So there I was this morning basking in the achievement of having three 5 star albums in a row wondering if it was indeed possible to have four in a row. I doubt that I would be in this position again so was praying for a classic Prog album or any of the Beatles, Joni maybe or even now that I am a Swifty convert something from you know who. Buggar it’s bloody Kiss! I’ve never understood this lot. I like my pop stars to dress cool but the Kiss look is neither cool nor in keeping in how grown men should look at all. Even out of make up they all look like rubbish Brian May’s without his enormous talent. My view is that the Kiss look is done to detract from the music they play because it is so crap. Orchestra strings and a child choir cannot mask how awful this album is. Self conceited to the point where they disappear up their thongs. They even diss Beethoven by nicking a bit of his beautiful Sonata Pathétique but can’t be bothered to give him the songwriting credit. As if Kiss are capable of such talent. Released in 1976 this album serves as a good reason why Punk came along. So back to the drawing board in terms of getting four in a row five star albums but whilst the likes of Kiss are served up that is a long shot. 1/5 7/7/24

Vaguely recollect giving this a listen when it was nominated for the Mercury Music Prize. I always listen to the yearly nominations as it is a good source for discovering good albums you might have missed (like this list!) Cannot recollect my reaction to it then but would have been similar to today’s listen. I’m all for experimentation and pushing boundaries but this album goes nowhere and quickly becomes boring. The occasional heavenly vocals are pleasing and these save it from a 1 star. 2/5 23/7/24

Previous reviewer in 2022 said it was the lowest rated album on the list. I checked and in May 2024 it had climbed to second lowest. So here is my 1 in hope it drops to its rightful place. (I did try to listen but I’m on holiday and it was spoiling it) 1/5 21/5/24

Never heard of this outfit and listening i know why. Music not made for my age group so cannot comment. Do not like at all. 1/5 18/5/34

Rather like Arcade Fire Talking Heads are a group I have really thought I should get to grips with but each time I listen to an album I’m left cold. This is a good example of that. After Physco Killer (which is by no means a track I go wild on like other people) the album highlight there is bottles of interest to me. This was a quick listen as I was away from home watching Leeds at Wembley (we lost!) so didn’t have my music head on at all. And since I’m now in bad mood this album deserves nothing more than a 2. 2/5 26/5/24

My first generated album after joining site. Album well known to me in my collection and personal top 10

I did not like jazz at all in my younger days but as I have aged i have lost my jazz prejudices and have given it a try but in no way am I an aficionado. The elements of jazz I really like nowerdays are the more modern female jazz vocalists singing in a laid back smoky atmosphere. This album however was a joy to listen to. Have listened to Bill Evan’s before and found it ideal background music or to put on at bedtime. Can tell very accomplished and talented musicians involved. Liked this enough to put in my new discovery playlist.

Another album I know well by one of my favourite bands. Discovered this after I had got into OK Computer. One or two really stand out tracks with my favourite being Fake Plastic Trees. The last verse of that in particular means a lot to me - a cutting indictment of my marriage at the time. Having been prompted to listen to full album again realised what a great and ground breaking album this is and nearly 30 years on from release stood test of time.

Sorry but this genre of music does not do it for me. Avoided it when I was young but unlike some genre’s which I have grown to like and appreciate this type of funk and soul I cannot listen to and always push the stop button. Only good thing I can say is that some tracks take me back to my Mecca nightclub days standing at side of dance floor etc etc but even those nights sometimes turned out bad and this is a soundtrack for those times.

This album turning up is quite opportune as I’ve been making effort recently to listen objectively to Taylor Swift. I’ve previously dismissed her and her music as run of the mill manufactured pop for the teen masses. But her recent stance of music streaming and her remixing her earlier albums (including this one) presumably because she wanted to improve them made me take note of her. Listening to this album I realised that just about each track was a hit in the past but I had dismissed at the time. As i could remember each of these tracks from way back then, they must have lodged in my brain somewhere. Partly due that every track has a memorable pop riff and hook. This skill I applaud even though the actual substance of the music is still not to my taste. However, my Taylor Swift discovery has taken me to her most recent albums Folklore and Evermore, which I have found myself liking and occasionally going back to.

An album in my library and one which i bought close to release date. Must say I have not listened to it lately so this selection is welcome opportunity to discover it again. Muse are a bit of an enigma to me. Many put them in the (my favourite) Prog Rock genre and that’s what brought me to Muse but I don’t get that. I see them more of a big arena rock band. For a trio they make an hell of a big sound and this album is a great example of that. Loads of anthemic tunes abound and everything goes on at an amazing rate. Only one slower song so at the end you feel slightly exhausted. A great album but I think the earlier Absolution is technically better and the albums that follow are perhaps more proggy and a little inferior to this.

I bought this album on vinyl at time of release (now worth a bit more) not because I desperately wanted it but The Smiths at the time were the darlings of the music press and could do no wrong. I wasn’t exactly hyped into buying the album but all reviews indicated it was the must have album of 1985. I was pretty dissapointed then and giving it another listen today still find it so. I was aware of the The Smiths and found their many jingly jangly pop hits of the time OK. In fact ‘There is a light that never goes out’ released the following year is one of my favourite all time pop songs which I play regularly. This album only contains one or two of the instant guitar pop standards. The rest is a mishmash muddled collection of songs which get nowhere and immediately disposable. The sentiments of the title track, whilst uneasy lyrically is let down by the music and unnecessary animal noises. Could have been a rallying call for animal rights activists but I doubt that nowerdays hardly anyone is aware of the song’s existence. This album remains the only Smiths album I ever bought and the music press quickly moved onto other idols. That said I do realise that The Smiths are rightly ranked highly and were a very significant band at that time responsible for some of the best pop tunes ever, but this album is not a good example of that.

Whilst I bought and loved 80’s synth and New Romantic music Japan never impressed me. I liked a lot one or two hits, Ghosts and Nightporter, but their albums did nothing for me at all. Japan were great musicians and Richard Barbieri in particular has become one of my favourites with his involvement in various prog rock ventures. Having now given Quiet Life a listen my opinion of Japan has not changed. There is one standout track, Despair which I would listen to again. The rest is forgettable having not aged well at all.

Do not know enough of The Cars except for the big hits of the 70’s and 80’s of which there are a few on this album. So listening to this album with fresh ears was enjoyable although not enough where I would seek out their other albums. Nice to listen in the car or in the background but not something I could listen to seriously.

I cannot argue that everything about this album is absolutely perfect and is deservedly rated one of the best albums ever. However, unlike other musical genres I have become to like I have always had an aversion and avoidance of music like this. It just doesn’t do anything for me. As for the sexy thing, if I were to put this on the turntable and dim the lights my partner would die laughing. I’m more likely to put on Marillion. Having dutiful listened to it through in full the only thing I can say is that if I had only one choice between this and modern chart stuff I would choose Marvin..but I don’t have to.

Never heard of them. Never want to hear them again. Don’t know how this was even considered for the chart. I gave Marvin Gaye a bad review yesterday which I feel bad about after this. Unlike this lot he was at least musical. This is straight into the bin.

Well I did listen but not for me. Modern pop Muzak yuk!

Didn’t really like Joni at the time this album and her other classics were released. But as I have matured I realised what a great songwriter, wordsmith and musician she always was. This album was a window into my appreciation of her. Once I had heard it I immediately went out and bought her full back catalogue. I now rue the lost years I did not have her albums in my life. Blue encapsulates everything I like about Joni in one album and I think and hope will be regarded as a classic album always.

I’m simply too old now to give a constructive review of this album. When it was released I instantly dismissed it as it was ‘music’ i hated and would switch off from. I took no notice of the hip hop genre as it developed over the years and have no idea who the exponent’s of hip hop are now and I who I still switch off from. As I’m committed to listening to all the albums on this list I streamed it using Roon so to be aware of all the metadata associated with the album. I was also able and wanted to view all the lyrics as to me they are otherwise indecipherable. If I’m missing the point I’m sorry but to me all the songs do is to glorify guns, knives, gang culture and the violence associated. Let alone the misogynist and racist elements which I also find distasteful. If the songs are ‘anti’ these things well OK but to wrap them up as entertainment no thanks. Artists should be able to express their political views and I admire them for doing so but to advocate violence is wrong. Maybe they don’t which is a reason why I know this music is not for me. It exists but not in my world.

Apart from the odd track I’ve heard on radio or has appeared on a streaming algorithm I’ve never been bothered by Can. So I welcomed this opportunity to listen constructively to a Can album. It was OK but nothing more than that. Not inspired enough to seek out any other Can album or purchase their music. My overall impression was that the record was an extended jam session. Very enjoyable to Can themselves but becoming tedious to me after a short time. As background music its OK but not worthy of inclusion on this list.

An album I bought at the time on vinyl. It might be labelled Punk but to my prog rock infuenced ears back in 1977 I heard a lot more than the 3 chord trick punk bands around then. This is probably because the Strangler members were a bit older than the average punk rocker and by the addition of Dave Greenfield the keyboard player in the lineup. His swirling organ sound can be heard on most tracks giving the songs an extra layer. I love a rock keyboardist, Emerson, Wakeman, Lord etc, but Greenfield’s organ solo accompanied by Burnel’s thundering bass at the end of Down In The Sewer is magnificent and one of my top keyboard moments. But the Stranglers were and have proven to be great musicians and some of the songs on here are memorable pop tunes. Peaches is particular is a song everyone will know, exceptional guitar riff and cheeky lyrics which will always come into mind (well mine anyway) when on a beach somewhere. It was great to sit down with this album again and remind myself how great the songs are on this album.

Never listened to Adele constructively but because of her worldwide stardom was aware of her and her music on the radio. The way she presented herself on the TV and her speaking voice always annoyed me and I do not like potty mouthed ladies! That said I accept she does have a strong singing voice but I can’t get away from thinking that it’s X Factor manufactured. As I’ve recently began to listen and really appreciate other female vocalists previously off my radar, Tori Amos, Diana Krall, Lana Del Rey, Norah Jones, I was hoping that Adele could offer something I had previously missed in her. I read that the album is about a relationship break up. I quite like the melancholy and sadness this subject sometimes brings out in artists who have experienced this (Peter Hammill’s ‘Over’ been the best example of this) so I was expectant. Not so and I was very disappointed I’m afraid. I felt nothing of the pain and anguish she may have been trying to convey. Instead it was more a case of look what you’re missing I’m a superstar and loaded! I found my mind wandering and wondering when the album will end. Ended it myself in the end before the last song. This didn’t matter as I had subliminally heard all the songs previously anyway somewhere but hadn’t took no notice. Adele comes nowhere near the aforementioned ladies and I just hope that 25 or 33 or whatever number she comes up with naming her albums stays off this list.

I’ve never listened intentionally to anything of Ryan Adams. I was aware of him but whenever I heardhis name I always thought of Robin Hood which apparently and quite rightly pisses this Adams off. So I was quite open to listening to this album to see if I was missing something. I found it on the whole a pleasant way to while away a Saturday morning. A couple of tracks I really liked - Winding Wheel and Amy but nothing else stood out for me. Cannot say that I’m a lover at all of Country Rock or Bluegrass but as a change and as an attempt to widen my musical appreciation it was OK. Prior to listening I had a sneak look at other reviews. It appears that in the USA Adams is a bit of a hate figure due to his admitted harassment allegations. Something I was totally unaware of but also something that bothers me. As I am never going to purchase his music and probably never again listen intentionally to his albums it made no difference to my overall impression of this album.

I bought this album on CD a few years after release when I was going through a breakup and I could relate to a lot of the songs on the album and helped me get through. Some really good cutting lyrics. I don’t know if I was the target audience. I was late 40’s then and in my 70’s now but I still love this album. All memories of the reasons I bought the album are now gone but I like it in its own right having lots of memorable tunes. I don’t wallow now in its melancholy but will put it on to happily sing along. I sold the original CD a few years ago but recently obtained it again from a charity shop. As a regular visitor to charity shops searching for cheap CD’s you can more or less guarantee that this album will be on the shelves of every shop selling for a few pence. What that says about the album I don’t know. Probably it’s because the album sold in such high numbers there are plenty about and were disposable when owners (like me) discovered streaming. I have also obtained the acoustic version on one of these visits which compliments the original. I put this album in my top 5 guilty pleasure albums and one I will keep coming back to.

Hate this stuff. Always have always will. Don’t know much about Broadus but what I’ve read he seems to be an obnoxious long time criminal who I don’t want polluting my ears or in my life. His song lyrics confirm this.

Like the majority of people I guess outside Africa I was introduced to Ladysmith by Paul Simon. I loved their contributions to his albums and it perked me interest in them. Peter Gabriels Real World Records also generated my interest in similar artists he championed. I was never motivated enough to buy their own music but always enjoyed listening to them as their popularity increased and they were heard more and more on radio and TV. It was good and a joy therefore to listen to this full album and also read about the group on the accompanying Wiki page. However, I don’t think that I could ever sit down on a dedicated listening session but I don’t think the music is produced for that purpose. They suit soundtracks on magnificent African dramas and make the watching memorable. They sing with joy and fun and their music should be reserved for such occasions.

Not a great lover of this type of electronic music which I put in club/dance/rave bracket. But a lot of the music I do adore does have a lot of electronic elements in it by the use of synthesisers, drum machines and similar. Whilst I was very into 80’s new wave music and the way electronics were used I think I became a bit too old to appreciate the 90’s electronic groups such as Orbital. My only experience of them seems to be confined to their yearly appearance at the Glastonbury festival. I was still keen to give this album a fair listen as I had not heard it before. I began by streaming it at low volume to a small bedroom speaker which did not do it justice. Streaming it out of my hifi rig gave it the life and space needed to fully appreciate it. Whilst I heard many interesting things I cannot say that I was totally convinced by the album as a whole. I do like ambient music so was drawn more to that. Halcyon + on + on in particular is a nice piece which I enjoyed. As for the rest, well as I say, maybe I’m just a bit too old.

An album I do not need to listen to as I bought it on vinyl on release and played it to death and still regularly listen. My favourite Beatles album behind Sgt Peppers. Without the inclusion of Octopus’s Garden and possibly Maxwells’s Silver Hammer this album would be faultless. The song segue on side 2 brilliant and I never tire listening to it. Come Together is perhaps the best John Lennon song ever and George’s Something one of the best love songs ever. The next album Let It Be was for me a letdown so for me Abbey Road was the last great Beatles record and an all time classic.

Knew of Keith Jarrett but not this album but having now listened cannot believe I have missed this for nearly half a century. What a corker of an album which if it even doesn’t happen again has made subscribing to this site so worthwhile. One man and one piano making music up on the hoof has kept me captivated for over an hour. This is one of the best improvisations I have ever heard and it goes beyond my level of understanding on how the hell it is done. So talented. Jazz (if this is pure jazz, i’m not so sure) used to leave me cold but recently I have become more interested in it so I was very receptive in giving this record a listen. Hearing just the few notes I knew I was hooked. For a live album it is also sonically excellent. When the music gets upbeat I hear Keith (I assume) shouting in the background and in pleasure, along to his rhythm’s adding to the warmth and intensity of the music. Having read the background to this concert I know that it was thwarted with various problems so I’m astounded that such an excellent piece of music resulted at all. So impressed I’ve now bought the album!

Whilst I had heard of Fiona Apple (great name!) I had never intentionally listened to her music before. If I was to guess I would have said she might have been a teenage pop artist or a rapper but I didn’t know really what to expect. Whilst she was neither of those things she neither tickled my interest to an extent that I would listen to her again or seek out her music. Quite an unforgettable album.

My only real previous experience of Portishead was the Dummy album who all the music critics raved about. I never liked this album then or more recently having bought the CD cheaply in an attempt to discover if I was missing something. I really wanted to like them so when Third arrived on this list I was very keen to give it a fair chance. To me Dummy suffered from too much hip hop and electronica for my taste. Third is an improvement but I really want my music to be melodic and conventional. There are one or two nice melodies on this album but just as I think this the music goes off in a way I don’t want or like. Then there is the overuse of industrial sounds interrupting the melodic flow of the album and making it, to my ears, almost unlistenable. Without all the abrasive bangs and clanks this album would have been a whole lot better. One exception to this is the massive vibrating bass sound at the end of Threads (best track) which gave my speakers a real good workout and producing a very satisfying sound. There is enough on this album to liek but not enough to make me return to it.

Doubt if there is no-one who’s never owned or heard this album. U2 came into my life after I had seen the Red Rocks video on ‘The Tube’ and was blown away and after which I began buying their albums. I played Joshua Tree to death at the time and became one of my top albums. Nowerdays I hardly play the album as there is little need to do so as the big 3 well known tracks at the start of the album are still constantly played on the radio. Listening through the album again I enjoyed listening again to the tracks after the first 3 and struck by the quality of every track. I was always attracted to the end track Mothers Of The Disappeared and I think now it could be my favourite track. I don’t think U2 have bettered this album All That You Can’t Leave behind runs it close but for me this was the pinnacle.

Liked one or two or their singles but other than that unaware of what Beastie Boys do so was looking forward to listening to this album. Huge disappointment. Sounded the same throughout or until half way through when I had to switch it off. Not my type of music at all. Do not like rap and this type sounds worse than those i would term as original rap artists. Just looked at the 1001 book and can see the Beastie album with the two singles I like is on the list so at least when this arrives in my mailbox I can give it more than 1 I did for this crap.

Never heard of this lady or album so was interested to hear the album through without any preconcieved ideas. I’ve recently got into smooth type jazz and bought albums by Diane Krall and Norah Jones etc so hoped this album would live up to them. It failed miserably I’m afraid. To my ears just MOR muzak. Type of thing I believe (but never experienced) your host would put on in the background at dinner parties. This would give me stomach cramps!

Another new album to me so another potential discovery. I enjoyed a few tracks but others not so. The violin backing on some of the tracks was good but the sometimes out of tune singing and instrumentation was at times jarring. I could tell that this was an honest attempt by the group to do something very different and judging it with what was around 40 years ago they succeeded. If I didn’t know it was from the 80’s then I would have never guessed as it is hard to categorise this album by genre or time which is to its credit and probably why it is on this list. I appreciate what it’s trying to achieve but not something I will return to personally.

It’s only 3 days since the last Beasties album III Communication,arrived on my list. I hated that album and gave it 1/5. I said on that review that I quite liked the two singles which I knew appeared on this album - Fight For Your Right… and No Sleep Till Brooklyn, so I was bound to give it a higher score. It was an advantage to be able to compare both albums whilst the first was still in my mind. Listening through this album I was immediately struck that it was a lot more melodic than III Communication and found myself actually liking most of the album. To my ‘English white male in his 70’s’ ears I could actually hear the lyrics so could tell what they were on about. Very clever and amusing most of the time which I enjoyed. I also liked the sampling and good guitar riffs used throughout the album. The samples gave the impression of familiarity with the songs and the guitar riff on Fight For Your Right is up there with the best guitar riffs ever. Although not my type of music I could not help but love this album. It was a pity they could not take this to their future albums but I know they were/are not making music for people like me, so what do I know?

No-one who has any musical appreciation at all can doubt that this is an exceptional album and I would defend it as such. Aretha Franklin is one of the best female vocalists ever. The problem I have is that whilst I appreciate soul music and understand why millions if not billions love that music, I don’t. Yes I enjoyed the 30 minutes or so listening to this album from start to finish and there will be other occasions when I listen but I would never choose to do so if I was to sit down and think of an album I really want to listen to. Maybe I don’t have ‘soul’ but I would love to hear Aretha sing “Suppers Ready” or “21st Century Schizoid Man”. Imagine that if that’s not sacrilege? Feel as though I should give it 5 but to be true to the assessment system I have developed over the time of doing this can only go with a 2.5. But because it is regarded by others better qualified than I as the greatest album of all time, I will round it up to 3.

Never heard of The Avalances before or what their music was about so quite excited to learn something new. Streamed the album through Roon which categorises music above the track list. One such category was “Funny Breaks” which I had not seen before and made me wonder if I was about to have a rib tickling hour ahead of me. Quite the opposite it turned out. It started bright enough and I thought I really had found a new musical delight but it quickly degenerated into turgid monotony. Others might complain about the overuse of samples but to me it was these that kept it half interesting, trying to spot something you had heard before and wondering where? It was the monotonous drone beneath the samples which hardly changed in tone or rhythm I disliked. Got half way and had to switch off. Will have to again concede as I often do whilst going through this list, that this music was not meant for me.

I remember as a teenager becoming aware of this album and the single Boy Named Sue which up until today I thought was on this album. Having updated myself I now know the chronology of the single but that gives an idea of my lack of knowledge of Jonny Cash. Country music was never to my taste and I have largely dismissed it. But I have listened to this album through and really enjoyed it. Just about every track is a toe tapper and I loved a lot of the gallows humour contained in the lyrics. I also thought that given that it is a 55 year old live recording with limited resources and technical recording equipment, that the overall sound of the recording was good. Especially that it managed to capture the feel of what was an unusual concert. The context of the concert does bother me, wondering why serious criminals should be entertained in this fashion. Surprising it was ever allowed in the 60’s and more likely to be done in these woke times. That aside and assessing its musical value only I enjoyed the album and can understand why those of the Country Music persuasion value this album so much.

Early in my musical development I bought two blues sampler albums, World of Blues Power (Decca) and Super Duper Blues (Blue Horizon) partly because as samplers they were cheap and that’s all my pocket money could extend to and because they featured many artists who were big. Eric Clapton, John Mayall, Fleetwood Mac to name but a few. Didn’t necessarily buy because of the blues but because of the artists on the albums. By playing these albums endlessly I unwittingly got a grounding in good blues music which has obviously stayed with me for life. BB King didn’t feature on these albums but all the artists on them claimed to owe everything to him. As my musical tastes got a little more sophisticated I moved away from pure blues music but always appreciated that blues music was at the root of everything I went onto like. I’ve never bought any BB King albums but always ready to listen. Likewise I listened intently to this album which I can say is another gem I would have missed had it not been generated on my list. Is an absolute smorgasbord of classic blues guitar licks and one liner lyrics - “I gave my baby seven children, but she gave them all back” I could go on! An album I will now keep returning to and a gateway for me to discover other BB King classics.

Strange that a record like this is still on the list. I am very much anti-woke and strongly believe that history cannot be rewritten to satisfy modern thinking and behaviour. But I do not include paedophilia in this so I find this record extremely distasteful. My french is not good enough to understand the lyrics but the album cover tells you all you need to know about the record and record reviews leave you in no doubt. There is nothing musically of any great significance so why is this on the list? Is it a tick box exercise to ensure France has a proportionate number of entries on the list? The greatest joy I got from this recording was when I read the Wiki entry describing the plot. I laughed out loud when I read Melody was on her way back to Sunderland when she met her demise. Sunderland??!!. Not believing everything I read in Wiki I checked the lyrics and sure enough Sunderland is there. Sunderland is a great city with great people but not exactly a city one would think of in the UK for the romantic heroine in this story to come from. Might be a subliminal message in that but can’t help wondering if Mr Gainsbourg ever visited Sunderland when researching this story if you see what I mean? Back to the album - wish there was a 0 rating as 1 gives it too much credibility.

Bought this album on vinyl at time of release. The album cover is perhaps one of the most recognisable ever. I loved the album when I bought it but must admit I rarely listen to it now so was eager to do so in full. It brought back many memories some in particular about a girlfriend I had at the time and I remembered it was her not me who really liked Roxy and in particular Brian Ferry! An album of its time which is regarded quite rightly as groundbreaking. One I’m not likely to regularly play again but one I’m glad to have in my personal library

David Bowie is an enigma to me. I know that he was a groundbreaking and very talented musician responsible for some of the best recordings in the last 60 years. There is an odd album of his I like in full and an odd track on other albums but in the main I just don’t get him. I have tried to listen constructively numerous times. In particular to his “Berlin Trilogy” of which this is one and which many say was his finest hour But they are littered with tracks which sound to me disjointed and without melody. On this particular album, “Heroes” stands out from the rest which at times degenerates into tuneless meanderings. The instrumental tracks on side 2 seem meaningless to me. Neither dance or ambient they seem to serve no useful purpose on this album and to me instantly forgettable. Just why David Bowie does this to me I don’t know as I do know he has heavily influenced musicians who I do like. There is a Bowie album in this list which I know I will rate at 5 but unfortunately this to me is worth only 3 and it only gets that because of the influence this album has had on others but not me.

This album wasn’t as bad as I first thought. I was expecting to skip forward tracks but found myself engaged with the whole album. Not one which I will keep returning to but a lot better than some of the previous reviews suggest. Some interesting drumming going on particular right at the beginning of track 1 which gets you hooked for the rest of the album. Nice occasional orchestration and female backing vocals (Just read its Tessa Niles so that why it sounds good) compliments and takes the edge off some of the punkiness of the songs. An OK album.

