjoyed it. Least favourite track:I found the Healer title track to be one of the most boring songs I have ever heard. Album artwork: Strong album cover

Deja Vu

Crosby, Stills, Nash & Young

4/5

CSN are good, but they’re so much better when Neil Young is involved. Déjà Vu is a strong album, even if it sticks fairly closely to their familiar formula and often feels like variations on what they’d already done. That said, this record is packed with classic songs, stunning melodies and superb guitar playing, and it really captures a moment in time. The gentle, folky, peace-and-love sixties shine through on tracks like Déjà Vu and Our House — both superb pop songs — while they’re balanced by grittier, rougher rock moments elsewhere on the album. There’s real variety here. It’s not a radical reinvention, but it’s confident, warm and full of songs that have rightly lasted. Favourite track: Carry On – a brilliant track and one of the album’s real highlights. Least favourite track: Everything here earns its place. Album artwork: Nice dog, but a bit dull overall – not one you’d frame and hang on the wall.

Autobahn

Kraftwerk

1/5

Autobahn is a tough listen. I can absolutely see why people call it important, groundbreaking and influential — but actually sitting down and listening to it is another matter entirely. The title track takes up nearly half the album at 22 minutes, and for me it just doesn’t go anywhere. It drifts, hums and loops without ever really rewarding your patience. I know that’s kind of the point, but it feels less hypnotic and more like being stuck in slow traffic. Conceptually clever, musically very thin. Overall, I’ve got no desire to come back to this one. I respect it far more than I enjoy it. Favourite track: Kometenmelodie 2 – slightly more energetic, a bit perkier, and crucially much shorter than the rest. Least favourite track: Autobahn – far too long and painfully dull. Nothing happens. It’s like spending two hours on the M40. Album artwork: Brilliant. I love the cover — easily the best thing about the album.

Greetings From L.A.

Tim Buckley

3/5

Greetings From L.A. by Tim Buckley is a good album from someone who must have been a flawed person judging by these lyrics. Lyrically this album is very dated. That said this album is quick, catchy and has really funky beats. so lyrics aside this is a strong album. Favourite tracks: I enjoyed make it right Least favourite tracks: Everything on the album was worth a listen. Album artwork: Cracking album cover. I love an ariel view of roads.

Let It Bleed

The Rolling Stones

5/5

Let It Bleed by The Rolling Stones is one of my favourite albums, full stop. It’s one of the records that properly locked them in as one of my favourite bands, so I went into this listen knowing it was going to be a good one. And it really is that good. Let It Bleed is an easy five-star album. Everything clicks: the mood, the songs, the sequencing. The cover is iconic, and Gimme Shelter and You Can’t Always Get What You Want alone would justify the album’s reputation. The whole thing sounds like the soundtrack to half of Martin Scorsese’s films — gritty, swaggering, dark, and brilliant. Favourite track: There are too many to choose from. Gimme Shelter is one of the most iconic songs of all time. Midnight Rambler is phenomenal, and you’ve also got stone-cold classics like Let It Bleed and You Can’t Always Get What You Want. It’s ridiculous how strong this album is. Least favourite track: Honestly, none. Every track earns its place — even the slightly cheesy Country Honk. Album artwork: An all-time classic. Instantly recognisable and perfectly suited to the music. This is the Stones at their absolute peak. An album I’ll never get bored of.

Scott 2

Scott Walker

1/5

At first I genuinely thought Scott 2 was some kind of parody album or a joke. It sounds like a cancelled, overly serious version of Mike Flowers, minus the humour or charm. I honestly can’t believe this made the list. The music is miserable, the songs are sung badly, and the lyrics are dated and painful. It’s all melodrama with nothing underneath it. This was a real slog to get through and I can’t imagine any situation where I’d ever want to hear it again. Favourite track: None. I couldn’t pick one — every track was awful. Least favourite track: Every track. Album artwork: Crap.

Cafe Bleu

The Style Council

5/5

Café Bleu by The Style Council has been on my “I really should give this a proper go” list for a long time. I love Paul Weller, I love The Jam, and I want to love this album too. I already knew the hits You’re the Best Thing is an absolute belter, and My Ever Changing Moods is rightly loved but sitting down with the whole record, Café Bleu is a strange one. It’s wildly eclectic: jazz, soul, folk, funk, pop, even a bit of rap thrown in for good measure. At times it’s genuinely brilliant and adventurous; at others it’s pretty hard work. A Gospel is a good example of where the experimentation tips over into something that just doesn’t land for me at all. That said, even when it misses, it’s never boring. You can hear Weller deliberately tearing up the rulebook and refusing to stand still after The Jam, and for that alone the album deserves credit. It’s inconsistent, occasionally annoying, but also bold, stylish and very much its own thing. Favourite tracks: You’re the Best Thing; My Ever Changing Moods Least favourite track: A Gospel Album artwork: Classic. Absolutely love the cover its effortlessly cool and very of its time.

So

Peter Gabriel

3/5

So by Peter Gabriel really does sound like the 80s — for better and for worse. This was an OK listen overall, but it’s very samey and feels pretty dated now. There are moments where it absolutely works, but as a full album it sits firmly in the middle of the road. Slick, polished, and unmistakably of its time — sometimes that’s a strength, sometimes it really isn’t. That said, when it hits, it hits. The big singles still stand up and remind you why this album is so well-regarded. Outside of those, a lot of the deeper cuts feel locked in the decade and haven’t aged especially well. Favourite tracks: Sledgehammer and Don’t Give Up — easily the highlights and the reasons this album still gets played. Least favourite tracks: This Is the Picture and We Do What We’re Told — very dated, very 80s, and best left there. Album artwork: Standard album cover — fine, but nothing special. A decent album with some great songs, but not one I feel the need to revisit much beyond the hits.

Caetano Veloso

1/5

As you know with this challenge, I really struggle with music in another language. I connect most with lyrics and storytelling, and that’s something I just can’t fully access here. Because of that, this album never really grabbed me in the way I want music to. I found it pleasant enough as background music, the sort of thing you can have on while not really paying attention. But beyond that, it didn’t leave much of an impression, and I have no desire to come back to it again. Favourite track: Soy loco por ti, América is probably the standout if I had to choose one. Least favourite tracks: Hard to pick. I didn’t hate anything, but I also never want to listen to any of it again. This is the very definition of background music. Album artwork: Superb. Colourful, intense, and that stare is properly evil — easily the best thing about the album.

Here, My Dear

Marvin Gaye

2/5

I was genuinely excited to see Here, My Dear pop up this morning, but it turned out to be a real let-down. The album is long, slow and, frankly, pretty boring. I get it — Marvin is heartbroken — but he really goes on about it, to the point where it becomes a slog rather than something you connect with. This is nowhere near his best work. I normally don’t mind albums steeped in heartbreak and self-indulgence, The Boatman's Call is one of my all-time favourites but this just drags. Track after track blends into the next, circling the same emotions without ever really lifting. The one constant highlight is Marvin Gaye’s voice, which remains absolutely superb and is the album’s main saving grace. Favourite track: Is That Enough is fine, if I had to pick one. Least favourite tracks: Honestly, most of them. They all follow the same flow, story and mood, and it becomes very dull very quickly. Album artwork: A fantastic cover, bold, busy and interesting. Ironically, it’s far more engaging than the music inside.

m b v

My Bloody Valentine

1/5

I don’t think I’ve ever listened to a My Bloody Valentine album before. Going in, I was half-expecting depressed-teenager / emo vibes, so I pressed play on mbv with an open mind. This can be summed up very simply: listening to this album was a miserable experience. The vocals are buried to the point of being unintelligible, the sound is endlessly droney, and nothing ever really goes anywhere. It feels shapeless and joyless, like a wall of grey noise with no hook, no tune, and no payoff. I get that this is “the point” for some people, but for me it was truly dreadful. Favourite tracks: I honestly couldn’t pick one. Every track blurs into the next, like indistinct mumbling background noise that offers absolutely nothing. Least favourite tracks: She Found Now, Is This and Yes – some of the most boring, aimless tracks I’ve ever had the misfortune of sitting through. Album artwork: Really cool cover. Easily the best thing about the album.

Pictures At An Exhibition

Emerson, Lake & Palmer

1/5

I’d never heard this album before today, and once I finally tracked it down I realised it’s a live, almost entirely keyboard-driven record which straight away wasn’t what I was expecting. The concept is also pretty bizarre: largely instrumental interpretations of a 150-year-old Russian classical piece. Fair play for the ambition, but it all feels very niche. There are moments where it’s catchy and interesting, and I can appreciate what they’re trying to do, but overall this really wasn’t my thing. I enjoyed Blues Variation and Promenade (Part 2), but beyond that it’s a tough, often dull listen. Too much of it blurs into one long stretch of noise where you’re not quite sure what’s happening or when it’s going to end. I get why people rate it as bold and different, but for me there are far better live albums that somehow haven’t made the 1001 list. Favourite track: Blues Variation Least favourite tracks: Most of the album. It all merges into one confusing sprawl Album artwork: Cool album cover, easily one of the highlights

Francis Albert Sinatra & Antonio Carlos Jobim

Frank Sinatra

1/5

Today’s album: Francis Albert Sinatra & Antonio Carlos Jobim by Frank Sinatra and Antônio Carlos Jobim. And honestly… I was not looking forward to this. I’ve never really got Sinatra. I don’t find him smooth or cool, and the whole King of Croon thing has never worked for me at all. Musically, this album is undeniably classy. The arrangements are beautiful and everything is impeccably played. But that’s also the problem. It’s all so similar, so polite, and ultimately very dull. Once you’ve heard a minute of it, you’ve pretty much heard the lot. Nothing here makes me want to come back for another listen. Favourite track: The Girl from Ipanema is a genuinely good song and a strong way to open the album. Unfortunately, after that it all just blends into the same laid-back haze with no real variation or spark. Least favourite tracks: Once I Loved and anything else that sounds exactly like it – pleasant, but painfully boring. Album artwork: A classic cover, at least.

