These guys didn't sound Vietnamese or Finnish.

Boy howdy I didn't like this. Saint Stephen was the only song I enjoyed at all.

There's a groove here. Solid listen of some slow folksy rock. Girl Talk used The Weight in Feed the Animals.

I'm sure there were probably loaded Volkswagen vans full of people following around these guys in the 70s but it's not for me. It's repetitive and lowkey enough that it could find a home during the heist montage in an Ocean's 11 movie.

This is one of if not my dad's favorite band. I expected not to like it but found it enjoyable. 21st Century Schizoid Man was my favorite track. I laughed at the horns towards the end of In the Court of the Crimson King. Listening to this makes me want to give an honest try to their other givings as well as progressive rock in general.

Oh Black Sabbath. The band I've heard 1001 times and never gave a shit. Once Domino and I left Ozzfest early rather than listen to Ozzy perform. I think I blame this on my very narrow metalcore elitism I suffered from in my late teens and early twenties. Listening to this album intentionally allowed me to enjoy those singles that would cause me to change the radio station. I found the songs I never heard before to be great. Planet Caravan is my favorite track perhaps because it stands out so far from the rest of the album, and gives you breathing room between Iron Man and Paranoid. The last track is great too: "'Cause smokin' and trippin' is all that you doooooo".

Let's get it on is a song that is impossible to listen to and not tap your foot, sway a little, and eventually start singing. It's also the only song I've heard on this album. After listening to it, I threw it on again and I think it transcends time. It was solid in 1973 and it could have been released by Bruno Mars last year (featuring Gucci Mane of course).

Boy does this album sound like the start of the 80's. I hear new wave, I hear gothic rock, and in No Self Control I'm pretty sure I hear the apple ring tone. I need to read up on it, but I would guess this is the inspiration for a lot of music change that happened between the 70's and 80's. I had only previously heard Games without Frontiers. I think Intruder and I Don't Remember will make it into my regular rotation.

Was there a single angsty teenager on the school bus in the late 90's not blowing their ears out with their discman set to the highest volume? Lots of trips down memory lanes with this one: Belting out Wait and Bleed as loud as I could when no one was home? Check. Putting the chorus from Surfacing in my AIM profile? Check Listening to it 25 years later (holy shit) the drums really stand out as drivers in the composition and Corey's vocals are still immense both clean and fried.

Overall I liked this a lot less than Paranoid. Less stand out tracks, a little muddier mixing. The ballad, Changes, probably led to a slew of Metal Ballad compilation discs. Under the Sun was my favorite track and I walked the ring to Mordor while listening to Laguna Sunrise.

These guys didn't sound Vietnamese or Finnish.

This was completely new to me in terms of genre, language, and overall tone. It took me a few tracks to get into it, but then I found myself grooving with it. Maybe I'll put this on the backburner in case I need to prove to someone how deep my taste in music is.

I would play Dungeons and Dragons with Eddie Munson with this on in the background. Forgettable but not bad.

The "instrumental tracks" and the ones making Flav are not for me. The rest is great.

I didn't really like this and don't think it's old enough to be influential. Low fi beats to send emails to?

Ok, fine. I get it.

This was a little all over the place. A little techno, a little funk, a lot of wishing they were one of the bigger sounds of the time. I thought it was fine. The music video for Since I Left You involves dancing miners.

Taylor Swift has poetic strengths of a highschool sophomore broken up with before the big dance mixed with the showmanship of an MLM spokesperson. You can't listen to the album without understanding why it resonates with young white women everywhere. My favorite track was Wonderland and I loved the high pitched bendy synth in How You Get the Girl.

I blame The Pogues for Dropkick Murphys and Flogging Molly. Yo ho. Yo ho.

Boy howdy I didn't like this. Saint Stephen was the only song I enjoyed at all.

Listened to this while gardening and never went to change it once. It has a nice groove and felt better then yesterday's Grateful Dead album.

This scratches my 90's itch in the best way. I'm surprised I've never heard of them. They fit right at home in a mix of Gin Blossoms, The Toadies and the like. I'll listen to this again.