Always aware of the Manics and tried a few times to get into them but it never clicked. Although I’ve never seen them live it always struck me they were a better live band than on record. Their music suits a live atmosphere and I could see myself enjoying a live performance. But back to this record it all seemed a bit samey and not enough melody within the guitar bits (which are good) to satisfy my tastes. Not a record I would want to listen from start to finish again.

Loved The Police at the time and have all their albums on vinyl. But the fact that I have none on CD reflects that I quickly fell out of love with them and seem to remember that this album was the last straw. Apart from hearing the hit singles off the album I haven’t listened to it for yonks. Giving it another spin I realise why. The first side is garbage apart from perhaps the Synchronicity 1 and 2 tracks. The second side which contains most of the big hits manages to redeem the whole record although Tea in Sahara does sound like a Sting solo record and he was trying this out before he went his own way after this album. Listening to The Police again reminded me of the CD thing and note to self to buy their second album on CD but not this one. Strong side 2 reflects my rating.

When this album was released I would have avoided it like the plague. Did not like the Motown, soul, funk sound at all. But you could not avoid it as it was played almost exclusively in clubs and across the radio at the time. So indirectly it became part of the soundtrack of my life from that particular time. Listening to this album there are moments where the music takes me back to my youth. Music should evoke memories so in that respect this album in parts fulfills that purpose but now older I can begin to appreciate the musical value of this type of music. Still don’t like it personally but the millions who do cannot be wrong I suppose.

Crowded House never grabbed my attention. I quite liked one or two of their hits but never raved about them at all. Listening to the album through it appealed to me in that it was melodic but that was all. All the tracks merged into one another in one boring sound that never seemed to go anywhere as if too scared to deviate from the tried and tested formula used to gain the hits. Sleepily I arose from my slumber to turn the record off before it ended.

Moby would have passed me by had it not been for a mate giving back word on a Moby concert at Manchester Apollo and giving me his tickets. Moby was on tour promoting this album. I went not expecting much but the concert was fantastic so I bought this album straight after. Moby became big in the UK soon after and his music was all over the place on radio and countless TV adverts. This album and the next one 18 I had on my iPod and I remember a particular day walking in the Lake District having these albums on repeat. It was one of the most memorable days in the Lakes I have had (and I have had many) so always think of Moby when I recollect that day or when I occasionally touch the same route again. My fascination of Moby did not last long and after buying 18 I lost track of what he was doing and I don’t think I played this album again until prompted by this list. Listening again was pleasant enough and obviously brought back those memories but I do wonder what made me have the brief dalliance with Moby as dance music is not my thing. I do like ambient sounds which I believe Moby’s later work includes (will have to research that) and there are traces of ambient on this album along with some nice ochestration. This album belongs in my past and at that time was a favourite so my rating reflects that and is higher than if it was an album which was new to me today.

I have to be in the mood to listen to Metallica. Normally when I’m on my own in the house turn up the amp, open a beer and perform with my air guitar. I enjoy doing that with this album but thing is I never take much notice of the music or the lyrics. It’s just the thumping basic primeval experience I enjoy. Having said that isn't this one of the functions of music? I think it is but for me I couldn’t sit and listen constructively to heavy metal. This album is one great guitar riff after another which is the reason I will reach for it when I’m in the mood. The instrumental Orion is riff heaven and a thing of beauty. It is probably the best continuous and varied guitar riff album I own so love it for that reason alone.

Well there’s a coincidence - this album arriving on my list in the week the Bob Marley film “One Love” is released and I’m going to see later. Must admit I wasn’t aware of the album before as my knowledge of Bob Marley is pretty sketchy. I bought his more famous albums on vinyl at the time but was a little underwhelmed. At that time I preferred Prince Buster, Linton Kwesi Johnson and at risk of upsetting the purists UB40 and the like. No doubt at all that Bob Marley was a very inspirational musician and lyricist who was taken much too soon. With new ears and a little more mature in my musical tastes I listened to the album in full. It was a great listen through headphones and I’m sure that I will visit it again as I’m sure once I’ve seen the film, I’ll be going through the full Bob Marley catalog.

Another album I bought due to media influence and the hype of it being a must have recording. I’m happy to have it in my collection as I acknowledge that it is one of the most important and influential albums of the 90’s if not the whole of popular music but it is not a personal favourite of mine. It’s ages since I played the album through (no need as the album hit singles are still continuously played on the radio) so welcomed opportunity to do so. Cannot argue that the first three tracks are perhaps one of the strongest album openings ever. As for the rest it’s mediocre grunge rock, which I don’t like, with the odd good track. Something in The Way is a welcome relief. But this is followed by Endless, Nameless which sounds like a jam session used as an album filler and ends the record at complete odds with how the record begins. Half the songs make this album a classic but can’t help thinking that the myths and legends surrounding Nirvana also lend weight to why this album is regarded as a classic by so many.

What a lovely Monday morning treat for this arrive on my list! As I’ve written before I’m a late convert to Joni Mitchell and rue the lost years I did not have her in my musical life. Choosing your favourite Joni album is like choosing your favourite child - impossible. But this one right now is at the top of the pile having today listened to it twice. First time in bed with headphones on which was so beautiful and comforting sent me into a lovely snooze. The ability of an album to do this is a mark of a great album to me. Second time on my hifi which reminded made me how great the album is sonically. Wonderful instrument separation across a broad soundscape. Every note is so clear even on my modest system. The signature piano chords running through the title track sound fantastic and been track 1, side 1 herald how great the album is. Like all Joni albums either on or neglected by this list i give it top marks.

I would think everyone knows Frank Sinatra. I certainly do be it from my dad singing his tunes in a morning whilst he was shaving or belting out New York, New York when rounding off drunken Friday nights at a local pub. I also knew of this album as it is often cited as the first concept album. I’m a lover of concept albums and have a number in my collection so was eager to listen. My conclusion having done so is that it seems to be just a collection of standard Sinatra croons going on about lost or broken love. I cannot see/hear a connection between the songs like I was expecting. Nothing at all to rival a DD&B much abused pinball player or a mod hopping on his scooter to go to Brighton. However, great singing as you would expect together with great jazz musicians accompanying make this worthy of inclusion on this list. But it is stuck in the time it was recorded which was even before my time so difficult to relate to. I appreciate it for what it is, salute those who will say it’s one of the best albums of all time but it is not an album which I will be rushing to play again.

Never heard of Incubus before so didn’t know what to expect. Took a listen and discovered it to be run of the mill guitar based rock not very different to the 100’s of similar bands churning out radio friendly rock. Some do it better than others and probably Incubus do just that but it made no lasting impression on me. Reading their reviews and discography realised they have been doing it for years and have extensive back catalogue. So had a listen also to their latest album Morning View for comparison and to see how they had developed. Most of the tracks could have come from and not out of place on 1999 so concluded that they have stuck with tried and tested formula which is so very often the case with this type of music and bands making it and for me reason I don’t like it.

Was always aware of Spiritualized but hadn’t consciously listened or took much notice. I thought that they were similar to The Chemical Brothers or some other electro dance outfit but didn’t know really what to expect. I was pleasantly surprised and quite liked about half the tracks on this album. As I’m into ambient sounds these were the slower and quieter tracks. The rest, although inoffensive did tend to drone on a bit. The same sounds droning on in a loop and not getting anywhere so becoming a bit boring. However my interest has been perked to an extent that I will research more recent releases and if I see this album on CD going cheap anywhere I will buy it.

I’m a massive Beatles fan and can thank them for my lifelong love of music. As regards solo Beatles records I’m a bit more reserved. Some great and some not so. When The Beatles split up I continued buying their solo records but I began to think that Paul McCartney’s records in particular were becoming a bit twee. This coincided with me getting into more sophisticated types of music which the progressive rock groups could give. So McCartney and Wings seldom came onto my radar. I was aware that Band on the Run was a massive hit but one which I never bought. To me it was just an OK album but not special. Had this album arrived on my list 2 weeks ago that would have been the end of my review but there has been a recent underdubbed mix release of this album. Out of interest I gave this a listen and loved it more than the original. To compare I also listened again to the original and I must say that my assessment has changed for the good. The underdubbed version gives a good indication of the hard work put into this album and certainly changed my view of it. I can forgive the tweeness of some tracks but appreciate that this album represents Wings finest hour.

A few months ago I would have dismissed this album as probably good but not for me. However, firstly I’ve recently begun to become interested in jazz largely has a result of listening to artists like Melanie De Biasio and streaming algorithms pointing me in the direction of Norah Jones. Secondly, I spend a lot of time searching out second hand CD’s in charity shops and the like. You can almost guarantee that this album will be on the shelves of every charity shop selling for pennies. So having bought it I learnt that it was an excellent album ideal for quiet listening with a glass or two. Very relaxing but also a beautifully made album showcasing her enormous talents. I have now began collecting all of Norah’s albums which are very varied in musical content as she has developed but this album remains my favourite. I can only assume that because this album sold in astronomical numbers is the reason why it is so common in charity shops but the album is worth tons more than for what it sells for and is a bargain.

Never took much notice of Buffalo Springfield at the time. I always thought their sound was a bit too countryfide for my tastes. Over the years I have become more interested in the Laurel Canyon artists and as a result have given these a listen but never this album. It was not a bad album to listen through and there was one or two tracks I really liked. Everydays was a surprise as I had forgotten Yes had recorded this on their first album and which I really liked at the time. One or two new techniques for the 60’s are evident as in final track for example making me wonder in this was Buffalo’s ‘Sgt Pepper’. An OK album but not one I’m likely to go back to.

Never been a Springsteen or American MOR rock. There is something about Springsteen’s voice although distinctive, I do not like. I have a Springsteen greatest hits album which will be as far as ever go purchasing his stuff. As regards this album I have given it a listen through and found it to be normal Springsteen fare. All songs are a bit samey. Everyone knows the title track Born To Run but as a retired runner I find it nauseating as it was audible on every street corner on a marathon route so I hope I never hear it again (and Frankie Goes To Hollywood version is miles better!) Worth a 2.5 but that voice and song reduces it to 2.

I get quite excited when an artist and album I’ve never heard of comes up on my list. I hope that it will be a gem which I have previously missed. But not this one. What a load of old tosh. I’m no expert on the Stones’s Exile On Main Street but see no similarity at all. Out of interest I googled the comparison reviews and to me they all seem to be academic highfalutin nonsense. Making it something its not.

Heard of the Klaxons but never consciously listened to them. Gave it a listen but nothing in it for me. Very underwhelming and wondering how it made the list. Appeared on my list on same day I went to watch Bob Marley biopic One Love at cinema. What a chasm in musical talent between the two. Bob Marley by no means a favourite of mine but musically he’s light years ahead of the Klaxons and similar wannabes.

I really shouldn’t read reviews of albums before I listen to them. Did that with this and knew it would be rubbish to my ears. It didn’t disappoint - utter crap! Nothing at all in it of interest to me.

Another artist that I came to late. Never really got into his music when I was younger but as I matured so did my tastes and I realised what a great musician Van Morrison is. I am currently still purchasing his albums and only yesterday obtained two of his lesser known albums at a charity shop. The album which started it for me was Astral Weeks but Moondance quickly followed. It is perhaps his most accessible album. I never tire of listening to Van Morrison albums as every listen brings new delights and discoveries. As illustrated here when listening again for purposes of review. Had a 4 in my mind but after another listen decided it is a top class album and an all time classic. A 5 all day long. Today is the first day of spring and this record is perfect. If any record could be a lazy, sunny summers day this is it.

Sometimes you know that you will not enjoy an album when you see its cover. There are exceptions to prove this rule but in this case the cover told me all I needed to know about what I was about to listen to. A better related maxim is don’t judge a book by its cover. I believe in this so dutifully waded through this album. But there came a time when the whole process became unbearable and I had had enough. This type of music was never written for the likes of me at my stage of life so as I have written before, I cannot make a sound judgement other than to say I didn’t enjoy listening to it but good luck to those having the opposite view and derive a great deal of enjoyment from this.

When I was 17 this must have been my favourite album or at least one of three. I joined the police cadets in 1970 and this record became the soundtrack between the mates I made there. We all played along with our air guitars, imaginary drums and a sideboard for an organ to our vinyl copies (most of us had one) played on a Dansette on full volume. Only thing missing for us wannabe headbangers was long hair. Police cadet discipline dictated that our hair was kept short courtesy of a Polish barber (butcher) from Wakefield. In celebration of this (not the haircut but the album) and because I haven’t listened to the album in full for a while I dug out my vinyl copy from those days. Immediately came the loud cacophony announcing Speed King on side one which still comes as a shock when the needle touches the vinyl. Then all the familiar cracks, pops and hisses caused by lots of plays on old equipment and when I was not as careful with vinyl as nowadays. In its own way these imperfections now merge with the music and are strangely comforting giving memories of a time long ago. Not one bad track on this album but the highlight is of course Child in Time. Pennine Radio in Bradford put out an evening rock show in those days. As a request I rang and was put on air to recommend and proudly announce that track as the DJ had never heard it before. The one omission from this album but later put right on anniversary releases is Black Knight the best selling Deep Purple single. Inclusion of this would have made a perfect album stellar. I carried on buying Purple albums up to the mid 70’s but after personnel changes in the band I did go off them a touch. Loud rock albums are not what I regularly reach for nowadays but listening to this again was a joy and I will be forever thankful that this album existed and brought me such happy times and memories.

Never listened to this before and Cocteau Twins have never featured as a favourite of mine. No doubt that Elizabeth Fraser is a great vocalist but I prefer audible lyrics rather than mouth music which makes up the most of this album. I don’t think this album has aged well and is stuck in the early 90’s although at times it reminded me more of 80’s synth pop. That said it has a distinctive style but this is due to Fraser’s singing style rather than the music. A mid rated 2.5 but falls wrong side of a likeable album for me therefore a 2.

I know that he was/is one of the greatest singers and performer of all time and that millions if not billions cannot be wrong but Elvis is not for me. I obviously have heard at one time or another an enormous part of his repertoire but there is not one song of his that I like. Apart from one or two songs of his which appear on compilation discs I do not own any of his music and if at all possible will try to avoid it. So this album is a complete turn off for me and I haven’t even bothered listening. It would be wasted time and as I know most of the songs very unlikely to learn or hear anything new.

I really like this album. I was never a big jazz fan but a few years ago I began to take an interest and wondered if I was missing something. I read that Miles Davis was a good place to start my jazz journey and his must have album was Kind of Blue. I streamed the album initially but loved the album so much that I have since bought it. I need to be in the mood to listen to it and mostly this tends to be in bed before dropping off to sleep. I still find a lot of jazz a challenge to get into but intend to persevere. My eldest brother who was partly responsible for my overall love of music in general, was a big jazz fan and I have inherited all his vintage jazz vinyl albums. Kind of Blue is a good touch stone to compare other jazz albums. The first track So What is my favourite. Not an expert but I think this follows the classic jazz form with the initial rhythm eventually returning at the end but in between little snatches tempt and tease the listener so that when the the track eventually resolves itself it comes as a relief. So not an easy listen but if you are more than a casual listener gives immense satisfaction.

Something about B-52’s I don’t like. To me they are like a modern 1950’s skiffle group. Good for dancing I suppose and Rock Lobster does get all those dancing dads moving at wedding do’s.

I remember having an interest in Lorde a few years ago. I think it was as a result of the single Royals which I really liked. But having streamed some other of her tracks decided she was a bit on the Brittany Spears side of pop music to retain my interest. Since then I’ve really got into Lana Del Rey and bought all her albums. As Lorde is often compared to LDR I was willing to give this album a serious listen. I can now see the similarities between the two. This is a well crafted album full of interesting ideas and I now realise mentioning Brittany Spears in the same breath is unfair as I think Lorde is trying to make serious and memorable music. Writer In The Dark is a good example and is the standout track. There are some other good moments but my same initial opinion that Lorde drifts over to the Gen Z poppy side too much for my liking still holds. I much prefer the darker side LDR brings to this genre which I think Lorde tries to achieve but fails as she is still trying to achieve chart success. And who can blame her?

I live near Leeds. Not actually in it but visit at least every two weeks to watch the mighty Leeds United (WAFFL, WACCOE, MOT etc). Speaking to others about this album I wish I had a pound for everyone who says they were there because I’d be rich. I’m a massive Who fan and a regular gig goer in 1970 so I often wonder why I never went. As I recollect it wasn’t until the album came out that I knew it had taken place at all so wonder if it was a low key by invite affair as the gig was specially organised with another at Hull so that it could be recorded. Anyhow I bought the album on release day and still have it intact with most of the memorabilia tucked inside the inside pouches. The only thing missing is the “Maximum R&B” poster which took pride and place on my bedroom wall. Wish I still had this and no idea where it went. Think Mum must have binned it when I moved away from home. As regards the music - well “It’s the bleedin’ Who innit” Was there ever a better live band? I love every second of this recording and often play it. The recording captures the energy and excitement of the gig wonderfully. You can’t exactly close your eyes and be there as this would need 100’s of sweaty bodies next to you jumping and swaying, but it goes damn close. The 6 songs on the original album are all you really need to get a flavour of The Who in those times. Later releases included the other songs on the set together with the Hull gig recording’s and are great to have but the original 6 work just right for one solitary listen. Highlight for me is My Generation. Begins with a great rendition of the classic song and then meanders beautifully but powerfully against the backdrop of the Underture from Tommy enabling every band member to display their undoubted talents. They were really on top form. This album means a lot to me and my memories of that time in 1970. Even as a live album it hints of the greater things yet to come. Certainly in my Top 10 of all time and at the top (so far 66 albums in) of this list.

Another new one for me. Streamed it through Roon on a lazy Sunday morning and fell into a light slumber half way through. Not a criticism as I like music to have that effect on me. I wasn’t bored at all as the first couple of tracks before I dropped off had kept my interest but I suppose I eventually gave in to the overall ambient feeling the album has. After the album had finished the Roon algorithm produced some great unknown tracks from the likes of Tuxedomoon, Moebius and the Plank, and Popol Vuh. These are well worth further investigation as is Holger Czukay himself. So from that point of view a worthwhile album to discover.

To me this album was a return to the Radiohead I knew and loved after the Kid A and Amnesiac experiments. Having said that I remember playing the album on repeat during a car journey to the Lake District. I wanted to really enjoy the album like I had with their early stuff but there was something which I could not put my finger on preventing me from doing this. There were nice melodies as on Sail To The Moon and the whole instrumentation sounded like it was played by people rather than machines but it was an album I soon tired of. Playing it again now from start to finish was like having a cloud lifted on the album. Tracks which I had previously disliked were not so bad after all and the album as a whole finally worked for me. Not the first or last time that this has happened to me. I put it down to an ever changing musical appreciation and that as I’m now older not so much of a musical snob or swayed by current fashions. Still not quite as good as their earlier albums or albums yet to be made but for me a solid one which will not gather dust anymore.

Although a child of the 60’s cannot remember this lot or if I did had forgotten. Absolutely love 60’s music and the memories it brings back. This album is just average. There’s no doubt it was made then as it has all the hallmarks but nothing on it stands out.

I didn’t buy this album immediately but after hearing the great hit singles from it I eventually bought it. Overall a good album which I still like. Feeling Called Love (easier to type minus the full stops!) is for me the standout track and one I never tire of. It’s of its time particularly some of the lyrics which must drive some of the modern woke’ists mad. My opinion of Pulp is largely derived from regularly listening to Jarvis Cocker on a Sunday afternoon. Not only did he play a lot of good music (and for me discoveries) but he came across as a thoroughly decent chap. His lyrics to me are observations of what goes on in real life in thoughts and deeds and not necessarily attributable to him. At the time whilst Oasis and Blur were battling it out, Pulp were at the other end of the spectrum making different and original music and this album is a fine example of this. If asked to explain what Britpop was all about then I would hold this album up as a great example.

The only thing I have in common with this album is I once had a Che Guevara T-Shirt.

Not a Black Crowes fan and could tell you nothing about them. By sheer coincidence this album arrived on my list the same day their latest album Happiness Bastards was released in UK. As an experiment I merged the two albums into a playlist and then pressed shuffle to listen blindly. Guess what? Couldn’t tell which track belonged to which album. So to my ears that’s how far they’ve progressed. Not saying churning out the same is a bad thing but musically and to retain my interest for more than a few bars it all becomes a bit of a bore. As others have said a poor mans Rolling Stones.

Never really got to grips with E&TB. At their peak in the 80’s was very aware of them and bought at least one album but not this one. They were just an OK band to me and that was it. Never listened to this before and as the singles from the album never charted highly probably everything on this album is new to me. It was a pleasant enough listen but nothing to set the world on fire. The album was degenerating towards dullness but then I heard the last two tracks which changed my opinion and rating. Thought the album ended really strongly. Not enough to make this a great album but adequate enough.

Would rather listen to the Birdie Song all day than suffer this.

Like lots of similar bands generating this type of indie rock they will be great live but the music doesn’t transpose as good onto records. Not something I could sit and listen to. At best would be OK on a playlist for the gym or out running.

Second review of a Spitualized album and like the first was pleasantly surprised by how much I enjoyed this music previously off my radar. This was even better as I love ambient music particularly late at night in bed. Thought this one had a lot of the quiet side of Stone Roses in it which is no bad thing. Like I said before about Spititualized, so glad this list brought them to my attention and I’m even more determined now to add them to my CD catalogue. 3.5/5.