Mama Said Knock You Out

LL Cool J

1/5

Mama Said Knock You Out by LL Cool J is up for today, and after a pretty poor week of albums, I wasn’t optimistic going in. Unfortunately, this didn’t turn things around. My overriding feeling is that this album is far too long and now sounds seriously dated. Some of the lyrics are uncomfortable at best and frankly awful at worst lines like “I sure wouldn’t rape you” being used as a pickup line are bad enough for the time, and completely indefensible now. That said, there are some strong beats here. The production is often sharp and hard-hitting, but it’s constantly let down by rapping that feels clumsy, boastful and irritating rather than clever or charismatic. Favourite track: Mama Said Knock You Out easily the standout and the only moment where everything actually comes together. Least favourite tracks: Milky Cereal is genuinely awful, and 6 Minutes of Pleasure somehow manages to outstay its welcome despite lasting barely four. Album artwork: Standard, generic rap album cover does the job

Maverick A Strike

Finley Quaye

2/5

I remember Maverick A Strike by Finley Quaye being absolutely everywhere when it came out. It felt huge at the time, one of those records you couldn’t avoid. Listening back now, I honestly struggle to see why it blew up quite so much. There are a couple of genuinely lovely songs here Sunday Shining and Your Love Gets Sweeter but beyond those highlights, there isn’t a great deal going on. The album settles into a very safe, chilled, mainstream reggae groove and never really pushes beyond that. It’s pleasant enough, but that’s about it. There’s far stronger, more interesting reggae out there that never made the 1001 Albums list, which makes this inclusion feel a bit generous. It also drags towards the end a tighter tracklist would have helped a lot. Favourite track: Sunday Shining – easily the standout and still a great song. Least favourite tracks: The final stretch (tracks 10–13) adds nothing and could have been cut without loss. Album artwork: Fine, but completely unremarkable.

Steve McQueen

Prefab Sprout

4/5

I’ve always liked Steve McQueen, and a proper listen just confirms why. It’s an immaculate record, there isn’t a weak track anywhere. Every song feels distinct, yet it all hangs together beautifully. The songwriting is the real star: sharp, thoughtful lyrics that tell proper stories, wrapped in sophisticated 80s synth-pop that constantly shifts and evolves. It’s polished without being bland, clever without being smug, and endlessly replayable. Favourite track: Faron Young a gorgeous song. Least favourite track: None. Every song earns its place. Album artwork: Cool, understated, and a perfect fit for the music.

Smile

Brian Wilson

2/5

I’ve listened to plenty of The Beach Boys over the years, but somehow never got around to Smile by Brian Wilson. Going in, I was expecting harmonies, clever songwriting and some sunshine soaked pop. Instead this just didn’t land for me at all. I know I’m firmly in the minority here looking at the reviews but to my ears it feels overworked, self-indulgent and baffling. There’s no flow, no killer song apart from good vibrations, and far too many moments where I’m left wondering what the point actually is. I get it’s ambitious, different and experimental. But ambition alone doesn’t make something enjoyable, and for me this was a frustrating listen rather than a rewarding one. Favourite track: Good Vibrations is an absolutely brilliant pop song and, honestly, the album’s saving grace. Least favourite tracks: I clearly don’t “get” this record, but tracks like I’m in Great Shape and Vega-Tables just left me scratching my head. Album artwork: Bright, colourful and genuinely lovely – the most instantly appealing thing about the album.

Unknown Pleasures

Joy Division

5/5

Unknown Pleasures is a brilliant album: dark, moody, angry, melancholic and quietly aggressive. It’s one of those records I don’t put on often enough, but when I do, I end up binging it for days. It completely pulls you into its world. The basslines are immense, the lyrics feel tortured but full of meaning, and the songs are packed with atmosphere and melody. Tracks like Disorder, She’s Lost Control and Day of the Lords show just how much depth and tension Joy Division could create with such restraint. There’s an incredible balance here between bleakness and beauty. Favourite track: She’s Lost Control – absolutely superb. Least favourite tracks: None. Everything here is worth your time. Album artwork: A true classic – simple, stark, and instantly iconic.

#1 Record

Big Star

5/5

#1 Record is a wonderful album and very much my kind of record. It’s packed with jangly, melodic guitars, Beatles-esque vocal harmonies, and songwriting that feels raw, emotional, and often quietly melancholic. It’s easy to understand why this album was commercially overlooked at the time, but it’s just as easy to see why it has since become so revered. Its influence is everywhere, and the quality of the songs more than justifies the love it gets from so many artists and fans today. Favourite tracks: Thirteen, Watch the Sunrise and Try Again are all fantastic, though there are honestly so many highlights to choose from. Least favourite tracks: None – everything here earns its place and is well worth your time. Album artwork: A classic album cover – simple, iconic, and perfectly fitting.

Fear and Whiskey

Mekons

4/5

Fear and Whiskey is a genuinely fun record and an easy, rewarding listen. I love the way spoken-word passages sit over scrappy punk rhythms and that wonderfully wild violin—it gives the album a character all of its own. The subject matter is quirky and unexpected, but the storytelling is sharp and engaging throughout, carried by music that never feels lazy or predictable. This is the kind of album you finish and immediately think, yeah, I’ll happily come back to that. Favourite tracks: Psycho Cupid really stands out its odd, inventive and brilliantly, with spoken words that pull you straight into its world. Filcraft and Chivalry are also highlights, especially for that brilliant violin-driven punk sound. Least favourite tracks: None. Every track earns its place. Album artwork: Love the cover it perfectly suits the album’s off-kilter spirit.

All Mod Cons

The Jam

5/5

All Mod Cons is a superb record. Raw, urgent and packed with songs that genuinely say something. For me, this is The Jam at their absolute peak, which is saying a lot given how strong the rest of their catalogue is. The songwriting is sharp and observational, full of wit and social commentary, but it never loses its punch or melody. There is urgency throughout, but it is controlled. Political without preaching. Intelligent without losing that driving energy. It feels like a band growing up without losing their edge. The hooks are everywhere, the lyrics cut deep, and the whole album flows brilliantly from start to finish. Favourite tracks: Down in the Tube Station at Midnight, English Rose and A Bomb in Wardour Street are all outstanding. The cover of David Watts is pure joy, confident and cheeky and perfectly placed on the record. Least favourite tracks: None. Every song earns its place. Album artwork: Brilliant. Iconic, stylish and instantly recognisable

Lost In The Dream

The War On Drugs

2/5

Lost in the Dream by The War on Drugs is long, intense, dark and, at times, a little dull. There’s no denying the atmosphere they create, but the problem is how rarely they stray from it. The band clearly has a formula, and across this album they stick to it almost rigidly. The same chord progressions, production style and overall mood repeat themselves, which means the record never really evolves or goes anywhere. What starts as immersive gradually becomes monotonous, and the running time only amplifies that feeling. That said, the album does finish strongly. When they tighten things up and add a sense of momentum, it finally clicks, reminding you why this band is so highly regarded. Favourite tracks: Burning and Lost in the Dream, the closing stretch is easily the album’s best part. Least favourite tracks: An Ocean in Between the Waves drags on and offers very little to justify its length. Album artwork: Moody and understated, much like the music.

Hearts And Bones

Paul Simon

2/5

Hearts and Bones took a couple of listens today, mainly because I wanted to be sure I wasn’t missing something. I love plenty of Paul Simon’s work, but this one just wouldn’t click. For an album that’s clearly personal and carefully put together, it feels oddly flat — like it never really gets going or arrives anywhere meaningful. In the end, it comes across as pretty unremarkable, especially when you set it against the colour, energy and stylistic leaps of Graceland. Tracks like Cars Are Cars and Allergies feel limp and uninspired, lacking the melodic spark or rhythmic interest that Simon is usually so good at delivering. Favourite track: None really stand out. There are a few pleasant moments, but nothing that makes you stop and think “that’s special.” Least favourite track: Allergies – wet, dull and instantly forgettable. Album artwork: A cool, understated cover — arguably more interesting than the music inside.

Technique

New Order

5/5

I absolutely love Technique by New Order Technique. This is one of those records I can happily stick on repeat all day and never get bored of. By the time you get to their fifth album, New Order have completely nailed who they are. The songwriting is confident, the grooves are locked in, and everything just works. It still sounds like New Order, but there’s a noticeable shift here — you can really hear the Spanish influence creeping in. There’s Balearic beat and acid house woven into their already polished electronic dance-pop sound, and it gives the album a sun-soaked, late-night feel that sets it apart from what came before. As ever, Peter Hook’s basslines are ridiculous. Tracks like Round & Round are driven by that unmistakable melodic low end, and it never gets old. Honestly, there’s just so much to enjoy on this record — it’s upbeat, smart, and effortlessly cool without trying too hard. Favourite tracks: Loveless, Mr Disco and Round & Round are probably my standouts, but you could make a strong case for almost any track on here. Least favourite tracks: None. Every song earns its place. Album artwork: Amazing. The pink and purple colour palette is bold, stylish, and fits the album perfectly.

Come Find Yourself

Fun Lovin' Criminals

2/5

I used to love Come Find Yourself by Fun Lovin' Criminals when I was a kid, so revisiting it all these years later felt like it should’ve been a 5/5. Sadly… it really isn’t. Strip away the hits they are known for and there’s a surprising amount of filler here, with some painfully weak lyrics and tracks that just drift by without doing very much at all. What once felt cool and laid-back now comes across as a slightly cringey attempt at hip-hop, blues rock, and indie swagger that doesn’t quite land. Listening to it 25 years on, the charm has worn thin and I can’t see myself listening to it again. Favourite tracks: Scooby Snacks is still a classic and perfectly captures its moment. I also enjoyed Fun Lovin’ Criminal and King of New York, which at least have some energy and attitude. Least favourite tracks: A lot of the album just feels very “meh.” Tracks like Smoke ’Em and Passive Aggressive are dull, undercooked, and go absolutely nowhere. Album artwork: Pure nostalgia. The artwork is straight out of my youth and, to be fair, it still suits the album.

