Everybody Knows This Is Nowhere

I guess what we all need to remember is that we were never the first generation to be disaffected. Lost America themes in music are at least 50 years old and likely older considering the folk and blues that are part of our fabric. Neil Young is here in 1969 invoking the same regretful nostalgia that seems to permeate parts of rock in the 70s and 90s. The raw production and recording makes for good tunes to pair with a cold brew to drown your sorrows in, like any good folksy country-rock. 4/5

Boy, is this one front loaded. Bought it years ago specifically for Cinnamon Girl, and discovered early on that there isn't a whole else here worth more than an occasional revisit. Still a solid 3/5 that I treated mostly as a CD single until streaming came along.

(3/5) Aside from "Cinnamon Girl" nothing else really impressed me. Young's reedy thin voice doesn't endear him to me and the music is all pretty basic stuff.

#304 PLEASE PLEASE PLEASE CAN WE HAVE A TWO-ALBUMS-PER-ARTIST LIMIT, EFFECTIVE IMMEDIATELY? Heard Before? Yup. I'm Canadian so at this point I think we are born knowing this album. Notes: - it seems that glorifying femicide gets you one step closer to musical immortality. - he became a much better lyricist later. - the mix is ... bad? cheap drums, muddy bass, distorted vocals, and instruments separated by lazy stereo panning instead of by EQ. - interminable, stilted guitar solos. - but for all the dirt and laziness, there's a certain charm that i wish i could ignore. - I'm not generally opposed to old Uncle Neil, and I've certainly spent a lot of time in the company of his songs, but album-by-album i find a lot that doesn't hold up to close listening. Verdict: A lot of underrealized potential, with an opening track that is a stone-cold classic for reasons I can't discern. Listen Again? I don't need to.

#293/1001 🇺🇸 Neil Young has recorded a great many albums, some that I absolutely love, others are very good and the odd one falls quite a bit below par. This one is definitely in his top 10, memorable for the long extended jams at the end of either side: Down by the River and Cowgirl in the Sand. Cinamon Girl and the title track are also great tracks. I'm somewhere between 4 and 5 stars here. I think i'm going 4 just because After the Goldrush was his next album that is infinitely better. Best Tracks: Down by the River, Cinamon Girl, Cowgirl in the Sand, Everybody Knows this is Nowhere,

5.5/10 Good, but not particularly memorable. I listened to it and almost instantly forgot what I heard - I only know it was just barely above average.

Well, this is obviously a very good album. My favourite track is "Cinnamon Girl", which is a song I've liked for decades. Other songs I enjoyed: "Round & Round (It Won't Be Long)", "Down By The River" (pretty close to "Cinnamon Girl"), or "Cowgirl In The Sand". This is at least 4 stars, but I'm not sure it reaches the 5 star level.

This album was fine

This is exciting - can't wait to expand my musical horizons. Let's go! I'm inclined to agree with some of the reviews - I don't find this particularly memorable, but it's good background music and there are a couple of standout tracks.

Definitely not the best Neil Young album but still not awful.

How much Neil Young is on this list?? Can’t get past his whiney voice, so it’s a n instant 1 from me.

Not the best Old school and like a cowboy and a bit too American. 2 stars

I thought this was fine, somewhere in the middle. Nothing stuck out to me. It wasn't bad, but I didn't feel great about it. Wouldn't listen to it again, but if it was on in the background I wouldn't complain, I guess?

Some good moments on this one. Nothing stood out but nothing was bad either.

What a milestone in a long long career and vast discography. I haven't heard it for some time, and I'm glad to say it still hold a special place in hurt. Every single note. I've been listening to it since I was 10, so it makes sence. It's main forces are- The two bangers in the beginning. The forever catchy Cinnamon Girl, with the harmonies that touchs your soul and guitar that moves your but. And than we have the pop-oriented title track. Love that song. Next, we have the two big ones- Down by the River and Cowgirl in the Sand. I could never choose which one I adore more. To massive songs that are just incredibly beautiful at their core, played on an acoustic guitar (as I did many times), but in the context of this album each turns into a tour de force of Crazy Horse as a band , and especially Neil as a lead guitar player. His solos are so, simple, iconic, bad ass. Masterclass in any way. Than we have some "smaller" songs. Some are highlights for me aswell. The enchanting Round and round that I never want it to end. An amazing acoustic one. The country- like "the losing end" and the somewhat psychedelic "running time" are great additions. Coming to it thought I'd have things to say about the consistency (a problem regularly associated with Young), but what can I say, I love this album deeply. This time I enjoyed the "smaller" part as much as the big ones. It'll be a 5. I hope you keep some big ones for the future, because the strick of incredible records is worrying.

