I found this album to be super consistent from the first song to the last. It felt like listening to a story rather than an album, with each song serving as a chapter. The concept was admittedly "odd", but it was in a way that I truly enjoy. I've, of course, heard of David Bowie before. However, this was my first real introduction to him (I've only heard one song of his prior). After listening to this album, I'm excited to hear more from him. His music is like nothing I've heard before, and I really enjoyed it.

I had a very difficult time getting into this album. I thought it was cool conceptually, and I did find myself really enjoying the musicianship here. That's about as far as I go, however. The vocals weren't to my liking, and I found everything to be a little one-note. It was a chore for me to push through the album as, to put it simply, it just bored me.

A decent album. The Clash is not a band I have heard of before, so I didn't know what to expect going into it. The title track and Guns of Brixton were probably my favorites on the album. After a certain point, however, I did start to feel as if some of the songs were repetitive. The instruments were great, but the vocals I personally didn't care for for a majority of the album.

I grew up listening to Adele, and she is always a joy to listen to. I only knew a few songs from the 25 album going into it, and I truly enjoyed every song this album had to offer. Adele has one of the best voices in the modern era. Looking at this album as a retrospective of her life story at the age of 25, and me being around that age currently, I felt I resonated with a lot of the songs more than I would have if I heard them when the album first released. I would definitely listen to the whole thing over again.

I didn't realize going into my first listen of this album just how many George Michael songs I was familiar with. This album was a treat from the first song to the last, with only one I didn't really enjoy. Michael is so talented and so diverse in his range. Faith and One More Try were night and day when it comes to their vibes, and both are absolutely phenomenally done by Michael. I enjoyed every moment of my time spent listening through this album.

As a South Park fan, I was incredibly excited to get an Isaac Hayes album. His voice never disappoints. If you are an R&B or Soul fan you will undoubtedly love it, but for me the songs were too long. There are 4 in total, and one of them lasts almost 20 minutes. I love Hayes's voice, and I didn't feel that the songs were bad. They were just lengthy. That being said Hyperbolicsyllabicsesquedalymistic is an absolute banger and doesn't feel at all like its 10 minutes long.

I knew a couple of Blondie songs going into this listen, and I was left a little underwhelmed by the album. One Way or Another and Heart of Glass were, of course, fantastic. I also loved Picture This. However, the other songs were just alright. I felt the sound of some of them began to feel slightly repetitive as the album progressed.

What a joy this performance was to watch. I listened to the album version provided, as well as the full show as it appeared on MTV. About A Girl is my favorite Nirvana song of all time, so I thought going into it I would absolutely be looking at that as my favorite song of this album/performance. That is until I heard Where Did You Sleep Last Night. I had chills throughout the entirety of it and had to watch it again and again. The crowd seemed equally as enraptured by that performance as I, pausing for a minute before erupting into applause. All the other songs were also phenomenal, and I would listen to any of them on repeat any day of the week. A truly exceptional album and RIP to the legend that is Kurt Cobain.

The first half of this album had me certain that I was not going to be giving it a very good rating. I found some of the high vocals to be hard to listen to, and I wasn't really vibing with any of the songs. However, my entire view shifted on the second half. From there, I really enjoyed all of the songs. They were beautiful and soothing, with Birds being my favorite track of the album. I will definitely revisit this album at some point, but with how little I enjoyed the first few songs I couldn't rate it above a 3 upon my first couple of listens.

This album was quite the rollercoaster. Every other song I went from strongly disliking it to finding myself saying “hey this is really nice.” I think that boils down to me not being a fan of electronic music overall. The robotic sounds and sci-fi like noises through a few of the songs didn’t do much for me. That being said, this album does have a couple of hidden gems.

This was a bit of a mixed bag for me. I wasn't inclined to add any of the songs from this album to my playlist, but I didn't dislike any of them either. Faithfull has a very interesting quality to her voice with pretty consistent vocal cracks that add to the stories she is telling each song. Why'd Ya Do It was a particularly interesting song, which I can only describe as "perfect feminine rage." The topics of her songs are very gritty, and her storytelling had me listening intently to each song. Some I revisited throughout the day just to really take the story in. I would be interested to see what else Faithfull's discography has to offer, and I found this to be a decent introduction to her artistry.

I found this album to be super consistent from the first song to the last. It felt like listening to a story rather than an album, with each song serving as a chapter. The concept was admittedly "odd", but it was in a way that I truly enjoy. I've, of course, heard of David Bowie before. However, this was my first real introduction to him (I've only heard one song of his prior). After listening to this album, I'm excited to hear more from him. His music is like nothing I've heard before, and I really enjoyed it.

This album is true to its name. It's "groovin'" music through and through. As a former flautist, I really enjoyed Hubert Laws flute contribution on a couple of the songs. This was a fun album overall. The vocals were good, and each song was bright and cheery even if its subject matter wasn't. It's a "feel good" album true to its time.