Emergency On Planet Earth

Jamiroquai

3/5

I was never much of a Jamiroquai fan first time around, and Emergency on Planet Earth is one I’d somehow managed to avoid. After Travelling Without Moving left me bored back in the day, I’d quietly assumed the debut wouldn’t be for me either. This album is far better than I expected. It’s loose, vibrant and full of groove, a heady mix of funk, acid jazz, soul and disco that feels both playful and purposeful. The musicianship is brilliant particularly the bass lines, which bounce and glide through the tracks with confidence. There’s an infectious energy running through the record that makes it an easy, enjoyable listen from start to finish. It might not have converted me into a lifelong devotee, but it’s certainly earned another play in the future. Favourite tracks: Too Young to Die and the title track Emergency on Planet Earth are properly funky, full of swagger and groove. Least favourite tracks: Every track justifies its place. Album artwork: Fantastic yet simple. Bold, striking, and very much of its era without feeling dated.

Maxwell's Urban Hang Suite

Maxwell

1/5

I found Maxwell’s Urban Hang Suite a surprisingly difficult listen. It took me the best part of a day to get through, and that’s never a great sign. While I can appreciate the silky production and the polished neo-soul aesthetic, the record never really goes anywhere. The tempos rarely shift, the mood barely changes, and track after track blends into the same slow, sensual groove. I found the album dull and repetitive. An entire album of songs that sound almost identical isn’t something I’m likely to revisit. Favourite tracks: I genuinely struggled to pick a standout moment. Nothing really grabbed me. Least favourite tracks: Much of it merges into one long, indistinct stretch. “Lonely’s the Only Company” in particular felt overlong and lifeless. Album artwork: The cover is probably the highlight

Eagles

4/5

I’ve never really cared much for the Eagles. My exposure has mostly been the big, overplayed hits, and they’ve never quite resonated with me in the way some of my favourite American bands do. So going into their debut, I wasn’t expecting much — more polished, radio-friendly country rock that would wash over me and leave little impression. But this surprised me. Eagles is far more enjoyable than I anticipated. It’s laid-back and full of melody. The harmonies are the real star of the show, rich, warm, and effortlessly tight. There’s a natural, sun-soaked feel to the record that makes it an easy, comforting listen. “Take It Easy” is the obvious standout. Its breezy, confident, and instantly memorable. “Witchy Woman” adds a darker edge, while “Nightingale” showcases just how strong those vocal arrangements are. It’s not groundbreaking, but it doesn’t need to be. It knows exactly what it is. If I’m being critical, “Earlybird” feels slightly odd musically, and the banjo doesn’t quite work for me — it tips the balance a little too far into lightweight country territory. But that’s a minor blemish on what is otherwise a cohesive debut. Favourite track: Take It Easy — effortlessly cool and the blueprint for their early sound. Least favourite track: Earlybird — musically a bit bizarre, and I really don’t enjoy the banjo here. Album artwork: Simple and effective. The desert imagery fits the laid-back, sun-drenched tone of the music perfectly.

Sheet Music

10cc

1/5

There’s nothing particularly witty or redeeming here for me. Sheet Music is certainly experimental, but not in a way I found enjoyable. The band famously declared they weren’t the worst band in the world. Listening to this, I genuinely struggled to think of many contenders who might challenge them for that title. I appreciate that the album leans heavily into eccentricity, satire and studio trickery, but too often it feels chaotic rather than clever. What might have been sharp and subversive instead comes across as grating and self-indulgent. Favourite tracks: I genuinely couldn’t pick one, nothing stood out in a positive way. Least favourite tracks:“Old Wild Men,” with its “Baa Baa Black Sheep” motif, was particularly irritating, and when it rolled into “Clockwork Creep” things only got worse. By that point, I had completely checked out. I don’t think I could have disliked this album more. Album artwork: Ironically, the best thing about the record. The cover is striking and memorable — far more enjoyable than the music inside.

Ace of Spades

Motörhead

3/5

Ace of Spades by Motörhead is pure, unfiltered rock and roll, its loud, fast, and unapologetic. Lyrically it’s largely about sex, excess, and life on the road, and it doesn’t pretend to be anything more profound than that. This album isn’t designed to make you think. It’s there to hit you hard and keep going. The riffs are relentless, the pace rarely lets up, and Lemmy’s snarling delivery gives everything that raw, gritty edge. It’s heavy, high-energy and undeniably fun. Favourite tracks: “Ace of Spades” is superb — an absolute monster of a track and easily the standout. “(We Are) The Road Crew” is also strong, capturing that chaotic touring lifestyle perfectly. The rest of the album is ok, though nothing quite reaches the level of the title track. Least favourite tracks: Nothing was terrible, it’s consistently good and much more enjoable than I thought, but much of it blends into one high-speed blur behind the iconic opener. Album artwork: I love the album cover, angry and full of leather.

Miriam Makeba

1/5

Miriam Makeba isn’t really my thing. I can absolutely appreciate that she has a beautiful, distinctive voice that is rich, controlled and full of character but this was, at times, a real struggle to get through. You do have to place the album in its historical context. Recorded in 1960, it’s very much of its era, with arrangements and production that feel rooted in that time. However, even allowing for that, much of the album feels quite repetitive. The pacing rarely shifts, and there’s limited variation across the tracks, which makes the listening experience feel longer than it needs to be. There are moments that stand out. “Where Does It Lead” has an almost medieval, folk-like quality that I found intriguing, and her version of “House of the Rising Sun” is genuinely haunting — restrained, atmospheric, and beautifully delivered. Overall though, I found too many of the songs drifting into the same mid-tempo, understated space. While technically accomplished and historically important, it’s not an album I can see myself returning to. Favourite tracks: “Where Does It Lead”, “House of the Rising Sun” Least favourite tracks: One More Dance is awful!! Album artwork: A fairly standard cover for the era its simple and understated.

Songs The Lord Taught Us

The Cramps

2/5

I went into Songs the Lord Taught Us expecting something raw and exciting, but what I got ws very average.It’s undeniably stripped-back and primitive, but for me it crosses the line from minimalist to monotonous. The sound is basic garage punk. I can appreciate what they were trying to do. There’s a deliberate trashy aesthetic here, a B-movie horror vibe running through the lyrics and delivery. But while that cult energy might have been groundbreaking at the time, it doesn’t translate into an engaging listen for me now. Track after track blends into the next, and nothing really stood out or demanded a second spin. Favourite tracks: I genuinely struggled to pick one Least favourite tracks: The issue isn’t one specific song; it’s the overall sameness. The album feels one-paced and very basic throughout. Album artwork: A fairly standard cover

The Rolling Stones

4/5

I’ve always loved The Rolling Stones, especially their early blues sound and raw R&B roots, so going back to their debut album feels like revisiting the very foundations of the band. It’s an important record historically, you can hear a group still in their formative years but already brimming with attitude and confidence. The album is largely made up of blues and R&B covers, which was typical of the time, with the exception of the first Jagger–Richards original, “Tell Me (You’re Coming Back)”. But this doesn’t feel like a limitation. Instead, it showcases the band’s ability to reinterpret American blues with a distinctly British edge. Mick Jagger’s vocals are already full of swagger and bite, and the guitar work has that loose, rolling groove that would become their signature. There’s a youthful energy throughout — slightly rough around the edges, but that rawness is part of the charm. Favourite tracks: “Route 66,” “Mona (I Need You Baby),” and “I Just Want to Make Love to You” are standouts. Each one captures the band’s early fire and their deep love of blues music. Least favourite tracks: There isn’t a bad track here. Album artwork: An iconic first image of the Stones on record. Moody, serious, and already projecting that rebellious mystique.

Meat Puppets II

Meat Puppets

3/5

I had to listen to Meat Puppets II two or three times to properly form an opinion. On first listen, I thought it was fairly underwhelming and slightly scrappy, and a bit directionless. But with a second and third listen, it began to open up. What initially felt rough started to sound better. There’s a surprising amount of variety across the record. It shifts from ragged punk to hazy country-tinged ballads and even the odd instrumental detour. There’s always something happening, yet it never feels cluttered. The album flows easily, and despite its rough edges, it’s an easy listen. Nothing jumps out as a huge, “wow” moment, but taken as a whole it’s a consistently solid, slightly offbeat experience. It’s not an album packed with standout anthems, but it has personality and atmosphere in spades. The more time you give it, the more it rewards you. Favourite tracks: What to Do has a gentle, almost twee charm to it, and the instrumental 100% of Nothing is a standout moment of space and mood. Least favourite tracks: There’s nothing here that feels like filler, every track adds something to the overall feel of the album. Album artwork: A cool, distinctive cover that suits the album’s slightly psychedelic, left-of-centre vibe perfectly.

Black Monk Time

The Monks

5/5

Black Monk Time is exactly why I’ve loved taking on this 1001 albums challenge. I’ve stumbled across an absolute belter here, the kind of record that makes you stop and wonder how it ever slipped under your radar. This is one I’ll keep coming back to. It’s genuinely hard to believe this came out in 1966. It sounds startlingly modern even now. The Monks were clearly miles ahead of their time, abrasive, stripped-back and confrontational in a way that feels more punk than mid-60s rock. The rhythms are relentless and the lyrics are minimal yet punchy and direct. There’s nothing polished about it, and that’s exactly the point. It’s fun, fast-paced and raw, but also clever. Beneath the repetition and simplicity there’s a sharpness and intent that makes it powerful rather than primitive. Favourite track: Monk Time, urgent, hypnotic and brilliantly weird. Least favourite tracks: Everything here earns its place. Album artwork: Wonderfully simple and distinctive. The stark, almost DIY aesthetic fits the music perfectly.