Cinnamon girl Album name

3/5 Favorite Songs: Cinnamon Girl Down by the River Cowgirl in the Sand

Очередной Нил Янг. Очередное попадание мимо моих вкусов. Не понимаю такого количества его альбомов в этом списке.

Solid, but nothing stands out as amazing.

A - I tried this twice before finally making it through. Truthfully it just isn't for me. I think the guitar in Down By The River was incredible I enjoyed that a lot but the album is not my taste and that's ok. It was a tight 40minutes which I appreciated though! I'm excited for our first female artist.... M - Reminds me of the Brady bunch and partridge family and the 1960s is such a beloved time for music for me. Loved the harmonies in Losing end and really liked the instrumental in this album (especially Running dry and cowgirl in the sand, just incredible). Never heard Neil Young but I'm glad I have now :)) before I died. Not all the songs are something I would add to playlists but really like the vibe overall!

The term “background music” was invented for this, I didn’t hate it, I didn’t love it, it was just there

259. Everybody Knows This Is Nowhere - Neil Young & Crazy Horse (1969) 11.8.26 Variety: 4 Adequacy: 5 Listenability: 5 Uniqueness: 4 Emotionality: 5 = 4.6 rounded up to a 5 "It's so hard to make love pay/ When you're on the losing end/ And I feel that way again" Neil Young is a guy who has a very small handful of songs I remember hearing on the radio as a kid. "Heart of Gold" was the major one, with "Rockin in the Free World" maybe being the second as it coincided with his newfound 90s acceptance by the grunge and alt world. "Old Man" I think I also heard. That was more or less it. I heard his name mentioned a whole lot more than I heard his music. But the more I saw of this old dude hanging out with Pearl Jam in the 90s, the more interested I was. I even recognized a couple of his album covers in my aunt's record collection I'd flipped through when I was a kid. In my late 20s and early 30s I went through all his albums in order up through Rust Never Sleeps, and his work after that I am very spotty on, though I've heard highlights ( Everybody's Rockin is criminally underrated). I liked his stuff so much that picked up a giant record lot with a bunch of stuff I was lukewarm on because it also had a more or less complete run of his stuff up through the early 80s. And I maintain that he's one of the few artists I can think of who has been able to exist, essentially unscathed, by the march of time around him. Even the stuff I've heard from the later 80s period never really gives in to trends and fads, and looking at Young on the cover of Everybody Knows This Is Nowhere it feels like you could pluck him out of time and set him down in any year from then on and he would not look out of place. I am coincidentally, dressed in a very similar manner as the man as I sit and type this up. The same goes for his music. It holds up incredibly well compared to even a lot of his artsier, and more "authentic" peers who did give into some trends, or maybe even started trends that became tied to a particular era. This is so much the case that I think it hurts Young just as much as it helps him. It's very easy for someone today to pick up Harvest, for example and have an easy listen, especially in they are already into modern Americana and folk stuff. But, it also makes him melt into the background and become indistinguishable at a glance from anyone else doing it at the same level who maybe have a bit more of a visual panache and are more savvy when it comes to trying to strike gold on the charts. Pretty sure every time that's happened for Young, it's been happenstance. We already had one album from his seven solos ( Crazy Horse is a fine backup band) and one CSNY album. Deja Vu Yung I gave 4 stars to. It had two solo writing credits, and one co-writing credit, with "Helpless" being the only standout to me. Harvest I gave 5 stars to and loved, with "Cripple Creek Ferry" being the only song I was less than enthusiastic about. Young's run from '68 o '79 I still maintain might be the most bang for buck quality / quantity run of anyone in the 70s say, outside of Bowie ( 11 albums i you count Pin Ups, which is one of his most forgettable.) If you're very generous about the quality aspect, Zeppelin had 8 albums with a weak last half of the decade and a slow down in output, and Pink Floy had a run of 7, the first three of which most people could not even name. Young had 10 ( not counting this as it was released in '69) and I think even the worst of them are still pretty good ( Journey Through the Past has its detractors, but it's really just a weird take on a greatest hits album made up of