With the Blur v Oasis thing I was always on the side of Oasis. Whilst Blur were undoubtedly groundbreaking musicians and made some great albums for the masses who adored them I was always a bit cold. I thought that their albums were a bit weird for my tastes but there was always a gem which sprang out of the weirdness to grab you and appreciate why they were so popular. In the case of this album that great song is Song 2 which I suppose half the planet are aware of. Despite its ubiquitousness I never fail to enjoy the power of the underlying riff. A really great song which stands head and shoulders above the rest of this album. I only bought this album recently. Not intentionally but because it was going cheap in a charity shop and decided because it was an album of some significance to some I needed it my collection. The only other Blur album I have is their greatest hits which is the one I like more as it mainly contains the aforementioned gems which I can play without enduring the weird. 2/5 20/3/24

Cannot understand why I do not have this album in my collection. Think I came to R.E.M. quite late so have their later, some may say, more popular albums but somehow this passed me by. Particularly when the album contains two of their most banging singles - End Of the World… and One I Love. Really good album. So good that I bought it today to enjoy and catch up on lost time. 4/5 21/2/24

Undoubted genius he is I do have a love hate relationship with Bowie. I always like bits of his albums but these are often inter-spread amongst other tracks I just do not get. It’s not that these tracks are bad but they just go in a direction I don’t want. This album is a great (bad) example of this. Prettiest Star is a lovely song and Jean Genie a great dance track. The piano bits on the title track are brilliant and weird at the same time. I find myself liking a few bars before it veers off in a different direction without resolving itself. I suppose this shows the brilliance of the man striving to push the envelope and coming up with something new. I appreciate why this album is considered a classic but for me it misses the mark. 2.5/5 (3 because it’s Bowie) 22/3/24

Don’t know how this made the list. Can hear no talent at all and the singer’s voice really grates after a while. Needs to get to the chemist and buy a decongestant. Hopefully it sounds better nowerdays with auto-tune. Have heard better at my local open mic nights. 0.25/5 23/3/24

I’d heard of Graham Parsons but have never taken any notice of him or his music. It was only has a result of this album turning up on my list that I read about him and learning that he died shortly after this was released. Whilst it was interesting to learn about him I’m afraid that country music is not my scene. Born in wrong place and time to appreciate it and a big turn off whenever I hear it. 1/5 24/3/24

I just have an occasional love of Elton John. There are an handful of his songs which are brilliant but the majority I can take or leave. Not listened to this album in full before. Not surprising as there are no big hits on the album which would draw me to it. The exception is Tiny Dancer which belongs to the aforementioned brilliant category. The other songs I haven’t heard or took notice of before. It was an enjoyable listen which I would not avoid in the future. Will stream again but unlikely to buy unless in bargain bin. Lot of album reviews state album is a bit proggy. Other than Rick Wakeman being on it and a few tracks over 5 minute mark cannot hear this. 2.5/3 25/3/24

Another album I hope not to hear again before I die. 0001/5 26/3/24

I first became aware of MK when he was interviewed by Guy Garvey on his BBC Radio 6 show. He came across well and the music played stirred my interest to research and listen his music more. I wasn’t moved enough to go out and buy any of his albums. I found lots of things to like but equally other tracks which were duds to my ears. A bit like this album really. I have listened it fully from start to finish. MK is obviously a very talented man being able to knot together more musical genres than you can shake a stick at. The knotting together is particular good as each track merges seemlessly unnoticeably but then again it is noticeable how good this is achieved. 75% of this album is brilliant - Piano Joint, Hero, Solid Ground been highlights. One or two other tracks do not measure up for me but this is true for lots of albums as very few albums are perfect. I could be persuaded to go out and buy this album but it certainly goes onto a streaming playlist. I’d would rate it a midway 2.5 but as Guy Garvey rates MK music so much and because Guy has introduced me to so much good music (as well as his own) it must be a 3. 2.5(3)/5 27/3/24

Can’t believe it’s 20 years since this album was around. Remember it been pushed down my throat by the media and not been able to escape it. People describe it has a ‘fun’ record and they’re welcome to that opinion. But in my book it’s not fun but blasphemous to ruin a classic song like Comfortably Numb. Hated it then and more so today. It speaks volumes that you can more or less guarantee copies of the album will be on sale cheaply at every UK charity shop. A sign that this album was discarded largely into oblivion and rightly so. 0.1/5 28/3/24

Remember been interested in MGMT about this time, Cannot remember how - probably well known hits or seeing them on Jools Holland maybe. They were definitely a very different sound and considering the dross what was around in the mid noughties, they stood out as having talent. But from what I heard they were interesting but not enough for me to buy their music. Had then forgotten about them until this arrived on my list. Listened to the album in full and really enjoyed it. As per my initial assessment of them there is a lot of good stuff on this album to make it an OK album and one I’m likely to listen to again as well as their later music. 2.9/5 29/3/24

Whilst I like English folk music and always receptive to listening to it I’ve never quite got American country music. Whilst Nancy has a lovely voice I just do not like the accompanying countyfide instrumentation. Woolworths on the other hand I did love. Bought many a good album on vinyl and CD there and the pic’n’mix was to die for. Never had a Luncheonette there though. Sadly Nancy and Woolworths are no longer with us so will have to wallow in the nostalgia of Woolworths and I’m sure that the millions of Nancy fans will play her music evermore but I’m not one of them. 1/5 30/3/24

To say they have been around for 40 years I have never previously heard of Sepultura. Might say something of me as an incomplete music fan or more likely in my defence that this music was never meant for me. I’m over 70 now so I say the same about Hip Hop or Rap etc - made for a completely different generation. Having said that having now listened to this album I could have seen the younger me liking it (unlike Hip Hop and Rap) Some nice guitar riffs in particular. What I don’t understand about these Thrash Metal combo’s is why the lead ‘singer’ needs to growl instead of sing?And if they need to growl, why in English or any other earthly language? Klingon would be better suited in my view and probably make it a bit more enjoyable. 1/5 31/3/24

Well this album has the dubious distinction of being the first time I have given a 1/5 three times in a row. Well deserved in my view! Only to be surpassed if another 1/5 turns up tomorrow. As I seem to keep on saying this type of music not meant for likes of me so I cannot give a meaningful review. Getting worried now that with all these 1 out of 5’s turning up my streaming and Roon algorithm’s will start thinking I actually like this stuff. Or maybe this is just an April fool and this album will get replaced by a 5/5 classic after 12 noon? (Addit - no such luck!) 1/5 1/4/24

When I said yesterday that whatever crap I was served up (forgotten already) had broken new records of been my first 3 in a row 1 out of 5, I gleefully hoped that this miserable sequence would end. It not only hasn’t but this offering has surpassed the depths my list has recently sunk to. I was up all last night with excruciating toothache but even that was a thankful relief than giving this a listen. The actual music (and I use the term loosely) reminded me of a video game I used to play with my kids. Forgot the name but the one where you race around indefinable circuits throwing bananas and bombs at your opponents featuring a man dressed in overalls who comes to your house to mend things. You know the one? It was played on an early computer where my kids used to also make up short passages of elementary tunes. Despite the fact that these used to get right on my chest hairs they at least were significantly better than those arranged here by Mr Darkdancer. Most interesting thing about this album, and has got me wondering if the time 12:14 on his watch has any significance? May have but will have forgotten about this album in an hour, so who cares? 000000.1/5 2/4/24

Please see review for 21. Nothing has changed. So boring. Could be same album. 5th 1 out of 5 on trot now. Help! 0.9/5 3/4/24

After voting for yesterday’s album which was the 5th 1/5 in a row I was in excited anticipation about what today’s album would be. Surely after five duds I was due a classic? Well not quite but at least I knew of Steely Dan and that they were competent musicians. The sound of Steely Dan is very much rooted in the mid 70’s and listening to this album brought back memories of what was a happy time of my life. I was never a fan enough to buy their music but their MOR rock sound was everywhere during the 70’s. It was an enjoyable listen and sonically it was a well produced album with a great soundstage to pick out all the individual musicians. Not an album I will personally go back to but I’m glad Steely Dan and their music exist. Thanks for the memories! 2.9/5 4/4/24

Can only go on what I’ve seen on TV but I think Iggy and his Stooges are very much a live act. Can never imagine putting this music on at home to casually listen but when live and with Iggy’s stage act is probably amazing. 2/5 5/4/24

What a coincidence Iggy and his Stooges yesterday and Iggy Pop today. This album is heavily influenced by David Bowie and if you didn’t know would say it’s one of his. For that reason (although I’m not the biggest Bowie fan) it benefits and is a better album than the Stooges one. But that is relative and doesn’t mean that I like this album. There are one or two melodic passages but like a lot of Bowie influenced albums of this time they suffer from Bowie’s and Iggy’s quest to find new musical directions which to my ears amount to random sounds rather than musical masterpieces. Most interesting aspect of this album was learning how Bowie and Iggy collaborated. A piece of musical history I remember reading about at the time but had forgotten. 2/5 6/4/24

Big hair, big shoulders, big produced MTV videos, big synths all the hallmarks of the flamboyant 80’s. At the time it was all good but looking back everything was a bit naff. My ex-wife liked Cyndi Lauper and even styled her hair like her but I won’tlet this cloud my judgement. In fact it was refreshing to play some of her songs again and there are one or two tracks on here which symbolise 80’s music and remind me how rubbish a lot of 80’s pop songs were. I do not like Cyndi’s tinny voice and the weak and thin production of the album only highlight her vocal limitations. Time After Time is the best song on here and one I really like. I wonder if it has ever been covered by someone with a stronger voice? Probably has, but I can’t really be bothered to find out. Which is my attitude to the whole album. Whilst it revives memories of that time, some good some bad, it firmly belongs in that time and should rarely be exposed. 1.999/5 (Time After Time makes it a 2) 7/4/24

Never actually owned this album but was always on my want list. I was at the start of my record buying days and funds were short. There were loads of other albums out in 1967 which I also just had to have. Since I had already bought two singles from the album Strange Brew and Sunshine Of Your Love with Tales of Brave Ulysses and SWLBR as B side’s I’d already got a good third of the actual album. As these 4 tracks were probably the best on the album other albums took priority. All the tracks showcase how great the component parts of Cream were and how together they were one of the best supergroup’s ever. Mothers Lament at the end of the album was a very strange ending but as a young boy I thought it highly amusing and at one time it was my party piece reciting the poem. 3/5 8/4/24

As my album history shows do not like Hip Hop or Rap music at all so I was not expecting much here. But at least this was in the main a fun album not full of gangster slang, shootin’ guns, knives and slapping bitches. Also not much in the way of profound language as far as my ears could tell. There is a skit which nods towards an orgy with accompanying sounds but I suppose it could be someone suffering from toothache or stomach cramps and i think it is meant to be taken in fun rather than intended misogyny. There are one or two tracks I could even listen to again but my memory tells me that they were hits when the album was released. Has not changed my views on this type of music but at least it made me smile (slightly!) 1.9/5 9/4/24

I was in my mid 20’s and still a Prog Rock only when punk came along. As part of the punk rebellion was partly directed at people like me I initially resisted it and enjoyed how it was ridiculed and dismissed in the general media. But I couldn’t ignore what I read about in the music press. The Clash were the darlings of the NME. A bit more refined than the Sex Pistols and much more political. When I think of the Clash I always also think of the UK inner city riots and the general malaise in the UK at the time. I did not agree with a lot of what The Clash stood for but as someone who tried to appreciate all types of music I did eventually succumb and bought this album on vinyl. I did not like it then and still do not like it but I cannot deny that it deserves its place on this list and understand why so many will put it at the top of their favourites. Listening now it sounds very naive, hollow and lacking substance. But I cannot forget this was how and why punk came along. Simple structures most people with a mind to could play themselves. A direct opposite to the music I enjoy then and now. As The Clash grew their future albums offered a lot more to me. Not personal favourites but a whole lot better than this one. It’s difficult for me to rate this album as I dislike it but cannot ignore the place it has in popular music and it will always be regarded as something at the vanguard of punk, an important musical chapter. 1 (but 3 because of its musical importance)/5 10/4/24

Don’t know much about the Allman Brothers or this album. Another one which a bit of a mystery as to why it has appeared on this list. It’s just a run of the mill live album. The musical content is nothing notable. Having said that I do enjoy extended bluesy guitar solos and there’s enough of them on here to choke a donkey. But I return to my original point that there are hundreds of albums not on this list I’d rather listen to. 2/5 11/4/24

Listening to this album solved a long standing conundrum I had with Blur. They always reminded me of something but could never put my finger on it. But this album is it! So many Blur influences on here. I loved the Kinks as a young lad and bought their early singles. When it got to the period this album was released I was totally consumed with Sgt Peppers to notice this album. I suppose this was The Kinks Pepper. If not certainly their next album Arthur which I like more than this and bought on vinyl. It’s only the last few years when available on streaming services that I listened to this album. It is a quintessential English album and from the title of the album that’s what the group were trying to capture. I yearn for the old days when there was a lot more Englishness about so this album is a small window into those days. For me the album has succeeded in capturing the sounds and flavours of those days preserving those times into today’s very confusing multi-cultural times. Yes this album reminds me of my childhood of long summer days, rhubarb in sugar cones, tickling trout, machine guns made of sticks etc when life was so simple. Modern life is rubbish (Blur again!) so thank God albums like this were made to capture a wonderful time to be alive in. 3/5 12/4/24

An artist and album I’ve no interest in whatsoever. So cannot give an opinion. Did listen but the window cleaner came. It was more interesting watching him use the squeegee. 1/5 13/4/24

Beth Orton is someone I always meant to listen more to. I bought her previous CD Trailer Park on a whim when it was a cheap sale item. I continued to hear bits from her and made a mental note to listen but never got around to it. So this arriving on my list was a timely reminder of her and I was eager to give it a listen. I enjoy this style of music. I own a lot of female vocal music and this album sits well amongst my collection. Only criticism is her voice does tend to sound a little monotonous after a while and her vocal range is not very varied. But her lyrics are thought provoking and help to immerse yourself into the music. An album well worth a further listen and as my memory has been jolted by this albums inclusion, an artist I will definitely spend time on. 3/5 14/4/24

Don’t really need to listen to this album as I know it off by heart and listen to it regularly. I was (and still are) a Beatle nut and I bought this album at the time playing it to death. Still sits proudly in my vinyl collection. Every track for me are greats. One or two I would say are all time classics - ‘And I Love Her’ top of the pile. Some say better albums were to follow but for me every Beatle album stands out on its own and are classics in their own right. Impossible to compare one album against another because the genius of The Beatles is that each album is unique. I’ve never considered this album to be a soundtrack as it sits well as well constructed set of songs which compliment each other. One of the characteristics of The Beatles and producer George Martin was that a lot of thought went into track orders and nothing was random. One exception was Twist and Shout at the end of the first album needed to fill in album time. The album does remind me often of my experience when I went to see the film whilst on holiday in Newquay Cornwall with my parents. As soon as the film began the females in the audience began to scream as if present at a live gig. The film was immediately stopped and the cinema manager came out front warning everyone that if the screaming continued the film would not be shown. Unfortunately this was the closest I ever got to experiencing a Beatles gig as during their touring days I was too young. 5/5 15/4/24

Not to my credit I admit, I’d never heard of Elliot Smith before but it appears he was not so well known on UK side of the Atlantic. So I was quite expectant in learning about a new artist. As I listened I read all the reviews and Wiki page concerning Elliot. What a very troubled man and shocking ending to his life. Reading things like that really do affect how you listen more closely to the music and look for clues as to why and how he turned out as he did. Nothing was apparent on first listen but I stand to be corrected on further listens or when broadening my knowledge of his whole musical catalogue. I generally like singer songwriter troubadour types such as Damien Rice, Bon Iver and Paul Simon etc but I’m afraid this album did not quite measure up to some of the aforementioned works. It is an inoffensive album and just OK. However, I’m sure that judging by some comments there are plenty of his fans about who will keep his flame alive and will rate this album as a lasting memorial to him. 2.9/5 16/4/24

Can remember Skunk Anansie been around but had forgotten about them. Nothing on this album to make me think I’ve missed anything. Some nice riffs but the music is a bit too harsh and shouty for my taste. 2/5 17/4/24

A group I was aware of but took not much notice as none of their music thrilled me at all. Plenty of alternative rock groups which I fancied more. Never heard this album before. It was just run of the mill stuff and nothing there to make me want to listen again. 2/5 18/4/24

As I normally do everyday when I wake up, I reached for my iPad to check out my album of the day. Great! after a few duds an album I could get my teeth into. As I only have a bedside HomePod to listen to in my bedroom I decided that as this album is regarded so highly I would wait until I was up and able to listen on my Hifi combo. I then learnt that today was also a musical momentous day in that Taylor Swift had released her new album The Tortured Poets Department. Reviews of this indicated that this album was likely to make the 1001 list sometime in the future. So I began to listen to Swifty on my HomePod. Halfway through track one I gave my head a shake and wondered what I was doing. Was it not blasphemous to pick the Queen of Pop over the Queen of Soul? Yes I decided. I then snuggled down and blissfully spent a fantastic 30 minutes with Aretha. Now I’m not a soul music lover at all. Up to a few years ago I would have avoided it like the plague but I’ve always given it a little respect (geddit?) as half the world’s population cannot be wrong in liking soul. I’ve never listened to this album before but most of the tracks were familiar to me. You cannot help but be drawn in by Aretha’s outstanding vocals and the musicians behind her. I can understand why people can be reduced to tears and this album is full of tearjerkers. I was nearly there myself with the final track A Change Is Going To Come knowing the political and social message behind it. This album will not alter my opinion of soul music but will certainly make me more receptive of it. As for the Taylor Swift album, as she would probably admit herself it comes nowhere near the majesty of this album and is a sad reflection of the standard of today’s music. But maybe that is an unfair comparison but I can’t help making it (I later listened in full to the Swift new album and surprisingly I loved it. Another 4/5 when next edition of book is published) 2nd listen was a FLAC Tidal stream and is absolutely beautiful. A sonic delight. 4/5 19/4/24

I never had this album but had the It’s Alive album which contained most of the live version of the tracks on this album. As a side, this selection prompted me to look for the live album and it appears to have gone missing, stolen, failed to be returned-whatever! It was the Ramones who finally got me interested in Punk. I liked the relentless energy generated song after song. True that each song sounded like the last and seemed to begin “1.2.3.4”….but loved the endless riff which was great when you needed to real stomping music to put on. This was especially so on the live album (if I could find it!) Listening again to this it does nowerdays sound a little thin and you do need to crank the volume up high to experience what the Ramones were about. The sameminess of the songs did mean that after this initial dalliance I soon went off The Ramones. It’s not an album now that I particularly like but i don’t rate it now on today’s likes. The Ramones and these songs were an important part of my lifetime musical journey. These songs do bring back a lot of memories and I will occasionally, in the absence of my live album, stick this on. 3/5 20/4/24

My only foray into Green Day was the later album American Idiot. Never listened to anything prior to this. So came to this somewhat blind although one or two tracks sounded familiar so must have heard them before subliminally. I enjoyed the album. Whilst there are elements of punk in it I could also tell that they were in transition towards more mainstream rock which I liked in American Idiot. 3/5 21/4/24

An instant 5 as soon as I saw the cover. One of the greatest debut albums in my opinion and the first of an amazing triple set of albums. They went off the boil a bit after X&Y for me but the first three are one of the strongest sets of albums ever. First became aware of this album and Coldplay early one morning. My clock radio woke me to the Yellow riff. The song was half way through and I never caught the name of the song or band. I spent the next few days listening out for the song with that riff, which is something of an earworm, constantly in my head. Once found I immediately bought the album CD and played it constantly. Coldplay are very much ridiculed by some nowerdays which is a shame but as they are headlining Glastonbury again this year (2024) it proves what a crowd puller they are and loved by the majority. I saw them live during the X&Y tour (a travesty that X&Y isn’t on this list at time of writing as that is in my top 5) and they played many songs from this album and every one was a crowd pleaser. For me an album always at hand to play and in my favourite playlist. 5/5 22/4/24

I’m a recent convert to Nick Cave and absolutely love everything he’s done from Push The Sky Away onwards. Carnage and Ghosteen are absolutely brilliant and both should be on future versions of this list. I’d listened to his earlier work and seen his performances on TV but nothing struck a chord with me. This album comes from that era but I recently bought this album on CD. It is the box set version and was pretty cheap so I thought it was worth a punt and the chance to find out if there was something in his music I was missing. Truth is after purchase it went onto my ‘give it a serious listen’ pile and there it remained until the album timely arrived on my list today. After one listen through in full I still think that there is something missing from his earlier for me to give a 5/5 which I desperately wanted to. I much prefer The Lyre of Orpheus disc and can hear lots of things I love and if it was this disc alone I could give it 5/5. The Abattoir Blues disc is just OK. Not bad but not melodic enough to blow off my socks. Future listens may change my mind as I know Nick Cave music including lyrics is a challenge and something you’ve got to persevere with to get full satisfaction. 3/5 23/4/24

Another one which spoils my streaming algorithm. Embarrassed to have it on my streaming history. And there’s only two e’s in Dee as in River Dee which is exquisitely beautiful and a direct opposite to this shite. 0.000000000000000000000000000000000000000000000000001/5 24/4/24

Another album which I never knew existed. When I saw the title displayed my mind went straight to The Beatles Maxwell’s Silver Hammer. Which is odd because whilst The Beatles is about violence and murder this could not be further removed. Any potential exterminator would certainly nod off to sleep listening to this. In the past I would have instantly dismissed this type of music but my recent new found love of slow piano led female voice jazz R&B did mean I gave this a lot more attention. There were bits of laid back jazz in and amongst which I found acceptable but overall there was nothing to rival Sade or Patricia Barber, to name but two favourites of mine. Perhaps an unfair comparison but for me this album did not measure up to the type of R&B which I have recently got into. Not saying a bad album but not for me. 2/5 25/4/24

Bob Dylan is no doubt a musical genius and will be regarded as such forever. I understand why younger generations might not see it that way at present as they are living too close to his time and they quite rightly have their own favourites and may disregard any music which is a million miles away from what they like. But future generations will talk about Dylan in the same breath as all the musical greats. Dylan in particular will be looked upon as being in the first wave of 60’s popular music and responsible for its development so this album will be highly regarded whenever Dylan is talked about. So it really is an album you need to listen to. You might not like it and there are tracks on it I don’t but it is musical history. Personally despite what I have just said I didn’t like Dylan at the start. That’s why I say you need to mature to appreciate his musical value. His later albums, which no doubt will be on this list, have greater depth and substance. This is just simple and straightforward folk music with a political kick towards the protest movement of the 60’s. As a musical historical document it is worth a 5/5 but as I must judge it on my musical tastes and enjoyment goes to a 4/5.

Judging by global reviews I’ve done well after 115 in to avoid an Elvis Costello album of which there are many on this list. Not that I want to necessarily avoid them. Armed Forces is a belter of an album and I was really into Elvis back in his Armed Forces days. I found however that he became a bit samey which is a bit unfair as I know he’s involved in classical music and jazzy stuff (probably thanks to his wife Diana Krall) which are well worth a listen. It’s is more rocky stuff which always feels the same. Listening to this album most of the tracks could have found a home on Armed Forces or other albums of that period. For that reason not an album I would listen to again. 2/5 27/4/24

Although I love 60’s music never heard of The Sonics before. Probably because as far as I can tell they never had any success in the UK. Listening through the album I don’t know how they made this list. Maybe because according to Wiki some quite influential musicians say that they themselves were influenced by them. The few original songs are just standard 60’s rock and roll. The remainder (and majority) are second rate covers which bring nothing new to the originals. The recording quality is chronically bad. I know it’s just 60’s tech but even allowing for that it sounds as if it was done on a low budget. The number of covers also indicates just one or two takes so the whole thing could be done it has little time has possible. I streamed this on Tidal and all I was getting was sound from one speaker. That could be Tidal’s fault but the whole listening experience was poor only helped by the fact that the album was less than 30 mins long. I think overall and not meaning to be rude to our American cousins, this album is very American centric and came in response to the real explosion of UK groups about that time and who put The Sonics week into their shadow. 1/5 28/4/24

Wow! My second Dylan album in 3 days. So lucky! This is my favourite Dylan album although given his massive catalogue listening to them all is still a work in progress. Does not contain my favourite all time Dylan song but that is probably for another day. I only got into Dylan a few years ago hence reason why I’m trying to catch up on his albums. I saw one of those classic album reviews on TV about this album. The album content about lost love and relationship tensions struck a chord with me at the time. Not necessarily because of my own experiences I hasten to add but I do perversely like to hear how such tensions translate into the artists music. The title Blood On The Tracks reinforced that this was an album full of dark matter. Whilst those things are true on this album it isn’t all doom and gloom and you can catch a lot of humour in the lyrics. Lyrically this is an outstanding album and every listen reveals new things within those lyrics. They also challenge you to work out the true meaning of the words and if indeed there is any meaning. These are the reasons why this album is high up on the list for me. An album I never tire of and listening today to it again was a joy. 5/5 29/4/24

Never heard of this combo but as ever willing to give it a listen. Haven’t listened much to US southern rock and bits I have heard not really my scene. As always gave it a listen and in fairness the album started well and pricked my interest. However as I got deeper into the album it all became a bit the same with the music and vocals beginning to grind. Reminded me a lot of Neil Young and Tom Petty but not has talented. References to Lynard Skynyrd meant nothing to me. Nothing here to see. 2/5 30/4/24

Whilst I very aware of Joan Baez I have never bought any of her music. I was always happy to hear her on the radio and when she came on randomly on streaming services. I cannot say that Joan has a voice I enjoy. A bit harsh and warbley for my taste but I cannot underestimate what she stands for in terms of her involvement in protest movements which sometimes comes out in her music. This album however as far as I can tell, is just traditional folk music where she began her career. What makes this album important for me is that Joan is retelling these folk tunes and keeping the songs alive and ensuring that they are passed from generation to generation. You do not need to like all of them but important to know that they exist and are part of musical history. A lot of the tunes are old English folk tunes. Although I am English I did not know many of them but learnt a lot about them simply by reading the wiki pages relating to the songs which increased my appreciation of them. 3/5 1/5/24

Sure I heard this lot at my local pub the other Saturday but then realised that the pub band were miles better. Heard this stuff a 1001 times before and I’m bored of it. Good name for an album though but this record does not speak words of wisdom so let it be. 1/5 2/5/24

Depeche Mode were always about on the airwaves back in 80’s and 90’s. I always enjoyed listening and they produced some good dance tracks but I never bought their music. Good to see that they are still producing music but now completely off my radar. Whilst streaming this album I strayed onto the 12” remix version. Bought a load of the 12” extended singles back in the 80’s as they were very often better than the 45rpm version. That holds true with this album although it extends the whole listening experience to 3 hours as there are numerous versions of the albums hit singles. All in all a pleasant album. Not great but good example of what was about in 1990. 3/5 3/5/24

It’s my birthday today so I was expecting a really good album but instead got this. I went about my day doing birthday things and watching Leeds United lose and consigning themselves to the playoffs. Best thing was that I got a new Eversolo music streamer for my birthday. So I eventually listened to this on my new gadget. You might think that I hated this, and you might be right, but as I am typing this pissed in my bed, I am feeling generous and full of birthday goodwill. So I’m giving it a drunken three out of five. Not because it deserves this rating but I really need to get my average above 2.5 otherwise I am bound to hate half the albums on this list which I don’t. It actually wasn’t all that bad and a lot better than a lot I’m subjected from this genre. Please disregard the average score thing as I am trying to be fair across the board but on my birthday surely I can be a bit more generous? It really is a 2.7 so closer to 3 than 2. This is a one off for my birthday and hope that next year on my birthday the 1001 Gods give me a better album. Happy birthday to me and hope that all your ideas are great and there’s a big one around the corner. 3/5 4/5/24

Never a great lover of Def Lappard at the time this album came out. I was buying and listening to heavy rock types but preferred bands such as Extreme and Thunder. Def Leppard just sounded a bit too glam for me and I thought their sound was aimed at American MOR Rock fans wanting more polished rock. I never bought any of Def Leppard’s albums until last year when I bought their Drastic Symphonies album. A collection of reworked greatest hits with orchestration. This is a formula I have always liked and I thought it was about time I had a physical Def Leppard album in my collection so it fit the bill. A handful of the hit singles off Hysteria are on the Drastic Symphonies album which I like and enjoy so I listened to Hysteria again with new ears and open mind. You cannot deny that Def Leppard are masters of the type of rock they produce and for that reason they deserve their place on this list. Not entirely my thing but enjoyable to listen to every so often when in the mood. 3/5 5/5/24

