What's Going On

"But who really cares? Who's willing to try... to save our sweet world?" Shadows and light. Chiaroscuro, in painting. The bitter and the sweet, in chocolate. It's the stuff of melancholy, of regret, worry, dark times ahead. Marvin Gaye's human pleas, genuine and earnest... to save the babies, up against a symphony that's filmic, romantic, in an almost 1001 Strings kind of way. An orchestral setting that Berry Gordy thought was too old, outdated, the kids will never dig, etc. etc. But it's the perfect backdrop– nostalgia– that gives us context for Marvin's anguish about the future. It's also personal. It's an album about his brother's letters to him from Vietnam... the anti-war protests that Obie Benson saw firsthand which lead him to write "What's Going On?"... his own dark struggles with his family, addiction. A changing planet. And somehow Marvin is perfectly positioned to help us understand. He doesn't preach, he doesn't condescend. He brings you into his inner world, and doesn't count you out. And it's a Motown album? Impossible. I can't imagine the whiplash from the American public when this came out. Motown? Song cycles? Dark subject matter? *That* Marvin Gaye? An album for a coming storm... and one to put together the pieces from a few very real personal storms in the 1960s. An amazing album. The soundtrack to so many people's lives, their own anxieties and dark places and chances for redemption. Music for a sweet world. 5/5

10/10 thanks, Marvin Gaye 👍 Inventor of Sex

Love the sound, but there’s a bit too much about Jesus.

So magnificent and bittersweet. You cannot listen to this album and not feel that sense of sweet sweet nostalgia. It's an album about living in the future, suddenly waking up one day and it's 1971, and there's this moment of clarity, like "wait, what's really going on here?" Somehow it perfectly captures that for me. So beautiful.

What's Going On? Not much honestly.

Can't believe I've never listened to this album the whole way through. It's got a great feel to it and the whole thing is so cohesive. Reading the Wikipedia page about this album, here's one of the most random facts I've heard about a musician. "Around the spring of 1970, Gaye also began seriously pursuing a career in football with the professional football team the Detroit Lions of the NFL, even working out with the Eastern Michigan Eagles football team." That's insane - he would have been 31 and he just decided, ya know, I think I'm going to start playing professional football. Too bad it didn't work out, I'm sure my Lions could have used him. Anyway, back to the music. Going with 4 stars for this one.

I think this is so beloved more for being \"important\" than for sounding great. I bought this many years ago but I haven't listened to it in probably 10 years. There are 2 almost-bangers at the end of the album, tracks 7 and 9. The title track is also pretty great. But the album is not very musically diverse. The second track sounds like a copy of the first, and most of the rest has a similar, slow soul feel. I think if this album mixed things up more I would like it better. That said, the lyrics are good, and I've always like Marvin's singing a lot.

Wow. This album puts you into such a specific mood. The rain on Marvin's face reflects today's weather accompanying my listen to this record. We start off this album with a political statement on "What's Going On" that is a very serious statement about police brutality hidden behind what sounds like jubilation and a very calming groovy bongo beat. Apparently when Marvin brought this to Motown they were appalled. Said it was way too political. I'm glad that Marvin stood his ground and argued that it was a very political time to be alive, pushing for the very real nature of this album. It feels visceral, like music that isn't made simply to make music. Lyrics like "Who Really Cares // Who's willing to try // To save a world that's destined to die?" are not the type of lyrics the label was expecting to hear, I'm sure. A lyric I deeply identified with. Save the damn babies. I absolutely love the way it flows, at least from the start through "God Is Love". Like I'm watching a movie. I will say that while the songs after "God Is Love" are still beautifully written and arranged, I wish that the entire album flowed together rather than dropping that concept midway through. Loved the drums on "Mercy Mercy Me (The Ecology)". Loved all of the brass and woodwinds on "Right On". Loved the entirety of "Inner City Blues (Make Me Wanna Holler)". So many simple lines in this song that are just so great. "Panic is spreadin', God knows where we're headin'" As Marvin states on the final track, "this ain't livin'". We've made a lot of progress since 1971 but honestly this record could have been made yesterday and the themes Marvin's lyrics touch on would still be just as pertinent now as they were back then. The album cover makes sense to me now. It's not all sunshine and rainbows. 5/5.

Absolute classic from start to finish - such a beautiful unique sound

An immaculate and storied album. I listened to it a lot in college. I’ve always loved Gaye’s lyrics, thematic focus, and vocals on this album, but what struck me most today was the production and musicianship exhibited behind the man. And how well these songs flow from one into another. They practically compose a suite from “What’s Happening” through “Mercy” and from “Right On” to “Holy.” Simply one of the great, grooviest albums ever.

