Oh I love it when my album lists overlap. I have taken on CBC's (Canadian Broadcasting Corporation) 100 Best Canadian Albums, a frankly bizarre assortment that covers everything from classical recordings, to jazz, to mainstream smashes like Shania Twain & Sarah McLachlan, to hardcore punk. I guess not too dissimilar from the 1001 that way. And my main criticism of it, due to the way I was brought up, is "not enough 80's AOR". Give me Platinum Blonde or give me death, I say! Anyway, Fully Completely is #13 on that list. Even though I haven’t the whole album until today, the songs that get the most radio play over here- “Wheat Kings”, “Courage”- have become a gold standard for Canadian rock. And I say that as someone who’s been bemused by the enduring popularity of the Hip in the past. Overrated in Canada, sorely underrated everywhere else. Anyway this is a 5 HL: “Wheat Kings”, “Fifty-Mission Cap”, “Courage”, “At the Hundredth Meridian”, “Pigeon Camera”, “The Wherewithal” May 24, 2025

Not 1st listen! “Oh my god… I get it now” My curiosity about this album/musical led me to seek it out last year, as well as some Bonny Light Horseman music, a group Anaïs Mitchell is part of. It’s a particularly odd case, where I felt it was caught between its various genres and influences at first listen. Too cleanly produced for rootsy folk, too dry & deadpan for the theatrics, plus the only voice I was familiar with was Vernon/Bon Iver, which kept distracting me from the story. But today, somehow, all the threads came together. The added context of financial woes to the Orpheus & Eurydice story goes a long way in making it contemporary, where the rattles of cello and musical saw keep the songs planted in this eerie, Tom Waits-esque world of Hadestown without overwhelming the lyrics and story.

June 22, 2025 Alright Daft Punk fan, you win & I'll tell you why: the revamped versions of songs I disliked in Homework, like "Rollin' and Scratchin'" and "Rock'n Roll" are redeemed here- as are Human After All tracks like "Technologic". Or they just hit live; on that note, the crowd singing along to the wordless melodies adds to the experience, going against my usual stance of "studio version better, no audience". "One More Time/Music Sounds Better With You" is a great finale

“Pluto” is one of those songs that sounds shit the first time and amazing the 2nd I very recently listened to this to get the Apple 100 list finished (February 23, yes I keep track of this shit). That's right- the 1001 could not sate me, and I'm chipping away at so many more curated lists now. Homogenic is on quite a few of those lists, actually, so its absence from the 1001 is curious. I mean the combined editions see 5 different Björk albums, with one axed (Medulla) and one added later (Vulnicura), so she doesn't lack representation. Now that I’ve listened to it a second and third time, Homogenic is either my second or third favourite Björk album (Vespertine and Post slap). I concede that this should have been in the list, but anyone who heard Debut and Vespertine (all of us), and was at least a little curious about what happened between those records (me), could have likely found Homogenic on their own. HL: “Hunter”, “Jóga”, “Unravel”, “All Neon Like”, “Alarm Call”, “All is Full of Love”, basically the whole thing May 16, 2025

May 2, 2025 HL: “Spanish Train”, “Lonely Sky”, “A Spaceman Came Travelling”, “Old Friend” The one song of his I really knew before- besides THAT one- was “Don’t Pay the Ferryman”, a great slice of 80s pop. This is quite different, though bits of synth and strings suggest he wasn’t content to be just a folk troubadour. Knowing he toured with Supertramp around this time makes a lot of sense to me. 1924, lords and ladies, modern day London- de Burgh really plays with time in this album. And while the production dates it to a specific time, 50 years ago, I found myself enjoying those stories more and more as the album progressed- though personally I like the ones about supernatural beings more than the one about the stripper.

I promised myself I'd give some space between the end of the main list and the start but Ladies and gentlemen... the Weeknd March 27, 2025 (5 years of this album holay) I'm of the opinion that the trilogy, including this, Dawn FM and Hurry Up Tomorrow are solid as fuck- though my favourite is Dawn FM :) The thick, hazy, cinematic synths present in this one provide a template for those other two albums, so this would be the logical choice. What can I say about “Blinding Lights”? That song follows me everywhere I go, up to and including my dreams. I can’t really complain though, because one of my favourite pop songs from lockdown was “Save Your Tears”, which like “Blinding Lights” was co-written with Max Martin/Oscar Holter 🇸🇪 I could nitpick on which Weeknd should be on the 1001, but this one works just fine. Just wish it started and ended in a more concise manner HL: "Hardest to Love", "Scared to Live", “Faith”, "Save Your Tears", “Until I Bleed Out”

March 29, 2025 HL: "Table For Glasses", "Lucky Denver Mint", "Your New Aesthetic", "Ten", "Just Watch the Fireworks", title track They have more songs besides "The Middle"? While listening to this, my brain drew comparisons to post-Britpop like Coldplay, Travis & Doves, but that's more the fault of the 1001 for not really giving heed to the emo subgenre, or my fault for not listening to much emo on my own. Initially I didn't think it had the chops to wow me over 70 minutes, but take out the 2 bonus tracks, and after realizing that "Goodbye Sky Harbor" is just a really long coda, I concluded it's pretty standard length for a CD release. Clarity has a really great 3 song run at the beginning, but doesn't lose too much momentum after that. It does the sugary, strings + glockenspiel stuff as well as the power-chord-chugging tunes. Perhaps credit is due to Trombino, the producer who also worked on the Drive Like Jehu & Rocket From the Crypt from the OG list, for making it all flow so nicely. In sum- lots to enjoy about the more melodic side of emo.

Not 1st listen! “Oh my god… I get it now” My curiosity about this album/musical led me to seek it out last year, as well as some Bonny Light Horseman music, a group Anaïs Mitchell is part of. It’s a particularly odd case, where I felt it was caught between its various genres and influences at first listen. Too cleanly produced for rootsy folk, too dry & deadpan for the theatrics, plus the only voice I was familiar with was Vernon/Bon Iver, which kept distracting me from the story. But today, somehow, all the threads came together. The added context of financial woes to the Orpheus & Eurydice story goes a long way in making it contemporary, where the rattles of cello and musical saw keep the songs planted in this eerie, Tom Waits-esque world of Hadestown without overwhelming the lyrics and story.

March 31st 2025 HL: "Man! I Feel Like a Woman", title track, "From This Moment On", "That Don't Impress Me Much" I feel like I'm not as enthusiastic for this one for reasons beside the music. There's a reason many of these songs still endure after almost thirty years (at least in Canada), but much of the time that I'm listening to this I imagine a darkened community centre, floor sticky from all the spilled booze, where everyone does the boot scoot n' boogie because that's the only socially acceptable dance. Shania opens this album with an all-time banger though, so can't complain about that

Definitely the album I know the least about so far, after commercial smashes from the Weeknd & Shania Twain. Thought of Gang of Four & Young Marble Giants (Colossal Youth) from the name, but so far it’s closer in sound to Arcade Fire and Bleachers. I guess Australian rock hasn’t broken into the Canadian mainstream as much as I thought, though they sure tried in the 80s (INXS, Crowded House) The man can sing- the partly-screamed vocals in “Atlas Drowned” sound like a different person than the baritone of “Achilles” I’m wishy-washy on music that is custom fit for a stadium, but as with Arcade Fire & U2, I find this very enjoyable. The emotional hills and valleys make the almost 80-min run time worth it HL: “Fear and Trembling”, "What Can I Do If the Fire Goes Out?", “Achilles Come Down”, "The Heart is a Muscle", "Le réel", "Say Yes to Life" later on March 31

Another Australian band I am not familiar with! This would be great pairing with a contemporary album: Don’t Throw Stones -> Glass Houses (Billy Joel, 1980) I enjoyed the first few songs the best, though it's pretty consistent throughout. The comparisons to other 70s bands started to enter my mind, uninvited, around side 2. Although based on the quality of the musicianship and lead singer, I prefer it to a few of the prior entries, for instance the Stranglers & Blockheads 3.5 HL: title track, "Thru the Window", "Suspicious Minds", "Tired of Me", "Big Sleep" April 1, 2025

Melbourne yesterday, Indianapolis today with Margot & the Nuclear So and So's! "I wanna gouge out your eyes"- least psychopathic indie band A couple great songs- see below- but a lot more okay ones in my eyes(ears). It helps that I'm already drawn to this sort of semi-acoustic indie rock. If you enjoy this I recommend Harlequin Dream by Boy & Bear (2013). HL: "Pages Written on a Wall", "Broadripple Is Burning", "German Motor Car" April 2, 2025

April 7, 2025 HL: “Rapture”, “Penetration”, “Indian Summer”, “Rehearsal” Today’s AOTD is from David Bazan, of Seattle! I had misgivings about the opener “Options”, thinking I was about to go down a muddy road towards beige, 2000s post-grunge. Then the ironically upbeat “Rapture” immediately shatters that expectation. What could have been a simple morality play about the sin of infidelity is complicated by the dejected final couple of tracks- seeming neither sympathetic nor damning to the “protagonist”. Though it’s not an easy listen, it is a pretty impressive concept album from a time and genre (90s/00s slowcore) I haven’t been particularly interested in. 4* for now

April 8, 2025 I knew a LITTLE Jellyfish before today, just from letting the Algorithm guide me. Spotify gave me “Russian Hill”, and Apple Music has an “Inspired By Queen” playlist that features “Joining a Fan Club”. Both are from this album, so it’s no surprise that I enjoy this. I’ll have to ponder on this further, but it may be genius. *May* If I was in a band and released this 4 years after forming, I’d also maybe think ‘where do you even go from here’

April 9, 2025 HL: "Jasmine", "Str8 Outta Mumbai", "Crush", "100,000" I wish I didn't spoil the lore for myself before listening, because I'm still trying to fill in the gaps of what a finished "Bait Ones" would sound like. Maybe down the road I can fully appreciate it as a standalone, but for now I feel blueballed by this clearly innovative take on electronic pop. Like "Chix" sounds like it's gonna be my favourite song, and then it just ends >:0 3 stars, not because it's merely okay, but because it has so much potential it makes me mad >:0

April 10, 2025 wa wa wee wa

April 12, 2025 HL: “Hanging Out With Halo Jones”, “Sister Moon”, “I Want Your Love” I can’t believe this is how I find out that Andy Warhol is dead ;( Decent mix of ‘70s rock n’ roll with ‘80s production. The robotic monologue that kicks off “Trash City” sets a level of camp that nothing else here can live up to

April 13, 2025 HL: “It’s a Motherfucker”, title track, “I Like Birds”, “Grace Kelly Blues” Eels #2! A pleasant listen, and one that strays enough from Beautiful Freak’s glummer atmosphere for me to understand it being here. I wasn’t immediately in love, despite a lot of the individual elements in it- the sweet brass in track 1, the melodies, the humour- seemingly being perfect for a nice April afternoon. “It’s a Motherfucker” may have unseated “Flower” as my favourite Eels song, though. 3.5

April 15th again HL: “A Year”, “Paper Plane”, the Doors cover I remember seeing a documentary on Status Quo years ago, about how big they are in the UK, only to be underwhelmed by the actual music. This is decent, but amidst the T-Rexes, Stones, Deep Purples, Mott the Hooples and Eric Claptons already crowding the scene, it just registers as a bit of dumb fun. I guess there’s nothin’ wrong with that There IS a British, boogie rock outfit that’s sorely missing from the OG list. Their name: Foghat

April 15, 2025 HL: “Bells For Her”, “The Wrong Band”, “The Waitress”, “Cornflake Girl” A few recent listens have been releases from an artist already on the original list. And while I think this doesn’t quite leave the shadow of her previous album Little Earthquakes, Under the Pink is the best example yet of somebody who could have been better represented. This is grand and lush, while still being pretty idiosyncratic and off-kilter. I’m going to Google some lyrics now, and feel pretty dumb about not knowing what a cornflake girl is

April 11, 2025 HL: "Chinese Water Python" (instrumental), “Linctus House”, “Glass Hotel”, “Sweet Ghost of Light” (bonus) Ranges from nonsense poetry (“Certainly Cliquot”) to more lucid moments (“Executioner”, “Aquarium”), but much is still up to interpretation. I also revisited Hitchcock’s album on the original list, Underwater Moonlight, and remembered how little I understood his lyrics back then. I guess omitting the harmonies, punky rhythms and psychedelic noise of the Soft Boys makes me engage with his surrealist turns of phrase in a way I haven’t before. I can see this growing on me with time. He’s coming to my city this year, and I will admit, this piqued my interest a smidge 3.5 and rising

April 19, 2025 The fact that this guy has collaborated with Nick Cave, The The & Einsturzende Neubaten shouldn’t surprise me, because so far, Nail evokes all 3. Particularly the last two. An abrasive and ugly album, but also somehow arranged like an operetta, with instrumental flourishes and an explosive finale. I didn’t love it today, but I respect its convention-shattering ways.

