1001 Albums Summary

For me, this is a perfect album. It’s atmospheric, full of regret and nostalgia. The melodies are infectious, the drum beat works seamlessly across the album. This is exactly the kind of album I’d pull out for a rainy day with no expectations.

This album was hit or miss for me. Some songs - like Wave of Mutilation - I really loved. I wasn’t as fond of some of the others. On balance, it’s probably not an album I’d sit down with again, but I’ll definitely listen to parts of it again.

I came into Led Zeppelin thinking I wouldn't like it, and came out of Led Zeppelin knowing I didn't like it. It was good to listen to the album as a musical learning experience, but I don't need to listen to it again. Quick note: I did like Black Mountain Side, but I think that's just because there's no singing on it.

You can really hear the seething anger on this album - I don’t think I’ve ever listened to it all the way through before. Many of the songs disintegrate by the end, and/or blur together with the other songs. But for all that, the ride through the songs is pretty enjoyable. It’s noise, but meaningful and a good listen. Would have loved to have gone to one of their concerts.

I groaned when I saw this album pop up because, while Simon and Garfunkel is one of my all-time favorites, I am not a fan of Simon's solo career. I think he lost something when he lost Garfunkel, and YES! I know that Simon was the driver behind the band. I remember in grad school making an off-hand comment about how I don't like Simon post-Garfunkel to a stranger and ended up in a huge argument. I think this album has a little more of the S&G magic than his others, probably because it came out shortly after they split. While I haven't listened to the album before, I have heard many of the songs - and insofar as I like solo Simon songs, it turns out they're from this album (with the exception of Graceland). There is one song that I hadn't heard before and I absolutely love: Peace Like a River. So the album was worth listening through for that alone - plus getting to hear the demo version of Duncan, which I actually like a lot better than the released version. But otherwise, eh.

Big, bold, brassy, and cheerful, even on a song called "Two Years of Torture." Love it! The slower songs later on the album, sad as the lyrics may be, still have a real sense of contentment about them that is satisfying. Not a fan of the song "Am I Blue" but only because of the backing vocals.

I opened this up, didn't recognize the album, and looked at the year - 1995 is a year I should know. I figured I'd start playing the music and realize that I do know it, just not in its proper context. Nope. This is still drawing a blank for me. But more than that, I HATE IT. So clearly there is a reason I don't know the album -- this is the kind of music that makes me anxious and jittery. The first half is hard core dance music, the second half is a ramped-down version of similar beats, but the same paranoia runs throughout. I don't know how anyone can sit and listen to it for fun - there's nothing redeeming about it, unless you're a teenage boy trying to piss off your parents. The whole thing reminds me of a scene in ER when some doctor gets stabbed and then is left for dead on a bathroom floor - Noah Wyle, I think. For some reason that particular scene stayed with me for years, I think because of the techno beat that played over the stabbing scene. There was something particularly gruesome and haunting about the pairing of the visuals and the music. This music isn't that music, but it's just as unpleasant. I'd give this a zero if I could, but that's not how Likert scales work so I'm stuck pretending I like it a little. I gave LZI a one-star review as well, but I'd listen to that any day over this. Thumbs up for the album cover though.

This is another new artist for me. It's a lovely folk/blues album very reminiscent of Nick Drake, one of my favorites. Bert Jansch has a rough but haunting voice that blends nicely with the melancholy of the album. Despite the charm of his voice, however, I prefer the songs where he doesn’t sing but allows his excellent guitar work to shine on its own. Angie and Casbah are my favorites. I'll be putting this album into my general rotation.

This album checks off a lot of my favorite music boxes: moody? yep. ethereal? oh yeah. haunting voice? for sure. steady but not overpowering backbeat? give me more! This album has mastered the art of the chill vibe. And yet. It's just not really my thing. I can appreciate it, I'm enjoying listening to it now, but I won't come back to it. A little of it goes a long way. For me it's kinda like Mazzy Star - someone would put it on, I'd think ooh I have to check that out at home, and then I would never follow up because it's just a little too precious.

PJ Harvey is a name that keeps coming up in my (limited) musical world and I’ve always felt like she’s someone I should like. But when I’ve intentionally tried individual songs of hers it just hasn’t clicked for me. Listening to a full album is a different experience. There’s a coherence to the sound, the lyrics, and the grittiness of the overall feel. I don’t like all of the songs, but I love the ones I do like: One Line, The Mess We’re In, You Said Something.

I periodically ask my brother - who, unlike me, is a music aficionado - for band recommendations. He suggested Arcade Fire several years ago and I've listened to them ever since, though not this particular album. I like that it captures a delightful sense of jaunty despair. The melodies and the drumbeat are catching and you find yourself bopping along while they sing something bleak like "Every spark of friendship and love will die without a home" (Intervention) or "There's a fear I keep so deep / Knew its name before I could speak" (Keep the Car Running). I really appreciate that the the song Black Wave / Bad Vibrations ebbs and crescendos - it sounds like a wave is crashing around your ears. The fact that it is followed by Ocean of Noise is brilliant, because, despite its name, it really feels more like water lapping at your feet, with an occasional rogue wave getting at your ankles. For all that I like this album, however, I'm not sure I'll pick out songs to listen to individually as they really want to live in context with each other. In addition to BW / BV and OofN, (Antichrist Television Blues) and Windowsill also pair together in a continuum of political discourse. Better together. Favorite songs: Keep the Car Running, No Cars Go

This is my husband’s kind of music, not mine. But because it’s my husband’s kind of music, I know far more about David Crosby and his repertoire than I care to. If I had to pick a favorite song (very low bar, here), I’d say the beginning of Laughing. I like the tempo, the beat, and Crosby’s solo voice. But I don’t like the backing harmonies that pick up in the middle of the song (yes, I know it's the Grateful Dead, I don't like them either), and by the end the guitar gets too twangy. Also, the lyrics are beyond dumb: "I thought I met a man / Who said he knew a man / Who knew what was going on / I was mistaken, only another stranger that I knew". WTF?? Nothing appealing about the other songs. The lyrics for What Are Their Names are ridiculously dumb and naive. Cowboy Movie is casually racist and misogynistic. Bleh. But +1 for not being the Chemical Brothers.

Naturally I know this album, or at least parts of it, though I’m more familiar with their later works (this is already their third album?!?). Not my usual cup of tea, but I really appreciate the beats, the exuberance of the singing, and the implied strutting, even if Steven Tyler himself is a real sleazeball. Walk This Way and Sweet Emotion really hold up and I love the swing rhythm of Big Ten Inch Record. But Round and Round and You See Me Crying are tedious.

When I was in high school, a good friend of mine was obsessed with ska. He'd make us mix tapes featuring his favorite songs and we'd all go to concerts in San Francisco's 16+ venues. When I saw the name Fishbone this morning, I was instantly transported to my youth. I don't know this particular album and I probably don't know any of them. I haven't given a thought to the band Fishbone since high school. But listening to Ma and Pa was like talking to an old friend. I'm not sure I recognize any of the other individual songs, but listening to this album was a lot of fun. It's so much more than just ska, it reaches into rock, punk, reggae, funk, you name it. It's such an eclectic album. I love the horns, the sound, the political comments, the whole vibe. Slow Bus Movin' (Howard Beach Party) and Ghetto Soundwave are amazing. GS is a powerful comment on the structures of racism, discrimination, and neglect, with a bop. Sadly it fits right at home today, some thirty-five years later. After listening to Truth and Soul, I checked out the Fishbone album immediately preceding it (In Your Face). The opening number - When Problems Arise - really lets the vocals play and the instruments soar. The first album is more firmly rooted in the ska sound and while that's not necessarily what I had thought I'd go for, it turns out I like In Your Face even more than Truth and Soul.

One of my all-time favorite albums!! It is essentially perfect, not a single misstep from the first song to the last. It's a dark and intricate story of New York, addiction, desire, loneliness, regret, and love. I got to know the Velvet Underground from a best of album I bought in my grad school days, when I yearned to move to NYC. I had read a review of an album by the band Luna (which one? I don't know) that said their entire playlist was derived from the bridge of a Velvet Underground song. I decided I had to learn more about the Velvet Underground, and what better way to learn a band's music than from a best of album? For many bands that's probably true, but not for VU. This particular album is such a brilliant experiment in sound and storytelling that it belongs in context. Waiting for My Man and Heroin are incredible as paired auditory descriptions of the grip, the power, and the rush of addiction, mimicking in sound the feel of adrenalin and the crash at the end of the high (to be fair, they are also both on the best of album). But they also pair well with the other songs that don't appear on the best of album - the same intense, adrenalin-pumping musical themes are echoed in The Black Angel's Death Song and European Son, for instance. Nico's peculiar and haunting voice is the perfect match for this album. At some point I lost Luna but I kept the Velvet Underground. I've graduated from the best of album to appreciating all of the albums in their original contexts. A definite win. The opening track, Sunday Morning, is my particular favorite (also James does an incredible cover of it).

This album (as well as Pulp's next one, This is Hardcore) was on heavy rotation in my grad school days so I was really excited to see it pop up here. I listened as I walked to work, enjoying the memories and familiarity of the music. But. It doesn't hold the same resonance for me as it did back then. For one thing, almost all of the songs on the album are seething with resentment, hatred, and contempt. It's not that I didn't realize that when I listened to the album on repeat, and it's not like I was seething with any of those emotions myself at the time. I guess I could just enjoy the drums, the singing, and the overall sound without really thinking about the meaning. And who doesn't love a good comeuppance? Common People is not only an awesome song but also great fuck off to the concept of poverty tourism. But as I was listening to it today I started thinking about the intended target of this song, who she might be and what she's after - and I started to wonder if she really exists. I mean, she sounds like a strawman. She comes from Greece, she's studying sculpture, she doesn't know what a supermarket is, and she's pretty upfront about wanting to sleep with quote-unquote common people. I don't know how high up on the scale of hoity-toity St. Martin's College is, but it looks like a pretty diverse and arts-career oriented place. What Pulp doesn't mention is that she's had to leave her own country, renowned for classical sculpture, to come study at the heart of an empire that looted her country's moveable artistic heritage for its own benefit. Maybe she's seeking her own revenge? I'm pretty sure they have supermarkets in Greece. (quick update: Wikipedia tells me she does exist, but I'll let my comments stand). I can still get on board with Common People. And it's really funny when William Shatner speaks it. But a couple other songs made me more than a little uncomfortable. Pencil Skirt, for instance, seems teetering on the edge of consent. But assuming that she's lifting her skirt because she really wants to be with Jarvis Cocker, it doesn't sound like he wants to be with her: "I really love it when you tell me to stop"? "I only come here cause I know it makes you sad"? Ugh. I Spy has a similar feel. The object of the song slips - early in the song it's the husband, and Cocker is angrily sleeping with his wife, angrily smoking his cigarettes, and angrily drinking his brandy, hoping he'll come home and catch the violations. For what purpose? To transfer all the anger? But later in the song the object is the wife - "I'll hold your body and make it sing again," which would sound like love or at least admiration if it weren't for earlier lyrics of blatant contempt towards her. Two other songs struck me. Something Changed, which seems mis-placed in the middle of the album, is a charmingly philosophical take on how chance encounters can lead to meaningful connections, with a brief detour into missed connections. It seems out of character for the album but it was a welcome respite from all the anger. And I loved how Live Bed Show told the story of a broken heart from the perspective of a bed that has seen better days. All in all, I do still like the sound of the album and will rate it highly for craft and nostalgia. But it's too steeped in anger and sex as a form of revenge for me to really enjoy it now.