I want to like Marvin Gaye records more than I usually do after listening to them. I understand it…the cultural relevance, his fantastic voice…this is a great record, but I just don’t see myself listening to it very often.

Nice voice but album bored me. I hate 'Save the Children'. I don't hate children and if a child needs saving then yeah, let's save them but this song half makes me think we should just leave the children if it's going to produce more songs like this

it was ok, bit overhyped

9/10. Fellas, it is Gaye

This is one of the most powerful and heartfelt musical statements ever made, and would be a strong contender for greatest album of all time in my book. I have always admired the atmosphere he was able to capture and maintain throughout the record. Although it has its emotional ups and downs, it really is one big musical statement - like a symphony with different movements and recurring themes. The arrangements are bold and intricately layered, but never overdone. The tracks seem to effortlessly flow into one another in a way that just hypnotizes you. The music is obviously meticulously composed and constructed, yet it feels so natural and organic that it almost seems like it could have been miraculously collectively improvised somehow. As you know, right before our last jam, I listened to this on the way up and damn near had a religious experience in my car. I mean I had heard this album dozens of times before but for some reason this album, and everything he was saying on it, just seemed so relevant to what we're still experiencing today and it hit me so hard. I kept turning the volume up, and up, and up, and heard it in whole new way all these years later. This album is a cry for help in an increasingly complicated and difficult world, but it retains a distinct and heartbreakingly beautiful sense of optimism. An optimism that we so desperately need to hold on to.

"What's Goin' On" and "Mercy Mercy Me (The Ecology)" are great. The entire tone of the album is relaxed and enjoyable. However, I found the lack of transitions between songs and the consistent blurring of each song into the next as distracting and a weird choice. 3.4 stars rounded down.

I land somewhere between you two on this one. What’s Going On, Mercy Mercy Me and Inner City Blues are top tier soul classics, but they’re the tent poles that hold this up when in starts to drag. The arrangements are great, and the recurring motifs do make this feel like a concept album rather than a collection of tracks, but it starts to wear thin at times, like he’s just scatting new lyrics over the same backing music. Lyrically it’s of its time (Viet Nam, ecological worries, racism) but it tips into self-parody in places. A three-star, mainly on the strength of those three classic tracks.

've never been able to get on with this album. Some definite classic Marvin in there, but Save the Children is so massively lame it drags the whole thing down

good album that kind of just played through without any repeats. If I see this on a top 5 of all time list, I’ll assume two things 1. I had to be alive at the time to fully get this album 2. This person will ask me to open a pdf.

Reminded me of Ozzy Ozbourne

great reset to remind the people why we stay the people

There aren't many albums better than this.

No need to write anything here, it's What's Going On by Marvin Gaye. People who don't like this are empirically wrong.

A beautifully arranged and produced album with a powerful message that unfortunately never seizes to be relevant despite being over 50 years old. The way Marvin harmonizes with his own voice on the layered vocals is sublime and I've yet to hear another artist being able to do it in the way he does here. I give it 5 broken unsynchronized clocks, because it is timeless! 🕣🕜🕛🕖🕐

It's smooth, it's epic and it's important. What more could you really ask for. Marvin's estate really needs to take it easy on trying to sue everyone under the sun though. It makes them look bad. It would be an extremely sad thing to ruin this dudes legacy with such crap. Amazing album though. Score: 80 Art: 70

Social and cultural significance: 5 stars. Musically, I’m just not that into it: 2 stars. I would seek this album out to listen to again like I would with Sgt. Peppers or Sticky Fingers.

this album really only has two good songs on it i mean they are realllly good songs i really like those songs

It’s decent. A couple classic bangers, but there is a good amount of filler in there as well. Not a lot to say about it. Could be a 2.5, maybe? But I’m good with 3.

What's going on is iconic. I really disliked some of the songs though. Save the Children seems like a parody.

