Booorrrriinng 😴

Where did this come from? It's like a journey through shadows and light. The lyrics hit. The dual nature of the record blends raw intensity with gentle introspection and it stands out. It reminds me of Leonard Cohen’s moody storytelling and Tom Waits’ raw energy. This really grew on me and stays with you.

This album has a dreamy, rich sound. The orchestration is big and kind of dramatic. It reminds me of Antony and the Johnsons in how emotional it feels. Some tracks go a little over the top, but there’s still a lot of beauty here.

This album feels like a dream on the edge of a breakdown. It's both glam and gritty, playful yet chaotic. The piano work is sharp, reminding me of something Elton John might do but with more danger in the notes. There's a tension here, a sense that it's all about to unravel, yet it holds. The saxophone adds an unpredictable flavor, almost like it’s clashing but fitting all at once.

It's a Leonard Cohen world, and we're all just living in it.

Incredible ambient, "space" music. I could put this on in the background and get lost. Easy to add into rotation.

Pretty incredible stuff. I'm uncertain how this passed me by in the 90's; I must have been too wrapped up in the Seattle sound. Very reminiscent of Beck, but in a less organized, more "dirty" way.

I had a whole thing typed out for this but it disappeared. Sad.

Just phenomenal, from front to back. No doubt this album rocked the world back when it was released, and is still holding up so well today. Timeless music. Easy 5.

Some iconic songs on this album. Absolutely obvious now, but it's easy to see the foundation of metal being drawn out here. Gain-y guitars, dark lyrics, and at times a "creeping" rhythm.

It's got that deep 80's sound. It's kind of a hard listen, it just doesn't break through the walls with me. There are a million albums from the 80's that sound just like this. It's generic, canned synth-pop cringy love songs.

OK, a lot of sound to digest here, and it's not all delicious. It's mostly up my alley, but some of it needed to be choked down in my middle-age. That being said, there is quality in there. I'll keep this right down the middle.

I tend to enjoy foreign music, and this is no exception. Very upbeat.

I dig the piano driven jazz pop sound MOST of this has. There were a couple of whiplash songs, but generally a pretty good album. I could explore more.

OK, this was awesome. I'm finding I really dig ambient, lo-fi type stuff. There were numerous adds to my playlists from this score. I'm going to hazard a 5 here, and definitely look for similar music to expand my listening.

The first track kinda slaps. A lot of the "same" vibe from song to song. It's not terrible terrible, and the guy obviously found his recipe and stuck to it. Like, he didn't add any spice or try different ingredients much.

Blur is right up my alley. Who doesn't love screaming "Woohoo" at the top of their lungs to song 2?

Good singer/songwriter folk music. I wasn't able to listen as intently as I'd of liked, but this is certainly worth coming back to.

Broody.

This was a rough, rough listen for me. Didn't jive with my morning, didn't catch me. I appreciate the art behind the story, and I don't mind concepts.

100% Frank Sinatra. The iconic sound is hard to miss, and this album delivers.

OK, two straight days of tossing me back to a time period well off my radar growing up. I was, however, thoroughly impressed with the melodies and harmonies of The Everly Brothers. This album contains the original version of "Love Hurts", a song we've all heard 1,000 times (and probably even know most lyrics to), and the OG version is just as good as the power ballad version that was made popular. There's just a "happy" vibe with the music that seemed very obvious looking back, making all songs pretty easy to digest. They're all bite sized too, all clocking in under three minutes. Good stuff, overall!

OK, stuck in the 50's the past couple of days, but it's turning out to be quite the treat. This was a whole vibe, and I dig it. There are songs on this album I've heard throughout the years, in the background of other media I've consumed (movies, etc). Just fantastic all around. Even the instrumental pieces are fantastic. I'll definitely be exploring more Louis Prima.

OK, so some decent stuff here. You can hear the beginning of the genre really taking shape. That being said, not enough "ambience" for me, there was a tad more techno flavor than I care for. Still good.

What a surprise Blur has turned out to be, I'm ashamed of myself for missing them back in the day - they are right up my alley and I grew to love the Gorillaz. This sounds like the "foundation" of the Gorillaz. Great stuff.

Bob just knows how to write incredible songs. A true songwriter through and through. This is probably the most "rock" you'll get from Bob, and it's spectacular. Lots of great tracks on this album, and really packs a punch from start to finish.

Incredible stuff by David Bowie. He just knew how to push the envelope in so many different directions on the same album. Some real bangers.

OK, this is my second Morrissey album (well, technically the first was The Smiths), and dare I say much better than the first I had listened too. There's still an arrogance Morrissey has that I can't quite get behind, but musically the album is good.

OK, let's address the obvious. The lyrics can be.. no, they are, very hostile. However, this album (lyrics included) is pretty incredible. The influence can't be denied. Hearing a young Cube, Dre, and Eazy-E create the foundations of gangsta rap is pretty special, and they don't hold back dishing out their view (from that time period) on racial injustices.

A powerful and soulful album that showcases Bob's unique blend of reggae rhythms and heartfelt lyrics. The tracks are infused with Marley's energy and poignant social commentary, making it a timeless classic. Its depth and artistry shine.

Decent blend of funk, soul, and rock, reflecting the social changes of the late 1960s, but its experimental nature sometimes results in uneven execution. Overall, it's a significant but inconsistent record that still manages to capture the spirit of its time.

Hmm, you can hear the raw, experimental psychedelic rock of the 60's here, but it's very foundational. It's a good listen if you're interested in the origins of psychedelic music. It's not completely "refined", however.

Layers for daysss. This album is an absolute masterpiece. The blend of music and lyrics combined create something very special.

This was genuinely pretty good! I dig the upbeat vibe, the big band feel, and rock/jazz blend. Some songs are just jams, which isn't terrible either.

Wow! This album has a ton of blend of experimental sounds and accessible melodies, creating a unique experience. The tracks are diverse, ranging from ambient pieces to more structured songs with clear rhythms and hooks. Some moments feel a bit aimless, but overall, the production is detailed. It's a solid effort that highlights an innovative approach to music.

I... didn't know electronic music was.. so old! OK, so it's not the "beat" EDM type stuff from more modern times, or the DJ type stuff from my X days. It tries to be more ambient.

The album is absolutely front-loaded with some of the must-listen Elton tracks, but starts to lose steam the longer the listen lasts. Don't get me wrong, there is nothing wrong on the back half of the album, it just kinda chugs along through the end. Still an incredibly solid album.

Thrilling from start to finish, there are blends of rock, soul, and funk throughout the album. The music is both experimental and accessible. It's a standout in any collection, love me some Bowie.