Hot Rats

Frank Zappa

3/5

I’ve never considered myself a Frank Zappa fan, but Hot Rats was a genuinely enjoyable surprise. I went in expecting something far more guitar-heavy, yet what stood out wasn’t quantity, it was quality. When the guitar does arrive, it’s sharp, expressive and superbly played. This is jazz fusion I can really get behind. The musicianship is exceptional throughout, and the largely instrumental format allows the arrangements to breathe. There’s space, groove and a real sense of experimentation without it feeling self-indulgent. “Son of Mr. Green Genes” instantly caught my ear and I can’t help thinking the opening has a similar feel to the intro of Toast of London, which made me smile. “Peaches en Regalia” is another standout: bright, melodic and brilliantly composed. Favourite tracks: Son of Mr. Green Genes; Peaches en Regalia Least favourite track: “Willie the Pimp” The vocal delivery and drawn-out feel make it less enjoyable than the instrumental highlights it leans more into chaos than cohesion. Album artwork: A striking and colourful cover

Sweetheart Of The Rodeo

The Byrds

1/5

Sweetheart of the Rodeo is often hailed as a pioneering country-rock record, but for me it was a real tough listen. The blend of rock, pop and traditional country just doesn’t do anything for me. I found it surprisingly flat and one-dimensional, and listening to the extended version only amplified that feeling. There’s a strong late-’60s Nashville influence throughout, pedal steel, harmonies, and more than a hint of religious sentiment — but rather than sounding groundbreaking, it comes across as dated and uninspiring. I Favourite track: One Hundred Years from Now was passable and at least had a bit of energy. Least favourite tracks: Hickory Wind and The Christian Life did very little for me. In truth, I struggled to find many real highlights across the album. Album artwork: Lots going on and nothing very good.

...Baby One More Time

Britney Spears

2/5

t makes me feel properly old realising that …Baby One More Time came out in 1999. Twenty-seven years ago. That’s slightly terrifying. Taken at face value, this isn’t a bad pop album at all. It’s just not really my thing. Listening back now, I didn’t hate it, far from it but I also can’t imagine ever choosing to put it on again. It’s very much late-90s teen pop: polished, tightly produced and built around massive hooks. The big singles are undeniably strong. “...Baby One More Time” is a genuine pop classic. “Sometimes” and “Born to Make You Happy” are solid, glossy ballads that did exactly what they were meant to do at the time. And I have to admit, I quite enjoyed “The Beat Goes On” it has a bit more groove and personality than some of the surrounding tracks. That said, once you move beyond the hits, the album does dip into formulaic territory. Tracks like “Soda Pop,” “I Will Be There,” and “Email My Heart” feel very much of their era, over-sweet, slightly disposable. Favourite tracks:“...Baby One More Time” — still a bona fide pop anthem. Least favourite tracks:“Soda Pop” “I Will Be There” and “Email My Heart” Album artwork: A snapshot of peak late-90s pop innocence. Long before everything in her personal life unravelled.

Live At The Star Club, Hamburg

Jerry Lee Lewis

1/5

It’s almost a shame that Live at the Star Club, Hamburg is barely over half an hour long because purely as a live document, it’s explosive. Jerry Lee Lewis was many things, and most of them deeply problematic, but on stage he was undeniable. But here’s the problem: separating the art from the artist isn’t easy and in this case, it’s almost impossible. Lewis’s personal history casts a very long shadow, and for me it overshadows whatever brilliance is captured on this recording. Yes, he could perform. Yes, this is raw rock ’n’ roll at full throttle. But knowing who he was makes it hard to enjoy without discomfort. So while I can recognise the musical impact, it’s not something I’ll return to.

Armed Forces

Elvis Costello & The Attractions

5/5

I needed a great album today after a couple of underwhelming listens and Armed Forces delivered exactly that. I’ve always loved this record, and I’ve always loved Elvis Costello at his sharpest. The melodies are immediate, almost deceptively catchy, but underneath there’s bite. The production is slick without losing its edge, and there’s a confidence running through the whole thing. It sounds tight, focused, and purposeful. What really stands out is the balance: pop hooks on the surface, but pointed, intelligent lyrics underneath. There’s real weight behind the words, political tension, emotional frustration, social commentary yet it never feels heavy-handed. The variety across the album keeps it moving, shifting from punchy new wave energy to more intricate, layered moments. Favourite tracks: “Oliver’s Army” is an absolute classic, catchy enough to get stuck in your head for days, but far smarter than your average pop single. “Accidents Will Happen” is brilliant, “Green Shirt” has that cool, slightly sinister groove, and “Party Girl” is just a great tune. There are genuinely no weak spots. Least favourite tracks: None. Everything is worth a listen. Album artwork: I love the cover bold, colourful, chaotic.

Fifth Dimension

The Byrds

3/5

Four days ago, as part of this challenge, I listened to Sweetheart of the Rodeo. I thought it was terrible. So when Fifth Dimension came up next, I wasn’t exactly excited. Thankfully, this is a completely different listen. Gone is the heavy country and overt Christian folk feel. Instead, this album leans into psychedelic rock and jangly pop and it’s far more interesting for it. It feels adventurous, colourful, and much more in line with the mid-60s experimentation that makes that era so compelling. There’s a real sense of lift to the record. The melodies are strong sometimes dreamy, sometimes slightly trippy and you can almost feel that “being on a trip” atmosphere running through it. Lyrically, it’s often soppy and lovey-dovey, but in a way that suits the shimmering, spacey sound. Favourite tracks: “What’s Happening?!?!” is a great song, full of energy and hooks. “Fifth Dimension” captures that psychedelic edge perfectly, and “Wild Mountain Thyme” (listed here as “Wild Mountain Theme”) adds a softer, folk-tinged moment that actually works far better in this context. Least favourite tracks: None really, every song is worth a listen. Album artwork: Pure psychedelia. Bold, strange, and very much of its time Overall: A pleasant surprise. Inventive, melodic, and far more enjoyable than I expected. This is The Byrds leaning into psych rock rather than country / folk and it suits them.

Led Zeppelin III

Led Zeppelin

5/5

I’ve always struggled a bit with Led Zeppelin. I respect their influence, but they’ve never really did it for me. That said, when I listened to Led Zeppelin II last August as part of this challenge, it completely changed my perspective. I loved it. After listening to Led Zeppelin III today, I’d go even further: this might be their best album. What really stands out is the variety. Yes, you still get the heavy blues-rock swagger you expect, but this album stretches much further — into metal, acoustic, and folk territory. The band aren’t just proving how heavy they can be; they’re showing depth and texture. Favourite tracks: Immigrant Song – one of their absolute best. That riff is relentless and iconic. Friends – I really enjoyed the music on this one; it has a hypnotic, almost Eastern-influenced feel that adds something different to the album. Least favourite track: Hats Off to (Roy) Harper – this one didn’t quite land for me. It feels more like an experiment than a fully formed song. Album artwork: Really cool cover.

Destroy Rock & Roll

Mylo

3/5

oday’s listen was Destroy Rock & Roll by Mylo, and I enjoyed this a lot more than I expected to. It opens in a very chilled, almost too-relaxed way to the point where I wondered if it might drift into the background completely. But as the album progresses, it finds its groove and really settles into what it does best. There isn’t a huge amount of variety, and after a while the tracks do start to blend into one another. That said, it works brilliantly as laid-back, feel-good background music. This isn’t an album packed with big shifts or dramatic moments it’s more about atmosphere and vibe. When you lean into that, it becomes a really enjoyable listen. Favourite tracks: “Drop the Pressure”, “In My Arms” and “Destroy Rock & Roll” are great fun and full of energy. I also really enjoyed “Sunworshipper”. Least favourite tracks: Beyond the standout singles, some of the other tracks feel a bit samey and repetitive. Album artwork: A cool cover. I really like the colours. Simple but effective.

Berlin

Lou Reed

1/5

My unpopular music opinion? I’ve always found Lou Reed to be hugely overrated. I do enjoy Transformer, but much of his solo catalogue leaves me bored and wanting it to end. Maybe Berlin might change my mind. It didn’t. This is clearly meant to be a dark, theatrical concept album but I found it relentlessly bleak and, at times, bordering on self-indulgent. The storytelling feels heavy-handed rather than profound, and the atmosphere, while intentionally oppressive, becomes monotonous. There are moments that work. “Caroline Says I” and “Caroline Says II” are easily the strongest tracks here, stripped back, direct, and genuinely affecting. They hint at the sharp songwriting Reed was capable of. Unfortunately, much of the rest of the album drags. The title track “Berlin” did little for me, and “Sad Song” lives up to its name in the least compelling way possible. Favourite tracks: Caroline Says I & II Least favourite tracks: Berlin, Sad Song Album artwork: A cool, striking cover arguably more engaging than parts of the record itself.

Something Else By The Kinks

The Kinks

4/5

I’ve loved The Kinks for nearly 30 years now even if my one meeting with Ray Davies wasn’t exactly a pleasant one. Odd and distant would be putting it kindly. Still, whatever I think of the man, there’s no denying the brilliance of the music. I was genuinely pleased to see Something Else by The Kinks come up in this challenge. David Watts is a superb opener, a sharp, melodic, and instantly engaging. It’s one I’ve always loved. Death of a Clown has a wonderfully haunting quality to it, full of melancholy and character. And then there’s Waterloo Sunset. Its quite simply one of the greatest songs ever written. The melody, the imagery, the emotion, its perfect. What makes this album stand out is its intimacy. It feels smaller and more observational than some of their later concept records, but that’s part of its charm. The songwriting is warm, distinctly British, and packed with subtle wit and quiet sadness. It may not shout, but it resonates. Favourite track: Waterloo Sunset — a flawless, beautiful song that never loses its impact. Least favourite track: None. I genuinely enjoyed everything on this album. Album artwork: A classic cover. Simple, colourful, and perfectly in keeping with the era instantly recognisable and full of character.