cobbled together tv stuff, outtakes and live scraps so I don't count it). I have not heard this one as much as the run of albums from After the Goldrush on, but I remember liking it quite a bit. Let's see how much difference around 10-ish years makes. THE TRACKS Side one "Cinnamon Girl" - We open with a banger, and one of Young's most covered tracks. It's very poppy and has a touch of the garage rock feel with it's fuzzy guitars, massive bass and loose, simple drum patterns ( with added hand claps in the mix!). It's got a dinosauric guitar riff, and is catchy and sounds like it's barely aged a day. Like if dropped this on a random early 90s alt rock album, without knowing any better, I'm not sure any given listener would know it wasn't an original. It's been covered by such diverse acts as The Gentrys, Type O Negative, The Smashing Pumpkins, Los Lobos, John Entwistle, Paul Kelly, Matthew Sweet and Susanna Hoffs ( my own personal favorite cover) and even an impromptu super group at a live show consisting of Dave Grohl with members of Pearl Jam and Blind Melon. Hole even lifted the main riff for "Starbelly" off Pretty on the Inside. It's one of his best, and catchiest numbers and deserves a spot on any Young best of playlist. Covers by: ---- Matthew Sweet and Susanna Hoffs: https://www.youtube.com/watch?v=ePsASiLBbXA&list=RDePsASiLBbXA&start_radio=1 ---- The Gentrys: https://www.youtube.com/watch?v=9Sgb0abolYs&list=RD9Sgb0abolYs&start_radio=1 ---- Type O Negative: https://www.youtube.com/watch?v=BO9aD4mzSE8&list=RDBO9aD4mzSE8&start_radio=1 ---- Smashing Pumpkins: https://www.youtube.com/watch?v=koBNG5BZkPQ&list=RDkoBNG5BZkPQ&start_radio=1 ---- Los Lobos: https://www.youtube.com/watch?v=EunOC2JSv-w&list=RDEunOC2JSv-w&start_radio=1 ---- Paul Kelly: https://www.youtube.com/watch?v=gTtF39pN5P8&list=RDgTtF39pN5P8&start_radio=1 "Everybody Knows This Is Nowhere" - Country rock as only Yung and Crazy Horse could pull off, this one sounds neither too downhome or too folkie, which is my complaint with a lot of the stuff from this era. I think the Grateful Dead cold pull off this trick as well, of not sacrificing the pop rock crunchiness that infuses this one and makes it feel so light and airy. The duet style vocals and the backing chorus also give it a playfully exhausted sort of feel. "Round & Round (It Won't Be Long)" - Robin Lane of the Chartbusters joins Young on backing vocals and guitar for this pretty and sad little meditative folkie number that has an almost lullaby cadence to it, and feels like someone trying to work up the courage to keep at some sort of possibly hopeless seeming task. I have not heard any Chartbusters stuff to my knowledge, but this makes me want to investigate ( Edit: I did and I was not disappointed. If you get a few, check out "When Things Go Wrong off her group's debut album: https://www.youtube.com/watch?v=lciVmj-iFbw&list=RDlciVmj-iFbw&start_radio=1) "Down by the River" - There's some great guitar interplay on this one, and even with the generous distortion, it's chill and has a groovy rhythm that might make it one of the most relaxed murder ballads I can think of off hand. It's got one of Young's cool as hell minimalist, if not technically impressive, dentist drill guitar solos as well. I still appreciate and love work by guys like Page and Blackmore, but stuff like this puts the guitar heroics into a stark contrast that can't help me view those guys as more than a little bit silly. You mean I can play an effective solo by repeating the same note over and over? Sign me up! Side two "The Losing End (When You're On)" - More straightforward country folk-rock with some mellow ringing guitars, a lazy shuffling beat, and a heavy sad sack vibe that Young excels at delivering. There's more than a little Hank Williams in the DNA of the lyrics, if not the sound and it feels like it could easily have been reworked into a more traditional straight country number. It's lovely and a sad and has a pretty, understated vocal melody. ---- Cover version by Tweedy: https://www.youtube.com/watch?v=E5Hj4dJwl98&list=RDE5Hj4dJwl98&start_radio=1 "Running Dry (Requiem for the Rockets)" - This song has the structure of a traditional English a or Scottish folk ballad underneath it, and with the droning violin added in and the reverbed tremolo effect heavy guitar and fuzzed out mix, it comes across as more than a bit eerie and mournful. A very pretty number that adds some more variety to the mix. While not completely out of the blue, this one is a bit of an odd duck as far as Neil Young stuff goes in general, and that makes it all the more memorable. "Cowgirl in the Sand" - A lonely and whistful electric guitar sound opens this one but