I’m not sure how or why, but the second I saw the name of this album it struck a nostalgia cord for me. I knew, of course, the big hits off the album. Morissette is an incredibly talented singer and songwriter, and her vocals were phenomenal on this album. She’s a powerhouse, but there were also songs where she dialed it back and sounded like I’d never heard her before. She’s wildly talented. I would add any song to my everyday playlist without a second thought.

I wouldn’t exactly call the genre for this album rock. It’s more blues than anything else. However, I like this sound for The Doors. I did find some of the songs to sound a little bit same-y after a bit. Riders on the Storm is, of course, a classic, and there a few other really good hidden gems in this album. It’s solid, but not my favorite of what The Doors have to offer.

This album, although catchy, got very repetitive very quickly. The songs are about 7 minutes long across the board, and they inevitably all sound the same at around the 2 or 3 minute mark. It’s good music to move to, but not so great to just sit and listen to. Olomide has a nice voice, and I do think this album was kind of fun. It just wasn’t really for me. I would’ve like to know a bit more about the lyrics for context, but translating the songs was quite difficult to do.

This album was truly like nothing I have heard before. The vocals were soothing, almost hypnotizing at some points. This worked to its favor most of the time. I really appreciated the artistic choices made in this song. For example, Daily Routine has a keyboard which plays sporadically at the beginning of the song (representing the hectic nature of the daily routine of the "storyteller") and eventually stopping (representing the day drawing to a close). It was really cool, and the lyrics across the board were great. Where it suffered for me a bit is that the vocalist uses the same tone across all songs, which makes the love songs, triumphant songs, angry songs, etc all have a similar feel.

I wish that I could understand the lyrics because I was very intrigued when I read this band’s story. They’re very talented, and instrumentally this was exactly the kind of album I enjoy. I have not received many non-English albums so far, but this sets a solid bar. I thought it was pretty good.

I felt like every track on this album ranged from being decent to quite good stand alone songs. As a whole, there's a wide variety of sounds and instruments which keeps the album interesting and fun. However, it could be argued that it falls into "jack of all trades, master of none" area. The album is consistent when it comes to quality (which is good, but not the best I've heard from Beach Boys), but it is not as consistent when it comes to creating a cohesive album theme or narrative.

Björk has such a unique sound, and I could never truly place her, or her work, into any specific genre. She has her own genre entirely. Her voice and sound is strange (in a fantastic way) and can range from haunting to ethereal from song to song. Family was my personal favorite on the album. I wasn’t sure what to expect, but I really did enjoy this album. It grew on me more and more with each song, and it has me excited to hear more from her.

I like the general vibe of this album. The songs are catchy, and, while I am not a huge lover of R&B or jazz, I thought this was quite good. Womack's voice is pleasant and smooth. I didn't really view this album as poetry, as the name of the album had me thinking, but there are some nice love songs. The guitar is the first thing my ear goes to in a song (other than vocals of course), and Womack's playing is fantastic across the board. Good album.

Seeing as I got a Bjork album just 2 days prior to this one, I felt like I knew what to expect in this album. I was so wrong. Her sound is, of course, odd (in an absolutely wonderful way). No two songs are alike, but each and every one is beautiful, Listening to her storytelling through her wonderfully weird style is truly a blessing on the ears. I was in awe over her vocals on Human Behavior in particular. She has these lovely voice cracks that appear in quite a few of the songs, and it is one of the most beautiful sounds I have ever heard. This was a great way to kick off her solo career, and I could listen to any of these songs over and over again.

Joni Mitchell doesn't have my favorite voice, if I'm being honest. What she does have is an unmatched ability to weave a tale that you feel like you are a part of when listening to her stories (songs). I really appreciate this quality as a writer. The acoustic guitar is really the only instrument I could pick up while listening for a majority of the songs, and it felt like it was more music playing in the background of a scene. It helped enhance the stories Mitchell was telling with her voice. No doubt that there are very "of the time" topics and lingo being used throughout, but what I loved about it is that I felt like a character in each of her songs just living through the events she is retelling. It was truly a joy to listen to, and the only folk album I've really enjoyed thus far.

I feel bad saying this album bored me, but it just reminded me of a lot of other bands. It’s not fantastic, but it’s not bad either. I thought the vocals were good, and I did feel genuine excitement when the formula was switched up and softer songs played. This just wasn’t my favorite.

Definitely a lesson to not judge a book by its cover! On first glance, I thought I was getting into a mildly cringey bluegrass album. Not at all the case. This was English rock at its best. The instruments were just fantastic and put me in mind of the other great rock bands from the 90's I grew up loving. The vocals were also quite good. I could never put my finger on what it reminded me of, but the lead singer's voice did feel a bit nostalgic listening to. I really enjoyed myself listening to this one. I would go to a concert and bob my head to any of these songs in person if given a chance. They were all exactly the thing I like: quality rock music with good lyrics and a nice vocal.

