Whatever People Say I Am, That's What I'm Not is the debut studio album by English rock band Arctic Monkeys, released on 23 January 2006 by Domino Recording Company and on 21 February 2006 in the United States. The album includes their first two singles "I Bet You Look Good on the Dancefloor" and "When the Sun Goes Down", as well as re-recorded versions of both tracks from the band's debut EP, Five Minutes with Arctic Monkeys. This is the only Arctic Monkeys album with bassist Andy Nicholson, as he left the band shortly after the album's release.
Forming in 2002, Arctic Monkeys frequently gave away free demo CDs to fans at gigs, which resulted in fans uploading the band's music to social media sites. As their attention hugely grew, the band had garnered great demand from fans, the press and the music industry. Several of the album's tracks had been released for free via the Internet in late 2004, which consolidated on the unofficial Beneath the Boardwalk compilation. Musically, Whatever People Say I Am, That's What I'm Not features indie rock, garage rock revival, post-punk revival, punk rock, alternative rock, and Britpop. Its thematic content has been likened to a concept, generally concerning nightlife, including lyricism surrounding clubbing and pub culture, and romance from the perspective of young Northerners.
Prior to the release of Whatever People Say I Am, That's What I'm Not, Arctic Monkeys achieved their first UK number-ones with "I Bet You Look Good on the Dancefloor", which was the most acclaimed song of 2005, and "When the Sun Goes Down". The album became the fastest selling debut album in British music history, selling over 360,000 copies in its first week, and remains the fastest selling debut album by a band. It has since gone 7× platinum in the UK. In the US, it also became the second-fastest selling independent record label debut album in history and was certified gold by RIAA for selling 500.000 copies there.
The album received widespread critical acclaim from critics for its depiction of youth British culture and for resurging British indie music that had waned after the 1990s. Among its accolades included being named the best album of 2006 by Time magazine, winning the Brit Award for Best British Album, winning the 2007 Mercury Prize, and receiving a Grammy Award nomination for Best Alternative Music Album. It has been ranked in several greatest albums lists', including 371 in Rolling Stone's 500 Greatest Albums of All Time, 19 in NME's 500 Greatest Albums of All Time, and 30 in Rolling Stone's 100 Best Debut Albums of All Time.
This album took everything that was good about the British rock bands at the time (stop-start guitars, great hooks, catchy and danceable bass lines, great lyrics) and then turned it up to 11.
What I like the most is that you can train your ear to listen to any of the parts of this band - the drumming is solid (far more so than say, Franz Ferdinand), each song is driven by terrific guitars and bass that will stay in your head as long as the lyrics will. THAT is what makes this album so impressive to me - the sum of its parts is stronger than any album I've heard in a long time.
Another point to make is that this album honestly has no weak tracks at all. Zero. Every song is, at worst, above average.
An insanely great debut album. Thought-provoking, raw lyrics with infectious hooks combined with an understated voice that blends into a well mixed band. There is a commonality between the songs in how the band sounds, but each song lives on it's own and has their own character. Every component has a role to bring these songs to life.
One of my favorite albums. Don't think there is a bad song on this album.
Stand-outs: Mardy Bum, From the Ritz to the Rubble ,Riot Van, Dancing Shoes
stone cold classic. Being this from the golden era of intenet bootleg I did not hear the real final mix until many years later, I still like some of those demos better than the final version but it is without a doubt one of the great record of my youth. now, 15 years later my favorite is A certain romance, it just has it all, it is the complete time stamp of those day. damn I love this record.
Whatever People Say I Am, That’s What I’m Not - Arctic Monkeys
1. The View From the Afternoon - 5/5
2. I Bet You Look Good On The Dancefloor - 5/5
3. Fake Tales of San Francisco - 5/5
4. Dancing Shoes - 4/5
5. You Probably Couldn’t See For The Lights But You Were Staring Straight At Me - 4/5
6. Still Take You Home - 5/5
7. Riot Van - 5/5
8. Red Light Indicates Doors Are Secured - 5/5
9. Marcy Bum - 5/5
10. Perhaps Vampires Is A Bit Strong But... - 5/5
11. From The Ritz To The Rubble - 4/5
12. A Certain Romance - 5/5
Overall: 4.75 or 95%
Fave Songs: The View From The Afternoon, Still Take You Home, Riot Van, Perhaps Vampires Is A Bit Strong But...