Me opening up today's album: What is up with this cover? It looks like a still from a B-movie and I'm turning on MST3000. I've never heard of this band. Me listening to the first song: holy shit! This is awesome! Where has it been all my life??!?? The song definitely lived up to its name. Me listening to the final song: o.m.geeeeee will this never end??!?? It starts off ok but just disintegrates into crashing sounds. Now that I've listened to the whole thing, I can say that only liked a handful of the tracks: Instant Hit, Newtown, Typical Girls, and wow! I Heard It through the Grapevine. So this album is a hit or miss for me. 2 for the songs I don't like, 4 for the songs I do, and I'll average it out to 3.

Like many people of my generation, I went through an Everything but the Girl phase in the 1990s. Tracey Thorn's voice is beautifully haunting, I'm a fan of the mellow sound, and there's a morose atmosphere that is quite soothing, really, as much of an oxymoron "morose" and "soothing" are when put together. But I didn't stick with Everything but the Girl and frankly I'm not going to pick them up again. The album is boring and reminiscent of elevator music. Can't pick a favorite song because they're all indistinguishable.

While I never owned any Smashing Pumpkins albums, this band was a major part of the ambient sound backdrop of my college years. It’s familiar, but I don’t think I’ve ever sat down with this album before. For one thing, it’s too long. But also the grunge scene wasn’t really my thing then and it still isn’t. I can appreciate the album but once is more than enough and I really had to stop myself from giving up on it as it dragged on. Galapogos was a bright spot, 1979 lived up to my memory of it, Stumbleine was a surprise winner, and I’ve always loved the cover art. But a lot of the other songs aren’t memorable and a couple, like Tales of a Scorched Earth and X.Y.U., are ear-splittingly bad. After listening to the first several songs I had settled on a 3, but now that I’m blissfully at the end of the whole album I’m dropping it to a 2 for unnecessary length and whininess. I see that Amazon is offering to play me an EXTENDED version of this album that is almost SIX HOURS LONG and no thank you.

Another perfect album, which happens to include one of my all-time favorite songs: Pale Blue Eyes. I was thinking about this song the other day when reviewing Different Class by Pulp. That album has a number of songs about adultery, all of which focus on humiliation - for both the cheater and the cheatee - and as a result they feel dirty (and as I mentioned before, just on the border of consent). PBE, by contrast, is touching and poignant, with discordant notes signaling the intensity of the emotional investment for both the singer and the listener. It is much more mature and nuanced and ultimately a much better song. The whole album is phenomenal.

I put on the album thinking it would be an easy 4. It’s the Beatles, I know the album, it’ll be fun, and I would be listening to it while on a road trip with my teenager. And … we’re both underwhelmed. There are a few great songs, like While My Guitar Gently Weeps and Helter Skelter, but as a whole the album is incoherent and tediously long. Sorry everyone who thinks the Beatles are the bees’ knees, but I’ll pass.

I love the overall sound of the album but none of the individual songs really stand out for me.

New album, new band for me. Wikipedia suggests it wasn’t released in the US, so that may be the reason. The album has a bright, clear sound that I really enjoy (especially the brass!), though I’m not a fan of all of the songs. The title track, Identity, Poseur, Let’s Submerge, and Warrior in Woolworths are great, though possibly a little much for an early morning listen.

I love the music of Morrissey but I find the man himself obnoxious and I don’t listen to him much anymore. Lately, though, I’ve introduced the Smiths to my teenager so I have been enjoying his collaborative work, and listening to this album now reminds me how much I love his solo music as well. It also reminds me of how horrible he is. Some of the lyrics are straight up xenophobic, others are mean-spirited and obnoxious. But all of the songs are so catchy! I love listening to them! Ugh, so torn. I'm giving this album a 5 since the music is so good, but I probably won't listen again because it also makes me feel kinda gross.

Not long after I moved to NYC - so back when I still had a CD player - I went through a blues phase and I bought/wore out several CDs of blues from the 1920s. Never made the jump to electric guitar blues, and I think my preference remains for the early blues sound. I do love this album though, and in particular I Can’t Be Satisfied. Unsurprising, I guess, because that track is more like pre-amped blues than the other ones (and interesting side note, it’s also the least played album track on Amazon).

I know a bit of the Kinks, but with the exception of Drivin', all tracks on this album are new to me. Victoria is good, Drivin' is good, though a bit bouncy, and I really like Shangri-La. Cover reminds me of Monty Python's opening montage. But on the whole the album is not that exciting. My true score falls somewhere between a 2 and a 3, but I'll record a 3 since it's better than the albums I've scored as 2.

Are you kidding me? This isn't good. If there's any song on this album that I like, it's Don't Care, which is also a perfect summation of this listening experience. At least it's blissfully short.

The opening song sounds like the soundtrack to a horror movie. My husband’s response was “make it stop!” I listened to the rest of it through headphones, which is a much more intimate experience and much harder to escape, though I desperately wanted to. Religion was interesting, as a vitriolic spoken piece. Religion II is the same thing with a drumbeat?? Come on. Public Image is a decent song, but it doesn’t save this mess of an album.

I love Queen for the memories of my little kids scream-singing Bohemian Rhapsody on road trips, courtesy of my husband. But do I love this album or Queen the band? Not really. I like a lot of their individual songs, though, and I recognize Freddie Mercury’s genius, but I’m not going to put an album on just for fun. Apart from the aforementioned Bohemian Rhapsody, I also really like ‘39 from this album.

I enjoy the atmospherics of this album but the notes (and eventually the songs) are indistinguishable and start to become tedious after a little bit. I was hoping for better because, while I don’t know this album, I do really like Space Song from the album Depression Cherry.

Love the first 2 songs - amazing sound, great vibe. Not as much a fan of the second 2 songs, especially the one that opens with an unnecessarily long spoken piece. But the second track (out of the 4 total) is so amazing that it bumps this album up to a 4.

Eh. I listened to the first 2 songs with my husband, an Eagles enthusiast, and his enthusiasm made the songs a pleasant listen. But otherwise, totally not my thing. I’ll grant that Train Leaves Here This Morning is good, though I’d probably prefer a cover version. Bumps my score up from a 2 to a 3 though.

When I was a kid my parents took me and my brother to a lot of Gilbert and Sullivan productions. Around the same time, Linda Ronstadt starred in a movie version of The Pirates of Penzance alongside Rex Smith, Kevin Kline, and Angela Lansbury. I must have watched it a million times. So to my mind, Linda Ronstadt is exclusively a Gilbert and Sullivan singer. I am constantly surprised that she has a whole other life in music, even though my husband has a minor obsession with her and brings her up occasionally when he talks to me about his love for - gag - 60s and 70s pop music. Yesterday when we had the Eagles, for instance, he had to talk to me about how the Eagles used to sing backup for her and how she sings back up for them on their albums. He’s played me her Rock and Roll Hall of Fame performances and talked about how she had to retire early. But none of this changes my perception of her as a Gilbert and Sullivan singer. So I got a little jolt again with this album - what’s Linda Ronstadt doing here? The Pirates of Penzance is deeply channeled into my brain, apparently. As for the album, beautiful voices, gorgeous harmonies, great instruments, love Dolly Parton. But I doubt I’ll listen again.

I know all of these songs really well, by osmosis I guess. I suppose there was a time in my youth that I would have put on a Billy Joel album willingly, but that time is not now. I’m giving this a 3 because I can sing along to almost all of the songs, but it is a begrudging 3.

This album is a bit of a mixed bag for me. I didn’t know the album but I did know a couple of the songs - the title track and Passenger. I also really like Fall in Love with Me, Neighborhood Threat, and Some Weird Sin. I thought the other songs fell a bit short. But I like the energy and overall sound.

Not much to say about this album. Just not a fan.

Amazon Music tells me this is a cult classic influenced by Lou Reed. I don’t hear it, other than he also sings about drugs on one of the songs (Your Own Back Yard) - though ultimately it’s about getting sober. Perhaps it’s just meant in comparison to his earlier career with the Belmonts? Still a stretch, especially with the Phil Spector “wall of sound” thing going on with some of the songs. More like James Taylor if I had to make a comparison. James Taylor plus Phil Spector. Bleh. I read a great review on here that said 2 is the worst score you can give an album - 1 means you actively hate the music, so you’re engaging with it on some level, but 2 means it’s so bad it’s not even worth any thoughts or emotions. This is a definitive 2 for me. I’ve been listening to a string of crap albums lately and I keep remembering that Beyoncé’s Lemonade is not on this list. I know people’s tastes differ, this is an overwhelmingly white and Anglocentric list anyway, and there are tons of amazing albums included. But when I hear something as completely mediocre as this album is, I’m at a loss.

I like Immigrant Song well enough, probably out of familiarity. I really like the guitar/melody on Friends. And I’m pleasantly surprised by a few other songs: the blues influence on Since I’ve Been Loving You, though ultimately it goes on a bit too long, the traditional folk song Gallows Pole, the bluegrass guitar on Bron-Y-Aur Stomp, and Tangerine! That’s the way!! Wow! Definitely my favorites. I’m shocked that I'm actually enjoying a Led Zeppelin album. But I still can’t get past Robert Plant’s screamy voice. As much as I like - love, actually, Tangerine, That’s the Way, and Bron-Y-Aur Stomp - I think I would vastly prefer cover versions. Nonetheless, I’m giving this a 4 for the surprise factor.

The Great Valerio is hauntingly beautiful. On a second listen, Cavalry Cross was pretty good too. But otherwise, the album is kinda boring. I’ll give it a 3 on the strength of these 2 songs but it's a low 3.

This is a new album and artist for me - fantastic. Really loving the sound and Kiwanuka’s silky smooth voice. This album is exactly why I started on this 1001(+?) journey and why I have eagerly stuck with it through mediocre albums that shouldn’t be listed at all. You Ain’t the Problem, Living in Denial, and Piano Joint (This Kind of Love) really stand out - the latter like a warm and cozy blanket on a chilly day. Interesting blend of instruments, sound clips, backing vocals, and musical genres. It’s hard to define - soul? Jazz? Rock? R&B? Funk? - there’s a little bit of everything here. I will absolutely put this album into my general rotation and can’t wait to listen to his other albums.

