Is this good jazz? Is this bad jazz? All I feel qualified to say is that this is definitely jazz.

The 90s - GenX's last opportunity to importantly whine at us. Considering how enormous the egos on the Gallagher numbers are, this comes off as boring.

The reviews for this album are so polarized - you either seem to think this album is profound & nuanced brilliance, or noise vomit. I tend to think the latter.

The third early to mid nineties album I’ve gotten in a row is probably my favourite of the lot. Yes, this might be because all the cool music sounded like this when I was 12. Kinda sounds like if Phil Spector did a grunge album. But it seems like if Spector and Corgan made an album, not everyone would make it out alive.

I used to think the title was some kind of marketing ploy aimed at Elton John himself. Now I think maybe it refers to longtime collaborator Bernie Taupin, whose lyrics are completely bananas. Is there a luckier man to ever exist, who responded to the same newspaper ad the same time as the only person alive with enough talent and charisma to turn his words into magic? Anyway, Elton John is incredible despite whatever nonsense Taupin makes him sing about.

What a start to my new project. Is there a better voice in rock? Love how frequently piano makes an appearance.

Surprisingly precise and regular in its rhythms. Feels like mellowed-down poppy punk - not just the jacket that seems related to the Ramones. Tom Petty is great, if not yet height of his powers.

Before listening to this album I thought that Pink Floyd wasn’t my thing. I thought their music was bloated and sounded like a 14 year old trying to be deep with their first attempts with effects at their disposal. Turns out I was right. This entire thing feels insanely self-indulgent. From the screechy synth to the constant use of the second person voice in the lyrics it all makes me cringe and roll my eyes. Pieces are great - Roger Waters’ bass line and David Gilmour’s guitar on Have A Cigar are pretty fun until they get buried, and Wish You Were Here benefits from being stripped down but starts to get drowned by the end as well. Basically - it’s not for me.

This album reminded me of my Grandpa who died 15 years ago. On its own merits I'd probably give it 3 stars but my Grandpa was the coolest person I know so 5 stars for making me think about him.

Makes me feel like an angry 90s teenager again. Fun, with some bangers, but gets a bit repetitive. Still boggles my mind that the screaming lead singer now has a PhD in molecular biology. Some people have layers I guess.

Took a few songs to get going but then was fun. Wikipedia article calls them the "British Jefferson Airplane" and it does sound very Grace Slick, but the parts that sounded more like Allman Brothers were my favourite.

Blech. Not for me. It seems like Chris Martin is responding to late-90s brainless aggression with pablum. But it just ends up pouring terrible music on top of bad.

An example of low expectations being blown out of the water. What a bop.

Why did we all have so much angst in the 90s? I’m not super fond of this - all pretentious sadness. Also not fond of when bands mix the vocals in under the instrumentals to make you lean in. But at least it’s better than Coldplay.

Man this album was absolutely everywhere for awhile, but it just didn’t penetrate my lily-white suburban neighbourhood. Our loss. Glad for this chance to catch up.

This album is so great that it can name one of its tracks “Splanky” and make it sound cool.

Sounds mostly like the most dated aspects of the Beatles music. Every so often some of the harder elements of their future bleed through, but mostly it just feels quaint. Not a hard listen, just a bit dry.

I waffled a lot between 3 stars and 4. There’s a lot to like about this album. Each song has a piece that makes me think I’d really like the music Stuart Murdoch listens to. But then in so many songs they add something like a harmonica or a triangle or a weird vocal harmony that distracts from the rest. Better than I expected, it got better further into the album, nearly but not quite a 4.

I don’t get prog. It’s irritating how they cram four songs together and try to say it’s one track. And I bet they’re doing inventive things with rhythms and chord progressions, but it makes it a real slog to listen to. Having said all that - still better than Pink Floyd.

Great voice. No expectations, very pleasant listening. I don't know anything about her EDM roots but this made me curious for more.

Man I wish I had better musical taste when this album came out. I could have saved a lot of money on bad CDs. This is great from top to bottom. I really missed the post-punk boat.

I used to think the title was some kind of marketing ploy aimed at Elton John himself. Now I think maybe it refers to longtime collaborator Bernie Taupin, whose lyrics are completely bananas. Is there a luckier man to ever exist, who responded to the same newspaper ad the same time as the only person alive with enough talent and charisma to turn his words into magic? Anyway, Elton John is incredible despite whatever nonsense Taupin makes him sing about.