Industrial rock is a genre I just cannot stand. I do like loud rock music but also like it to be melodic and easily able to distinguish the different instruments and voices making the tune. This is just a cacophony of random noise. I’d rather have a 9 inch nail through my skull than listen to this again. 1/5 6/5/24

I was a big fan of Led Zep through their first four albums which I believe are on this list but not yet given to me. The album after the first 4 and preceding this one, Houses Of The Holy, was to me a big change in direction and did not like. As a result of that I did not take too much notice of this one and those after it which is a pity because as the years have gone by I have grown to appreciate them. Not as much as the first four but these later albums have revealed themselves to have some great songs on. Kashmir on this album has become (after Stairway and Whole Lotta) one of Led Zep’s most recognisable and distinctive songs. It’s a while since I played this album in full but glad I was reminded to by the inclusion of it in this list and serves as a prompt to listen to their full discography in the near future. 3/5 7/5/24

Did someone say there were melodies on this album? Must have blinked and missed them. I like my music to sooth, entertain and grab my attention (amongst a lot of other things) This is just a mishmash of random noise and impossible to listen too. 1/5 8/5/24

Never listened before. Was MOR indie stuff I’ve heard countless times before so nothing hear to write home about. 2/5 9/5/24,

I cannot help but love the old time blues. This album has all the bluesy guitar riffs and stereotypical blues vocals (my baby left me but that’s alright mama, I’ve still got me guitar etc etc) you will ever need or dreamed of. Defy anyone not to be tapping their toes in time to every track. Love it! 4/5 10/5/24

This lot were famous back in my youth for backing Bob Dylan but even that did not impress me. Country Rock was nowhere near my radar back then and still isn’t really. But listening nowerdays i can understand their popularity- just. But still, yodelling along to a mouth harp does test my full appreciation and convinces me again that it wouldn’t bother me if i never listened again. 2/5 11/5/24

I know Willie Nelson is an American icon and treasure. Had a listen to this album and it was inoffensive and I knew every single track. What pleased me, and it has happened before following this list, was reading Willie’s wiki page and learning all about him. An added bonus. It’s good getting to know artists completely off my radar even though the actual music is not to my taste personally. But millions do so well done Willie and congratulations on a long and eventful life. 2/5 12/5/24

People have told me, knowing my musical tastes, that I would like Arcade Fire. So I have at various times listened to them including this album. Whilst liking their music it never completely grabbed me so I largely dismissed them and never, until recently when I bought Neon Bible cheap from a charity shop, bought any of their stuff. Listening again to this album in full there are many good songs and my appreciation of Arcade Fire has improved. I would buy this album if I came across it cheap and certainly give any new releases a listen. 3/5 13/5/24

I’m not part of the jilted generation so this album does not apply to me (thankfully) 1/5 14/5/24

Second Arcade Fire album in three days. The last one was Funeral. I described my love/hate relationship with Arcade Fire then. I bought this album cheap at a charity shop recently so have listened to it a few times. It is a grower and more enjoyable than Funeral. The track Intervention is brilliant and the stand out track for me. One or two other good tracks but one or two duff ones too. Glad to have the album in my collection as Arcade Fire are a big band and I feel should have them in my collection but there are plenty of other contemporary bands which I like a lot more. 3/5 15/5/24

Leonard Cohen is another artist that always thought I should get into but never seemed to have the time. From reviews and what people told me his music might fit into the dark and moody music which I seem to collect. I have listened occasionally and whilst his lyrics fit into the dark and mournful criteria I didn’t always care for his voice and his vocal delivery. I did actually buy (or rather acquire cheap at charity shop) the live album of his Isle of Wight appearance which apparently was quite special. I’ve yet to listen to that in full but because this one appeared on my list I did dutifully listen in full. Like others have said I think he has overblown the synths on this album. He ain’t no Depeche Mode or OMD and should have stuck to acoustic guitar but I suppose well done in trying to keep up with the 80’s sounds. I liked some of the lyrics which are not as gloomy as expected so the album as a whole was miles away from what I expected a Leonard Cohen album to be. I became bored after a few tracks but promised myself to investigate Cohen further this time and to get to the bottom of his true sound which people rave about. 2.9/5 (Just enough pleasure derived to tip it to a 3) 15/5/24

Know this album well so no need to listen. A big favourite of mine. When released was never off my turntable and I thought it was the best thing ever. Brilliant music and edgy political lyrics. Intro to Sunday Bloody Sunday is for me one of the greatest guitar moments and instantly recognisable before a word is sung. And I love Bono’s live introduction “This is not a rebel song. This is Sunday Bloody Sunday” Song he later gave tribute to EnnisKillen pensioners who were killed in a bombing attack on Remembrance Sunday in a mid song speech “Fuck the revolution”- hair standing on back of head stuff. I have hardly listened recently but it will always be a record I have high regard of even when future U2 releases superseded this one. 5/5 17/5/24

Never heard of this outfit and listening i know why. Music not made for my age group so cannot comment. Do not like at all. 1/5 18/5/34

Second Ryan Adams on my list and my opinion of him and his music hasn’t changed. Blue grass country music isn’t my thing at all. I’m also slightly worried about him has a person. From what our American reviewer’s say about him I cannot listen and feel at ease. Especially when there’s so much music out there I can avoid Ryan Adams and pretend he doesn’t exist. 1/5 19/5/24.

An album which needs no introduction. I was introduced to Bowie by a girlfriend at time this album was released. I also went to see Ziggy Stardust tour at Bradford St George’s Hall and was blown away by him. Subsequent albums with one or two exceptions never bettered this one. 75% great tracks with one or two fillers not up to scratch. Not on my list of all time greats but a classic in general and a musical milestone. 4/5 20/5/24

Previous reviewer in 2022 said it was the lowest rated album on the list. I checked and in May 2024 it had climbed to second lowest. So here is my 1 in hope it drops to its rightful place. (I did try to listen but I’m on holiday and it was spoiling it) 1/5 21/5/24

Whilst always aware of The Charlatens i was more of an Oasis fan when it came to Britpop. Some of the songs on here are good but do merge into one another without any clear divergence in musical style. Not an album for me. 2/5 22/5/24

Like i keep saying when hip hop comes up this music was not made for people like me so i cannot give honest review except to say I don’t like it. 1/5 23/5/24

It would be sacrilege to rate this album low even if the music itself does not rock your boat enough to play it regularly. Most of the tracks are well known standards and can be heard regularly on the radio and have become warm comforting songs everyone knows. I doubt that I will ever have a Fats Domino album but will always be happy to hear his tunes. 3/5 24/5/24

This was better than I thought it would be. Don’t like rap/hip hop but when it is delivered in a heavy rocking style i can just about get along with it. Was going to give it a 3 but then read other reviews, who I assume the majority are better qualified and know their hip hop and who all seem to disparage the record and Kid Rock. Reading further about Kid Rock I learnt that he is a bit of a divisive character in the US so maybe that accounts for the bad reviews. I’m a white male in his 70’s from the north of England so this music is miles away from my comfort zone. I therefore amend my rating as advised indirectly by my American cousin's and hope tomorrow I get an album that I can review with a bit more authority, which has this process goes on seems to get rarer. 2/5 25/5/25

Rather like Arcade Fire Talking Heads are a group I have really thought I should get to grips with but each time I listen to an album I’m left cold. This is a good example of that. After Physco Killer (which is by no means a track I go wild on like other people) the album highlight there is bottles of interest to me. This was a quick listen as I was away from home watching Leeds at Wembley (we lost!) so didn’t have my music head on at all. And since I’m now in bad mood this album deserves nothing more than a 2. 2/5 26/5/24

I bought this on vinyl in 1972. As I recollect at that time I was not a big Neil Young fan but there was a lot of chatter in the music press of how good the album was. I rated it an OK album then. The standout track for me was A Man Needs A Maid which I still think is a beautiful and melancholy song but I wasn’t exactly keen on the Country music feel on a lot of the tracks. It is a while since I listened to the album in full so this arriving on my list was a welcome chance to do so. I did this in bed listening on headphones and was totally enchanted. It was like listening to the album anew. Gone has my apparent dislike of the Country music element and in fact I think it now enhances the album. Loved it from start to finish. 5/5 27/5/24

Dance music to me has been stuff like Band of Gold, Saturday Night Fever or even the Birdie Song none of which I particularly like (especially the last one) but that’s what I heard when I frequented dance establishments a long time ago and only hear now (thankfully) at weddings. That said I have always been intrigued by the big anthemic anthems I used to hear on Radio 1 each Saturday night. Things by Darude, Eric Prydz, Scooter (a particular favourite)etc. I loved the way samples of tunes I liked were woven into big synth melodies with massive climaxes and fall offs. This album does not quite live up to that but nevertheless was a whole lot better than I expected. I don’t know what passes for dance music nowerdays but I don’t hear anything like the anthems I liked passing along the airwaves when I occasionally listen. Nothing I hear measures up to this album. In the absence of any Scooter album coming up on this list I place this as an admirable substitution. 3/5 28/5/24

I’m beginning to think that there’s too much Hip Hop on this list for its own good. Don’t like it. Never will. End of. Have tried to explain why previously and getting tired of repeating myself. In future will give similar albums a straight 1/5 without comment. 1/5 29/5/24

I refer to yesterday’s review! 1/5 30/5/24

When this was first released I was never interested in the album or in all honesty gave it a listen. I was aware of one or two or the single releases but nothing more. As the time of release was at the height of some of the best Prog Rock albums ever to be released my musical interest and buying power was firmly elsewhere. I liked the single Woodstock and as it was the theme tune to something that was great (and so thankful and privileged that i lived through that time) I would nod my head in acceptance that CSN&Y were a big part of the Woodstock generation. But at that time I was more interested in King Crimson, Yes and Genesis and in any case I much preferred the Joni Mitchell version of Woodstock. And so it remained that CSN&Y remained at the edge of my musical consciousness. Skip forward 50 years and something happened that I struggle to put my finger on. Maybe it was a documentary about Laurel Canyon or one about David Crosby in his later years or an interview I heard by chance on BBC Radio 5 with Graham Nash. Could even be that my next day neighbour was always waxing on lyrical about them but something made me explore the music of CSN&Y more and I became hooked. I love the first album better than this but there is only a cig paper width between both. It is an absolute pleasure to listen from start to finish and maybe its because I am catching up on the lost years CSN&Y were not in my life, I cannot now imagine life without regularly listening. Never bought the original album but now proud owner of the CD and one of 20,000 lucky souls owning the Deja Vu Alternates album released a few years ago on Record Store Day. A record which sits proudly at the front of my collection. If you’d told me this 50 years ago.. A firm 5/5. 5/5 31/5/24

By sheer coincidence yesterday I was listening to the Steven Wilson/Tim Bowness The Album Years podcast which featured this album. Steven Wilson gave a one sentence review of the album - A bit of Nine Inch Nails, bit of hip hop, bit of new metal, packaged like a boy band. As I have no knowledge of this album or Linkin Park I thought that this was an interesting observation and one which struck a chord with me. Then, Lo and behold up pops this album the very next day. I see what Wilson means and can understand why this album was such a big seller. I do actually own this album having bought it cheap at a charity store but have never got round to listening to it seriously. In all honesty now that I have listened it won’t be one on repeated plays. It was alright I suppose with some interesting phases but not a style of music I like. 2/5 1/6/24

Lasting memory I have of this album is been at a bbq on a warm summers evening. It’s a Sin began to play has someone arrived at the house on the track build up and made an entrance to the garden via patio door just as the thunderclap on the record sounded. Everyone turned attracted by such a dramatic entrance. That’s all it was but little things like that remind you of certain tracks. It’s a Sin is a cracker of a song and that alone makes it a great album but add in the great Dusty Springfield singing as well then you really do have a good album. Not a classic to my ears but one which gives me many happy memories of the 80’s and an album which could only come from those times. 3.8/5 2/6/24

I’m well aware of Ginger Baker but had never heard of the other fel(l)a! or this album before. When I think of Ginger Baker I immediately think of Cream and long drum solo’s. Never saw Cream live but have listened to their music which includes quite a few long drum solos. The trouble with long drum solos I find is that whilst they may be technically brilliant they are something which must be seen live because the drumming is also a visual experience which is obviously lost when recorded. As I say I’ve never seen Ginger Baker but witnessed quite a few live. Carl Palmer of ELP springs to mind. An example of the visual bit is how he would take off his t-shirt in the middle of the solo whilst still drumming furiously. Or as the solo climaxed his transformation to an Octopus as he banged everything in front, side, behind and even above. Always well worth a round of applause similar to one you hear on this album during Ginger Baker’s solo but you’ve no idea what feat he has just performed. Whilst it was interesting to hear Ginger’s involvement in this album the rest of it did nothing for me at all. Thanks to Peter Gabriel I have become aware of African music and do like some but very little on this album. 2/5 3/6/24

As a musical child of the 60’s this is an album right up my street. It wasn’t one I knew previously but well aware of The Yardbirds and their standing in the history of rock music. When I think of The Yardbirds I think of Eric Clapton, Jimmy Page and Jeff Beck. According to Wiki there’s nothing of the first two on here although streaming it through Roon, their metadata credits Jimmy Page on two tracks. There’s a whole lotta Jeff Beck though and his style of playing shines through and make this album a worthwhile listen. The album skips between blues numbers and psychedelic rock which was in its infancy at the time so a very interesting mix of different musical styles. 3/5 4/6/24

My first job after leaving school was working in a carpet factory when I was 16. One of my overriding memories of that time was relentlessly hearing Bad Moon Rising on the radio as I worked. Not a bad song and in fairness not on this album but that bloody song sent me nuts and this experience has clouded my appreciation of CCR which amounts to nothing and they were a group who I did not to have any involvement with. Listening to the album today I recognise many of the tracks as hits but did not change my opinion of CCR. An album described as good or better by many but not by me. 2/5 5/5/24

The Smashing Pumpkins have never pricked my interest and not aware of any of their stuff. So this was another welcome adventure into the unknown that this list throws up. The first track was lovely and melodic but this proved to be the best bit of this album. After a great start the album became a bit heavy for my tastes and confirmed what I always thought TSP were all about. I thought the lead vocals were also a bit sharp and whiny and got on my nerves after a while. However, I was listening whilst ironing and found myself once or twice moving to some of the heavy riffs around the ironing table so not all bad. All in all a mid 2/5 but nearer 3 than 2. 3/5 6/6/24

Never heard of this lady and probably because looking at the charts she has made little impression in the UK. Reading about the album in Wiki I was interested in the albums concept. I am usually receptive to crossover albums but normally this is orchestrated rock. On listening everything is thrown into the mix here to the point that anyone favouring a specific genre could find something to like. I admire this but the old adage jack of all trades, master of none, springs to mind. All in all not an album I would return to but an admirable attempt at coming up with something new. 2.5/5 7/6/24

If I’d have just met the girl of my dreams then this record would be the soundtrack of that meeting. I guess those circumstances are what this record was made for. But I met the girl of my dreams (well a few of them before I found the right one) many years ago and the music then to accompany my heartfelt love was by Bread or Clifford T Ward. Never had The Divine Comedy down as producing a love album but this is an admirable effort. I like a good love song and there are one or two on this album which fit the bill but none come anywhere near Home Thoughts From Abroad but for me no love song ever will. A nice album which I enjoyed. 3/5 8/6/24

I would have once took one look at this album and artist and instantly disregarded it. I am nowerdays a bit more receptive to all types of music regardless of genre (well perhaps not rap or hip hop) so look forward to listening to this. Unfortunately I found nothing on it to attract my attention. It was just plain old R&B I’ve heard thousands of times before. Found ‘Erykah’s’ (Yes it is Erica - why change a perfectly good name to something perceived more cool?) voice a bit too screechy for my taste also. 1/5 9/6/24

As I’ve said before about Bowie when he’s popped up on my list, I cannot throw myself into being an enthusiastic fan. Some of his stuff is brilliant and others not so. Of all his albums I’m familiar with this comes in at number two behind Ziggy. I remember listening to one of the lead singles taken from this album - Lazarus and not being impressed at all. When this full album dropped I streamed it and again it did not grab me fully. It was only two days later that Bowie died and like most of the musical population I turned on his music in homage to the man. The more I played Black Star the more I liked it. It certainly is a grower but Lazarus still goes above my head. Prior to listening again I had a 4/5 in my head but I’ve given it another two listens and again it’s grown on me. I wouldn’t put the album anywhere near my top 50 or 100 even but some albums should be held in high esteem because of their standing in musical history. Bowie has made a few of these which have already appeared on my list but I never marked higher than 4/5. In reverence to Bowie I give it full marks as in my opinion it is a remarkable album, recorded maybe when he knew he didn’t have long to live so should be regarded highly even though one or two tracks do not personally click with me. 5/5 10/6/24

Not listened to much TJAMC stuff before. Liked the slower quieter tracks. The rockier tracks not so much. I was listening on a speaker in bathroom. My wife at one point asked what the funny noise was. She thought I’d left my electric toothbrush on. See what she means such is the overuse of distortion. Sounds like it was recorded in a cave or pedestrian underpass. This makes it an album you cannot listen to comfortably from start to finish. Turn down the treble please! 2/5 11/6/24

Sometimes this list makes you feel musically inadequate. Yet another album where i neither know the band or this record. Having said that in this case I’ve missed nothing as it’s completely way out of my zone of likeable music. Advertised as a punk band straying into other genres. Even when I liked punk I would have struggled to like this lot. Best thing about the album is the gag that The Minutemen keep their songs to around the minute mark but would have been better to reduce the track count from 44 to 1 which is the star I give it. 1/5 12/6/24

I bought this on vinyl at the time. I cannot remember if it was because it included Bohemian Rhapsody or because it was one of the must have albums at the time. I remember hearing Bohemian Rhapsody early on as it was a lead single from the album. Goes without saying that this is one of the best songs ever and I was totally absorbed by it. However the only other song on the album I like is Love of my Life which personally means a lot. I find the rest of the album not so good. There are a couple of more songs which are good and liked by many but not to my taste. The remainder of the album consists of throw away tracks which once heard you don’t want to hear again they are so poor. The success of this album was due to the one stand out track. I never bought the album on CD which proves to me that it wasn’t worthy to be in my collection. Rating this album is therefore a dilemma. Despite the duff tracks it is a classic album and it contains a song which will always be regarded one of the best ever. For this reason I rate it higher than the majority of the songs contained on the album deserve. 3.9/5 (4) 13/6/24

When this was released I didn’t give it a second thought. This was peak Prog Rock time for me and anything else didn’t get a look in. As regards soul music I’d go further and say that in 1971 I had a hatred of the whole genre. Times have changed and there is no doubt that this album has become highly regarded (or should) by every music lover. It’s yet another example that this list occasionally throws up an album you don’t personally like but cannot deny that it is a masterpiece. I might be wrong on this, but this album is perhaps the best example of that rule. Unlike in 1971 I do and enjoy listening to this album. Not particularly because I like it outright (although each play I become fonder) but because as a music lover I should be aware of its pedigree and be able to relate to it when it is talked about. Accordingly my 5 star rating is made because of its musical standing rather than my musical preferences. 5/5 14/6/24

The closest I got to Rave music was raiding warehouses and even moorlands in the Constabularies pursuit of illegal gatherings and all the associated naughtiness. I wasn’t therefore very popular amongst the Rave community. I therefore cannot condone anything to do with the Rave scene even if I found this album remotely good or entertaining - which I don’t. Well aware that I am a hypocrite as most of the music I like has drug connections but at least the music is good to my dope free ears. 1/5 15/6/24

Second Kinks album for me (Village Green Presevation Society was first one) and as I wrote then this is another album filling me with load of nostalgia and yearnings for times gone by. It’s ages since I’ve heard a lot of the tracks on this album. I’d forgotten just how good Death of a Clown is. Everyone knows how good Waterloo Sunset is and the fact it is on this album elevates it another star for me. It’s knocking on the door of 4 stars but as I rated VGPS 3 which is perhaps better album as a whole, cannot go higher than that. And there’s Arthur yet to come with is a definite 4. 3/5 16/6/24

I can get along with Jazz nowerdays and signing up for this process has lead me to some good Jazz albums and opened my ears to albums a few years I wouldn’t have considered. This is also a good example of why I like to read the albums wiki page to learn good snippets of information I was previously oblivious of and to enhance my enjoyment of the album. The example in this album is the “Gonsalves Solo” which appears to have gone down in jazz history as a very significant moment and nearly starting a riot. As a saxophonist of some note myself (not!) I can really appreciate how good this solo was and one which I will listen to again. In fact there are a number of really good tracks on this album which deserve further exploration. Obviously very aware of Duke Ellington and of his immense standing in musical history and this album is by all accounts one of his best and one personally I will return to. 3/5 17/6/24

Second Jazz standard over two days. Duke Ellington yesterday and Charles Mingus today. The only previous experience I’ve had with Mingus is Joni Mitchell’s collaboration with him on her album Mingus which I like very much. As. Regards this album was excited to listen in full. Wasn’t exactly disappointed but I think the jazziness of it all straying into very avant-garde jazz was a bit too much for my current level of jazz appreciation. I’m trying very hard to get into jazz but this album is not for the faint hearted and not one to dip your toes into the jazz canon. I think all the jazz buffs value this album very highly so I am guided by them to accept this is a very good album of its time and genre and grateful for the list to introduce me to Mingus. 3/5 18/6/24

3rd Jazz album in a row, if this can be classed has Jazz? For my purposes I will say it’s more Jazz than any other label Wiki has given it. This the first Herbie Hancock album I have listened to in full so again subscribing to this has taken me places I wouldn’t normally go. I like this album although not as much as the last two list offerings which were more traditional jazz oriented. Quite a lot of synth features which is not a bad thing but my favourite track is Vein Melter. Probably because it borders on the ambient side of things giving a smooth and calming influence. Not an album I would return to in a hurry but was nice to hear as a one off. 2/5 19/6/24

First time listening to this band. First 5 rockier numbers i could take or leave. Track 6 onwards was a different kettle of fish. Wiki said these tracks were more proggier and boy were they right. Three Days and Then She Did were worth the admission price alone. Music right up my alleyway. Will have to research Jane’s Addiction to see if they continued in the prog vein when they reformed. Would have been a solid 4 star review but let down by the albums first side. 3.5/5 20/6/24

This is an album when it was released in 1977 I wouldn’t have given any attention to at all, let alone buy it. But over the years I have become aware of its critical value and the fact that nowerdays it is considered a classic. For that reason I have tried once or twice for it to resonate with me and appreciate what all the fuss is about. The best thing about the album is that it is very typical of the music which was around in the mid 70’s. Before I checked it reminded me very much of the UK’s long hot summer of 1976 but then realised it was released a year later. Nevertheless the jazzy soft rock feel of this and other albums reminds me of many memories of happy summer moments. It is a nice album to listen to and relax. It doesn’t get my juices flowing but to read or gently snooze outside in a warm breeze then it is just the ticket. Production wise it is also often cited as an album to test high end audio equipment on. This is true even on my modest middle of the road gear. Instrument separation and a wide soundstage is very apparent and adds to the overall enjoyment. I still haven’t bought the album but agree is probably one I should own at some time. 3/5 21/6/24

For some reason I always get Bruce Springsteen and Bruce Willis mixed up. Is it because they look alike? (Probably not) or because Springsteen’s music is like the Die Hard films? (More likely) or because they share same name and I’m getting on a bit now so unable to distinguish? (Very likely) Anyhow I always think of the other when watching or listening to either chap and this spoils both things for me. This is because I end up feeling that both the films and music are over the top American jingoism. Don’t get me wrong I think that in the main this is a good quality and wish the we in the UK displayed more of it but not sure I want it in my music. Having said that UK musical history is full of jingoism - Rule Britannia, Land Of Hope And Glory spring to mind but that stuff was eons ago. When rating this album I cannot help but be distracted by my rambling thoughts I have tried to express above. Whilst it is full of good rock tracks many of them now established standards, it is not the type of rock music which I yearn for when in a rock music mood. Cannot doubt its significance but an album low down in my appreciation. I don’t own the album but would buy it if seen cheap. To date I only have a Springsteen greatest hits album which is probably all I ill ever need. 2.5/5 22/6/24

Nor certain why this has appeared on list. At time of release Echo and his bunnies were relatively big but I don’t think their fame has lasted through the years. On checking my Discogs collection it appears I have The Cutter 7” single in my collection which I’d forgotten about. Listening again I understand why I bought this but as it is the first track on this album everything else falls dramatically away. So one good single outshining every other track = 2 stars. 2/5 23/6/24