**Marvin Gaye – *What’s Going On* (1971)** In-depth review: lyrics, music, production, themes, influence, pros & cons --- ### 1. LYRICS – Conversations with America - **Voice of a Vietnam vet**: Every song is spoken by a returning Black soldier who finds his country still ravaged by racism, poverty, police brutality and ecological decay. - **Conversational tone**: “Mother, mother / There’s too many of you crying… Father, father / We don’t need to escalate” – Gaye addresses his family, his community and authority figures in the same breath, collapsing the political into the personal. - **Poetic devices**: Heavy use of anaphora, rhetorical questions, internal rhyme and repetition (“What’s going on… what’s going on…”) that make the words feel spoken-sung, almost sermon-like. - **No question mark**: The album title omits the “?”, signalling that Gaye is not asking for an explanation—he is *telling* us what is happening. - **Scope**: Anti-war, anti-brutality, anti-drug, pro-ecology, pro-love; yet never slogan-heavy. The absence of explicit party politics lets the songs age gracefully. --- ### 2. MUSIC – Jazz-soul suite - **Key signatures**: Mostly mellow F-major / D-minor grooves that feel like one long continuous suite. - **Groove science**: James Jamerson (bass) recorded most of his parts flat on his back with a bottle of gin—yet laid down sliding, syncopated lines that became textbook funk. - **Rhythm-section colors**: – Double-layered congas, shaker and triangle mixed *wide* in stereo field. – “Micro-percussion” (finger snaps, soft knocks on wood) creates a living-room ambience. - **Orchestral glaze**: Detroit Symphony strings arranged in long, non-vibrato pads—more Gil Evans than Motown. - **Saxophone as narrator**: Eli Fontaine’s smoky alto opens the title track; its phrases are *quoted* later by Gaye’s multi-tracked background vocals, blurring instrumental and human voices. - **Seamless segues**: Tape loops of city traffic, party chatter and rainfall knit tracks together; the final groove (“Inner City Blues”) mechanically *locks* back into the intro of “What’s Going On”, making the LP an infinite loop. --- ### 3. PRODUCTION – The first self-produced Motown record - **55 musicians, 10 days**: Cut live at Hitsville U.S.A. with only a 4-track recorder; Gaye bounced sub-mixes to free tracks, creating subliminal “ghost” layers. - **DIY overdubs**: Gaye plays piano, Mellotron, box drum and all multi-layered background vocals himself—unheard-of autonomy for a Motown artist at the time. - **Spatial mixing**: Drums dead-center, bass slightly left, strings hard-left/right; Gaye’s lead vocal *floats* 10 % off-center, giving the impression he is standing in the doorway between channels. - **Innovations**: – First R&B LP to use EMT plate reverb on *congas*—gives bongos a singing sustain. – Early use of tape-speed manipulation: final chorus of “Mercy Mercy Me” is +3 % faster than the take, adding subconscious urgency. --- ### 4. THEMES – A spiritual State-of-the-Union | Issue | Lyrical Moment | Musical Mirror | |---|---|---| | Vietnam | “Brother, brother, there’s far too many of you dying” | Military snare flams tucked low in mix | | Police brutality | “Don’t punish me with brutality—talk to me” | Bass line *descends* (feels like hands thrown up) | | Urban decay | “Rockets, moon shots / spend it on the have-nots” | Pocketed 7/4 bar slips the groove, mirroring social disorientation | | Ecology | “Oil wasted on the oceans and upon our seas” | Single sustained Hammond chord = toxic haze | | Spiritual plea | “Wholy holy—don’t you know we can make it happen” | Wordless 10-voice gospel cluster drifts in | --- ### 5. INFLUENCE – The template for conscious pop - **Immediate**: Stevie Wonder demanded (and won) full creative control a year later; Earth, Wind & Fire, Curtis Mayfield, and later Donny Hathaway all adopted the “social-suite” format. - **70-80s rock**: Paul Simon cites the LP as the spark for *Graceland*; Pink Floyd studied its tape-loop transitions while making *Dark Side of the Moon*. - **Hip-hop & neo-soul**: Sample source for 2Pac (“Thugz Mansion”), Kanye (“Otis”), Alicia Keys, Common; Janet Jackson loops “Inner City Blues” on her *Velvet Rope* interludes. - **Canonisation**: Rolling Stone #1 on 2020 “500 Greatest Albums”; U.S. Library of Congress National Recording Registry. - **Activist soundtrack**: BLM marches 2020 blasted “What’s Going On” in 30+ U.S. cities—lyrics still tweet-length relevant. --- ### 6. PROS & CONS (even masterpieces cast shadows) | PROS | CONS | |---|---| | 1. Seamless song-cycle flow—rarely duplicated. | 1. Uniform tempo / key can feel monotonous on Side One. | | 2. Lyrics still headline-news relevant 50+ yrs later. | 2. Jam-session sections (“Right On”, “Wholy Holy”) meander—some listeners find them formless. | | 3. Jamerson’s bass lines alone are a university course. | 3. Sparse melodic variation—hooks recycle the same pentatonic cells. | | 4. Production innovations (quad-ready stereo, tape loops) ahead of 1971 curve. | 4. Sparse melodic variation—hooks recycle the same pentatonic cells. | | 5. Opened Motown’s creative floodgates; without it no *Innervisions*, no *Songs in the Key of Life*. | 5. Over-romanticised “vets’ POV” concept—only 2-3 songs explicitly reference Vietnam. | --- ### 7. BOTTOM LINE *What’s Going On* is less a collection of songs than a 35-minute meditation—an album that dissolved the border between personal heartbreak and civic heartbreak. Its mellow surface invites you in; its layered poetry keeps you returning every time the nightly news matches a 1971 headline. Flawed? Slightly—side-two jams can dawdle, and sonic sameness risks hypnosis. Yet those “flaws” are also the reason it feels like one continuous breath rather than a playlist. Marvin Gaye proved that social protest could wear a velvet glove, and popular music has been trying to duplicate that balancing act ever since. > “Love, baby—love. That’s the only way.” > – Marvin Gaye, 1971