I've listened to U2 a few times before thanks to being an Apple user. They have a good sound, and I found a few songs I enjoyed lyrically. It wasn't a bad album, but it didn't excite me either. It's not one I would revisit at any point. Unfortunately, I think due to overexposure I'm just a bit bored by them now. Apple ruined U2 for me.

This album definitely has some of the best hits Tears For Fears has to offer including Shout, Everybody Wants to Rule the World, and Head Over Heels. All three of those songs I, of course, enjoyed. Outside of those three, I thought that the album was great. There were 1 or 2 that were perhaps a little bit lackluster, but for the most part it was consistent and an enjoyable listen.

When I saw that this album had 23 songs, I was immediately concerned about it keeping my attention. Fortunately, this was hardly an issue. Firstly, the first half of the album is in English and the second half is the same songs in French. Secondly, Rahim's voice was so clear and gorgeous, and I was thoroughly entertained and impressed by his talent. There is a back and forth between English and French lyrics that I really enjoyed as I am a big fan of French pop artists. The lyrics were great, and I was pretty impressed with Rahim as an artist. Where this lost some points for me was in the music. It was good, but electronic beats aren't really my preference in most cases.

I was so excited to revisit this album. My mother played a few songs off of it fairly often when I was a child, and I forgot just how much I loved it. Norah Jones has such a lovely, soft voice. I appreciate her talent and songs even more now as an adult. Her songs are very soothing with beautiful, emotional lyrics. This is an all acoustic album, which made it all the more impressive that it kept my focus from first song to last. There's no theatrics, no exciting instruments. Just a beautiful woman with a beautiful voice singing along to the acoustic guitar and every second of it is perfection. I would listen to this album regardless of my mood and not skip a single song.

Unfortunately, this album was one that I just couldn't get into no matter how much I wanted to. It starts out alright but just gets progressively more tedious with each passing song. Which is funny considering that the first song is the longest. It just wasn't really the style of music I enjoy, and I found it to be boring. It was a bit hard for me to get through it. That being said, I did like some of the instruments used. Especially the flutes!

This album (and band) were a great listen. This Time of Night was most certainly my favorite song by a long shot. However, all of the other songs were quite good as well. The instruments hooked me the most with some great beats. The vocals were also quite good but at times could stay monotone for a bit too long, which took some excitement away on a couple of the tracks. Overall, I enjoyed it and hope to see New Order pop up on here again to revisit.

I was so excited to see that I got my first metal album on this generator. Unfortunately, this excitement did not last. The music itself was good. I'm a sucker for some good riffs and a killer drummer, which this band definitely has. The last few songs also had a cool tribal theme with all kinds of chants and different instruments being used. What was difficult to swallow was the vocals. I had to take multiple breaks from listening due to it becoming too overstimulating at multiple points. The lyrics often became almost unintelligible, which is a shame as part of the reason I love rock/metal music so much is because of the combination of great instruments and great vocals. This was just, what I would consider, an enjoyable listen for me personally.

This was a fun album to listen to. As soon as I heard Heads Will Roll (a track I remembered from having watched Glee a while ago) I was pretty excited to hear what else It's Blitz had to offer. I ran into some pretty great tracks with Skeletons being my favorite, as it was something different from the many catchy dance tracks on this album. While those tracks were good, they can get a bit old. Fortunately, I feel that this album was set up well to give the listener "breaks", so to speak, to enjoy some pretty, more soft tracks.

The songs on this album were so catchy across the board. They weren’t very long, for the most part, but they had me coming back for multiple listens. I thought the vocals were great, but the music was the real star of the show. I’m surprised I didn’t hear about this band prior to this. Perhaps I’m unfamiliar with the “sound” of 60’s music, but this seemed more modern than that. Like something from the 80’s.

The songs on this album were, lyrically, very strong. I enjoyed the lyricism and the music was great. It was, however, very lengthy. It felt like some of the songs could have been cut from the album and it would have made it easier to digest. The singer(s) have very prominent English accents, which is not a bad thing, but it isn't necessarily my preference. Had the album been shorter, I don't think that would've been a big deal. It just started becoming repetitive after so long.

I don't know if I just didn't understand the concept for this album, but it honestly just sounded like noise to me. There are a few too many annoying, prominent sounds playing repetitively in this album amongst music that actually doesn't sound too bad. In fact, the music was really pleasant and interesting at times. That makes these sounds so jarring, and it really ruins the vibe that I just find myself getting into. There's a lot of spoken word used throughout this album, which isn't a bad thing but it is definitely not something I prefer. The good news about this album, is it did get better as it went along and wasn't bad background music for my tasks. Would I listen to it just because? No.

At first, I was dreading getting myself through this album. It was similar in a lot of ways to the album I had got the previous day, and I wasn't exactly looking forward to another day of the same thing. However, I will say it did grow on me as the album progressed. It was by no means my favorite, but the songs could, at least, be catchy at times. The vocals were nothing remarkable nor was the lyricism, but the music wasn't half bad.