The Number Of The Beast

Iron Maiden

3/5

The Number of the Beast was far more enjoyable than I expected it to be. I went in bracing myself for relentless noise and walls of heavy guitar. Instead, I found well crafted songs, sharp melodies and genuinely catchy hooks. This challenge really has shifted my perception of metal. There is far more thought and musicianship involved than I used to give it credit for. The twin guitar work is precise, the rhythms are tight and Bruce Dickinson’s vocals add drama rather than just volume. It feels theatrical and controlled rather than chaotic. Invaders is a strong opener and sets the tone immediately. The Prisoner has great momentum, The Number of the Beast itself is iconic for a reason, and Run to the Hills is simply a brilliant song. These are not just heavy tracks, they are properly constructed pieces of music with clear structure and memorable choruses. Every track feels like it earns its place. It is powerful without being exhausting and melodic without losing its edge. I would definitely listen to this again. Favourite song: Run to the Hills Least favourite song: None. Every track works Album artwork: A crazy, instantly recognisable cover that perfectly matches the theatrical intensity of the music

Bummed

Happy Mondays

1/5

I have always found the Happy Mondays fairly average, and Bummed did not really change that opinion. I can completely understand why Pills 'n' Thrills and Bellyaches made the list. That album has the big, undeniable hits like Step On and Kinky Afro. Bummed, on the other hand, feels like a much less focused version of the band and lacks those standout moments. There are flashes of the groove and attitude that would define the Madchester sound, but across the album it feels inconsistent. At times it drifts into fairly ordinary pop rock territory, and the occasional country twang in the arrangements feels strange rather than interesting. Instead of sounding experimental, it often just feels unfocused and a bit dull. Ironically, some of the tracks I enjoyed most were on the later collector’s edition rather than the original album itself. Favourite songs: Mad Cyril and Fat Lady Wrestlers Least favourite song: Country Song Album artwork: A cool cover that captures the late 80s Madchester aesthetic

Darklands

The Jesus And Mary Chain

4/5

I enjoyed Psychocandy when I listened to it last October, so I was looking forward to listening to Darklands today. For me, this is an even better album. Where Psychocandy was built around noise and attitude, Darklands feels more refined and melodic. The songwriting is stronger and more confident, with softer and more reflective lyrics sitting against that dark, slightly brooding guitar sound. It creates an interesting contrast. The tone feels tough and atmospheric, but the songs themselves are often sensitive and thoughtful. Happy When It Rains and Darklands are brilliant tracks, but the standout for me is April Skies. It has a fantastic melody and perfectly captures the mood of the album. If I had one criticism, it would be that musically some of the songs lean on very similar guitar sounds, so there are moments where they blur together slightly. Even so, the quality of the songwriting keeps it engaging throughout. Favourite song: April Skies Least favourite song: None. Every track deserves its place Album artwork: Cool cover that matches the moody feel of the record

Document

R.E.M.

4/5

I reviewed Green last June and really enjoyed it, so I was looking forward to listening to Document today. Before starting this challenge I had tried a few times to get into R.E.M. but never fully got into them. These albums have really helped change that. Document sits in that interesting period before they became huge mainstream stars, and you can hear a band that is confident in its own sound. It feels rawer and a little more direct than some of their later records. The jangling guitars, slightly mysterious lyrics and driving rhythms all come together really well. There is a real energy running through the album that makes it an engaging listen from start to finish. I have always enjoyed their bigger albums like Out of Time and Automatic for the People, and I am sure those will still come up later in this challenge. Hearing the earlier records like this is giving me a much better appreciation of how the band developed and found their sound. Favourite song: The One I Love Least favourite song: None. Every track works well within the album Album artwork: A cool and distinctive cover that fits the late 80s alternative feel

Something/Anything?

Todd Rundgren

2/5

Most double albums can feel like a bit of a slog, and Something/Anything? unfortunately falls into that category for me. There is no doubt that Todd Rundgren is incredibly talented, and you can hear the ambition all over this record. With 25 tracks there is a huge amount going on, shifting between pop, rock and more experimental moments. The harmonies are strong, particularly early on, and there are some interesting musical changes that show just how capable he is as a songwriter and producer. The problem is simply the length. At over two dozen songs it feels far longer than it needs to be. For me the album would be much stronger if it had been cut down significantly. After the opening stretch the songs start to blur together and it becomes repetitive rather than engaging. In My Eyes is a fantastic opener and sets the album off brilliantly, but from there it gradually loses momentum. The intro sections and some of the instrumental pieces feel unnecessary and add to the sense that the record could have been edited down into a far tighter and more impactful album. Favourite song: I Saw the Light Least favourite song: The introductory segments and instrumental passages that slow the album down Album artwork: I love the cover. Bright, memorable and very much of its era

When I Was Born For The 7th Time

Cornershop

2/5

When I Was Born for the 7th Time definitely has its moments. Brimful of Asha alone captures the sound of the late 90s perfectly and remains a brilliant song. It is catchy, warm and full of character, and it easily stands out as the highlight of the album. One thing I do appreciate is the variety across the record. It moves between indie rock, Indian influenced sounds and spoken word style pieces, showing that the band were not afraid to experiment with different ideas and textures. The downside of that approach is that the album can feel a little unfocused. There are a lot of instrumental passages and more experimental tracks that do not really add much for me. Instead of building momentum, they slow the album down and make it feel longer than it needs to be. In the end it feels like an album with a couple of genuinely great songs surrounded by quite a bit of filler. Favourite song: Brimful of Asha and Good to Be on the Road Back Home Least favourite song: Chocolat and Butter the Soul Album artwork: Cool cover that fits the era well

McCartney

Paul McCartney

4/5

McCartney is Paul’s first solo album after The Beatles, so it naturally has a lot to live up to. One of the first things that stands out is just how personal it feels. The album has a relaxed, home made quality to it, and you can really sense how important Linda was to him at this time. It feels like a very intimate record, far removed from the scale and polish of the later Beatles albums. There are some lovely pop moments throughout. The overall tone is quite gentle and melancholic, and it makes for an easy and warm listen. At the same time, it does lack a few standout tracks beyond the obvious highlights. Considering the pressure of moving from the biggest band in the world to working largely on his own, though, it is an understandable transition. Maybe I’m Amazed is easily the centrepiece of the album. It is a beautiful song and one of McCartney’s best vocal performances. Oo You is another enjoyable track with a nice groove. Favourite song: Maybe I’m Amazed Least favourite song: Singalong Junk Album artwork: I love the cover. Simple but very memorable

The Doors

5/5

The Doors have such a distinctive sound, so I was really looking forward to listening to their self titled debut album today. The big question going into it was whether I would prefer it to L.A. Woman, which I have always thought was a superb record. From the opening moments it is clear why this album is so highly regarded. Every track carries that unmistakable Doors atmosphere. Ray Manzarek’s keyboard work, Robbie Krieger’s guitar and Jim Morrison’s voice combine to create something dark, hypnotic and completely unique. Even decades later it still sounds fresh and powerful. What really stands out is how strong the songwriting is for a debut. There is not a weak track here, and several songs have gone on to become absolute classics. Break On Through and Light My Fire are iconic for a reason, and the album flows brilliantly from start to finish. Trying to decide whether this or L.A. Woman is better is genuinely difficult. Both albums capture the band at their best in slightly different ways, and it is probably impossible to separate them. What is clear is that this is an exceptional debut. Favourite song: Break On Through and Light My Fire Least favourite song: None. Every track earns its place Album artwork: Iconic cover that perfectly represents the band’s image

Automatic For The People

R.E.M.

5/5

This is my second R.E.M. album in seven days. Automatic for the People is one I’ve always loved, so I was really looking forward to today’s listen. I still can’t decide between this and Document as the best R.E.M. album, both are superb. The album starts brilliantly. The first four tracks are incredibly strong, with powerful lyrics and fantastic music. It also finishes beautifully with Nightswimming and Find the River, two of the most delicate and moving songs on the record. Listening again reminded me just how much I enjoy this album and how I really should play it more often. Favourite tracks: All the big songs are superb. I love The Sidewinder Sleeps Tonite, Everybody Hurts, and Drive. There are also some brilliant hidden gems like Sweetness Follows and Monty Got a Raw Deal. Least favourite track: I’m not sure New Orleans Instrumental No. 1 really adds much, but I’m being very picky here. Album artwork: An iconic cover that perfectly matches the mood of the music.

Liege And Lief

Fairport Convention

1/5

I didn’t really enjoy Unhalfbricking by Fairport Convention when I reviewed it earlier in this challenge. I usually give 60s British folk a wide berth, but I was interested to see what Liege & Lief would be like today. Unfortunately, this one isn’t really for me either. It’s very whimsical and often feels like the soundtrack to Robin Hood. The singer has a lovely voice and there is some great musicianship throughout, but it’s not an album I can truly get into. Favourite tracks: I quite enjoyed the instrumental medley The Lark in the Morning. It was lively and played at a great pace. I actually listened to it two or three times today. Least favourite tracks: Many of the songs blend into what feels like folk nothingness to me. Overall, I struggled to enjoy this album. Album artwork: When I think of Fairport Convention, this is the cover that comes to mind. It’s probably their most recognisable image.

Superfly

Curtis Mayfield

3/5

This is my second Curtis Mayfield record. I listened to There’s No Place Like America Today back in 2024 and wasn’t that impressed, so I was curious to see what I’d make of Super Fly. This record is smooth and cool from start to finish. The music is fantastic, with great percussion alongside the strings and horns. The lyrics are sharp, and the album is short but packed with classic, smooth soul. It’s a really fun listen and flows beautifully. Listening to this actually makes me think I should give There’s No Place Like America Today another go. Maybe I was a bit harsh with that 2/5 score. Favourite tracks: Little Child Runnin’ Wild is a really cool tune. Least favourite tracks: Honestly, every song on here is enjoyable. Album artwork: The cover is perfect for the album and instantly recognisable.