The top songs of 2011: Party Rock Anthem - LMAFO Gimme Everything - Pitbull/Neyo Moves Like Jagger - Maroon 5/Christina Aguilera Last Friday Night - Katie Perry In the middle of all this garbage Adelle released this soulful album that charted 5 mega hits. It's banger after banger of well composed, deep songs about love and hurt. Maybe the best album of 2011. I'll never listen to it again.

Light and airy classic "rock". Uptempo and poppy, breezed through the album with no complaints. Loved the keyboardist just kind of falling on chords.

It was designed to be a movie soundtrack and ends up being background music. Interesting in places but not for me. I don't think this should be in a list of important albums.

Maybe this can direct Bernie to a sunken treasure. Makes me want a dark and stormy with my feet up in the sunshine.

The only thing consistent in this album is inconsistency. Sad acoustic, fast electric, this song needs a harmonica!!! I thought I was really going to like this but ended up mediocre. Best points are like bad Weezer or Bad REM.

I never really gave the Beatles a shot, it was the ultimate "Dad Rock" but this album is a winner. Starting with the lows: Yellow Submarine sounds like an awful children's song. Love You To has a Indian feel to it that I didn't need. Jay Z perfected that, leave it alone. Good stuff: Everything else. Taxman and Elenor Rigby would go into a playlist if they didn't clash so hard with the rest of my music, but maybe that will expand.

I did not care for this. The syncopation in the first song tricked me each time into thinking there was going to a shift in tone and energy and I left disappointed. I made it 6 tracks in before putting on Mom Trapz II, a far superior listening experience.

Posers were people who looked like punks but they did it for fashion. And they were fools, they'd say "anarchy in the UK." What the fuck's that? Anarchy in the UK. What good is that to those of us in Utah, America? It was a Sex Pistols thing. They were British, they were allowed to go on about Anarchy in the UK. You don't live your life by lyrics

Pretentious, overblown, awesome.

This feels a lot like my headspace: overwhelming disorder and noise with brief moments of clarity. A really tough listen and I'm not sure it's worth it.

Another weird messy album. Worse than yesterday.

Classic for a reason. Pop music at it's finest. Well produced catchy hit after hit.

Really great. Can't wait for Stop Making Sense.

Grandmaster Flash is one of those names that I know from being so important to hip hop, r&b, and electronic music; pioneering turntable techniques that allowed all of them to happen. Despite that I had never listened to his music. I find the 80's era hip hop charming and the samples recognizable and memorable. Scorpio was the only song that didn't land for me (too much disco?).

First two tracks slap then they were bragging about not getting their hair cut and I turned it off.

Nice light electronic music. Might be a little forgettable but a good listen none the less. I wonder if we'll see groups like The Knife, Sylvan Esso, or Marian Hill that I prefer to this.

This is the worst Gorillaz album ever.

I came close to turning this off until I heard Maria Lionza and needed to figure out who sampled it. I listened to it 4 times before figuring it out. https://youtu.be/n4ZIPIwGkGk?si=6Z-n-5pbCqHo9GrQ I didn't really care for the rest of the album.

There's a groove here. Solid listen of some slow folksy rock. Girl Talk used The Weight in Feed the Animals.

Prince is undeniably great musician. There's a lot of genius in this and probably influenced a lot of artists. That said I don't think I've ever purposely played a Prince song and don't think I ever will.

I think his voice got better from his earlier music and I don't like that. Slow paced and boring.

I had a good time listening to this. I was giggling so much at the zany random sounds that Tatiania would yell at me from two rooms away telling me to stop.

Some of these songs really suck and the others make me want to watch Hot Fuzz.

Who would win in a fight: Lemmy or God? This sounds real clean for a live album and acts as a greatest hits. Simple classic metal.

This was a welcome relief after a 2-day beer festival hangover. I haven't seen this movie! Chill, down tempo soundscapes. Not sure I'd ever listen to it again.

Who would win in a fight: Lemmy or God? This sounds real clean for a live album and acts as a greatest hits. Simple classic metal.

It's fine. I wouldn't say this has cultural relevance since I've never heard of him. I'll never listen to it again.

I loved this. Great voice, funky songs, an enjoyable listen all around. I will keep this on the back burner for the future.