Catchy, charming glam rock. A bit repetitive, but fun and enjoyable none the less.

This album feels like pure rebellion. You can hear "punk". The energy is electric, and the songs are catchy and fierce. It's chaos and attitude and quite understandable why this album is regarded so highly. It's not something I could do everyday, but it deserves its spot in the list.

This album brings together some great storytelling with a folk-rock sound. Songs are can feel a bit repetitive. There are some OK tracks, but the energy dips in a few places.

Full disclosure as a Nirvana fan, I have.. feelings about Ms. Love. While the majority of them are about her character, I've never really held Hole in high regard, so I've never really listened to their music, sans the stuff on the radio. That being said, I'm listening for the influence here, and it's all over this album. It's not terrible by any stretch, and probably does deserve its spot on this list. Musically and vocally, it's angsty and it drives. You won't catch me spinning this album on repeat, but I'm glad I gave it an opportunity. It still didn't change my opinions about Courtney at all. 😂

Just no. I couldn't find anything on this album that struck a vein with me, and I tried twice.

Holy smokes! This record is a masterpiece of Britpop, I absolutely love the style of the witty lyrics. The riffs are catchy, and each track delivers a mix of humor and poignancy. The whole album feels very alive. Sexy, dancey, beautiful music. Easy 5.

You can hear all the early country influence throughout this album. It doesn't really resonate with me, but the whole album is an incredibly easy listen. I can't knock it for that, because theory wise, it's sound and simple. Songs are short and to the point as well, nothing clocks in over 3 minutes. Man, someone did Loretta wrong and she wrote an album about it. Sounds like dude was a raging alcoholic to boot. She's like the OG Taylor Swift. She's a pretty great singer too.

Let's bring the band together, and experiment. Just play whatever floats your boat. But make it sound good. This album takes you on a glam rock journey with a blend of experimental sounds and eager production. The vocals are haunting, and the album has a surreal and sometimes eerie vibe. It's catchy, and kept me engaged. It's adventurous, for sure.

I'm struggling to get over how diverse this album is. Hearing the first song I think I know what I'm getting myself into, but that couldn't have been further from the truth. It's all kinds of things and I thoroughly enjoyed it. The music is great, the production is great. I've listened to it 3 times already and can't really get enough. Great stuff.

Not really my cup of tea, but it's interesting and grand in places. It has a mix of cabaret and modern sounds with a dark and moody vibe. Kinda theatrical. It's a decent listen if you like a blend of classic and contemporary music.

Trying really hard to separate the shit human from the art. It's nothing special. It has some clever lyrics, but it feels uneven. Ambitious, yes, but some iffy execution. The shining light here is the production value. Please stop padding albums with skits.

Potent stuff. High-energy punk. The pace is pretty solid and sets it apart as a defining record of this genre. It has that raw production that adds to its rebellious sound. I love it and think it's incredible. It's a must listen for anyone interested in the roots of hardcore punk.

Joan showcases a signature blend of folk, rock, and jazz influences, creating a sound that's both unique and interesting. Lyrically, it's heartfelt and personal. The production is solid, but some tracks feel a bit repetitive. Overall, it's a decent listen with a few standout tracks, but it didn't really leave a lasting impression.

More of the same canned synth-pop rom the early '80s brings the same melodies and danceable beats as every other canned synth-pop artist. The tracks are, as usual, upbeat that capture the 80's electronic vibe. Terribly repetitive, lacking depth to keep engaged throughout. Overall, I tolerated it, even if it doesn't hit many marks.

This was a solid and memorable listen. Musically, it mixes folk, rock, and soul with powerful lyrics and a soulful voice. The simple arrangements keep the focus on the lyrics. Lyrically, there are some hot takes on social issues.

Do you want rock anthems? Good! Bat Out Of Hell explodes with energy and emotion. It's a masterpiece that delivers an unforgettable musical experience. The powerful vocals, theatrical compositions, and vivid storytelling create an epic listening journey from start to finish. There's passion and intensity, making it a timeless and dynamic essential rock album.

What a great mix of rock and soul! Each song feels genuine, with a solid backing band that adds to the experience. It's an enjoyable listen for anyone who likes both genres, combining the energy and emotion in a way that's hard to beat.

This is a pretty great mix of R&B, funk, and pop. The production is very "rich". I was actually quite blown away with how easy of a listen it was, and ran through it twice.

Wow. Short. Only ~32 minutes. It's a mix of art rock with orchestral pop in a pretty cool way. The music is interesting, though some songs feel a bit too "over" produced, if that makes sense? It's a good album, but I couldn't quite connect for some reason. Gave it a double shot too.

Incredible music, incredible influence. Ahh, the innocence of that era. They really had no idea. Little Richard's impact is very obvious and etched all over this album.

The best song on this is a cover. Personally I don't think it's anything very special, but it's not terrible either. Mixed. More post-punk and alternative rock, with a raw and gritty sound. The overall energy and style make for an interesting listen. It did not grab me on the first spin, but it's worth a few listens to fully appreciate its quirks.

I'm always blown away by how much I enjoy this genre of music. Afro-Cuban jazz that immediately grabs your attention? Yes please! It's like the music you hear at a street festival. Energy, talent, and passion. It's perfect for anyone who loves music that makes you want to move and feel the joy of the beats.

More really, really good jazz. I can't believe I'm such a sucker for structured jazz music. It's so alive. An absolute gem for any jazz lover. Brass sections, smooth piano, and infectious rhythm that is all gas no brakes.

Tons of powerful lyrics and strong beats, capturing empowerment and resilience. Queen's delivery is sharp. There are standout moments that remind you why she was so influential in the industry. It's a solid listen.

Geez, need help relaxing? This album will do it. It's a calming mix of classical, beautiful and peaceful music, making it great for winding down. It's a nice listen but may not be for everyone.

Loud, raw, and full of youthful energy. Most songs are catchy. The lyrics aren't deep, but they fit the vibe. Overall, a solid debut with plenty of attitude. Not perfect, but memorable.

This album is a moody ride. The lyrics are raw and heartfelt. Each track flows into the next. It’s a bit slow at times, but I think that's its charm. Great for a rainy day. Not for everyone, but worth a listen.

I had a tough time getting behind this. The album feels chaotic and raw. The energy is relentless. Lyrics are sharp, and tackle social issues. The production is rough, which suits the punk vibe. It has moments of brilliance, but they are scattered.

This album mixes jazz and rock really well. It's smooth and cool. The instruments blend perfectly, and both songs flow. It's a unique and timeless listen, and something I'm happy I got to experience.