Maybe I’m just not in a trip-hop mood, but this album is mostly a miss for me. Some songs stand out, like Blue Lines. But other songs, like One Love, are like nails on a chalkboard. I appreciate some of the components of this album - Shara Nelson’s vocals, for instance - but others, like the relentless and unchanging drumbeat throughout, keep me on edge. I feel jittery listening to the album and I can't relax into the music. I don’t think that’s the intention. There is a unique sound to this album and it seems like it should be enjoyable - but it isn't, for me.

Ooh I’m looking forward to this. While I don’t know the album, I do know the artist. I listened to a couple of his other albums on repeat during the pandemic lockdowns. Toure’s voice and blend of instruments are so soothing. One instrument in particular - I think it’s the kora? - produces a beautiful bluesy sound that I adore. In the end, this album does not disappoint.

Opened up today’s album and thought, ah, another new band. Started listening to it and of course I know and love the first song. I guess I just never paid attention to the artist. But it seems that’s the only song that gets much play, at least according to Amazon’s play stats, and the only one I know. I enjoyed the next few as well but the album is way too long and the songs are too similar. They all blur together and, quite frankly, get tiresome.

I sought out this album in college after hearing it play at a campus coffee shop. Although it's been many years since then, I listened to the album so many times that I’ve grown weary of it. Now I just think it's monotonous and whiny. But I do hear why it appealed to me when I was younger - there is something in it. Also, I guess I wasn’t into Simon and Garfunkel yet but I never noticed that there’s a song with the Parsley, Sage, Rosemary, and Thyme melody.

I liked this a lot more than I thought I would. While I still won’t reach for a Steely Dan album (metaphorically, obviously), I won’t be annoyed if one of their songs comes on.

Listening to this album reminded me of the amazing tv show, Freaks and Geeks. Short run but perfect ending. I’ve always enjoyed The Who, though I never listen to their albums. This was quite good, with a few tremendous hits bookending a couple of blah songs in the middle.

I like jazz. Jazz is cool. It's great background music for reading, working, anything really. Today, it was good background for falling asleep. So. It was nice, but I only half heard it.

I had never heard of this band or this album before it popped up on my list generator today, and my life would have been blissfully complete if it had stayed that way. I will admit there is something in Weeping, but it's the stuff of nightmares. I feel like I need to cover my eyes as I listen to it because it sounds like the climax of a horror movie. Or maybe I should be running, because I'm not watching a horror movie and I'm about to be mauled by a one-eyed axe-wielding psychopath. I will not be sleeping well tonight.

This is the kind of album that exists so that parents can yell at their kids to turn it off.

I love Simon and Garfunkel, but I listen to songs, not albums. So to my surprise it turned out that there are a few songs on this album that I don’t know. Keep the Customer Satisfied and Why Don’t You Write Me are new to me, and I think they aren’t among their stronger tracks. But the album also includes my favorite S&G song, The Only Living Boy in New York. So on balance I’d say this isn’t their best album but it’s still good. Some of the songs sound more like they’re trending toward Simon’s solo career, and for all that I love S&G I’m not particularly a fan of Paul Simon on his own.

The random generator randomly generated a Christmas album on Christmas? Seems fishy. But thank god for it, because I hate Christmas music outside of Christmas. I will admit that this album is infectious, no matter how overplayed the individual songs are. And you gotta love Darlene Love.

I went to a Green Day concert for an earlier album as a 21 yo and was surrounded by 12 yos. Today I listened to the album with my 13 yo son and asked him for his opinion. “Alright, but repetitive” was his answer. Can’t get better than that.

Reading the reviews I see that this album is like Massive Attack or Chemical Brothers - two bands I've had to listen to and actively hated. So I don't have high hopes for this. But to my surprise, I didn't end up hating this album. I also didn't love it. It's incredibly repetitive. You could trim songs by at least a minute and not notice anything missing. But it's pretty chill, you could put it on in the background for ambience. Not sure it's something you really want to pay attention to though.

There is a reason The Who reverberates across generations, for all that they talk about their own. I don't listen to The Who per se, but as I listen to this album I hear their influence in many of the bands/albums I do reach for. The album opens strong with Out in the Street. I love the jazzy/bluesy feel of I Don't Mind. The Good's Gone is also rock solid. And these are the songs that get less play on the album, in deference to the ubiquitous My Generation and The Kids Are Alright. The closing song (for the original album, though I was listening to a later version that added a ton of songs) - The Ox - was also really good as a display of their musical talent.

I really liked this album when it came out. Or rather, I really loved the two main songs from this album when it came out. And I remember all the hype about Oasis being the next coming of the Beatles. Now I just find this album - and those songs - whiney. Not terrible, just not remarkable.

A little of this goes a long way. By this I mean I'll listen to Oh Boy! and That'll Be the Day when they come on, but I'd switch anything else off. It turns out I like songs about Buddy Holly more than I like songs by Buddy Holly.

I should know this album better than I do, given my age, but I guess it's a just a few years too early for me. Shadow of a Doubt is an amazing yet utterly creepy song and I don't know how I feel about that. I like this album better than the other Sonic Youth album I reviewed (Daydream Nation), but overall I'm just not that into Sonic Youth.

I like the Rolling Stones’ music, though probably not so much the men themselves. I’ve never really listened to a whole album, just individual songs, so I haven’t been struck before by the wave of misogyny that just kept building, song after song. These were rich, powerful men in their prime, utterly revered. Why all the hate? Mother’s Little Helper, Stupid Girl, Under My Thumb are just the worst examples but really most if not all of the songs were obnoxious. I had to start tuning out the lyrics after a while. That said, most of the songs are a bop. I love the incredible range of instruments on this album. I’ve always loved Lady Jane but I think my new fave is Doncha Bother Me. I listened to the UK release which means I missed Paint It, Black, another great song. Definitely better than Mother’s Little Helper. Overall, 4 for the sound but it’s a grumpy 4 because of the lyrics.

This is a peculiar album and I really don’t know what to make of it. Is it terrible? Is it genius? It’s definitely growing on me the more I listen to it. This album defies review. It can only be a 1 or a 5. I vote genius.

I love this album, but I don't really have anything to say about it.

One of my favorite albums. Sir Duke alone earns this double album a 5, to say nothing of I Wish or Isn't She Lovely, but there are so many fabulous songs on here.

This is a new album/band for me. No loss to me missing this the first time around - it is pure cotton candy. Looks pretty at first glance, but there's no substance and it evaporates into nothingness.

I turned this album on expecting to hate it - for no reason other than the stupid cover - and was pleasantly surprised by the first song. But the rest of the album is decidedly mediocre.

Such a pleasant album and easy to get lost in. I like jazz even though I don't usually listen to it - this is an album I'll play again.

I remember when this album came out and the song Come Away with Me was ubiquitous in a way that few songs become truly ubiquitous. I can enjoy Come Away with Me and Don't Know Why as the standouts from the album. I like the rest of it too, in a pleasant, doesn't leave much of an impression kind of way.

My second Beatles album from this generator. I listened to the first one - The White Album - with my older kid and I'm listening to this one with my younger kid. My older kid and I panned The White Album, recognizing that there were a few phenomenal songs. Something similar is happening here - a few fabulous songs, a lot of missable ones. But on balance, I'm enjoying this album much more than The White Album. Norwegian Wood is my absolute favorite Beatles song, so this album will get high marks for that alone. But Nowhere Man, Michelle, Girl, and In My Life are also really great. I'm not as familiar with If I Needed Someone but I'm really enjoying it as well. On the other hand, there's no excuse for Drive My Car, with or without the double entendre. You Won't See Me, The Word, What Goes On, and Run for Your Life are also pretty bad.

I like Queen's big hits but that's about it. Deep cuts like this album are tedious.

A collection of random thoughts that came to me as I listened to this collection of random songs. I don't want to call it an album because there is no coherence to it. * The Electric Prunes? Were they playing Mad Libs to find a band name? * Is there a mosquito is buzzing around me? * The band veers from a Beatles sound to a Doors sound to a Stones sound, complete with fake British accent on The King Is in the Counting House. * This song collection is a product of its time, preserved in amber. It should have stayed there. * The Toonerville Trolley? WTF? Now that my listening experience is blissfully over, I can say that I Had Too Much to Dream (Last Night) is the only track worth listening to, barely. I like the word play of the song title and the transition to the chorus, but that's about it.

I like folk music, I like Bach, and I like Gilbert and Sullivan. But I don’t like them all mushed up together.

Modern rock was my jam in high school. I loved Depeche Mode and have introduced my kids to them. The album singles remain really strong. But what would I think if I were listening to this for the first time? I kinda think the middle songs drag a bit. There may be such a thing as too much synth.

I opened this album thinking I’d give it a 2, but in the end I’m giving it a 3. That’s something, I guess.

I can hear that this is an important album, but it’s not really my thing. Really enjoyed Disappearer, though.

New album/band for me. I enjoyed the title track, Smoke ‘Em, and Methadonia. King of New York was fun too - overall, I liked listening to the album, but I doubt I'll come back to it. Interesting that Wikipedia has absolutely nothing to say about the band.

When we were teenagers, my brother was obsessed with REM. He’d hole himself in his room and sing along to their albums for hours. Mind, my brother has the worst singing voice, so you’d just hear a kind of guttural humming, all off-tune. Now I can’t listen to REM without also hearing my brother’s attempt to sing along. At the time it annoyed me, but now I think it’s charming. I had this album too and also listened to it over and over, without the attempt at singing. But it’s been years since I’ve listened to it, so while the songs are all familiar, I’m also getting a fresh take. Star Me Kitten and Find the River strike me more now than they would have when I was a kid, and more than Everybody Hurts or Man on the Moon do now.

In the early 1990s I did a study abroad in Moscow and I went with some friends to a David Byrne concert, not knowing anything about him. I was transfixed by his performance, and have been a fan of him and the Talking Heads ever since. This album is a great way to start the day - infectious beats, quirky lyrics, and relentless enthusiasm. This is the first time since I started playing an album a day where the album ended way before I was ready to stop listening to it.

I like Elliott Smith’s music, but I can’t seem to really get into it.

This was an enjoyable listen.

This is a great album. I’m surprised there isn’t more from Beyoncé’s solo career on this list.

The is album is definitely a little different but on the whole I’ve enjoyed it. It opens with something that sounds very much like a classic blues song, but it’s a bunch of young white guys. Which led me into a tangent to see if any *actual* classic blues records are included, but it seems that the list doesn’t start until the mid-1950s. Fair enough. But I think people should check out Blind Lemon Jefferson or Leadbelly before they die. Love Abba Zaba but the album goes on too long and drifts into ridiculousness.

I don’t usually like live albums, but Johnny Cash is an exception. The interplay between himself and the men incarcerated at San Quentin is almost as good as the set list.