Never took much notice of anything Zappa did whilst he was active. What I had heard did not appeal. A few years ago I was at a Christening party and had a conversation with a stranger about music. I was telling him of my love of Progressive Rock and he said I would like Zappa then? He was surprised that I didn’t as he classed it as prog. Since then I have heard/read many features (including UK Prog Rock Magazine) who all cite Zappa as a Prog trailblazer. So I have since been listening to Zappa in hope I could do a massive catch up. But thing is I still don’t get him. This album is good and I want really to like it but I cannot go beyond just above average. Some good extended guitar work which deserves more than a second listen. Also like the jazz influence. Not bad but I still fail to see the Prog Rock within it. 3/5 24/6/24

I remember when I first became aware of The Killers. Their set was televised at 2005 Glastonbury where they played most of this album. I loved their on stage energy and how just about every song was an instant sing-a-long classic. I immediately bought this album and still love it playing it regularly. Just about everyone must know the instantly recognisable guitar licks at the beginning of Mr Brightside a sure floor filler at any party. The Killers have gone on to headline Glastonbury and recorded many fine albums. Probably never bettered this one but running it close. A band still at their peak making good music with an enviable back catalog. And I can’t say that about many bands of the 2000’s. 5/5 25/6/24

The Doves! I’ve tried many times to like and get into their music. Main reason being is that they are Manchester contemporaries of Elbow which is a band I really do like and Elbow themselves hold The Doves in high esteem. I also think that both bands have collaborated at one time or another. Whilst Elbow music is very melodic and most of their songs very memorable and lyrically masterpieces, Doves music is the very opposite. The vocals are a bit too ‘Manc’ for my liking. Not a lover at all of that Manc(hester) drawl. Oasis got away with it as Oasis could only do. A meaningless football comparison springs to mind when I think of The Doves and their music. The Doves to me are the red part of Manchster whilst Oasis are very much Manchester blue. As a Leeds United fan I cannot stand the red Manc’s. A senseless observation I know and based on nothing but my own bias not music but I just wanted to get my loathing out there. I’m sure The Doves are very nice chaps and might even despise the reds as much as me. As for the music it’s OK, and because Elbow like ‘em and just in case one the band hate scum you can have 3 stars. 3/5 26/6/24

Second Talking Heads album so just checked back to see what I wrote the first time. Horror of Horrors that was the day Leeds United lost at Wembley. This album now only serves to remind me of that sad day. Like the day I do not want to experience this album again. Seriously, I’ve tried numerous times to like Talking Heads but I don’t get them at all. Brian Eno features a lot on this album so for that alone is worth another star. But still a lowly score - shame really as yesterday my average rating just clicked above 2.5 for first time in ages. 2/5 27/6/24

Not my type of music at all so not qualified to rate. The music does sound competent and as I’ve heard of Curtis Mayfield before, made by good musicians.A lot of the tracks remind me of those Shaft like films back in the 70’s featuring New York gangs. This may have been the object but don’t think it has stood test of time. What has stood test of time is the album cover art work. Album cover says a lot about America back in the 70’s and first track I gather is about gun control. Both things have not progressed particularly well so the ironic album title may still be relevant today. Today been the day after the 1st Presidential debate of 2024 featuring a senile old man and the other a convicted criminal. Sat here in the UK I shake my head and ponder that it’s just as well there is no other place like America. 2/5 28/6/24

As I have said many times now on here I hate Rap music so this album is not on a winner with me. Much less so having read about the album and 2Pac. My background and former career mean I have no sympathy whatsoever for anyone living by the sword and dying by the sword. Such people have no place in my life and I refuse this music to be let inside my home to pollute my ears. Law abiding honesty is possible by anybody despite the disadvantages they may have born with into this world. To sing about their problems and expect the world to sympathise and follow their misguided examples compounds my loathing of such people. 0.00000000000000000000001/5 29/6/24

This album reminds me very much of Saturday afternoons in the mid 70’s and listening to the Alan Freeman Saturday Rock Show on BBC Radio 1. Great show to listen to all the prog rock bands. It was here where I first heard Boston and this album. More Than A Feeling was an instant hit with me and a track continually played on that radio show. I also loved Foreplay and the way it segued into Long Time and it was nice to experience this again. A good album bringing back lots of memories. 4/5 30/6/24

I’ve always been a bit indifferent to Queen. They have recorded some great individual tracks which are highlights on their albums but there always seem to be a lot of filler between these outstanding tracks which make me reach for the forward button. Queen were the favourite band of my ex wife and she used to play their albums incessantly but I have tried to leave that very negative thought to one side. Listening again today (must be 25 years since I last did) I had to eat a lot of humble pie, shake my head and reassess my view of this album. It was a great deal better than I remember it. The last spin 25 years ago was a vinyl copy I had bought cheap in a record store sale (WH Smith I think). It was cheap because the cover was missing. These were the days when stores would sometimes put a cover in the shop window as a form of advertisement. For some reason record and cover never got reunited to my financial gain. Anyhow today I streamed the 2011 remastered version - well more than once it was so good. I know that Brian May is a great guitarist but here he excels and to appreciate his work to the full volume knob needs turning up and I defy anyone not to grab that air guitar. Track after track run well into one another as if the album is one continuous track. Production is first rate and Now I’m Here must be played loud through good speakers to get the great echo effect. I reviewed Night At The Opera a couple of weeks ago and concluded that was perhaps their best album but leaving aside the track that the whole world knows on ANATO, this album beats that hands down. All that needs to be done now is to dust off my cover less copy and see if it matches up to the remastered version. 5/5 1/7/24 Good start to the month lets hope it continues

Never heard of Big Star so as is usual when this is the case took extra interest when reading the accompanied wiki page. The most striking thing I learnt was that their leader Alex Chilton tragically died much too young but that he was also the lead singer of the Box Tops. I then had to give myself a verbal good kicking over the lack or gap in my musical knowledge. The Box Tops famous hit The Letter I know well but I always thought they were a black soul band. So I live and learn. As regards this album it’s very meh. Nothing new to see here at all. It’s given the title or genre of power pop which again is new to me and I wonder who thinks all these different genre titles. Anyhow it doesn’t sound very powerful at all. It’s inoffensive and if I heard it unannounced on the radio it would go through one ear and out the other without registering or disturbing the fluffy birds within that space. 1.5/5 2/7/24

I like Traffic. Loved their early singles particularly Hole In My Shoe which for me will be one of the songs I associate with the summer of love. They were great musicians - Stevie Winwood and Jim Capaldi both highly regarded and responsible for some great rock moments. As regards this album I cannot remember if I ever listened to it first time round. I suspect I must have done but the fact that I was mostly unaware of its contents when I listened today (apart from Here We Go Round the Mulberry Bush but I think this was not on original track list) says a lot about my view of it. It’s an OK album but a lot better things were yet to come from Traffic. John Barleycorn is the obvious stand out classic but my particular favourite and one I play regularly is The Low Spark of High Heeled Boys. So I look upon this album as a necessary step to get the better ones yet to record. 2.9/5 3/7/24

This is a significant album deserving its place in the list. Not necessarily because of its musical content but more because of Little Richard’s importance in musical history and his influence on artists who have produced some of the best music ever. Little Richard’s influence on me was through my elder brother who played the music on this album incessantly. Even though I’m now old I was just a 4 year old when this album came out so I do wonder if my lifelong love of music was nurtured during this time and with this music. I also recollect that a bit later on, mid 60’s perhaps, there was quite a famous TV special of a Little Richard concert. He sang all these songs but what I remember most is the way he threw himself into the music. I have images of him sweating profusely and having to wipe his face after every song. Also sometimes using his feet to play his piano which resonated with me and why I used to love watching one of my later heroes Keith Emerson play. Every song on this album is a banger and will be familiar to anyone with music in their bones. Looking at the music nowerdays through modern eyes and ears the music on this album may sound basic and the song structures all very similar. So some may argue why is this album on the list? My view is that just take a look at the artists Little Richard influenced with the music on this album. Top of the list surely are The Beatles and Jimi Hendrix. Need I say more? 5/5 4/7/24

Like a lot I was never aware of Nick Drake during his lifetime. It was only after his death and then quite a lot of time after that before I heard mentions of him in musical circles and in particular his album Pink Moon. Once I did learn of him I was hooked as his type of gentle folk music appeals very much to me. This album I do not know as well as Pink Moon but now having listened to it in full I have to conclude that I like it more or at least as much as Pink Moon. Every song is a winner for me particularly those with string accompaniments. A real joy and one wonders what Nick would have gone onto if his life didn’t end tragically so early. 5/5 5/7/24

I wondered yesterday as I gave a 5 star review to that days offering and so made it two in a row, if that was the first time I had done that. But before I had time to check this album comes along to make it, without any doubt whatsoever, my first 3 in a row 5 star album. And there are few albums which deserve this accolade more. Another album I needn’t listen to as it’s hardly off my playlist rotation. I’ve been a Kate Bush fan since she first appeared. I have all her albums on multiple formats and was one of the lucky ones who saw her in Manchester during her first 1979 UK tour. As good as this album is and notwithstanding it contains The Ninth Wave, often cited by her fellow contemporaries as one of the best musical suites ever, it is not quite my favourite Kate Bush album. But that is like trying to pick your favourite child - impossible. They’re all bloody good! 5+/5 6/7/24

So there I was this morning basking in the achievement of having three 5 star albums in a row wondering if it was indeed possible to have four in a row. I doubt that I would be in this position again so was praying for a classic Prog album or any of the Beatles, Joni maybe or even now that I am a Swifty convert something from you know who. Buggar it’s bloody Kiss! I’ve never understood this lot. I like my pop stars to dress cool but the Kiss look is neither cool nor in keeping in how grown men should look at all. Even out of make up they all look like rubbish Brian May’s without his enormous talent. My view is that the Kiss look is done to detract from the music they play because it is so crap. Orchestra strings and a child choir cannot mask how awful this album is. Self conceited to the point where they disappear up their thongs. They even diss Beethoven by nicking a bit of his beautiful Sonata Pathétique but can’t be bothered to give him the songwriting credit. As if Kiss are capable of such talent. Released in 1976 this album serves as a good reason why Punk came along. So back to the drawing board in terms of getting four in a row five star albums but whilst the likes of Kiss are served up that is a long shot. 1/5 7/7/24

I know that Dolly Parton is a global superstar and an American national treasure but American country music is not my thing at all. Which is odd because I do like English folk music. Probably because I’m English dohh! I don’t mind Bob Dylan’s early stuff which is if I’m not mistaken is American folk music. Is there a difference between country and folk music? I must find out. A bit later…… “ Folk songs use acoustic instruments. They often rely on found instruments to establish a beat. These might include sticks, spoons, washboards, food stamps, handclaps, and finger snaps. Additionally, folk songs change from generation to generation largely because they were passed on orally. Other key sounds of note: Folk songs have several verses with an easy-to-remember chorus sung between each. Aptly, folk songs were written for the common folk. Country music may have a story to tell but it is less likely to be a protest. Country music often consists of ballads and Texas two-step and line-dance tunes. The harmony is simple and the sounds often include banjos, electric guitars, steel guitars, acoustic guitars, fiddles, dobros and even harmonicas and Irish whistles. Tunes can range from haunting to sprightly” There we are then. But wait! The article I copied mentioned Taylor Swift and I’ve recently began to listen and like her. But I still don’t like Dolly as wonderful she is. 2/5 8/7/24

This album gives me a great big problem. Up to now I’ve rated every hip hop or rap type album very low. Main reason is that this music was not made for the likes of me and probably made with the intention of deliberately insulting people like me. So I’ve taken the position that instead of saying I hate it and writing a full diatribe to justify this I’ve let rap music float over me without too much comment because I’m so unqualified to say anything other. This should be the position I adopt now but there is something in the music which Eminem produces that I like. Not the lyrics (God no) or the images he describes which are horrific but sometimes he produces very melodic music which gives an instantaneous hit. I’m a sucker for a memorable tune and Eminem does produce some good ones. There are some good tunes on this album but more so on his later albums. This album then is full of what I don’t like in that I don’t want in my home. I’ve seen enough of real life cretins in my career and witnessed the hurt they bring to innocent people and justify it because of their poor life starts. So anyone exhorting the false virtues of such things I avoid. I doubt that nowerdays in these woke times an album like this would gain the same traction like it did 24 years ago. I’m not a woke’ist but a lot of the subject matter in this album should not be held high in popular culture. The counter to this argument is the inclusion of Dido whose sample must have been sanctioned by her. I get the impression the she is an unassuming typical English Rose so just why she appears on an album full of misogynistic language and imagery is beyond me. So do I like the context of this album? - resounding no. If I could leave this to one side do I like the music? - some of it but not enough to alter my overall view of rap gangster type music. 1.5/5 9/7/24

Another occasion where subscribing to this list has expanded my musical knowledge as I’ve never heard of Ray Price before. In this case I didn’t need it expanding as it’s a record I do not like. Cannot say I’m familiar too much with the songs on the album. Although listening to them it took me back to my early years when my Dad was prone to wake up the whole house singing songs whilst shaving (a thing I’ve inherited) A lot of these songs sounded just like the ones on this album. He left us nearly 40 years ago so I cannot check but an album like this would have been right up his street. The introduction on track 1 is not to my liking. Once you’ve heard it once what’s the point of listening to it again? A waste of track space. I bet the majority of the original vinyl albums still in existence have a major click at the beginning of track 2 as evidence of the owners trying to drop the needle past track 1 to avoid spoken repetition. Unless of course, as I am led to believe in those days music lovers had listening parties and played the full album to their friends as if at a concert. Oh what fun they must have had! 1/5 10/7/24

There is always a debate when reading reviews of live albums whether or not they should be included on the list. My view is that if it is a very good recording and it comes across as such when listening on your own audio equipment then I’ve no problem with it. Wiki says that many in the know say it is one of the greatest live albums ever recorded. I cannot agree with that. I assume that recording techniques in 1964 comprised of strategically placed analogue microphones around the band which was probably fine then. But when listening now if you take away the energy of the recording, the actual sound is a bit thin and muffled. I know that we are not judging albums primarily about their sound quality but for me listening enjoyment is a major aspect of an album and despite how good a song is it spoils it if there are sound or production defects. That said, as I have already indicated the record does have a lot of energy and it must have been an amazing concert. For that reason, despite sound issues, I’m glad it was captured for posterity. All the songs are well known and as they are now musical artefacts they must be respected. I’d forgotten about the seedier and unsavoury aspect of JLL but plenty of reviewers have reminded me of it. Rating reflects this and lower than what the actual music deserves. 3/5 11/7/24

This was the first Elvis Costello album I bought on vinyl. Largely bought because of music media reviews as a must have album. I remember been a bit disappointed when I got it home and listened. Like most Costello albums I’m familiar with it contains some great songs interspread with lesser forgettable ones. Good to hear the songs I like again but skipped through the filler ones. Technically a good album with fine musicianship. This was an iconic album at the time but for my tastes it has not stood the test of time. 3/5 12/7/24

Was aware of Magazine in post punk period but what I heard never interested me. Gave this a listen. Still no interest. 2/5 13/7/24

I cannot say one bad thing about this album. Although probably my second favourite Floyd album behind Meddle it’s still in my top ten greatest albums. The album was released at peak Prog time when I was at my most receptive to a complex concept album different to anything else and pushing the Prog boundaries further. I bought the album on release day and still have it intact together with the black shrink wrap cover, round banner sticker and postcards. My copy is worth a bomb now but will never sell it as it means so much and part of my life. The album does remind me of the emotional turmoil I was suffering at the time. This album and others helped me through that. The eight minute plus instrumental start of Shine On You Crazy Diamond in particular takes me back to that dark time. Played endlessly it’s one of just a few pieces of music where I can identify and anticipate every single chord, guitar pluck, ambient background and every thing else which makes up that track. Another reviewer on here said that this album was one his uncle would play at the end of a barbecue to get deep about his divorce. I assume this was not meant as a compliment but I do understand where the reviewer is coming from. But I do warn the reviewer that in time he/she will have a piece of music to hold onto and only then will he/she realise what a beautiful thing that is and the enrichment music gives your life. This album for me is a top example of this. 5+/5 14/7/24

I hope I am not been a bit unkind here but I do think that inclusion of this album on this list is a tick boxing exercise to include a fair percentage of rest of the world albums in the list. If an album is deserving of inclusion then it should but surely an album should have some merit making it stand out from the mean but I fail to hear anything of merit here. There are plenty of rest of the world album’s out there which I am aware of and which have had some influence on some of the top artists making great albums today. Peter Gabriel albums immediately spring to mind. To make an assessment about the worthiness of this album I did of course listen to it. It is a joyful album and the instrumentation on the album is good. But nothing exceptional. I had a one star rating in my head but then after a bit of research learnt that there is a deluxe version of this album. This comprised of extra tracks two of which are covers of The Clash’s Should I Stay Or should I Go? And Led Zep’s Kashmir. Jimmy Page apparently endorsed this version which alone gives the album another star. The Clash’s best known song (probably?) rocks along well and is interesting because it is sung in another native tongue. That is worth another listen and perhaps playing to your Clash mates to garner a reaction. 2/5 15/7/24

Well aware of Suzanne Vega but never took much notice of her releases apart from the big hits she has had. One of them, Marlene On The Wall is on here and it is a very strong composition. Giving it a listen I was very pleasantly surprised and concluded that I have missed a good album so another win from following this list. As an admirer of Laura Marling and Sandy Denny etc it’s no surprise that this album appeals to me. Now on the lookout to purchase this album. 3/5 16/7/24

Yet another unknown band and album thrown up. Can only conclude that there was so much good stuff about and so little spending money in 1970 that this minor gem passed me by. But no worries today was a lovely sunny day so off for a day long hike equipped with AirPods and this album streamed in hi res as I walked. Walking and listening always enhances whatever album I decide to listen and today was no exception. A good example of psychedelic rock with touches of prog made my walk all the happier. The Roon algorithm decided to play Tull’s Aqualung after the album finished. Not sure if the algorithm got it quite right but think I know where it’s coming from as the album is quite difficult to pigeon hole. One to look out for a possible buy. 3/5 17/7/24

I played this album a lot at time of release. I have it on vinyl so know the album well although must be over 30 years since I gave it a spin. Cannot say that I was fully committed to The Jam. They produced some great individual tracks but for me there was a lot of filler. This is a good example of this with the singles Start and That’s Entertainment standing out. But my personal favourite is Boy About Town which should have been a single. My all time favourite Jam album was the previous one to this Setting Sons. Wiki says that Sounds Affects was a deliberate move away from Setting Sons to the more familiar Jam sound. This says a lot about which Jam sound I prefer and perhaps why the band never took total hold with me. 3/5 18/7/24

Like I said when I reviewed the other Band album on this list, although you cannot doubt their musical ability, I just cannot stand this style of music at all. They were a big thing in my youth but in those days my head was full of Prog Rock and the stuff The Band were producing was pole opposite. Happy to give it a more considered listen nowerdays but it still is a big miss from me. 1.5/5 19/7/24

Back in 1970 when this album was released I had just started my career and had left home and lived in an hostel. Staying there with me was another Prog Rock minded muso. So we immediately hit it off sharing our love of this genre. One of his favourites were Soft Machine although I recollect he liked the similar band Colosseum more and in particular their Valentyne Suite album. For me at that time there was too much jazz influence for me to fall completely into these bands. But I recollect spending time with my mate in a darkened room where he played this stuff but as I say I was never motivated enough then to buy and follow jazz rock bands. Fast forward over 50 years to last year when I went shopping to a newly opened record store in Wakefield. Primarily I went to look for second hand CD’s but the store was more vinyl than CD’s. The guy who had recommended this store to me although not the owner was a friend of the owner and they were both there and engaged me in a long conversation about music. I felt a bit obliged to buy something (like you do!) but there was nothing in the CD racks to interest me apart from this album so in desperation almost I bought it. But what a good buy it has been. My natural avoidance of all things jazz 50 years ago has now gone so it is an album I can gladly play and enjoy. It sounds particularly good in a darkened room when I can take myself back and think of my friend (no longer with us) who tried his best to get me into jazz rock. He eventually succeeded albeit 50 years on. 200th album tomorrow. Let’s hope it’s a good one 3/5 20/7/24

My 200th Album (and a disappointment) The Fall were very much the darlings of the New Musical Express and John Peel played them endlessly on his radio show. I fell for this and bought their first album Live At The Witch Trials. I believe that is another Fall album on this list so I’ll reserve comment on that until it turns up but I was hoping that constant play would eventually reveal why the whole UK it seemed were going potty about them. It didn’t. I like my music to be in the main melodic and The Fall or should I say Mark E Smith go out of their way to be anti-melody. I hadn’t heard this album before because my initial dose of The Fall taught me to avoid them. Surprisingly the first track Mansion is a nice tune but is just a short track after which Mr Smith reverts to norm and serves up a cacophony of noise which goes nowhere. So I was right nothing had changed from 1979 when I bought the first Fall album in the six years until this was released. Nor I bet did the 30 odd albums The Fall released offer anything other that Mr Smith’s meanderings. Even now and more so since Mark died the indie radio stations wax lyrical about The Fall. There’s 3 Fall albums on this list also so even the list compilers have got them bad. So there must be something in all that but I just don’t get it. 1/5 21/7/24

I am a late convert to the White Stripes and have bought a few of their albums recently but not this one - yet. I was always intrigued how a duo could produce such loud and full sound. Only seen them on TV but i liked to watch Meg White’s nonchalant manner when performing which belied how her drumming drove the overall sound along. So I was interested but never enough to buy their music until I bought a later album to this one cheap at a charity shop. Playing White Stripes music loud on your own hifi really does make a difference to casually catching it on the radio. Listening to this album for the first time in such circumstances does not disappoint. It’s full of compelling and melodic riffs which is what I like. You need to be in the right mood to stick a White Stripes album on but when that mood comes along it’s a fine album to satisfy it. 3/5 22/7/24

Vaguely recollect giving this a listen when it was nominated for the Mercury Music Prize. I always listen to the yearly nominations as it is a good source for discovering good albums you might have missed (like this list!) Cannot recollect my reaction to it then but would have been similar to today’s listen. I’m all for experimentation and pushing boundaries but this album goes nowhere and quickly becomes boring. The occasional heavenly vocals are pleasing and these save it from a 1 star. 2/5 23/7/24

I always knew Sonic Youth were there but had no interest in them at all. Might have heard a track or two before but they must have washed over me as if they never existed. I set off to listen to this album positively hoping I would learn something new but to no avail I’m afraid. Found myself concentrating more on an ipad card game I picked up after track 1. 1/5 24/7/24

Just like yesterday’s offering Sonic Youth I know of the Queens of the Stone Age but I’ve hardly taken any notice of them. So like yesterday I was wondering if my indifference could be ignited. Yesterday the ignition was like holding a match to a wet leaf in the wind. Today it reminded me of a lighter when you first use it and it nearly takes your eyebrows off. An analogy to describe this albums first track. But just like a lighter the initial flame reduced to just above the wick and I was left debating whether or not to relight the lighter but didn’t bother. A lighter is more exciting than a match so it can have one more star. 2/5 25/7/24

This is another landmark album for me. It was released during peak prog years for me. Jethro Tull were a big band but not exactly my favourite and because there was an embarrassment of prog riches my money was spent elsewhere. I had just started my career and was living in a hostel in Wakefield with other young lads many of whom shared my love of music. Aqualung always reminds me of one particular pal who was heavily into Jethro Tull and who introduced me to this album which he loved and wore a long trench coat. He would always greet you with “Aqualung, my friend”. It is a top album which I grew to love but strangely never bought the album until very recently when I saw the CD cheap in a sale. Just about everyone I knew had a copy, it was always played on the radio and more recently was readily available on streaming platforms. So there was never a dire need to own it. I do have other Tull albums, in fact most of them, and I rate some of these more highly than Aqualung. But this album means so much to me that I can only give it 5 stars. A lot of my fellow reviewers seem to be hung up on the use of flute by Ian Anderson and don’t think it very prog. My view is that they are missing the point. I do like the flute and Ian is a very proficient player but a lot of it is to do with Tull’s image. Ian stood erect on one leg playing his flute is very iconic and an image immediately associated with the band. 5/5 26/7/24

What to do about Michael Jackson? No doubt that he was a flawed genius and a superstar the modern equivalent on the scale of Taylor Swift. But all the pedophile allegations do hang heavy. If I was able to leave that aside and just look at his music, he was never an artist that I personally took to at all. Like everyone else I enjoyed his videos. Not the musical value but they were to some extent groundbreaking and a bit of a do not miss thing when they were released. Equally I enjoyed Jarvis Cocker’s protest at The Brits over the pomposity of it all. Back to this album. I know just about every track on it and would not be bothered if I never heard them again. Come to think of it they are rarely played since his death so maybe there is something in the allegations or it’s the woke world we live in? As I am familiar with the album I have not played it today as I do not want MJ corrupting my Roon algorithm. Don’t like the music but as he was a genius in his own field I give it an extra star than it deserves and in recognition that millions of people love this album. 2/5 27/7/24