This collection of songs feels like a cozy night by the fire. It's warm and inviting, and the saxophone adds a touch of magic. It's hard not to tap your feet or sway along. Perfect for unwinding after a long day.

A classic jazz performance. Energy is high, crowd is alive. The solos are phenomenal. The band is tight. It captures the essence of live jazz. A must-listen for any jazz enthusiast.

Raw energy bursts in the beginning. The sound is gritty and primal. It's a relentless ride through rebellious rock. The vocals howl with a wild, untamed spirit. There was a unnecessarily long song which took my attention away, then the rest just kinda fell off.

The album feels like a throwback to their raw, grungy days. The energy is undeniable, with heavy riffs and rough vocals. Songs blend together, creating a consistent but monotonous vibe. It's loud and unapologetic, but lacks any spark to make it memorable. Great for hardcore fans, but others might find it repetitive. I say this as a Nirvana fan, who is well aware the Venn Diagram of Mudhoney/Nirvana fans is basically a circle.

This live recording captures raw energy, and any show from this compilation would have been an experience. The performances are tight. The first disc is a nice, complete ride. The second disc is a bunch of repeated songs from the three nights they were in Japan. It’s a solid listen, but could have been one disc with zero repeats.

OK, this album has a very pretty atmosphere. It's lush and immersive, and the production feels both grand and intimate.

Pretty electric and pretty awesome, filled with a lot of songs I wasn't familiar with, albeit a short album.

A complete nostalgic journey. Absolutely unforgettable. I've spun this album to death prior and I'll continue to spin this album to death after. I know many of these songs on guitar.. It’s a must-listen for anyone who loves grunge and alternative rock.

More incredibly interesting world music. I just dig the vibe of it all. Sometimes a little repetitive, but overall a fun journey of moving and grooving.

Guess I'm gonna be depressed today? OK, not to jump on that band wagon. When you break it down, it's not terrible, but it's no masterpiece either. Maybe I really need to be in a different frame of mind for this one, but I'm not, so I can't. I respect it for what it is.

It doesn't need to be chart-topping music to make you want to vibe along. Bowie is a master at his craft and musically talented beyond what should be capable. But this kinda misses - maybe it's age catching up, or maybe I'm just too spoiled with all his earlier work.

Zero doubt about the influence this had when it first came out. It's pretty raw and really good music. Rock, Blues, Funk, it's got a lot more to offer than the title track.

This album has a nostalgic early 80's charm. The music is subtle and layered, and sorta feels like a soft conversation. It’s reminiscent of early Nick Lowe.. Comforting, though it doesn’t push many boundaries.

I don't mind live recordings in this list (it's almost necessary), and this one is a raw, unpolished charming addition. Imagine being transported to a smoky, intimate venue. It has the gritty, heartfelt vibe similar to early Howlin' Wolf recordings. It's a great snapshot of a moment in music history. Docking stars for repeat songs.

I personally thoroughly enjoy an instrumental "background music" type album, and this was no disappointment. A fun journey through chilled-out beats and smooth rhythms. Each track flows into the next, creating a seamless listening experience. Perfect for late-night relaxation or a lazy Sunday afternoon. The album’s vibe is soothing the soul.

This album of covers was very beautiful, and feels like a cozy evening at home. It reminds me of the easy-listening style of Frank Sinatra.

What a trip down memory lane. Smooth, melodic, easy listening, could spin this over and over.

This feels like daydreaming in melancholy . The songs gently drift and sway. It's reminiscent of early Nick Cave, with a touch of Springsteen's storytelling. The vocals carry a raw, emotional weight. Kinda soothing, kinda stirring.

Absolutely full of bangers, and no doubt a huge influence on the landscape of music.

Very interesting, this album feels light and reflective. There is a minimal feel, which I like. It has a touch of Bon Iver's vibe. The mix of electronic and acoustic sounds is smooth, it's a quiet journey through feelings.

Man, keep the 5's coming. This is such a trip and it's so good to hear The Beatles growing and experimenting here.

Lauryn successfully blends hip-hop, R&B, and soul in a way that's both powerful and personal. She explores love, identity, and social issues. The production feels organic, with filling instrumentation that adds to its quality. Overall, it's an impactful listen.

Where did this come from? It's like a journey through shadows and light. The lyrics hit. The dual nature of the record blends raw intensity with gentle introspection and it stands out. It reminds me of Leonard Cohen’s moody storytelling and Tom Waits’ raw energy. This really grew on me and stays with you.

A mix of melancholy and defiance. The music is introspective, with a vulnerability that recalls the early work of The Smiths, but with less bite. There's a longing in the lyrics, but the melodies sometimes feel like they’re holding back. It’s not as sharply observed, but it has moments of quiet beauty. It’s an album for grey afternoons; not always resonant.

An incredible blend of jangly guitars and urgent vocals, Document feels like walking through a familiar city on a crisp autumn day. The lyrics are cryptic, yet they linger, like a phrase you can’t quite shake. It brings to mind the edge of Talking Heads, but with a rougher, more rebellious undertone. The album flows, creating a journey that’s both introspective and outward-facing.

Moving Pictures flows like a journey through a sci-fi dreamscape. The music is a blend of sharp, precise rhythms and expansive melodies. It’s like listening to Pink Floyd, but with a harder, more precise edge. The music moves with urgency and restraint, creating a tight, controlled energy. There’s a sense of meticulous craftsmanship, but it never loses its raw, human feel.

I'm shook. This album is incredible, and feels very intimate and raw, like you’re sitting in the room with Jeff. The vocals are full of emotion, almost like early Radiohead but more delicate. It draws you in, not with force, but with a quiet intensity. Simple yet deeply affecting. Blown away.

Wilco music is like a delicate blend of warmth and melancholy. The sound is like a mix of Neil Young’s introspection and Radiohead’s sonic experimentation. It feels familiar but always finds ways to surprise. Each track unfolds like a story told by someone who’s been through it all and is still searching for something more. The simplicity is deceptive; there’s depth beneath the surface, and it lingers long after it ends.

Funeral is like a journey through memory. It's full of raw emotion and warmth, with a vibe that reminds me a bit of Talking Heads. There's something comforting about it, even when it’s a little sad.

Antichrist Superstar feels like a long, loud tantrum. The repetitive anger lacks any depth. Imagine Nine Inch Nails but without the same finesse. Actually, it's kinda funny because Trent Reznor is all over this album. It’s raw, but not in a way that feels meaningful at all. Just relentless, and not in a good way.

CTRL C + CTRL V. Nothing much to grab onto. The beats are decent, but nothing really stands out. It tries to have the mood of something like Massive Attack, but it doesn’t quite hit the mark. It just doesn’t stick.

