Unlistenable junk. Definitely made sure to keep a careful eye on YouTube so I wouldn't actually listen to the remixes and bullshit rom the Extended Edition.
Not quite as intense as seeing them in person at the Commodore in Vancouver, but still about as intense as straight-ahead power trio rock can get.
Shit goes hard.
I despise jazz, but this isn't too terrible, really.
It's alright. Has its place. Ska's not really my bag.
Seems like the sort of thing I'd have been into but this one slipped right past me at the time.
Nah. This ain't for me.
Not for me. Kind of twee (derogatory), I guess?
I am pre-disposed to dislike prog but this is just unlistenable.
I'd give it 3.5 if I could. It's too noodly, tbh.
I'd give it 3.5 if I could. It's too noodly, tbh.
Not for me, but I get its historical place.
One of the single hardest album openings of all time. A long-time karaoke standard for me.
Just not my kind of music, but this is less grating than most.
Not really my jam, but a few of the tracks are OK; British hip hop just doesn't land for me.
Good God no. I hate Jazz.
An absolute classic. Non-stop bangers. He was taken from us much too soon.
He's an absolute fucking wank but his early solo stuff like this was quite good, albeit not as good as The Smiths. Would never listen to his solo stuff voluntarily nowadays, though.
I'd give it 3.5 if I could. Pretty decent versions of these songs but the underlying ickiness of Phil Spector takes the shine off it.
I'd give it 3.5 if I could. I need to listen to it a few more times. It doesn't seem to quite land for me, but I thnk I need to know the songs a bit more.
An incredible album and a delight to listen to at anytime. BY FAR the best of all "Britpop" type albums.
Not for me. Trying too hard. Liked it at the time.
A stone cold classic. I prefer angry electric Neil to contemplative acoustic Neil, but both are great.
This goes hard, actually. A nice little discovery. Gonna listen to it twice.
A classic. Somehow a band both in transition and at their peak. Probably the album with the most Keith.
Absolutely tremendous and probably the coda of P-Funk's prime, more or less.
4.5 stars. Loses 12 a star for Morrisey being an utterly repulsive human being.
Nah. Not for me. This is music for happy people who don't hate their existence every single day.
This album goes so hard it actually managed to cut through my anxiety, depression, and suicidal ideation for a few minutes.
Unlistenable junk. Definitely made sure to keep a careful eye on YouTube so I wouldn't actually listen to the remixes and bullshit rom the Extended Edition.
It's OK, but I kind of want it to go harder. Whole album just has kind of a depressed nostalgia vibe.
Probably really 2.5 stars, but: (1) this thing doesn't let me give 1/2 stars; and (2) it deserves an extra star for managing to get me all the way to "this isn't that bad" and thus somewhat overcome my lifelong anti-Willie bias derived from my Dad hating him and call him "The Bedbug."
Enjoyed it and like a lot of stuff in this genre, but probably requires a bit more of a sit down and listen than a "have it playing while you're at work. Four stars because I automatically support any attempt at reviving the rock opera format with gusto.
I have tremendous respect for the historical significance of these particular bleeps and bloops but it really just doesn't fuck at all, does it?
Really, it's 2.5 stars. Not for me but a few of these songs at least sound like a blander version of CHVRCHES.
Goes pretty hard, tbh. It's utterly mindless and pretty derivative but a good time nonetheless.
Oh fuck yes! I have had a lifelong antipathy to country music (largely due to the racist fake cowboys I went to high school with) but this album absolutely fucks and is a big part of what got me to give some country music a chance.
Some of these songs go a little bit, actually, especially the title track but it felt very derivative/bandwagony at the time and it's not something I'd ever listen to of my own volition.
Not a big Elvis guy, really, but it cannot be denied that In the Ghetto/Suspicious Minds back-to-back absolutely slaps. It's really 3.5, not 4, but I'm rounding up on principle because Memphis is one of my very favourite places.
I actually like Doolittle better but this is just such a great album. Too bad some of the videos on YouTube are age-restricted because I simply will not log into YouTube.
Ass. Noodly ass. Mark Knopfler's got to be the most over-rated guitarist of all time.
This album gives me an instant erection. Too bad the girl who had this CD in her purse at all times and insisted on me putting it on every time we fucked turned out to be an absolute nutter. Good while it lasted, though. Six stars, really.