I was quite into this album when it was released. Can’t remember why or how I was introduced to it as Blur and Gorillaz stuff is not my cup of tea. Think I might even had the CD which I later sold to Music Magpie when I went temporarily went CD free. My favourite track and the one I suspect convinced me to buy the CD was the very last track with the same name of the band. Listening today that still remains my fave. As for the rest it’s a bit meh. Nice to be reminded of it but nothing special. 2.5/5 28/7/24

Another album in my own personal top ten. This was the album which switched me onto Led Zep. Their first album had passed me by but was soon to become another hardly off my turntable. This album was everything a 16 year old male would want. Great guitar riffs (in fact some of the best ever) lyrics to make an adolescent boy titter (squeeze my lemon ‘til the juice runs down my leg) references to Lord Of The Rings which every self respecting boy had read and just about every song was danceable in the way young boys would gather in a circle, jump and air guitar so wildly all the girls would clear the dance floor. My mates and I even had a dance worked out for the weird bit in the middle of Whole Lotta Love. That song by the way was the anthem of boys my age at the time but as time has passed, as good as it is, I’ve sort of relegated it down the pecking order. What Is and What Should never Be is perhaps my favourite nowerdays. The guitar echo effect before the HEY HO is one of the best to listen with headphones. There’s even a great drum solo on Moby Dick short enough to leave you drooling for more which was always the case when played live. I love the dreaminess of Ramble On and the time when I was a young man just starting to earn, dressing as I wanted looking for a girl share the great times I was living then. Definitely an album to soundtrack my youth. If only I could go back there now knowing what I…….etc etc 10/5 29/7/24

I bought this album when released contrary to Reggae not being a go to genre of mine and that it was very overtly political. On the first point Reggae was everywhere in 1980. Probably not purist Reggae but more like ‘white mans’ Reggae caused by the TwoTone label explosion. Thing is it got me personally trying to seek out more traditional Raggae and got me into artists like Prince Buster, Linton Kwesi Johnson, and Judge Dread. The album is full of political references serving as an education but also as a platform for UB40 to sound off about their political persuasions which doesn’t always sit well with me. On the other hand I do accept I have the choice not to engage with them at all if I don’t agree. But a lot of what they sung about is very cutting and not in line with my own politics. As a footnote where would we be now without Madam Medusa? Leaving all that aside I loved the sound of this album and playing it today was again a joy. Despite some of the lyrics the music is uplifting and gets you moving. This was by far the best UB40 album. I didn’t care much at all to what followed as the sound went more pop and mainstream. 4/5 30/7/24

Bit of a tick box exercise here I think to get Finland onto the list. Nothing against Finland at all but I could say a lot about how bad this album is. Wiki states they have now broken up. Thank goodness for that. 1/5 31/7/24

Today I’m celebrating Yorkshire Day and hoped for something I could find a tenuous link with God’s own County. Difficult but I know for a fact that he once appeared at Roundhay Park, Leeds because I know someone who went and they were thrilled. I also think I’ve seen a picture of him in a flat cap but no sign of any Ferret. Sadly though I don’t think Bruce will find any of the things he’s looking for in the darkness at the edge of many Yorkshire towns. Quite the opposite but that’s another story. Anyway this is my third Springsteen album and looking back at what I wrote for the first two my relationship with BS has not changed substantially. Although distinctive and identifiable within 2 bars of music I will never like his voice. Relaying on my previous notes because I don’t really want to listen again, I think I like this album a lot more than the first two served up. There are more likeable tracks on this album. Highlight for me is the slower Racing in the Street and The Promised Land has a really cool Sax solo. Quite an enjoyable listen and probably an album I would buy if the price was right (For those who don’t know Yorkshire men are notoriously tight with their money and their favourite saying is “How Much??!!”) Happy Yorkshire Day Bruce your rating today exceeds my average so far! 3/5 1/8/24

When I used to listen to BBC 6 music before it went too Hip Hopity Rap Crap, War On Drugs used to feature a lot and so brought them to my attention. I did and still do stream their albums occasionally. So this was a good excuse to renew myself with the band. I have probably streamed this album at some point but obviously not remembering if I did or not it must have been in the background whilst doing other stuff. Listening to the album seriously without distraction I realised how talented this band is. They are very melody centric so it’s no wonder they appeal and are right up my alleyway. The only criticism is that they rarely venture away from the laid back shoe gazing sound but when the time is right I like this. It’s nice to put on an album just wanting to chill or fall asleep to without a big banging number disturbing that ambience by track 3. Definitely an album and band I will continue to listen and invest in. 4/5 2/8/24

An album I own and love.Superb from start to finish and exceptional in the case “Who Knows Where The Time Goes” which is probably the best song Sandy Denny ever recorded. I don’t like everything that Fairport Convention have produced but this album ranks as one of their best. 5/5 3/8/24

Traditional English folk rock yesterday and post punk experimental music today. How diverse is that? Reason why I like following this list religiously every day. This album received glowing accolades from the music press and I was tempted to buy it. But what I heard of the album beforehand put me off as I had no interest in sitting through a protracted jam session with wailing inaudible vocals over the top. So I didn’t bother but a part of me still wishes I had had done just to possess one of the most iconic album covers of all time (and worth a bit!) John Lydon now becoming a national treasure also makes me regret not buying this album at the time. But looking at the low average rating given by fellow reviewers it is obvious that the musicality of the album still leaves a lot to be desired despite a lot of music critics still hollowing on about what a game changing album this is. Listening today was very much a chore and on some of the longer tracks the FF button was deployed. I like John Lydon and what he stands for. So, as I do occasionally, I will ignore what the music sounds like and reward a rating based on my appreciation of those who make it even if it’s rubbish. The average global rating today is 2.49 and Johnny Rotten deserves more than this so he can have a 3. 3/5 4/8/24

This is my favourite all time Bowie album just sneaking ahead of a recent addition to the list Black Star. Saying favourite is perhaps wrong because due to my love hate of Bowie there are only a few albums of his which I personally like. He has a vast catalog and the majority are lauded by those in the know as classics and ground breaking. The reason I like Hunky Dory is perhaps why I don’t like a lot of what Bowie produced. That is it is a very easy album to get into whereas a lot of what he has recorded is a real challenge. There are some lovely memorable tunes and one or two of them are perhaps his most famous all time songs well known to those who only have a passing interest in music. Haven’t played this album in full for a while so a joy once again to do so. 5/5 5/8/24

My only tenuous link I have with any rock star is with Mick Hucknell. I used to work with a woman who went to Manchester Poly with him and never let us forget that. That fact doesn’t change my opinion of this album or Simply Red in general in that it doesn’t appeal to my tastes. However, this album does have one redeeming track - Holding Back The Years which is their most famous and one which I do like. Always takes me back to those clubbing nights when that track accompanied the ten to two desperation dash for those wanting a last minute snog. It is also a song which works for me when in a reflective mood. That track aside I do know that there are other songs which are well liked to those loving this type of music but an album which I do not need to hear again. I’ll stick with the best known single. 2/5 6/8/24.

I was very much into ELP having bought their first album and seen them live two or probably three times locally. I was a big fan of The Nice and King Crimson and to a lesser extent Atomic Rooster so ELP were ready made for me. I love the rock/classical crossover in music and my favourite pieces of music usually have a strong orchestral element in them. ELP were one of the first exponents of this type of music (carrying on from The Nice and Deep Purple) They were a fantastic band to watch live. Keith Emerson was very much a showman and his antics towards the end of a show, physically throwing his Hammond organ around the stage and producing amazing sounds will remain with me forever. So I bought this album on day of release and played it endlessly. I was away from home during the week and in these were the days when playing music remotely anywhere was still a fantasy, I remember playing the album until the last minute on Sunday evening before I caught a train so that every note would stay in my brain for as long as possible. The constant listening I did over 50 years ago has paid dividends because on today’s listen I anticipated just about single note of the long title track. It’s been a while since I listened in full so it’s testament to how a piece of music you really love can stay with you. My favourite ELP album is their first followed by Trilogy but Tarkus is an exceptional album which I will always love and cherish. 5+/5 7/8/24.

Never heard of this band and not surprising as it appears they had little success in the UK. If I’ve never heard of an artist will always look at the accompanying wiki page to learn about them. They are heralded as the first exponents of punk and American roots music which sounded an interesting combination. But on listening this album did nothing for me at all. Was quite bored after a while. 1/5 8/8/24

As a UK resident living in West Yorkshire this album is of very little relevance to me. Although parts of Bradford do nowerdays resemble The Wild West. But I do appreciate that these songs are of significant historical value to my American friends so do not want to dismiss this album out of hand. I’ll leave it at that with a rating which reflects my own personal enjoyment the album. As a historical document I’m glad the album exists for future generations. 1/5 (over 200 albums in and my stats indicate that the 1950’s are my favourite decade - which it isn’t. This rating has nothing to do with bringing the average down but can’t help hoping that it does so that the 60’s and 70’s rightfully go top!) 9/8/24

If there is a problem in loving and appreciating an artists work so much, it is you are sometimes so familiar with a particular album you seldom listen to it in full. This is one of the great things about following this list in that you are sometimes ‘forced’ to listen to an album you thought it was impossible not to find anything new in. I realised that a few days ago when I was dealt Tarkus by ELP and reinforced today with this massive album. I knew it was bloody good but if you asked me yesterday where I would have put it in the complete Kate Bush catalogue it would have been near the bottom. But how the passage of time sometimes distorts your view or memories. Just one listen through again and I had to reassess to conclude it is impossible to grade any Kate Bush album as they are all masterpieces in their own way and completely different from one album to the next. That’s the magic of Kate Bush and why I and billions of others love her music. Because of the passage of time it was like hearing one or two of the lesser known tracks for the first time and since I have upgraded my listening equipment over the years discovered new sounds within the tracks. “This Woman’s Work” is a track which has never slipped my mind and one of my all time favourite Kate Bush songs. What a beauty it is. When Kate Bush sits behind a piano and sings a song with little accompaniment there is no-one like her to produce such emotion and sadness which always invariably brings me to tears. 5+/5 10/4/24

Yet another Elvis Costello album. The best thing about been dealt another one is that I’m a bit closer to the end of his particular additions to the list (according to the book it’s 6 so 3 to go) It’s not that I don’t like him or his music but a truer reflection of his status on the list would have been to restrict it to just My Aim Is True and Armed Forces which you could argue were groundbreaking albums. This is an album I am not familiar with so I hoped I would be proved wrong and found something new in his music. It starts brightly enough but carries on in the same vein leaving me thinking these collection of songs could be on any of his albums. It’s an alright album but it prompted me to research if he has any connection to the compilers of this list. Nothing found so far so wonder if he stumped up the cash to produce it? 2/5 11/8/24

Would have hated this album when it was released as Soul music was not what I liked at all. I would like to think that as I’ve matured I can appreciate this music for what it is. No doubt it is a Soul classic and the title track is a well known song immediately recognisable. But I need to be honest and as much as I try to analyse this album and look for the good things, but for me beyond that title track there is nothing. 1/5 12/8/24

Considering I was brought up on a diet of Black Sabbath, Deep Purple and AC/DC (who are responsible for my acute hearing loss) I don’t know what went wrong with regard to my appreciation of more modern metal. Somewhere along the line metal or heavy rock as I prefer to call it turned into thrash metal. I was never aware of this transition as I continued to listen to the classic heavy rock acts and ignored the other noise which seemed to be gaining prominence. I’m sure that this stuff sounds great live. In fact if Metallica qualify I’ve seen them live and for the majority really enjoyed the gig but must admit after 3 hours or so was glad to go home. Anyhow never heard of Pantera so wondered what they would sound like. Just a few bars of playing their instruments at 500 mph and a horrible rasping voice singing something inaudible to me but i accept this was probably Angus Young and Bon Scott’s fault back in 1978, I knew all there was to know. The album cover is a great metaphor for what I feel about the music although a picture of a heavy kick to someone’s groin would be more accurate. I certainly am more inclined to this stuff rather than the other genre which I hate - hip hop rap crap, so am forced to give it a rating above 1 star. A lowly compliment indeed. 2/5 13/8/24

Well after a familiar start with Pacific Start which I knew it quickly degenerated into a long boring procession of dance music. One of the things which intrigues me here is do the people who actually like this stuff put on the disc and sit down to enjoy it like I would if listening to a classic album by Pink Floyd say? (For Pink Floyd insert your own favourite who you would sit and listen) Or is it a case that they would only listen when out clubbing or whatever the occasion is when this stuff is played? I just cannot imagine putting this on for a leisurely analytical play but like I have said before I’m getting on now and this music was never produced for the likes of me. 1/5 14/8/24

Reminds me of drunken Thursday nights at the Mecca in Wakefield which in itself is a good memory spoilt by having to endure music like this all night. Never saw nor want to see the film either. 1/5 15/8/24

My second White Stripes album within a month. This appears to be new entry on list. Bought this CD recently cheap in charity shop following my new found interest in White Stripes. Nice use of all sorts on unusual instruments within the songs make this album different. Love Doorbell Ring song which was worth in itself the small amount I paid for full CD. 3/5 16/8/24

Why? 1/5 17/8/24

I’m very surprised this album is not higher in the global rating stats as personally I think it is one of the most famous and recognisable albums of the last 50 years. Judging by the sales a lot of people would agree with me so why it has a global rating of ‘only’ 3.44 is a mystery. Maybe those embarking on this 1001 album journey are a more discerning lot than the general music buying public and not swayed by popularism. For my take on the album, its arrival on my list is quite opportune as I’ve been playing the album recently. This is as a result of the YouTube algorithm throwing up to me the iconic performance of Paradise By The Dashboard Light on the Old Grey Whistle Test in 1978. I watched that live trans fixed and it was that which opened up the whole album to me. A great collection of songs in their own right but as a whole made up a great story with lyrics everyone seemed to be able to relate to. And so they did. Just about everyone in my friendship group had a copy and the music on the album was everywhere. I’ve never considered the album to be anywhere near my top 50 or even top 100 favourite albums of all time. But I come back to the point I tried to make at the beginning that this is one of only a few albums which stands out regardless of the music on it. It was an album you simply just to have in your collection and to educate yourself with because it was topic of conversation everywhere and you just had to hold some sort of opinion on it. On that I cannot really remember at the time anyone having a bad word to say on it. I will always like the album but to the modern ears of the present generation I can understand why without the hype of the 1970’s this is just another album liked by their mums and dads. To me it’s more than an iconic musical album. I would liken it more to a piece of art which touches at your emotions even without hearing a note of music. The series of words Bat Out of Hell and Meatloaf conjure up images in their own right even without the music. This is an album you should hear before you die and probably have. 5/5 18/8/24

This a group who I have tried to get into a few times. They produce some good songs but a lot of what I hear is a bit meh. I actually bought this album in a charity shop recently but after copying it I can’t say I’ve listened to it completely until today. I can understand why it’s on the list as it is very different but not in a way which floats my boat. Don’t hate it and glad it’s in my collection for random occasional plays but that’s it. 3/5 19/8/24

Not a great fan of The Doors. Thought a lot of their music meandered a lot and drug fuelled. However they produced two really fantastic songs Riders Of The Storm (on this album) and Light My Fire on previous album which has one of the best organ arrangements ever. LA Woman is deserving of being on this list as The Doors and Jim Morrison in particular left an enduring mark on pop and rock music. Not a favourite of mine but is redeemed with the inclusion of Riders. 2/5 20/8/24

I got ‘Bad’ about a month ago and have just re-read my notes on that. Everything I said there also applies to this album. But in a nutshell - Never liked MJ or his music. Even less now in view of allegations. Appreciate millions really rate his music so that stands for something and one extra star. 2/5 21/8/24

Another album which I have to rate not to reflect my own musical tastes but to reflect the fact that the artist is very significant and deserving to be on this list. That said there is a lot of music on this album which appeals to me more than it would have when released. My tastes have matured to appreciate all types of music and there is no doubt this is a very good album. 3/5 21/8/24

My history with this album began in 1968 or 1969 at school in an end of term music lesson. This lesson was also responsible for a significant event involving a Jimi Hendrix album. That Hendrix album is also on this list so the story about that is for another time. However at this lesson I remember a teacher whose name I cannot recall introduced Bookends to the class. He also mentioned that he thought the cover photo of Paul Simon bore a resemblance to me. I did have a scissor home cut short fringe at the time but looking back I’m not sure what the exact motives that teacher had making that very ‘friendly’ comment to me! Anyhow nothing came of that apart from an unconscious seed of appreciation of this album being planted. Hendrix was more important at that time but with the release of Bridge Over Troubled Waters later on, Simon and Garfunkel really hit home. My love of that album naturally led me back to Bookends. It is now perhaps one of the most played albums I have and certainly in my all time top 10. Every track is exceptional. America and Mrs Robinson are classics. Overs is one of the best ‘break up’ songs ever. But it is the Bookends Theme and the song Old Friends which mean the most to me. Bookends theme is a beautiful melody and capable of bringing me to tears every time. As a 17 year old the lyric in Old Friends “How terribly strange to be 70” struck a chord as I could not imagine then been old but the words served as a warning of fleeting life. The lyric continued to haunt me throughout my life and was something I was aware of as the years progressed. Last year when 70 I played the song on my birthday as I always knew I would. It now gives me an intense feeling of nostalgia and lost time. Preserve your memories. They’re all that’s left you. Another poignant lyric from the album which means so much more now. Much more than an album. More a soundtrack to my life. Without doubt the best album on the list coming to me so far. 5+/5 23/8/24

Can’t say I rated Lou Reed back in the 70’s. American artists in those days didn’t really interest me. I do have an interest nowerdays if only to ensure I have no serious gaps in my overall musical knowledge. As regards this album I can sum it up with a handful of good classic tracks - Vicious, Perfect day, Walk On The Wild Side, Satellite of Love (just maybe) interspersed with a lot of dross. Those handful of named tracks are all I need to educate myself and acknowledge what Lou Reed is about. 2.9/5 24/8/24

Bloody Adam and his bloody ants annoyed me at the time and still do. That might be a bit unfair due to my ex-wife liking them. But as I say I disliked them then when things were rosy between me and my ex (her liking this shit should have been a massive neon lit warning sign) Where my hatred lies is hard to define because I suppose the tracks on this album are up to standard reasonable toe tapping pop songs. Everywhere you went in 1980 you had to endure these songs which came a bit exhausting. That and of course all the “ants” stood in an upright pose with two fingers across their brows looking menacing (not that was possible due to hilarious application of make up) And don’t get me started on those ubiquitous videos on MTV and the like. It was impossible to avoid them. Crashing through glass windows is really dangerous but Adam or should I say Stuart managed to do it regularly and still came back to give us more of his stinking music. There is a happy ending in that they broke up in 1982 so my misery was short lived. That is until today when this album arrived on my list. 1/5 25/8/24

Motherfuck disconnection 1/5 26/8/24

Should I have heard of this guy ‘cos I haven’t? Yet another choice giving me a complex that my musical knowledge isn’t what it should be. But always excited when this happens that I will find a new gem. Not this time I’m afraid. One or two nice pleasant songs but not keen at all on Mr Neil’s voice and the way the songs are delivered. Might have been better for this to have remain hidden from me. 2/5 27/8/24

Hawkwind and this album were about during peak Prog rock so I was naturally attracted to them. As such I’d bought a previous album to this one, In Search Of Space and later bought another yet to be recorded Quark Strangeness and Charm. I struggled to like Hawkwind as much as their Prog contemporaries so never followed them closely. So largely unfamiliar with this album. A lot of fellow reviewers question why live albums are on this list. But this is a good example of an album which answers that question. When comparing the studio versions the live ones on this album have a lot more energy and power. To have been present must have been a great experience. So listening to this album today was better than I thought. Perhaps a bit longer than necessary as after a while my attention began to waver. Would never buy the album but OK to put on a streamer shuffle with other similar artists. I thought at first the album was a 3 rating but on listening it is a very good 4. Then I saw the low global rating which reflects the Prog haters out there who obviously outnumber the Hippity Hoppity Rap crap haters like me. So fuck it, it’s Prog so it can have a five. 3(5)/5 28/8/24

One of the selling points and pleasures of subscribing to Tidal and Roon is the automated playlists generated which are based on your listening tastes. So this was another occasion I had to find a secluded corner of my home (don’t want the family to think I enjoy this stuff) and listen on another streaming service where I’m not bothered too much about what the algorithm thinks I like. It was a very quick visit. Whilst I appreciate this list has to include every form of music it is nevertheless still dominated by westernised music. To dip occasionally and feature albums such as this is nothing more than tick boxing. There may be an argument for a list to reflect every type of world music and that the albums featured, many many more than 1001, are evenly distributed in the list. If this is a list of modern western music from the 1950’s onwards so keep it as such. 1/5 29/8/24

It’s the end of August so nearly the end of another summer. Not been such a good summer here in the UK so was only thinking recently I have been a bit short changed with long balmy hot summer days. So this album coming along is just like laying on a sun lounger by the side of a pool with tequila cocktail in hand. Actually more accurately for me climbing up and standing on top of a Lake District mountain and taking in the beautiful view stretching away under a hot sun. Either way a lovely summer sounding record. Not what I would normally listen to but will always enjoy in short measures (rather like lovely English summer days) whenever they pop up on the radio. Think I’ll reach out for that holiday brochure or more likely wait a bit for the late summer sun in the Lake District. 3/5 30/8/24

Title wrong. Think I’m part of a Nation but certainly not under a groove. Not on Spotify?!! Lucky people. It is on my bloody Tidal though! 1/5 31/8/24

If I was christened Charles Michael Kittridge Thompson IV I would have felt blessed and the last thing I would have done was change it to Frank Black. But this critter did and that lack of judgement and sensibility is very much reflected in this collection of music. I say music in its loose sense because there is nothing here in this long procession of songs to interest me or offer anything new which is always something I hope for when I am given a previously unknown artist. 1/5 1/9/24

Was it coincidence or the 1001 Gods working their magic that I dreamt last night playing a duet with a trumpet player (not Miles) last night? As an occasional Sax player for my own pleasure I have recently been trying to educate myself with Jazz. A genre I would have previous dismissed. An album titled Birth of Cool by Miles Davies in itself gives the impression that it should be on this list without any argument at all. As part of my jazz eduction I have bought Miles Davies albums. Kind of Blue (already reviewed) and Bitches Brew are two of these and albums I really like. I do not like this one as much. It’s OK but every track seems to follow the same jazz recipe - opening melody, each instrument solo, resolving melody. Which is fine but difficult to distinguish one track from another other than a random title. Whilst listening could not get the image of American GI’s dancing with northern town English girls in 1944 to this type of music. That gives anyone of a certain generation an idea of what this album offers. The other interesting thing was whilst reading the Wiki entry for the album I learnt what a nonet was. So an extra star for that enlightenment. 3/5 2/9/24

No doubt the Beach Boys were (are) very significant in the history of pop music and their place on this list is more than deserved. Personally they are a group which I am glad exist but at the same time can take or leave. They were big in my formative years of getting into music but even at that time were not what I wanted to listen to or develop with. There was so much choice in the mid 60’s of British bands that I rightly or wrongly discounted American ones. My appreciation of US 60’s bands has changed over the years to an extent that I wish I hadn’t been so blinkered but would never include the Beach Boys within the bands I now think I’ve missed out on. When the time and mood is right I love to listen to them and one or two songs on later albums and on this list are absolute classics. But having now listened to this album in full I don’t think that I will ever pop it on again. Listened to the album via Tidal which offered hi-res stereo and mono versions. It was interesting to listen to the difference and concluding that the mono version sounded better. Testament perhaps to the times it was recorded for a largely mono market and that faffing around with the original recording is not always good. 3/5 3/9/24

The Clash- Darlings of the musical press late 70’s and early 80’s made you feel inadequate and deficient if you were not onboard with them. Difficult for a lad like me whose musical tastes were at odds with the likes of The Clash and a reason why they and others were a reaction to my music faves. But I did try and even bought another Clash album wondering if constant playing would help me realise what all the fuss was about. All in vain. Just don’t like them. Appreciate I’m in a minority as The Clash are historically important. Well done to all those who highly rate them but I prefer to ignore them. 2/5 4/9/24

Probably to my detriment and loss I do not have a lot of reggae in my collection. Run of the mill popular albums yes but none of the deeper stuff I always promised myself to investigate. Will probably never get around to it now so signpost’s like this are a welcome advantage of this list. That said, whilst time spent listening to this album was pleasant enough I found nothing in it to convince me to return to it. 2.5/3 5/9/24

