Elephant Mountain is an album by the American rock band The Youngbloods, released in 1969. It reached number 118 on the Billboard 200 chart.
Reviewing for The Village Voice in 1969, Robert Christgau wrote, "In the manner of tight groups, the Youngbloods stretch thinner all the time. Not only have they lost Jerry Corbitt, but their own expertise has become somehow attenuated. Banana used to be the most tasteful electric pianist in rock. Now he has become so tasteful he can sounds like Roy Kral on a lazy night." Lester Bangs was more enthusiastic in Rolling Stone, saying "this is one of the most encouraging albums I have heard in months. ... This album exudes that supremely rare commodity in these dark, bored, destructive times – joy."
Years later, Rolling Stone said the album "bridges the gap between the last days of psychedelia and the outbreak of country-rock that had afflicted artists like the Byrds and Neil Young." In a retrospective review for AllMusic, Lindsay Planer praised the album, feeling that it "contains some of the band's strongest material to date". The New York Times described the album as their "1969 folk-rock touchstone".
This is an interesting album. I... I think I liked it? There are certainly no stand-out tracks. Nothing to point to and say, "that was a great song!" but, at the same time, I really enjoyed listening to it as background music. Nothing disagreeable in the album (apart from a brief saxophone solo which was as tasteful as that sort of thing can be). Nothing great either. So strange. Not entirely sure how to rate it so it's getting a middling 3.
Well, this was a strange one.
A bit folky.
A bit rocky.
A bit jazzy.
A bit country.
A bit too averagey.
Nothing stood out for me, and there was nothing to get my teeth into. It flowed over me like water over a rock.
And left me just as cold.
This list really loves albums that are old. This is more old music that is not special or unique compared to the other old music and it adds nothing. Just because things are old don’t make them groundbreaking or important. This is best described as decade filler.
The sound is fantastic from the get go. Loved all the songs, very folksy. In the same breath, it sounds old and contemporary, it's just an excellent album.
Sublimely lowkey. Great background, great foreground. Sounds unique and yet matches its contemporaries. I love the folk, psychedelic, and Bluesy vibes going on here.
Absolutely beautiful album. My perception is that The Youngbloods are less cited than other popular counterculture musicians but they are great standard bearers for the movement. The lyrics are poetic and still relevant to our culture 50+ years later. I love everything about this album. The instrumentation is dated but that’s fine. It’s of it’s time. So much fun.
I'd never heard of this album, or the band until now, but I'm glad I found out about them. The music is just so good! I can't believe how good this album has been, from start to finish!
Already loving the bluegrass feel as soon as the album starts. Anything that sounds like Outlander is good. Singer sounds like Neil Young.
It started like bluegrass but now it's turning into late '60s rock. I do like how every song has a different style, and each one is a pleasant little diddy.
(Note after listening) Well that was awesome. The album escalated with each song and ended on a very high note. Will 100% listen again.
I wish I could fistfight this band. Wild swings between lounge jazz and Rollin’ Stones-esque tracks left me borderline furious due to the cocktease of semi-good rock and the worst jazz I’ve heard.
Get Together, the only Youngbloods song I ever heard before this, happens to be one of my very favorite songs of the ‘60s. So I’m pretty excited to see the group appear here. It’s about time I checked out some of the rest of their music.
From the moment I hit play I loved this album. Darkness Darkness kicked things off beautifully. It’s got a folky, mountainy vibe that instantly appealed. Then as it goes the psychedelia came in and it all blended into something really impressive! The arrangement is beautiful and I love the lead singer’s voice.
The Youngbloods make folksy, bluesy, jazzy, country, psychedelia seem completely natural. Only on reflection do I realize what an accomplishment that is. Nothing really jolted me. It all just seemed perfect.
The instrumentals are wonderful. And thank you for Don’t Let The Rain Get You Down as I enter a Seattle winter. This is one of my favorite discoveries in this project so far. There will be a lot more from The Youngbloods in my future.