The first time I ever heard (or remember hearing, at any rate) an ABBA song I was living in Russia. I was driving with someone in a rickety car when Money Money Money came on. I distinctly remember thinking this is the dumbest song I have ever heard, I can't believe someone wrote this, this would never be popular in the US. Obviously I was very wrong on that score, it was just that I had just missed ABBA by a couple of decades (and preceded it by another decade). I came back to the US and my real ABBA education began. I somehow acquired Erasure's ABBA-esque album, which I loved - but didn't yet recognize the connection between it and Money Money Money (or even that ABBA-esque was a cover album). Not long after that the movie Muriel's Wedding came out and it seemed that everyone in the college audience could sing along to the ABBA songs in the soundtrack while I was in the dark. A couple of listens to a best of album soon meant that I could sing along too. I stand by my original opinion about Money Money Money being one of the dumbest songs ever. But overall ABBA is pretty catchy.

I wasn’t sure what to expect with this album but I’ve been pleasantly surprised. I like the subversive lyrics, the piano music, and yes, even the scratchy voice. I'm giving it a 3 but make that a high 3.

I know David Bowie songs, not David Bowie albums so I was excited to see this come up. But … I’m underwhelmed. Heroes is fantastic, naturally, and I also enjoyed Sense of Doubt, but that was about it.

Satanic Reverses is great. The rest of it is a bit unrelenting, but I really love the mixed genres. Not all of the songs were available to me on Amazon, including California Uber Alles, which is unfortunate - I remember that song from when it came out.

I would have said that this is one of a handful of truly ubiquitous albums, like Norah Jones, but after reading some of the reviews it seems it’s only ubiquitous for those of us who remember 1997. It’s a great album, but I wouldn’t play it myself and I’ve heard it too many times to really be objective. I’d give it a high 3, but I’m upping to a 4 because I do love the inclusion of non-English language music on this site.

This is a fabulous album. The instrumentality, the vocals, the vibe. Best songs are Superfly, of course, and Little Child Runnin’ Wild.

Where has this album been all my life? It’s brilliant. I’ll dock it a little for that one song that goes on too long, but even that has enough turns in it that you think you’ve gone on to a new song when surprise! it’s still the same one.

I've never been a Tom Waits fan and this album is an illustration of why I’m not. Singapore and Cemetery Polka - actually, a bunch of the tracks - are the stuff of nightmares. I did enjoy Clap Hands, Time, and Gun Street Girl though.

My initial review was going to be "decidedly mediocre" but the album has been growing on me as I listen to it, particularly starting with Don, Aman. I like the softly rhythmic guitar and the whispered vocals. I can't hear what the vocalist is actually saying though so I can't comment on what the band is trying to impart. Could be creepy, could be subversive, could be wishing everyone happy thoughts, I have no way of knowing by listening alone.

Siouxsie and the Banshees is a band I love but don’t know. That is, I know and love a couple of their songs (including Spellbound), but for whatever reason I haven’t sought them out so my knowledge of them is extremely limited. That’s been a mistake. This album is fantastic (with the exception of Voodoo Dolly).

Amazing voice, amazing album. Sadly, the title track is as relevant today as it was in 1971.

I do not like them on a boat, I do not like them with a goat. I do not like them, Sam I Am.

Maybe I need to be high to enjoy Pink Floyd, but I’m not, so I just find it boring. 2

I like the instrumental music. I do not like it when they start singing.

I'm a New Yorker and I feel New York, I Love You but You're Bringing Me Down deeply in my soul.

I thought I'd like this more than I actually did. I've always liked the first song - Girls & Boys - but the rest of the album was kinda boring.

This is not why I signed up for the album generator.

Love this album, the melancholia, the simplicity of the chords and beats. Hard to pick a favorite track.

The album is impressive as an intellectual and conceptual experiment. The human voice is truly a magical instrument. However, it’s also a challenging listen. I’ve never been a fan of Bjork’s music and this album isn’t going to change my mind.

REM has never been one of my favorite bands, but I'm very familiar with them and always enjoy their music when it comes on. From this album, I think that Hairshirt is particularly touching.

I studiously avoid Radiohead for reasons. I recognize that this is an important band but I’m not going to start listening to them. I’ll give a tip of the hat to High and Dry and Fake Plastic Trees as I go.

A drug-fueled mess of an album. Totally boring.

Not a band I know. Love the first song, love the horns. The next few songs are more standard-issue punk, but still enjoyable. Favorites: Know Your Product, A Minor Aversion, Orstralia. I ended up listening to an extended album and it included a great cover of River Deep, Mountain High.

I was aware of Devendra Banhart back in 2004 but somehow lost track of him. That’s a real shame because his music is so beautiful. Love the guitar, the folksy sound. Really glad to be reacquainted.

I don't know how I feel about this album. I like David Bowie, generally speaking, and I like the overall sound of Low, but a little of it goes a long way and there's a lot here. Ultimately, I think this album is a little too conceptual for me.

When I lived in St. Petersburg, Russia, my friends and I often went to see a Smiths cover band play in a dance club. Good times, great cover band. I love the music of the Smiths. Pity that Morrissey is such a jerk. 4

I've never really known the music of Iggy Pop - other than a couple of songs on Lust for Life that I didn't actually know were his - but it turns out I l really like him. The funny thing is that I reviewed David Bowie's Low a couple of days ago, which was made right after The Idiot. I didn't really like Low all that much but this album much better. Had to listen to it on YouTube though because it's no longer available on Amazon.

Love all the trash reviews of this album. I didn't like the first song but I did enjoy the next two: Letting Go and Homelands, so when I first started taking notes I was inclined to make a case for the album. But every song after Homelands has been a downhill slide and now I'm just waiting for this to end. Pilgrim is too precise in its syllable count, like a child reciting a poem; Tides is elevator music; and another reviewer was spot on when they said Immigrant was a Disney song. My main critique is that a lot of the tracks start out interesting, but they all go on far too long and whatever was interesting about them fades into a repetitive drum beat. This album is a smidge better than a lot of the other boring trip-hop we've gotten here, but only because of the Indian/diaspora musical influence.

I do love Belle and Sebastian, twee-ness and all. The music is so aggressively upbeat and cheerful, delightfully masking the horror of the lyrics. Great combination. I forget when I stopped listening to B&S - I guess I outgrew the 90s - but should start giving them a listen again.

Not every song on this album is a winner (the doggone girl is mine?), and MJ is problematic as a person. Then again, so was his whole life. But. This album stands out as a truly remarkable feat of pop music. Thriller alone secures its spot as a five, and then you throw in Wanna Be Startin’ Something, Beat It, and Billie Jean — it defies classification.

This sucks.

I saw the Sugar Cubes tour for this album, as an opening act for New Order. Looking it up now it seems I also saw Public Image Ltd on the same ticket? Blech. I believe I gave their album a 1. I’ll be kinder to the Sugarcubes, but I’ve never really seen the appeal.

I appreciate all the positive reviews of this album, but for me it was a real chore to listen to.

I didn’t know what to expect with this album, but it definitely wasn’t this. It’s got folk, funk, John Denver, psychedelic rock, blues, and lounge music all rolled up in one package. The first song, Solid Air, stands out as the soundtrack for a movie about lonely people, but otherwise it’s just pleasant ambient sound.

Unremarkable. The only song that made me sit up and listen is Sisters of the Moon, which got bogged down in ridiculous electric guitar solos at the end.

This whole album has such a bright, cheerful sound. Love the tongue-in-cheek lyrics and the scat. Amazon music tells me that Louis Prima is styled as Louis Armstrong, which is a relief - for at least a couple of the songs, if you told me it was Louis Armstrong I would have believed it. Love Just a Gigolo/I Ain't Got Nobody, which naturally I know from David Lee Roth, and Jump, Jive, An' Wail, which is a swing classic. Night Train is new to me and also a stand out.

Hauntingly beautiful. A little bit Bjork, a little bit Everything but the Girl, a little bit Gregorian monk chants. Interesting once, but not worth a second listen. Alternatively, this will stick with me. It’s a bit of a toss up.

I know some of the songs but I’ve never really given the album a full listen. Taken together, the first two tracks are an interesting flirt with the historical record. Actually, all of the songs are. I don’t listen to much rap, so I didn’t know this is a beautifully nuanced and touching album. I’ve missed out but not listening to it in full sooner.

It’s nice enough, I guess, but nothing to write home about. It seems like we’re getting many more of these ethereal moody albums than is really warranted.

I've forgotten what's it's like to listen to a truly outstanding album after all the mediocrity I've been getting. Obviously U2 is a household name by now, and I've always liked their music well enough though I don't ever listen to it. But sitting down with this album really drives home why U2 is the phenomenon they are. Sunday Bloody Sunday is a masterpiece. Seconds is new to me, which is unfortunate because the drumming just blows me away with its insistence and power. I think for me that's the real album takeaway - not Bono himself but The Edge. Across the album the drumming is just so raw, palpable, and deeply emotional.

I've always been fond of The White Stripes, even though I'm not usually a fan of loud, brash music.

A tedious listen.

Are you kidding me? No.

My husband gives this album a 5. He even painted this album cover in the Freedom Tunnel, with a train coming out of the mouth. I’ll be generous and give it a 3.

Ooh, perfect weekend album. Something to really slip into. Sorry to see all the negative reviews, but perhaps you needed to grow up with Depeche Mode. I'll grant that it perhaps drags a bit in the middle, but overall I love the sound of 80s synth.

My third Bjork album. Still not a fan. It’s just so whiny sounding. My visiting nephew, who admits to enjoying the occasional Bjork song, is much more generous and calls it “atmospheric “ and “flowy.” I’ll grant that. But it’s still also whiny.

I can’t believe there are two songs referencing Constantinople. I like the other one better. This album really isn’t for me, with the exception of Bach is Dead.

This is a great album for driving along the Mass Turnpike in the rain. Mellow but not sleepy. Turned into a surprised conversation about musical plagiarism once Taj Mahal came on.

I haven’t listened to this full album before, though I’ve always liked the song Ms. Jackson and the next album from OutKast (Speakerboxxx/The Love Below). But many of the tracks are infectious and I love the spoken bits in between songs. I did sit up for Toilet Tisha though. I can’t speak to the lyrics on the other songs because I wasn’t listening that closely, but Toilet Tisha caught my ears because it was pretty gruesome.

This is a new album for me. It’s great! I love this bold and upbeat sounds. I keep bopping as I listen to it even though I’m in public. Nice cover of The Beach Boys. Also Boys Will Be Boys reminded me of Blur’s song?

The album is fine. Unremarkable.

I’ve never heard this before but it fits the rainy day and my mood. I’m really enjoying this and I’m sorry I didn’t know about it back in 1998.

It's not really "listen to for fun" music, though there is something in it that draws you to it. Better for a sweaty dance floor at 1 am than for a living room couch at 1 pm. I like The Model but overall the songs go on way too long.