This is an easy 5/5 for me. An album I know well and play constantly (according to my Roon count) Whilst I am (obviously) an out and out prog rock guy I only consider Supertramp to be on the fringes of prog. If you dig deep into their albums there are some great prog cuts but also some great toe tapping pop songs. This album probably has more of them than most. But by the fact that I keep spinning this album and never tire of it is testament to how much I rate it. 5/5 6/9/24

Never heard anything of this women before. Looking at the album cover initially thought that someone had thrown clothes pegs over her head and wondered if there was a travelling person (G—-y) connection. No sign of that and from my own personal point of view no enjoyment either. My wife mentioned the other day that she needed some clothes pegs but was struggling to find some. Makes you think doesn’t it? 1/5 7/9/24

Saw the advisory sticker on the front cover so didn’t bother listening. (Well I did a bit to be true to the list but not pleasant) 1/5 8/9/24 250 up tomorrow, a quarter of the way through so hope the list comes up trumps 🤞

250 albums up so a gnats cockhair off a quarter of the way through. To celebrate this achievement (right word??) I was hoping for a blockbuster album. Well this is certainly a blockbuster but not so based on my own personal taste. Stevie Wonder is one of music’s greatest artists and Songs In The Key Of Life is an album every musoo is aware of. Awareness for me does not equal liking. An inoffensive album but I simply don’t like this style of music. Another album which has a right to be on this list and I rate on its own magnitude rather than my own preference. 3/5 9/9/24

Faith No more exist on the edge of my consciousness and this album has never registered. Was expecting more than what actually tuned up on this album. Same old same old so instantly forgettable. 2/5 10/9/24

Had heard of The Cardigans in my past but if I’d been asked before today I would have said they were part of the UK late punk alternative movement. So when I read their Wiki page I was surprised they were Swedish. Nevertheless they were still classed has alternative/adult rockers so hoped for the best. One give away and cautionary tag in their Roon description was Twee Pop. By Jove was Roon right. A lot more twee than rock in my view. Anyway another musical lesson learnt and knowledge gained albeit if useless information. Album title caused me to stop and ruminate the concept of when and who will be the first band to play on the moon. And what will be the first song? If it were to happen today I’m sure Swiftie would be a strong candidate. But I don’t think present day spacecraft technology would allow for the expansive stage set used during her Era’s tour. Which led me to think that the lack of gravity would allow her to whizz around the set without use of lifts and motorised sleigh so that would save space. I then climbed out of that rabbit hole and played some more agreeable music. 2/5 11/9/24

Today’s album was a bit of a shock and a weird coincidence after yesterday’s. What are the chances of two Swedish groups one after another? Especially after yesterday’s choice The Cardigans, when I nearly commented that it was a tick box exercise to include Sweden on the list. But before I made a dick of myself I fortunately remembered ABBA who are bound to feature at some stage. I fell into the same trap as yesterday thinking that The Hives were also a UK post punk band until I read their Wiki page. I quite liked the album until about three songs in when I realised that there was little in the music to differentiate each track. A lot of fellow 1001’ers complain that a greatest hits album should not be on the list. In fairness I think that the album is a conglomeration of previously released odds and sods rather than hits as in reality they haven’t had enough to fill a full album. And as if to reinforce this point the album length is only 28 minutes. I’d have been very disappointed about that if I’d bought the album. All in all a bit better than their fellow Countrymen yesterday but still a lowly 2/5. Now what are the odds of another Swedish group tomorrow? If it’s ABBA I’ll eat my copy of Arrival. 2/5 12/9/24

I loved Blondie when they were in their pomp. Bought all their albums and continually played them. They were massive in 1978 partly due to the popularity of Debbie Harry. I managed to get tickets to see them in Manchester which at the time was like trying to get Oasis tickets for their reunion tour in 2025. One of the best gigs I have seen and managed to get a drum stick thrown into the crowd by Clem Burke which I still proudly own. Like a lot of men in their mid 20’s I was perhaps a bit too obsessed with Debbie. I say perhaps because it must have been more than that as my workmates once bought me a Debbie Harry lookalike doll at a Christmas party. Listening today I still like the songs which are all really strong and have stood test of time as they are still massively liked by many people. By today’s standards the sound of the record is a bit thin to my ears. But overall a great record full of happy memories. 5/5 (And a relief there was no ABBA or any other Swedish group today!) 13/9/24

An interesting and unexpected entry on the list. I’ve always had an urge to get into this type of Eastern music. Began I suppose when influenced by some of my music idols who are named in Wiki has fans of this album. Might be a bit crass to say but when eating out at Indian restaurants I have often been captivated by some of the background music but because of the circumstances unable to work out or identify the artist (Pre Shazam or it didn’t work!) Another problem is that I really think appreciating Indian music is a challenge. Unlike modern Western music which is characterised in the main by instant melodies and a hook line, Indian music is a lot more complicated. There seems to me that there is a lot going on which needs research and knowledge to fully understand. I’m at a stage in life where I really do not have the time to do this as there is still a lot of music in my own sphere I want to listen to. With that in mind I listened today to this album and really enjoyed it. But without the aforementioned knowledge concluded that this could be any one of the numerous similar albums I have listened to in my attempts to understand this genre. If it was readily available to purchase, which it is not and probably relates to the streaming platform problems described elsewhere, I would happily buy it. All in all a lovely experience and relaxing way to spend listening on a lazy Saturday morning. That is until Leeds lost 1-0 later. Now in need of a pint of Cobra, onion Bhaji , and chicken bhuna. 4/5 14/9/24

Again I say I’m a white male living in the UK now in his 70’s and brought up on a diet of progressive rock and you want me to listen to this stuff before I die? Appreciate millions love this genre but when Mr Common recorded this he wasn’t thinking me so likewise I’ll shut him out of my life. 0.1/5 15/9/24

This album reminds me very much getting woken up early morning with my Dad singing these songs whilst shaving in bathroom. He loved singing in the house (which had rubbed off onto me) and listening to this album reignited some of the belters I became to know when a young lad through him. At that time of course these songs were of a different generation and far removed from the music I liked then and went onto love in later life. So they were regarded by me in the same way today’s youth would class has dad rock. As I’ve aged I become to appreciate Sinatra and his music. I will never buy or sit down to listen but no-one can doubt his talent and he was perhaps the best crooner there was. An album full of songs from a more simpler time and a big part of me wishes life could revert back there for the good of everyone. 3/5 16/9/24

Not quite what I expected but having never heard of this lot had no preconceptions. Some of the rockier tracks struck a chord but overall I cannot say it was an enjoyable or memorable listen. 2/5 17/9/24

I bought this album on CD at time of release but it was one which was sold a few years later. Sold because I soon tired of it and it was seldom played. I always thought Winwood’s albums of this period were light years away from his work with Traffic. Another album Back In The High Life suffered same fate. My perception was he was trying to appeal to the North American MOR radio friendly audience. This was OK at the time but it became that there too much of that stuff about. I still prefer his earlier Traffic work. The Low Spark of High Heeled Boys is my highlight. Good to listen to this again and I wish I hadn’t been so judgemental in getting rid. Spanish Dancer in particular worth owning CD for and probably reason I bought the album. 3/5 18/9/24

(C)rap music. I refer to my previous (now many) reviews of this genre. In happier news just bought a new car today. 0.1/5 19/9/24

No doubt that Ray Charles is another mega superstar who deserves all the accolades for his contribution to music. Personally I always thought of him as from a different generation and that the music he made was for the pleasure of the likes of my mum and dad. I am now in my 70’s so where that leaves Ray Charles goodness only knows. To younger listeners he may be as relevant as Bach or Beethoven. To others latching onto his magnitude he is an artist who is extremely cool by modern standards. I have no strong feelings either way and ambivalent to his music. It exists but somewhere outside my consciousness. 2/5 20/9/24

Glad that at least one Kraftwerk album is on this list. Not because that I am particularly a big fan but because they and a few other contemporaries actually brought something new to music at that time. It was bound to happen with the advancement in technology and synthesizer‘s that this type of music would take hold and become a big part of the music scene and still is. As a big Keith Emerson fan I did love his use of the Moog Synthesizer but this was restricted to the odd solo or extra texture to his virtuoso keyboard playing along with other instruments. Synthesizer music only was a big step change. I was excited by this at the time but my interest was mainly towards Gary Numan and what he was doing. I knew Kraftwerk existed but never really got into them enough to buy any albums. Listening to this album today was pleasant enough for the first few tracks but it quickly became monotonous. I found the melodies were very simple and repetitive to the extent that they began to jarr. I do like some of the modern day electronic artists in particular if they on the ambient side such as those by Brian Eno. Maybe Eno type music exists thanks to albums like this one so my rating reflects that and the fact that Kraftwerk were very unique. 3/5 21/9/24

For me Neil Young’s albums always consist of two or three banging tracks but the rest a bit meh. This is no exception. Down By The River and Cinnomem Girl are the standout tracks but the rest don’t really do anything for me. There’s a lot of music Neil Young has produced which is exceptional either on his own or with CSN&Y. I have a greatest hits album of his which I love but made up from multiple decades and albums. So as a singular entity not so good but as part of a collection, marvellous. Would buy this album though if found so that makes it 3/5 material. 3/5 21/9/24

Despite his magnitude and perhaps being one of the most famous musical artists that has ever lived I must confess that I dislike Elvis with a passion. How can this be I ask? My elder brother played his records so my early years were filled with his music but it appears made no connection with me at all. My earliest musical foundation can be traced to Cliff Richard (Bachelor Boy my first single) who was often compared to Elvis and has his English version. I don’t think that this registered with me and if there was ever an Elvis v Cliff thing. In any case this was only my one foray into the Cliff camp (although I do like his Christmas songs) so I don’t think my Elvis hatred stemmed from that. I was soon into The Beatles and early English 60’s groups. And whilst my musical heroes lauded Elvis has their inspiration I just dismissed this and considered Elvis from a previous generation and not for me. Nowerdays I can listen to artists who were about during the 50’s and can actually enjoy their music and see their value. But unfortunately this does not extend to anything Elvis has ever produced. This could be considered as heretical and I get that. I wish that I could say there was at least one Elvis song I liked but honestly can’t. This album in my estimation is a 1/5 but this is based on my own prejudices and Elvis, whatever I think of him, does not deserve that. 2/5 23/9/24

One or two of my musical buddies have told me to listen to The Pixies. A group I know nothing about. I ignored them very much like this album which I will ignore in the future. Not a complete listening disaster but getting there. 2/5 24/9/24

I reviewed I’m Your Man album back in May when I said that I needed to listen to more of Leonard Cohen to understand what all the fuss was about. That particular album was Cohen’s 80’s synth style effort and perhaps not what I consider to be true the true dark and melancholic side of Cohen. It was this side of Cohen I wished to get into. So this album is a good example of that. His voice and lyrics are to the forefront. Whilst his lyrics are extremely thought provoking I do have a problem with his voice. If auto tuning had existed and had been used back in 1969 I’m sure that I would like this album a lot more. As it is I think that I sound better when washing my armpits in the shower. But who am I to say that Cohen has a bad voice when millions would argue to the contrary. But it is my ears that matter and for me it is his voice which spoils some excellent songs. 2.5/5 25/9/24

Never heard of this group. Casual research reveals that they never charted in the UK or toured. I’m sure some hip UK DJ may have championed them at some point but never to my attention. Having listened to them it’s pure Americana rock which I doubt could be made by any non US bands. I expected Nivana type grunge but more like yee haw hillbilly on speed. Some good guitar but heavily spoilt by warbling lead singer. 2/5 26/9/24

Well it’s an album I now know very well but at the time of release I was initially ambivalent towards it. I was well aware of the Britpop thing but more perhaps by the media coverage rather than listening to the music. I didn’t care too much about how Oasis conducted themselves. I thought that they were just big mouth Manc’s not appealing to me at all as someone born and bred in Yorkshire just over the border. So I was late to the Oasis party. But it was hard to escape the media hype and the constant plays on the radio and eventually I did realise that despite their personas the Gallagher brothers were indeed very competent musicians. So whilst this album probably escaped me the subsequent Oasis albums did very much appeal to me and that there is no doubt they have recorded some of the best rock songs ever. Some of their best songs were yet to come but there are some real bangers on this album Supersonic and Live Forever the standout tracks for me. Whilst perhaps not an out and out fanboy I do still love listening to all the Oasis albums including this. I do now have all their albums in my collection. I also recently spent a wasted all day Saturday online trying to get tickets for the Oasis reunion (or Noel Gallagher divorce fund) tour 2025 as I was never inclined to see them first time round. So those two facts mean that Oasis and this album have made a big impact on my musical life and my rating reflects this. 5/5 27/9/24

Third Talking Heads album arriving on my list and every time a Talking Heads arrival always seems to coincide with some real life catastrophe. If its not Leeds United losing at Wembley this album arrives when trying to purchase a new car the sale of which went so wrong I had to reverse the deal and then my old car then costing me an arm and a leg needlessly. The whole point of mentioning this is that even if I was minded to listen to the Talking Heads for pleasure, which I’m not, I seem to get little time to do so when the 1001 Gods present me with one of their albums. However in this case this is an album I am vaguely familiar with as it’s the only one I have ever bought. That was out of curiosity because of all the music press continually going on about them. No streaming then of course so the only way to hear an album and seriously listen was to buy it. So I did my time then trying to get into this so in all honesty don’t feel the need to repeat this trauma listening today. Nothing has changed. I consider it to be an awful album. It holds nothing of interest to me at all. The only improvement from my vinyl copy I bought is that I can easily skip tracks early when streaming. The one concession I will give it is that I am aware that the album is lauded by greater minds than mine as been of great musical value. For that reason it does perhaps deserve a place on this list. So with a doff of my cap to these musical geniuses I will move my finger right from hovering over the figure 1 and through clenched teeth bring it down on 2. I have just checked the 1001 book and seen there is yet a further Talking Heads album to endure. It would be nice to know when this will be so that I could stay in bed to prevent further bad luck befalling me. But alas that isn’t how this process works. I will keep my readership (ie me alone) posted. 2/5 28/9/24

Liked this album when released and bought it. Loved the atmospheric depressive nature and general feeling of despair in the music. I do still occasionally listen when I’m in the mood and derive great enjoyment when doing so. I sometimes like to wallow in my own misery and this is a great record to accompany that mood. A really great record which I consider to be a return to serious sounding music after the three chord punk period. Never saw them live but in my memory I can recollect Ian Curtis’s trademark dancing on She’s Lost Control Again or was it Shadowplay? Must look on YouTube to remind myself. It’s a sight to behold. My one gripe with Joy Division is their single Love Will Tear Us apart Again, the tune of which is used by opposing supporters to take the piss out of Leeds United (something about falling apart again) As that song does not appear on this or any other Joy Division it this is the one and only time I can vent my anger at that and wished that they had somehow put another syllable into the title to prevent its use in such a juvenile way especially when it is such a great song. 4/5 29/9/24

When i fancy a bout of ear bleeding and a blinding headache i will reach for this album (or any other AC/DC album as they all sound the same!) strap up my air guitar and school satchel, shorts on top off and away i go. Good stuff and i salute you. 4/5 30/9/24

272 albums in and I’ve only so far have had selected a handful of previously unknown albums/artists which have truly been a revelation. Whilst this album is not quite a revelation it is a fair effort. I liked the sometimes weirdness of a track which after a key or time change morphed into a lovely melodic passage. Would seem to be a Throwing Muses thing to have these constant direction changes in songs which I like and shows their talents. Will listen again and take interest in their other stuff. 2.6/5 1/10/24

I really love the Fleet Foxes who always give me the feeling of walking through a grass meadow on a warm summer day, next to a babbling brook, everything in soft focus, dandelion seeds and pollen dust floating in the suns rays - get the picture? This has the same vibe. Second day on the trot the list has done its stuff and given me an unknown gem. Certainly an album put on my list to buy and to research their other albums. Lovely, warm and gives a yearning for those wonderful summer days past. 4/5 2/10/24

I loved Nuts Crush Titty Remit or whatever it was called. Reminds me of a great holiday in Newquay Cornwall when that song was in the charts. So a great song and part of my musical formitive years. As regards other Tina Turner stuff well it’s a big turn off for me. Cannot deny that she has one of the strongest, best and recognisable voices ever and deserves all the plaudits for that. But her musical output does not do anything for me at all. Know most of the songs on this album partly because you cannot avoid hearing them. If not on the radio but when at wedding evening do’s or Christmas party’s. But her records are nowhere near my collection apart from that song about a little old town in Tennessee. The nice little kitty on the cover is the best thing for me about this album. 2/5 3/10/24

Billy Joel has always been on the edge of my consciousness but never taken much notice apart from a slight recognition of his biggest hits. There’s one or two of them on this album and cannot deny that they are good memorable pop songs. First time then that I have sat down and seriously listened. I was pleasantly surprised. An enjoyable listen although unlikely to go out and buy any Billy Joel albums. 2/5 4/10/24

Would like this if doing a road trip across America, stopping at a roadside bar, dusty and rolling tumble weed, when ordering ice cool beer someone slips a dime into the juke box and this music comes on. But none of that is true and in my world C&W has no relevance at all. 1/5 5/10/24

I’ve picked up a few Rufus Wainwright CD’s cheap whilst seeking them out at charity shops. Not because I’m a big fan but more because I occasionally catch his songs on the radio and enjoy listening to them. Haven’t got this CD and don’t think I’ve heard any of the songs before. Some nicely produced tunes with a lot of good orchestration which always appeals to me. Problem is after a few tracks I do tire of Rufus’s voice so I did a bit of skipping. The CD’s I have of his sit amongst my library on Roon so when I play track shuffle I just get the odd Rufus track every now and then which is just about as much as I can take but always a welcome interlude. 2.5/5 6/10/24

As I have said many times now Soul music was never my thing and the only time I would hear back in the day was at the local Mecca. But I was very pleasantly surprised by this album. I never knew that there was an extended version of Papa Was A Rollin’Stone and what a brilliant song and recording it is. This is worth the cost of the album alone and will go on my list. I listened on Tidal hi-res stream and the sound of the recording is excellent. Luxurious deep clear sounding. A lovely record to curl up to as I did on a dark autumn evening with the lights down. List come up trumps again with a revelation. 4/5 7/10/24

Another album in the why the heck is it on this list category. Even for 1993 it offered nothing more than their contemporaries had done before and after and a whole lot better. Also another example that when released it was boom time for the CD so bands were filling up the available extra time with sub standard filler tracks. This album would have been better if restricted to the 35 to 40 minute mark. 2/5 8/10/24

As I’ve mentioned before Doors were never a favourite band of mine but cannot deny The Doors were big and deserving to be on this list. Having said that now I have listened today to this album I quite liked it. Not remarkable for me but appreciate why millions would and did rate it. 3/5 9/10/24

I’ve always been aware of Tori Amos throughout the years. I’m a big Kate Bush fan so that was the obvious attraction. I did dip in and dip out of her music but much to my detriment I never gave it chance and regarded her as a second rate Kate Bush. It was only in the last two years when I began to move away from streaming to buying physical media again that i began to pick up Tori Amos CD’s at charity shops. It was this album that really cemented my appreciation of Tori and as a result of buying this album I made it my objective to purchase all of her studio albums which I now have done. I am now a massive Tori Amos convert. To say that this album was her first it is testament to what a wonderful talent she is. As I have already done and many others do Kate Bush is always mentioned in the same breath has Tori Amos. Kate is often applauded for her first album The Kick Inside but I would say that Little Earthquakes is a much stronger debut than that. To get one up on Kate Bush deserves top marks which I am happy to give it. My one regret is that I turned my nose up at Tori Amos for too long but now I am working hard to make amends. 5/5 10/10/24

Another band I never took much notice of at the time. I knew of the banana album with Nico but nothing more than that but decided recently that as a collector I should have the banana album in my collection due to its iconic status. So i wasn’t has dismissive if this album as I might have been a few years ago. All in all a good collection of songs which I am sorry to have missed first time around. So another thumbs up to an album I would have had no knowledge of if it wasn’t for this list. 3/5 11/10/24

This stirs the argument again of whether live albums should be included on this list. This one has a a bit too much whooping and hollowing for my liking which detracts from the actual merit of the music. James Brown is a well loved and respected musician and rightly given the title Godfather of Soul. That said he has never made an impression on my musical taste buds. I admire this album from afar but like James Brown himself and despite his exceptional talent, does nothing for me. 2/5 12/10/24

I only listened to this album the other day on the occasion of what would have been my 50th wedding anniversary to with my first wife. Not that I think of her a lot but she came into my mind on this significant day. Reason was that the album contained ‘our song’ Without You. Turns out that I could live without her so for me the song has not aged well. But it is a good song. I obviously bought the album on vinyl 50 years ago and I remember then that my valuation of it was that apart from that one song there was nothing of interest elsewhere so it rarely got played. Listening again brought nothing new so my evaluation of it has not changed. So it will be again stored somewhere in the back of my brain until I might be lucky enough to get to the 60 years mark when I can imagine playing the album again on receipt of the telegram from The King. As my life has progressed this will be the nearest I get to that moment in reality. So that deserves a higher rating than perhaps the album itself deserves. 3/5 13/10/24

For me the least known S&G album but all the tracks are all familiar to me. The only problem with the album is that it is way too short. S&G can do no wrong for me and I consider them to be exceptional musicians and responsible for composing and singing some of best songs making up the soundtrack of my life. None of the tracks on this album make that soundtrack but all come pretty close and are certainly a foretaste of the magnificence to come. 5/5 14/10/24

Have kept hearing this band on the radio but never took much notice or interest in their music. DJ’ing club type music not my bag at all. However did stream this album at lunchtime. Might say everything that I fell asleep before the end of track 1 only to be woken by my son coming into the room and asking “why are you listening to this dad?” He was obviously surprised by my choice of music. He was wanting to watch an episode of Brassic so was banished elsewhere. I went without telling him that I wasn’t listening for the good of my health but because I had signed myself up to this bloody musical quest. Question was did my son’s intervention save me from further abuse to my ear lugs? Well no I did later give it another go but this time listening through my AirPods Pro rather than speakers. Listening on headphones brought out the production value of the album and I must say I was quite surprised. Sometimes albums benefit from headphone listening and this is one of them. Did not go to sleep this time but instead spent an enjoyable hour identifying and following the various electronic sounds whizzing around my head. So intrigued was I that I went onto Apple Music hoping that there might be a spatial sound version on there. But there wasn’t and in fact the Tidal version I was initially listening to sounded a lot better. Underpinning a lot of the tracks are some lovely melodies which I am sure if I listened long enough would become pleasant ear worms. Not an album I will buy at my local HMV but one I will look out for on Music Magpie. So an album which at lunchtime was a 1 but managed to sneak up to a very good 3 as illustrated by my review written over the course of today. 3/5 15/10/24

When I began to get into music in the early 60’s I had to be very selective about when and which album or single to buy. Money from a paper round and the odd 2/6d birthday money didn’t go far. Listening to this album today reminded me that at that time there was a series of albums featuring all the chart hits at the time. Not by the original artists but by session musicians and they were very close to the originals. From memory I think they were all called Top of the Pops and featured a bikini clad lady on the front. I bought one of these albums and my favourite track happened to be a cover of Dusty Springfield’s “I Only Want To Be With You” which is from this album. That track was on constant replay so the song is permanently imprinted in my brain. Other than that I had no further involvement with Dusty other than she appeared a lot on TV and had a hit with the Pet Shop Boys. I appreciated her vocal talents which is an understatement because perhaps she had one of the finest female voices in pop and soul. It wasn’t until recently when I have become reflective of all the music I may have missed because I was too busy with life, that I picked up a Dusty Springfield greatest hits CD at a charity shop. Thanks to that I am very familiar with mist of the songs on A Girl Called Dusty and I can now really appreciate what a talent she was. A good album. Note to self - Wiki states that the Top of The Pops series didn’t begin until 1968 so there must have been another similar series of covers around 1964 the date of this album’s release. Wonder what happened to that album as it’s no longer in my collection? 3/5 16/10/24

Bjork is an artist who fascinates me and who I have tried and tried to get into over the years. I was’t expecting this one on the list as I know two earlier albums are on it. In my attempts to see the light I have bought a few of her albums including this one. This and her next Utopia (discounting the different versions of Vulnicura) I bought on vinyl second hand but in immaculate condition. The record shop manager told me that he had bought them from someone who apparently struggles like me with Bjork. So a very common theme and I suspect that Bjork herself would approve of the reaction to her music which she gets. I actually think that this album and certainly Utopia are a lot more accessible than some of her earlier stuff. I do play these albums more than anything else of hers. The problem I have with Bjork is that I love a melodic song and she often comes up trumps and traps you momentarily before she goes off in a direction I don’t want her to go. So I can listen to half of her albums quite happily but a full album listen is not for the faint hearted and very much a challenge. But as I say I can normally better that with this album and get to the second side before I crave for something more normal. Bjork is out there on her own and trying something new every album. For that reason I applaud her and long may she continue. And who knows one day she will serve up an album full of beautiful melodies but I doubt it. The other versions I talk about with strings and live are well worth a listen and stand out on their own. 4/5 17/10/24