The Youngblood’s “Elephant Mountain” is great example of an album that isn’t really in the cultural lexicon when talking about 1960’s rock, but probably should be. The musicianship here is excellent and the songs, whether traditionally structured or improvisational are engaging and exceptionally performed, moving seamlessly between psychedelic rock, jazz, blues and Americana, sometimes within the same song.
As this record draws to a close, one final thing to note:
It’s kind of funny how literally every band residing in northern California that released a psych album in the late sixties were better musicians and songwriters than the Grateful Dead.
This is such a groovy record, I am loving it. I'm certain I've heard some of these songs before but never knew the band. I probably assumed they were just some Eagles or Animals deep cuts. I can see myself, a passenger in my dad's '79 Oldsmobile, watching the world roll by as we cruise the backroads on a sunny summer day. Maybe we’re going to get ice cream. Maybe we’re going to get groceries. It doesn’t really matter where we’re going, I just love that we’re together and the radio is playing such great tunes. This record helps me prolong this sweet reverie, it’s an unexpected conduit to happy memories, and I still miss my dad so much since he passed away last spring, so I’m going to keep idling in this one for a while.
Oh, sure. The Youngbloods. I know them. Wait...do I? Am I confusing them with The Yardbirds? Oh yeah: come on people now, smile on your brother... That's them. That song's not on this album though.
The only song I know on this album is Darkness, Darkness because Ann Wilson (of Heart) did a cover on her amazing album Hope & Glory. I love that cover. And I love The Youngbloods' original.
I love a lot of this album. It's definitely 60s but not overplayed. Interesting instrumentation. Speaking of...there are a few instrumental bits that go on a little long but that's my only complaint.
This is good good stuff and I want to hear more.
The jazzy parts are a nice change from the typical California Folk/Country/Rock/Psychedelic Music that was getting popular at the time. The overall vibe is a bit closer to Traffic than it is to CSNY.
But even so, it's firmly trapped between the walls of Laurel Canyon, where so many other artists from this list reside.
The jangly bright poppy stuff is pretty annoying in that naive 60s sunshine hippy way, but the spacier jams like the fuzzy 'darkness, darkness' and the jazzy outro to 'Francis Drake' (not the over composed fussy intro) are more exciting. The Motown via garage psych 'Sham' goes hard. You can see how this (the noodly 'Trillium' especially) might've nudged their Marin County comparisons the Dead towards the jazzy Americana they'd get start playing by 1972 when they got a pianist. A pretty mixed album and part of the massive over representation on the list of every niche iteration of the psych-folk continuum of late 60s.
Favorites: darkness darkness, sham
This is what I was hoping to get out of this 1001 list...finding albums I either didn't know of, or knew of, but never really paid attention to. I found a copy of this on vinyl years and years ago back when you could still find interesting records for a dollar in a Goodwill bin. Probably played it once and forgot about it.
So today it got a second spin. And...it's nice. I like it. Nothing profound or out of the ordinary, but a perfectly fine late 60s psych/rock/folk mashup. And even though everything seems to fit into that mashup of a genre, there's quite a bit of variety on here as well. Pleasantly surprised.
They also seem to be having fun on here. Not taking these compositions all that seriously and allowing some silliness in. Also, TIL one of the band members was named "Banana" and played most of the instruments on this.
All of that said, I'm not entirely sure why this is on the list. I had to track down a copy of the book and found that it's mainly because the author liked a few of the songs? I guess is the author's prerogative. I do agree with the author that the last track on this album is particularly good (I am also a sucker for the vibraphone). Also noticed while flipping through the actual book: holy crap there are a shit-ton of albums on this list from 1969!
Anyways, that's my review. An OK album that somehow caused me to write the longest review yet. So there's that.
PS: What is that supposed to be on the cover in the foreground? A pile of elephant dung?
Never heard of The Youngbloods and was initially impressed, but overall I think their relative obscurity is probably appropriate. Some good songs, an excellent white soul voice, a bit Buffalo Springfield, and a band member called "Banana"; unfortunately too much noodling and half-finished sketches to be a great album
Folk rock. Late 60's. Psychedelic rock. Fun songs, love some of the harmonies. Mellow but upbeat. Perfect for helping keep things light and happy while working.