I enjoy Beck's music and then I remember he's a Scientologist. But seriously, I had this album in college and played it all the time. I lost the thread of it at some point and haven't heard the album in years. When I started listening I thought that on the basis of losing the taste for the album I'd give it a 4. But I'm hard pressed to name a track I don't like; I'm enjoying this very much. I love the overlays and the beats and the mix of genres. Guess I'm upgrading to a 5.

I can’t wait for this to end. I didn’t like it in 1994 and I don’t like it now. Listening to it makes me jittery and anxious and I honestly don’t understand how people can listen to it. 1

Pre-disco BeeGees. This is my husband's jam. There’s something kinda charming about it, but it’s not really for me.

I really enjoyed For Tomorrow and Sunday Sunday. Otherwise the album seemed very much a product of its time.

Love the sultry voice, but a little goes a long way and I think that’s why I didn’t pick up Fiona Apple in 1996. I really like the big songs from the album, Sleep to Dream and Criminal. I also really enjoyed Shadowboxer and Slow Like Honey. I’d like to give this a 3.5 but I can’t so 3 it is.

I used to listen to jazz more and I loved John Coltrane. This was a very pleasant listen.

Super annoying. No.

I can see the appeal of this music. I like the melodies, the hooks are truly memorable, the drums are amazing, the guitar work is something else. But. The tracks go on too long. I’m tired of them long before they’re over. Not really a fan of the scream singing.

This is such suburban teenage boy music. Bleh. Rise Above was reasonable, if you like this genre. And I actually chuckled with TV Party and enjoyed it. But overall it's not my thing.

First half: I’m not disliking this as much as I thought I would. Not a fan of Nick Cave’s voice or the backing vocals that keep popping up, but the instrumentation is unique, full, and engaging. Cannibal’s Hymn was especially cool. I don’t know what to say about the other songs though. There are moments in all of them that I enjoy, but I’m not necessarily a fan of the songs as a whole. Second half: This is what I expected from a Nick Cave album. I actively despise some songs, such as Fable of the Brown Ape, but I liked a couple others: Breathless and Spell.

I’m not a fan of recorded live music or of hard rock/metal. Obviously this album isn’t for me. But rock on, Thin Lizzy fans.

I have a huge soft spot for Frank Sinatra. His music puts me in mind of so many good memories - my grandfather, swing dancing, monthly Fridays with Frank parties in grad school. This isn’t my favorite album, or my favorite songs, but listening to it is still like getting back in touch with an old friend. I love the soft melancholy, the crooning voice, the orchestration, the mood-setting artwork.

I know one song by this band, and I love it. It turns out there is a reason I only know that one song. That said, there is something very comforting about the repetitive beats, whisper-soft voices, and the interplay between the French and English lyrics. It’s very nice background music, but not something to sit up and take notice.

This is not what I was expecting from a Herbie Hancock album but I am blown away. I rarely do this, but I listened to the album again immediately after it was finished. I loved all of it, but especially Chameleon and Watermelon Man. I expect I'll be listening to this again very soon.

I bought this album when it came out. I didn’t really like it much so after a couple of listens I put it away. My kid found it and fell in love - and so this is the soundtrack to their childhood. I’m listening to it with them now and they’re singing along to every word. Sorry kid! I should have had better taste in CD purchases.

This was a great listen. I loved the layers of sound and the rhythms. Best tracks: Brothers Gonna Work It Out, Welcome to the Terrordome, Burn Hollywood Burn, and, naturally, Fight the Power.

New band/album for me and I’m pleasantly surprised to start. Seems ahead of its time, or at least major influence on later bands that I really like. This album opened strong with Strictly Confidential and Beauty Queen but the later songs were more of a snooze.

I’ve always had this idea that I like Brian Eno because he’s had a hand in music that I adore, but I haven’t really taken the time to listen to him. This album does not disappoint. I love (almost) everything thing about it. Also, today is his birthday! Happy birthday Brian Eno!

Really not my cup of tea.

This brings back memories. Move in day, freshman year of college, and someone anchored their speakers into their dorm window and blasted this album. Grunge music was everywhere, so naturally I had to hate it. But despite my attitude, this album wormed its way into my consciousness and has stayed with me for years. I usually can’t actively listen to it - the lyrics are too sad - but I appreciate the genius of this album and enjoy hearing it when it’s on.

I don't want to say something dumb like the Beatles are overrated, because they aren't, obviously, when they have such an outsized influence on popular culture and history. Buuuuuuuuut ... I guess I will say that they aren't my favorite.

American Pie is an undisputed classic. Song. Seems a bit of a stretch to put the whole album on this list.

Awesome drumming, insipid lyrics.

I’m enjoying this more than I thought I would. Love the bluesy Go Back Home.

Chaotic. At times dissonant, at times lyrical, but always interesting.

I've gotten 3 LZ albums in order: I, III, now IV. They've gotten progressively better. I'll give this top marks based on its incredible legacy. I'll even admit to enjoying it.

A little whiny for me. A couple songs stand out: Hallelujah, obviously, and Lilac Wine.

A curious album, at times engaging and at times tedious. Thumbs up to The Sage, Blues Variation, and The Hut of Baba Yaga.

Love the blend of musical styles. The album is a bit long, def don’t love the homophobia. But Time Travelin’ and its reprise are worth the price of admission. The 6th Sense and The Light are also really good and I’m tickled by the transition from Thelonius to Payback is a Grandmother.

The beats are surprisingly catchy and engaging. The lengthy excerpts from Shogun Assassin are rather tedious.

Love Karen O’s voice, love Maps and a couple other songs. Overall I’m not a huge fan of screamy music, but I appreciate this album.

I started out skeptical of this album because I’ve never heard of this group and because Introduction is a terrible introduction. But it turns out the album is cheerful and boppy. They’ve won me over.

The album starts out incredibly strong with Badlands and I was excited to hear more of this ode to the American blue collar working man. Springsteen looms so large in US culture and I know so many of his later albums. But ultimately I was disappointed. I understand why this gets so many accolades but I just don’t connect with it.

Makes me wish I could join a rock band.

I love the poetry and storytelling of Dylan’s music.

Naturally Black Hole Sun is amazing. But other than that singular track, I never really got the appeal of Soundgarden. Listening to it now, I can appreciate the vocalized melodies and the overall sound. But it is intense and a little goes a long way.

Listened to a fair amount of ska in HS but other than Our House I didn’t know this album. I like the cheerful upbeat-ness of it and love the horns! But I can’t get over the blackface on the cover, which thankfully I don’t get on the streaming version of the album. I’m wavering between a 2 and a 3. But before I logged on today, I could not for the life of me recollect the album. So I guess it’s a 2.

This is terrible!

An interesting listen.

This album is to classical music as smooth jazz is to jazz. That is, an insipid shadow of what it’s trying to emulate. That’s my ungenerous take. But I’ve avoided my album of the day listening for three weeks now - I have a lot to catch up on - in part because I couldn’t stand the thought of listening to this through to the end. Today’s the day I’m biting the bullet.

This was really nice to listen to.

I was obsessed with this album in college, especially the song I'm So Lonesome I Could Cry and Sweet Jane. Now I find it a tad too morose for my taste - different life stages I suppose. But I recognize the bluesy/jazzy genius of the album.

I had this album on repeat when it came out and still find it relaxing. Related, I once went to the tea shop that Moby had? has? on the Lower East Side and didn’t really like it.

I have always loved this album - so many amazing songs on it. I listened to it again with my teenage son and sadly he was unimpressed.

Seeing so many positive reviews of this album makes me want to like it … but I just don’t. Small exception for Time of the Season.

There are elements of the album that I really like - the drumming, the melodies. But there are elements that I really dislike - the shrieking and discordant elements. So I'll take some and leave some.

Just not my thing.

So ... this album is not available on Amazon Music or on Spotify. Found it on YouTube instead. It's kinda what you expect out of late 60s music. Bit of a Beatles feel on Hey Grandma but otherwise it's pretty eclectic - blues, bluegrass, country, folk. I hear a lot of other bands in their work. Naked, If I Want To and Sitting by the Window are my favorites but overall I doubt I'd listen to it again.

Something about the jaunty flute makes me feel like I should be frolicking amongst the daisies. Big fan of daisies, but not so much flutes.

America, Mrs. Robinson, A Hazy Shade of Winter - such amazing songs! It doesn’t matter that some of the other songs on the album don’t hold up. These do, and they’re genius.

One long, tedious drumbeat with backing vocals.

This isn’t really my music, and I doubt I’ll listen to it again, but I can see the appeal. There’s something about this album that really draws you in.

Everyday is Like Sunday and Suedehead are great songs. I also enjoyed Margaret on the Guillotine (but that song ending?) Otherwise, though, this album is shockingly mediocre.

Good title song; the last song was excellent as well. But the in between bits were kinda blah.

Pleasantly energetic

David Byrne is delightfully quirky. His music is always bold and brash and I love it.

Earnest

A cheerful pick-me-up on what was otherwise a glum afternoon.

Ray Charles’ voice is amazing. His piano is amazing. I love the trumpets. But the backing vocals and orchestration make me cringe. I really want to like this album - but the more I hear the sound built around the voice and the piano, the less I like it.

Tedious.

Obviously the song Layla is iconic. Otherwise this is a slog.

This album is the best thing I got from a an otherwise awful ex. But that was years and years ago. I still listen to the album occasionally, but definitely not as much, and listening to it now it all kinda blends in together in a not unpleasant but definitely monotonous kind of way. If I were listening to it for the first time I think I’d give it a 3. I’m tempted by a 4 for the sake of nostalgia, but realistically it’s a 3.

Omg that reference to Donald Trump not wasting his time with public fights 😂 I don’t listen to much hiphop but I’m clearly missing out. This album is catchy and a lot of fun. Love Gossip Folks, Play That Beat.

Man, what a punch! If anything makes me want to listen to an album, it is a title like "ambient music for airports"! But more to the point, this album could only accompany a sparse, minimalist European airport with lots of windows, sunlight streaming through, and a zombie apocalypse that leaves the airport utterly empty. I would not be able to take this seriously at JFK or LGA. Or Frankfurt, for that matter. Maybe it could play in Geneva, or the airport in Station 11.

As an album, I did not enjoy. A couple songs were ok - Get Duffy, Star - and I liked some of the guitar riffs on other songs. But overall a real slog.

I'm not much of a Springsteen listener, but as an American child of the 80s this album was seared into my consciousness. How exactly I don't know, since my parents never listened to anything but opera and I wasn't seeking it out myself; I guess it was just in the air. I like the album well enough but I have a special fondness for I'm on Fire.

A little of this goes a long way. I surprised myself by enjoying the opening track, Papercut, but the rest is just a bunch of screaming.

Started off thinking I should like this but ended up realizing I don’t.

I won’t say that I love every song here, but it is definitely unique and not unenjoyable.

I like this better than the other CSNY solo albums we’ve seen here. Some powerful songs included here, but I find I like Till the Morning Comes best.