Primero lo primero: este es un GRAN disco, independientemente de su historia.
Tenía mucho tiempo sin escucharlo, tanto que ahora pienso si realmente lo escuché completo la primera vez o no. Me gustó (re)descubrir las canciones, y transportarme a la época en la que salió el disco. Es increíble que ya hayan pasado 15 años!
Desde el punto de vista histórico, para mí este disco marca el inicio de una era en la que un grupo de jóvenes fue capaz de producirse y promoverse a sí mismos, sin necesidad de pasar por los canales tradicionales (las disqueras, en este caso), y se replica actualmente en otras formas: gente que publica sus propios libros, que desarrolla aplicaciones millonarias o produce sus propios programas de televisión, utilizando internet como plataforma.
Looking back, it's crazy to think about how hyped this band/record was. They were really sold as the future of rock and while I'll admit that this is a pretty solid debut, it's not necessarily the revolution people wanted it to be. Still, it's a fun rock record and I can understand that it gathered nostalgic value for most of its listeners.
What a mess. This album was all over the place with no real theme or direction. It wanted to be pop, punk, and rock all at the same time. Even though I like Alex Turner's voice and I like some of AM's songs (seen them live), this album left me annoyed and irritated. I couldn't wait for it to be over so I could sonically rinse my ears with something else.
this one is jam packed full of nostalgia. listening to this while i've got a bit of back pain is ramming home how old i actually am. though to be fair i definitely don't miss being 21 at all, my kidneys are hurting just thinking about it and its actually quite nice to be a bit pissed off 3 pints. anyway back to the album, memories aside, it has suffered from the same problem that most 2000s indie, take away the killer and the filler is really hard to listen to. there are some absolute timeless bangers on this album but the shit tracks give you a window into the self absorbed shitty nature of that indie movement. perfect for a pisshead student but must have been a cancerous bunch of people to anyone not involved in it. i hate young people. they're awful.
Arctic Monkeys with their first album brought yorkshire into the UK rock scene and were unapologetic in their no nonsense lyrics and love/hate relationship with Britain. Amazing album front to back and I would say could be the album of our generation, they could be the band of our generation. Personal faves are, of course, When The Sun Goes Down, Red Light Indicates Doors Are Secured (but that might be because I have a real soft spot for Rock Lobster) and Perhaps Vampires Is A Bit Strong But...
Ending the album with A Certain Romance is bittersweet and a perfect ending and the riff is quintessential circa 2006 UK indie. I can imagine every indie kid in their skinny jeans and skinny scarf, horrible trilby, potentially trouser braces if they were committed, fag out of mouth and glens in the other hand walking down the canal in the sun. Even though the lyrics I feel are talking about a different sub culture - I wonder if they loved the Monkeys too?
When Arctic Monkeys first emerged, I was ready to dismiss them as yet another overhyped guitar act, worshipped by the British music press as rock 'n' roll's next saviours. I actively avoided this record for six months, even though the singles were playing in every pub and club I visited. This was unfair—unlike many flash-in-the-pan bands, Arctic Monkeys had earned their stripes by building a loyal online following and commanding the stage at countless small shows with confidence beyond their years.
My resistance finally broke when "The View From The Afternoon" came on the radio in sometime in the summer of 2006. Stuck in my car, I had no choice but to pay attention—and admit I’d been wrong. I bought the CD that same day, played it three times back to back, and realized that sometimes, the hype can be deserved.