I expected to hate this but turns out it's pretty perfect pop music - fun to listen to but immediately forgettable. Feels like McDonald's for your ears.

I guess all recordings are a type of time capsule, but this one feels especially so. Seems like a good example of both the good and the bad of what rock thought sounded cool in the early 80s. I wanted to give this five stars but there was just a little too much cringe. Mark Knopfler sure plays a soothing guitar though.

Maybe I don’t hate prog after all! Or maybe CanCon rules have made this music part of my life for years. Whatever it is, between the incredible Neal Peart drumming and Geddy Lee’s bizarre voice and fantastic bass playing this works for me from beginning to end.

3.5 if possible. Enjoyable, really can see how they've filtered early 50s rock through 70s and 80s hard fuzz. Probably won't feel the need to revisit.

A lot closer to timeless than I expected it to be - a lot of it sounds current. Sweet Thang is a 7* out of 5, and the rest of the album is very good.

Track 1 is a perfect pop song. The rest of the album has tracks that have questionable beginnings but by the end you’re nodding along and getting it. Well done.

A lot of layers here. Hard to describe. Impressive even if I don't really understand it. Worth a listen. I can see why it got such high ratings upon its release.

More musical than I expected. I get how important it is in concept, but loses points for being so long.

The cool kids I went to school when listened to Sonic Youth. Now I just feel bad for them. Yuck.

Is it cultural appropriation if the guy who invented the style is singing with the white man who's just visiting? Either way, this album slides down as smooth as silk. Never been to Brazil but this feels like an all-inclusive resort - a tourist's version of what Brazilian bossa nova is like.

Enjoyed more than anticipated. Punk is fun!

Part of the Wikipedia article describes this as among the best-recorded albums of all time. This seems like such a backhanded compliment - like saying your ugly house is made of great materials, or that your new partner has a "fantastic personality." It all feels slightly like what Patrick Bateman would play after Huey Lewis & the News. Nothing to complain about but not much for me to sink my teeth into.

This might have been the best album yet from this project. I will be revisiting this many times in the future, which I can't say for most of this. Pretty close to perfect.

Seems like the parent of the Sonic Youth album I rated a few days ago but slightly easier to take.

“Pink Floyd guitarist auditions to be part of the more irritating songs in the Beatles catalogue.”

Piano AND trumpet, with sax in an appropriate supporting role? Yes please. What a pleasant surprise. Never heard of this band but this album is them throwing every genre at the wall to see what sticks, with not 100% success but enough to have fun with.

Such a cool surprise that the only song I knew from this album was not even close to the best one.

Again, punk is fun. Especially with a brass section.

I did not know how much I’d enjoy this. Karen Carpenter is incredible and I never knew that or anything about the tragedy that was her early death.

Love Dave Grohl as a great guy but never been a big Foo Fighters fan. Still an interesting album. Not hard to see the Nirvana influence on this music-as-therapy recording. Everyone should read his book, he’s also an enjoyable storyteller.

She seems talented and some interesting stuff musically but her voice is not for me.

The third early to mid nineties album I’ve gotten in a row is probably my favourite of the lot. Yes, this might be because all the cool music sounded like this when I was 12. Kinda sounds like if Phil Spector did a grunge album. But it seems like if Spector and Corgan made an album, not everyone would make it out alive.

I mean it’s easy enough to tell that this album is packed with a truly insane amount of talent and innovation. It’s just more difficult for this ignorant brain to grasp it all. Easy and enjoyable even if it didn’t grip me.

Perfection

This is a vibe. This is what music is supposed to sound like in our flying cars or on the holodeck.

I’m worried that I’m only 5% through this list and I feel so strongly that I would have been ok dying without ever hearing this album. It’s fine, but I think there probably are better options.

After reading about how this album was basically made by Tom Sholz in his basement, and basically passed off to executives as a professional job, I'm far less embarrassed to say this is exactly up my street. I should have been born 20 years earlier so I could have experienced the 70s.

Not a shock to learn that Bowie produced their album before this one. Sounds like Ziggy Stardust Goes To the Farm. But I did enjoy it more than I predicted.

She blew me away in the Summer of Soul doc, and while losing the visuals does take away some of her charisma there's still a ton of power in that voice.