April 14th, 2025 HL: “Sgt. Baker”, “American Life”, “Tommy the Cat”, “Fish On” Only knew this band as the ones who made the South Park song. Wasn’t particularly *excited*, but definitely curious. The mix of funk metal with more esoteric, avant-garde elements sounds like a recipe for sensory overload. Not today 🫡 While enjoyable on its own merits, it oughta be in the book just to prove the Residents’ Duck Stab was actually influential, and not just an isolated curio from the 70s

April 21, 2025 HL: title track, “Who’s Your Boyfriend”, “Choke on a Cock”, “Losing on a Tuesday”

April 16, 2025 Bob fookin Seger 4 all-time hits and 5 decent tracks that keep the good times going

April 17, 2025 Own this CD (bought it because it has "Cannonball", a song I learned from a busker in Galway) Listening to it for the 1st time today, though Mixed feelings about “Delicate” as an intro to the album; it’s aggressively gentle. But after the album ended, on the strange 3-part final track, I have to take off my hat to Mr. Rice (and also Ms Hannigan) for how the whole album is structured. Stable and melodic at first, but then more unpredictable as the relationship disintegrates.

I knew “Conquistador”* and “A Whiter Shade of Pale” before today; I adore Brooker’s vocals, particularly in the latter, so I was surprised at how much this album is sung by other members of the band. However Fisher’s voice in the symphonic “Hesperus” and “Pilgrims Progress” works just fine. Procul Harum (also the Moody Blues!) are from a time of early prog that the List instead represented with bands like Spirit and Traffic. I wouldn’t knock out either of those bands for A Salty Dog, but I do appreciate it for those aforementioned symphonic/prog elements, as well as the yearning for the sea. Oh I yearn, Jerry HL: title track, “Boredom”, “All This and More”, “Pilgrims Progress” April 18, 2025 *co-starring the EDMONTON Symphony Orchestra, yay Canada notice us please 🍁 🍁 🍁

April 20, 2025 This is either a cacophonous experiment gone awry or one of the best albums I’ve heard in a while. Fuck it, it’s both

April 24, 2025 HL: "Zion's Blood", "Dread Lion", title track Incredible album cover There really is a strange lack of dub on the original list. Sure you hear its influences a lot, in the Specials, the Sabres of Paradise, David Holmes, Public Image Ltd.- the list goes on. Kinda like another album within the genre, East of the River Nile (Pablo), I spaced the hell out while listening to it, but in a good way :)

April 23, 2025 HL: "Heart Cooks Brain", "It's All Nice on Ice, Alright", "Lounge (Closing Time)", “Cowboy Dan” Both this & the Moon & Antarctica have been on my radar for a while, at least as long as I’ve had an account with RateYourMusic. The first time I tried listening to this (within the last year), I got through the opening track "Teeth Like God's Shoeshine" and gently switched to something else. There's a time and a place for that noise, I thought. Now that I’ve heard the whole Lonesome West, that song is among the better tracks here. Still not in love with Isaac Brock’s vocals, though he & the band do show versatility within 75 minutes. The mumbled “Long Distance Drunk” does nothing to foretell the howls of “Shit Luck”. The pretty riffage in “Trailer Trash” contrasts with the occasional funk of “Lounge”. Maybe this will join indie rock albums Yankee Hotel Foxtrot and Slanted and Enchanted someday; critically acclaimed albums that took me actual years to truly appreciate. 3.5/5

April 25, 2025 HL: title track, "Blitzregn baby", "Dieter Meyers Inst.", "Christiania", "Jævel av en tango" My worries that this would just be more post-punk revival were quickly dashed. Interesting use of cabaret and Eastern European folk alongside more mainstream rock. Of course, much of the themes are lost to this Anglophone, so all that really helps paint the picture of a mental hospital are the ever-changing genres & the occasional Bone Machine-esque clanging percussion. Thanks for sharing!

"The Caretaker conjures a quieter, more introspective spirit, lost in his own mind amidst a low-lit labyrinth of ever-decaying and antediluvian shellac phrases. Sourced from a mysterious collection of 78s, these vague snippets of archaic sonics reflect the ability of Alzheimers patients to recall the songs of their past, and with them recollections of places, people, moods and sensations." - from Bandcamp "If this music was a food it would taste like a single hard-boiled egg that’s really dry"- Dylan in the YouTube comment section Hi, it's me, the one who brought the spooky ghost jazz. First off, compared to 'A stairway to the stars' and 'Everywhere at the End of Time', it doesn't evoke horror in the same way. Despite the alienating treatment on big band fragments like "Libet's delay" and "Tiny gradiations", I find the overall effect to be less despair and more saudade ("Longing, melancholy, nostalgia"- Oxford dictionary) My fascination with repurposed samples in music probably goes back to my Beatles obsession as a teen, with tracks like "Revolution 9" and "Being for the Benefit of Mr. Kite" making use of tape loops from old recordings. However, it wasn't until COVID lockdown, when I discovered both the Caretaker and this generator, that I became aware of the word "plunderphonics". The Avalanches, DJ Shadow, Beastie Boys & the Bomb Squad are all examples of plunderphonics at its best, and I credit this website for exposing me to them. I’ve never known that technique used to such great emotional effect as the Caretaker does. Ironically, I didn’t have much of an emotional reaction to hearing it tonight, as I was trying to examine it more critically. After all, I could have put Future Islands on this list, or Japanese Breakfast, or the Guess Who. Did we need another electronic artist from the UK? But then the warped orchestra of “The sublime” kicks in, that one heartstring gets pulled and I remember why I keep coming back to this before so many of the albums I’ve heard. (And also I don’t feel like absolute garbage like I did after EATEOT) HL: "All you are going to want to do is get back there", "Moments of sufficient lucidity", "Libet's delay", "Mental caverns without Sunshine", "Tiny gradiations of loss", "Camaraderie at arms length", "The sublime is disappointingly elusive", "Their story is lost" (bonus track)

April 25, 2025 HL: "6L GTR", "Panic Attack", "Ticket Inspector", "The Price of Smokes", "Emperor of the Beach", "Getting Better" 5th Australian act so far on the user list, and 5th that I had no idea about beforehand (after Gang of Youths, the Sports, Gurrumul and Foetus) I don't care for punk... ...but I like this 7/10

May 2, 2025 HL: “Spanish Train”, “Lonely Sky”, “A Spaceman Came Travelling”, “Old Friend” The one song of his I really knew before- besides THAT one- was “Don’t Pay the Ferryman”, a great slice of 80s pop. This is quite different, though bits of synth and strings suggest he wasn’t content to be just a folk troubadour. Knowing he toured with Supertramp around this time makes a lot of sense to me. 1924, lords and ladies, modern day London- de Burgh really plays with time in this album. And while the production dates it to a specific time, 50 years ago, I found myself enjoying those stories more and more as the album progressed- though personally I like the ones about supernatural beings more than the one about the stripper.

April 27, 2025 HL: “About You”, “Don’t Look Back”, “Neil Jung”, “Going Places”, "I'll Make it Clear" Delightful Today is an apology tour of sorts; in addition to hearing this for the first time, I also revisited Teenage Fanclub's Bandwagonesque (album #420). I've long been a sucker for some jangly guitar, but to quote me from 2023: "there were a few times about midway thru the record where I didn’t realize one song had ended & and another started." And I will admit, Grand Prix can be a bit samey as well, though it shows a bit more diversity, with occasional brass and organ. But when the overall sound is so bright and melodic, how could I fault them for sticking to that sound? Both this and their prior album have absolutely stellar harmonies, which I don't think I fully appreciated two years ago.

April 29, 2025 HL: "Runnin' Around", "Give Me Back My Man", "Private Idaho", "Devil's In My Car", "53 Miles West of Venus" QUICHE LA POODLE 🐶

April 30, 2025 HL: “10 d E A T h b R E a s T ⊠ ⊠”, “29 #Strafford APTS”, “8 (a circle)”, “____45_____” I figured from the song titles that this would be left field compared to “For Emma Forever Ago”. Yet many of the tracks are still recognizably Bon Iver, odd IDM production aside. “God” and the title track aren’t too far removed from his self-titled album from 2011 (though I will add, it is quite the leap from FEFA to that one). Though Bon Iver’s own records are regrettably absent from the original list, I did get a glimpse of his experimental side in both Yeezus and MDBTF, from Kanye (that Nazi sympathizer from ChiTown). Still, I needed two full listens to process this, even though it’s pretty short. Critics praised the lyricism; I have no idea wtf he was singing since I was more focused on the vocal treatments and sampling. Still, listening to it this morning was a weirdly invigorating start to the day. Will keep this in my digital library!

May the 1st, 2025 HL: “Waiting on the World to Change”, “Gravity”, “The Heart of Life”, “In Repair” There are many albums I want to like more than I do, but much fewer ones that I want to hate more than I do. Continuum belongs in the second category. Good job John Mayer 👍 I’ve come a long way from dreading to hear that opening track at my grocery store job 3.5

May 3, 2025 HL: “Mogwai Fear Satan”, “Yes!”, “Tracy” The spoken word about making up a ‘bit of a sketch’ reminded me of the Limmy Show. Probably just that Glasgow accent. It has a beautiful finale, the question that I won’t quite be able to answer this afternoon is: “Was the journey worth it?” It was definitely heavier and noisier than I expected, but I guarantee there will be times where I’m looking for that dense atmosphere. Just doesn’t happen to be today

Late on May 4, 2025 HL: “Shut Up”, “She Will”, “Husbands”, “Marshal Dear” Another first time listen (well, Wiki says they had one song in the credits for Ex Machina, but I don’t recall if I stayed that long) As cold and brusque as its title suggests, but also darkly alluring. It definitely sheds the pop appeal of post-punk revival bands from the 2000s, but it’s not all brooding and feedback- there are some genuinely catchy grooves here. That crunchy bass :0 Went to see Sinners hours before listening to this, so way to keep the gothic atmosphere going! 🧛‍♀️

May 6, 2025 HL: “Bouncing Around the Room”, “Gumbo”, “Simple”, “Harry Hood” I’ve never listened to this band before today, but I did read about the recent fan poll for the Rock Hall of Fame, where Phish was #1. Okay, well THAT just happened! This collection of recordings goes from reggae, to jazz, to weird a cappella breakdowns. I understand the appeal, since both discs are great examples of improvisation and crowd engagement. My own jam band bias makes me think it’d be very easy to forget the audience and commence 20 minutes of atonal droning, but Phish seem pretty aware of getting their fans’ attention- partly through the aforementioned genre switchups. At the end of the day it’s fun but there’s no one track I eagerly want to revisit right now. 3/5

May 8, 2025 HL: “Blue”, “Colors”, “Kairo”, “Passion”, "Dareka no Negai ga Kanau Koro", “Keep Tryin” Utada wrote “Simple and Clean” for Kingdom Hearts, a game I have never played, but it appears in the reveal trailer for Sora as a downloadable character for Super Smash Bros Ultimate. Let me emphasize, that song is not in Super Smash Bros., just in the trailer. Yet I regard it as something of a perfect melody, despite only knowing about it in this second/third hand way. https://youtu.be/KGidvt4NTPI?si=oUTXgG073SUWhYYa Check it out, it’s fricken beautiful. Anyway, back to this full hour of J-pop, a genre that’s absent in my own library as well as the 1001 book. It’s not a perfect album in my eyes, with not every track benefiting from the mid 2000s techno, but my attention kept getting drawn back to the main melodies, and when they hit, they HIT. Sometimes offbeat and quirky (“Keep Tryin”), sometimes ethereal (“Blue”, aka the next track), they’re the element that left the strongest impression on me. And the production isn’t only a hindrance: the bleeps and bloops elevate certain tracks, like “This is Love” and the Latin-esque “One Night Magic”. Overall, a pleasant listen. Maybe I’m overrating it a bit because of the novelty, but I definitely plan to check out more Hikaru Utada down the road.

Still May 11, 2025 thank u for the jazz fusion album, We Like It Here, by Snarky Puppy Wouldn't mistake it for the Phish album, but both have a way of letting virtuosity overshadow other elements of the compositions. I even had that feeling from Mahavishnu Orchestra's The Inner Mounting Flame, considered one of the very best in the genre. Then again, if they tour nearby I would pay money to see Snarky Puppy absolutely shred. *checks tour dates* Not this year...

May 9, 2025 HL: "Going Away to College", "What's My Age Again", "All the Small Things", "Adam's Song", "Wendy Clear" blah, skate punk, no thanks. (35 minutes later) there is something to this skate punk First Blink-182 album, but doesn't really feel like it with how much I've heard the most famous tracks. The *less* famous tracks don't stray far from the formula, but I'd be shocked if they did. *throws 4 stars on the counter* Keep the change

May 10, 2025 HL: "Winning", "Fatal Flaw", "Silent Air", "New Dark Age" 3.5 at least The bright synth keeps it separate from the brooding tones of Joy Division and Seventeen Seconds-era Cure. Would fit in like a glove to the book's selection of early 80s material. Maybe one could have bumped Echo & the Bunnymen's debut in favour of this; after all, they'd still have two more albums in the list.