Polished and poppy, this album is fun! Full of nostalgia feels and a sense of youthful energy. The beats are crisp, the melodies infectious, and the lyrics capture that feeling of chasing after something just out of reach.

Actually pretty good for his post Beatles debut. It's raw and simple, the emotion is right on the surface. Like early Bob Dylan, but more personal. It's not really an easy listen, but that's what makes it "real".

Geebus Chris Fred, STFU! The album would be fantastic if it wasn't for the lyrics. It’s trying too hard to be edgy, and it often comes off as a parody of itself. There’s a sense of "manufactured" rebellion, lacking the sincerity found in Rage Against the Machine's work. The aggression feels forced, like a cartoonish version of what anger should sound like. It’s not unlistenable, but it’s forgettable. There are maybe two tracks Fred doesn't ruin.

Kinda feels like a gentle conversation. The themes are deep, but the sound is smooth. It’s a bit like Curtis Mayfield’s work but with more introspection. The grooves are easy to get lost in, though it can feel repetitive at times.

It’s a mellow, easy listen. Very close to a 5. The sound is stripped back, the vocals are gentle, pulling you in close. It’s the kind of music that feels like a quiet conversation late at night. Simple.

Feels like a cozy blanket on a rainy day. The songs are simple but comforting. It’s like listening to early Simon & Garfunkel, where everything is just soft and easy. You don’t need to think too much, just enjoy the moment.

Second Lennon album in a weeks span. The album feels like a deep breath, the music is straightforward, with melodies that resonate. There’s a vibe similar to Paul Simon’s work—relaxed, but meaningful. It’s not trying too hard, just delivering something real and honest. The Beatles were great because they had the influence of the four members. Break them apart and you can hear each's contributions.

All about the energy. The rhythms pull you in, and the beats are so infectious you can’t help but move. The horns are loud and proud, giving it a funky vibe that reminds me of something James Brown might have done, but with a sharper edge. It’s bold, it’s powerful, and it’s got a rebellious streak that makes it stand out.

It’s raw and fast. There’s a gritty charm to the simplicity. It feels like the rough edges were left in on purpose. The energy’s there, but it’s more direct. It’s not polished, and that’s part of the appeal. The only real problem is all the songs really start to sound very similar the longer the listen goes.

A interesting swirl of rhythms, almost trying to pull you into a trance. The beats are loose, carefree, and almost lazy, but in a way that feels intentional. Never heard of these guys before, but it was a pleasant surprise. Great vibes!

This album came out of nowhere! There is a real global journey feeling going on. It's raw, energetic, and full of surprises. The beats hit hard but remain playful, almost like a soundtrack for a chaotic, vibrant city. There’s a mix of rebellion and joy in every track. The soundscape is wild yet grounded. It really started to grow on me.

Relentless, but repetitive energy. It's raw, and could have been refined, but instead, it feels more like uncontrolled chaos. Korn wannabes, but lack the same musicianship that made Korn at least easier to listen to. It’s heavy, and it all blends together, losing impact. Layers for the sake of layers. Cory is a powerful singer, but this album doesn't really give that opportunity.

This album has some cool moments, with guitars and drums that drive the energy. Sometimes it feels a little too over the top, like it's trying too hard to be epic. It’s impressive in parts, but it doesn’t always hit home emotionally.

This album is cool and catchy, with rhythms that surprise you in a good way. It’s got a clean, easy vibe, like something Miles Davis might do. It’s fun to listen to, and there’s also a lot of skill behind it. I'll definitely be coming back to this.

Mellow and a bit nostalgic, with simple, airy melodies, with a laid-back vibe. It's easy to get lost in, one that's easy to come back to again and again.

Listened to this on a beautiful Sunday, driving through cornfields and small towns in Midwest USA, which definitely had an effect on the vibe of this album. It feels like drifting through half-remembered dreams. The musical texture is warm and nostalgic. There’s a subtle eeriness, a bit like Aphex Twin’s more ambient work, but gentler, and more inviting. It’s music that wraps you in a haze, where time feels slow and blurred. It’s perfect for getting lost.

Dark, chaotic, and deeply emotional, TDS captures a raw sense of despair. It blends heavy industrial beats with vulnerable moments, creating a balance between aggression and introspection. The harsh sounds crash against moments of quiet, almost tender reflection. It’s heavy, but there’s beauty in its chaos.

This album is mellow, like sitting by the window on a quiet day. It reminds me a bit of early Peter Gabriel, but softer, more spaced out. The songs unfold slowly, with gentle keys and light drums. It’s simple but has a warm, easy feel.

This live recording sounds raw and intimate. The setlist mixes acoustic simplicity with electric energy. It’s a bit like early Neil Young but less polished. The transition from folk to rock is jagged, but that’s the charm. The audience’s reaction adds a layer of tension that makes it more interesting. It’s a snapshot of an artist in flux.

This album is raw and wild. The vocals soar with a raspy, bluesy power, almost like Aretha Franklin meeting Grace Slick in a dive bar. The guitars are gritty, unpolished, but full of energy, like early Cream. It’s loud but emotional, switching between soulful ballads and heavy rock without losing its edge. You feel every note, every growl.

The album feels like stepping into a strange dream. It's quirky, with a mix of hip hop and alternative beats. The vocals are laid-back, blending with the electronic vibe in a way that feels effortless. It has a touch of Beck's early experimental sound, but with a moodier, more animated twist. The tracks are catchy, weird in all the right ways. There's a carefree energy that pulls you along.

This record feels like a laid-back road trip. It’s gritty, bluesy, and has a rough charm that’s hard to ignore. The vocals hover between a growl and a whisper, almost like Tom Waits, but less smoky. The whole thing feels raw, like it was recorded in a dimly lit bar after hours. There's a simplicity to the sound that just works, pulling you in without forcing anything.

This record is like a mix of The Beach Boys and The Kinks. It’s breezy but still a bit odd. There are lots of layers and little quirks in the production. The songs drift between whimsical and melancholic, which keeps it interesting. Sometimes it feels a bit too polished, though, like the edges were smoothed out. Still, it has its charm in the melodies and quirky lyrics.

All Directions has a moody, introspective feel. The music blends funk and soul with an edge that feels a bit darker. The instrumentation is tight, but it can feel a little repetitive at times. Some moments shine, but others just sit there without much change. It’s solid, but not every track hits hard.

Wow! What a confident stride forward. The harmonies are tight, and the vocals bring a lot of energy. There’s a fierceness that reminds me of TLC’s swagger. The production is sharp and catchy. It feels empowering, with a lot of heart behind the words. The blend of R&B with pop sensibilities works really well.