Oh I’ll TELL you what’s going on - Marvin Gaye’s putting out the #1 soul brother album of the 20th century and making it stick. So sweet and buttery smooth, so timely it’s timeless. Jesus he was only 45 when he died. Goddammit Marvin’s dad.

Yurp its a banger

I've never understood why people around here act like the mercury in the fish is news when Marvin Gaye knew about it in 1971. Come to think of it, all this shit was supposed to get fixed in the 70s. Five-star album, though.

Marvin Gaye: the world is a mess Also Marvin Gaye: just love one another This album is seamless, a work of art.

What an album...!

A groovy yet emotionally charged album, Marvin Gaye looks around and watches society crumble apart, with songs about kids starving on the street, families being torn apart by the Vietnamese war, the aftermath trauma on those veterans, drug addiction, and the environment literally threatening human existence. The lyrics are simple enough that you can follow along and understand the messages he sends, never dragging too long or going on unnecessary tangents. Everything is relevant and to the point. It's hard to find a more consistent album. You really can't tell when one song ends and another begins. The mood flows perfectly and gradually shifts with the songs. Themes persist and are revisited but twisted. This creates a pretty fun experience, with the audience watching how the same melodies can be altered to create different effects and tell different stories. Marvin Gaye's vocals are top notch, smooth and sincere, easy to listen, clear, and yet has a lot to say. But not too much. The instrument is sparse and light enough to relax you and immerse you in the music, especially due to its atmospheric and diverse sounds, with all sorts of instruments (including woodwinds, brass, different percussions), synth effects, and back vocals. It's at times funky to sing or dance to, and at times like a beautifully happy or sad movie soundtrack. I'm also incredibly impressed by the production. Very few soul albums from the early 70s are up to par in terms of the clarity and mixing, as good as Stevie Wonder. This album flies by in 36 minutes. You couldn't argue that any track on here is unnecessary or could be cut. In fact, any less and you'd be complaining it was too short. Melodically, every song transitions well from one to the next. Of course, you got your hits ("What's Going On", "Mercy Mercy Me"). You got your interlude ("God Is Love"). You got your epic ("Right On"). And you got your satisfying closer ("Inner City Blues"). I don't have the faintest clue how you could improve this record.

I hadn’t heard this uninterrupted for over 20 years, and am thankful for being given a weekend for this. Perhaps the only song cycle/concept album that I consider flawless. A student flatmate once complained that the record was samey, which I worried over, but now doesn’t bother me. Its consistency is a marvel.

I've thought highly of this for a good while although don't really listen to it that much. Reading its back story, and that of Marvin Gaye in general, surprised me how radical this album actually was. Of course, it also contains some great tunes. A bit preachy but can't really ding it for that. And, what a piece of shit David Ruffin was! Full marks here

What's going on? You are listening to one of the top ten albums of all time. That's what's going on. A collection of marvelous songs. of a legend in his peak and with an astonishing production. All songs go on in one flow talking about love for people and more important the world we live in. An album stating concerns about our behavior towards nature in 1971. What a visionary and too bad how we failed him!

This is a MOOD

From the first track that warm classic motown sound we've all grown to love wraps around you like a comforting weighted blanket, you can't help but be enveloped and sucked into the world of this album. Transitions like Save the Children into God is Love are seamless, I can imagine that this was groundbreaking stuff back in the day - it's as if the listening experience continues and it just keeps on going, really nice jamming to this. Every track has a richness of sound to it, each listen reveals something new - be it bongos panned quietly to the left, horn patterns at the right, a quiet piano, strings playing their own melody. Then into mercy mercy me, wow - this transition really makes you smile, from the brightness of god is love, including the bright bass tone and "harsher" quality of god is love - into mercy mercy me where the entire tonality drops down akin to a warm hug, dropping the bass into the background with a much warmer tone, letting the percussion with reverb take centre stage. Throughout, Marvin's vocal performances are next to none, it doesn't even seem like he did double tracking - his voice carries itself with little help required, the same can be said of Jamerson's bass riffs, the famous story of him even playing one of the songs drunk after being dragged from a bar to perform. Right on is a hypnotic jam, reminds me of a latin track with the percussion going on in the background, near the end of the track when it drops out for a few mins and the drums kick in crispier than fried chicken, how can you not smile?? A definite solid addition to my library I'll listen to again and again.