This did not work for me. Apparently this is a seminal work in the Shoegaze genre. No thanks.

Great voice, weird music. A bit too weird for that fourth star.

More punk that I enjoyed. I missed my calling. The "Under the Boardwalk" cover very nearly pushed it to 5 star territory.

The first album that I've listened to in entirety before this project! I still like it, but not as much as I remember.

Surprisingly enjoyable. Did not expect to like it but slid down smooth as silk. I appreciate wordless music that allows me to get some work done while listening to it. Creates a soundscape and just lets you sit in it for the whole album.

Took an embarrassingly long time to figure out why this sounded so much like Rod Stewart at times. Of course he sounds better when backed by one of the Rolling Stones.

As this project shows me that I have an appreciation for punk, it's interesting to listen to one of the OGs. It really wasn't what I expected - it sounds a lot more like the Doors or Hendrix than I would have anticipated. Makes sense for the time. But has less of a crushing impact than their live shows must have had with Iggy up there bleeding on people.

Do all of the songs sound alike? Maybe, but when that sound is "greatness" who cares?

Completely unexpected from the name and album photo. A trip back to the 90s when things were LOUD and busy. And what an incredible vocalist.

Two Tom Waits albums in about a week is a lot. As cool as it is that he recorded it in the basement of the studio, it seems deliberately challenging to whoever is trying to listen to it, and I wasn't feeling it.

Courtney is cool but this album is less fun than I'd like it to be

This really wasn't my favourite, but it was weirdly cool, and I'm glad she made it.

The piano is pretty, but so few of these songs hook me in. It's hard to avoid comparing one piano-based rocker to another, but somehow Elton John takes way cheesier material and makes it awesome, where Billy Joel's lyrics are way better yet his songs lack the same wow-factor. Talent all over the place but barely ever amounts to more than sounding like elevator muzak.

First thing - shockingly different from The Stooges album of 4 years previous. This is better.

HATE

Real trip down memory lane, but now that my kid is the age I was when it came out it really made me cringe a bit to listen to together. He really does have a way with words and I still respect his flow, but sometimes even biting satire can go a little far.

This is a banger. Very enjoyable. Just misses 5 stars because it needed a little more variety. But it does what it does very well.

So self-indulgent. Feels like it took the entire weekend to listen to. Rock peaked in the 70s but its decline started right when the rockers thought they were this important.

I comment on vocalists a lot, but this has to be close to the top of the pile. So good he got Berry Gordy to change his formula at Motown. Reading the background of the album makes it seem like this is yet another album as therapy for a complicated sexual history - funny how sincerity and introspection can make something great.

I mean it's a perfect sounding album, but you have to take away a star for the lyrics on "Brown Sugar." Even the band is embarrassed enough to no longer play it live. It's unfortunate because musically it's a joy, but it's foolish to ignore what is being celebrated in the lyrics. Best to consign that one to the past.

Not sure why this album felt disjointed to me. I guess it's hard to avoid comparing albums against each other when you get the same artist back to back, but it never felt like the whole package of Sticky Fingers. C'mon, that's a great joke - look at the album cover.

I love the Doors

6 albums in a row from between 1968-1974. Help me. This one was quite fun and maybe the most 70s one yet, in concept - a band based around the bongos? But whooo boy an album from the last 50 years would be nice.

I know nothing about rap, but this feels different. In a good way.

It's fine. That's about all I can say.

I hate to rate everything 3*, because there were good songs on this album, but overall it was a bit too weird for me to rate it higher.

Not really much to add. Deserving in its place as one of the greatest of all time.

One of the worst albums I’ve ever heard

This album really makes me think I'd never want to get stuck in a conversation with Paul Simon. These are lyrics from a man who thinks he is extremely important. Some of these songs are way too over the top folk-y, some of them are pretty good. Was familiar with most of them but pleasantly surprised by the one where they pretend to be Dylan.

Another Mercury Prize winner that is kinda dull.

Yes please.

No real mystery here, this album came out when I was about 8 years old and basically every album I've ever experienced was shaped by it.

Considering it still is the best-selling album of all time it is surprisingly sappy. And I expected there'd be another catchy tune beyond the ones I've already heard a billion times - there is not.

Feels like a bunch of vignettes of pretty pastoral landscapes. Beautiful layers, kind of drifting here & there. As much as I may be a fan, sometimes his voice is jarring.