This album has a dreamy, rich sound. The orchestration is big and kind of dramatic. It reminds me of Antony and the Johnsons in how emotional it feels. Some tracks go a little over the top, but there’s still a lot of beauty here.

This album feels like a dream on the edge of a breakdown. It's both glam and gritty, playful yet chaotic. The piano work is sharp, reminding me of something Elton John might do but with more danger in the notes. There's a tension here, a sense that it's all about to unravel, yet it holds. The saxophone adds an unpredictable flavor, almost like it’s clashing but fitting all at once.

This album is a wild ride. It’s like prog rock met punk energy, then added layers of psychedelia. The sound twists and turns, much like early King Crimson, but with more urgency. The vocals are frantic and emotional, pushing boundaries. Guitars spiral out of control, but it all feels intentional. It’s chaos, but with structure underneath.

This record feels like a mix of classic rock with a synth twist. It's got that energetic vibe, but the keyboards bring in something different. There’s a pop-rock feel that’s a little like early Billy Idol, but with more guitar swagger. Some tracks hit hard, while others seem to float by. The vocals are solid, but the guitar work stands out the most. It’s fun, but not always memorable.

This record is a slow-burn, filled with sweeping guitar work and lush synths. It has a driving, atmospheric feel, like Springsteen meets My Bloody Valentine, but way more introspective. There’s a sense of longing in the lyrics, and the songs drift by in a dreamlike haze. The production is rich, but nothing feels rushed. It’s patient, letting the sound breathe and grow.

The beats are crisp and tight. The lyrics feel thoughtful, with a laid-back flow that reminds me of A Tribe Called Quest, but with a bit more grit. There’s a blend of nostalgia and consciousness, like it’s from a time when hip hop was about connecting people. It has some playful moments, but it doesn’t always hit as hard as I hoped. Still, there’s a warm energy throughout that’s hard not to appreciate.

This album feels raw and gritty, like a mix of AC/DC and early Aerosmith. The guitars have a sharp, bluesy edge, but there's something almost primal underneath. It’s got that driving, no-frills rock energy. The vocals are bold, a little untamed, with a swagger that fits the stripped-down sound. It’s simple, in a good way.

There's a quiet, melancholic warmth to this album. It feels like a hazy walk home on a cloudy evening. The production is spacious, almost ghostly. There's a Neil Diamond vibe in the reflective lyrics and vocals, with a bit more vulnerability. The songs are soft and slow, yet they carry a weight that lingers. It’s intimate and a little sad, but comforting too.

This album is haunting. The lyrics feel like quiet, whispered confessions. It’s sparse and heavy, like late Johnny Cash, but darker. There’s a sense of peace, though, even with all the weight. The minimal arrangements make it feel timeless, almost like it’s always been here. You can feel the end, but it’s not desperate—it’s calm, resigned.

This album feels like a quiet afternoon, soft and introspective. The melodies float along, simple and sometimes playful, with a bit of melancholy just beneath. It reminds me of early Simon & Garfunkel but with more of a bookish charm. The lyrics tell little stories, almost like conversations you overhear. It's easy to get lost in the gentleness, though some tracks feel too similar, blending together by the end. Still, there's a warmth here that's hard to ignore.

The sound is sharp but playful. It’s a mix of pop and punk, with a hint of ska, like The Clash got a bit more polished. The lyrics bite, full of clever wordplay, but the music softens it. There's energy, but it doesn’t quite grab you like some of the best new wave albums. Still, there’s charm in the offbeat rhythms and catchy choruses.

The sound feels like it’s somewhere between early Genesis and something just a bit more playful, like ELP on a lighter day. It has a mix of the ambitious and the familiar, with melodies that stretch and pull. The guitars sometimes take you by surprise, jumping out just when the mood seems settled. The vocals carry a kind of dreamy optimism, floating above the rhythms like clouds over shifting landscapes. It’s intricate, but not too heavy, more curious than complex.

This album feels like a rough collage of blues and experimental rock, blending grit with moments of surprising melody. It's got the raw edge of early Frank Zappa but without the same smoothness. The vocals are offbeat, almost abrasive, which works at times but can also feel disjointed. There's a sense of freedom, though—like it's all being pieced together as it unfolds. The bass lines are groovy and anchor the chaos just enough.

It's easygoing and laid-back, like listening to Fleetwood Mac but with a bit more grit. The guitars sound nice, and the songs tell stories without getting too deep. Some tracks kind of blend together, but it keeps a chill vibe. It's not groundbreaking, but it feels good to have on in the background.

This album has a loose, wandering feel, like it’s figuring itself out as it goes. The folk elements mix with a strange, almost psychedelic vibe, kind of like early Pink Floyd but more acoustic and raw. There are some nice moments where everything clicks, but other parts feel a bit scattered. It’s an interesting listen, though not the most focused.

Dark, heavy, and raw. It crawls through the mud and grinds under your skin. The guitars churn like Soundgarden but with more grit, more pain. There’s a weight to the lyrics that feels personal, like a burden shared. It’s rough, but that’s what gives it power.

The sound feels intimate and reflective, like finding an old journal and flipping through the pages. The harmonies are gentle, blending together with a warmth similar to Crosby, Stills & Nash. The lyrics explore big themes, but there’s a quietness, almost like a whisper. Every song has a feeling of nostalgia, mixed with a kind of melancholy. The music is simple, yet layered, leaving room for you to really sit with it.

This album has a laid-back, moody vibe, like drifting through a cloudy day. The guitars and vocals remind me of early Radiohead, with a bit of Elbow’s quieter moments. It’s chill, sometimes dreamy, and pulls you into its own world without being too intense. Simple, but it works.

This album feels like walking through fog. The fuzz and distortion are heavy, but it doesn’t quite land. It’s like listening to The Velvet Underground but without the warmth or charm. The vocals hide behind the noise, never really pushing through. It’s an interesting vibe, but it lacks depth. You could get lost in it, but I’m not sure you’d want to.

I'd listened to this in the morning, as I usually do with my albums, but that's just not the correct setting for this album. After finishing my day quite a ways from home (like one hour), I decided to listen again. On the road, driving home at midnight. Honestly, perfect setting (also I might have been in a more receptive state of mind). I've bumped the main tracks to death in my youth, they were great for subwoofer beats. But the whole album is a banger. It's raw and explosive, like a thunderstorm you can’t escape. Each track feels like a wild rush of adrenaline, mixing aggression with infectious rhythms. The beats hit hard, and the energy never lets up. It’s chaotic but in the best way.