Played my vinyl copy over the weekend and I really dug the laid back jazzy vibe. The folky 'Darkness, Darkness' is the standout track, but there's plenty of other highlights like 'Smug' (spitting image of classic Byrds), 'Sunlight', 'Quicksand' and the closing 'Ride the Wind'. It's generally low key, perfect for a chilled Sunday evening.
Elephant Mountain is a title that belongs to the era, but the faddish psychedelic gestures feel more dutiful than desired, and the roots rock, jazzy vibes, and an odd, shockingly Broadway feel to one or two of the later tracks make this a truly weird record, and a fun one to spend a journey with. The longer instrumentals make me sad that the form was lost to fashion, which is another way for me to say I adore East-West by the Paul Butterfield Blues Band.
An unexpected journey. The inclusion of band members' voices at the beginning of several tracks is a lovely addition, making me feel like I'm in the studio with them. "Smug" is a short fun bop that's lyrically quite cutting.
Thoroughly enjoyable psychedelic folk-rock.
Why were these guys never huge? I think it’s because they sounded like not only a different group on every song here but even a different sub-genre! They never embraced a style. If it were me I would’ve told them to go with that funky almost Chili Peppers vibe they hit on ‘Beautiful’. Guy almost sounded like Janis Joplin on that tune too. As a listener trying to id the band it would be near impossible when any other song from the album came up. ‘Sunlight’ for example, great song but sounds like an acoustic Doobie Bros tune. Then doing a rag time tune. Then a country folk tune. They could’ve been great if they did them, whatever that was. Instead I think someone was convincing them to fit into the time. They turned out to be a poor man’s Lovin Spoonful unfortunately. But I saved the album to my library regardless. A rare thing for me these days.
A lovely discovery! These guys weren't on my radar at all. It's that classic late 60s rock sound, but they like dabbling in other genres and playing little games - right up my street!
This is like a 4.4.
Fave tracks - "Darkness, Darkness" is a great opener - loved that segue from bluegrass into rock. Liked the experimentation of "On Sir Frances Drake", and the elevator muzak diversion of "Ride the Wind"
Another good lesson not to judge an album by its cover: I was expecting something very good-ol'-boys country, and instead got something that had a bit of soul, a bit of blues, a bit of folk, a bit of everything really. Exceeded expectations, not bad.
It sounds very much late 60s. Somehow reminds me of the Monkees, but it doesn't sound very much like them for the most part. Not bad, but not at all essential. Favorite song: Sham
First time I read the reviews of an album to understand why it made the list. I get that in context it helped bridge between psychedelic and the country-folk movements...but as a standalone without that context in 2025, it was kind of just...there. Nothing really to note. I think the B side picks it up from a 1 to a 2 star for me, but barely.
TIL The Youngbloods wrote "Darkness, Darkness," which is an excellent song (though truth be told, there are cover versions of it that I prefer to the original). But after that leadoff track, I quickly grew bored, and I am picking up a serious "OK Boomer" stench to this entire exercise.
This was pretty annoying. It sounded like stupid hippie crap. Gross. I didn't like this much at all. There was 1 song that actually wasn't too bad but I have so much ill will toward this album that it's getting a 1 anyway. This should be omitted from all future publications of the book. Yuck.
Another gem buried in a pile of crap. That's not fair to the list of albums, it's not all crap, but there have been a lot of poor albums served to me recently. This album was really refreshing, no highly-produced or over-engineered pretentiousness. Absolutely loved 95% of it, only a couple of weaker tracks.
Well now, spark up a doobie and love your brother. This is some good hippie rock, man.
Seriously enjoyable though. They're playing around in the studio, you can tell as much... but their little experiments bear fruit. Play it when you've got some quiet comfortable hours to yourself.
Great musicality on this record. The guys are clearly very talented, and they have the songwriting capabilities to match their chops. There's barely any folk or country on this record (a good thing), so I could see how some listeners may feel misled or be expecting something different given the tags, which may be why this doesn't have a higher rating. The truth is that this is an exceptionable jazz/psych rock record with an incredible sense of melody and rhythm.