I did not want to like this, because of what Kanye has become. But man, he really had some talent. This was great.

I expected to hate this and enjoyed being proven wrong

Sounds mostly like generic late 60s music but gets a bump up because the most famous song on here, a 17 minute monstrosity, is shockingly fun

Starts slow and gets better

Nice to get some country on here. Dwight Yoakam has such a unique voice. I liked learning about his history a little, and how he does everything on his own terms.

This rocks.

Might be the horniest album yet?

Ok this was really great but still suffered from the same issue that plagues nearly every rap album - SO VERY LONG.

Somehow even better than the last Kanye album. Such a shame being a genius made him bonkers.

Pretty great but not as great as their first album

Meh

I do not have the ear or experience to tell good punk from bad. This seems fine.

Mostly slides directly out of my brain like pleasant generic pop music, except for "Shake It off" which is probably the best pop song of the last decade

This is hardly a brave stance, but the good songs are good, while the bad ones have such an awkward self-seriousness that they're really hard to take. I wish that I could feel the straightlaced uptight context of the 50s and 60s that made folk feel daring and new. But so much of it now is cringey.

This is the Frenchest thing I've ever heard in my life and I'm fluently bilingual

I very much liked the first half, the second half was fine, overall a pleasant experience

BAD

I wanted to like this more, and I did enjoy it, but it ended up coming off just a touch dull.

I wish once I could do one thing as 1/10th as cool as anything Bowie ever did

Not working for me

Perfectly forgettable

Even more going on here than earlier albums. Maybe a bit too much.

Honky-tonk punk! What’s not to like?

I'm arriving to the party 30 years late, but pretty great. Loses some points for heavy misogyny, even if I can see how it is reflective of a culture dealing with being socioeconomically trapped - still tough to listen to. But sometimes art is hard.

Hard to listen to this album without thinking of the cartoon character Ozzy became later in life, but this is still pretty great.

Low expectations OBLITERATED

I've heard bits & pieces before but never the entirety. It still sounds fresh to me, and I don't know if that speaks to the music or the fact that my musical tastes crystallized in the 90s when everyone was copying this album.

The best track is the one without vocals. Enough said.

Beautifully done but not for me

Another mystery to me how this made the list

Pleasantly enjoyable, but I'd be lying if I said I could tell the difference between good and bad jazz. Just short of upgrading to 4*.

Took me a bit to get the concept but it grew on me throughout the album.

This is weird. Plus it sounds so much like the Jacques Brel album (who was the writer of a couple of these songs; Walker would like this comparison) that this list played me earlier, that I'm going to have to rate it simlarly

My 14 yr old said "This sounds like more-depressing Nirvana" and it'll be tough for me to sum up Radiohead better than that.

A touch long, but pretty good. Not hard to see how much they influenced Nirvana.

Some good, some bad, a bit weird, not necessarily in a bad way.

Love it when every single other track on an album is better than the one you've heard before

This album has moments that make you say to yourself “This music is incredible and sounds very ahead of it’s time.” None of these moments include vocals, which detract from each song.

Second half rocks harder than the first, but pretty great

Marcus Parks was right - Gary Numan has layers! This was very surprisingly great. Plus what an awesome jacket he's wearing on the cover.

Kinda flowed through me without really sticking. Pleasant and varied.

Arctic Monkeys meets Tom Jones. Took me an embarassingly long time to clue in why they made me think of Arctic Monkeys.

Amazing. Sounds like Otis Redding with the intensity turned down 15%.

This is fun. Great percussion. One massively popular track, but it's great to learn that this isn't a case where every other track on the album is trash. Some are weak, but overall there's enough good to warrant a full listen.

I feel bad rating this so low, but I was disappointed. Elvis changed a lot but even compared to the contemporaries he was ripping off, it just doesn't sound exciting.

Some classics, but suffers from same problem as most rap albums - SO LONG.

This might be the greatest album I've ever listened to. Mannish Boy, with more modern equipment and a senior citizen's growl, is mind-blowing.

Another rap album that's very long. Some fun production. Overall feels like rap made by an orchestra.

Exceedingly generic 1995 sounding noise. This came out in 1993 so does that make it ahead of its time? Made zero impression.

Man the 80s sounded huge

This was fine. Not really for me. I’ve already started to forget what was on here.

This man seems insufferable. The music was ok.