This album had all the hits I know by Destiny's Child (as a non-Destiny's Child/Beyonce listener), but where it really shined was with the songs I have never heard before. I always knew these three women were talented, particularly Beyonce with her world-wide stardom, but I was unfamiliar with just how talented vocally they really are. This album had a wonderful mix of catchy tracks, romantic tracks, and even a sad track or two. It was hard to pick a single favorite. I really enjoyed Bootylicious, Fancy, My Heart Still Beats, and Brown Eyes. Realistically though, I would listen to any song off of this album. They were all fantastic and gave me a new appreciation of the already legendary Destiny's Child.

This album was mostly acoustic which I thought was a great decision. When I looked up the artist, I saw that we was listed as a folk rock artist. I didn't really catch far too much of the folk in there (which is actually a good thing). The songs were soothing, and it was a nice listen all around. The only detractor for me was the harmonica in a couple songs as it just sounded so shrill, but I attribute that to me not being a harmonica fan. Overall, this was a nice album and an easy, enjoyable listen.

This album had all of the Beastie Boys songs I know from Girls to No Sleep to Brooklyn. The music is always excellent and the songs are very catchy. I have a lot of nostalgia for the majority of this album. However, I can't lie and say that the Beastie Boys are all that good of singers. They do, at the end of the day, just shout. That doesn't automatically make the album bad, but I can't justify putting it on the same level as albums that had the full package with great lyrics, great music, and great vocals. It's still the best album, in my opinion, the Beastie Boys has to offer and is a really fun listen.

I absolute love Tom Waits's voice. It's gravelly quality makes it very unique, and I could listen to him all day. That being said, these songs weren't my favorite. I still think it's good, for the most part, but there are a handful that just weren't all that great lyrically or music wise. That being said, this is still a solid Tom Waits album and deserving of being on this list as one of his best.

This album got old fast, and I mean really fast. The songs are fine, yes, and I initially enjoyed the upbeat tracks. However, it never strayed away from that formula with the exception of Little Triggers. Everything else was upbeat fanfare with, what are frankly, not great vocals. They're very punk adjacent, which is not the part I disliked. It was the constant gasping noises that deterred me. Singing doesn't always have to sound effortless, but this was 14 songs of it.

This album was very solid. The first track, Time to Pretend, was probably my favorite, but it was truly hard to choose the best song from this album. It brought back a nostalgic feeling in me (which is odd because, to my knowledge, I didn't know of this band and/or album prior to this listen). The music was great, the vocals were soothing, but it was the lyrics which really made an impression on me. This album was creative and a breath of fresh air.

I can see why this album would be on here. It's got great music and Ray Charles is a good singer and lyricist. What I couldn't get behind was that for the first half of the album every song started the same (loud, impactful fanfare) and the second half of the album every song started the same (softer, songs are clearly more solemn). It made the album seem less "Genius" and more repetitive. Same songs, different lyrics.

What can I say about Bjork that I haven't already said? I've had 3 of her 4 albums that appear on this generator before even hitting 50 albums generated, and I'm sad that the next one I get will be my last. Bjork has a gorgeous voice and a unique sound that you can't place into a genre. This is yet another fantastic album by her. Some of my favorites were It's Not Up To You, Aurora, and Unison.

I can't say I feel strongly one way or another about Radiohead. The only song I'm familiar with of theirs is Creep, so I would safely call this my first impression of the band. Based on this album, I lean toward the idea that they're a little overrated. The musicianship was undoubtedly great but not as great as I would have expected. The songs got better as time went on, and I did find some of them to be pretty good. I just have a hard time believing this is one of Radiohead's best.

I acknowledge just how good the piano playing is here. It was nice, relaxing, beautiful, and great music for ambience. It was by no means a boring listen, and it brought me back to years spent listening to my great uncle play the piano. Is it an album I would ever just sit and listen to? Probably not. Am I happy I was introduced to it? Oh absolutely.

To be honest, I have always found The Who to be quite average. This didn’t exactly change my mind on that front, but I do appreciate them a bit more. Pinball Wizard was no doubt the best song on the album. I appreciated the theming of the album, all centered around the character of Tommy. Rock opera just really isn’t my thing.

I can’t exactly say I like country music. However, this was a cute and short album to listen to. It was the perfect length, and I think Loretta Lynn has a very pretty voice. Every song was a love song about either being in love or falling out of it, and I thought that keeping that consistency throughout the album worked in its favor. For a country album, this was fairly good. I definitely didn’t hate it.

I grew up loving Ozzy Osbourne but never really listened to Black Sabbath before hearing this album. For this being their first album they ever made, it was completely and utterly fantastic. The musicianship was top notch, and of course Osbourne’s voice is just incredible. I could go back and listen to it again and again, and there isn’t a single song I would skip. I feel like I’ve been missing out all my life on this band!

I had a very difficult time getting into this album. I thought it was cool conceptually, and I did find myself really enjoying the musicianship here. That's about as far as I go, however. The vocals weren't to my liking, and I found everything to be a little one-note. It was a chore for me to push through the album as, to put it simply, it just bored me.

