They're a tight rocking band. As far as early Kings of Leon go, this feels a lot less memorable and lasting than Aha Heartbreak though.

Wanted to give this five stars. Clearly an amazing work. A little too rambling and lengthy for my taste.

This band is much better than Incubus, despite not having a guy who just does turntable scratching.

The ultimate 3 star band. Why do people treat Oasis reuniting like a second coming when Third Eye Blind has been kicking it non stop this whole time?

It was implied to me that if I did not rate this five stars, I would be kicked out of the group. Fortunately, it is in fact a five star album.

A masterpiece. Although my least favorite of the three album run of Lightning - Puppets - Justice - it's still OBVIOUSLY a five star album. So much unparalleled riffage in a five year period from a group of drunk guys in their 20s. Still can't wrap my mind around that. Their last great album.

Impressive album, all I knew was Common People, which is a banger. Yet I reserve 4 stars and above for an album that I would willingly put on its entirety in the future, and I'm struggling to think of a future scenario in which I would put on an hour of (what I think is?) snarky British pop taking very deep jabs at people I know nothing about.

So 70s rock critics trashed Led Zeppelin and Pink Floyd albums but thought this was the shit? Da fuq. Would say its a snoozer but hard to snooze when he's yelling atonally like that.

Shit Sandwich. (Sorry. I won't repeat this.)

Listen man, I GET IT. Okay, maybe I don't. But I do think there should be more songs about metrocards.

Not as epic as their very-shortly-thereafter follow-up album, but all the parts of a legendary band are there, and mind blowing that they apparently recorded and mixed all of this in 2 days.

Sentimentality, Knopfler's singular guitar stylings, some fretless bass, and my West-Wing-influenced love for the title song help this album rise above the slog of some of these songs to a generous four star rating.

I know it's a little cheesy and boring at times, but I'm a little cheesy and boring at times.

Well, that was intense. It felt like a marathon to get through it, but as I listened I could imagine myself coming back to this album through life, and it feels singular in its atmosphere and its purpose. I even had a dream about it, which has not happened with any Kings of Leons albums.

A $2.99 used rack classic.

Confirming that if I haven't become a Smiths fan by this point in my life, it probably just ain't gonna happen. I enjoy the "hits" but otherwise Morrissey can save that drama for his mama.

I love that Judas Priest exists as a band. Distinct sound, epic look, killer guitars. But it all feels a little on the silly side of metal compared to Sabbath, Metallica, Maiden, etc. And lets face it those bands are not exactly unsilly.

The guitars and bass are damn impressive. The whole package not so much to me. But glad this exists.

The first couple songs were CD 101 (Columbus Ohio's once amazing and now defunct alternative radio station for which I am very indebted for my musical tastes) classics in the 90s. The rest of the album feels pretty boring to me.

It was a solid, solid album. Glad to be familiar with Paul Weller a bit. I feel like a bit of an ass giving this 3 stars and, say, Nick of Time 4 stars, but for these straight ahead guitar-based pop/rock songs, I just don't think I'd come back to this without some earlier life connection to it. Good on the UK for making Paul Weller a beloved star.

My Ramones era was mostly dominated by the various compilation albums - Mania and All the Stuff and More albums - which included every song on this album. It's big and dumb and I love it. In 1992 the Ramones were on the Tonight Show with Jay Leno playing Censorshit (I think). Around that time, I wanted to go see them in concert with Motorhead at the Newport Music Hall which was only a 1500 person club - amazing in retrospect when you think of how legendary those bands have become since then. My grandmother was for some reason watching the Tonight Show with me and after she saw the Ramones, she said "I'll pay you not to go see them." Good memory. I did not see them, because no chaperone type figure was interested in taking me to Ramones and Motorhead. All of our loss.

So I know this is blasphemy and will assure my blacklisting from the hepcat record club, but this...sucks. Some interesting early electronic sounds but tuneless and can't deal with an extremely morose "singer" who makes Bob Dylan sound like Luther Vandross. The 70s seemed like a rough time to be into alternative rock.