Veeeery sleepy music.

I mean I guess I should have known punk jazz was a thing. Music like this feels like it's to be experienced, and not enjoyed. Two drummers in a band is always intense, and on this album just the beginning of chaos.

Album sounds exactly like what you'd expect from cover art

Man this was refreshing. I was on a run of pretty boring music in this project. This was great.

David Byrne might be weird as heck, but you can never say he's boring. This album takes some unexpected turns but it's a fun ride.

Beautiful voice but not my type of music and none of these songs made any kind of impression.

This was fine. Seems like one of those influential building blocks that is really tough to see in retrospect was such a big deal, because everything that built off of it was so much more interesting.

Never listened to this end to end. OK maybe I am starting to get what the big deal is.

No punk song should ever be 5 minutes. This album nearly has 4 that long, which makes it tougher to swallow.

I owned this album as an awkward teen and this trip down memory lane was enjoyable as the music holds up better than most of the CDs I owned

I loved this so much

A little weird in a very 80s way

What a weird album. But it succeeds becuase it doesn't stay in one place long enough to get tiresome. He tries soemething new every minute or two and manages to keep the concepts fresh and the audience engaged.

Successfully makes it half a step higher from "This is OK" to "This is good," Still 3 stars.

LOVE LOVE LOVE

Barely 3. The lowest possible 3. 60s concept albums were all at least mildly insufferable. At least some interesting things happened on it.

On certain days this could rate a 4. Not quite, today. It was definitely better than I expected. Turns out the most famous song on here is one of the more annoying ones.

A few more of these and I'll be a full-on Springsteen head

Each track has something cool happening musically that is made worse by Thom Yorke screeching over it. His voice actively detracts from everything. It fit well with their early material but as the band branched out in different directions his voice couldn't keep up.

Fun, but early 90s rap feels inherently silly, and trying to communicate serious themes with a silly instrument feels a bit incongruent. Fantastic "Everyday People" cover though.

Maybe felt revolutionary at the time, but 60 years on seems pretty standard 60s fare

I love Leonard Cohen, but man his music improved when he discovered his basso profundo. This had some fun layers but overall is not my favourite.

Even the 12 minute song!

Torn between 4 and 5 stars. I mean, there's not a ton of variety here. But when every pitch is an unhittable fastball who cares?

What is the point of being this good at your instrument if the music you make is this boring?

I dunno, just feels kinda dated, especially after numetal co-opted the concept of white dudes rapping with a band. And why is it sooooo long.....

I had high expectations. They were surpassed.

Stuff like this is the reason I started this 1001 project. The electricity in the room is palpable in this album. Imagine seeing this live.

Bogs down in the middle a little but the beginning and end of the album are fire

Is this good jazz? Is this bad jazz? All I feel qualified to say is that this is definitely jazz.

Not great. And becomes uncomfortable when you find out you're listening to a psychotic break. Like watching footage of a car crash.

I hated everything about this album

Made zero impression, but completely unoffensive

Starting to think that albums get onto this list by being the perfect example of what music sounded like when they were released. This is definitely among the most "1998" albums of all time. That's not high praise.

Easy top 5 of this project so far. This album rocks.

Not a big fan. Sounds like all the non-Brian Wilson Beach Boys are trying to make Brian Wilson music and I prefer the real deal, even if at this time Brian wasn't really capable of making anything.

Has aged like fine wine.

Sounds big, like musical theatre. Most memorable lyric: “If you were a horse, I’d clean the crap out of your stable.”

I really don't like Morrissey

It's fine. Too long, but that's hardly unique when it comes to hiphop albums.

Music probably would be better knowing more about context, but without that it's merely fine.

A touch better than good. Really liked "Factory" - sounds like they're trying to be the Beatles.

Absolutely fantastic

Odd. Pleasant, enjoyable. No idea how it made this list - seems like something many many artists would be capable of making.

I wanted to love this but it came up a bit short. Still very good.

Interesting to hear Baby Stones start to discover themselves. As much as I enjoy Mother's Little Helper, the American version with Paint It Black as Track 1 is a much stronger start.

Jazz so smooth that it left little to no impression

A great weird voice. A little bit of everything on this album that's really held together by the unique singer.

Sounds incredibly 80s and incredibly timeless at the same time. Never listened to it in its entirety before. A classic for a reason.