This album has a way of building tension with each track. The beats feel heavy, almost relentless, like the basslines on some early Beastie Boys records but sharper. The lyrics come fast, hitting hard, like a stream of powerful thoughts and ideas just flowing. It’s chaotic, but in a controlled way, kind of like a Bomb Squad production turned up a notch. You feel the energy, like a rally cry, without any polish to soften the edges.

This album feels like a warm, easy conversation between generations. It moves with a gentle sway, like old friends playing together on a front porch. The blend of voices and instruments is soft, inviting, and full of tradition. It's a lot like something you’d expect from The Carter Family or maybe even a more relaxed Johnny Cash. There's a quiet comfort to it, like an afternoon spent with your favorite people.

This album is a messy swirl of noise, distortion, and chaos. It feels like early Sonic Youth but without the artful restraint, leaning instead into the absurd. The songs are jagged and abrasive, like they're testing your tolerance more than anything. There's a rough, almost primal energy here, but it’s hard to find a thread that pulls you through it. If you’re into bands that thrive on discomfort, you might appreciate it. Otherwise, it’s more likely to leave you feeling lost in the noise.

This album feels raw, like a jam session on the edge of something real. The acoustic moments have a Dylan-like vibe, stripped down but heavy with meaning. The electric parts are fuzzed-out and messy, a bit like early Crazy Horse mixed with The Stooges’ energy. It has this gritty blend of folk and rock that’s both casual and chaotic, but still intentional in its roughness. The whole thing moves between tender and reckless, sometimes in the same breath.

A lot of this feels like floating. The live tracks stretch and bend, with loose, jazzy improvisation. It kind of feels like early Santana but slower, with more room to breathe. There are moments where it drifts too much, though. It’s good for background, but it’s easy to lose focus on.

This album feels warm and easygoing. There’s a lot of rhythm that moves you, with layered beats and smooth rhymes. It’s a bit like De La Soul’s early work, playful and conscious at the same time. The jazz influences blend well with the overall vibe, keeping it laid-back. Some tracks stand out more than others, but it all flows together pretty naturally.

This album is chaotic, but in a way that feels almost too intentional. The songs stumble and clash, like they’re trying to be something they’re not. It’s like listening to Frank Zappa’s most experimental moments, but without the structure that makes them work. There's a raw energy, but it’s buried under layers of noise and confusion. It’s more of an endurance test than a musical experience.

The music feels like a journey, building layers with every track. It’s haunting and grand, like Bowie at his most theatrical, but darker. There’s a rawness in the lyrics, balanced by intricate soundscapes. The way it drifts between intense and quiet moments is almost hypnotic. You get lost in the storytelling, swept up in its emotional weight.

This album feels massive but intimate at the same time. The layers of sound hit like a wall, but the melodies are so smooth, they almost glide over you. It’s like if Journey had a bit more edge, or Queen kept things more radio-friendly. The balance between rock anthems and ballads is perfect. Every track feels polished but never overdone.

This record feels like a collection of moods. Each song has its own small world. There’s a looseness here that reminds me of Bob Dylan at his most freewheeling, but with a sharper edge. It swings between tender moments and pure chaos. It’s playful, yet introspective. You can tell the band was exploring new ground, and you feel that adventurous spirit in every track.

This album feels raw and soulful. The vocals are gritty, yet vulnerable, drawing you in with every note. It’s like listening to someone pour their heart out, similar to the energy you might feel from someone like Otis Redding. The instrumentation is tight but not too polished, leaving room for emotion to shine through. There’s a bittersweet undercurrent that pulls at you throughout.

This one feels like a cold walk through the city. The beats are sparse but sharp, with hard edges that remind me of early Nas, though less soulful. The verses are focused, almost clinical, cutting through each track with precision. It’s not flashy or loud, more of a slow burn, like it’s daring you to keep up. The mood stays steady, heavy with the weight of careful wordplay and dark tones. It’s good for when you’re in the mood for something thoughtful, but it doesn’t reach the warmth of some other works in its style.

The guitar melodies feel smooth and effortless. Each track rolls into the next like waves on a calm sea. It has that laid-back vibe, a lot like Clapton in his quieter moments. There’s a sense of simplicity, but it’s deep. The whole album just feels easy to sink into.

This one feels like flipping through radio stations on a long drive. There’s a blend of beats and melodies that pull from everywhere, like old-school hip-hop meeting lo-fi rock. Some tracks remind me of the playful weirdness you get with early Beastie Boys, but softer, less chaotic. The production is gritty yet polished, layering a lot without feeling heavy. It’s like taking a stroll through a collage of sounds, each track surprising in its own way.

This record feels like a quiet walk through an overcast afternoon. The arrangements are gentle, with understated strings and slow, steady guitar lines. It has a touch of Leonard Cohen’s reflective tone, though it’s less heavy, more like a soft daydream. Each track takes its time, letting the mood linger without pushing too hard. There's a subtle melancholy that feels comforting, like an old memory you can’t quite place.

This album feels like a journey. The fusion of jazz, funk, and hip-hop is raw and full of energy. It’s layered, complex, yet accessible. The way themes of identity and struggle are woven into the music reminds me of something OutKast might do, but with a sharper edge. Each track hits in its own way, like pieces of a larger puzzle. It’s bold, unflinching, and powerful.

The album has a kind of restless energy, shifting between moods. The production feels big, almost theatrical, like early Genesis but with a more personal edge. There’s a mix of experimental and straightforward sounds, giving it a unique push and pull. It’s almost like listening to a David Bowie record from the same era, but it has a darker, more introspective vibe.

This record has a loose, rollicking charm. It feels unpolished but in the best way. The energy is raw, like early Rolling Stones, but with a bit more swagger. Every track feels like a jam session. It’s gritty, but there’s still a lot of heart behind the roughness. There’s an undeniable joy in the chaos.

The record feels like a mix of tight riffs and loose energy, blending rock and folk with a hint of psychedelia. The harmonies are smooth, but there's a roughness in the guitars that’s hard to miss. It brings to mind early Byrds or maybe Buffalo Springfield, but with more swagger. The songs move fast, almost like they’re eager to be heard but not lingered on. It’s a bit all over the place, but in a way that’s strangely charming.

This album feels like walking through fog. It’s layered and strange, sometimes quiet, sometimes rough around the edges. Think of Aphex Twin’s softer moments, but with a bit more rawness. There’s something messy yet deliberate here, like each track’s a puzzle missing pieces. The whole thing is a bit eerie.