Firstly, this album looks super short, only 9 songs and 35 minutes long. I really like it - it's super vibey but not too low energy where i'm falling asleep.

Marvin’s soulful plea of “why can’t we just get along?” Political, funky, and oh so smooth.

Mercy mercy me ( The ecology) was my favorite. Groovy and fun. Smooth

Heard it before. Listening to this album is always a pleasure 4/5

Timeless, lush record. Every track is a winner on this one. Only track that I'm not super hot on is Save the Children. A little too on the nose for me, but still good music wise. Don't got a ton to say about it, other than I appreciate that this album has two inductees on the "Marvin Gaye's Clueless Ass" playlist with What's Going On and What's Happening Brother.

This album has paces very well and plays like a seamless medley, in a good way. Not in the way that it all sounds the same, it just connects and flows very well between songs. On top of that, it has the two timeless hits that have been smooth R & B hits for decades.

Nothing bad about it it’s just not really my thing.

first two songs FIRE, third i felt like i was listening to frank ocean, the rest is really mid

Ok je commence à mieux cerner ce qui me plaît et ce qui me rebute un peu dans la soul. Les alliances choeurs - percus sont parfois tout à fait savoureuses, le groove est bon avec de super solos de saxo et même de flûte traversière, une belle basse qui soutient le groove ; mais je suis pas fan du côté un peu féérique porté par le son xylophone / triangle, les jetés au clavier, avec des accords parfois un peu entendus, les vocalises trop langoureuses... Cette dimension qui sonne un peu comédie musicale et joie facile Au total je passe pas un mauvais moment, c'est doux et c'est quali, parfois positivement enveloppant et dansant, mais y a un truc un peu mielleux qui se retrouve aussi dans les paroles et qui me laisse un peu indiff voire me saoule. Voilà j'y vois plus clair sur la soul ça fait plaisir ; je vois bien que l'album est très bon et je suis contente d'avoir enfin découvert Marvin Gaye ; je laisse un 3 pour le compromis, qui reflète bien le sentiment très ambivalent que j'ai avec des moments où je me laisse vraiment emporter et d'autres où je décroche, et au global une couleur qui est pas celle qui me parle le plus je crois Typiquement dans Right On il y a vraiment les deux : les percus sont originales et au poil, genre ça gratte l'oreille en rythmant le tout c'est excellent, le passage solo de flûte en duo avec le clavier c'est génial ; mais les moments plus langoureux avec les cordes traînantes et les notes de xylo genre comédie romantique en accompagnement du chant du même registre ça me termine

Very chill and enjoyable

Whats going on 4 Whats happening brother 3 Flyin high 3 Save the children 3 God is love 3 Mercy mercy me 4 Right on 4 Wholy holy 2 Inter City blues 3 3.22

What's going on is I had a spicy goddamn burrito last night and was up all night with ring sting. I had the album on in the background in the living room but the songs were punctuated by my flaming asshole

Love.

Every now and then you listen to an album and just from the way it starts you know it's something truly great. From the first note you know that you're listening to something truly special, the kind of piece of art that feels like it wasn't made by humans, but something else. Maybe it's god, maybe it's aliens, maybe it's the universe, I don't know, made you cannot believe it was made by someone like you. That is this album, something special that feels it from.the first note. Also, to be less pretentious, its just really freaking good. Highlights include the whole album, but especially What's Going On, What's Happening Brother, Right On and Inner City Blues.

I remember the first time I listened to this album, I wasn’t massively impacted by it. I think because I knew it was held in the same regard as Ziggy Stardust, or Rumours, or Abbey Road, albums I know front to back, I expected to hear it once and immediately know all the songs. But this isn’t an album for the songs individually, it’s an album that should be played front to back, with no interruptions. Listening to it as a singular piece uncovers the masterpiece that it is. Funky, heartfelt, and as terribly relevant today as it was 55 years ago…

Me gustó mucho, solo había escuchado la primera canción del album pero la tendré por completo on repeat

Maravilloso, suave y político

One of the greatest albums of all time and one of the first ‘concept’ albums that pushed motown/soul forward and showed what was possible. I have listened to this endlessly and am still blown away by his voice and by how tight the funk brothers are on this record. Marvin gave others permission to express themselves while still sounding so good. A monumentally important album that still sounds so good.