Beyond the angular riffs, intricate guitar work, and rough-edged sound—things I instantly loved—the real ace here, as in all Arctic Monkeys albums, is Alex Turner's sharp lyricism. Just a teenager at the time, Turner captured the Britain I saw outside my window, not the glossy, stylized version you’d see on TV. His cutting observations and witty lines shone a spotlight on the country's grittiest corners. This was a snapshot of everyday life, especially for young people in the North, documenting nightlife, friendships, and the local scene with a fresh, authentic voice.
While tracks like "I Bet You Look Good on the Dancefloor," "Dancing Shoes," and "The View From the Afternoon" show the band comfortable operating at full throttle, songs like "Mardy Bum," "Riot Van," and, to a degree, "Fake Tales of San Francisco" reveal a more nuanced sound and Turner’s ear for melody and dynamics.
Whatever People Say I Am, That’s What I’m Not could very well be the last great British guitar album.
Did I own this release? Yes
Does this release belong on the list: Yes
Would this release make my personal list: Yes
Will I be listening to it again: Yes
I was bored by this in 2006 and I am bored by it now. It feels like young, dumb, full of cum lyrics that are backed by a sound that doesn't take any creative risks and just rolls out the most cliche boring bits of British rock in the 15 years before this album.
I am genuinely surprised that anyone enjoyed this album, but then again it did come during the decade that, in my opinion, had the least interesting music on the charts. There was good music in the underground but most of it was not making the charts.
The only truly musically interesting tracks were "Perhaps Vampires is a Bit Strong But..." and "A Certain Romance".
Sheffield! Four of these tracks are in my set list and two more are in my "to learn" pile.
1. The View from the Afternoon - Great start, tri-tone (METAL!) establishes that this album is not going to be a pleasant ramble through the country (if you didn't get that from the cover). Love the arrangement - bass dropping out, guitars taking stereo turns to play the chords after the fake finish half-way through, drum style changes, band dropping out - all serve to keep the ear interested. Love the major version of a bond-type chord at the end. This track whets my appetite for the rest of the album.
2. I Bet You Look Good on the Dancefloor - one of my fave tracks - even the salsa band I'm in do this one. Great tempo. Your name isn't Rio (not real), but I don't care for sand. Great poetry - don't need romance, Shakespeare invoked and undercut too. Love it.
3. Fake Tales of San Francisco - You're not from NYC, you're from Rotherham (Rovrum) continues the theme of cutting through the bullshit of romance and getting real and local.
This is Ken Loach indie pop.
4. Dancing Shoes - another banger. Love a floor tom rhythm. No chords, just a tune over the second verse, great. "Shit Shock Horror" love it. I really identify with the whole being at the club burning with lust and too afraid to talk to anyone theme, so, yeah - love this one.
5. You Probably Couldn't See for the Lights but You Were Staring Straight at Me - the tune is too high for everyone in the band to sing, which is so appropriate - it will damage vocal chords every time they play it and no-one cares. I'd have used more distortion on this one.
6. Still Take You Home - sounds like Dead Kennedys intro. Lounge middle 8. "Fake tan. Top Shop princess."
7. Riot Van - lovely sweeping up, going home vibe to this one - great contrast to the violence in the lyrics.
8. Red Light Indicates Doors Are Secured. Ide to nicking a taxi fare. Again, great arrangement.
9. Mardy Bum - in Sheffield, this is as classic as Don't You Want Me Baby. Local vernacular "rate 'ard", "got the face on". They've never heard of "squinny" up here.
10. Perhaps Vampires Is a Bit Strong But... Anticapitalist rant. Longest track by half, distortion on the vocal connotes Alex's depth of rage to me. Song actually finishes at 2:10, then theres a metal Mambo/drum jam. Fucking love it. Last bit reminds me of The Great Imperial Yo-Yo.
11. When the Sun Goes Down. My lad Jacob used to sing this acapella as a folk song round the fire. "What a scummy man ... It's all not quite legitimate ... She must be fookin' freezin'"
12. From the Ritz to the Rubble - rhymes totaitarian with "scary 'un". Couldn't have done that on a Sunday - Turner returns to this theme
in Do I wanna know "... nights were mainly made for saying things that you can't say tomorrow day." I'm looking forward to what he produces as he continues to get older.