Some of those vocal runs set my teeth on edge. And the jangly rhythms sometimes grate on my nerves. But despite all that, the music is still incredible.

How many drum solos is too many drum solos? Alternative title: "Paul McCartney Isn't Sure What to Do With Himself Now"

Title sums it up

"Superstition" is an all-time great track, but it feels only tangentially related to the rest of the album, which has way too many slow moments.

This was so good that, despite being pretty sure only Volume 1 was intended to be on this project, I listened to both.

This was a ton of fun.

A track or two of this is interesting. A full album is a lot.

They really came out of the chute firing

Love it when an album I already know shows up. Jack White is the exact right mix of real weird and insanely talented.

Starting to feel self-conscious about handing out so many 5* ratings but this is way too precisely built for me. Eric Clapton is such a wizard, it's a shame that he has become yet another artist that you need to separate from his art. Very interesting to read about how influential the sound of this album was - it sounds so perfectly like what modern electric blues should, and turns out that's because everyone copied it. Marshall even named its amp the Bluesbreaker because of it!

Better than the other PJ Harvey album. Definitely the same broth base that produced Nirvana.

I mean, what am I gonna do, not rate this 5 stars? Johnny Cash is incredible, and this album has to be near the top of the coolest things he ever did.

Bass lines were the best parts of this album

Such a huge difference between this albums highs and lows.

I do not like this at all. And that Doors cover was not good.

Before this I was only familiar with the title track and Train In Vain. This was so much better than I expected. Perfect example of what I was hoping for in this project. Did go on a touch too long, but fun throughout.

I find Win Butler's voice grating but this album was saved from a 2* rating by the song "Suburban War." Also they should feature more of Regine Chassanne.

Could listen for hours, but constantly feel like I'm missing something.

This literally had my toes tapping as I drove. And I don't even dance.

Two albums by this band? Woof.

A bit too Morrissey-adjacent to be something I can get very excited about

I’d prefer listening to the worst Led Zeppelin song over nearly any other music.

Boomers may have destroyed the entire planet, but they really did have great music.

This feels like a recipe for marinade - kinda weird on its own without meat. A film score needs the film so that all these sounds and moods have context. On its own it ends up flat.

This did nothing to help my ADHD.

The fact that this album is 20 years old is HUGELY depressing. That makes ME obscenely old...

As much as I hate Pink Floyd, this was less painful than expected. Third star given for being under 45 minutes.

I'm starting to learn that I'm a sucker for 70s female pop singers. Unexpected but fun. This one's very good, but I constantly compared her to Karen Carpenter in my head and she doesn't quite get that high.

Generic sounding 60s music

Side A was incredible, but Side B slowed down significantly.

Kurt Cobain's voice & crunchy quiet-loud guitars feel like the audio equivalent of putting on a comfy thrift-shop knit sweater with worn-in holes for your thumbs.

The Beatles really were a balancing act. Any of their subsequent albums really are off-kilter.

Eagles are a pretty vanilla band. I wanted to hate this, but Joe Walsh's guitar licks won me over.

So good

Wikipedia has explained to me why mid-album I was getting such strong Van Morrisson vibes. Overall, this rock album with traditional influences feels like it is neither rock nor traditional - tries to do too much and doesn't succeed at any for me.

Surprised to find a Green Day album on here, but Green Day was the mindless background music to like 30% of my youth so it was nice.

I don't like Pink Floyd. I hate rock operas. And yet I am shocked at how much I enjoyed this, despite dragging in the back half - I can't fault every rap album on this list for length without acknowledging it here. Maybe every difficult concept album should get a detailed Wikipedia plot summary.

Weird, mostly in a vaguely annoying way

No thanks

Album 2 is better than album 1, however by the time I got there I was thoroughly sick of this. Aguilera has an impressive powerful voice, but she makes every song sound the same.

How much more would I enjoy it if this project were about a book called "1001 Old Electric Blues Albums to Listen To Before You Drown Yourself In Bourbon"?

It's certainly a vibe. Just not my vibe.

If Jack Skellington made a second album... Too many albums by this guy on this list. Sure, let's listen to one by this theatrical rock star to see what's up. But two means something else more interesting gets bumped off the list.

I feel like I'm gonna lose all my "teenager in the 90s" cred by saying this is fine. Better than a lot of rap, more variety in the lyrics, but... it's fine.