A classic!

This is one of the albums that expanded my horizons into classics and a world of genres as a snotty little teenager. It's never lost its sheen or brilliance. Lyrical and musically it's such a cool and measured album from start to finish.

Супер класика. Є думка, що тексти не дуже цікаві. І я скоріше погоджуюсь з цим твердження. Але мені воно ніколи не заважало чи турбувало. Музично це як теплі обійми, дуже приємна та м'яка музика.

Класика. Іннер сіті блюз це взагалі найкраще.

solid gold

love love love

Mira que es complicado encontrar un disco de soul conceptual, dos cosas que parecen no casar, y viene Marvin y te lo hace. Encima no es un concepto ñoño, que es bien político en plena guerra de Vietnam hablar de injusticia, sufrimiento, drogas y ecología. Por esto ya es un disco revolucionario. Si le sumas la calidad musical del estilo inconfundible de Gaye y la calidez de su voz ya lo eleva a otra dimensión. Hay talento y valentía a raudales en lo que parece un simple álbum de soul, nada mas lejos de la realidad.

Marvin Gaye's such a fascinating man. What a fantastic album.

Great album 10/10 I like the way jesus is mentioned throughout the album, especially in the song God is love because Marvin is telling us that god is forgiving and a friend. Overall the album was beautiful this was my first time hearing this album and I will most definitely continue to play it and even add songs to my playlist. Thank you Marvin

puts you in a great mood, smooth and nice

MAKES ME WANNA HOLLER. Fuck Marvin Gaye's Dad. Annie rating 4/5.

Man. What an album. It's damn near perfect. Absolute elite world building and story telling. Takes you on a journey where you end right back at the start. Forces you think about how we should see the god in everyone. And let's talk about the MUSIC. Wow! Elite use of vibraphone or some type of metalophone percussion - gives it this ethereal floating through sky vibe. I loved it all. This album just makes me want to be better to people.

Okay, completely lives up to the hype, a seamless concept album, incredible flow from song to song, the way he combines genres and styles with the lyrics, and the connection to real life struggles. It really is what was going on at the time. Just a beautiful listen from beginning to end.

so much was said in 35:32 that truly makes you think about the world around you. mastery of the genre, and of music as a whole.

Great album

I'd give it a ten if I could

Smooth, soulful, politically aware. One of my favourites.

Brother, brother, brother what an album. Songs 10/10, transitions 10/10, voice 10/10. Great songs with some jazzy flares

This is an amazing, lush, sweet album. The love Marvin has for his fellow man and humanity and the world at large is here in BUCKETS. But this is not the ROMANTIC live album everyone thinks it is. There's so much soul and emotion here, Marvin practically weeps for what we're doing to the environment for our children and each other. This is not your sex album, though. You thinking it is. My rating: 5/5