Didn't care for this. I was surprised I didn't recognize any songs. I did laugh that this album thought it needed interludes between the songs. INTERLUDE: NO ACID

One word: Infectious. These songs are simple enough for you to sing along with on a first listen and catchy enough to stay with you all day. I don't want to blast this while on the road, but it made a nice neighbor friendly listen while mulching this weekend.

Broody emotional 80's rock. I love it. I wish I could be half as cool as Morissey. That Joke isn't Funny Anymore rules.

It's a vibe.

I knew I would hate this from looking at the album cover.

Feels more like music for the soundtrack to a movie set in the 70's than something I'd ever listen to purposefully.

This is my favorite of the 3 Radiohead albums we've had so far.

Parliament is great. I've seen them live before and it was a groovy time. My one critique of the style is the guy explaining stuff at the beginning of songs. We get it, we know who you are, we made this selection on purpose. Don't Mike Jones me.

My Walkman put an uncountable number of scratches into this disc. The high school poetry still tickles me 25 years later. The singles (given an ample amount of time away from Drive) are still bangers. The opening song Privilege still feels like a great way to start a road trip, Battlestar Scratchlactaca is a fun way to really let the DJ shine. The album cover looks like a 2000's era mousepad.

Toe tapping indie. I might have hired someone with a better voice.

Soothing and forgettable. Nice to listen to outside.

Best cover art yet. I don't enjoy the sound of this album. I kept hearing "Toxic Love" from Fern Gully.

This was poisoned before listening by sharing a name with one of my least favorite people. I also hated it.

A vibe for sure. Great guitar work. Love the instrumentals.

I loved Paul's Boutique. I've never heard a track from this album, the majority of my Beastie Boys exposure is through Intergalactic PLANETARY. The beats are infections, the rhymes are simple enough to help you catch on. I'm in the fan camp for sure.

I didn't listen to this today because I listened to it this weekend! I was watching this youtube documentary about a youtube channel making a parody of the Wall movie (https://www.youtube.com/watch?v=rokAtlFGa7Y) and ended up watching the movie and listening to the album. The songs are haunting and poignant, they feel personal and universal. There is a reason this is considered one of the best albums of all time.

I wouldn't change the station if WBER started playing this.

Music for a comedown from a mushroom trip. Chill and forgettable.

I can smell the smoke, whiskey and stale beer where this album was recorded. I can feel the crowded room and feel the bodies pushing me back into the circle pit. Hardcore punk never tickled me in the way that hardcore did but there is an undeniable breath of fresh air and authenticity to these wacky kids from the 70's.

Finish your Homework and then you can have some Discovery. There's not much to be said here. The singles are bangers, most of the other songs are "filler" that you could put between monsters in a live set. For sure this revolutionized electronic music creating a new acceptance in popular music. I'll stick with the singles rather than the album in entirety but Rollin' and Scratching is getting added to the playlist.

A solid album front to back. I feel even the non-singles would have tore up the alternative radio in the early 90's. This catapulted the Chili Peppers to a superstardom that is still with us today. On a side note, this is like, the 8th album on the list that was produced by Rick Rubin. What an enigmatic figure in music history he is. Check out his list on wikipedia, it's exhaustive: Every RHCP album starting with this one, Adele's 21, even every Slayer album. The guy started Def Jam records! Anyways RHCP really ruled from 1991-2004ish and this is no exception.

Gave it an honest listen and it just faded into the background. I don't think there is anything of note here. Not bad, not great, not going in the playlist.

Boy howdy, I did not care for this. It felt noisy and unstructured to me. Could not get into it, did not finish the album.

I wanted to like this. Kids is a classic, Electric Feel has one of my favorite uses of syncopation, and Time to Pretend could replace Teenage Wasteland in all future coming of age movies. The non-singles fell flat and left me wanting to go back to the first half of the album. I'll give this another listen in a future time. Would give it 3.5 if possible.

There is much in this album that I hear in later electronic music. The brass sounding in One Love left me expecting a trap drop. There's clear elements of dub, house and other ambient music that I didn't know existed in 1991. All in all I enjoyed the listen but think it would be helped entirely by removing the vocals. With the vocals, I'll give it a 4. One Love, Unfinished Business, and Lately are going in the playlist.