I found this album to be quite pretty. I'm usually not a fan of country, but this was a bit more on the folk side of the genre. The lyrics were beautiful, as was Gillian Welch's voice. I really enjoyed the simplicity of the acoustic guitar and vocals working in tandem. This was a very pleasant album, and dare I say it was the best country album I have heard on this generator so far.

I feel like this whole album screams Fallout vibes (obviously, Big Iron is one of the most well-known songs from the franchise). That being said, this also means that the album is very one-note. There are multiple times where nearly the exact same tune appears in different songs, which I didn't really care for. This album was fun but nothing to write home about.

I got a Radiohead album just a few days prior to this. While I still wasn't a tremendous fan of this one (as I also wasn't with the first one I listened to), I did feel like this album gave me more insight at the type of band Radiohead is. I felt like this was a pretty good package for them, and the musicianship was, of course, great. This would've been a little bit better for me had the two Pulk songs not been in there. Otherwise, this got me just a tad more interested in Radiohead. It wasn't bad.

I think there's a lot to love about this album (or rather, albums). It's a lot to swallow for sure with 40 songs and 2 full albums with different vibes. Speakerboxxx was definitely my preferred portion. The Love Below was also great, but not quite as consistent. I can appreciate a good rap album. The songs were catchy and the flow was great. I just think the length of it makes it difficult to get through, and, while there are definitely some great songs on this album, there are definitely a good amount of mediocre ones.

I enjoy the Wu-Tang Clan's music every now and again. This solo album? Not as much. I can't really say I truly enjoyed any of the tracks. There were good ones, yes, but nothing incredible. After reading what the concept of the album was supposed to be, I don't think I ever would've guessed what it was by listening alone. I think it's safe to say that this album just wasn't for me.

I would be hard pressed to rate this album any less than a 5 star. The musicianship is just phenomenal in this album, vocals are great (some of RHCP's best), and the songs are just so catchy and easy to vibe to. I could turn this album on whenever, in whatever setting with whatever mood I'm in, and I would rock out to every single track. I knew a few of the big hits going in (i.e Scar Tissue & Otherside), but it was really the songs I didn't know like Parallel Universes and This Velvet Glove that really made me fall in love with this album. Easy 5/5

As opposed to the other Who album I got a few days ago, I felt that this really captured the essence of the band well. This is The Who at its best with great tracks all around. I would say that some of the tracks in the middle were not as great as the big hits off this album, but they still held up as good songs.

I don't hate jazz, but this album was just so boring. It grew old very quickly. Fortunately, it is quite short so I didn't have to be bored for too long. The first song or two was fun, but then the scatting just grew to be repetitive.

This album found me on the day that Brian Wilson passed away. I hadn't listened to The Beach Boys prior to this album, but hearing them made me understand the impact of Wilson's passing. This album was quite good with Student Demonstration Time being my favorite track by far. I found this album to be pretty enjoyable. RIP Brian Wilson

When I saw that this album was produced by Kanye West, I knew it would probably be a pretty decent album. I'm not a tremendous fan of either him or his music, but I was excited to see what Common Sense could do with a Kanye-type beat. I would say this album held up as a pretty good hip hop/rap album. My favorite was the live performance from Dave Chappelle's show of the song Common (otherwise known as the Kanye feature song). That performance was a great listen, but an even more fun watch. Overall, I liked it. It's not the best rap album I've had on this generator, but it is not even close to being the worst.

This is a spiritual jazz album heavily featuring the tenor saxophone. The album is separated into four parts leading you through the journey of coming to know the Lord and embracing his supreme love. I can appreciate that. However, I myself am not a jazz fan nor am I particularly religious. I can't deny the talent Coltrane has though, and I think that if you are a jazz lover you will really enjoy this album. It just wasn't for me.

I mean, come on, it's Prince! You've got awesome vocals, some fantastic guitar, and lyrics that, while controversial at the time, are still great to this day. I've heard Purple Rain and When Doves Cry before, and it was such a joy to relive them after not hearing them in so long. I felt like I'd been missing out on the others as well! Prince has legend status for a reason, and this album proves exactly why.

I don't have much to say about this album. It was fine, not super memorable. The only thing that stuck out to me was the vocals being pretty pitchy and/or cracking at times, and they were just not all that great to me.

I have no idea why, but I grew up associating Bruce Springsteen with country even though he is by no means a country artist. That being said, this album was the exact opposite of what I expected. In a good way. Vocals were great, musicianship was great, and I was pleasantly surprised. I'd definitely listen again.

I'm going to say this is fine. Jazz isn't typically my thing, so I wasn't surprised that this album didn't exactly make me excited. There's good musicianship here. However, there is a lot of that short, abrupt staccato that I just didn't personally enjoy all that much. I would say it was overused. Brass instruments are powerful, and are very harsh to listen to when they sound shrill. Overall, appreciate it as a band kid. Disliked it as a person who doesn't exactly love jazz.