4.5/5.0: Excellent
went into this not knowing at all what to expect. So many good sounds here, funky, nice folk rhythms, good strings, some Bossa Nova type beats even! I enjoyed pretty much this whole album.
Surprised at how much I liked this! Also recognized a bunch of it but didn’t know it was all by The Youngbloods. Psychedelic folk is apparently right up my alley
Day620 - 1969 was such a great year in music that this gets overlooked. this is one of my favorite genres rock,folk,singer-songwriter and i learned about jesse colin young
I really enjoyed this album. It's like a jazzier version of The Byrds' "Sweetheart of The Rodeo". An excellent addition to a library of Wayfaring Strangers-- altogether American music.
4.4/5 Echoes in a Redwood Grove
Warm. Fuzzy. Deep in places.
This is hippie sadness dressed as optimism.
Favorite Track: Darkness, Darkness
hits like an emotionally literate thundercloud.
“Darkness, darkness, be my pillow…”
Bro. What?! That’s gorgeous and devastating in one breath.
God that album was so fuckin awesome what the hell. On a serious heater streak and this was one of the ones I was expecting to skip through. Just great songwriting and fun tunes all vibes let’s go
What a diamond of an album. Never heard of The Youngbloods, but I was completely blown away. I was expecting some more pop rock from 66-73 that I've heard 50 times by now, but this was so much more. It's a beautiful album with excellent instrumentation that made me want to stay in the vibes. Ride the Wind was such an amazing ending of the album that I'm having trouble remembering my thoughts from earlier in the album. Darkness, Darkness, Smug, and Don't Let the Rain Get You Down were all great as well. But i just can't get past the funky finale, with its chimes, piano, and xylophone. Such a positive sounding song.
Um excuse me why have I not been playing The Youngbloods on repeat my whole life. I love this so much, even more so because the sound is the opposite of what I was expecting.
An unexpected 5... good energy throughout, mixing folk-rock with touches of jazz and country. Beautiful is a pick-me-up jam. Decided to listen through the album two times in a row, because it was working for me.
- Oooo MMMMM GGGG das hat mir seehr gut gefallen
- Kannte die Youngbloods nur über "Get Together", welches Teil des immer mal wieder von mir angesprochenen Forrest Gump Soundtracks ist. Das Lied habe ich wirklich unzählige Male gehört, ein Meisterwerk. Sonst wusste ich nix, habe mich aber auf das Album gefreut.
- Ging direkt mal richtig bombig los mit "Darkness Darkness"
- Alles eine schöne Mischung aus 60s Psychadelic- und 70s Folk- und Country-Rock. Hier und da auch proggy.
- Habe nicht erwartet, dass das Album so super klingt! Und soweit ich weiß, ist das keine Remastered Version. Also fast 60 Jahre später so crisp und ausgewogen zu klingen - hut ab. Auch schöne Stereospielereien drin, aber sie haben zum Glück nicht so übertrieben, wie andere Zeitgenossen.
- Seeeehr vielfältiges Album. Neben den oben benannten Genres, die bedient werden, hast du dann zwischendurch mit "On Sir Francis Drake" basically einen fast 7-minütigen reinen instrumental Jazz Track drin, danach mit "Sunlight" einen Song, als würde Neil Young plötzlich Bossanova machen. "Beautiful" ist dann wiederum Doobie Brothers-artig groovy-soulig. Und "Don't Let The Rain Bring You Down"? Wohl am ehesten mit "Die Beatles im Heartland von Texas" zu beschreiben. "Quicksand" ein super viby feel-good Ohrwurm mit Bläsersektion.
- Finde auch diese kurzen Instrumental-Skits zwischen den Songs super.
- Wenn man sich die Zahlen anschaut (leider) ein Geheimtipp. Der typische Fall einer Band, die zu ihrer Zeit absolut keinen Credit bekommen hat (weder kommerziell, noch kritisch) und erst im Nachhinein Anerkennung erhalten hat. Das dann aber absolut zurecht!!!