Every song could have been a single. Track one starts running and each after continues the trend. It's hit after hit and on this list for a reason. I could listen to it again now.

I saw Hot Chip the year this album was released. I was galivanting around with someone who was obsessed. The overall feel of the album is great, there are shifts between moods, bpms, and instruments. It's light and fun, a real easy listen. I prefer the sappy love songs to the disco-y ones.

https://www.youtube.com/watch?v=3d1phCytJyg

Listening to this while on a constitutional made for a mellow accompaniment. It's interesting enough to hold your attention but not so much as to hold you to it. I think this group is a fine example of indie rock, maybe my favorite that we've heard yet.

Firstly I do not like the cover. This looks like the women that appear during my sleep paralyses that stand at the end of my bed and reach for me with their long, inhumane fingers. I always wake up just before they reach my face but find myself with chapped lips in the morning. After the first song I was worried Matt Noonan over here was going to ruin the album. I was pleasantly surprised after that. The new wave and punk songs stand out as the best with a few WTF moments during the carnival songs. I rather like this but am hard pressed to think of a mood that would cause me to want to listen again.

Professor Snape in the background is giving me the heebie-jeebies. These are weird songs. I never listened to any psychedelic rock let alone in Portuguese. It kept my interest enough to have me finish the album, but I will 100% never listen to this again unless I direct the Brazilian adaptation of Midsommer. That said it's not bad.

I know 3 Johnny Cash songs and none of them are on this album. He's a talented dude and this doesn't sound like shit despite being recorded in prison cafeteria. Good job 1960's

I did not know that Lust for Life or The Passenger were Iggy Pop tracks. Timeless songs, catchy and featured in Tons of media decades after release. II hope there is more Iggy in the list.

Today's album is Metal - Yay! The artist is Metallica - Booo! It's only 8 tracks long - Yay! Each track is over 5 minutes long - Booo! It was produced by Flemming Rasmussen - Can I go now? I have never liked Metallica but I cannot refute the point that every band I might not be around if not for them. This is a seminal album that helped craft the 80's and 90's metalscape.

I like MIA. Her music is weird and bouncy and full of energy. I don't remember any of these songs particularly affecting the music zeitgeist, that will change with the following album, Kala. The production here is incredible. We see producer and writing credits for Wesley Pentz and A. Brucker who in the following album will be billed properly, as Diplo and Switch AKA Major Lazer. This is one of the first albums I recall distinctly using electronic producers to create pop music that will come to the forefront in the 2010's with the likes of Daft Punk, Skrillex, and Diplo ruling the pop music world with the help of modern pop stars. If Paper Planes was on this album I'd give it a 5.

A scant year after the release of Fear of music and a full tour the Talking Heads put this together. I like this even more than the previous entry. Crosseyed and Painless starts us off strong with the almost chaotic drum kit, The Overload is why we have Type O Negative, and Once in a Lifetime is a banger The only miss is the first track. I just can't find the groove. Talking Heads is so far my "big find" of this journey.

July 22, 2003 I went to the Blue Cross Arena to see Mudvayne, Linkin Park, and Jurassic 5. One of these groups was not well received. This album is great. Smooth and really easy to fall into. A different style of rap than I'm usually into. Added to playlist.

Really good. Added to my cookout classics playlist.

Disney villain music. Not for me.

Came into this only knowing Tiny Dancer but I left a fan. Elton's got a great voice, works his piano, and writes some awesome stuff. Here's hoping for another album.

I get that they didn't hit their prime popularity yet but this album feels painfully underproduced. It sounds like Iggy is either yelling from down the hallway or that he's trying not to wake up his parents in the next room. I can't tell. The songs are punchy early punk inspiration material, but I did not enjoy it.

Very cool androgenous robot music.

Good classic stuff.

Firstly, based on the album cover these guys could exist in current day. I think the guy second from the left while in suspenders and a non-ironic fedora served me a $27, ten-ingredient drink. Secondly, I enjoyed this. The romp through 1960's Americana was smooth and soulful. Rag Mama Rag, The Night they Drove Old Dixie Down, and Up on Cripple Creek were all standouts. Maybe I'm waffling around genres and my daily mood dictate my scores more than the music. Shrug.

Anarchy in the UK!