This album was quite fun. I don't understand the language, but I did find the music easy to move to and vibe along with. It was an enjoyable listen at first. However, it did lose some momentum to me as it went on. I tend to enjoy albums with variety, and this is a funky, dance album through and through.

I thought this was a pretty good album. It was soothing and a nice, easy listen. I don't know that it really stuck out to me in any way, but I didn't NOT enjoy it either. It makes for nice background noise!

It's Bob Marley, so you already know it's going to be great. I think this album is a bit of a hidden gem. Of all the Greatest Hits albums by Marley I grew up listening to, I don't believe I have heard any of the ones on here. They were all fantastic. His music always bring about such a sense of peace, and this is a perfect example of the classic Bob Marley charm and his message to the world of peace and love coming above all else.

Listen, I can't lie and say this album is my favorite. I really don't care much for electronica and found quite a few of these songs a bit jarring at moments. However, D.A.N.C.E and Genesis are absolutely phenomenal, and both of them can, and did absolutely, go on my playlist. The rest is not as good, but huge props to those songs for carrying this album up a star in my overall rating.

This album was funky and full of soul. Vocals were great throughout, and I thoroughly enjoyed it. Not a bad track in here. Just not ones that really hit me. It makes me feel almost bad that this album just wasn't a standout to me. Major props to these Cincy boys though, from one Cincinnatian to another.

I've said it once, and I'll say it again. I like the Beastie Boys vibe. I think the music is great. This didn't possess the same amount of "Greatest Hits" that Licensed to Ill had, but I liked the music better overall. I really enjoyed a handful of these songs a lot. My issue with putting the Beastie Boys above a three star is that, at the end of the day, they are not tremendously talented. They do just shout their lyrics, as much as I hate to say it, which almost takes away from the music at times. This album didn't have nearly as much of that as the first one I rolled, but it still occurs at times. I still think this is quite good, but I can't justify putting it any higher than a three.

This album was fantastic. Not too long, high energy, and vocally phenomenal. Little Richard is full to the brim with talent and soul. This is the type of album you would likely expect to see on a generator like this, and it well deserves its spot. It was such a breath of fresh air.

I'm not going to say the vocals or music were bad. Quite the opposite. This album was relaxing, but underwhelming for lack of a better term. It was a bit "meh" and didn't really excite me. By the time I got to the end of the album, I didn't remember any of the tracks all that well as none of them stuck out.

I have heard before that Deep Purple is a "one-hit wonder" band for Smoke on the Water (which, of course, I love). However, after listening to this album, I don't really understand why. The guitar and vocals are on point, and this is exactly the kind of sound I'm into. As far as rock goes, this is a great example of good, hard rock. I thought all the songs were great, even though Smoke on the Water was definitely the standout (Highway Star was also up there).

Based on the name, I assumed this album would be something far different than what it is. What a pleasant surprise it turned out to be. The lyrics were well-written, and the flow was great. It was far superior to a majority of modern hip hop and/or rap music. I don't listen to a great deal of 90's hip hop, but this album definitely got me interested in hearing more.

I was beyond excited to have the chance to listen to this Simon & Garfunkel album in full, as I adore Scarborough Fair & Homeward Bound. The band's sound is unique, being primarily folk with a bit of rock influence. It's the kind of music that ages exceptionally well. Through the generations of my family, from my grandfather to my dad to myself, we can all enjoy a good Simon & Garfunkel album. This album was relatively short, but it's varied with a good mix of soothing, uplifting, and solemn tracks. I hope to have the chance to listen to another in this generator.

This was a pretty good blues album. I think it starts and ends very strong, but there is a small part in the middle of the album where it loses momentum for a bit. The guitar playing was most definitely the standout. The album itself doesn't quite match up to other albums by similar bands in this generator, but I thing it was still quite good.

I didn't really know how I was going to feel about this album given its name and cover art. From song one, I didn't think I'd like it much. The Nine Inch Nails reference was neat but not exactly done in a way that is creative or unique. The lyrics were often lacking; mostly just a lot of cursing and talking about being misunderstood. However, this album did grow on me. The reason? The musicianship. I acknowledge that this is just some guys rocking out and having fun. I appreciate that, and, instrumentally, they DO know how to rock. I can not express enough how great the guitar and bass is. However, the lyrics are undoubtedly a retractor. I want to put this at a four musically, but the lyrics sit at a 2. I'll be fair and split the difference, placing this album at a 3.

When I first started listening to this album, I could point out almost immediately just how much this reminded me of David Bowie. Suede's music is reminiscent of Bowie's to some degree, but I suppose that is unsurprising given that Suede was inspired by him. This album in particular was heavily influenced by his Ziggy Stardust era, and it shows. It definitely leans more into melodrama and didn't really strike me the way the other Britpop albums I have received from that era have. However, I thought that it was quite good. I can not stress enough how much I enjoyed the song Animal Nitrate in particular.