Funky, raw, and bouncing off walls, this album is a kinetic whirlwind. It has the punchy irreverence of early Public Enemy but swings back into moments of jazz and chill. Gritty beats keep everything moving, with lyrics that are both sly and off-the-cuff. It’s loose yet intentional, messy in all the right ways. An album that jumps between attitude and introspection, it feels like a good friend who’s loud and unpredictable but, somehow, always on point.

This album feels like a quiet dawn after a storm. It’s big and warm, with something like Dylan’s ease but richer, fuller, almost like a garden that’s grown wild. The songs have layers, some parts sharp and direct, others soft and buried deep. There's a steady, soulful weight that pulls you in, reminiscent of something out of Clapton’s bluesier moments, but with a lighter touch. It’s not showy, but there’s a lot here if you sit with it.

Haunting synths drift in, like fog rolling over fields. The music floats between beauty and alienation, something both familiar and strange. It feels like Brian Eno met Joy Division in a dreamscape, giving warmth and distance all at once. The beats don’t lead; they pulse like a heartbeat that’s almost slowed down. You get lost, but it’s calm, like an embrace from a ghost.

Willie really broke it down in this concept album; his voice and guitar carrying the bulk of the weight. The album tells a simple, haunting story about a preacher drifting from town to town, looking for something he lost. After his wife leaves him, he carries a mix of hurt and anger, trying to find peace but holding on to a bit of revenge, too. Each song feels like a scene from an old Western, raw and honest. The quiet music pulls you in close, making you feel like you’re right there, riding along on dusty roads, watching his journey unfold. It’s a story that feels real, like it’s told around a fire on a cold night.

A bright burst of fun and freedom, every song brings a kind of pure, summery energy that feels effortless. The beats are punchy but breezy, like they were made for dancing down the beach or cruising with friends. It’s got that infectious, carefree vibe reminiscent of early Blondie but with a twist that’s bolder and a bit more playful. The blend of pop and punk is light and catchy, full of hooks that feel timeless without trying too hard. It’s the kind of music that’s just easy to love, no questions asked.

Booorrrriinng 😴

Bumping this to a 4.. Mostly for the fact that you can really hear the roots of rock and roll here, with the Rolling Stones coming to form. The single from the album pulled this up to a 4. This album’s got a gritty, bluesy vibe that hits. It’s raw, simple, and kind of messy in a good way, like early Dylan or The Band. It doesn’t try too hard—just feels honest, like each track gets to just be what it is. The whole thing has this cool, old-school energy that pulls you in.

A smooth, sultry vibe drifts across each track, like a soft blend of D'Angelo’s rich tones and Sade’s moody intimacy. The beats are mellow, rhythms slow but textured, creating a warm, inviting space. It’s an album meant for dim lights and quiet moments. Vocals stay calm, restrained, letting the music breathe. There’s a sophistication here, a kind of timeless charm, yet it feels contained, never pushing boundaries.

A warm blend of jangly guitars and gentle harmonies. It feels like power-pop filtered through a layer of fuzz. Hints of Big Star linger in the melodies, echoing that bittersweet brightness. The lyrics are simple but stick just enough, quietly connecting. It’s catchy, but not in a way that tries too hard. Each track rolls into the next, like flipping through a well-worn photo album.

This album hits you with a mellow groove. It’s simple but powerful, the kind of sound that gets under your skin. The songs are soulful, like Marvin Gaye’s *What’s Going On*, but there’s a rough edge here. The lyrics say a lot without needing to shout. Feels real and unpolished, giving space to feel what’s behind the words.

This album has a laid-back, open-road vibe that feels a little like early Neil Young. The sound is simple, steady, and leans on warm guitar and smooth harmonies. Nothing too flashy or overdone, just a calm, easy listen. It’s music for a long drive or a lazy afternoon.

This album feels like a cozy chat with an old friend. The songs are simple and honest, sharing stories about family and hard times. There's a hint of Emmylou Harris in the way it all feels real, like you’re just sitting and listening to someone who really cares. The music stays low-key, letting the vocals and stories take center stage. It's heartfelt, down-to-earth, and doesn’t try to be anything it’s not.

This album’s got a laid-back vibe that pulls you right in. The organ is rich and bluesy, almost like it's talking to you. The whole thing rolls out smooth and easy, kind of like a Ray Charles instrumental but with more of a soulful, late-night feel. It’s casual but confident, like it knows exactly what it’s doing without trying too hard.

This album feels like an easy drive down a country road. The music is simple, stripped back, and solid, with a kind of worn-in sound. It has the same grounded vibe as early Neil Young, but with a bit more grit, like it’s been around a few times. Nothing fancy here, just good tunes that roll out smooth and steady. It’s music that feels like home.

Gritty and glimmering, this album pulls you in with its mix of dark and bright sounds. It’s a bit like Bowie’s Berlin phase but cranked up. Synths resonate alongside edgy guitars, creating a vibe that’s both moody and catchy. There’s tension and release, a back-and-forth that feels just right.

Simple, soulful, and unapologetically blue, this record doesn’t try to be anything it's not. The guitar work is sharp, reminiscent of early Fleetwood Mac’s blues era, especially in the way it balances between intensity and restraint. It’s an album that sticks to its roots, showing deep reverence for the blues without overplaying.

There's a surprising roughness here, a step into something less polished and more experimental. It’s almost like Talking Heads took over, with an offbeat rhythm and a restless energy. Every song feels a bit like a risk, playing with dissonance and harmony in a way that feels natural but unpredictable. It doesn’t aim to be pleasing – it’s brave, a little jagged, but totally absorbing.

There’s a playful disarray in the music here, like the artist is testing boundaries but doesn’t want to overstep. You can hear the echoes of Carole King’s breezy confidence, though it veers into more whimsical territory. Some parts feel patched together, but that’s where the charm lies. It’s a little scattershot but warm-hearted, like a friend who tells you a dozen stories in one sitting.

This album blends jazz and rock in a way that feels like a summer street parade with careful choreography. The brass carries everything forward, even when the vocals stay calm and grounded. Think of the mix of grit and polish you’d get from a Steely Dan record, but with a dash more brass. It’s playful but a bit predictable.

This one lives somewhere between Britpop swagger and soft introspection. Shades of Radiohead, but without the same edge or experimentation. The arrangements are rich, but some tracks meander. It’s an album that reaches high, though not always evenly.

It feels raw, like the energy of early Clash records but steadier. U2 kinda does their own thing; this being from '83 blows my mind. There’s a driving rhythm, and the vocals balance on the edge (see what I did there) of defiance and vulnerability. It's music that holds tension. Excellent listen.