This is some novelty song garbage. Unlistenable dreck, but with naughty words. It will get one listen ever and that's it.
I just don't really jibe with early 80s R&B that isn't straight-up funk, really. It just sounds way too smoothed out and over-produced. Very sterile.
I can't review this noodly bullshit because I died of boredom listening to it.
Oh. No thank you. I couldn't possibly. (Just not much of a fan of the half-mumbly/whispery acoustic singer-songwriter type thing, really.)
I loved this when I was made up almost entirely of teenage angst. Now it seems like it's made up almost entirely of teenage angst and much too juvenile.
It's alright. Some good tracks but it's a bit . . . whiny isn't quite the right word but the tone is a bit off or something.
Has some good tracks but can't stand up to The Black Album at all. Really 3.5 stars but you don't gimme my granularities!
Pretty good 70s grooves. Made me listen to the Dan the rest of the day.
The two-and-a-half singles are great; all-time classics. The album tracks are dreck; unlistenable garbage. Gets you three stars - smack in the middle of the bell curve.
Never realized that this album had a different (and very off-putting) cover in the UK. Regardless, I loved the Big Beat scene at the time and although this has aged poorly it still puts one in a pretty good mood.
Peace Frog absolutely slaps and there are a few other decent tracks here. The bluesy tone kind of balances out Morrison's performative weirdness a bit more here than on other albums
Awful. Just awful. Basically an auditory war crime. I want to fight them both and their stupid dorky faces. Worst thing I've ever heard. Also what the hell is with the album cover? Why is Paul blocking half of Art's face? What kind of art direction is this?
Hitting me with Simon and Garfunkel and jazz on back-to-back days is lowdown and dirty. Cute album cover, though, and I didn't mind the organny bits. Then the saxophone kicked in.
"Psycho Killer" rules but the rest of it is a bit meh and David Byrne has always just struck me as exactly the kind of art school kid who'd annoy the absolute fuck out of me.
Much more of a Stax guy than a Motown guy but there are just some great cuts here.
I much prefer their later work , but they were really cooking with this one.
LOL. I wrote a review for Boy instead of War because it's the same kid on the cover. Love this album, but I really don't think it's aged well probably because it's peak over-the-top earnest Bono - which has become very hard to take over the years. Some great work by Adam Clayton on this album.
"Rolling in the Deep" and "Rumour Has It" go hard as fuck and then it becomes nothing but intolerable sad-girl-with-a-piano music. The cover of "Lovesong" is OK.
It doesn't really sound at all like what I'm used to the Bee Gees sounding like, which is good. But it also doesn't sound like anything good, which is bad.
Didn't expect to like it but didn't expect to hate it this much. Doesn't even have his one good song, "Wishing Well."
Not to my tastes at all, but undeniably has some bops and definitely presses some nostalgia buttons. I generally feel uncomfortable listening to anything from the Jacksons, though, due to all the ickiness. A solid 3, though.
We are just on a stinky stinky stinky run of music I don't like right now. All You Good People or whatever it's called is OK, but this is very not for me.
Just couldn't get into it at all. I think I might like this is I was five days younger.
This is just unlistenable atonal noise. When I say I really hate jazz this nonsense is exactly what I'm talking about. This is getting-Noriega-to-leave-the-embassy level noise.
Just not for me. Obviously Bohemian Rhapsody is ridiculous and fun - mainly because of the Wayne's World connection - but the rest of it is annoying.
Walll to wall bangers. An absolute classic. I'm not too cool to unabashedly love The Boss.
This goes hard. I'm generally anti-sax for the most part but for some reason it really works with this kind of punk.
Not quite as intense as seeing them in person at the Commodore in Vancouver, but still about as intense as straight-ahead power trio rock can get.
I've heard worse. Probably decent for the era in moving towards heavier and kerrangier rock but doesn't really hit like other stuff from back then.
Just absolutely not for me. Not as bad as the last jazz they made me listen to, which was some kind of "punk" jazz but still made me feel like I was at the dentist's office.
I get what he's trying to do, and it kind of works, but it's not something I'd choose to listen to. I might enjoy reading an illustrated book of the lyrics more.