Lovely, jaunty album. Hard to pick a favorite song! But if I had to choose, it’s the classic Just What I Needed, with honorable mention to Moving in Stereo.

What a curious concept. Much better than I expected it to be.

Seeing a lot of bad reviews for this but I’m enjoying it. It’s a little quirky, obviously in the vein of Velvet Underground and Talking Heads. Not as sophisticated or intricate, but worth a listen.

I really enjoyed this, from the tone and the mood to the emerging new wave sound.

There’s an urgency and intensity to this album that’s a lot like Radiohead, but at the same time tempered by Oasis and Coldplay. On all accounts, not in a good way. It’s too much for me.

I really enjoy this, but only one song at a time. And maybe I don’t listen too closely to the lyrics.

Catchy pop album, full of raw emotion made entertaining. And then Liability comes along and stomps on you. Powerful song about heartbreak and low self-esteem. The rest of the album is fine but doesn’t really compare.

The title track is amazing. Hands down 5 stars. If this were a list of 1,001 songs to listen to before you die, then its inclusion is a given. Jennifer is also good. But what is up with the rest of this boring album? I was expecting something great but was left with meh. The album gets a 1 for the disappointment, but the title track bumps it up to 2.

Sacrilege, I know, but the Beatles are hit or miss for me, usually on the same album. Revolver is no exception.

These songs are all so familiar to me. They're ingrained on my consciousness even though I don't really listen to REM on my own.

When I was a kid I couldn’t get over the fact that Jim Morrison sings “if I was to say to you” rather than “if I were to say to you.” It still kinda rankles. But this is a masterpiece of an album nonetheless.

Very layered, complex, powerful. These Walls made me sit up and pay close attention. U grabbed me as well. It’s not an easy listen though.

New band for me. Impressed out of the gate.

Beautiful, haunting album.

Not all of this album lands for me, but the songs that do are nothing short of mesmerizing. For now, those songs are The Sensual World and This Woman’s Work. I feel that Kate Bush is the kind of artist that grows on you, so in the future I might want to rate this higher.

This is not the best representation of Elvis. There are a lot of songs to get through before you reach the big hits - a bit meandering, a bit overproduced, though on the whole not unenjoyable.

Violence, misogyny, homophobia, and a catchy beat!

An underrated classic. The trumpets! Alone Again Or is one of my favorite songs. Bummer in the Summer and You Set the Scene rank highly as well. The rest of the album doesn't quite hold up to these three tracks, but it's good nonetheless.

This conjures up a smoky, jazzy ambiance that I guess I'm just not feeling.

This album really seems to be a product of its time. That’s not at all a criticism, I happen to love late 80s new wave. It just really struck me as representative of an era. This is a new album for me, somewhat to my surprise, and I’m enjoying it. Most of it. Dive for Your Memory is my favorite.

As a personal diary and journey into the unknown for someone close to the end, this is really deep. For a listener in a different stage, it’s a bit much. But then again, Bowie has always been hit or miss for me.

Admittedly, I am not the audience for this. Listening to it did not change my mind.

Listening to Tom Waits is tedious. Musically I actually like a lot of it, but I can’t take his voice.

I enjoyed Calistan.

Mellow, relaxing, upbeat. The perfect accompaniment to just about anything.

I used to listen to Elliot Smith all the time but I somehow lost the thread. His music ticks all the right boxes for me but somehow it doesn’t hit me.

I’ve been vacillating between liking this album and not liking this album. Can You Get to That and Back in Our Minds were pretty good. But otherwise, eh.

It’s not terrible, but really nothing stands out.

This album is definitely hard to get into. A lot of harsh sounds that give you the heeby-jeebies and hurt your ears. But I have a fondness for the Serge Gainesbourg song J’Taime and this album includes an interesting cover. And then the next song was Kollaps, which I actually enjoyed. Liebesdub and Spionagedub were good too. On the challenging 1001 albums scale, it’s better than Throbbing Gristle / Third Report and less good than Robert Wyatt / Rock Bottom. I’m not sure I’ll listen to it again but also I’m not sure I’d not listen to it again.

The Cure is a favorite of mine and this album is no exception.

I am exactly the right age for Nirvana - in high school when Nevermind came out, in college when In Utero came out. Their music permeated everything and was impossible to escape. I must have been one of the very few who couldn't stand it. Years later, I wouldn't say I hate their music. But it also hasn't grown on me.

Fabulous album from the Talking Heads, as always.

New album, new band for me. Some experimental music really works - see anything by David Byrne, or even that clangy album by the German band everyone on here hates (Einstürzende Neubauten). This just seems to be trying too hard to be David Bowie. Then again, not all of David Bowie’s experimental music works, so I guess they got it down after all. I was going to give this album a 2 for forgettable, but the more I listen to it the angrier it’s making me.

Headache-inducing.

This is new to me and *fantastic*! I love coming across new things that are right up my alley.

I hate to say it, but this album seems kinda generic now. I played it for my teenage son, thinking that he's really the right age for it, and his response was ehhh, it's all right. Damning with faint praise.

Oh to be a teenage boy.

PJ Harvey’s voice is raw and haunting. Her music is emotionally impactful in a way that that I recognize as good. But I also find that most of her music is difficult to listen to. On this album, I really like Victory, and I remember Sheena-Na-Gig from back in the day. I’ll come back to those songs, but probably not the rest of it.

I’m don’t listen to much country but there is a sweet plaintiveness to this album that I enjoy. It turns a little saccharine after a few tracks. But Harris’ voice is amazing.

I was walking to work, listening and enjoying the vibe of this album on a beautiful fall day. But at the same time I was wondering why on earth this album made it to the top 1,001. It’s pretty generic house music. Then Back to Life came on and I realized why it’s here. But is an individual song the reason to put an album on the list? It’s like the Eurythmics and Sweet Dreams (Are Made of This). Awesome, influential song, and a great addition to a 1,001 greatest songs list. But when it comes down to it, the album is boring.

Surprisingly short album, but it still packs a punch. Love the instrumental bridges, they really work to psych you up for the next song.

Prince is a masterful artist and this album is an amazing listen. It is also WAY too long.

Lots of paeans to this album in the reviews but I don’t really see it.

This album has a country base with jazzy elements. It’s smooth but sappy. I definitely hear it as a precursor to Norah Jones.

The driver from the first song - The Boomin' System - drives around my neighborhood every night. Sadly, he does not listen to The Boomin' System, which is vastly preferable to the songs that do get played. I'm enjoying this a lot. Great beats and rhythms. I'm seeing a lot of complaints in the reviews about insipid lyrics, etc, but that's true for a lot of the albums on this list. So how is this album different? hmm.

I don't exactly know why American culture is so obsessed with cowboys and Manifest Destiny, but it is, and this album epitomizes both. I've never heard of Marty Robbins and I've never heard any of these songs but I see the through line from this to modern country and some pop crossovers (looking at you, Sting). The voice is beautiful but the songs idolize terrible acts.

I love Ella Fitzgerald and I love her renditions of the Gershwin songbook. When I was younger, I went through a When Harry Met Sally phase that was accompanied by an obsession with 1940s-50s vocal jazz classics. I’ve attended regular Fridays with Frank parties and learned how to swing dance. That said, I’ve never sat down for a 3+ hour session all at once. The great songs are great! But honestly not all of the songs are worth listening to. Ella Fitzgerald herself taps out of the final 6 songs and leaves us with jazz ballet. I'd give a pared down song book - a "best of" album, if you will - a 5, but I'll subtract a star for each of the extra hours included on this version.

Overproduced and boring.

Pretentious and interminably long. I want my 2 hours back.

Fun album. The great songs - Livin' on a Prayer, You Give Love a Bad Name, and Wanted Dead or Alive - are classics. The rest of the songs are more forgettable.

Honestly I just find Neil Young boring.

In college a boyfriend handed me a couple of Nina Simone albums to listen to (not this one). We were at the end of the relationship, I had grown increasingly uncomfortable with him around, so when I played the first album I was subconsciously set against it. I hated it. Never bothered with the second album. Years later, when the idea of him just didn’t matter anymore, I played the album again. I was blown away. The power, energy, anger, and most of all, beauty in Nina Simone’s voice has stayed with me ever since. I come back to her music frequently and there’s always something new to hear in it.

For nostalgia alone I have to give this a 4. Love the instruments, blend of musical styles, and overall sound.

Cheerful and jaunty but boring.

The Humpty Dance is a staple from my high school years. Not all of the rest of it holds up though.

For all that Kanye West is such a powerful cultural force, I’m not really acquainted with his music. So I wasn’t sure what to expect when I turned this on. I won’t say I’m a fan of all of it (ugh, Blame Game), but I couldn’t turn away from any of it. The album has a real pull. Monster in particular really blew me away.

Totally forgettable.

There’s a real garage band sound going on, not in a good way. Amazon initially took me to a completely different album by them, so I’ve listened to 2 of these to come to this conclusion.

There may be a couple of songs by Elvis Costello that I like and enjoy, but they are not on this album. I find his voice to be like nails on a chalkboard.

Amazing blend of musical styles and lyrics.

Lou Reed is a genius.

Elvis is just a lot of fun. Some songs - like I Will Be Home Again - are vapid but others - like Fever - are truly outstanding.

I am resolute in my love for Simon & Garfunkel and my disdain for solo Simon. But I do like Rene and Georgette Magritte with Their Dog after the War so the album gets a 1-star bump.

So delightfully upbeat and peppy. I knew and liked their big hits but I’m also really enjoying their lesser known songs.

This was introduced to me years ago as one of my sister-in-law’s favorites. I listened to it for a while. It’s pleasant enough but maybe a little too atmospheric for me.

I need to be in a dimly lit, smoky bar to properly enjoy this.

This is the second Everything but the Girl album I’ve gotten and it still doesn’t include their biggest hit. I don’t think this band is worth one let alone two albums on this list. Are there going to be more?!?

The album was fun but made me remember how I like studio albums better than live albums.

I first heard this album while babysitting two rotten little kids - they liked to fall asleep to it. At the time I thought it was an odd choice. But as I got older I started listening to it myself and realized how brilliant it is. Homeward Bound and 59th Street Bridge (Feelin’ Groovy) are obvious classics, but my favorites are The Dangling Conversation and Flowers Never Bend with the Rainfall.

Good for when you want loud, shouty music. But they need to shorten those songs.

I didn’t really keep up with Jack White post-White Stripes, but that was a mistake. I love the controlled passion and the piano work on this album. Some overdone bits, to be sure, but I like the general flow and sound.

Stand Up was the sole redeeming track from this album.

In a word, whiny. And not even the album everyone knows. Oh god, is that one coming up too?

Oh my god this movie sucked. Not for the music, which is actually pretty decent. But I’d give money to not have to think of the movie ever again, and this album made me think of the movie.