I was surprised how little the rest of the album sounds like the title track. The music belongs in an 80's fever dream. Maybe accompanied by a dwarf in a David Lynch vehicle. This proto edm is fairly forgettable after listening but I can understand it's impact on the musical landscape. Probably won't revisit this.

What world are people living in that a 15 minute song is ok? Jimi was a pioneer of electric guitar, and there are too many influential things here, but I question his song writing and his judgement. If he's so good, why is he dead?

Album Cover: Stevey Wonder reading the ground. There's a good mix of funk, love, and pop songs. Zero down tempo kill songs though. I gawfawed at the backing vocals during You've Got It Bad Girl. The only miss is the anti government song. Not for me.

Where's the pipe organs? Where are the Norwegians? This wasn't what I thought it was going to be, but then I looked at the year. All in all this isn't bad, but is a product of it's time. It has some driving riffs and nice story telling lyrics, but all around is pretty forgettable. Not for me.

It is not, despite its title, a live album. First few tracks kind of muddled together but gained steam in the middle tracks. Found my head bouncing and my feet tapping. Found it an enjoyable listen. Might take a casual listener a second to get over the exaggerated pulling vocals.

I know the hits from the fuse.tv but this is my first experience with most of the album. It may be polarizing but I love the vocals. It has an interesting range and pull that makes me want to belt it out in my car. The songs all sound distinct enough that it doesn't bleed together. I'll listen to this again and want to check out the rest of Muse's discography.

I want to give this a try as a non live album. Pretty catchy classic rock. I wouldn't skip it on the radio.

Real classic here. I remember what a big deal this was when it happened. You have the softer more introspective sides of one of the most influential bands of the 90's. Great stuff.

We've had a few hip hop albums in our adventure here and it made me realize that I almost never listen to hip hop/rap in album form. Notable exclusions: Killa Season, Dipomatic Immunity Vol 1, and all Lil Uzi Vert albums. I don't know what I'm getting at, I just wanted to share. Twisted Dark Fantasy is fine. There's some good stuff in here but this is 100% the start of Kanye's egomaniacal phase. I like that Old Kanye, dropped outta school Kanye. Most of the music here doesn't land for me. That is other than All of the Lights. I fucking love that song. When it was new every DJ had a remix and they all slapped. It's a powerhouse that could end every super bowl show, every fireworks display, every one night stand. The only thing I would change with this otherwise perfect song is fix Kanye's singing or autotune him: "I'm heading home, I'm almost there". God he can't hit a note. It's fine. Most likely influencial on a lot of modern rap but :shrug:

I had this album and don't remember the cover being so sexy. I like the sound of this album. Nice easy early 2k indie rock. The muffled, perhaps untouched vocals are a hallmark of these guys sound and it works for me. My teachers, they don't understand.

I've never been happier to see an album is only 33 minutes long. Ended up not hating it. Poppy and upbeat. Not like the Steely Dan my dad listened to.

Very nineties. Inoffensive light airy music. It's fine.

Another undeniably 90's band. This is almost "post grunge" and I don't really know how to classify it. I don't find it angsty enough to fit alongside the likes of Soundgarden and Nirvana but it has a catchy appeal to it none-the-less. I might check out earlier albums to see if they appeal more to my suburban upbringing.

https://www.youtube.com/shorts/T_h43Ilppjk

A classic for the reason. Huge names in the 90's that sound undeniably dated but have a lasting appeal that will continue well after we forget who 21 Savage was. Big singles, big personalities, terrible skits.

Makes me want to put a dime in the juke box and dance with my baybee in the malt shop.

During the Holy Wood era of Manson this was the unremovable album in my high school girlfriend's car. I had to listen to it more than I care to remember. Even back then I thought Manson was a self aggrandizing weirdo with no real talent. Coming back to it I feel very much the same. The industrial sound is washed out and grimy, his lyrics are overwrought and self-important.   There are little nuggets of synths and clips that you can tell were put in my Reznor. All in all, not an enjoyable listen. Industrial was done better before and better after. If he debuted today people would argue about him being an industry plant.

A cool little album of covers. Always loved his rendition of Hurt. Lots of different stuff and fun features, John Frusciante and Fiona Apple. Also once again, another album by Rick Rubin.