May 12, 2025 HL: “Skyscraper”, “Displacement”, “Benediction”, “Flowers and You” I generally don’t go out of my way to listen to this kind of stuff, i.e. melodic hardcore. But as someone who lost their mom to stage four cancer, I say here is an excuse to scream. Thanks for sharing

oh hey, not 1st listen In the wake of Kendrick Lamar's album Mr. Morale & the Big Steppers, he went on SNL to perform the song with "Father Time" with Sampha. That was the first time I was really aware of the latter artist, and led to me listening to his vast catalogue of... one studio album: Process (2017). I liked it well enough that I basically listened to Lahai the day of release, a stat this album shares in common with virtually no other (save Mr. Morale, funny enough). I've mused before how timing plays a big part in how I receive an album, and Lahai dropped not a moment too soon. Besides dealing with the lack of Sampha solo output for a few months before this second album released, it also helped that its jittery, spiritual tunes differed from the more grief-oriented Process just as I happened to be grieving in my own life. Sometimes I look for darker music to match my mood, but most of the time, contrast goes a long way. Sometimes, more optimistic music hits when I'm not feeling so optimistic. Additionally, I read Jonathan Livingston Seagull as a kid, and while I don't remember it super well, it is cool to see that story as a framing device for Sampha's own outlook on life. It's a small world, etc etc I get why the rating is a little low; ye seem to underrate other alt-soul artists such as Kelela, FKA Twigs and SZA, fellow 1001 Generator users. The electronic elements here switch from being ambient and serene to borderline overstimulating. Aside from "Only", there isn't even an obvious standout track (Process had the ballad "Like the Piano"). But like many albums I admire, the songs are stronger together than on their own, to the point that Lahai should be seen as a single 40 minute piece. (Watch me contradict myself by listing my own favourite songs below) In the year or so since I heard this last, a deluxe version came out; while they don't affect my overall rating, I do enjoy the four additional tracks as well. HL: "Spirit 2.0", "Dancing Circles", "Only", “Jonathan L. Seagull”, "Satellite Business 2.0" (bonus track), "Re-Entry" (bonus track) May 11, 2025

May 15, 2025 again HL: "Breakfast Epiphany", "Hangover Square", "Waitin'", "Face Behind Her Cigarette", "Jerry" This is their only album & their website is down, so I feared the worst for this band-- until their Instagram revealed they're still kicking and doing shows around Cardiff, so-- good for them. The info under the YouTube comment for "Breakfast Epiphany" cites such inspirations as diverse as Caribou (a CANADIAN), Serge Gainsbourg & Broadcast, so it's a perfect intro to the rest of the album and its chill blend of alt-rock. Hope the 2nd album is even better

Not 1st listen The worst thing about hearing it that first time was being distracted by its placement on the RateYourMusic. I like it more than a lot of the 1990s section of the 1001, but #40? Of all time? 💿 Nothing could live up to that. Ah well- there are much more confusing-to-me placements on that chart than Souvlaki, and for what it’s worth, I think it’s a beautiful and well-put together album. HL: “Machine Gun”, “40 Days”, “Sing”, “When the Sun Hits”, “Dagger” May 13, 2025

First metalcore album (that I have heard), so take this with a grain of salt Has an explosive start to the album, but most of the remaining tracks suffer from sameness. CMJ wrote in a positive review that "this 12-track platter never takes its foot off of the throttle", so it's kinda funny that my biggest gripe with the album is precisely that- it doesn't let up. Diff'rent strokes, et al Lead vocalist Jesse Leach has three modes that are pretty different from each other: sing, shout, and GROWWL, but it's that last one that is both the most frequently used AND my least favourite style. Still, if I didn't watch the music video for My Last Serenade I would've guessed at least two people traded off lead vocals. HL: "Numbered Days", "Self Revolution", "My Last Serenade", "Rise Inside" May 14, 2025

https://www.youtube.com/watch?v=E2tUbVBCzOQ Not much to say about it, but the people have spoken: this is the biggest miss of the original book. Ric “the Cars” Ocasek, Rivers’s endearing-loser lyrics, the harmonies, the melodies, they all make for a prime slice of 90s power pop. After 50 submitted albums, I’ve only had 5 (including this one) that I’ve heard before, and 19 from artists completely off my radar, so I’m glad I’ve stuck around! Good job, fellow completionists 🫡 HL: “My Name is Jonas”, “The World Has Turned…”, “Buddy Holly”, “Undone”, “In the Garage” May 15, 2025

“Pluto” is one of those songs that sounds shit the first time and amazing the 2nd I very recently listened to this to get the Apple 100 list finished (February 23, yes I keep track of this shit). That's right- the 1001 could not sate me, and I'm chipping away at so many more curated lists now. Homogenic is on quite a few of those lists, actually, so its absence from the 1001 is curious. I mean the combined editions see 5 different Björk albums, with one axed (Medulla) and one added later (Vulnicura), so she doesn't lack representation. Now that I’ve listened to it a second and third time, Homogenic is either my second or third favourite Björk album (Vespertine and Post slap). I concede that this should have been in the list, but anyone who heard Debut and Vespertine (all of us), and was at least a little curious about what happened between those records (me), could have likely found Homogenic on their own. HL: “Hunter”, “Jóga”, “Unravel”, “All Neon Like”, “Alarm Call”, “All is Full of Love”, basically the whole thing May 16, 2025

Oh wow, 3 in a row I’ve heard before. Also the CRASH TEST DUMMIES? From WINNIPEG? Sound the alarm, It’s CanCon 🇨🇦 🇨🇦 How Canadian am I? (“How Canadian?”) When I was in elementary school the drummer of Crash Test Dummies did a motivational talk in my hometown. And the song is just pronounced “Mmmmmm”- I asked him myself. Surely they love being asked that. Occasionally in December local radio will play their “First Noel”. It’s my favourite version of the song, no word of a lie. Keyboardist Ellen Reid sings lead for half of it, which makes me wonder who to be mad at that she doesn’t sing lead in this album. You can really hear her in “The Psychic” though. Normally I gripe about music in the 90s, but take me back to when “MMM MMM MMM MMM” could be and was a worldwide hit.

May 18, 2025 Beguiling Even though I have recently indulged in the electro-acoustic wash of Tim Hecker, as well as the ambient, repetitive works of Brian Eno & Max Richter, for a 40 y.o. album World of Echo doesn’t really sound like anything else. Mayyybee Oar by Skip Spence with all the echo & murmuring. 4 for now, even if it is just a masterclass in mucking about

May 27, 2025 HL: "If All Goes Well", "The Line", "Ouroboros" 'I don't know what the hell is going on in the most wonderful way' Don't know if it's because my brain finally caught up to my ears, but the 2nd half sounded better to me than the 1st. 10/10 for ambition; has some intriguing musical direction ("The Bitter Suite") but also some songs that were pop-minded to the point of distraction ("Waves")

May 20, 2025 HL: "Holding On", "Strangest Thing", "Thinking of a Place", "Clean Living" In the two years since hearing Lost in the Dream, and three years since hearing I Don't Live Here Anymore, I've since made peace with Adam Granduciel writing the same song, every song. But it's a good song. Was it a miss on the 1001's part? No, though I don't necessarily like them removing Lost in the Dream for newer readers. Am I glad I listened to this? Hell yeah. This might be the best example of the 80s throwbacks, yearning lyrics and dreamy wall of sound that goes into making a War of Drugs album.

May 22 HL: "Nightbird", "All Girl Band", "What Can I Do For You?", "Lady Marmalade"

May 23, 2025 Oh yeah, after the main list with two Ali Farka Tourés and one Songhoy Blues, I'm what you call an expert on the country of Mali now... *also Googles what Bamako means* I think the make-or-break element is Manu Chao's involvement, as his cosmopolitan approach to mixing genres means Dimanche à Bamako is a little scattershot. But he & Amadou (R.I.P.) & Mariam make a hell of a team. That genre unpredictability works in their favour; and though it's polished, it's still a very warm, rootsy and joyous-sounding record.

May 25, 2025 HL: "El Fin de la Infancia", "El Baile y el Salón", "Esa Noche", "El Cicion" Do I love it? I'm not sure yet. There's a lot of moving parts, and I'm still warming to Rubén Albarrán's voice. Should this have been on the OG list? 100 times yes; there are lots of less interesting cuts from the 90's that made it into the book instead, and it wouldn't be a total outlier among albums like Buena Vista Social Club, Street Signs or Clandestino either. Maybe a 5-star a year from now

Oh I love it when my album lists overlap. I have taken on CBC's (Canadian Broadcasting Corporation) 100 Best Canadian Albums, a frankly bizarre assortment that covers everything from classical recordings, to jazz, to mainstream smashes like Shania Twain & Sarah McLachlan, to hardcore punk. I guess not too dissimilar from the 1001 that way. And my main criticism of it, due to the way I was brought up, is "not enough 80's AOR". Give me Platinum Blonde or give me death, I say! Anyway, Fully Completely is #13 on that list. Even though I haven’t the whole album until today, the songs that get the most radio play over here- “Wheat Kings”, “Courage”- have become a gold standard for Canadian rock. And I say that as someone who’s been bemused by the enduring popularity of the Hip in the past. Overrated in Canada, sorely underrated everywhere else. Anyway this is a 5 HL: “Wheat Kings”, “Fifty-Mission Cap”, “Courage”, “At the Hundredth Meridian”, “Pigeon Camera”, “The Wherewithal” May 24, 2025

May 30, 2025 HL: “In Circles”, “48”, “Grendel” User Album LXIII: Revenge of the Scene Kids A long time ago in a country far, far away… The music critics of the BRITISH EMPIRE have launched their assault on emo fans, publishing an acclaimed list of music albums that does not contain one work in the genre (with the exception of maybe one Drive Like Jehu). However, a small but determined group of Rebels make their own list of albums, bringing light to not just emo, but also bands of the forbidden genres of screamo and melodic hardcore, under the Empire’s nose… 🤷‍♂️ I thought it was pretty good

First listen, probably. Definitely heard part of this album in the past; songs like “Yellow Snow” and “Cosmik Debris” ring a bell. Usually when I listen to Zappa, I lament I don’t find Zappa as funny as Zappa did. However, Apostrophe’s absurd turns of phrase did put a smile on my face today, as did nearly all of the odd musical choices. 28 May 2025

May 31, 2025 HL: “Untouchable Face”, “Outta Me, Onto You”, title track, “Amazing Grace”, “Going Down” Tricky album to rate, has some electric performances but also some meandering bits in the middle that I got lost in. DiFranco the melancholy folkie worked, DiFranco the pissed alt-rocker worked, not sure why those two elements didn’t coalesce into a satisfying hour. 3.5 for now

Not first listen. that was last year HL: "Prison Song", "Chop Suey!", "ATWA", title track, “Aerials” A good nu-metal band is hard to come by, but SOAD make it happen. May 28, 2025

The 2013 is strong with this one "Papaoutai" was really big when I was in high school French- Stromae, ou-t'ai? Despite not being hot on the genre, Racine carrée is a pretty good example of 2010s house. Both the music and singing style bounce around from song to song, and for a virtually unilingual listener (me with all my French classes) it’s still quite accessible. 3.5 HL: "Papaoutai", "Tous les mêmes", “Moules frites” May 29, 2025

June 1, 2025 HL: “Sunflower”, “Dinosaur Act”, “Laser Beam”, “Embrace”, “In Metal” First Low album! Better than I expected, quite haunting at times. I figured it would be a depressing hour, but I find my spirits picked up after listening.

Music for yearning for the sea 🌊 For me, this is good-time music in its purest form, and I don’t say that lightly. Even in its least idealistic moments: the frustration of “Nothing Out of Nothing”, the dire working conditions listed in “Process Man”- there’s a warm glow surrounding the tracks, partly due to the harmonies, the singalong choruses, and perhaps to Mr. Danny Greenspoon’s production, who also worked with similarly-Celtic inspired Canadian troubadours Spirit of the West. Though I’m really not sure how much is him, and how much is simply the performances and arrangements. Alan Doyle (gravelly) and Séan McCann (smooth) trade off lead vocals magnificently, even if the former is more or less the face of the band. I argue this album would not be complete without the latter’s take on the traditional “Mari-Mac”, or the sweet melody of “Something to It”. McCann might have even topped those contributions on GBS’s followup Play (1997), or if you listen to Canadian radio, “the one with all the hits”. Though I do love Up for itself, it is worth noting that this is one of the rare albums I knew front-to-back before I turned 13, aka when I started to dig into the canon classics like Wish You Were Here, Abbey Road, et al. Would the simple pleasures of Great Big Sea hit the same if I only came across it today (my 29th birthday 🥹)? Who could tell. Not much of the lyrical content- Newfoundland, kitchen parties, black rum, sailing the salt sea- reflects my own life experience. Since I had two albums to add for your enjoyment, I used my other spot for something that pushes the envelope a little (Leland Kirby, aka the Caretaker). I kinda envisioned this one as an apology: if you get through the sad dementia-themed ambient one, here’s the coziest album ever written. Or vice versa, if this is too dopey for your liking, boom- depressive dark ambient is headed your way.