I was in high school and college for the heyday of the Beastie Boys, so while I never owned one of their albums their music just kinda seeped into my consciousness. It wasn’t until I was an adult, living in Brooklyn, that I started consciously listening to their albums. There is something so incredibly cool about what they do and the sounds and musical influences they put together. Sabotage, naturally, is a classic, but my favorite was Sure Shot.

Snappy and cool.

This was an easy listen. I quite enjoyed it.

All I can think of while listening to this is that Jay-Z is in the news for raping a 13 year old. My Jay-Z connection is that my kids went to the same middle school that he went to. 13 year olds are in middle school. F JZ.

Pleasant, unremarkable.

I feel like I should rate this higher than I want to, because of the tremendous influence this album has had. But honestly, with the notable exception of Pinball Wizard, I just don’t like it all that much. My husband loves Tommy, and will sing various snippets of it frequently, but this one isn’t for me.

I know that Wilco has been an indie darling for years. I’ve never liked them though.

Quirky, not in a bad way, but a curious addition to this list.

WTF.

Really enjoying this. Love the vocals and the urgency of the music. I love covers of Helter Skelter, but my favorites from this album are Jigsaw Feeling and Metal Postcard.

Went into this thinking I wouldn’t like this album - it’s toward the end of Morrison’s life, I’ve seen the movie so I know he’s increasingly erratic - but it’s actually really good. I know Indian Summer from a cover version that I adore, Roadhouse Blues is obviously a classic, and many of the other songs had a jaunty, bluesy charm that I found easy to enjoy.

I waited a day to listen to this album because I wasn’t feeling Motown. But boy was I wrong. This album is Motown but it’s more funk, all genius. Enjoyed the hell out of the is album.

I’m listening to this album to give it a fair shake but I hated it when it came out and … same now.

Kinda creepy, kinda mesmerizing, definitely a unique entry.

Boppy, fun, but not really me.

One of the greatest albums. Prince is a masterpiece.

I love Dusty Springfield’s voice but honestly this album didn’t do it for me.

Amazon music is telling me that Mylo “achieved success in the mid-noughties.” Is that what we’re calling the 2000s now? Really?? I want to talk about that more than I want to talk about this boring album.

There is nothing like hearing your family belt out Goodbye Yellow Brick Road at the top of their lungs when you had no idea they even knew the lyrics. For that alone I have to give the album a 4.

The band Radiohead scares me, so I've avoided listening to this album, and therefore my subsequent albums, for a few days. But it's time to face the music. I have a hard time judging this. I don't hate it musically, so it's not a 1. It's definitely not boring, so it's not a 2. But I vehemently don't want to listen to it again, so it can't really be a 3. And you can forget 4 or 5. I'll have to go with a 1, since on some level I DO hate it. I hate that the music is so bleak. I hate that it churns up my insides with some kind of unstated fear - Pulk/Pull Revolving Doors is especially horrifying. I hate that Thom Yorke's voice is hypnotic.

Not usually a fan of heavy metal, but I sure do have a sweet spot for Guns N' Roses. Would I like this album if it didn't include Welcome to the Jungle, Paradise City, and Sweet Child O' Mine? It doesn't matter, because it does include these three masterpieces.

This was less interesting than I had thought it would be. Nothing really to say about it.

Peculiar. It's like the album is part of some joke that I'm not in on - but then again, I don't want to be in on it.

Blah blah blah

This album was a little bit of a roller coaster for me. I went in thinking I probably wouldn't like it - white boy blues and all that - but enjoyed the first couple of tracks and was ready to revise my thinking. But then, I don't know, it's too much of a live album and the songs go on and on with endless guitar riffs and I just got tired of it.

I know and like the song Where Is my Mind? but other than that, I find the album unremarkable.

Not usually a country fan but man, Dolly Parton is something special.

I feel like 2004 has better representative albums, no need to dust off the 1960s vibes of The Beach Boys.

This album has a lot of the classic sounds of New Order but ultimately is a bit disappointing. Guess I'm more into the singles.

This album is a real head scratcher for me. Why is it here? Why all the praise? I like lo-fi indie music but this is a bit all over the place, a random assortment of song snippets. Some of them are interesting, but most of them aren't.

Kashmir and Bron-Yr-Aur were good, but since I left my air guitar at home the rest of the album wasn’t as fun.

A calming antidote to the horror of the day of the 47th inauguration.

In 2004 I was going to Brooklyn clubs listening to music very much like this. I don't do that any more but I enjoyed this album a lot more than I had thought I would when I first opened it up. Weirdly melodic, creatively rhythmic, glad I gave it a listen.

Rap in slo-mo.

I generally love The Velvet Underground but eh, this album.

Catchy and joyful. Sure the songs sound similar to each other, but it’s a great sound.

Not really my cup of tea but I get the appeal.

Kinda haunted and creepy. And taken with the cover and title, I feel like the children will be the music’s meal.

I debated not listening to this on principle alone but I’m a completionist so I did. The opening track, Bawitdaba, isn’t bad, but the rest of it is tedious. I guess that’s a literal kid on Devil without a Cause?

Not really my thing but I can hear the appeal.

Radiohead albums have an ethereal, haunting quality that make them hard for me to enjoy.

Wow this brings me back to middle school/high school. Such a fun album. I only really remember the big hits really - It’s Tricky and Walk This Way - but I enjoyed all the songs.

Listening to this and realizing I just don’t like The Beach Boys.

Totally new for me. Love the lush orchestrations and sonic urgency.

I can't tell if I really like this or if I'm just inclined toward it since it came out when I was in high school. But I am really enjoying this album. Obvious has real appeal, Been Caught Stealing has always been a favorite. Of Course is also really good.

Such a smooth, sultry voice - a pleasure to listen to.

This was the album that first introduced me to Johnny Cash. His rendition of Hurt still makes me cry.

A calming and pleasing album - I suppose that’s the point of devotional songs.

New album/artist. Dy-Na-Mi-Tee is great, but the rest of it didn’t stick with me.

One thing this experiment in listening to 1,001 (+) albums has taught me is, that as much as I like a couple songs by The Kinks, I am not a fan of The Kinks. So I listened with an open mind, but … still not a fan.

Every note on this album is perfection.

I liked this less than I had thought I would.

Amazing horns. Amazing voice. Masterful album.

This music sets me on edge in a very unpleasant way.

To me, this is electronic lounge music done right. All the songs are engaging, but Jealousy in particular is the perfect blend of pathos and urgency.

I don’t know this TH album - a shame that luckily I can rectify. Delightfully quirky.

I know the first three songs are monster hits, but I also appreciate the quieter, more melancholy second half of the album.

I saved a couple of songs from the last Tom Waits album I got, and listened to a playlist that included them frequently enough that I started skipping the Tom Waits songs. I can only take so much of it. I appreciate the instruments and the rhythms of his music, but there is also something so intentionally grotesque about it that it puts me off.

It’s a bit peculiar, but overall not a bad sound. It just seems to be trying too hard.

I always think I will like Elvis Costello more than I actually do, I guess because I really like the song Alison. But that song isn’t on this album, nor is it on the other Costello album I rated on this site. But back to this album, I like the song Busy Bodies and it kinda saves what is in my mind an otherwise unremarkable album. Oliver’s Army is also quite catchy but the lyrics are super questionable. I get the meaning and the juxtaposition but I dunno.

I’ve always had a fondness for The Police.

I generally like the Who, but I’m also not much of a fan of live albums. This is no exception.

My kid introduced me to this some years ago, which is not how I expected cultural transference would happen in my household, especially since this album came out the year they were born. Nonetheless, it’s charming.

This is a very familiar album to me. I’ve always loved it - super smooth, with an edge of despair.

Love the start of the first track, Out the Lies, as a matter of timing. March 2025 in the United States is not a pleasant place to be. We need to figure out our revolution strategy pronto; everyone seems to be fumbling around while a duly elected monster undermines the fabric of our democracy. But that song is just a rallying cry that I can appreciate in this moment. I was disappointed by the next several songs from a musical standpoint - too much repetition, the beats were too heavy. But I do vibe with the political message. Wildfires, Sorry Ain't Enough, and Bow (Michael Kiwanuka! My favorite find from this album journey!) were also brights spots.

Masterful album. I especially like All Along the Watchtower and Crosstown Traffic.

Squeaky voice, can’t stand it.

I can sing along to the big hits on this album but nonetheless I find it boring. Good for her for getting rid of her Muskmobile though.

Seems an appropriate time to get an album and song entitled Madman across the Water from a British singer/songwriter. We are staring into the abyss. Elton John isn't usually what I go for, but his music sure is jaunty and wins me over almost every time. Indian Summer didn't age well though.

The album's raw emotionality is on display throughout. I suppose it's interesting musically, but it's just too on edge for me. With the exception of Missed, I'm not interested.

This album is a blast. Introducing it to my teenagers and having them love it too was also a blast.

I really liked the first song. The rest of the album blended some interesting musical/instrument ideas, but was boring overall.

Janis Joplin is totally wasted on me.

This is more a bar band album than a top 1001 album.

Cheerful, peppy, great rhythms.

Apart from that exceptionally long song - Birdland - this was an amazing album. I love her voice, the discordant notes, the frenetic passion/rage that spills across the songs. It’s not an easy listen, really, and I don’t know how often I’ll go back to it, but it was an impactful album. Also, Patti Smith used to live on my street! I mean, this was years before I was even born, but still a fun little fact.

I find CCR tedious.

I feel like there are good songs here, but they’re buried under layers of noise.

The sitar does not do Light My Fire any favors. This all sounds to me like embellished elevator music.

Bland

God, what a voice.

I like Child in Time (though it goes on too long). I like Ian Gillian in Jesus Christ Superstar (though I prefer John Legend). My husband really likes Deep Purple. I tried, honestly. But I just can’t.

This album is such a mixed bag for me. I loved the first three songs, especially California Stars. Then a stretch of songs I didn’t care for, then the delightful Ingrid Bergman came on. Hard to rate this, but I guess I’ll be generous and give it a 4.

I’ve known of Brian Eno as a producer of a lot of music I really love. Years and years ago - back in the days of Napster and dial up modems I tried to download some of his music but I didn’t know what to get and frankly the download speeds were so atrocious that I gave up. So it wasn’t until this project that I have really listened to Brian Eno’s music. This is the third album of his that I’ve listened to, and it’s an amazing collection of songs. I hated the airport album but I can’t get enough of this one. If only I’d had more patience back in the day - I could have been listening to this all along. What a find.

Such an interesting album, new to me. I love Armatrading’s voice and her guitar. Somebody Who Loves You is so touching. Really glad to hear this.