Ill Communication

Beastie Boys

2/5

I’ve always wanted to like the Beastie Boys. I’ve tried listening to them on many occasions but never really understood what all the fuss was about. Ill Communication is today’s listen, so I was curious to see if this would change my mind. I completely understand how important they are and how they were trying to do something different. Sabotage is a great tune, but as a whole I found the album quite a tough listen. It actually took me most of the day to get through the 20 tracks, even though the album only runs for about an hour. Overall, I thought it was just OK. Nothing really jumped out and made me think “what a great track.” As you might expect from early 90s hip hop, some of the lyrics also feel pretty dated and out of place today. Favourite tracks: Sabotage and Futterman’s Rule. Least favourite tracks: A lot of the album felt quite dull to me and didn’t really hold my attention. Album artwork: A cracking image and very recognisable.

Djam Leelii

Baaba Maal

2/5

Djam Leelii by Baaba Maal is one of those albums that probably needs to be reviewed a little differently. It’s clearly not something I would normally listen to, but that’s really the whole point of this challenge — discovering music that sits outside my usual taste. So I’ll start with the positives. The guitar work and drumming on the album are really cool, and there are some great musical moments throughout. I particularly enjoyed the music on Maacina Tooro, which has a really strong groove. On the negative side, I struggled with the vocals. His voice just felt quite grating to me. The album is also fairly long, and after a while it began to sound repetitive, almost like the same musical ideas being repeated again and again. Favourite tracks: Djam Leelii was quite a nice song musically. Least favourite tracks: Most of the tracks aren’t something I would normally listen to or return to. Album artwork: A bit of a messy cover , I’m not entirely sure what’s going on there.

Gris Gris

Dr. John

3/5

Dr. John is a new discovery for me, so I was looking forward to listening to Gris-Gris today. I actually had to listen to this album twice before forming a proper opinion. On the first listen there was so much going on that it was hard to take it all in. It’s full of variety and difficult to place neatly into a single genre. On the second listen it made a lot more sense and I enjoyed it much more. I really like Dr. John’s unique style of psychedelic funk. The album feels very distinctive and original, and it has aged surprisingly well. My only real negative is the whistling that appears throughout parts of the album. For me it wasn’t really needed and did start to get on my nerves a bit. Favourite tracks: Gris-Gris Gumbo Ya Ya, Jump Sturdy, and I Walk on Guilded Splinters are all great tunes. Least favourite tracks: Every song feels like it has a place on the album and contributes something to the overall sound. Album artwork: A fairly standard psychedelic late-60s cover, but it fits the music well.

Devil Without A Cause

Kid Rock

1/5

I went into Devil Without a Cause by Kid Rock fully expecting to hate it and, if I’m honest, it didn’t take long to confirm that feeling. I tried to give it a fair chance and listen with an open mind, but it really does feel like over an hour of brash, wrestling-style rock. The album sounds incredibly dated, rooted firmly in that late-90s rap-rock crossover that hasn’t aged well. The lyrics are a real sticking point what might have been intended as humour comes across as crude, misogynistic, and ultimately pretty empty. Musically, there’s energy, but not much depth, and it quickly becomes repetitive. If this is considered a defining moment for rap-rock, it’s not exactly a glowing endorsement of the genre. There are fleeting moments where it almost clicks, but they’re few and far between. Favourite tracks: Wasting Time (just about) Least favourite tracks: Most of the album, to be honest Album artwork: Feels very on-brand, loud, brash, and not exactly subtle

Walking Wounded

Everything But The Girl

3/5

Today’s album was Walking Wounded by Everything But The Girl. When I saw this come up I wasn’t particularly excited, but it actually turned out to be a really enjoyable listen. The first two tracks are very strong. Before Today and Wrong both stand out straight away with great music and solid lyrics. It starts the album off really well and pulls you in. This is very 90s in sound, really chilled and easy to listen to. It’s the kind of album you can just have on and let it run. My only issue is the lack of variation. As it goes on, a lot of the tracks start to sound quite similar and it loses a bit of impact. Favourite tracks: Wrong and Before Today are great songs and make for a very strong start Least favourite tracks: There isn’t a bad track on here, it just becomes a bit samey as it goes on Album artwork: I remember this cover from my youth, still a good one

Natty Dread

Bob Marley & The Wailers

4/5

Natty Dread by Bob Marley & The Wailers is my third Bob Marley album on this challenge, and I’ve enjoyed all of them so far. It’s not usually my go-to genre, but it’s such an easy and enjoyable listen, with really powerful and meaningful songs throughout. Like the previous albums, this is consistently strong. The opening two tracks are superb and set the tone straight away. The whole album is full of groove, a touch of blues, and lyrics that still feel relevant and impactful today. Favourite tracks: No Woman, No Cry is a beautiful song. Natty Dread is also a standout Least favourite tracks: Every track earns its place on the album Album artwork: An iconic Bob Marley cover

If I Could Only Remember My Name

David Crosby

3/5

I’ve always thought Crosby, Stills & Nash were better together than apart, but I was still looking forward to giving If I Could Only Remember My Name by David Crosby a proper listen. Crosby has a brilliant voice and that really carries the album. There is a lot going on musically, it’s quite loose and atmospheric, and at times it feels more like a collection of ideas and jams than a structured album. That said, I did enjoy it. It is very easy to listen to and works well in the background, but it does lack those standout tracks that pull you back in for repeat listens. Favourite tracks: Cowboy Movie is a great tune. Least favourite tracks: Every track earns its place, nothing feels out of place. Album artwork: Cool cover, I like it.

Back In Black

AC/DC

3/5

Back In Black by AC/DC was today’s listen and I have to say I enjoyed it a lot more than I expected. This album is loud, fun and aggressive in all the right ways. It knows exactly what it is and doesn’t try to be anything else. The riffs are massive, the energy is relentless, and it just feels like a proper rock album from start to finish. It is one of those albums you can put on at any time and it just works. Favourite tracks: Back In Black, Hells Bells and You Shook Me All Night Long are all brilliant. Least favourite tracks: Nothing feels out of place, every track does its job. Album artwork: Simple and iconic, suits the album perfectly.

New Forms

Roni Size

1/5

A bit of drum and bass on a lovely first Sunday of spring. Today’s listen is New Forms by Roni Size, and I’ll be honest, I went into this knowing it might be a challenge. It’s definitely different from a lot of what I’ve heard so far on this journey, and I always try to give something like this a fair go. But my optimism didn’t last long. For me, this is nearly two hours of very little happening. It just rolls on and on without ever really grabbing hold. I can appreciate the sound and what it’s trying to do, but it all blends into one. Track after track feels the same, with the occasional vocal breaking things up, but not enough to create any real standout moments. There’s nothing here that I’d go back to, and equally nothing that stands out as particularly bad. It just sits in the middle, a bit flat and forgettable. Favourite tracks: I genuinely couldn’t pick one, it all blurred into the same sound. Least favourite tracks: Could be any of them, nothing stood out. Album artwork: Fair play, it’s actually a pretty cool cover.

Moby Grape

2/5

I had never heard of Moby Grape before, and didn’t recognise a single track on this album, so I went into it with no expectations at all. On paper, this should be right up my street. San Francisco 60s pop rock is usually a safe bet for me, and there are definitely some great moments here. But it’s a bit of a mixed bag. For every lively, engaging track, there’s a slower, meandering ballad that doesn’t really go anywhere and takes the momentum out of the album. There just aren’t enough songs in the mould of Come in the Morning, which has a real spark to it and shows what the band can do at their best. Too often, things drift along without leaving much of an impression, and that makes parts of the album feel longer than they should. Favourite tracks: Come in the Morning is a great tune and easily the standout for me. Least favourite tracks: The slower songs drag a bit, especially Naked, If I Want To. Album artwork: A pretty standard 60s cover, nothing special but fits the era.

Call of the Valley

Shivkumar Sharma

1/5

Well this was a bit of a mission to even get started. I spent the first half hour this morning listening to completely the wrong album via Apple Music before realising it was a remake by his son. That version wasn’t great. I eventually found the original Call of the Valley by Shivkumar Sharma on YouTube, which was a much better experience. The actual album is musically haunting and genuinely beautiful. It’s very chilled, very relaxed, and works perfectly as background music. You can just let it wash over you. That said, it does lack variety. It all blends into one long, continuous piece, and while it’s lovely, it doesn’t really give you any standout moments to hold onto. I can appreciate how good it is, but it’s not something I’d go back to. It feels more like an experience than an album you revisit for specific tracks. Favourite tracks: Ahir Bhairav_Nat Bhairav is probably the closest to a standout, although it could have been a bit shorter. Least favourite tracks: It all blends into one, so nothing really stands out either way. Album artwork: Nice, simple cover that fits the tone of the music.

Cloud Nine

The Temptations

4/5

I was excited when I saw Cloud 9 come up. I don’t know loads about The Temptations, but every time I hear them, I end up loving it. This album doesn’t disappoint at all. It’s a great listen from start to finish. You’ve got standout tracks like the title track, Runaway Child, and their version of I Heard It Through the Grapevine, which is right up there with Marvin Gaye’s. The production is superb, the musicianship is top class, and the basslines in particular are brilliant. There are also a few longer jams on here that really work and give the album a different edge. It just feels like a band at the top of their game, trying new things and pulling it off. Favourite tracks: Cloud 9 is a great tune and the clear standout for me. Least favourite tracks: There isn’t a bad song on the album. Album artwork: Cool cover, very much of its time.

1989

Taylor Swift

4/5

1989 by Taylor Swift is far better than I ever expected. It’s a proper pop masterclass. Not the kind of album I’d usually reach for, but I have to admit it’s a really enjoyable listen. There’s just hit after hit on here. Welcome to New York takes me straight back to one of my favourite places and some great trips, and I Know Places is another strong track. Lyrically, Swift is on point throughout, and the music and production is superb. She is polished. It’s one of those albums where you can see exactly why it’s so big. Even if it’s not my usual style, it’s hard not to respect how good it is. Favourite tracks: Style and Blank Space are both great songs. Least favourite tracks: Every track is a strong pop song, nothing feels out of place. Album artwork: Classic Swift cover.