I agree with my colleague Mr. Ryan, particularly how much better in all ways that Public Enemy was at this same time. Also sorry can't get down with the incel-level misogyny then or now. My older brother and his friends were into all this stuff back then and now they all have Trump flags.

Five stars for Flea, John Frusciante, and Chad Smith. Unfortunately, when you mix manure and ice cream, it doesn't really affect the manure but it does affect the ice cream. On the not so bright side, not sure why this was 2.5 times as long as classic Van Halen album.

This is the kind of album where I give it five stars, then some people be like OF COURSE you gave that five stars, and then I'm like yeah no shit I just gave it five stars. I prefer Seven Swans and Carrie and Lowell and I tend to be sparing on how much emo guy folky music I allow into my life, but as far as that stuff goes, this is primo.

A real QFM 96.3 classic here (Daddy Wags in the house). Thank you Ritchie Blackmore for your immortal contribution to beginner electric guitar lessons for dirtbag teenagers for over half a century now. Take it sleazy.

Think I got this CD when I was 19 in the last hurrah of Columbia House / BMG and had it for about 20 years. In that time I never listened to it all the way through. I realize now why not. Blowin' in the Wind, Girl From the North Country, and Don't Think Twice, It's All Right still hum for me. Mainly as I listened to it I developed a further appreciation for Timothy Chalamet's performance - although I still haven't made it all the way through that either.

I can safely say I've never listened to this much Duke Ellington continuously. Appreciate the history lesson, and very cool to be transported to a pre-rock-n-roll time where joyously yelling at jazz musicians was how you got your ya-yas out.

I listened to a fair amount of Ozzy solo in my youth, he was hard to avoid when you subscribed to multiple guitar magazines in the early 90s. Black Sabbath not so much, and I'm now wondering why their music was not played on the classic rock and hard rock stations, outside of Iron Man every once in a while. Also for some reason I thought Changes was an Ozzy song from the 80s/90s this whole time. This stuff is great.

Okay fine yes the Smiths are good, at least on this album. Morrissey has always been more of a meme to me than a musician, but yeah I GET IT. Some girls' mothers are bigger than other girls' mothers is indeed a lyric for which I must pay props.

I remember buying this CD with a Circuit City gift card around 2004. I must have listened to it quite a bit because I knew every song on here. Hadn't thought about this album in a long time, but it's damn near perfect.

Bjork is great. Fascinated to learn she put out an album when she was 11. I did love the last song, and Human Behavior was definitely an MTV staple of yesteryear, but chilling out to an album of Bjork just makes me nervous, bro.

Very solid. Totally new to me. Although I kept feeling like they sounded like a local band from Ohio or something that never made it big. Or like the soundtrack to a movie about a fictional rock band. Perhaps the vocals are just too musical theater for me. Or perhaps I don't have room in my heart for 90s rock bands for which I don't have a previous attachment. Further proof to me that this list is 1001 albums to listen to before you die as selected by an elder Gen X London hipster. But I'm going with it.

I love Fleetwood Mac but this feels coke-bloated. It's mostly solid, but can't say there's one song on here that really feels like a classic to me. It's like a Use Your Illusion without a November Rain.

Uhhhhhhhh....some of the bass lines were very cool. The album cover was also cool. Otherwise this sounds like open mic night at a coffeehouse in Venice Beach. What am I missing here folks?

I know people like Michael Stipe and Robert Smith were very inspired by Patti Smith and that's totes cool but Patti Smith mostly reminds me of a woman that worked with me at Pizza Hut in 1996 in Delaware, Ohio who did not like me and also scared the shit out of me.

Some obvious 5 star classics on here and some very good stuff that I didn't remember all that well from when I owned this album - e.g. Flip Flop Rock and Prototype - but man I can't condone an artist putting out a 135 minute album of two completely different solo albums with so much in the way of detour bordering on absolute frolic. As a 45 minute album of choice cuts, this is a clear five star album. I don't make the rules on how I rate these. Okay fine I do.