I have been dreading this album ever since I started this project. I have not listened to it in something like 25 years, after listening to it on constant repeat after I bought the album. Listening to it now brings up such an intense and unpleasant visceral reaction that it's hard for me to keep it on. Once upon a time I fell asleep to this album. There was a dumb trend back when this came out, I guess because they could, where bands put "secret" songs on the back end of an album. In the case of OK Computer, the secret song came on after something like 20 minutes of slow, pulsing electronic music. When I consciously listened to the album, I'd either skip the final song or fast forward through the bridge. But when I fell asleep I couldn't do that. I don't know if it was the bridge itself, or some other part of the album (it does all kinda blend together), but this album became the sound track to the worst nightmare I have ever had. It haunts me to this day, the despair I felt while trapped in this dream, overlaid by the pulsing of the music. After I woke up, during the final song, I realized I could never listen to the album again. In fact, I never listened to anything by Radiohead again (except for the one other album out of 1,001 that I've gotten so far) and will not pick them up again.

Energetic and enthusiastic. Perhaps a little too much for me right now. The album is fine as a whole, but none of the individual songs really stood out for me.

Little Richard is a force and a fascinating person. This album is an intense and powerful break with the a lot of the popular music that came before it. That said, a little goes a long way. I can’t hear the album in its proper context - I can only hear it in comparison to all the music that came afterwards, much of it probably influenced by Little Richard. But because I can’t hear the album in its proper context, I struggle to fully appreciate it. It’s loud, brash, the songs a little too much coming one after another in the early morning. My favorite is the more down tempo, bluesy Can’t Believe You Want To Leave.

Interesting to get this album immediately after Little Richard. It clearly takes so much from LR. As a whole, this album works a little better for me. While LR maintained a high intensity throughout, this album rolls and crests with a little more emotional variation. It keeps the upbeat tempo throughout, just like LR, but the individual songs leave a little more space to emotionally breathe. But there is no “With the Beatles” without “Here’s Little Richard.”

I’m hard pressed to understand why this is here.

Cry To Me, naturally, is a classic. But I was disappointed by the rest of the album.

Can’t be unhappy listening to this!

Music - term used lightly - like this is incredibly tedious.

I haven’t heard this album in a long time. I started it with high expectations, but was disappointed as I listened to the first few tracks. But then something clicked, I think after Doo Wop (That Thing), which I knew too well. I turned the volume up, sliding into the lyrics and the beats, and was transported. It does go on a little too long, I’m not a big fan of the spoken interludes. But what a powerful album.

I went into this album with low expectations and was pleasantly surprised. It reminds me a lot of Luna, a band I listened to constantly years ago.

I hadn't actually listened to this album in its entirety before, but I do know many of the individual tracks. I've always enjoyed The Killers - a blend of rock and punk that isn't too loud or obnoxious. Sitting down with it was a pleasure.

The *idea* of The Smiths is so much better than The Smiths actually are. A little bit of musical ennui goes a long way. Maybe I’ve just outgrown them.

Moody and atmospheric in a way that I enjoy, but can also tire of quickly. Part White Lotus, part circus, part goth in music form, and yes, I have tired of it.

I’ve really only known the Pretenders from their big hits. While I’ve enjoyed them, it hadn’t really occurred to me to explore them more. But man I was wrong. I love the voice, the rhythms, the overall sound.

Honestly, it’s just meh. Not bad, not great. So I’ll damn it with the worst review - a 2. Too boring to think about again.

The most interesting thing I learned today is that Neneh Cherry is from Sweden. One of the reviews on this site said the album is like teenage Disney channel music. Spot on assessment.

I can hear and understand the importance of this album, but it still sounds dippy to me.

Charming and cheerful.

I’m a big Dylan fan but this isn’t striking me in the same way as his earlier works. One funny thing: as I was first listening to the album, it struck me as very similar to a different album that I used to play a lot - Shine by Daniel Lanois. Then I opened the review section and saw that this album was produced by Daniel Lanois.

This is the third Tom Waits album I’ve gotten here, and I’m so tired of his gravelly voice. This combo of jazz, singing, comedy, and pseudo-intellectual philosophical insights might have been entertaining in person, but it’s not want I want to sit down and listen to. And from reading the comments I’m learning that the whole jazz club vibe is fake, which makes it that much worse.

I listened to a lot of the Specials, and especially music influenced by them, in high school. I think this is where my love of horns in music comes from. There is just such an irrepressible joy and enthusiasm in their songs that I can’t give it anything but top marks.

I don’t understand a word of it, but I love it!

I really don’t know what to make of this album. Sure, Solsbury Hill is a masterpiece. But the rest of the album is uneven. Even some of the individual songs are uneven. Do I love Excuse Me? Do I hate it? I’m really not sure. Pretty sure I hate Waiting for the Big One. And then he throws out a classical-rock-disco track with Down the Dolce Vita and I’m mesmerized! Such a disconnected, uneven album.

I grew up in the Haight-Ashbury neighborhood of San Francisco, blessedly at least a generation removed from this. But I heard plenty of this kind of music anyway. Didn’t like it then, don’t care for it now. Was this album groundbreaking at the time? I dunno. I will say this: I’ve never heard of Country Joe & the Fish, but I’ve heard of plenty other contemporaneous bands out of San Francisco, so that’s telling me something.

New album, new band for me, etc etc. Really not feeling it. I will admit to liking the drums and the bass, so there’s that.

I never really got into Fiona Apple, thought I can see the appeal.

I hear the early punk in this, that’s cool. But there sure are a lot of covers on this album - too many, really, to include on this list. Maybe if they were definitively better than the originals? Or if the originals were obscure? But neither is true.

New band/album for me. It’s ok. Nothing to write home about.

Joyful, cheerful, energetic.

Really, really love the guitar. I’ve never really paid much attention to Dire Straits beyond the big hits, but damn, that guitar work.

I’ve always been a sucker for the Police and Sting. Some of the tracks don’t hold up, but I love Does Everyone Stare, which is new to me.

I don’t really know anything from this album except, of course, Beautiful. I’ll admit that this isn’t what I usually listen to, but it’s pretty good. I like the coherence of the album, love the interludes, especially Primer Amor Interlude, and the jazzy sound that comes through in a lot of the tracks. Will I listen to it again? Probably not, and that’s why I’m giving it a 3.

Love the Rolling Stone review "one of the most pretentious albums ever released by a major label." Can’t do better than that.

Omg I looove this.

The contrast between The Song on this album and all the other songs is remarkable. But I’m scoring the album based on all of the songs, not just the one great one.

Pleasantly surprised by the start of this! Then the next song begins and eh. That about sums up my reaction to the rest of the album.

Country schmountry

Fantastic album.

Picking this up thinking it’s another album selected because of That One Song, but it’s more varied than I had thought it would be. Getting a kick out of It’s a Shame (Mt. Airy Groove) and The Adventures of Grandmaster Flash on the Wheel of Steel.

Repetitive, interminable. Really, to get through a whole album just for Paper Planes? Sure, PP is a good song, but it’s definitely not worth the rest of it.

Love, adore the big hits. Not sure the less well-known songs hold up for me, though.

Opens with a scream. And it's downhill from there, nothing redeeming.

I’m seeing a lot of negative reviews for this one, but I love it! I love the plinking, the rhythms, and the singers’ soft and gentle voices.

Opens strong with Rhythm Nation. But then the album lapsed into some kind of cliched lament about the harm humans do to each other - problems that existed centuries before the songs were written, and have no signs of abating in the 30+ years since. Nothing deep, nothing insightful. So, palatable human tragedy? Other artists have done it much better. But then came Livin' in a World (They Didn't Make). Blah song til then end, then holy crap, a graphic news segment about a school shooting (Stockton, CA, 1989)? I get that the song is meant to be shocking, but it resonates differently in a post-Columbine, post-Sandy Hook world. Anyway, the album does have some great songs in addition to Rhythm Nation, but overall I don't think it holds up well. My score is on the strength of the good songs.

Surprisingly catchy. I can't really hear the lyrics over the beats, and I'm not a big fan of the sketch interludes. But damn, this is good. Better than 3 but doesn’t quite rise to the level of 4. 3.5

It’s just static! That’s it! Punctuated by the occasional screech! Oh my earballs.

Enjoyable, but in a kinda generic mid-2000s way.

LOVE this version of I Got You Babe. But then the next 2 songs are Back to Africa and Master Race Rock? I get that it’s tongue in cheek but that humor hasn't aged well. Nonetheless, I will admit that there is something overall that’s charming and infectious about this album and I can see how it was a huge influence on the later punk scene.

Surprisingly religion-coded for a singer who announces in the first song that he doesn’t believe in god. I was living in St. Petersburg when this album came out and he included the city on his tour. I saw posters for it all over and kept thinking I should go (I was paid a Russian salary as an ex-pat English teacher and so was way too poor to afford a concert of a singer I’d never heard of but whose posters gave me *vibes*). Listening to the album now - with that same poster image as the album cover - I’m glad I didn’t go.

Honestly, I just find The Beach Boys boring. The occasional song is fun - I enjoyed Help Me Rhonda, for instance. But a whole album’s worth is waaaaay too much. The lyrics are dippy (will my kids be proud / or think their old man is really a square?!?) and the beat is just unrelentingly bouncy. RIP Brian Wilson.

I’m really enjoying this paean to my home state. Early 2000s indie rock is my jam. Shocked to learn this is an Irish band, but I guess California really is that alluring. However, thinking about it objectively, there is nothing about this album that is remarkable or timeless.

I do enjoy bluegrass. But seriously, this album is over two hours? This music is cheerful and jaunty, I like that, but I get the feeling that it wants to convert me. Old men crooning about their dead 16 year old brides is creepy. In the end, the album went by faster than I had anticipated, but the inclusion of an instrumental version of Both Sides Now was a little jarring and out of place. Overall, I liked the album well enough. My favorite tracks were the ones without vocals.

The best part of this album is the cover. The first track is tolerable, in a smooth jazz/rock early 80s kinda way. But the rest of the album is a slog.

I like the horns that keep popping up but otherwise I think the album is boring.

New album, new band, etc, etc. Total snoozefest.

Godawful, like nails on a chalkboard. It wasn’t on Amazon, it wasn’t on Spotify, and I could only find some copyright-shortened version of it on YouTube. In hindsight, the fact that I only had to listen to an hour of this was a blessing.

Had low expectations going into this album I’ve never heard of, but I’m pleasantly surprised. Side eyeing the song … Til the Cops Come Knocking, though.

I’ve just never liked James Taylor. Something about the voice. But I recognize his impact. Please I love the fact that he references Stockbridge/the Berkshires in his songs. Lots of love for Stockbridge.

Definitely not the ABBA I was expecting, but I like it! The second song, plus most of the others, are closer to what I expected. But still different from their usual over-the-top pop.

Took one look at the album cover and was sure I’d hate this. But then it started playing and I realized I know this album from college, though I don’t think I’ve listened to it again since the late ‘90s. It’s actually quite good.

Pleasant enough as background music, but nothing really stood out.

Very rooted in the 90s.

Interesting

Madonna and her music had an outsized impact on my childhood, and I can’t help but love her music. I sang along, loudly, to Like a Prayer while my children looked on in horror. This isn’t my favorite Madonna album, but she is masterful in her craft.