it quickly erupts into a heavier number about 30 seconds in that's got a little doom and gloom built into it with it's aggressive and almost angry guitar work. It's the longest song on the album, beating out "Down by the River" by a little less than a minute but doesn't feel like wasted time by any means, and has enough changes and dynamics to keep the listener interested, and not feeling like an aimless jam. I'd compare this favorably to the way cleaner and completely different long tracks on Television's Marquee Moon in that respect. Young's high delivery on here sounds even more haunted and distressed than usual, and ends the album on a bitter, but rocking note that's well representative of the rest of the sounds on it. HIGHLIGHTS - "Cinnamon Girl" - "Everybody Knows This Is Nowhere" - "Round & Round (It Won't Be Long)" - "Down by the River" - "The Losing End (When You're On)" - "Running Dry (Requiem for the Rockets)" - "Cowgirl in the Sand" - MIDLIGHTS - LOWLIGHTS - FINAL THOUGHTS That's two albums in a row with nothing but highlights ( we had Patti Smith's Horses last time) for anyone counting. If anything I think I like this more than I did on last listen, and can appreciate it more in relation to all the Young projects around it, including his CSNY and Buffalo Springfield work. This could very well be the album I might recommend to newcomers, especially if they come from a more rock-centric world and already appreciate feedback heavy guitars and such. The heavier, distored guitar work on this is great, and it never completely disappears from his work, but this is the album I think of when I think of that particular sound. He's identifiably Neil Young throughout his run, and doesn't ever change THAT much, but it's enough between albums that you can chart a very clear evolution, and when he does repeat himself it's at least an interesting variation. This one makes me want to hear what young rocker Neil Young would have sounded like. I know we've got those couple of Buffalo Springfield albums, but he was already on the path we know by that point. I want to hear more of what he sounded like playing with Rick James ( yes that Rick James) in their band the Mynah Birds. There are a couple of tracks available. Glad I got this one in again, even if we're looking at a wildly out of chronological order list for the remaining albums. We've got five left to go counting his solo and Crazy Horse stuff, and then one Buffalo Springfield album. Some might say that's too much Neil Young and why not give the spots to some other deserving acts. Tat's fair, but of all the guys on the list with possibly too many album, at least I'm mostly in agreement with the ones they did choose for him, though the lack of Zuma is a bit of an oversight. This is quality stuff, and for someone with folk-rock and country-rock bonafides, I think it's got a pretty low barrier of entry for most people who are down with rock in general as it's a bit heavier than most. His voice might be a concern for some, but I'd say it's no more of an acquired taste than many of the more idiosyncratic greats. Possible turn-Offs might include: - Young's nasally whine - some long run times on a few tracks - a lack of many recognizable hits You Might enjoy this if you: - dig some heavier sounds mixed in with your country folk rock - want a great soundtrack for lounging around and filling the house up with some weed smoke, but aren't into the hippy dippy shit - dig Young's hits but would like to learn more PLAYLIST ALTERATIONS - Nope FURTHER LISTENING Precursors: - Highway 61 Revisited by Bob Dylan - Sweetheart of the Rodeo by The Byrds - Music from Big Pink by The Band - Beggars Banquet by The Rolling Stones - Anthem of the Sun by Grateful Dead - Buffalo Springfield Again by Buffalo Springfield - The Rockets by The Rockets Contemporaries: - Crosby, Stills & Nash by Crosby, Stills & Nash - The Gilded Palace of Sin by The Flying Burrito Brothers - Green River by Creedence Clearwater Revival - Nashville Skyline by Bob Dylan - Elephant Mountain by The Youngbloods - The Allman Brothers Band by The Allman Brothers Band Descendants: - Zuma by Neil Young and Crazyhorse - Desperado by Eagles - Grievous Angel by Gram Parsons - Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers - Robin Lane & The Chartbusters by Robin Lane & the Chartbusters - Murmur by R.E.M. - No Depression by Uncle Tupelo - You're Living All Over Me by Dinosaur Jr. - It Still Moves by My Morning Jacket - War Elephant by Deer Tick - You in Reverse by Built to Spill - Lost in the Dream by The War on Drugs - Helplessness Blues by Fleet Foxes - Everything All the Time by Band of Horses - Wakin on a Pretty Daze by Kurt Vile