June 5, 2025 HL: "Californian Hills", "Diversion", "Baby Big Man (I Want a Mommy)" so much FUZZ Going into this album, I was already opining that there are too many garage rock albums in the original list- yet the wonky, DIY production and noise rock elements keep it from being too grounded in one scene or era. The glam elements sometimes reminded me of Cindy Lee/Diamond Jubilee

June 8, 2025 favourite song: “Kerosene” Hm, as my introduction to this band, this is pretty darn cool With riffs this glossy and harmonies this crisp, am I even listening to punk? Yet, the breakneck tempo of some songs, as well as the deliciously unsubtle politics, does in fact convince me of its genre.

June 11, 2025 HL: "Next Exit", "Corpse Pose", "Lady Elect", "For Your Entertainment" You can really hear the sonic influence from classic post-punk/gothic rock. Especially Public Image & Gang of Four. Yet at the same time it doesn't come across as a retread of that time period at all. You know the (admittedly imperfect) subgenres stat for the original list? Well, it turns out there are only a handful that I rated below a 3/5 average- nu metal, hardcore punk, *post-hardcore, and noise rock*. So when I say this is like a 3.5, it beats out much of the competition. I would gladly axe one of the Sonic Youth 90s albums for Unwound to be included in the OG list. Edit: person who submitted this album is big on Sonic Youth, so... just kidding!

again, June 11, 2025 HL: “Animal Spirits”, “Running Away”, “Beastly”, every time Antwuan Stanley sings Anonymous user’s favourite genres according to this website: Jazz, Funk, Soul Also anonymous user: submits a jazzy funk & soul album :0 I am surprised that I’ve had THREE live, jammy albums so far (72 out of 247/possibly infinite albums); however as my own summary page ranks Funk and Soul at the top, it shouldn’t be a surprise that this is my favourite of the 3. It isn’t as adventurous as, say, Phish, but it is very much a crowd-pleasing, joyous affair.

June 6, 2025 HL: "The District Sleeps Alone Tonight", "Such Great Heights", "Recycled Air", "Natural Anthem" First Ben Gibbard/Death Cab-adjacent album. Certainly knew "Such Great Heights" before today, but the rest is pretty fresh to me. Bittersweet (emphasis on “sweet”) electronica from the early 2000s that hasn't aged too much. Molto bene

June 12, 2025 HL: "The One", "I Want It That Way" Packaged on: 05/18/1999 Use by: 12/31/1999

late June 17, 2025 HL: "The Hard Way", "He Thinks He'll Keep Her", the "Passionate Kisses" cover, the "The Bug" cover, "I Am a Town" My love of country music is conditional and fickle. But this is an agreeable enough listen that would be appropriate for a quiet morning. I have to mention, however, that Carpenter & Don Schlitz seem to have written a perfect song in "He Thinks He'll Keep Her". 💐 Maybe this is a grower 3.5 overall

June 20th, 2025 HL: "Anymore Time Between", "Fort Knox, King Solomon", "Egøverride" Copper Blue, Zen Arcade, Warehouse- now this makes the 4th album in Mould World. More respectable 90s alt-rock, between all the projects I've heard so far I could probably compile a pretty great playlist. There's just too many songs that don't interest me as much. But, out of those four Mould-adjacent albums I can't recall a bad song, either.

June 19, 2025 HL: "Beast and the Harlot", "Blinded in Chains", "Strength of the World", "Sidewinder" Look, I'm not an arbiter of good taste, particularly when it comes to metal- but I had fun with this overlong, overblown, delightfully unserious album. Especially because it's from a band I was sure I didn't care for! Apologies to those I judged in grade seven

June 16, 2025 HL: title track, "Black No. 1", "Too Late", "Blood & Fire" Y'know, I just listened to this last year, looking for Halloween-appropriate music. I also listened to Welcome to My Nightmare by Alice Cooper (1975), which may well be my ideal Halloween album now. Taking away the cold winds, jack-o-lanterns and skellyboys, and replacing them with direct sunlight and a high humidex, and I report that this album doesn't hit quite as hard as the first time. Maybe the novelty of the wild genre swings and Peter Steele's theatrical vocals wore off, though I will say the album finishes better than I remember, with the proggy "Bloody Kisses" and "TOO-LATE-FOR-APOLOGIES". The thrashy "We Hate Everyone" is entertaining, but that and "Christian Woman" more closely resemble their hard rock contemporaries than the band would probably care to admit. Or they absolutely wanted that sound. I can never tell with these guys.

June 18, 2025 HL: “Good People”, “Sitting”, “If I Could”, “Constellations” Nice *remembers that someone rides-or-dies for this album* Also, pretty JJ joins the likes of John Mayer, Sarah McLachlan and Norah Jones in my growing list of folky artists I wish I loved more than I did. But I commend him for his good vibes, and his contributions to Curious George

As much as I relish the CanCon submitted here, I really should note my knowledge of Canadian Francophone artists is basically nil. Hence, I have heard OF Daniel but haven't heard a lick of his music. To make up for this deficit (and to actually make good on my desire to hear more Quebecois music) I'll additionally put on Quatre saisons dans le désordre (1996), ranked higher on CBC's list of greatest Canuck albums than Songs of Leonard Cohen & Jagged Little Pill. I'm really liking this earlier album of his so far! Still not literate enough to follow much of the lyrics, but the dynamic, lush production really suits his gentle songwriting. Quite different to the down-to-earth, 90's Canadian acts I know, such as the Hip, the Tea Party and Our Lady Peace. Okay, now Rêver mieux is on, and I'm getting quite a different impression- we're now caught up in the folktronica sphere which we've heard in the OG list from artists like David Gray and Beth Orton. I thought hearing two Belangers would enrich my enjoyment of both, but my bad- I think this one was overshadowed by Quatre saisons. Not because the songwriting is worse- his flair for catchy choruses is just as apparent here- I'm just not as big on the aesthetic choices this time around. I go back and forth on that lounge pop/downtempo style that was big in the late '90s and early aughts. Maybe if I actually pull off practicing the language in the "French quarter" of my city, I can return and appreciate his lyrics as well, which from the YouTube comments are no small part of his legacy. 3.5/5 HL: "Une femme", "Un chanson pour moi", "Intouchable et immortel", title track, "Comme des amants" June 25, 2025 (June 21 for his other album)

June 26, 2025 HL: “Désenchantée”, title track, “Regrets”, “Beyond My Control” Turns out Mylène Farmer is a major cinephile. The sultry tones of John Malkovich and John Hurt aside, there’s some pretty solid synthpop here. Kinda Pet Shop Boys in parts, a little Madonna in others. The crow actually reflects a slight gothic tinge in the music, as heard in “Agnus Dei” and “Beyond My Control”. Genre-wise, synthpop is pretty well-represented in the 1001, but the French sure aren’t. I’m conflicted on whether L’autre was a missed inclusion; I’m only just learning about her popularity in Europe today. But my ears love this dark, romantic, art pop stuff, so I’m rounding up to a 4 regardless. I was surprised to see that she was brought up in Quebec before moving to France. La belle province in particular has been well represented on the generator recently, with *three* Montreal acts.

June 20, 2025 HL: "Forty Six & 2", "jimmy", title track I'm about to say the worst thing I've said in my whole life... I don't care much for Tool. There's a part of my brain that shows up for the tangled time signatures and interesting atmospheres, but the rest is like TV static. Just like zero emotion going on up there. I do think I appreciated it more than 10000 Days, as songs like the title track & "Third Eye" may have upped my heartrate just a tad. 2.5 for now

June 16, 2025 HL: "Sympathy Is a Knife", "Talk Talk", "Von Dutch", "Girl, So Confusing", "365" If they ever make another edition of the book, I would be shocked if they didn’t put this in. I still can't get over how the stark confessionals "I Think About It" and "So I" don't feel out of place with "Club Classics" or "Apple". My own enjoyment of this album was a bit delayed (Brat summer started in like, late August for me), but the hyperpop-inspired, sometimes trashy songs sound just as good today as they did last year. (Remind me in 5 years)

June 18, 2025 HL: “Yesterday”, “Diddy Bop”, “All I Need”, “Casket Pretty”, “Forever” Starts out reminiscent of Chance the Rapper’s Acid Rap with the gospel-y “Yesterday”, then moves to a gentler, woozier sound that compliments Noname’s half-sung/half-rapped flow. Chose to listen to this walking through the park, and it whizzed by so fast it warranted a second listen. Aside from her feature in the aforementioned Acid Rap, this is an artist that has stayed off my radar, so I appreciate whoever submitted this album. Especially since this is, like, the first hiphop album I’ve discovered from this list in 3 months

Creative, if not my cup of tea. I’m unabashedly a normie for preferring The Real Thing over this. HL: “Land of Sunshine”, “Rv”, “Everything’s Ruined” June 27, 2025

July 3, 2025 whoa, it's Can Con even I'm not familiar with Entertaining lyrics, great arrangements, and a voice I do not love! Favourite songs are probably "Amateur Rappers" and "Travel Writers"

June 25, 2025 HL: "Storm", "Sleep" Not first listen. :0 This is actually the only GYBE I have heard so far (maybe besides their music in 28 Days Later), and I've been meaning to dive deeper into their work, so this'll be a healthy refresher. Why have I previously complained about other dark, noisy, disjointed, overlong projects but love this one? 'You got me. By all accounts, it doesn't make sense.' I think the finer points of GYBE's political messaging is lost on me here, but I am still moved by the four movements all the same. "Storm" is perhaps the most aptly-titled song, since it gives me about the same feeling as watching a thunderstorm pass by. Hair-raising, heavy, but ultimately a great musical odyssey. Maybe the reason why Godspeed doesn't feature in the original 2005 list, even though it has *some* post-rock such as Sigur Ros and Tortoise, is that it grew in stature over time. Or it's their contempt for any Canadian artist not named Young, Cohen or Mitchell >:0 #iloveallofthembuttheydidnotneed20albumsbetweenthethreeofthem

June 22, 2025 Alright Daft Punk fan, you win & I'll tell you why: the revamped versions of songs I disliked in Homework, like "Rollin' and Scratchin'" and "Rock'n Roll" are redeemed here- as are Human After All tracks like "Technologic". Or they just hit live; on that note, the crowd singing along to the wordless melodies adds to the experience, going against my usual stance of "studio version better, no audience". "One More Time/Music Sounds Better With You" is a great finale

stone 🗿 stone 🗿 stone 🗿 stone 🗿 There was a time when my Dark Side, Wish You Were Here loving self was told in high school that Animals was the superior Pink Floyd; I was unconvinced. But also one of my all-time favourite concert moments was Rog Waters singing “Pigs” live, accompanied by winning imagery of the-then 45th president. Waters may have embarrassed his public image since that glorious night, but his special hatred for the ppl in charge of the White House continues to be both endearing and relatable to me. God damned pigs 🥓

June 30 2025 HL: “Yamore”, “Moussolou”, “Koukou” Sweet I don’t know why the day/night cycle affects my music taste, but I really think hearing it at dusk-twilight enhanced Moffou.

Oh hello- my lists overlap again (this is #63 on CBC's best Cdn records. And Moving Pictures by Rush is #100) First I'm actually listening to this band; I remember seeing them on TV years ago on, I assume, CBC, where they played some songs in studio & the voiceover talked about how cool and important they were as a band. Well whatever they played didn't convince me, so it wasn't until June 2025 that it turns out: they're actually good. There's a very mid-2000s air about Set Yourself On Fire, as in The Sims 2 soundtrack by Mark Mothersbaugh era. It really helps if you grew up with that sound, as I did. It's just a neat little cross-section of the chamber pop Arcade Fire was initially known for, with concert-ready singalongs a la Metric, and an electronic flair not unlike I/we heard with the Postal Service. HL: "Your Ex-Lover Is Dead", "Ageless Beauty", "What I'm Trying To Say", "Celebration Guns" June 29, 2025

Ni fu ni fa Like One World with shorter, poppier songs. Not sure what this should add to my appreciation of John Martyn, but it’s some nice n easy jazz rock so I won’t grouse about it HL: “Lookin On”, “Hurts in Your Heart”, “Baby Please Come Home” July 10, 2025

July 7, 2025 HL: "Star Treatment", "American Sports", title track, "Four Out of Five", "Batphone" Orbital's version of "The Saint" played after this and I completely believed it was a bonus track. Kooky 60's melody and everything. I've never been THAT big on Arctic Monkeys, despite them having the greatest band name on Earth. However, between this, The Car and The Last Shadow Puppets, they have more range than I initially gave them credit for, back when all I knew them for was "R U Mine" and "I Bet You Look Good On the Dancefloor". (Also I really loved "Do I Wanna Know" in high school but that's besides the point.) Tranquility Base doesn't really have the element of surprise if one listened to The Car first, but its flirtations with retrofuturism and languid art pop mesh really well. Next to The Age of the Understatement and Whatever People Say I Am, That's What I'm Not- ehh, it's redundant on the list. But it's also some of the best tunes I've heard from Alex Turner & co.