Ah! C’est si bon, ooooh là là, magnifique en tout point, il mérite bien sa place dans le top des classements. J’ai même pas de joke à faire, chapeau Marvin! - Salut Cyril! Bonne année un peu en retard, I guess! Ça fait un sacré bout aussi que je ne te suis pas revenu, c’est peut-être même mon dernier message sur la liste originale, avant que je te rejoigne sur la colline de Sysyphe! Ah, avant de me perdre dans des suggestions de films, je me permets de m’interrompre pour t’annoncer la bonne nouvelle: Ping Pong Go sort un nouvel album au mois d’avril! Il y a beaucoup de très bons artistes invités à collaborer aussi, donc les stars de l’heures comme Lou-Adriane Cassidy, Thierry Larose et Arianne Roy. Aussi, Angine de Poitrine vont potentiellement sortir un deuxième album, mais ils sont pas mal cryptique là-dessus… Donc, on parle de flim? Je te recommande grandement Parasite, honnêtement je connais personne qui n’a pas aimé, vraiment tu peux pas te tromper avec. Get Out aussi est très bon, quoique pas autant que Parasite. Mais si t’aimes les scénario tordus à la Lynch, tu seras servis! Dans la même veine de l’horreur/thriller moderne, il me serait dur de ne pas mentionner Ari Aster. T’as dû entendre parler de Midsommar, c’est pas mal le film qui l’as mis sur la carte, mais c’est selon moi son plus faible ( et ça en dit long, ça reste un très bon film malgré tout, ça en dit long sur le gars!). En avant goût, je te propose son excellent court métrage The Strange Thing About the Johnsons, disponible gratuitement sur YouTube, pour te donner une idée du bonhomme. Pour ses longs métrages, je te recommande de commencer avec Hereditary ou Midsommar, les deux sont d’excellente déconstruction de l’horreur basé sur des drames familiaux extrêmement efficaces en eux même, mais il sait les pousser encore plus loin avec les éléments d’horreur très bien dosés. Après ça, son dernier film Eddinghton qui porte sur la pandémie et les ravages qu’elle a provoqué sur le monde est peut-être sorti trop tôt pour certains, mais c’est selon moi le meilleur film sorti de 2025, donc deux gros 👍👍. Finalement, un des films les plus weird, absurde, profond, rocambolesque et excessivement bien construit que j’ai vue de ma vie revient à Beau Is Afraid, une odyssée de l’âge moderne incroyablement personnelle qui me hante encore aujourd’hui. C’est VRAIMENT pas pour tout le monde, mais si t’as envie d’une expérience cinématographique unique, y’a pas d’autres choix. Sinon, en vrac, si t’es un peu calé en SciFi et en grosse intrigues géo-politique, je te recommande les Dunes de Denis Villeneuve, donc le dernier opus va sortir cette automne. En parlant de notre Denis cheri d’amour, je te lance en vrac Incendie / Prisonners / Arrival, tous de phénomènal thrillers à leurs propres sauces, vraiment tu ne peux pas ne pas aimer. En restant dans le québécois, Les chambres rouges de Pascal Plante pour un thriller juridique profondement glauque et sinistre et Viking de Stéphane Lafleur, une comédie dramatique simili scifi sur… pas mal de chose finalement! Si t’aimes les huis clos et les problèmatiques reliées aux relations humaines, je te recommande! Ok, ça commence à manquer de temps, je vais juste t’en pitcher une couple: - The Whale - The Lighthouse - Whiplash (film de musique!) - Ex Machina - The Zone of Interest - Interstellar - Poor Things - Sound of Metal (film de musique!) - Her - Birdman - The Ballad of Buster Scruggs - La La Land (film de musique!) Je pourrais continuer de même longtemps, donc fait moi signe si t’en veux plus! Ok, côté série maintenant! Je suis définitivement moins calé que le cinéma, principalement que tout les shows ont 4-8 saisons, tu peux rentrer tellement de films là-dedans! C’est drôle, j’ai commencé les Sopranos le mois passé, j’ai presque fini la saison 1, à date j’adore! J’aime la structure lousse narrativement, ça devient presqu’un documentaire. Tout les personnages sont incroyables aussi, je pourrais les suivre 24/24! Mad Men et The Wire, j’ai essayé vraiment fort, mais je m’en suis lassé avant d’atteindre la fin (s3 pour Mad Men et s1 pour Wire). Mad Men tournait en rond après un moment, genre on sait que c’est tous des gigolos pas fiables, donnez moi plus de meeting spicy et moins de « J’ai changé, Betty, pardonne mes actions d’hommes des années 50 », suivie de 36 scènes de baises dans les bureaux de l’agences. The Wire, y’a ben trop de personnages là-dedans! J’avais un calepins pour noter les noms/surnoms/alias/roles de tout les personnages, pis même là j’avais de la misère à me retrouver dans cette soupe de jargons policier. Je comprends que c’est plus immersif, mais mon cerveau de TDAH y arrive pas. Par contre, Breaking Bad et sa prologue Better Call Saul son mes shows préféré de tout les temps, je te recommande vraiment BCS si tu l’as pas regardé, la qualité des épisodes sont beaucoup plus consistantes que BB, et les personnages tout aussi brillants dans leur écriture et dialogues. Je partage ton inquiétude vis-à-vis de Severence: le show est incroyable, mais la finale de la deuxième saison m’inquiète un peu concernant la suite de la série, j’ai peur qu’ils ne savent plus où aller avec ce scenario de dingo. Ouf! Je pense que j’ai fait le tour, à la prochaine!