So around 1995, I rode with my uncle to a family holiday some hours away. He put this on during the drive, and it hooked me, deeply. Down by the River and Cowgirl in the Sand, in particular. Those hypnotic jams put me in a kind of trance. After that trip I took my babysitting money to Wind Records and bought Decade. One of the very first CDs I bought with my own kid money.

カントリーだった

good.

fantastic front to back. memorable tunes. killer jams. rock on neil.

Class

Good album. My dad loves Neil Young, just not my favorite of his music

nice and pretty for the most part, but there are a couple stinkers in here. rough for a 7 song album

It Neil Young. It's alright.

Pretty good.

Well, like most Canadians I grew up knowing this album. Some of the tracks, particularly "Cinnamon Girl" and "Down by the River" are burned into my musical consciousness. Love the album, love Neil's music with Crazy Horse. This isn't my absolute fav, but not far off. Has to be 5/5.

I love a good Neil Young song and this album includes a few classics. Cinnamon Girl is a favorite.

An enjoyable listen. First album in many that I listened to twice while working rather than wishing it would go by faster.

It's a slow paced, folk-rock album. Felt kind of generic

Have not enjoyed Neil Young but this folk rock one is ok.

It's Neil fucking Young.

This is a masterpiece from one of the true greats! Outside of Round and Round, I find this to be a perfect album. Great songwriting. Great performances from Neil and the band. Great stripped down "live" production sound. God damn this is a great listen.

Nothing memorable here for me.

6/10 - Just did not vibe with it. This project has watered down dad rock for me that I'm not really open to giving dad rock albums a second chance. Parts of it I really like. Loved Cinnamon Girl. Slept during Round and Round Fav Tracks: Cinnamon Girl Heard before? --------–- ❌ Saved a new Song? ----- ✅ Saved Album? -------–-- ❌ Will Listen Again? ---––– ❌ Album Cover ----------–

5.5 Boring country rock, pleasant as background noise but quite uninteresting.

I thought it was pretty good aaaaaaaaaaaaaaaaaaaaaaasaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa

That’s better.

Neil young solo, cinnamon girl and title track very good

good tracks...one of the heavier Neil Youngs

Hard to believe this is his second solo release and it’s 57 year old music! Cinnamon Girl, Down By the River, Cowgirl in the Sand are highlights. I used to not love Neil so much, but he’s growing on me, maybe because I’m an old man now?

A very solid album that I enjoyed in the moment, but won’t be thinking about much going forward 3.5 / 5

Только последняя песня хорошая. Остальное скучно и однообразно

Was surprised how much I loved this one. 60s chord progressions on this album are tight and the guitar solos cut through in some really cool ways. I'm assuming that's Neil. Their synergy together is palpable. Highlight: Cinnamon Girl, Everybody Knows This Is Nowhere

Another great album from Neil Young!

LOVE this album. One of, if not my top, Neil album. So happy to see this pop up in the morning.

Fine, lacked punch

A few Neil Young classics

это звучит приятно, но треки по 10 минут с однообразными двухнотными соло надоели быстро да, есть хиты, старый звук как-то не зашло, даже после второго прослушивания 2.5

"Cinnamon Girl" is excellent. Much of the rest is Neil Young doing Neil Young things. Don't really need this in my ears or on my shelves.

Strong start, very listenable album just not a standout.

Ok don’t mind it

I was fully expecting to hate this as for some reason I seem to not enjoy Neil Young but I enjoyed the first track as soon as it began, the rest of the album was perfectly pleasant and I particularly enjoyed ‘Down by the river’.

I’ve heard this before. I went through all Neil Young’s pre-90s albums recently but I missed the Crazy Horse ones, so it’s been a while since I last heard this. They say Rust Never Sleeps is considered the first grunge album but I can see it in this record too. There’s heavy distortion and plodding guitar using drop D tuning, and while the rhythm guitars can get technical, the solos avoid getting fancy and just pound away at the strings until the point gets across which is really rare in an album from this era. The way each side ends with an extended solo like this makes it a near perfect record.

There is way too much Neil Young on this list. I am so tired of his whiny voice. That being said, this is one of his better albums.

He's all right at what he does, it's just not my thing at all

I simply don't care about Neil Young.