13. A Certain Romance" Classic.
13 songs, 41 minutes - BANG!
Love letter to the night-life of youth.
Smashed it.
Not my usual brand of indie rock, but still a pretty good album. An interesting look into clubbing & pub hopping in North England from Alex Turner's perspective. Not subject matter I can really relate too, but a good listen and a good laugh at times nonetheless.
I always had a bit of an aversion to artic monkeys around the time of this album. I think I decided they were too cool or mainstream at the time. I listened more to their later albums, but never really went back to this one. Listening now I missed out. Undeniably great album, no bad songs, a fair few fantastic ones.
Got damn Arctic Monkeys up first I am impressed, I’ve got the entire album saved but i’ve never actually listened to it all at once. Here goes nothing !!!
Ok now that i’ve listened to most of it all the way through, pretty good stuff. I see why I have all the songs saved they are all bangers.
Perfection. They used to be a great band didn’t they? This is lyrically so strong. Every song tells a decent story. It’s edgy, dark, funny, beautiful and riotous.
So much nostalgia in this album. Nostalgia from when I listened to it as a teenager, but also a strange nostalgia for a slice of British life I've never lived. Love this album.
As a debut album, this is next level!
I love listening to people singing in their native accents and the Arctic Monkeys rock pretty hard.
Mardy bum and Riot Van are the standouts for me.
Paints such a vivid image of northern British youth.
I miss the days where you gambled on one song you'd heard on the radio a few times, buying the album hoping the rest will live up to it! This was one of those albums for me, and I absolutely love it! I still remember buying this album in '06 on a girls weekend in Sydney - this album and a pair of boots!
Arctic Monkeys (despite having a dumb name) are such a great band, I particularly love the youthful, horny, loutish, loud energy of this album! Alex Turner's accent is amazing, and I've always enjoyed the way they feature each instrument with momentary gaps in the music before it all picks up raucously again (there's probably a musical term for the style?) I also love the album AM which I don't think features on this list, but I'll make special mention of my favourite Arctic Monkeys song 'Do I wanna know?'. They have some music I'm not as into, but we are not here to talk about that - this album is fantastic and even though some of that might be nostalgia I still think this stands up nearly 20 years on as great rock music!
5 star album - I listened to it 6 times today! Perfect album for driving up and down the midlands, only shame is I've lost my voice, otherwise I would have been singing along!
I was thinking while listening to this album that it'd be great to pick a few shared favourite albums as a group and do a listening party - this one would be on my list!
One of the greatest debut albums in indie history. It is album with no skips. Every song is worth the listening. Arctic Monkeys could have created a sound since that time.
Best songs: I bet you look good on the dance floor, Fake tales of San Francisco, Dancing Shoes, Vampires, When the sun goes down and A certain romance.
This is my favourite album of all time. That they produced this as teenagers blows my mind. Alex Turner's songwriting ability is on full display, the images are so vivid you feel like you're in Sheffield on a night out. The drums from Matt Helders are astonishing as well.
Truly in my eyes a perfect album and a strong indication of their ability which has grown and evolved wonderfully in the last twenty years.
In my "book", 2006 wasn't exactly a stellar year for music. Apart from this album, only Jay Reatard's *Blood Vision*, TV On The Radio's *Return To The Cookie Mountain*, Joanna Newsom's *Ys* and probably Amy Winehouse's *Back To Black* can reach the "essential" level usually reached by at least a dozen of LPs for most other years. To be perfectly honest, I thought this rave about Arctic Monkeys was a bit of an exaggeration at the time, but now I readily admit that revisiting this past hype is pretty thrilling, all things considered. Alex Turner has always been a *chatty* frontperson, to a fault sometimes (especially recently), but in this official debut the instrumentation is so insanely lively, youthful and inspired that it makes up for it tenfold (if only for that crazy powerhouse of a drummer, whose cheeky mug is shown on the cover up here if I'm not mistaken). And Turner's lyrics are really, really evocative or witty most of the time anyway.