Bowie meets Jazz. A pleasant compilation of sounds, but feels a few layers deeper than my comprehension.

Day 2 of back-to-back Bowie. I prefer 70s Bowie.

Chuck D makes me wanna join a revolution.

One of the more normal, easy to listen to albums I've had in this entire project.

Enjoyable enough. Pretty sleepy though.

Great musicians that make music that feels like less than the sum of their parts

The reviews for this album are so polarized - you either seem to think this album is profound & nuanced brilliance, or noise vomit. I tend to think the latter.

So smooth and plinky-plonky that it becomes annoying

Very good 80s rap that again loses a point for length

Stone cold classic. I've been listening to it for several decades and it rewards you for familiarity. Makes me wonder about some of these albums that I didn't like the first run through. Probably not going to pursue that thought too far.

Johnny Cash playing in a prison is really a great genre

Standard disclaimer that I can't stand Morrissey - however, he and the rest seem to be taking themselves less seriously on this album. The result makes it better than the rest of the Smiths/Morrissey output that I've been subject to on this list so far.

Thought I would hate this but it's pretty great. It's real weird but he basically pulls it off for every track.

Oof. The only thing saving this from being 1* was her great performance of “Hallelujah” at the closing ceremony of the 2010 Olympics. It bought her a lot of slack in my mind.

Moody and atmospheric. Suited the day I spent driving around Montreal in the rain. Still long though.

Bob Dylan always feels like a Bit Much to me. Especially this album, straddling his first two eras, and he tries to squeeze in both. It's fine, but it's a lot.

Wish I loved this more, but comes up a bit short.

I haven't been a 15 year old boy for several decades but this sure made me feel like one.

Surprisingly disinterested reviews. This was one of the top three albums I've heard on this list.

Someone in their review compared Radiohead's critical lauding to the Emperor's New Clothes and I think that sums up my feelings perfectly. Doesn't work for me. Also this is my fifth Radiohead album. Please make it stop.

The most 70s album of all time

Once you get past the first looooong track it improves. Wikipedia lists the genre as Electronic & Classical Indian - the Electronic part is tougher to take.

Sounds like a bunch of theatre kids

I often complain albums are boring. This one is extremely mellow yet remains enjoyable. Play this when it's sunny with a cold cocktail in hand.

The first few songs were ok, and then by about track 4 it absolutely lets loose. What an album.

I love 70s rock, but man the Eagles are boring.

My second Kate Bush album, which somehow wins me over by being even weirder than the last one I listened to.

I don't think I'm just being contrarian when I say that I actually really enjoyed this. Imagine most bands max out at a 10 - Napalm Death seems to start all of their songs at 10 and then amp it up from there. Pure adrenalien for your ears.

Seems like a baby version of Queen. Not yet at full power.

Weird lo-fi brit rap sounds like a fifth grade project but grows on you after awhile

Back when I used to pretend I was a runner that one summer, Knights of Cydonia was a great song to make you feel ready to run through a wall.

It's a real rare double album that makes it seem worth it. This doesn't quite make the cut.

I'm probably never going to think of this album again.

Disappointing

Maybe I don't hate this band as much as I thought. This was a good one, they sound like they're having more fun than some of their later stuff.

Probably at least a 3.5. Interesting time capsule - almost hair metal meets grunge. A real transition time in music.

It's like more fun Steely Dan - but not quite enough to earn 4 stars

The 90s - GenX's last opportunity to importantly whine at us. Considering how enormous the egos on the Gallagher numbers are, this comes off as boring.

This is the best hip hop album I've heard on here

More depressing Simon & Garfunkel

Groovy

Where do I submit the claims for all of the office supplies I destroyed while listening to this album?

True story - this album is so forgettable that I had to check my listening history to realize that I did in fact listen to it a couple of weeks ago and just had forgotten to rate it.

American Mumford. The lowest possible 3 star. This era of music was really pretentious.

Extremely unremarkable early 2000s music.

Pretty fun. But - I can’t dock Eminem a star for making me uncomfortable with “Stan,” and then ignore a song called “When I Kissed the Teacher”. This was common enough to be a pop song trope?! What was wrong with everyone?!

Like fine wine - in that I really don't understand it.

Interesting bridge between punk and whatever form post-punk would take. But they also lost that punk brevity - very long-winded.

Not doing it for me at all

Another album that would be more interesting without vocalizations being annoying over top of it.