HL: "Let it Happen", "Yes I'm Changing", "Eventually", "The Less I Know the Better", "Reality in Motion", "Brand New Person" Con: this was inescapable in 2016 Pro: without this there'd be no Tame Impala/Diana Ross collab for Minions: Rise of Gru

July 2, 2025 HL: title track, "Sleep on the Floor", "Ophelia", "Long Way From Home", "Patience" 2017. The year I saw Roger Waters, The Barenaked Ladies, and the Lumineers on their *Cleopatra World Tour*, featuring Icelandic group Kaleo. That last one I was the least enthusiastic about, but my friend had a spare ticket, and who was I to refuse the chance to hear "Ho Hey" sung live. They got "Ho Hey" out of the way three songs in. But while I wasn't particularly excited before or even during the show ('how do people know all the words to these songs?' I wondered), even though it was in a big hockey arena with shitty sound, I still recall that concert with great fondness. "Cleopatra" the song slapped, their tributes to Tom Petty and Bob Dylan were endearing, and I'm sorry but "Sleep on the Floor" cut through my attempt at cynicism with ease. As with Golden Hour by Kacey Musgraves, I guess seeing them tour in support of this album meant I felt no urgency to listen to it. And while I'm no stranger to the first half ("Sleep" through to "Angela"), the 2nd is pretty great too, with songs I haven't heard before like "Sick in the Head". Ahh, nothing like nostalgia for my 20s while I'm still in my 20s.

Haven't checked out this band before! Ah, putting inspirational lyrics in post-grunge. Like wrapping a pill in bacon. Or with more pills Not a fan, occasionally threatens to become a good album but alas. I tried to ignore my usual dislike of CCM music, but it kept rising like bile. I believe The Beautiful Letdown does the lighter pop rock sound better than the plodding altrock ("Meant to Be") which was tHe StYlE aT tHe TiMe HL: title track, "Gone", "Monday Comes Around" (bonus) July 17, 2025

July 13, 2025 HL: “Frank Sinatra”, “The Distance”, “I Will Survive”, “Perhaps”, “It’s Coming Down” Once again, a fellow user selects a 90s album different from much of the book’s albums, in that it’s interesting and also aged decently. A sloppy mélange of genres that ends up holding together in the end. I knew “Frank”, “The Distance” and “I Will Survive” before today, and the rest of it is about as charming. I’m still not entirely enamoured with tracks 3-6, but I also preferred Fashion Nugget’s second half.

July 8, 2025 HL: "First Night", "Massive Nights", "Chillout Tent", "Teenage Liberation" (bonus) Based on the cover, the Hold Steady does not sound like I thought they would. It looks like how "Shake It" by Metro Station sounds to me. Anyway, solid pick! Once I got past the reverence for 80's Americana (which I thought was a crutch for another band on this list, Titus Andronicus), it had the feet tappin'. 3.5/5 edit: ohhh I should have known that name! They provided one of my favourite musical moments in Game of Thrones, covering "The Bear and the Maiden Fair" in the credits right after a particularly grisly cliffhanger.

🐦 heh heh, pidgey on the front cover I for one am shocked that so many think there weren't enough live albums on the main list. The fact that it's another preppy jam band twists the knife a little. Bonus points for the pitch-shift pedal in "Ghostbusters", I always liked its use in "Marooned" by Pink Floyd and it's cool here as well. 5/10 --> 2.5 overall HL: "Offshoot", "Ghostbusters" July 17, 2025

July 18, 2025 HL: "Lord Grenville", "If It Doesn't Come Naturally, Leave It", "One Stage Before", title track Al Stewart is kind of like if Neil Tennant from the Pet Shop Boys was born 10 yrs earlier and played soft rock. Al Stewart's hits on the radio (mainly "Time Passages") didn't click with me like other "old gold" singer/songwriters like Cat 🐱 Stevens or Jackson Browne, but Year of the Cat 🐱 is a pleasant way to spend an hour. Cat 🐱

July 16, 2025 HL: “Time Was”, “The King Will Come”, “Warrior” 3.5

Oh shiet, Ween that isn’t The Mollusk or Quebec? (Aka the 100% of Ween music I’m familiar with) Let’s go Perhaps the lack of sleep I am operating on contributes to the rating, but I don’t think this is quite as good as those other Weens. (Then again, I didn’t really care for the Mollusk at first listen but I enjoy it a lot more now.) I concur that this band should be in the original list. After all, 69 Love Songs can’t be the only 90s postmodern genre-hopping experiment! “Take Me Away”, “A Tear For Eddie”, “Mister Would You Please Help My Pony?”, “Joppa Road” July 10, 2025

July 12, 2025 HL: “Found Me”, “Dorian”, “Porcelain”, “You Deserve This”, “Tailwhip”, “Show Me How” Made it to a hundred of *our* albums today! Another piece of CanCon I’m unfamiliar with (besides the name). Starting to doubt my expertise with my country’s music. This is maybe a sad bar to meet, considering how little time I generally spend on each album, but I couldn’t move on to the next one until I had heard these 24 songs at least twice. And here I was doubting their ability to make a dreamy-jazz-pop album that long consistently enjoyable! Admittedly we didn’t need “Tailwhip” twice, and a few songs hardly establish themselves before the next one floats in, but when the overall experience is akin to a warm blanket (in outer space), I suppose I can let it slide. A very pleasant surprise

July 20, 2025 HL: "L.A. Freeway", "She Ain't Going Nowhere", "Desperadoes Waiting For a Train" Solid

July 23, 2025 HL: "Losing My Religion", "Near Wild Heaven", "Shiny Happy People", "Texarkana" wot if REM but country 🤠 The 4 in the original list are probably sufficient to show how their sound evolved throughout the 80s, but I've been relishing this deeper dive into their music nonetheless. I now have listened to every one of their albums between Murmur and Automatic.

July 15, 2025 A treat. I noted, when Daniel Bélanger came up on this website, that Quebec music is not really talked about in the predominantly Anglophone prairies, and Harmonium is no exception. After the grand finale of “Comme un sage”, I was genuinely annoyed that it took until tonight to hear this band. Beautiful, mystical prog/folk. Was a little skeptical of the 90 minute runtime but even that ended up being (mostly) justified. RIP Serge Fiori (Oct/25: bumped up from a 4-star. Even though les Québécois have enough of an ego smh. Growing up in a wheat field puts a chip on one's shoulder)

July 21, 2025 HL: "Fake Empire", "Squalor Victoria", "Apartment Story", "Racing Like a Pro" I had a feeling I'd love it after High Violet, but I was missing something from the experience once the first track, "Fake Empire" concluded (probably my fave part of the album). Like, the Apple Music blurb about Boxer basically describes it as high art for the working class, and... maybe I just wasn't listening hard enough. The orchestral parts, especially toward the end of the album, were really nice and made the slower patches worth it. now that the dust has settled, it's probably a 3.5

July 19, 2025 HL: "Bonesong", "Love O' My Life / Madame Butterfly", "Money", "Heroine" Anouk (love "Good God"), Boudewijn de Groot, dEUS, De Dijk, Doe Maar, Golden Earring (hey I know them!), Herman Brood & His Wild Romance, Junkie XL (know him), k's Choice, Osdorp Posse, Raymond van het Groenewoud, Spinvis, TC Matic, Urban Dance Squad. Those are all the artists in the Dutch 1001 book that aren't in our list. All that to say Gotcha! didn't make it in that version, either. Not tryin' to be snarky, I don't know much about Dutch popular music; for all I know this is their Oasis. Oh my god, did Lenny Kravitz hear "Madame Butterfly" and write "Fly Away" This is some neat 90s rock I never would have found without this list, thanks m8

July 28, 2025 HL: "A Secret Silken World", "The Waiter", "A Brand New Morning"

July 29, 2025 HL: "Gazpacho", "Beautiful", "Out of this World", "Beyond You" First Marillion, a band I knew very little about before today. The album cover looks like goth metal, rather than the soft rock/prog/new age record it really is. Despite the tracks being on the longer side, the album itself is less than an hour long. I was first reminded of Rush, then of early-ish Talk Talk, then Division Bell-era Floyd. Somehow that combination, and the generally contemplative mood, worked for me tonight.

July 23, 2025 As this is my seventh Cure album, I would have been very surprised if I didn't like this one. Well, I did. Since the last stuff I heard from the band was from the Head on the Door and Kiss Me, Kiss Me, Kiss Me, switching to this more abrasive, rocky sound was like getting splashed in the face with cold water. My main nit to pick is how loud the drums are in every song, but that's more a question of mixing than song quality.

July 24, 2025 HL: "Crumbling Empire", "TV Dinner", "Remember My Name" What if: the War on Drugs, but Geordie 3.5

July 21, 2025 HL: "Expo 86", "Tiny Vessels", title track, "A Lack of Color" He really did this and the Postal Service the same year, huh? Sumbitch I liked Transatlanticism almost as much as Give Up, if for the fact my tastes are skewing towards that synthy sound at the moment more so than slowcore/emo. I don't actually believe one is better than the other. Shoutout to the ambience between tracks, they don't pad out the album length and are great for continuing the autumnal mood led by the songs.

Ok now you guys are running CanCon circles around me at this point. I’ve been aware of this artist for a minute, his debut Dunya is on my personal album todos, but here’s an EP, released three years before, that I now gotta pay attention to. Oh this was added before Dunya, hence it would've been his most complete project at the time. The samples are effective, warm but at the same time ghostly. I think part of the challenge is hearing Mustafa through the admittedly subtle production of British artists that worked with him on this EP- Sampha and Jamie xx especially. I love their stuff, but I hope his future work is less comparable to albums I've heard from the original 1001. I think When Smoke Rises is important though, not just as a tribute to fellow Torontonian Smoke Dawg (seen on the cover) but as genuinely heartfelt music from the inner city that is at odds with, say, less compelling claims like "Started From the Bottom" by Drake. HL: "Separate", "Ali", "Come Back" July 26, 2025

July 22 2025 HL: "The Rainbow", "Eden", "I Believe In You", "Wealth" Talk Talk's follow-up to The Colour of Spring has been on my personal list since I started cobbling that spreadsheet together, and I finally bit that bullet... last month, before I knew someone posted it here. But now I get to listen to it again :D Now in one way, Spirit of Eden is harder to get into than its predecessor. Its slow pace and emphasis on ambience and improvisation had me thinking "Wait, that's it?" after the first time I heard "Wealth" fade off into the ether. Yet the tone it sets, somewhere between religiously cathartic and meditative, is so unlike past Talk Talk and 80s popular music that it intrigues me still. 4 stars- maybe more with time

July 25, 2025 HL: "Houmous", "Problème d'émotion", "Au Revoir" He just... keeps throwing genres together... like a thoughtless child Listening to this, I couldn't help be reminded of how Muse, one of my favourite bands, got dragged through the mud in 2012 after trying to combine arena rock, EDM and orchestral bombast. I am still a defender of that album, The 2nd Law, even as I have thought it was a BIT much. But no, Igorrr comes and takes a similar approach, except he/they dial it up 1000%. And now I say, the problem is that Muse didn't take it far ENOUGH. As with metalcore, I could only take this "breakcore" stuff in small doses; luckily 40 minutes was a small enough dose.

August 2, 2025 HL: title track, "Gravelweed", "Don't Be Tough" I've been meaning to check out Jason Isbell's music, but this is a curious place to start. Quiet and downcast record. There are quite a few acoustic folk albums I would prefer listening to over this, but it's not bad.

Catchy as hell

Pitchfork: Could you explain your album, young man? TNV -Well, basically I just copied noise pop of the 90's. Then I added more noise, to lower the life expectancy of the listener. And these rainbows and peace signs I feel are pretty sharp. Pitchfork- Agreed. Best New Music!

July 31, 2025 "Trying to Reason With Hurricane Season" is my favourite couplet, and it's not even in the lyrics I've mentioned before that my love of country music is fickle, and there it is... going... gone I feel my enjoyment would go up exponentially the closer I get to the sea, and as someone who uploaded an album primarily concerned with the sea, I don't want to write off these relaxing ditties just yet. Now where can I get a honeysuckle vine to chew...

August 1, 2025 Joe Cocker is one of the bigger 1970s misses. Or maybe it just feels like it because he's popular in my family. Either way Probably unintended, but it feels like a heartfelt farewell to 60's pop music. And it's that heart n' soul that keeps me from yelling "REDUNDANT" at the covers of the Beatles, the Stones and Cohen.

NOT 1st listen I painted the CD gold. Because it's the gold standard! As underrated as her self-titled is here, I always thought Lemonade was in a different league entirely. HL: "Formation", "Freedom", "Don't Hurt Yourself", "Sorry", "Daddy Lessons", "All Night"

July 30, 2025 HL: "The Raven", "The Tell-Tale Heart", "The Cask of Amontillado" Kinda frustrating that you have to click through the "1987 remix" to get to the original album (on Apple Music anyway), though the spoken word bits in that are neat. The first time I heard the "Usher" suite, I thought it was a let down compared to the agreeable, slightly cheesy A-side. Listening to it now, it's about as apt for Poe concept album as one could hope for, though the switch back to 70's rock with "To One in Paradise" is still jarring.