Hey, it's the credits song from Hot Fuzz. A little frenetic but I'm into it.

This is nice background music and has more to it than the Wii game select screen that I generally compare it to. I don't think there is anything influential or novel here, it's just subtlety enjoyable. https://www.youtube.com/watch?v=IixgxFEx0AU

This rules. Very 80's. Proto pop punk with a tinge of The Cure? Whatever it is, I want more of it.

This is fine, inoffensive classic rock. Growing up with the Who I know what they are capable of and I would rather have some of their later stuff that would be featured in the CSI shows rather than the story-time concept album.

If I had been born a little earlier this would have been my shit. The Pope of Mope keeps me swaying with the tunes and realizing that emo wasn't a phase.

I always liked REM after being introduced to them through Independence Day. This album is poppier than Losing My Religion, more serious than Shiney Happy People, and lacks the energy of It's the End of the World. I liked it. I equate REM with the early 90's but looking back at the discography there is a big hit of 80's new wave and goth rock here. I might have to throw on a best of REM.

I remember how big of a deal this was when it came out. You couldn't go a day without hearing "Do Wop (That Thing)". Coming back to it 20 years later it's still a bop. This album is dated but the talent and production are still there. It's an enjoyable listen with a deeper message I'm probably missing as a suburban white male.

This album is fine. If you compare it to Sex is on Fire or Use Somebody in their later discographies you will be disappointed. There are no real standouts on the album which is why (I'm assuming) I hadn't heard any singles before the two standout hits. All in all enjoyable with some strange vocal decisions with some easy guitar.

Soulful, sweet, easy listening.

One of the most influential bands of all time. Beloved by dads around the world. No one sounds quite like them even after all this time. That said, it's not really my thing. I'll give it points out of respect.

I was ready to hate this and did a very quick heel turn. Singer songwriter definitely has some negative scores in our little group but wow, what a good listen. The Chris Cornellness about him is great. The sad stuff lands. Hallelujah is pretty good, maybe not as iconic as John Cale's version. Jeff Buckley died swimming in a river and getting hit by a tugboat while not on narcotics.

I don't really have anything to add her. Darkness on the Edge of Town is a cool album title. I've never heard these songs and think they are slightly better than the few Springsteen singles I've heard in the past. It's fine. I bet there are geriatrics at these concerts still dancing in their seats.

I love it. I mean those. I mean her. The disco/rock mashup works well. A toe tapping good time. The singles all survive the passage of time. I might throw on Autoamerican.

Wow, this very 90's album came out in the 90's. This is the first time hearing most of this. Other than surprising me at work with the cover art nothing here really stood out. Jane Says was always an unzippable song on the radio but a little too much of the whiney singing made me a little relieved when the album was over.

I could skip everything on this other than the singles. I don't like the "world music" inspired stuff.

I'm a big singalong in the car kinda guy. I respect the hell out of this for being something I can't even try to sing along to. I'm glad we got 21 before we got 25 because the difference is palpable. The music is richer, the album flow feels better, and the themes are slightly less high school. Send My Love is such a great track.

Wild Wild West and Gansta's Paradise on the same album? Sign me up.

I can't get over his weird wheezy voice. The music itself seems well constructed and thoughtful, but I will never be a fan. Sorry y'all.

For some reason I thought The Black Crows was an early 00's indie rock band. I was incorrect. This is some nice poppy-early 90's rock. I even knew one song although I can only pretend to know the lyrics. Hey little thing let me like your chemicals 'cause momma I'm showing the hammerman diss around.

I didn't expect a weird electronic album. I was getting a little bored listening to it and kept finding out there were more songs. This isn't for me.

I was only familiar with songs from Rock Band and Fight Club credits. What a pleasant surprise this was. A big fan of the heavier songs, in them I hear the blueprints of grunge. In the lighter songs I hear inspiration for Weezer and their ilk. Very 90's, tickles me just right. Love, love, loved this.

This sounds like the background music when something weird happens in Are You Afraid of the Dark. Pretty chill.

Listening to this makes me want to die of a heroin overdose 13 years ago. This was a fun ride. It was almost simplistic for the reverence I hear her receive. All around good listen, love her voice, and the music is easy to follow.