- Bin wirklich komplett begeistert und freue mich gerade echt dieses Album hier entdeckt haben zu dürfen. Wird früher oder später safe seinen Weg in meine Plattensammlung finden.
Rating: 4,5/5
When I saw this come up and read it was 60's folk music, I genuinely groaned. Really not a fan of folk. I was shocked listening through this. It was like a mix of jazz, rock, folk, experimental, and whatever else. This album was like a bag of party mix lollies, fuck me.
I think this album really shines when there was no vocals, and the band just played. You can tell what songs they've made to be the hit singles (Don't Let the Rain Bring You Down, Quicksand, etc.)
On Sir Francis Drake, Trillium, Quicksand, and Sham were certain highlights for me.
Really really enjoyed this one. No better feeling than going into an album expecting it to be shit but then falling in love with it. What a great fucking album.
What a treat to listen to for the first time! Tasteful playing, lovely laid-back grooves and cool songwriting, I'll definitely be replaying this album.
On Sir Francis Drake, Rain Song and Ride The Wind were particular favourites.
I really like this sound. It's like .... Jazzy soft rock. The lyrics (when present) are very good. I'm not finished with the album yet and already multiple tracks have grabbed my attention.
60's psychedelic rock is where it's at. I've never listened to a Youngbloods album. This has been a pleasant surprise Elephant Mountain is a way above average album and I've enjoyed every aspect. I think the opening track is great. I'll be listening to this all day.
Considering my dislike for the song “Get Together” I did not have much hope for an album from The Youngbloods. This is another instance on this list where I was glad to be proved wrong! “Darkness, Darkness” is a fantastic opener, and arguably the best song on the album, and it sets a tone for what’s to come. There honestly isn’t a bad song on this album, and besides the opening track my favorites are “Smug,” “Sunlight,” and “Quicksand.” The instrumentals are fantastic too, and on albums like this they tend to be hit or miss, but they were definitely a hit here. There are so many great albums from the 60s, and this manages to stand high amongst the competition. Truly just a fantastic record.
The Youngbloods; maybe they should have chosen a different name for themselves?
In movies, the "youngblood" is always the little upstart who ends up doing great things. This band did not... why?
Of all the albums I've listened to on this list, this is the first one where I was able to play the album back-to-back 3 times in a row, and almost a 4th.
What an absolute gem, for me. Oddly enough, I am not able to whistle or hum a tune of the album by heart, so only for this I am limiting the rating to 4-stars, but it really should be 5!!!
I had never heard of this album or band. What beautiful music! Folky, sometimes with a bluegrass feel, but also a bit psychedelic, sometimes jazzy. I think this is my favorite album that I’ve heard for the first time from this generation. Cool that it is my 100th album!
Very grateful for this find!
First listen, I did not finish. Felt it was such blah tripe.
Second listen, after reading a bit about it, was a bit better. There is no one song that is a chest grabbing cracker No#1 hit. But there is something there.
Third listen, and forth fourth, it gelled a little better me it's not country, it's something more playful. There is a lot of joy here. Quiet understated joyful play. I'm on the sixth listen now, very happy with the find. I'll put the this into my regular listen playlist.
There's a little off fun here that's not on one style of music, it's a bit prog-rock, bit 60' psychedelia, a bit classical rock, a bit folk, a bit country, a bit R&B. It's quite the mix. I'm going to give it a good rating because I can see myself listening and relistening to this, enjoyably, with a range of environments. Driving, dishwashing, art-ing, gardening, just being. It fits with a lot of my lifestyle activities.
It's good. 5 stars. (I never would have thought that at first listen, I was going to do a 'did not listen' - but here we are)
I’m pretty sure I’ve heard of the Youngbloods but I sure never heard any of these songs before! And this is very much my jam.
Kinda like the Turtles or Lovin Spoonful. Quirky little tunes, good harmonies and plucky instrumentals.
Songs added to Spotify: 4
This is an actual great psychedelic-yet-very melodic album that sounds not too hard like other psychedelic stuff - and that is its secret strength. Love it.