This album hits extra hard given the state of the world at the time of listening to it. I can only imagine how hard it hit back when it released in the early 90's. The songs are angry, yes, but that's an oversimplification. Each track is a challenge, confronting issues such as white supremacy & racism head on with no mincing of words. It's got the full package: great beats, great rappers, and meaningful lyrics. I have actually never heard of most of this group, with the exception of Flavor Flav (who I only know of, I had not heard him rap prior to this), and that's truly shocking to me. I hope to see something of theirs on this generator again.

This album had me completely hooked the moment Shirley Manson opened her mouth on the first track. It was sexy, blended genres seamlessly, and had so much diversity that, frankly, it didn't even need to be good. The talent speaks for itself on this one. I would add every song to my playlist (and did actually do so) in a heartbeat, and I want nothing more than to continue listening to this band. This was so phenomenal, and I truly can't believe I've never heard of this band before now. I know this band is not "traditionally rock", but this album made me feel the same way I feel when I listen to my favorite female rock vocalists in modern day music. It's timeless, truly.

I didn't enjoy this album nearly as much as the other Yeah Yeah Yeahs album I got. The music is good here (although not exactly memorable), but a few of the vocals irritated me a fair bit. I don't know if it was due to my mood the day I listened to it, but I found the vocalist's screams and squeals excessive and annoying. When she did actually sing though it was quite good! This showcased a lot more in the second half of the album, which was a stark contrast from the mania that was the first half. The first half was a 2, and the second half was a solid 3.5, so I'll round it to a 3 rating.

To preface, I do not believe this album was bad. It just did nothing for me. None of the songs stuck out as being exceedingly good or bad. There wasn't anything about this album I found inherently offensive, it just bored me. Vocals were fine and the music was as well. I just think "trip hop" is not for me. Electronica isn't my favorite, and I wasn't really getting much of the hip hop aspects from this album.

This was nice album. Easy listen and not too long. I gave it a couple listens, as my first one I didn't feel that I had really digested the music properly. I think that the second listen through was a good idea. I went from thinking this was a bit of a boring album to thinking that it was nice, reverberated rock. Not a type of music I lean toward, but it was pleasant here. I think I may revisit it at another point and see how I feel about it. Good album.

This was a fine album. I'm growing a bit weary of the British albums here lately. Not to say that it is bad, but the lines begin to blur when you have heard so many British rock albums in succession. Taking that into consideration, I came into the album with a bit of bias. That bias makes me want to put this album at a 2. However, I don't think that would be appropriate as this album wasn't truly bad. I don't necessarily know if I agree with its inclusion on this list, but it was still a decent rock album. A bit middle of the road.

Absolutely fantastic album. The moment I heard the singer's voice I felt like it was familiar to me. Come to find out, Janis Joplin was a part of a band and was not solely a solo act. Piece of My Heart I have heard before (and love), so I was excited to see what the rest of the album had in store. It didn't disappoint. Joplin's voice is phenomenal and so unique. Her raspiness may not be for everyone, but to me it is absolutely addictive. This is the album that brought her to stardom and what a great album it is.

I don't want to go in too hard on this album, but at the end of the day it was pretty difficult to get through. That's saying something considering how short the songs, and overall album, are. I'll give a point for the instruments. However, the singer is unintelligible and by the time I got through the album (finally) I couldn't remember a single song. Just not an album I think I NEED to hear before I die by any stretch.

To receive this album following the death of Ozzy Osbourne was such a treat and great way to sit with, and truly think about, the legacy he left behind. Every song on this album is simply fantastic. Great musicianship with some of the best solos I've heard in rock & metal music. The lyrics and vocals are impactful. All around fantastic album. RIP Ozzy Osbourne, THE Prince of Darkness

This was a solid album. Great musicianship in this one. It was fairly short and mostly taken up by In-A-Gadda-Da-Vida, which was just a little shorter than the other five songs on the album combined. However, it is most definitely the best song in the lineup. All of the souls in it were phenomenal. I would almost say you could get away with just listening to that one song, but the others are pretty good too. Just not nearly as interesting as the title track.

I mean how can you NOT give this album a high rating? It's Queen. They're known around the world for a reason. Freddie Mercury's vocals are unmatched, and Brian May, John Deacon, and Roger Taylor are some of the most talented musicians of their time. I will say this album did not contain many of their hits, mostly hidden gems. If you listen to Queen casually, you'll likely only know Killer Queen. I do feel like it's not their best album, but it's still head and shoulders above many other albums on this generator. A "pretty good" Queen album is still a phenomenal album, and I'm looking forward to more Queen albums down the road!

I absolutely adored this album. It was absolutely gorgeous lyrically, musically, and vocally. It's truly timeless, and there isn't a bad song on the album. This is THE Carole King album you should listen to if you want to get to know her as an artist. It's a masterpiece that touches on so many different emotions and experiences with such eloquence and raw emotion. One of the best listens I have had so far on this generator.

I really like Paul Weller's vocals, and I think he is a great artist. I just think this album is a bit boring. It started off fairly strong, but I had trouble really focusing on the music the further in I got. I want to give it a higher rating, but I just can't, in good conscience, say that this is equal to other albums I gave a higher rating.