Roxy Music

4/5

I was very happy to see Roxy Music come up today. I’m fully in my Roxy Music era at the moment. I think their first couple of albums with Brian Eno are superb, so I was really looking forward to this. This feels properly ahead of its time. For 1972, it sounds like nothing else that was around. It’s avant garde, innovative, experimental, but still somehow really stylish and classy. The sound is hard to pin down, which is part of what makes it so good. There’s pop, jazz, a bit of 60s influence, and the early signs of glam rock all mixed together. It shouldn’t work as well as it does, but it really does. The lyrics lean heavily into romance, with that constant theme of love, longing, and heartbreak running throughout. Favourite tracks: Virginia Plain is one of the favourite Roxy tunes Least favourite tracks: Sea Breezes feels quite different to the rest and a bit too whimsical for me. Album artwork: Brilliant cover. Roxy were known for bold, stylish, and slightly provocative artwork, and this is no different.

Paris 1919

John Cale

2/5

Going into Paris 1919, I was expecting something a bit more in line with The Velvet Underground — experimental, edgy and a little bit different. Instead, what I got was a fairly straightforward, orchestral folk-pop album that didn’t quite land for me. There are moments where you can hear glimpses of that Velvet Underground influence, but they’re few and far between. The album leans heavily into orchestration, and while it sounds polished, the songwriting and lyrics feel a bit underwhelming. It’s not a bad listen, but it never really grabs you or gives you a reason to come back. There are a couple of decent moments, but overall it just feels quite forgettable. Favourite tracks: Paris 1919 is decent enough Least favourite tracks: Child’s Christmas in Wales felt very dull, along with a few others Album artwork: Good album cover

The Visitors

ABBA

3/5

The Visitors by ABBA was quite different to what I expected. Like most people, I’ve heard the hits countless times, but I’ve rarely listened to a full ABBA album from start to finish. What stood out here is how well it works as a complete piece of music. It may not be packed with the big, instantly recognisable hits, but it feels more cohesive and tells a stronger overall story. The production is fantastic, really polished without losing any warmth. Frida’s vocals are superb throughout, and there’s still plenty of those catchy, classic ABBA melodies. It’s a really strong album that surprised me in a good way. Favourite tracks: Slipping Through My Fingers, One of Us Least favourite tracks: Like an Angel Passing Through My Room is a bit too slow and didn’t quite do it for me Album artwork: Cool album cover

A Grand Don't Come For Free

The Streets

3/5

I’ve always loved The Streets, they’re one of the defining sounds of my youth. When A Grand Don’t Come for Free came up today, I even had to check whether I’d already had Original Pirate Material in the last 800+ albums… surprisingly, I haven’t. It must be coming soon. This is a really solid album, but for me it still sits just behind Original Pirate Material. I was surprised to see how many low ratings it gets. Maybe it’s because it’s so British and so rooted in a very specific time and place. For me, that’s exactly what makes it work. The beats are catchy, the storytelling is sharp, and the whole thing plays out like a proper narrative. It captures everyday life in a very South London way, which gives it a lot of charm and authenticity. It might not be for everyone, but I think there’s a lot to enjoy here. Favourite tracks: Fit But You Know It has always been a favourite. Blinded by the Lights and Dry Your Eyes are proper standout moments as well. Least favourite tracks: What Is He Thinking? and Such a Twat don’t really land for me and feel like weaker points on the album. Album artwork: Love the cover, it fits the tone of the album perfectly.

Time Out Of Mind

Bob Dylan

4/5

Time Out of Mind isn’t my favourite Dylan album, and it’s hard to see it ever topping classics like Blood on the Tracks, Blonde on Blonde, or Highway 61 Revisited. That said, it’s still a really strong listen. The album starts brilliantly. “Love Sick,” “Dirt Road Blues,” and “Standing in the Doorway” set the tone perfectly and pull you in straight away. As the album goes on though, you do start to feel its length. At 11 tracks and over 70 minutes, it drifts a little, and the lack of variation makes it feel repetitive towards the back end. One of the standout elements for me is Dylan’s voice. The gravelly, worn delivery suits the mood of the album perfectly and adds real weight to the songs. Lyrically, it’s excellent. There’s a consistent thread of cynicism, anger, and longing running throughout, and it all feels very authentic. Favourite tracks: “Love Sick,” “Trying to Get to Heaven,” with my standout being the beautiful “Make You Feel My Love” Least favourite tracks: Nothing bad, but a few tracks in the second half blend together. “Highlands” in particular feels far too long and drags on. Album artwork: Classic Dylan. Simple, understated, and very fitting for the tone of the record.

Protection

Massive Attack

4/5

I gave Blue Lines a 5/5, so I was interested to see how Protection by Massive Attack would compare for today’s listen. I really like this record. In fact, it’s made me realise I might just be a Massive Attack fan. It’s an easy, smooth listen that still feels fresh today, which says a lot for a mid-90s album. The production is excellent throughout, with a more refined and polished sound compared to Blue Lines. It leans further into that laid-back, atmospheric vibe, but still keeps enough groove to hold your attention. The vocals are a real highlight. Everything feels effortless and cool, and the different guest singers add nice variety across the album. It works just as well in the background as it does when you sit and properly listen, which is always a good sign. Favourite tracks: Sly is a brilliant track. I also really enjoyed Protection and Spying Glass. Least favourite tracks: The cover of light my fire was awful and really not needed. Album artwork: Cool, understated cover that fits the mood of the album perfectly. Album artwork: Cool album cover

Rust Never Sleeps

Neil Young & Crazy Horse

4/5

Today’s album is Rust Never Sleeps, and once again, I really enjoyed it. This one feels heavier and more rock-driven than some of his earlier work. There’s a rawness and edge to it, especially on the electric tracks, that gives the album a bit more bite and energy. It’s an interesting mix as well, moving from acoustic, almost gentle moments into full-on distorted rock. That contrast works really well and keeps the album engaging all the way through. Favourite tracks: Hey Hey, My My (Into the Black) is superb. I’ve loved it ever since seeing Noel Gallagher cover it at Wembley. It’s a brilliant song and I do prefer the original. I also really enjoyed Sedan Delivery, which adds to the heavier feel of the album. Least favourite tracks: Every track earns its place, nothing I’d skip. Album artwork: Cool album cover, very much fits the raw, live energy of the record.

You Want It Darker

Leonard Cohen

5/5

You Want It Darker by Leonard Cohen was released just 17 days before his death and stands as his final studio album. You go into this expecting something dark, and it absolutely is. I love Cohen, but somehow I completely missed this album when it came out. This is my first proper listen, probably because my daughter was born just days after he passed. She’s also called Marianne, which makes this one hit a bit differently. This album is beautiful, deep, sad and genuinely stunning. The melodies are subtle but powerful, the backing vocals add a real weight, and the lyrics are as sharp and poetic as ever. Cohen’s voice is fragile but full of authority, which only adds to the emotion. It feels like a man reflecting, accepting, and saying goodbye. One of the best things about this challenge is discovering albums like this. It’s quite something to connect so much with a record made by an 82-year-old man at the end of his life, dealing with everything that comes with that. It doesn’t feel dated or distant, it feels honest and real. Favourite tracks: The title track You Want It Darker is brilliant. The lyrics are both beautiful and painful, set against that haunting, almost gothic sound. There are so many strong moments across the album though. Least favourite tracks: Every track earns its place, nothing feels out of place. Album artwork: Brilliant cover, simple but perfectly in keeping with the tone of the album.

For Your Pleasure

Roxy Music

5/5

My third Roxy Music album on this challenge, and one of the biggest takeaways so far is just how much I’ve grown to love them. I’m now a proper fan. After scoring previous Roxy albums 4s and 5s, today’s listen is For Your Pleasure, which I’ve actually been playing quite a lot recently anyway. Instrumentally, this album is superb. It’s the last one before Brian Eno left the band, and you can really hear his influence all over it. This is only their second album, but it feels like the moment they truly found their sound. It’s experimental, creative, and full of confidence. There are so many great songs here. Do the Strand is a brilliant opening track, fast, vibrant, and full of energy, with a great instrumental section in the middle. It sets the tone perfectly. Beauty Queen brings things down into something more delicate, while In Every Dream Home a Heartache is dark, strange, and completely captivating. The variety across the album is what really stands out, it never gets boring. Favourite tracks: Do the Strand and In Every Dream Home a Heartache Least favourite tracks: Not a weak song on the album Album artwork: Iconic cover. Roxy Music really don’t miss when it comes to artwork.