I could go track by track here (which means I would have to write all those incredibly long song titles -- another evidence of Turner's knack with words), but it would probably not really be useful: you got to listen to the whole shebang.
To put it in a nutshell, I say *yes*, this record looks as essential in a list of 1000 best albums of all time as it looks good on the dancefloor. So when it comes to that realm of noughts British dance punk LPs, (here infused with quite a bit of garage and indie-rock), you surely need to give a spin to this LP -- along with Block Party's *Silent Alarm* and Franz Ferdinand's début. You could maybe also add Arctic Monkeys' own *Favorite Worst Nightmare* and *AM*, and you would have a long enough sublist to cover your ground here.
Giving this one full marks, even if it's closer to a 4.5 grade in reality. I gave full marks to the (strikingly different) Joanna Newsom and TV On The Radio albums from that year, so I gotta maintain a minimum consistency, I guess...
Number of albums left to review: around thirty or twenty, as I've gone over the 1000 line and this generator is including albums from all editions of the book.
Number of albums from the list I find relevant enough to be mandatory listens: 464 (including this one)
Albums from the list I *might* include in mine later on: 277
Albums from the list I won't include in mine: 334
I have had such a terrible week or so of albums, so thank god for the few rays of sunshine I have gotten. This album is awesome. It's so fun, and bouncy, and unique - I love it. Although I think they've done some solid work since this released, I don't think they've ever again quite reached these heights.
I am quite familiar with this, surprisingly not because I was really big into the MySpace scene.. No, my eldest is a huge AM fan, and I enjoy the chance to explain highlights of the English vernacular and the subtle (or not-so-subtle) differences between a Yorkshire, a Lancashire and a "London" accent. "Go a bit Frank Spencer"; "lairy girls"; "mardy bum"; "trackky bottoms" all fine educational material.
It's pretty good, for my ears the best of the "older brother probably had a Gang of Four record" mob from this era. "Fake Tales of San Francisco" is the highlight - "the band were fucking wank"; "Hunter's Bar"; "Rotherham" advanced level dialectology.
She'd rate it a 5, their best; I'm not fully convinced
Not as consistent as later albums, but still a rollicking good time. The grimy characters and late-night stories
hold up well, and they bring an urgency and consistency to a range of styles.
Peaks: Dancefloor, When the Sun Goes Down, From the Ritz to the Rubble, Red Light Indicates Doors are Secured
Pits: You Probably Couldn’t…, Fake Tales of San Francisco
Really good 2000s indie debut. There was a lot of dross around at the time, which may have made this feel better than it was, but it still sounds great, and Alex Turner has proved himself a really interesting and versatile songwriter since. 4.5 stars.
The mid 2000's a bit of a desert for decent music. Just ask the UK government. Reporter; 'Mr Blunket, have heard of the Arctic Monkeys?', David Blunket MP; 'Yes of course I have, I look good on the dancefloor, and I've seen them twice!'. Reporter raises his eyebrows and walks away, muttering 'bloody lying bastard'. It's a great album and it didn't need all the rubbish hype that went with it.
I love the low production sound. So stripped down that it sounds real, raw and as close to live as you can get.
I’m not sure if it’s the British accent or the lyrics but it almost reminds me of early punk.
Great album top to bottom.
When it comes to the Arctic Monkeys I know a lot of people prefer their earlier stuff, like this. It's more raw, more honest probably, and leans a bit more towards a punk sound. Musically, though, I prefer the later stuff. AM is my all-time favorite of theirs. And yes, I even like TBHaC. This is still fun, though.
I remember loving this album back in the day. It was exciting, fun, decidedly British, and energetic.
I don't think of any of those descriptors anymore when I think of the Arctic Monkeys, but this album still rips.