Much more fun and loose than some of their other stuff. You can almost dance to some of it instead of just trying to be cool.
Janis at her very best. Just one of the best to ever do it.
An absolute classic in it's genre - whatever that is - or any genre. One of my all-time "need to feel a bit better about life" albums.
I kind of get where it fits in the grand scheme of things historically, but it is - like most prog - very not for me.
A few good tracks in a nostalgic "I remember this from when I was a kid" way, but not a "Oh yeah - this is my jam" way.
Just insufferable - and that was before all the stuff about him actually being as creepy as he was made out to be coming out. Beautiful People is a good enough track to get a 2nd star, though.
Don't know if I'd buy it or listen to it on my own unprompted but it is crazy how far ahead of its time this sounds. It's like at least 5 years ahead.
I just don't like jazz. It gives me the heebie jeebies.
Definitely a top 10 desert island disc for me. Stevie's absolute peak. A transcendent delight and surefire mood lifter.
Margo Timmins has a beautiful voice and I fuck with the stripped-down sound. Also, scratches a powerful Canuck nostalgia itch.
A master at the absolute peak of his craft. God knows how many different drugs he was on and this may be one of the albums he has no memory of recording but it all produced magic.
This isn't my kind of stuff, but it's actually pretty fun and it's crazy how many songs from this album are covers that I didn't realize were covers. Might actually be 3.5 but I'm in a rounding down kinda mood.
Never listened to this before. Was interesting and atmospheric, but not as accessible/fun as her earlier stuff. More Sigur Rós than Sugarcubes, I guess.
I have some time for this genre, broadly speaking, but none of these songs would get my ass on the dance floor then or now. Like Jason Mendoza at a Skrillex concert I'll be waiting for the bass to drop. And it, it'll never come. Too bleepy bloopy.
Case in point, re: music I do not like. Annoys me, has always annoyed me, will always annoy me. Probably because I don't do drugs and never have, I guess. Two stars for its historical significance and inescapability, I guess.
Definitely has its place in history, but his stuff has always felt a bit lightweight to me. Also, you know, the whole "marrying his teenaged cousin" thing kind of casts everything in a dark light.
I get that Paul Weller felt "restricted" by "the rock myth and the rock culture" but while he was restricted The Jam produced banger after banger whereas The Style Council produced twee muck.
The absolute pinnacle of the somewhat commercially silly but artistically tremendous "Shoegaze" movement. This album presses my very most powerful late teens/early 20s earnest yearning nostalgia buttons and brings to mind the faces of many girls I never asked out.
It's truly great - albeit with some filler - and was groundbreaking at the time, but wow is it depressing to listen to now. Loses a star because of that.
I get it and the "California surf punk meets proto-punk" is interesting, but it doesn't really connect for me.
The only thing that could possibly improve this masterpiece would be to find a way to play it as loud as they played the title track at that concert I went to at The Commodore in Vancouver in 2002 or so that left me half-deaf for three or four days.
I know. I get it. I'd probably enjoy an all-covers version of this album. But maybe not that much.
As evidenced by the album cover, it's a bit too grandiose for my liking but there is no denying that parts of this go extremely hard. Really 3.5 stars, but I'm feeling generous enough to round up. Not something that would be in the regular rotation, but might flip it on when I'm in a certain anthemic-needing mood.
Really enjoy this when I remember to put it on. Some real highlights but some of the deep cuts are a little bit kinda wish-washy/fillerish. "Dear God" is a classic.
Sam's great. A little too much banter in the performance but I relistened to this one immediately because it's a dandy pick-me-up on a gloomy Monday morning while I'm having an existential crisis.
Absolute garbage. I hate jazz on principle for the most part but this is even worse than the norm. Sounds like somebody who just ate a half dozen bean burritos from Taco Bell farting into a microphone.
Really 3.5 stars but it gets a bit of a bump up because of the GOTG influence from Mr. Blue Sky. Pretty pathetic to be nostalgic for a movie less than 10 years old, but there was at least still some hope for humanity and the future back then. Did listen to it twice.
An iconic genius at her absolute peak. Classic after classic after classic. My only regret is that she didn't record it at Stax.
This one goes in the category of "I can appreciate it's historical importance in a genre that I like but I just don't really fuck with it." Gonna give it a second listen but I'm just not hearing it.