Basically where all music after this point comes from

Some highs, some lows, but seems like such a Beatles clone with more shortcomings

Banger

I like their story, but man the music is such a downer

I could enjoy listening to this once a week for the rest of my life

I thought I’d hate this. I did not.

This is at least my third PJ Harvey album. I don't really get it - not the worst but far from the best. Fairly middle of the road.

Feels very 90s in concept - metal and classical are so different, isn't it crazy to mash them together?! Kinda fun for a few tracks. Then it just keeps going and going...

VERY IMPORTANT - make sure you listen to the original album with only 6 tracks. It eliminates all the more annoying "electric folk" tracks that the Who can drag themselves down with. All the bonus track versions lose a lot of focus. Learn from my mistakes!

This album was incredible. What a power trio. But in an album of equals, Dolly seems a little more equal than the rest. Every time her voice kicks in it makes the song better.

Feels like a soundtrack to about four different movies. I liked it more than many of the other side projects of people more famous for being in bigger name bands.

Not as good as earlier ZZ Top

I find it so hard to rate jazz. So much skill, but so little comprehension (on my part).

This was entirely uninteresting

Another one where most famous song is best song by far

Probably could benefit from repeated listening, but hard not to compare it to Rumours.

Tough to beat the 1-2-3 punch off the top.

Mashing 5 stars as hard as I possibly can. May sneak into my top 5 in this project so far. Absolutely amazing.

Maybe after a string of dud albums this would be a 5 but this project has been kind to me recently, so sorry Bobby, you get a downgrade

Better than I expected. After the first track for some reason it feels more like John Lennon copying people than John Lennon writing songs. Hard to explain.

They may have been two of the coolest people on the planet at the time but can you imagine how annoying it would be to watch Iggy Pop and David Bowie detox together in Europe?

As grim as the album title would lead you to believe. I don't think I get Nick Cave very well.

So, so sick of Morrissey and the Smiths

Some fun times but really starts to drag towards the end

Music for people who love being sad

This is a weird one. The guy who was responsible for the punk aesthetic makes a “rap” album that sounds like Graceland.

Better than expected. And a good story, what with the recent appreciation for her

Good album but they don’t quite sound like Creedence yet. Sounds like a covers album even if only one track is.

Big band is somehow easier jazz to get. Jazz for beginners? Anyway I liked it.

Less weird Kate Bush. Pleasant and surprisingly enjoyable.

Such

To me one of the more stark examples of how difficult it is to rate or appreciate music without having any context of what other things sound like. It's fine.

Pleasant. Nearly but not quite 4.

Call me basic - the best Bowie album period.

To paraphrase Ian Malcolm, Paul Simon was so caught up in seeing if he COULD culturally appropriate African music, that he didn't stop to think if he SHOULD. Some catchy tunes but an overall feeling of being annoying.

Wild theatre-kid energy

I do love a power trio.

Big and layered, great production, just not my kind of music

I should have been a metalhead. Guess it's never too late...

Real British, innit?

Weirdly boring for a metal album

A very enjoyable mellow vibe

Not for me

This was not interesting.

I've now listened to this twice and can't remember a thing about this album. Slides through me like corn.

Stevie Wonder is so hard for me to rate. Every album has at least one or two top-tier all-time faves (like Higher Ground). But to get to them you have to nap through some real challenges. Incredible magical talent that often uses those talents in boring ways.

Let's call this one "eclectic." All over the place, ok highs and very bad lows.

Seems to be designed with as few redeeming qualities as possible

Ick

I was surprised how much I enjoyed this. The groove throughout the album creates a nice pocket to just sit and coast in. Energizing and mellow at the same time. Some fun disco & psychadelic notes thrown in as well. Well done.

Not quite 4*. Close. But also mostly boring.

More of a jam than an album. Electric blues in no hurry to get anywhere.

What a breath of fresh air after having 6 albums in 2 weeks that were released between 1965-1969

Very lush and campy. Fun for a while but then starts to all sound the same.

Not my favourite

It's like jazz. How am I supposed to rate this? Is it good or bad? Probably.

A weird experiment. Not a fully successful one.

A big shrug

Tom Waits & jazz - two things I don't usually get combine for an enjoyable album. Makes me think he'd be better live.

One of the better rap albums I've gotten on this list

As weird as you'd expect