August 12, 2025 I've been working through my own list of albums (with blackjack and hookers), and recently I have put on ones by Bryan Adams, Men Without Hats and Madonna. Hence I am pretty primed towards 80s pop at the moment. Oh I must have heard "Only in My Dreams" before- great chorus Great start, and if I bought this as a teen in the 80s it would have been worth it for the first couple tracks alone (that is, if I wasn’t beaten up for owning a Debbie Gibson record). Wasn’t impressed as much by the second half, but it wouldn’t be the first pop album to be ‘top heavy’. 3.5 HL: title track, "Only in My Dreams", “Wake Up to Love”

August 13, 2025 HL: "Arrow of Love", "Neon" It evokes "anime battle" music sometimes, but I quickly became disenchanted with the mindless EDM beats supporting these metalcore breakdowns that are simply not my thing. My favourite vocals are the guest ones from Conquer Divide ("Fuckboi"). I found the actual vocalists from Electric Callboy irritating, particularly the growly one. In a way, the mishmash of genres is a noble experiment, but it just so happens to include so many tropes I hated the most about 2010s rock and pop. Like if Marianas Trench decided to be death metal. 1.5/5

August 14, 2025 HL: "Can't Keep Johnny Down", "When Will You Die", "Spoiler Alert", "You Probably Already Know", "In Fact" My first record by They Might Be Giants. From my brief research, Flood or Lincoln seem to get all the critical accolades, but if this is considered "lesser" Giants, then it's a pretty good start. At its best it's infectious and uplifting; maybe somebody who has better vocabulary in this field could better explain what I mean, but the production doesn't quite reach the level of zaniness the songwriting promises. That's not a major criticism, though. Just because the instrumentation sounded a bit thin didn't mean I didn't enjoy this.

7 outta 10 HL: "Workin' Woman Blues", "Somebody to Love", "Shotgun", the title track August 18, 2025

August 17, 2025 I feel like the progression of the Wall > The Final Cut > The Pros and Cons of Hitchhiking is just diminishing returns on the same musical ideas; though considering how much I like the first, and how much the second has grown on me, this was still a decently enjoyable listen. If the intent was to create a dreamlike state in the moments before dawn, then I feel Eric Clapton's bluesy licks were a strange choice for the album. I can think of another guitarist that could create a moody, dreamy atmosphere, what's his name... Gave Dilmore or something... There is a Roger Waters solo album that I quite enjoy, and I don't mean The Final Cut-- Is This the Life We Really Want? (2017), produced by Nigel Godrich and featuring the talented vocalists from the band Lucius.

August 19, 2025 HL: "Mouth Breather", "Nub", "Karpis", "Rodeo in Juliet" Easy breezy 30 minutes One of those picks that would have good company in the original list, alongside Slint, Big Black, the Birthday Party and PJ Harvey. I didn't fully take to the sound of Goat, even after a second listen, but the dissonance comes with some real energy and headbanging opportunities. "Pop Song" is a great, tongue-in-cheek bonus track. May grow on me with time

August 21, 2025 HL: "Little Dipper", "Stars", "I'd Like Your Hair Long" Kind of up there with 90s bands from the O.G. list I shouldn't care about but do now, like the La's, Grant Lee Buffalo and Ride. "Suicide Machine" was my least favourite song, but otherwise this album deftly balances the melodic with the distorted. 4 zebras out of 5 🦓

oh... okay. Iggy Pop #6, why not My poor, basic ears can only take so much of the lo-fi recording, and I’m not sure that tracks like “Rich Bitch” and “Cock in My Pocket” showcase the best of the band’s abilities. (Or maybe they do, in which case refer to the point about the low-fidelity) However, Iggy’s manic stage presence is something that you don’t fully hear in Fun House or even Raw Power, and the back-and-forth he engages in with the increasingly violent audience is probably the main reason for hearing this. Didn’t really enjoy. Still an important historical recording. August 22, 2025

Copied from Wikipedia: Matt Price of The Australian said that "[t]he whole premise of [1001 Albums You Must Hear Before You Die] is humbug", arguing that it would take too long to listen through all the albums in the book whilst also following new releases. He also criticized several of the book's choices on what albums to include and to not include, concluding that it was "BIASED, UN-AUSTRALIAN AND UNACCEPTABLE”. … well at least the user list doesn’t have that problem, eh? Also, it's surprisingly manageable to do an album a day ;) I have been recommended Courtney's music before, but I’m only hearing this for the first time today. The first few tracks have a nice distribution of noisy and zen sounds. The poppy, 60s-style organ was a nice touch in "Debbie Downer". Barnett's deadpan singing style sounds more akin to today's pop rock than 2015's (see: Wet Leg, Olivia Rodrigo for possible but unproven influence) HL: "Elevator Operator", "Small Poppies", "Depreston", "Nobody Really Cares If You Don't Go to the Party", "Debbie Downer" August 24, 2025

August 25, 2025 HL: title track, “January Wedding”, “And It Spread”, “Ten Thousand Words”, “Tin Man” At some point I’d like to hear the album promised by the spooky artwork, because this is not that. But the bright, shiny songs like “Slight Figure of Speech”, “Tin Man” and “Kick Drum Heart” are a joy to listen to, even as the greatest strength of I and Love and You is PROBABLY the slow songs like its title track. We did not need more indie folk. But I did, thank you

once again, August 24, 2025 I'm a little sad that some of the strangest albums here aren't reviewed by the person that submitted them. Justify thy reasoning! The way the buzzing insects cut in and out creates an interesting effect, kind of eerie (“Pop 1”, “Pop 2”) Maybe got a little much by the end (“Pop 7”) , but overall this is a beautiful, curious slice of ambient. I don’t know what dropping acid in a forest feels like, so I’ll just assume it feels like this

August 31, 2025 HL: "New Day", "All I Know", "Change", "Roquefort" (bonus track) The didgeridoo really takes it to new places 🦘 The blurb I read compared them to Muse, a band I really enjoy, as well as Tool, a band I have struggled to enjoy. Turns out both takes are reasonably accurate- hence, it was a decent listen I probably won't be compelled to revisit anytime soon

August 27, 2025 HL: "All This and More", "High Tension Wire", "Not Anymore" Hell is just a neverending playlist of punk bands from 1977. Okay, FINE, I liked it I guess. I'm just glad they're not from effing London or L.A. this time.

August 27, 2025 HL: "In the Dark", "THE STROKE", “You Know What I Like”, “Lonely is the Night” Sometimes, boomer rock is all I need to be happy (EgoRatatouille.gif)

NOT first listen One of my favourite pop albums in years. Do I think it's perfect? Well, no- there are a couple tracks I don't think are AS engaging, like "California" and "After Midnight". But when the highs are this high, I gotta give Roan props, considering I had only heard her name for the first time a year ago. "Pink Pony Club" is one of those songs I distinctly remember where I heard it the first time. Pretty sure it was August 16 2024, on the road to the beach. But god forbid I remember my cousin's names HL: "Red Wine Supernova", "Super Graphic Ultra Modern Girl", "Hot to Go!", "My Kink Is Karma", "Kaleidoscope", "Pink Pony Club", "Guilty Pleasure" 9/10 August 28, 2025

August 29, 2025 HL: "ONE MORE TIME", "Digital Love", "Harder Better Faster Stronger", "Superheroes", "Veridis Quo", "Face to Face" First listened to in 2023, so I don't have a long personal history with this. But it not being on the original list makes me SO MAD -_- I implied when Alive 2007 came up that I've made peace with their debut Homework, as much as certain tracks annoy me. But here's an example of the duo building on their strengths and making an actual cohesive, beautiful listen from front to back, and the 1001 book puts fucken Les Rythmes Digitales instead of this one.

After my initial disgust of a 2nd Blink album to hit the generator, I pressed play... and now I have a favourite Blink album. Sorry, Enema If Robert Smith approves of this band, then they’re alright with me August 30, 2025

September 2, 2025 If I listened to this when it was actually generated, it’d be perfect for that day’s hot weather. Now it’s overcast and like 15°C, but honestly- I think I need this record more today. A bit like that Fishbone record, in that it’s very much late-stage 80s production, before grunge did a lil reset, but also like it in that it has basically no drag whatsoever. 4/5

September 4, 2025 HL: "A Ordem Natural das Coisas", "Prinicipia", title track, "Ismália", "Libre" Not as crazy about: "Eminência Parda". (Makes me wonder whether trap is boring in every language) Hard to rate at first, as even with the "prerequisite" Brazilian records like Caetano and Clube da Esquina, I felt pretty out of my element. After I skimmed over other people's reviews, I had a eureka moment, and that was when someone brought up contemporary rappers Drake and Bad Bunny. I have put on a couple of both their records this year, and while decent my opinion consistently landed around a 3 to 3.5/5. Hence, my realization that I would rather listen to this thing by Emicida rounds it up to a four. Well, that and the use of classic sounds of 'música popular brasileira'. Never hurts an album from my experience.

September 6, 2025 HL: "Typical Me", "Nite Nite", "How We Livin'", "Signs In Life" unexpected Black Sabbath- on that note, the rap rock elements really evoke Rick Rubin's work with Beastie Boys and Eminem. Bonus track "Boys Love Girls" is probably my least favourite. The technical last song, "Signs" is among my favourites though. In the absence of hip-hop albums on this user list- well, until now- I've been making my own way through the genre, with mostly positive results. Just in the last month, there has been Kanye, Outkast, Denzel Curry, Black Thought, the new Chance the Rapper and Little Simz, Drake, Future, Skepta, Clipse and K'Naan (yes, the "Wavin Flag" guy. He has other songs, trust me). AND YET- I still find I have to put in a bit of additional work to appreciate hip-hop compared to other genres. Perhaps that will always be true of lyric-first genres for me. So where does Kano/Kane Robinson fit in, this Londoner I didn't really know about before today? Probably in the top 50%; the beats are colourful enough to maintain my interest and Kano's delivery is... pretty good, worthy of a debut album. I think his tracks with Ghetto/Ghetts are the best flow-wise. I would rank most of those other recent rap cuts between 3 and 4 stars (Lotus and Cheat Codes being the closest to a 5 and Troubadour and Dirty Sprite 2 the furthest away), so let's say Home Sweet Home is a 3.75. With room for growth :) Also on the subject of grime/British hip-hop, Skepta and Fred Again dropped some really good tunes recently, if you've heard this and are hungry for more.

September 5, 2025 Half the songs are over 8 minutes, and the thing is still less than an hour. For a metal/prog band, that's efficiency! My only real exposure to Dream Theater has been "Pull Me Under", from Guitar Hero IV, but I'm looking forward to hearing more! Whoa the lead singer is a Canuck, instant 5 stars "Surrounded" is exactly the kind of maximalist madness I want from these kinds of bands. AOR power ballad + Dreamy synth + over-the-top guitar shenanigans. More Whitesnake than Metallica, but still

September 11, 2025 HL: “Breathing”, “One Year, Six Months”, title track. My sieve of a brain didn’t really take much from this album, though it was good! More punk bands should have a fiddle

September 5, 2025 HL: "Crazy Train", "MR. CROWLEY", "Revelations", “Goodbye to Romance” Has one of my favourite songs on it, and then some respectable hard rock. 🤘 Not that I have anything against the song “I Don’t Know”, but the album really should have started with “ALL ABOARD!” from “Crazy Train”. I didn’t think much of “Goodbye to Romance” the first listen, but liked it much more the second time. Ozzy had a surprising knack for ballads, between this, “Changes” and “Mama I’m Coming Home”.

"A perfect album to trip too [sic]"- some person on the YouTube comments, where I went to get the second half of this album No offence, but hypothetically, if I were tripping and someone put this on, I probably would stop talking to them. This is a nightmare. "Eye Shaking King" with that ring modulator is terrifying. Good jams tho! September 6, 2025

Ou, not first listen. Fun fact, if the combined edition list on RateYourMusic is accurate, this made the Finnish edition of 1001 Albums. "Planet Hell" makes me want to throw a house party and commit atrocities in Falador, the City of the White Knights. "Creek Mary's Blood" has the hey-ya chants and references to the Trail of Tears; I'm sure they mean well but it's tacky in retrospect. At least Bruce Dickinson didn't start chanting in "Run to the Hills". That aside, I enjoyed this more the second time. Though the orchestra frequently threatens to overwhelm the songs, it's good fun, and something I'd like to hear live one day along with the Trans-Siberian Orchestra. HL: "If I Had an Angel", "Nemo", "Planet Hell", "Ghost Love Score", "Higher Than Hope"

September 9, 2025 HL: "How to Draw/Petrichor", "Love It If We Made It", "Sincerity is Scary", "It's Not Living (If It's Not with You)" "I Like America"- can't relate. "I'm afraid of dying/ It's fine"- can relate. Despite the experimental tag on Wikipedia, "It's Not Living" and "Love It If We Made It" sound like what I expect the 1975 to sound like. (I've only heard Being Funny in a Foreign Language and the odd single from their first two albums) "Eschewing the 1980s-influenced sound of its predecessor"- stop the cap. "I Couldn't Be More in Love" was ghostwritten by Mick Hucknall, I just know it Well, I happen to really like how this record sounds, so I guess it's forgiven. Also props to the 1975 to making what sounds like a COVID record over a year in advance. Not that the Internet and social isolation weren't hot topics before 2020, but damn. I feel like I appreciate 22, A Million more now for keeping and staying off the rails

September 10, 2025 HL: "I Think I'm Paranoid", "When I Grow Up", "Push It", “Special”, “You Look So Fine” They’ve done it again

Things I knew about David Allan Coe: -He wrote "Take This Job and Shove It" Things I know now: -He has other good songs I guess HL: "Would You Lay With Me", "Would You Be My Lady", "Wood and Steel", "You Never Even Called Me By My Name" September 15, 2025 7 outta 10

September 18, 2025 HL: "Soak it Up", "Conversation Legs", "Crooked", "Yellow Cotton Dress" Skipped it to listen to some MF Doom, but now that today's album of the day is MF Doom, it feels only right to return. FFS you would think I've had my fill of noise pop/indie rock. And you would be dead wrong. Kinda reminds me of Copper Blue by Sugar, but for some unforeseen reason I find myself enjoying this one more.