I don't really understand this album's placement on this generator. The musicianship wasn't enough to save it. The vocals weren't great, the lyrics weren't good, and there is as much talking in this album as there is music. It isn't good. I couldn't find a single thing to like about it.

This wasn't great, simply put. Punk albums are hit or miss on this generator, and this was a major miss. Lots of very unpleasant growling noises and the music wasn't exactly good either. The vocals were so god awful that I, at multiple times throughout my listen, wanted to just stop listening to music entirely for the day. Just plain irritating and uninteresting.

I found this album to quite good, especially after back-to-back 1 star albums. Beth Gibbons has a gorgeous voice, and this album was overall incredibly unique. I'm not a tremendous fan of the music style, but if I was going to listen to a "trip hop" album this is the one I would reach for. It was quite pretty and an easy listen.

Bob Dylan is one of those artists that I know is influential (and I understand why), but just can't really get into. To clarify, I don't think he is bad nor do I think this album is bad. It's a perfectly fine folk album, and a better folk album than most. It just isn't my usual cup of tea. That being said, I got some moderate enjoyment out of it. I thought that the musicianship was quite good, and I don't dislike Dylan's vocals or the lyrics. Not phenomenal, not bad.

I've never been much of a fan of folk music, but this was definitely a great album for what it was. The production value on it is great, and every sound is crisp and has a very clean feel to it. The vocals were great, and I loved the storytelling in the lyrics. I have to give it props for being, by far, the best folk album I have got on this generator thus far. There was a unique quality to it that made it a very interesting listen, although I can't exactly place my finger on what it is. It has all the aspects of a folk album, but something about it sets it apart from other albums of the same genre. That being said, as I mentioned before, it isn't a genre I am particularly fond of.

I've enjoyed most of the hip hop albums that I have got so far on this generator. This wasn't exactly my favorite, but it did grow on me with time. Sometimes it's wackiness comes across as uncomfortable, and other times its incredibly charming and fun. I would say I enjoyed about half of the album, so I think a down the middle rating is fair.

Fiona Apple has one of the most gorgeous voices out there, and it blows my mind that she was so young when she recorded it. There is a level of elegance to her delivery paired with a broodiness that women young and old can connect with. The lyrics are eloquently written and complex, and every song is absolutely phenomenal. Truly a masterpiece.

I don't think Eminem's talent can be denied. He is a genius lyricist, and I have a lot of respect for him as one of the best rappers out there. This album is definitely filled to the brim with rage, and there is a fair bit of homophobia and misogyny in his lyrics. That can't exactly be denied. However, this isn't exactly uncommon in rap music even today. This was recorded when he was still in active addiction and needed an outlet for his rage at the world and the people who had hurt him in his past. Kim is definitely the hardest track to listen to, but it is definitely one many of us can understand if you have ever been in a tumultuous relationship. It's a real look into what happens behind closed doors and, while difficult to face, is so raw. I don't want to glorify the bad parts about this album, but I think that there is a benefit to albums like this existing. It's real emotion. Real rage. Real struggle. Real art.

I really enjoy Janelle Monae as an artist. She is incredibly unique, and I'm so happy to see her included on this list. She's very talented. This album has a bit of everything, touching on multiple genres and some songs which are a unique genre all on their own. Yet, somehow, it's a cohesive product. It's not really the type of music I go for, but I thought it was a fun modern album to listen through.

What can I say? I love this stuff. The music rocks, and I never get tired of it. Vocals are great. This is Bruce Dickinson's first album with the band, and he does a fantastic job. However, it's the music that truly makes Iron Maiden shine. I look forward to the guitar solos and awesome, unique riffs each song. Listening to albums like these brings me back to the days where I would play Guitar Hero with my brother and just rock out for hours. It was such a fun listen and a big breath of fresh air after having so many back-to-back folk and hip hop albums.

I liked this album. It was, perhaps, a bit longer than it should have been. However, there are some good songs here. A big point out the gate for Underground (loved it in Robots, and I had it on repeat all day after listening to this album). I've once heard Tom Wait's voice be compared to a "human cigarette", and I think that's a fairly accurate description. The band is also great in this album. Some songs are better than others, but I would say it was overall in the "okay" area for album ratings.

I don't remember any of the songs. I never at any point knew what a single track was about. The band was actually pretty good, but it's hard to realize that when your ears are being assaulted by some guy basically barking into the mic over and over again for 2 minutes straight. Vocals were terrible. Every song is the same. What else? I guess one nice thing to say about it is thank goodness it was short.

Lyrically, I really enjoyed this. It was eloquent, evoked proper emotions, and was more thoughtful than most of the song writing you find here. You're living the story Cohen is painting as you listen. The acoustic guitar is also soothing. The primary issue is that Cohen's voice is pretty monotone, and the album begins to get boring quickly in every other aspect. It feels so incredibly long despite being only 10 songs.