It’s cold, precise, and stark. Has the same repetitive allure you’d find in early Tangerine Dream. The melodies are simple and robotic, but there’s an elegance in the sparseness. For all its cleverness, it feels more like a concept than an experience.

The music feels suffocating, like a heavy fog. It lingers, cold and unrelenting. There’s a darkness, but it doesn’t unfold like Nick Cave’s work—it just sits there. It’s relentless but not always compelling. There’s something missing, maybe hope, maybe a spark?

The music drips with swampy rhythms and gritty storytelling. It feels like early Dylan got a little dirt under his nails and found a southern soul. Every track hums with a raw, unpolished energy. The kind that pulls you in without trying too hard. It's warm, earthy, and bold.

A dark, twisted tale set to music. The storytelling feels theatrical, almost like Tom Waits with a sharper edge. The themes are haunting but draw you in, like staring into the abyss. It’s unsettling, yet oddly beautiful. The rawness won’t appeal to everyone, but it’s hard to ignore.

Warm strings, slow grooves, and a voice that knows exactly how to carry weight. The pacing is deliberate, letting every moment breathe. It reminds me of Barry White’s lush productions but with a sharper edge. Each sound feels chosen, and everything fits perfectly into place.

It’s gritty, soulful, and a little bit dangerous, like the feeling of being on the edge of something wild. The rhythms swagger in a way that brings Creedence Clearwater Revival to mind, but with a nastier, more defiant streak. The harmonies feel both reckless and intimate, like they’re barely holding together. It’s unpolished, but that’s what gives it its punch.

There’s an unhurried grace to these songs, a kind of quiet confidence. It calls to mind the storytelling style of Willie Nelson, but more grounded and direct. The melodies are timeless, and the lyrics are vivid, like stepping into a sepia-toned memory.

The acoustic leanings stand out. A gentle departure from the usual chaos, but not entirely. Shades of Pentangle meet the weight of rock. There’s a playful looseness here. It’s raw but deliberate.

Big sound, deep emotion. It’s layered and precise. Somewhere between the drama of Kate Bush and the pulse of New Order. Every piece fits, but it still surprises you.

Bold and a little weird, but not in your face about it. There’s a sly wit in the grooves, like if Talking Heads went nocturnal. The instrumentation feels lean, deliberate, every note intentional. It teeters between romance and something darker. There’s space for mystery here.

It’s a bold mix of pop, funk, and soul. The confidence in the delivery recalls early Michael Jackson, but with more edge. The beats are tight, but the melodies don’t always land. It feels like a spark that’s still finding its fire. A good listen, though it doesn’t demand a replay.

Gentle and strange, it feels like an old diary left out in the rain. The melodies are sweet but slightly off-kilter. Reminds me of early Iron & Wine, but rawer, with more frayed edges. It’s all very quiet, yet it feels alive.

Bright and buoyant, the songs dance effortlessly. There’s a sparkle that reminds me of Fleetwood Mac, but more unashamedly upbeat. Each track feels like a celebration. It’s music to lose yourself in, easy and inviting.

It’s raw and stark, but maybe too much so. The vocals sound buried, like trying to reach you from underwater. Feels like Velvet Underground, but missing the warmth. There’s an unease that lingers, but it never quite resolves. It leaves a lot of space, but maybe too much emptiness.

It’s really simple but kind of wild at the same time. Feels like Bill Evans if he stopped caring about being perfect. It’s cool how it just flows, but sometimes it loses me. Quiet, slow, kind of hypnotic. Not always exciting, though.

It’s simple and a little awkward, but in a good way. Like if Talking Heads slowed things down and let themselves get sentimental. The sound feels honest; it’s not flashy, just raw.

The songs are calm and easy to listen to. It feels simple but thoughtful, like early Travis. It’s warm, almost fragile, but not too heavy. The music feels honest and unpolished in a good way.

The vibe is soft and relaxed. Feels a little like The Kinks if they leaned more into being mellow. The harmonies are smooth, and the whole thing feels very sunny. Not too much going on, but it’s comforting. Definitely easygoing.

This one is full of intensity, but it’s almost too much. Feels like early Black Sabbath if they sped everything up but lost the vibe. It’s all flash and noise, but it doesn’t really grab you. Could’ve used a little more depth.

Appetite For Destruction is raw and full of energy. The riffs hit like a freight train, and the drums keep everything moving fast. It’s like Zeppelin on a caffeine binge, leaning into chaos but still feeling tight. There’s something about it that’s impossible to ignore.

It’s rough around the edges, but that’s the point. Typical Dylan. The delivery is loose. It’s messy, though it’s not always smooth sailing.

It’s got a mellow vibe with some bite. The lyrics don't try too hard. The sound is simple and clean. It’s low-key but not boring.

Barely a 2. It’s noisy and awkward. It feels like it’s trying too hard to be weird. The sound is all over the place. Some parts (basslines and drums) hit, but most just feel unfinished (lyrics) or tossed in for the sake of sound.

The sound is minimal but still feels busy. Straight up laptop Fruity Loops. The vocals are emotional, but the music doesn’t always match that energy. Some of it clicks, some doesn’t.

It’s soulful without trying too hard. The sound is full but not overdone, leaving space to take it all in. It’s soft but has weight in the right places. Includes an absolute banger and a few great songs I've never heard.

This one feels like it’s trying to be personal and huge at the same time. The mix of gospel and pop reminds me of something Annie Lennox might try, but this leans more flashy. Some moments really work, but others feel like they’re trying too hard. The highs are high, and the lows are low.

There’s a nice mix of soul and country here. Reminds me of Sam Cooke, but with a little more dirt under its nails. The vocals are front and center, and the music backs it up without trying to steal the spotlight. It’s good, but not life-changing.

A patchwork of sounds and samples, it feels like a wild collage. The energy is loose and unpredictable, but it never fully settles. It's an experiment you appreciate more than love.

It’s huge and ambitious, like a rock circus that somehow pulls it all off. Even the weaker songs don’t matter because the highs are so high. The production is wild, but everything fits together perfectly. It’s fun, weird, and absolutely brilliant.

It’s all about layers, but not the kind that fit together. The music sprawls, ambitious and overcooked. It feels tangled, like too many ideas competing at once. It’s more exhausting than exhilarating.

Feels like a DJ spinning at a chill beach party, but the transitions don’t always hit right. The sound is playful, like a mix of Air and Beck. It’s enjoyable, though it doesn’t always hold together as well as it could.

It’s simple and heavy. Her voice is big but not overdone. Kind of like Amy Winehouse, but with less chaos and more focus. The sound feels like it belongs in another decade, but it works here too. It’s straightforward and emotional in a way that’s hard to ignore.