So far we've had albums lead by guitar, drums, samples, electronics, etc., but this is the first album where the BASS quietly carries the entire composition. This album flows seamlessly and does not waste any time. The first 6 tracks all feel connected until you reach "Right On," where it's like "let's dance!" Then in the same song it's slows back down into the next track, and then you ride out smoothly yet mournfully with inner city blues. Surely an album with musical and philosophical influence spanning decades. 9/10

Oh man, so many thoughts . . . . Here's one: this album epitomizes the debt we 3 owe to Mombo. She must have bought this album around when it was first released (May 1971, a year before we moved to Florida), because I'm pretty sure I remember listening to it in South Bend. Anyway, safe to say, probably a pretty small minority of white kids growing up in the 70s whose mother bought this album. Thanks, Mom (for ALL the music)! I remember listening to this in the 80s (probably 90s, too), and feeling like it had been forgotten, but in the past 20 or 25 years or so, I feel like I've been hearing it (the hits, at least) more often. I bet this is one of the highest rated albums (by all the people who rate it here, I mean -- not just us). 5 stars (though, if I had the option, I *might* rate it 4.5 - but maybe 5).

James Jamerson on bass! (He only used 1 finger) This record has soul, heart, spirit, it's groovy, and it has stood the test of time. There is a unity and distinctive sound to it, despite how relaxed the studio sessions were. What's Going On elevates my mind, but I also feel it immediately in my body (a rare combination in music)

Beautiful album. What a voice delivering social commentary. Artist tragically gone way too soon. Some of the tracks are fairly mellow but WOW. ⭐⭐⭐⭐⭐

An appropriate assignment during Black History Month, especially since I recently finished reading Kristin Hannah's "The Women" about Vietnam War combat nurses in which references to music including Gaye, The Beatles, and Hendrix really help set the scene. Definitely deserves its spot on a list of albums to hear at least once before you die. Fantastic instrumentation and smooth, soulful vocals. Powerful, meaningful lyrics. Still highly relevant, unfortunately.

Marvin Gaye!!! What’s going on?! Brilliant and transitionally fluent in the blend to the next track. Could listen to this on repeat!

Kind of hated Save the Children.and thought Flying High and Wholly Moly were mediocre. Basically the rest are good to amazing

Went down so smooth, just a lovely listening experience from start to finish (except for the cabasas in Right On which drove me absolutely nuts)

Good

I've been meaning to listening through this album, so thank god I was given a reason to do so! I know I'm not adding anything, but it's sooooooo good!!! It's so smooth and groovy, you want to keep listening through every song without skipping. This is definitely a must-have vinyl purchase!!!

One of the greatest albums of all time. Soulful, melodic, great lyrics, perfect message

It’s everywhere bro

Fantastic, incredible voice, this album is such a statement. Marvin Gaye's reputation in my mind is mostly about sexy music. He may be sexy, what with that voice and all, but this is not background sexy music. Maybe that comes more from Let's get it on (that would make sense). This is political and painful and demands attention. Love it. I love the mix, good music, but the voice is all the way out front. The orchestration could have been out of date, but somehow is perfect. Title track is amazing, loved "Mercy Mercy Me" What is that sound on "Right On"? It's cool as hell! Favorite song on the album, jazz flute and all! This one captivated me even more than I expected, not an everyday listen, but a 5 star experience.

Love it. So soulful.

Pretty gaye

Brilliant! 4.5. Lots to enjoy here, really felt like something special, can only imagine how it felt in 1971. Cool story behind the title track as well. Loved What's Going On, but also a big fan of Mercy Mercy Me (picking that one!!), Right On and Inner City Blues. Brilliant!

A mí lo que pasa es que el Soul en general, no me gusta.

This was really cool. Its really straightforward, he doesn't want conflict, he likes the ecology, and he seems really spiritual. Kinda role model music, everyone should inspire to think like him. Also I love the transitions between each track, its like he's telling a story to kids. Dare I say.....10/10

yk considering theres not nothing to berry gordy's accusation of Lack Of Commercial Potential, its kinda wonderful that this album is still one of the most easily likable and Obviously Good records in existence. its a triumph primarily of form...i wouldnt be surprised if many of the "conscious" soul albums inspired by this one have better and more coherent points to make about the world and its problems. but im equally sure none of them just Blow Ur Mind the way this one does...hung together as one of the most coherent album suites of its decade, to the point where im not sure i even think of it as a suite more than just a single multipart Song. its not a blues album, but imo one of the big connective points between the blues and soul is that theyre both genres about Filling The Space...audible expanses waiting to be occupied by The Human Spirit. or something like that. in that way, both the space and the filling here feels like a to-this-point culmination of this particular thread of black music. and man like can u ever imagine Not Being In The Mood For This Album. crazy talk!!!!!!!!!!!!!!

Solid gold

Marvin Gaye seems like he has one foot in the sixties and one in the seventies in this one. I was expecting some straight 70s R&B and got that, but, like, sort of psychedelic too, which was a cool surprise. Great album for a slow Sunday around the house. I loved it.