September 13, 2025 HL: "East Hastings" im scard Honestly, there aren't many bands that don't piss me off when their songs are upwards of 20 minutes long. That IS part of the reason why I put off Lift Yr Skinny Fists for a good while, but between that one, this one & their most recent album ("No Title as of 13 February 2024 28,340 Dead"), I'm starting to think I really like this band.

September 14, 2025 I'll listen to another metalcore-labelled album when I have the strength to do so September 20, 2025 HL: "Anything Can Happen", "Jonny Sniper", "Adieu" switches between amiable electro rock and screamo. Especially that screamo

not first listen, actually I had both this and Harry's House on my own list until I put on Fine Line literally this summer. I couldn't believe the acclaim it received on critic's decade-end reviews, as based on radio hits like "Adore You" I just kinda dismissed it as fluff. It's actually pretty enjoyable :0 Who would have thought It's kind of like a modern day Wings- not life-changing or anything, but really consistent even among the lesser played(-to-death) tracks. I basically copied my highlights from my first listen below, but "Canyon Moon" and the title track are no slouches either. HL: "Golden", "Watermelon Sugar", "Cherry", "Sunflower", "Treat People With Kindness" September 15, 2025 Today I also put on that other album, Harry's House, and while it's pretty good it kinda veers into easy-listening territory in the 2nd half, so I still prefer Fine Line

September 23, 2025 HL: "I Love the World", "Green and Grey", "Vagabonds", "Archway Towers" très goth, très cool Something that kind of distracted me from the overall experience was the name recognition of Alleyne-Johnson, the violinist featured on this record. I found him in a random YouTube video years ago, where he was improvising over numerous FX pedals in the black-and-white town of Chester, UK. I actually made a point of going to Chester while in the UK, mainly because of how it looked in the background of this random violin video. I bought an Ed Alleyne-Johnson song on iTunes ("Orange") before I ever had a job. 99 cents well spent. Anyway, do I think he positively contributed to the sound of Thunder and Consolation? Well, yes

not first listen! Also it's Can Con, but the fact that I didn't hear "Run Away With Me" on the radio all the time like they push artists like Shawn Mendes- it's criminal, I tell ya. s'good HL: "Run Away With Me", "I Really Like You", "All That", "Let's Get Lost", "When I Needed You", "Favourite Colour" (bonus track)

September 20, 2025 HL: "Rapp Snitch Knishes" "One Beer", (heard those two before today) "Deep Fried Frenz", "Hoe Cakes", "Kon Queso" 3rd MF Doom I've heard this year, after Take Me To Your Leader and Madvillainy. I might just finally be getting accustomed to his style, but tonight this is my favourite one of those three. Even though the songs on their own can be unsatisfyingly short and peppered with endless skits, taken as a whole it's more entertaining than I expected. Maybe that's the unifying power of food: Gumbo. Guinness. Chocolate fudge butter crunch. Whatever a knish is 9/10 before I change my mind

September 28, 2025 HL: "Bide Your Time", "What Took You So Long?", "No You Didn't" likeable, occasionally jangly indie rock. Compared to the album as a whole, the quality of the singles stood out to me

September 25, 2025 HL: "I Walked With a Zombie", "Night of the Vampire", "Stand For the Fire Demon" Kinda like the 13th Floor Elevators album, I was intrigued by the premise but was left wanting. The Cramps album on the O.G. list wasn't perfect but at least its delivery matched the ghoulish lyrical content. Still, it's decent rock n' roll.

September 21, 2025 HL: "Blind", "Faget", "Shoots and Ladders", "Helmet in the Bush" Well that was an especially long 10 minutes (looking at you, "Daddy") Follow the Leader was #402 /1089 on the generator- I rated it 2 stars, didn't honour it with a review. This debut, while not much easier on the ears, IS remarkable for being ahead of the nu-metal curve, predating Limp Bizkit and Kid Rock's breakthroughs by several years. I will admit that, despite not having any song as replayable as "Freak on a Leash", I found Korn's self-titled more consistent and immersive; a thick, misanthropic cloud of detuned riffs and growls. Producer Ross Robinson helmed some of my only 1-star albums from the O.G. list, like Slipknot (1999) and Roots (1996). Perhaps I treated you too harshly...

October 1, 2025 HL: “Web”, “Withered Hand”, “Contraption” Garage rock

Iiiinteresting, I figured this was the first I heard of Why?/Yoni Wolf, but he was on the 'cLOUDDEAD' album I put on last year. (Very trippy stuff, that) "Good Friday" has strong Beck vibes This is neat, I'm not bowled over by it but it's something I can see myself liking more with time. The moment I heard the toy piano in "Assassin" my feeling was "ah yes, these are my kind of hipsters" 3.5/5 HL: "These Few Presidents", "Song of the Sad Assassin", "A Sky For Shoeing Horses Under", "Simeon's Dilemma" October 4, 2025

September 25, 2025 HL: "Go", "Daughter", "W.M.A.", "Rearviewmirror" Pearl Jam? More like SQUIRREL Jam, because, uh- these songs are so good it's nuts -_- Once again, Pearl Jam pops up on this website and I have nothing really to say. The last PJ I listened to in full wasn't Ten, but Vitalogy, which had a lot more bells and whistles to mention- not that it made it a superior album. "W.M.A" and "Glorified G" do demonstrate a righteous fury I forgot this band was capable of, so that's pretty noteworthy!

October 7, 2025 HL: "Hope Gets Harder", "Baby Does Your Heart Sink?", "FLAG // BURNER", "I Didn't Come Here to Surrender" Hey, that's a guy singer, his name isn't Martha! Oh, they also have a lady singer. Hey, her name isn't Martha, either! I get the sense this band are more nostalgic for the 2000s than I am rn, which is saying a lot, but they end up cutting a decent enough pop punk album nonetheless. There are some departures from their main sound, like the jangle of "Surrender" and the lullaby tinkle that closes out the album. I think if anything brings me back to this album, it's the overall warmness & coziness (that goes against the snowy cover). A 3.5 at least Also, unexpected connection with the original list, they recorded their debut album with the guy from Hookworms. What Hookworms could have been if that guy wasn't an (ALLEGED) abuser

Not first listen- which is good, since this kinda pissed me off the first time. All I wrote about it last year was "Om, Ethan's a big fat c*unt", so I was probably less focused on the music than on the "sex crimes" section on Wikipedia. Before hearing this, all I knew about Crystal Castles is their amazing version of Platinum Blonde's "Not in Love" (featuring Robert Smith). So finding out much of their music is more on the abrasive side was disappointing. At first. Now songs like "Alice Practice" hit, whereas before they were just irritating. Plus the flurries of 8-bit chirping were also easier to stomach today. Like Daft Punk's debut, it's a disjointed melange of older and newer material... and it works. Buckleys HL: "Untrust Us", "Alice Practice", "Vanished", "Magic Spells", "Tell Me What to Swallow" September 27, 2025

October 13, 2025 HL: “Mind Over Matter”, “Lay Down Your Sorrows”, “Golden Olden Days” i liked the guitar

Sound the bells, it's Can(adian)Con(tent) Though it's always been a doomed affair to get this band's music outside of our home country- check out NME's smarmy 4/10 review of this album- it does amuse me some knowing there's more than one Tragically Hip on this list. Compared to their earlier albums Day and Night and Fully Completely, this one has a little ✨polish✨. And an all-time great song in "Bobcaygeon". It doesn't stray too far from their earlier sound though; I figured from the spacey atmosphere in "Bobcaygeon" that the whole album would have a more country-pop direction. I guess that's on brand for this band: whether the hard rock, alt-rock, blues, folk, or country influences reveal themselves depends on the song, not so much the album. "Thompson Girl" and "Fireworks" are songs I feel like I should have heard on Canuck rock radio all the time, but didn't. Don't worry, there's still PLENTY of other Hip songs that get played instead. HL: "Poets", "Something On", "Bobcaygeon", "Thompson Girl", "Escape is at Hand for the Travellin' Man" September 29, 2025

October 13, 2025 HL: "The Best Ever Death Metal Band in Denton", "Fault Lines", "Riches and Wonders", bonus "Answering the Phone"

I thought I had never listened to the whole thing before, because it's always someone else that plays this. But no, its brief 30 minutes are already quite familiar to me! It reminds me of my aunt who passed this year, who advocated for Rodriguez and lamented that he wasn't as acclaimed as that Bob Dylan hack. :p I wasn't particularly interested in Dylan or Rodriguez as a teen, but I found these songs grim and preachy at the time. And there's an effect on the otherwise really good "Sugar Man", that whining string/synth part, that used to bother me. So let's say I've come around to Cold Fact. The mix of cynical blues and pastoral psych-pop is both very 1970 and also kind of unique to this album. The horn part in "Crucify Your Mind", maybe my favourite song on the album, sounds like something Air or the Go Team would use. Also it juxtaposes with the proto-metal of "Conversation" in a cool way. HL: "Sugar Man" (even with that annoying whistle thing), "Crucify Your Mind", "Hate Street Dialogue", "Inner City Blues", "Jane S. Piddy" October 5, 2025

October 4, 2025 HL: "Invisible Man", "No Aloha", "Divine Hammer", "S.O.S.", "Drivin' On 9" Haven't heard this, but I have listened to their earlier album "Pod" Another win for the Breeders Tell me Teenager of the Year deserved to be in the original list over this

October 13, 2025 HL: title track "Feed the Light", "I Defy", "Flushed Chest", "Anyone" nice

Not the first listen! It'll be interesting going back to this album, as I didn't really give it the attention I gave her debut SOUR (2021). Now, when Rodrigo finds a better muse than Taylor Swift, I think she’ll release a perfect album. As it is, it’s still really fecking good for a Disney pop star. I found the slower songs a little drab today, but the poppier/rockier ones better than I remember. “Vampire” took a while to grow on me, but its odd, bombastic moments are a definite highlight. “lacy”, “love is embarrassing” & “pretty isn’t pretty” are also songs I didn’t realize I enjoyed.