Let's Get Killed

David Holmes

3/5

Let’s Get Killed by David Holmes was something completely new to me today, so I was looking forward to giving it a proper listen. It feels like a cross between a Fatboy Slim record and the soundtrack to a slightly offbeat spy film. It’s easy to listen to, easy to drift in and out of, and has some really strong moments when it leans into its groove. The music is consistently good throughout. Vocals are used sparingly, but when they do come in, they add something extra. A lot of the album works best as a background listen, but there are enough standout moments to keep you engaged if you’re paying attention. Favourite tracks: Gritty Shaker and My Mate Paul are great, proper dance tracks. I also really liked the reworked Bond theme, which was a nice touch. Least favourite tracks: Listen is an odd way to open the album. It starts quite slowly, but improves as it goes on. Album artwork: Cool cover, even if I’m not entirely sure what’s going on in it

C'est Chic

CHIC

3/5

C’est Chic by Chic is a fun album that instantly makes you want to dance. It sits right in that R&B space pushing into disco, with a great groove throughout, even if the storytelling is fairly simple and mostly built around classic chat-up lines. There are some genuinely iconic tracks here. Le Freak and I Want Your Love are brilliant, proper disco anthems that still hold up today and belong on any night out. They carry the album in many ways. Outside of those standout moments, the album does feel a bit flat at times. It doesn’t quite build or evolve as it goes on, and some of the tracks blend into each other. It’s enjoyable, but not something I’d go back to in full very often. Favourite tracks: Le Freak and I Want Your Love Least favourite tracks: Not a big fan of the slower ballads like At Last I Am Free and Savoir Faire is just very dull! Album artwork: Standard cover for the time, nothing particularly standout

Dig Me Out

Sleater-Kinney

2/5

I’d never heard of Sleater-Kinney before today’s listen of Dig Me Out, so I was genuinely looking forward to it. Going in, I’d seen a lot of really strong reviews, which probably raised my expectations. But as I listened, I struggled to see where all the 5/5 praise was coming from. To me, it felt like fairly standard 90s punk rock. There’s nothing bad about it at all, but nothing really stood out either. The guitars are probably the strongest part of the album, there’s a good raw energy and some solid riffs throughout. The vocals, though, weren’t really for me, which made it harder to fully get into the record. It’s one of those albums where everything is decent, but very little pulls you back in for another listen. Favourite tracks: Dig Me Out and Turn It On Least favourite tracks: Nothing terrible, everything is worth a listen Album artwork: Cool cover, fits the style of the album

Ghosteen

Nick Cave & The Bad Seeds

5/5

Ghosteen by Nick Cave & The Bad Seeds is not your average Bad Seeds album. It’s completely different in sound, production, and lyrical tone. It’s a stunning record, absolutely beautiful, but it lacks the punch and rock and roll of Tender Prey or Let Love In, and it doesn’t have the same style of ballads as The Boatman’s Call. It feels totally unique in their catalogue. This is not a fun or easy listen. Ghosteen is grief and pain laid out across an album. As a huge fan, I struggled with it when it first came out. It takes time, patience, and the right mindset to really connect with it. Interestingly, hearing the songs live, especially through Live in Copenhagen/Idiot Prayer-era performances, helped me appreciate them more and understand what Cave was doing here. That said, this album can also be healing. It’s delicate, reflective, and at times genuinely moving. There are some incredible moments, Spinning Song, Bright Horses, and Waiting for You are all standouts, and the album opens beautifully. I also love Leviathan, which is just a stunning piece of music. I do love this album, but it’s not one I return to as often as Skeleton Tree or The Boatman’s Call. It demands a certain mood, but when it clicks, it’s something special. Favourite tracks: Bright Horses and Leviathan Least favourite tracks: Every track earns its place Album artwork: Magical cover, like the album, it feels completely different to anything else they’ve done, with so much going on

Seventeen Seconds

The Cure

5/5

Seventeen Seconds is the third album by The Cure I’ve listened to as part of this challenge. I previously scored Pornography and Disintegration very highly, so I went into this expecting more of the same. After a few listens today, this might actually be my favourite Cure album. It’s dark, moody, and haunting, and feels way ahead of its time. As a complete piece of music, it’s brilliant. The album moves between goth and a kind of electronic melancholy. The sound is minimal, built on reverb and space, simple on the surface but with real depth underneath. It creates this intense atmosphere that runs through the whole record, and the lyrics fit that mood perfectly. Robert Smith’s voice is made for this kind of music. Favourite tracks: A Forest has always been one of my favourite Cure songs. On its own it’s epic, but within the album it feels even bigger and more powerful Least favourite tracks: Every song on the album is brilliant Album artwork: Love the cover, it perfectly matches the mood of the album

Since I Left You

The Avalanches

4/5

Since I Left You by The Avalanches was completely new to me before today, and it turned out to be a very welcome surprise. It also made me realise that I clearly like electronic music more than I thought. This album is great. It’s full of variety, really tuneful, and built on some brilliant use of samples. It’s an easy listen at home, but you can also imagine it working perfectly on a night out. The title track Since I Left You is a standout, just a superb piece of music, but there are plenty of other highlights too, like Close to You and Frontier Psychiatrist. The way the samples are layered and stitched together across the album is really impressive and gives it a unique, almost nostalgic feel. What’s most impressive is how fresh it still sounds over 20 years later. It doesn’t feel dated at all, which is a real credit to how well it’s put together. I’ll definitely be coming back to this and adding it to the record collection. Favourite tracks: Since I Left You is brilliant. I also loved Frontier Psychiatrist and the use of samples throughout the album Least favourite tracks: Every track is worth a listen, but it is a little long and can feel slightly repetitive in places Album artwork: Cool cover that fits the vibe of the album

New York Dolls

4/5

I like New York Dolls. I love their vibrant, messy, raunchy and powerful glam rock sound, so today felt like the perfect time to dive into their debut album. The album gets off to a brilliant start. The opening tracks are superb. Personality Crisis hits straight away with energy and attitude, and Looking for a Kiss is just as good, especially as it always takes me back to hearing it before Morrissey gigs on the video package. Then Lonely Planet Boy slows things down, showing a more vulnerable side and adding some real range. Side one is excellent. Side two is strong as well. I’ve always liked Morrissey’s version of Subway Train, but the Dolls’ original is better. Trash is another standout, full of attitude and energy. Overall, it’s just a very good album and a really enjoyable listen. Favourite tracks: Looking for a Kiss is brilliant and feels underrated when you think about great glam rock and proto-punk tracks. Trash is superb too Least favourite tracks: Every song is worth a listen Album artwork: I love the cover, messy and sleazy, just like the New York Dolls

Kala

M.I.A.

3/5

Kala by M.I.A. is not the kind of album I would normally choose to listen to, so I went into this with an open mind. There’s a lot going on here. The album is packed with interesting sounds, samples, and cultural references, and it’s actually quite fun trying to pick them out as you listen. It’s creative and energetic, mixing playful, catchy moments with more serious, political themes. That contrast keeps things interesting and gives the album a bit more depth than I expected. It’s an enjoyable listen overall. It’s different from what I’d usually go for, but it never drags and it held my attention the whole way through. Favourite tracks: Paper Planes is a great tune. I also enjoyed Boyz, Jimmy and a few others across the album Least favourite tracks: Nothing I disliked, just outside my usual taste Album artwork: Very cool and colourful cover that fits the energy of the album

In Utero

Nirvana

2/5

I’ve never really been a fan of Nirvana, so I went into In Utero without much excitement. I’ve never fully connected with grunge as a genre, and this album didn’t really change that for me. It feels long, dark, and at times quite heavy going. There are some standout moments, Heart-Shaped Box, All Apologies, and Dumb are all great tracks, but outside of those, I found a lot of the album to be a bit dull. That said, I can appreciate the rawness and honesty in the sound, even if it’s not something I’d choose to revisit often. Favourite tracks: Dumb Least favourite tracks: Pennyroyal Tea didn’t do much for me, and there are a few others that just don’t land Album artwork: Classic cover that’s instantly recognisable

Felt Mountain

Goldfrapp

2/5

Felt Mountain by Goldfrapp felt like the soundtrack to a Bond film that never quite gets going and is a little bit crap! I gave this album two listens to make sure I wasn’t being overly harsh first time around, but unfortunately my opinion didn’t change. It’s a difficult listen and, for me, quite dull throughout. There are moments where you can appreciate the atmosphere and intent, but it never really grabs you or pulls you back in. Overall, it feels dated. This kind of trip hop and cinematic electronica has been done better elsewhere, and hasn’t aged particularly well. It leans heavily on mood, but lacks the standout moments to justify it. Favourite tracks: Paper Bag was okay Least favourite tracks: Oompa Radar is a bizarre listen Album artwork: Cool cover – probably the best thing about the album

Heaven Or Las Vegas

Cocteau Twins

3/5

My second album by Cocteau Twins, and one of their last. This is their sixth album, released at a time when the band were close to imploding, so I was curious to see how it would compare to Treasure. The biggest surprise is just how well this has aged. It’s over 35 years old, but still sounds incredibly modern today. I really enjoyed this listen. There are so many strong tracks, and you can hear a range of influences throughout. Pitch the Baby in particular gave me a real Gary Numan vibe, which I loved. The music is superb—lush, electronic, and layered with guitars that feel very reminiscent of Johnny Marr. There’s a lot to like here, and it’s a much more engaging listen for me. Favourite tracks: Frou-Frou Foxes in Midsummer Fires and Cherry-Coloured Funk are beautiful. Soft, atmospheric, and sung perfectly. Least favourite tracks: I Wear Your Ring feels a bit odd and slightly out of place Album artwork: Really cool cover. I’ve no idea what’s going on, but the colours really stand out

More Songs About Buildings And Food

Talking Heads

5/5

My fourth album by Talking Heads in this challenge, and one thing I’ve definitely realised after 800+ albums is that I love this band—and David Byrne is a genius. This is their second album and the first produced by Brian Eno. You can really hear them starting to find their sound here, with Eno’s influence bringing a sharper, more refined production. It feels like the beginning of something special. The opening run of tracks is fantastic. Thank You for Sending Me an Angel, With Our Love, and The Good Thing are all brilliant and set the tone early. The second half keeps it going too—Stay Hungry and Take Me to the River are standout moments. There’s a consistency across the album that makes it such an enjoyable listen. Favourite tracks: With Our Love is a fantastic track Least favourite tracks: Nothing stands out, every song earns its place Album artwork: Brilliant cover, simple but iconic

Heartattack And Vine

Tom Waits

1/5

My fourth album by Tom Waits in this challenge, and I was hoping this might be the one that finally clicked. So far, though, I’ve really struggled with his music. I find it hard to listen to, lacking in melody, and difficult to connect with. Going into Heartattack and Vine, I was open to it changing my mind, but unfortunately it didn’t. It’s another tough listen for me, and one I just didn’t enjoy. There’s no denying his style is distinctive, and I can see why people rate him so highly, but it just doesn’t land for me at all. Favourite track: Jersey Girl, although I’d still rather hear Bruce Springsteen’s version Least favourite tracks: Most of the album didn’t work for me Album artwork: Great cover, easily the standout for me

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