This is my first time listening to this album, or the Arctic Monkeys. I was impressed with this record and found it really enjoyable. I like the mix of garage rock and punk undertones. I will check out their other releases.
In the summer of 2006, my brother got this CD at the Virgin Megastore in London because he thought the band name was funny. Of all the ways he makes questionable decisions, this one worked out.
This album is fun. It’s a little tougher to relate to these lyrics as a 36 year old dad, but there’s a palpable energy and…sincerity (?) in these songs about innocent mischief and angsty frustration with the system and being young and horned up and just wanting to get some. This was a fun ride to 2006, back when I very much COULD relate.
I think probably the first album I've come across on the tour that I've physically owned. This is probably the peak of the Artic Monkeys before they started becoming lounge singers
Arctic Monkeys don’t quite rock hard enough for me to like them as a rock band, and they don’t have the kind of melodies that please the pop part of my brain, which is a shame as they’re charismatic, distinctive, and I’m a fan of how the regional accent is up front and centre and the lyrical here-and-now of the everyday/everynight. I like their brevity. I’ve tried them before, I’ll probably try them again as there’s a lot of good here; there’s a sense of their finding a mode and getting stuck in it.
I really liked this album when it came out, kind of a time and place in my hipster days. Too bad it almost became a blueprint of the type of rock I really got sick of over the next 5 or 6 years. In spite of that, upon revisiting and free from the deluge of garbage indie, this album is still really solid. Loud and rocking I caught myself enjoying the listen here and there.
Doesn't really stack up to a lot of the legends on this list, but in context a pretty okay experience.
Started this one with some apprehension. Turned out to be fairly enjoyable but also a bit middle of the road. This is a good, confident rock album with some great moments but I'm not wowed by it either.
I suppose this is one of the better examples of Britpop, a bit harsher and faster, still emphasizing drums and guitars. Lyrics and vocalizations are ok.
Awesome. Another mid-2000's alt/indie rock album. This one has more of a punk feel to it sometimes at least. Other than that I did not hear anything special. I don't know what it is about this style of music. I don't hate it, but I just can't find anything interesting about it at all.
It is pretty cool how they got Ben Affleck's stoner half-brother to pose for the album cover though.
Something like this should be right up my alley, and I don't hate it, but there's just something about it that isn't clicking. The current hypothesis is that while the songs are fine-to-good, if they had just a slightly slower BPM they would elevate to good-to-great.
Maybe I just wasn't listening to enough of this in my prime teenage angst years, but I don't really get bands that sound like this. Some solid songs for sure, but nothing that really grips me all that much.
Also, British
# 248 - 04/03/2025 - They've done a pretty decent job, all around slightly above average, a fun and energetic album and that one Arctic Monkeys song you remember… 2 1/2 rounded up :-)
-so this is the fabled “post-Britpop” I’ve heard so much about
-in all my years knowing about Arctic Monkeys I hadn’t listened to a single song by them until now. I’d say this is decent. it’s a bit hard to distinguish individual songs I guess, but I like the instrumental and vocal style
-Favorites are Mardy Bum and Perhaps Vampires Is A Bit Strong But…
7/10
Another one I knew from the first time round. This was a sensation at the time and now has a handful of well-loved songs on it.
The rest is extremely energetic punky songs, full of youth but not the highest quality.
I have really enjoyed the last 2 or 3 AM albums so this one is a little rough around the edges for me.
Best: I Bet You Look Good on the Dancefloor
This one just kinda failed to catch and hold my attention it's not bad sounding, but it's just something I've heard and isn't able to remember much of
Standouts
When The Sun Goes Down
3/5
I always feel like I should like this band more than I do. But it just doesn't do much for me. The album is good, but I don't know if I'll listen to it much.
This was a decent debut from Arctic Monkeys. While they were labeled indie rock, they were far from underground—this was a pretty commercial release. The album carries some garage rock aesthetics and a bit of punk edge, but overall, it’s more polished and radio-friendly than what you’d expect from a true indie band.