October 17, 2025 HL: "Lie and Wait", "Can Opener", "Transparent" Seconding Apple Music's comparison to At the Drive In, but Slip is muddier and more morose. Can't speak for the comparison to Deftones, as I STILL haven't given them a proper listen. Honestly, I expect them to show up on this list one day, based on how much I've heard about them recently. The singer is a bit one-note, but the half-sung, half-shouted vocals are powerful, so I chalk it up to a genre rather than personal limitation. I could bitch about this genre known as "post-hardcore", and how dreary and beige a lot of it sounds to me, but doing so would ignore the fact that a lot of these songs had my head bobbing against its will. So it can't be that bad... ***

I don't know why I should complain, having added like 5 white guys to this list myself- but I can't believe I'm hearing Dutch garage rock covers of "Spoonful" before any actual Howlin' Wolf here. At least I can't accuse Q65 of sanitizing the original, since the fuzzy riffs and decent imitation of Wolf's rasp keeps it somewhat sleazy. The studio album ends with "Bring it On Home" (14 minutes dear Lord), but I'll keep to the bonus tracks since several of their actual charting hits were non-album singles, such as "You're the Victor", and "I Despise You". They brought me back with the Bolero snippet. I was fading. That's a long-ass time without any chord changes As 60's blues rock, I can't really fault it. The singles/bonus tracks are definitely worth a listen, but... it's just the Yardbirds again. If you rearrange the letters of Joop Roelofs it spells Jeff Beck HL: "The Life I Live", "Just Who's In Sight", "Get Out of My Life Woman", "Sour Wine", bonus tracks "You're the Victor", "World of Birds" October 17, 2025

October 10, 2025 HL: "Beth/Rest", "Beth/Rest", "Beth/Rest" Not first listen "Beth/Rest" is a pretty good song

While I was dimly aware of Elfman’s band Oingo Boingo, I more recognize him from such films as A Nightmare Before Christmas, Charlie and the Chocolate Factory and the Tobey McGuire Spider-Mans (in case you can’t tell, I grew up in the 2000s). He was also involved in a movie called Forbidden Zone, which I watched this year; it probably altered my brain chemistry. I think about it semi-often. Today I found an infectious, groovy album that I hope to put on at future October gatherings. Yet I had to temper my expectations that this was going to be on the spookier side. See, my problem is I zoned in on “Dead Man”, where the real emphasis should have been on “Party”. Also, I suppose certain eccentricities were toned down, compared to his aforementioned movie work, to get more of a dance party feel.

bad idea to listen to late at night. Even worse idea to watch the video for "Faceshopping" late at night. I suspected I might like this for her prod. work with Vince Staples and Charli, and I really did for the most part. Every time I think I've defined the limits of what music I like, along comes someone like SOPHIE who says "Reconsider." Rewarding once I got past the eardrum-shattering, distorted percussion HL: "It's Okay to Cry", "Faceshopping", "Is It Cold in the Water?", "Pretending" October 11, 2025

October 22, 2025 HL: "Goodnight Alt-Right", "All Day & a Night", title track Not as crazy about: "Let's Make a Deal", "Strange Fiction", "The House Always Wins" "the price is wrong bitch!" - Happy Gilmore - Stray From the Path "Who's your leader? Trick question: none of the above" I started out onboard with the rage, while accepting that I'm stomaching another screamo record, but when they start bothsides-ing in "The House Always Wins", it confirmed just how hollow and useless this record is to me. Especially this year. I'm not lionizing the Democrats either, as almost the entire party has revealed themselves to be feckless and complacent in the clear shift towards an authoritarian state. But when your white-hot, screaming indictment boils down to "oh I can't tell either of these parties apart, and I'm so mad!", and only one of those has a) threatened the sovereignty of MY country, and b) announces to heavily tariff American film companies that work in my country- which, if that isn't just a dementia word salad of a policy, would destroy an industry that me and many of my friends are dependent on, it kinda seems to me like your two parties ARE different. idk- maybe that's too much text to waste on a pretty short song. What else does this album offer? "If you preach hate, than expect hate." I like it "They want the pawns to fight each other and say we're not the same / Well I say, don't hate the player, hate the game!" Hell yeah, chess, like the album cover. Also war is bad. "Join or die. I won't pick a side"... ah, starting to sound like all those who sat out the American 2024 election again. Maybe political rap rock isn't your thing. The more I think about this album, the less I think Slipknot's debut deserved the 1 I gave it. At least that had some creative musical arrangements. 1.5/5 For contrast, I put on Wake the Dead by Comeback Kid, another hardcore band on my radar, and within minutes I felt like flipping a police car. And I don't even know what that album is about!

HL: "Ladyfingers", "Taste of Honey", "Bittersweet Samba", "Lollipops and Roses" (hearing the title track for the first time) I feel like I'm losing in a game show I was interested in seeing Herb Alpert this month, but remaining tickets were dummy expensive. Hm, well what are the odds that 90-year-old Herb Alpert will return to Winnipeg, Manitoba in the near future? 3.5/5 for now, the hokier arrangements are held up by truly beautiful brasswork

October 15, 2025 As one of the psychos who gave the Incredible String Band 5 stars, I assumed I would greatly appreciate this other strange folk album. And I appreciate it, but I don't love it at this time. The vocals are especially off-putting, especially in the opener "Diana", albeit appropriate for a spooky October night. The lyrics are also creepy, but not always in a good way. Based on the fact I listened to this on the 15th, then the 16th, and am writing this on the 17th possibly means I'm still processing this album. The flute-laden instrumentals are often transcendent.

October 14, 2025 HL: "The Meter", "Like a Dog", "These Days" First I'm hearing Powderfinger, of Brisbane. Decent, sometimes great pop-rock with the occasional singalong chorus. I give it a 7 outta 10

October 24, 2025 HL: "Speed of the Sound of Loneliness", "Woke Up This Morning", "U Don't Dans", "Old Purple Tin" Over an hour of 90s British electronica, people here are going to HATE it. Upon checking the ratings, people in fact DON'T seem to hate it. Progress? It's decent, but I liked Screamadelica as a representative of this subgenre more, and no I swear I don't work for NME. Also in terms of 90's British blues/gospel pastiche, I'd go with Spiritualized

O man, with a Canadian band like this, who needs a second ("hey Siri, play Glass Tiger, Platinum Blonde, Chilliwack, Bryan Adams, the Tea Party, Nomeansno, Blue Rodeo, Spirit of the West, Alannah Myles, the Spoons, the Pumps, Sloan, Thrush Hermit, Plumtree, Doug & the Slugs, Martha & the Muffins, and Men Without Hats :)") The user who picked this also chose If I Should Fall From Grace With God as their fave from the original list, and that makes strange sense to me. Like, the Pogues and the Hip aren't exactly similar musically, but... either one would be great by a fireplace on a cool day. Gord Sinclair. I looked up the bassist's name, since he's such a highlight of "New Orleans" among other songs. Add him to the other renowned Canadian Gords like bandmate Downie, Lightfoot and Pinsent.

October 30, 2025 HL: "Jewel Drop", "Ophelia", "The Curse of Being a Girl", "Snowman" These guys are from København, eh? I would've sworn I've encountered at least one Danish act from this website, but perhaps I'm just thinking of Queen of Denmark by John Grant. My 5 seconds of research before the album made me think this would be in the realm of Snow Patrol and Travis, and it occasionally crosses into something one might wave a lighter to, but mostly remains in a somewhat cold, brutalist environment. "The Cynic" featuring Bowie is neat; the spoken word piece from Lou Reed adds some spooky vibes but mostly felt like filler. I'm generally not a big fan of Reed in general tho (I'm not a hater, just a... meh-er). Overall, I liked No Balance Palace the most when it delved into those stormy, shoegazey elements, and least when Kasper Eistrup sounded a little too much like Thom Yorke ca. Hail to the Thief. ("Kalifornia", "She's Made of Chalk"). 3.5 today, maybe a 4 down the road

I had a feeling the musician who chose this album cover wasn't black... I was correct in that assumption. Never heard of this before now, but is pretty futuristic for a 1978 record. "No Regrets", the closer, is easily my favourite track despite all 6 sounding pretty similar to each other. "<< H >> Friend" ought to be in a movie set in a strange, otherworldly club. A haunted dancehall, if you will -_- HL: "H Friend", "No Regrets" maybe a 3.5, idk October 25, 2025

October 23, 2025 HL: "High", "Bomb", "Shitsville", "Lakers", title track A strange mix of ear-candy instrumentals and the everyday horrors that Gibbs raps about- you'd almost think, with the music behind it, that thuggin' and pimpin' are steps to some great spiritual revelation. Before today I knew Madlib from his contributions to Madvillainy, and Freddie Gibbs from a random SNL skit starring Chris Redd. Thankfully, I have a greater appreciation of both after today. Plus, a shocker comes from the fact that my favourite song MIGHT be the one with Raekwon. Yes, the guy whose album Cuban Links was one of my lowest-ranked hip-hop albums from the original list. Do you hear the winds of change?

What you're about to hear is the kind of cutting-edge musical critique that only I can provide: This album which has a length that is long... It feels long. Hold thine applause. >:0 Maybe I'll love it one day, as there seems to be some genes shared with Spiritualized and Godspeed You! Black Emperor. As of now, I haven't learned much beyond what I gathered from snippets off of RateYourMusic and Wikipedia, that they're some Texans who play their guitars really loud and ramble for about 1-2 hours concerning Texas and religion. Generally when those two things are combined, it makes something incredibly problematic, but in the case of the Texas-Jerusalem Crossroads, it comes together pretty nicely all things considered. I typed all of this in the 14-minute space before the hidden track 'untitled'. It's a good length of time to pause and reflect. If the house band at my local evangelical church were introduced to drugs, do you think they would sound this good? 3.5 October 29, 2025 (rated user album #200 today. The second second of eternity has passed)

Oct 22, 2025 HL: "Sunday Papers", "Is She Really Going Out With Him?", "title track", "Got the Time" I knew “Sunday Papers” and “Is She Really”, but not so much the rest of Joe Jackson’s output. Which is a shame, since this a pretty strong debut from him. Even with the sad schmuck-down-on-his-luck lyrics. No, especially the sad schmuck-down-on-his-luck lyrics. I feel like I’ll never stop going back to this, even as a fan, but SIX Elvis Costello… The world has more pub rock to offer!

This is the 2nd Yo La Tengo for me, after putting on And Then Nothing Turned Itself Inside-Out (2000) That was over a year ago, so I'm not able to closely compare them, but they definitely share a lot of the same vibes (sweet country flair at times, Jesus & Mary Chain-level distortion elsewhere) ICHTHBAO lost me a little with "Spec/Bebop" & "We're An American Band", but finishes strong on a sweet ditty "My Little Corner of the World", which I just learned was first a hit in 1960. I give this a "neato" out of 5 HL: "Moby Octopad", "Sugarcube", "Stockholm Syndrome", "Autumn Sweater", "Green Arrow" October 24, 2025

Not first listen-- in fact, I've heard all of em Vampire Weekendses. I started in chronological order, listening to their self-titled & Contra last year, but then skipped ahead to this one after the (exclusively online) buzz became too loud to ignore. I thought it made a strong impression, but then again I Shazamed a song in a restaurant this year, thinking it was really cool, and it was "Mary Boone" from this album. *Googles 'can 29-year-olds get dementia'* In my defence, my first listen was like at 4am. Also from my listening history, it MAY have been overshadowed by Imaginal Disk that week. But it's a good example of Vampire Weekend pushing their sound about as far as it will go while still sounding like themselves. As surprising as the overall noise level was, those soweto-style guitar licks are still there in "Classical" and "Pravda"*. Somehow these twee bastards put more vitriol in "Gen X Cops" then I've heard from a lot of American "political" tunes I thought "Hope" was a little repetitive and lackluster the first time, for an album closer, but it keeps sounding better and better. The album cover evokes the unique production. It's a bit gross and unsettling until you see the whimsy of some dude walking on the walls. I have a feeling this is something I'm going to keep coming back to, so I'm feeling generous with the star rating.** *Vampire Weekend was one of my "new" favourite acts last year. Though after finding some thinkpiece about their lifting of certain Afropop tropes, I happened to find another of my favourite listens, The Indestructible Beat of Soweto (1985). Never hurts to know where your favourite artists steal from (see also: Paul Simon and Ladysmith Black Mambazo from the original list) **I may be a bit reticent with the 5-star albums this year. After all, including this one, only 4 of the top-rated albums were ones I had never heard before, and I was basically indoctrinated from an early age to like one of those four (Fully Completely 🇨🇦). Expect a couple edits for the 5iest of my 4-stars... HL: "Classical", "Connect", "The Surfer", "Gen X Cops", "Mary Boone", "Hope"

okay, not first listen-- Have to say, the October picks from the generator have been on point! 🐺 the title track is scarier than the werewolf one, how did I not notice before HL: “Johnny”, “Werewolves”, “Headless Gunner”, “Lawyers”

I think about the title track a lot, stemming back from when I learned the trombone solo to play in a band that never made it to its first gig. It's been quite a while since I've actually listened to this in full, recognizing it mostly as the butt of online jokes about online music communities now. Maybe it just has to do with the passage of time, but the production doesn't faze me considering how often I grumble about lo-fi techniques (e.g. The Mountain Goats). It definitely abets the surreal atmosphere created by the lyrics, the artwork and unconventional instrument choices, e.g. the musical saw in the title track. HL: title track, "Two-Headed Boy", "Holland 1945", "Ghost"

One peculiar note about the accolades on Wikipedia are cited from academic articles, not music journalists. From that alone, this is a brave choice for the generator. I don’t think I’ve ever thought critically about a vaporwave playlist before, but I can try. Shoutout to “Z e l d a w a v e” on Marble Pawn’s YT channel, that’s about the only example in the niche/microgenre I can name off the top of my head. I was skeptical since the evocation of early 2000s America should mean one would have had to be in that time and place to feel what “Cat System Corp.” intended. And even then that’s subjective. I was 5 when the towers fell and I don’t have any recollection of that day. But the Canadian weather channel, seemingly always on at my grandma’s suite, sounded just. like. this. So the nostalgia bait is somewhat effective? I gave the Crusaders 2 stars on the original list for veering too close to elevator music, and they literally are sampled for the purposes of this album! That isn’t to say I don’t appreciate the musical merit of the sampled music, as much as they aren’t my cup of tea by any means. Sometime before the end of the 1st side, I started to get taken in by THE CONCEPT, which is good because none of this works without it. I think the mid-sentence cuts, which omit the “This just in” moment from the actual broadcasts, are super eerie and effective. I’m not entirely sure how to feel about the weather channel half. I guess the more immersive bits of morning television had me thinking there would be more glimpses into this banal universe, but no. A crackle of VHS static and it just ends. Weird dream is over. 4 stars for the audacity November 2, 2025

Checkpoint reached November 4, 2025