Fourth album by this dude in less than 100. No. Absolutely not.

Not my cup of tea. I'm not a huge Neil Young fan and listening to this feels like work

Wierd how some of Neil Young's work feels so timeless, while others, like this album, so incredibly dated. Just did not vibe with this at all, despite generally really liking Neil Young.

4.85/5 great debut second to last song drags just a bit

Above expectation. Just a really pretty, soulful and understated album. Particularly liked Round & Round - what a treat!

Et ganske fint album, der sagtens kan lyttes igennem igen.

Really enjoyable. Will probably buy this on vinyl.

This is one of the better Neil Young albums I’ve had in this list. It’s a bit more rocky, less country

What a run he was on

Some of the coolest solos of all time presented in a charmingly stripped down way. What's not to like?

7.5 out of 10. Some world class tracks mixed with some slow fillers.

mmm, nice flow. Disk is good but I feel something is missing for 5/(5

I liked Cinnamon Girl going in, but the rest was a mix for me, some I liked ok but not all.

Another Neil! Must be getting close to Bowie numbers on this list, though I’m not complaining, they’ve all been somewhere between good and great. This is another one I hadn’t heard before but was really solid. Down by the River was the stand out for me. 9 minute long songs with 5 min guitar solos usually suck but I really dug this one. Goes on my list a notch below Ramble Tamble.

4.4

Soundtrack to the early 70's. One of his best.

2,3-3

Great album - should be in the overall rotation!

I like the vibe of the album. It was like a nice background noise, but a lot of the songs sounded very, very similar. Very repetitive.

One of Young's strongest. Awesome laid back folky country stuff. Can't fault it.

Beautiful album - lovely pace. You're not in a rush. Just enjoy

Best Neil Young so far.

4.1

Really good album! I probably would've never listened to Neil Young & Crazy Horse but I can hear his influence in music that I love from today

Rate: 7/10.

cinnamon girl a good start here, very easy going and catchy chorus. everybody knows this is nowhere, maybe spoke to me about how i feel in life rn, i can't find a way but here is supposed to be the place to find a new better life from the one i grow up in. round & round has words i can't comprehend but still feel like a very sad song. down by the rive, love the guitar solo in the middle of the song is such a breath moment and it cuts the story right where you want to keep listen when he talks about how this person he spoke so good has to be shot, this feel like a track that could be dine for a bonnie and clyde. the lonsing end, a heartbroken song about missing the person and missing part of yourself with them gone, but still trying to keep going. running dry, the violin took my attention immediately, is a very calming tone for the story he's telling about being alone because of his own doing. cowgirl in the sand, talks to a same woman about her different alias so i get to think he knows her and ask the question of when all the changing name and charming everyone is just nothing, i still don't gwt the deep meaning but is all i got. i like the album is a very soft rock(?), short in songs but its length is good enough, the instruments get to breathe in each song and i believe is telling a story i just couldn't understand.

Master of mellow and monotone guitar solos.

The Red Dead Redemption soundtrack if the electric guitar had been invented back then

I really enjoyed this

Aika perus-kitararockia. Jotkut biisit albumilla ei vaan lähde. Valtaosa biiseistä on kuitenkin sitä simppelimpää ja mielestäni toimivampaa kitatarock-kamaa. Mutta niinkuin aieimminkin kuultujen Youngin levyjen kohdalla; miehen ääni on raskasta kuunneltavaa koko albumin verran. Yhtä kaikki, levy on kyllä hyvä ja nautinnolllinen kuunneltava. Avausraita Cinamon girl on mielestäni paras, siinä niin Young kuin Crazy horse pääsevät heti oikeuksiinsa. 3/5

Nothing here grabbed me but it wasn't bad.

3.25 - I liked it pretty well.

Bon album de rock. Des bonnes mélodies, un bon jeu de batterie. Mais les riffs/solos de guitares peuvent parfois sonner hésitant et brouillon. Coup de coeur sur cowgirl in the sand

Another Neil Young. This is better than most of the others I've had so far, and not too long. Favourites: Down By The River, Cinnamon Girl

Nice

Solid 3, didn't really stick out to me.

This was better than the last one I listened to. 6/10

Neil Young is a fucking ICON. You want a chill album to put on in the background? No sweat. It doesn't matter if you're doing Saturday morning cleaning, a cross country road trip, or you need the perfect playlist to commit a heist to. Anything Neil Young touches is fucking gold.