Looks and album titles can be deceptive. As illustrated here. One look at this album and I wasn’t looking forward to it. But what a great guitar solo to start it all off. Not what I’d expect on a funk album and it wouldn’t have sounded out of place on one or two of my prized harder sounding prog rock albums. Well produced sound as well. Guitar echos bouncing from my speakers to every corner of my lounge. This was 10 in the morning so what it’ll sound like at night after a few beers?? That first track was perhaps the highlight (so much so that I bookmarked it as a favourite) as it soon reverted to what I expected and a funk sound which does not do it for me. But then Super Stupid came along and I could have been listening to Hendrix. Wiki dares to state that at times tracks on the album bettered Hendrix. Wouldn’t go that far but a great effort as regards that one track. The long last track, Wars of Armageddon I was expecting another great guitar solo but it turned out to be an overlong jam. But that great first track really made this album and worth the entrance price alone. Cover art was intriguing. Was that a head of someone buried whose brain had been infested with maggots or just a carelessly discarded head? Either way not worth pondering too long at 10am. 3/5 18/10/24

I’ve mentioned before that The Flaming Lips are really a group I should listen to more but I’ve never happened to come across any of their music to keep me captivated. But this one did the trick. Loved mostly the lush and moving orchestral interludes and some nice melodies. The one thing which prevents total devotion is Wayne Coyne’s voice. I just don’t like it at all. As I say the music behind the voice is good but that voice! Would probably appeal to me more if there was a female singer. But that won’t happen so it is what it is. Not a bad album by any stretch and I would be glad to hear it, as I seem to do often, stream on an algorithmic shuffle. 3/5 19/10/24

Not a Country music lover at all and this album did nothing to change that point of view. A genre I will never play and even avoid. My lack of Country music knowledge means that I cannot make a judgement on the actual quality of the music and where it stands compared to similar albums. I therefore go with my gut to say it’s a big miss from me. 1/5 20/10/24

I’m OK with all the 1950 albums this list generates partly because it was the decade I was born and there might be some hidden gems i don’t know about. That is true in one or two of the albums so far generated but the rest seem to be live recordings. I would say that the ratio of live albums from the 1950’s seems higher than other decades as there are fewer albums from the 50’s. Anyway putting that to one side and the argument about the validity of live recordings on this list at all, I did listen and quite enjoyed this album. Sarah Vaughan is someone I know very little about but these songs were vaguely familiar as many were sung by my dad when he was shaving in the morning. Not good at the time (as I was still trying to sleep) but anything now to remind me of my dad is very welcome. 2.5/5 21/10/24

Can’t see how this is a groundbreaking album of note. Just normal stuff I’ve heard a million times before. There are at least 1001 albums better than this. 1/5 22/10/72

Is American Pie the most famous song in the world? It’s the only one I can sing in the shower word perfect from beginning to end. I think this is some feat given its length. The only song of that length which comes close to a perfect singalong is Stairway To Heaven, another song of similar stature, but I have to confess I do fumble the words when I get to verse 6. It is of course also a great drinking song and I can look back fondly on those drunken nights, lads together, arms around shoulders, bellowing out the lyrics at the top of our voices. The album also features Vincent which is another great song. Not in the same league as American Pie but a lovely gentle reflective song which you can relate to a lot of events happening in your life. Then there is the rest of the album. I bet I’m not alone when I say all the other songs are relatively unknown to me. This is not to my credit. I have the two aforementioned songs on various greatest hits CD’s so I never bothered to buy the album. I have listened to it in full before but it never made a mark with me. Today was different and I listened to it skipping the two big hits, to assess if I would buy the album in that format. My answer is yes I would. Some good songs which In their own right stand up but obviously have suffered because of the magnitude of the big two. This is an iconic album deserving of its place on the list because of its title song alone but worthy of merit for the quality of the supporting songs. An album which should have been in my collection long ago. A serious wrong which I will soon put right. 5/5 23/10/24

This ain’t music. Good music is produced by people who have talent, expertise and able to demonstrate this either live or on record. Any music lover should at least appreciate all forms of music even when it is not to their own personal taste. I struggle to find anything on this album which ticks the aforementioned boxes. It what circumstances and surroundings would you actually put this album on and listen to it? To sit and listen left me feeling uncomfortable and stressed. It’s not anything you could have on in the background when doing other tasks as you may as well have the sound of a pneumatic drill coming out of the speakers. The structure and constant time changes make it impossible to sing along with. Maybe this is what the Icarus boys wanted to achieve in the name of art maaan! More worryingly I wondered how the experts compiling this list came up with this choice so I consulted the entry in the book. “The perfect punk statement”. “Huge sonic step forward” lyrics of “Insightful tales of gutter living” are just some of the platitudes. Really? Anyhow why should I care? Never heard of this combo before and whilst I got a bit cross that it was ever thought good enough to go on this list I will never give them another thought and delete the tracks I played so that my streaming algorithm doesn’t get the wrong idea. 1/5 24/10/24

It was only two days ago that I was served up the American Pie album and I suggested that the title track was one of the most famous songs ever. Then today I get Hotel California and it could be argued that this albums title track is equally popular. There can’t be many who don’t know this song. My own personal view of the album is that I never liked it enough to go out and buy on release but as time as passed by I have begun to appreciate its worth and I have since purchased it. No self respecting record collection should be without this album given its now iconic standing and the fact it is one of the best selling ever. Having said that it’s not an album I ever reach for in its own right but happy to hear tracks randomly on shuffle. When I hear the title track, which is often, I now always relate it to the UK’s Brexit problem. “You can check out anytime but you can never leave” I also think that those immortal lyrics can be applied to a lot of other life situations but unlike American Pie those are the only lyrics I immediately recall so on that basis alone when considering the battle of the Dons it is McLean who beats Henley. 4/5 25/10/24

Ahh the Shoegazing genre. Never heard of it until I started on this list but well acquainted with it now. Actually I’m a bit of a shoeqazer myself. This is restricted to toiling up English Lake District mountains where steep ascents mean watching your feet plod steadfastly along. This is always done with AirPods in ears listening to my favourite combo’s and every so often averting my eyes from shoes and lifting my head up to enjoy the marvellous vista’s in every direction. Now I’m sure that these shoegazing pursuits will never involve this album. In fact the thought of this album accompanying me up the fair slopes of Harrison Stickle would besmirch the loveliness of that mountain. I know that this review does nothing in accessing the worthiness or otherwise of this album but the fact that it has nothing of merit gave me chance to wax lyrical about something of much more importance. Hill walking with for instance Pink Floyd, now you’re talking. I’d only take this album with me to dump in Mount Doom. 1/5 26/10/24

Heard of the Cowboy Junkies but never listened to them so this was a complete new experience for me. Not exactly what I expected. Some tracks very good others a bit meh. Nice touch to record the album live around just one microphone. Despite that a very nice sounding album which captures the intimacy of the session. Not an album I would rush to listen to again but another album I can add to my 1001 discovery list. 3/5 27/10/24

My 300th album! Don’t let the existence of this album distract you from the fact that there are 49million kangaroos in Australia and 3.5 million people in Uruguay which means if the kangaroos were to invade Uruguay, each person would have to fight 14 kangaroos. 1/5 28/10/24

I often think that I was born a bit too early to like this really heavy thrash metal stuff. When I was in my mid teens I couldn’t get enough of the heavy rock groups who were around then. Deep Purple in particular. But I cannot think of any bands around then who played rock at this speed and intensity and who would have made Purple look like pussy cats. If there had been I’m sure that I would’ve gone for them wholeheartedly and the hearing loss I now suffer as a result of placing my head between two speakers, on at full pelt and headphone style, would have been a whole lot worse. As it is, when I did eventually get to hear stuff like this album my musical tastes had gone off in another direction and I discounted it like I do now has horrible noise. I struggle to think of any circumstances when, where, how and why it would be a joyful experience to listen to this album. But then I’m probably forgetting my time as a spotty faced teenager in my bedroom with my mum at the bottom of the stairs shouting at me to turn my music down. That was then but this is now and today’s listen wasn’t a very pleasant one at all. 1/5 29/10/24

With it being Halloween season was not surprised when I opened today’s selection and saw the album cover. Took me a few seconds to realise that it was not a pumpkin but a bald bonce belong to Isaac Hayes. This would have been an album I would have avoided at time of release but reading the albums Wiki page I was encouraged not to dismiss it now out of hand. And I must say I was at least 50% surprised. The two long tracks were particularly good and appealing mainly due to their orchestration and the way the tracks built towards a dramatic end. Both those I have favourited for future listening but as for the rest and the album as a whole I won’t bother revisiting. 2.5/5 30/10/24

Leaving the music to one side for a moment because it’s not worth talking about at all, The Afghan Whigs is a very interesting name for a band. The Whigs were a political party from the 1600’s who were the forerunners to the UK Conservative (Tory) party. If I were to think of a more polar opposite to pair Whig with I doubt I would come up with Afghan. If this was the intention of the band then I applaud them come coming up with such a dichotomous name. The last time I checked Afghanistan was ruled by the Taliban and were even a thing in the 1990’s when this album was released. The Whigs and Taliban are very strange bedfellows which brings me to my second point. Are those images on the album cover young children in bed? In this day and age I’m a little surprised the album cover still appears in its original form. Might be me but this was the first thing I thought of when I saw the cover. I gather the cover is based on a photo entitled Nan and Brian in bed which does have sexual connotation’s. That in itself is enough for me to boycott this album and I have no interest whatsoever in the music. 1/5 31/10/24

After four 1 star reviews in the last week this album is a breath of fresh air and very welcome break from the dross I’ve been served up. In their early days and from the time this album was a product of, I was a big Purple fan. Having said that this is probably my least favourite album from that era. Their other albums from that period contain a lot more decent tracks than the ones making up this album. Machinehead benefits from containing what is arguably Purples most famous track, Smoke On The Water. The riff of that track is instantly recognisable and again arguably one of the top guitar riffs ever. Inclusion of that track alone makes this a five star album but it is admirably backed up with two other gold standard tracks Highway Star and Space Trucin’. Beyond that though for me the standard of the tracks are not top Deep Purple fayre but enough for me to give it its obligatory 5 stars. 5/5 1/11/24

Yesterday I got an album which I said contained one of the most instantly recognisable guitar rifts ever. That was Smoke On The Water but the big track on this album, Seven Nation Army arguably trancends that. I was a late convert to White Stripes and only got into them by seeing them perform on television. I was intrigued on how a duo managed to make such a big sound. I own this album having bought it on the strength of seeing them on TV and wanting to investigate further. I now love the White Stripes and this album is perhaps my favourite. Only caveat is that I need to be in a loud music mood to listen to them. But when the mood hits this is a fine album to spin. 4/5 2/11/24

I remember buying this album on CD in a sale. It was more a punt rather than a must have largely down to its cheap price. I’ve found that the more I have listened and got used to it the more I like it. My son who is a big Arctic Monkeys fan heard a track from the album which had randomly come up on a shuffle play. He thought I was playing an unknown Monkeys track which told me where the biggest influence on this album came from. A good album which I’m glad is in my collection and as a bonus at a bargain price. 4/5 3/11/24

This album came out without me taking too much notice but I was aware that it quickly gained a lot of media attention and acclaim. Because of this I thought that I should give the album a listen but never got around to it. So Portishead for me remained a signpost on the M5 which I used to see on my way to Cornwall. I gather the name came about as they largely originated from the Portishead area. A good name but a good job they weren’t from the Ramsbottom area of Lancashire. The album has reached so much notoriety, as illustrated that it’s on this list, that I recently bought the album cheap at a charity shop. To my disgrace to some I suppose this was the first time I had listened to it in full. My honest conclusion is that I don’t think I have wasted the years this album was not in my collection. The overriding feel of the album is spaced out hip hop James Bond theme music. So not to my liking but it has allowed me to become aware of the lead singer Beth Gibbons. She has released a corker of an album in 2024 called Lives Outgrown so that is something in Dummy’s favour but little else. 2.5/5 4/11/24

My third Miles Davis album and perhaps his most popular. As I have said before Jazz was never my favourite genre but the albums by Miles Davis on this list are largely responsible for me appreciating it a lot more. I have bought the CD version of this album and happy to listen to it anytime. It is a challenge to listen to in full from start to finish but if you pick any one of the longer tracks this is just enough to give you as entertaining jazz fix. It’s fully deserving to be on this list and as it’s described as one of the greatest jazz albums ever, a must have in my own collection.. 4/5 5/11/24

Over 300 albums in and I see that Marvin Gaye is recorded as the only controversial artist I have by the 1001 Gods. 5 stars for What’s Going On but only 1 for Let’s Get It On. Retrospectively I think I was a bit harsh with Let’s Get It On having appeared early on before I got a fair and constant marking system clear in my head. More so now that this album appeared today. Compared to Let’s Get It On this album would go into negative rating territory if there was such a thing. I don’t doubt at all the talent Marvin Gaye had but this album to me is same old same old and sent me to sleep. The only good thing about it is that it reminded me to listen again to What’s Going On and wonder why I gave that 5 stars. And I also wonder by giving this a 1 Marvin will no longer be controversial to me. In my head he never was but I don’t argue with the 1001 Gods. 1/5 6/11/24

An album which I was not familiar with but once listened to contains a lot of familiar songs. All standard 1960’s fayre which for a chap my age creates a lot of nostalgia. Pick of the bunch must be Wasn’t Born To Follow, one of the standout songs from the soundtrack of Easy Rider. An iconic film of the time and which spoke to my generation even here in the UK. For this reason that soundtrack should be on this list but as it’s a compilation of various artists it is not. It is also hard to find now but there are plenty of playlists compiled by enthusiasts like me, on the streaming platform’s, which you need to listen to. This is a very good album. There’s quite a bit of phasing technique’s going off which certainly puts this album in the 1960’s but that is not to its detriment. A very enjoyable discovery and an album I will return to. 4/5 7/11/24

Another album I don’t need to listen to I know it so well. I am the proud owner of the original release. With a number embossed on front, poster and four Beatle portraits each with drawing pin holes in the corners as evidence that they were on my bedroom wall until I left home. Constant playing on a Dansette record player means that this original copy is not in the best of health but nevertheless a very cherished possession. I have since bought the album a number of times on CD and vinyl as a mark of how much I value and treasure this album. It does contain some of the best and worst Beatle songs but the good outweighs the bad. When I say bad this is probably restricted to Revolution 9 which as a teenage boy I never got. My dislike of this explains the loud click and jump at the beginning of Goodnight caused by the Dansette needle plonking down repeatedly when I skipped this track on my original disc. Nowadays I have warmed towards Revolution 9. Not as a song but more of a historical statement made at the time. Given that I have now moved on from a Dansette to higher end hifi gear I hear different things every time I sit through the track which is probably The Beatles intention from the start. As for the good Dear Prudence, While my Guitar etc, Piggies, Mother Natures Son, I’m So Tired and Yer Blues are the outstanding highlights for me. Some of the finest Beatle tunes ever. Also it is a family tradition now to play Birthday for everyone on their birthday morning. Although now older my son does not always appreciate this if celebrating his birthday the night before but admits he would miss this annual event. One of my top ten ever albums 5/5 8/11/24 Addit- just as I finished typing the last couple of minutes of Helter Skelter came on. Bloomin’ ummer’s is there ever a better ending to a song ? And then “I’ve got blisters in me fingers!!!” Followed by Long Long Long. How many times have I sang that in my head and dedicated it to a lost love? Add them to the good ‘uns above.

I’d forgotten and had to check but I have the 7” single I’m A Man taken from this album. That also brought me back to the reason I bought it. When I was a Cadet in Wakefield back in 1970 this was a record my mates and me would constantly play on a juke box in a Wakefield pub. It had all the necessary components that young teenage lads would have liked then. Good riff, long drum solo, crunching guitars etc. it was also over 7 minutes long so good jukebox value. So good to hear this track again and whilst doing so I delved into my memory and realised that I did try to get into Chicago at that time but eventually gave up on them as they were a bit jazzy for my tastes. Whilst my indifference to jazz has now changed to an acceptance, the type of jazz I now like does to run to that which Chicago turn out. It was good to hear this album and the fact that it rekindled forgotten good time memories. 3/5 9/11/24

I was pleasantly surprised by this album. Not the normal hip hop rap I normally hate. Don’t get me wrong not an album I could cherish or love in any way but some of the musical arrangements and assorted genres used or very interesting. These are spoilt of course by the vocals and lyrics. Glad I’ve heard it and can now associate something if Mike Ladd comes onto my radar again. But I’d prefer it if Mr Ladd left me in peace in future. 2/5 10/11/24

Not a favourite band but one I am aware of but never bought any of their music. Certainly back in the 80’s their music was everywhere so when I listened to this quite a few tracks were familiar. This is music of its time so from a nostalgia point of view nice to reminisce again. Trouble is after a few tracks they all seemed to merge into each other and began to sound the same. A problem music of this type seems to share. I blame electronic drums and the constant beat uninterrupted by a human putting his/ her style upon it. That said this album is a good example of what was happening in the late 80’s and better presented than a lot of other bands around at the same time churning out similar stuff. 3/5 11/11/24

I bought this album as a punt cheap at a record store sale. Had never heard of Aimee Mann but the cover attracted me for some reason. Probably thought she was a bit like Alanis Morissette and that rebellious female rock stuff that was around at the time. It turned out to be money wasted as although Aimee might have thought she was like the Alanis set, she was a lot lot more MOR. Got rid of this CD and never expected to hear the album again so was surprised that it turned up on this list. Listening through the album again confirms that my initial view of it stands firm and there is nothing here to interest me. 2/5 12/11/24

I was never a great Rolling Stones fan. In my age group there was Sones v Beatles debate and I came firmly down in the Beatles camp. Whilst there were Stones tracks which I really liked I never bought any of their music apart from a greatest hits CD. That is until recently when I have become a music collector again and deciding that in addition to my all time favourite albums I also need to include classic albums not necessarily to my taste. So it was only in the last month that I obtained this very album for it to become my first purely Stones album I have ever owned. This was not by choice. Rather than Qobuz began to offer HiRes DSD downloads for the first time. The catalogue they were offering was very limited but Let It Bleed was included and appeared to be the best choice. So I have listened to this album quite a bit even before it appeared on this list. The DSD version is something to behold and sounds out of this world. But I don’t want that to cloud my judgement as any old bit of Muzak would sound fantastic given the DSD treatment. For my tastes 50% of the album is good. Gimme Shelter and YCAGWYW speak for themselves and are classic tracks. The title track and Monkey Man are also good standouts. The rest are OK and instantly recognisable has Stones tracks but for the reasons which I must have formulated when I went for The Beatles all those years ago I can take or leave. 3/5 13/11/24

Album Review: Winter in America by Gil Scott-Heron and Brian Jackson Winter in America, released in 1974, is one of Gil Scott-Heron and Brian Jackson’s most essential and moving works, blending socially charged poetry with soulful, jazz-inspired sounds. This album stands out in Scott-Heron’s discography for its powerful lyrics and atmospheric instrumentals, which capture the mood of a country in turmoil. Strengths: One of the album’s greatest strengths lies in its bold social commentary. Scott-Heron’s lyrics address political disillusionment, racism, and urban decay, offering listeners an honest and sometimes bleak look at life in America. Songs like “The Bottle,” with its infectious rhythm and searing critique of addiction and poverty, became an underground hit and an anthem of protest for many listeners. Meanwhile, tracks like “Peace Go With You, Brother” and “Your Daddy Loves You” show a more introspective, compassionate side, balancing the album with warmth and hope. The collaboration between Scott-Heron and Jackson is seamless, and the album’s production values reflect their shared vision. Jackson’s soulful flute and piano complement Scott-Heron’s rich, resonant voice, creating a hauntingly beautiful soundscape that underscores the themes of social hardship and resilience. The fusion of jazz, blues, and spoken word makes this album unique and immersive, drawing listeners into a world that feels simultaneously timeless and urgent. Limitations: However, Winter in America might not appeal to everyone. Its emphasis on social issues and the sometimes dark, introspective nature of the lyrics might feel heavy for listeners seeking lighter themes. Additionally, some might find the production slightly dated, as it carries the lo-fi quality characteristic of 1970s independent records. Final Verdict: Winter in America is a landmark album that encapsulates Gil Scott-Heron and Brian Jackson’s musical and social legacy. It’s a must-listen for fans of socially conscious music and those interested in the roots of hip-hop, as Scott-Heron’s work laid the foundation for later generations of politically-minded artists. The album remains relevant today, resonating with ongoing struggles and triumphs in society. Winter in America is not just a listening experience but a statement, asking listeners to reflect on the state of the world while celebrating resilience, community, and hope. Today I’ve been playing with the new Apple AI intelligence whilst listening to this album. Can you tell? 3/5 14/11/24

Best thing I can say about this album is that compared to other hiperty hoperty (c)rap music I’ve so far (too much) been served up there’s hardly any horrible gangster speak, glorification of guns and knives, misogyny etc. Apart from a track title little use of the N word as well which is another small blessing. Other than that I struggle to say anything positive but realise as I have said many times this music was never made for me in mind and perhaps it was made to make people like me react as I do. If so very well done 😉 1/5 15/11/24

This is one of my top albums. I didn’t buy it on release but probably like a lot more after the more commercial Led Zep 2 album (I refer to my review on 29\7\24 of that masterpiece) I quickly added it to my collection. I am almost certain that I bought this on my way home from Wakefield after my first job interview. As when I play the album it takes me back to standing suited and booted in Georges Square, Halifax waiting for a bus home so I could play the record asap. This is a lot more bluesy than their second album so has a young lad it took me a bit longer to get into it. But when it did if push came to shove I would say that this is their best album. There may better songs on later albums but has a collection of good songs from start to finish this album takes it. There just isn’t a bad song on it. If I were to pick a track above them all then How Many More Times would top the list. I love the pounding riff throughout and for me Jimmy Page’s guitar solo prior to “I was a young man, I couldn’t resist” is one of the best ever guitar moments for me. The way it returns to the mighty riff by way of “Cos I’ve got you in the sights of my gun”- is something to behold and an hair standing on the back of your head moment. This is an album I still play a lot. I see that younger reviewers describe the album as Dad Rock which I can see but I feel so sorry for these youngsters that they were not about at this time to witness and experience the excitement of this and dozens of other masterpiece albums released at this time. If they had have been then they would truly appreciate and cherish this record. 5/5 16/11/24

I don’t like Country music and I didn’t like this album. But whilst listening I thought to myself that this music could not originate from anywhere else other than the USA. This type and style of music could not be from anywhere else in the world which made me think of how it originated anywhere but there. I can hear no influences at all from what I understand to be native Americans or any of the hundreds if not thousands of different nationalities who emigrated to America. There are other types of music which have their roots in America and I can hear the influence of other cultures. I’m thinking here of soul music and the influence of black Americans but Country music as far as I can tell is firmly in the domain of white Americans and so must have their roots in the founding fathers who in turn originated from Europe. This is my point. How can European musical dna go down two widely different paths? English folk music was about in pilgrim times so I assume it continued to be sung on those cold Newfoundland winter nights. Or perhaps they weren’t due to strict Puritan values? Maybe English folk music was looked upon as the work of the devil and anyone whistling hey nonny nonny no down the street had seven bells kicked out of them in the puritan pursuit of discouraging immorality and other sinful activities. So it gave birth to this clean cut inoffensive wholesome music we now call Country. So I blame the bloody puritans for this album. 1/5 17/11/24

This album features for me one of my whole time keyboard moments ever on Light My Fire. The keyboard solo in the middle of that track is just sublime and the guitar solo ain’t bad either. It was sacrilege to cut these from the single version. I also love the first few minutes of The End before it goes a bit weird. The rest of the album is standard Doors fodder. OK but not great. But this is the Doors and Jim Morrison so deserves the accolades it gets. 3/5 18/11/24

Richard Hawley has two things in his favour. Firstly he’s from Gods own County Yorkshire and secondly both Guy Garvey and Jarvis Cocker rate him. However, he’s from the wrong side of Yorkshire and supports Sheffield Wednesday. Musically I must admit my only experience of Mr Hawley is via Guy and Jarvis playing his music a lot on their radio shows. I always thought he had a very distinctive voice and different from the mainstream but never heard anything he produced which would induce me to buy any of his music. This album was an interesting listen and an admirable attempt at a crooners album. His voice does lend itself to this type of music but I cannot help but think it could be better deployed with some really heavy rock sounds complementing those very low and dulcet tones. However his Yorkshire deity wins through here. Flat caps, whippets, stinginess and racing pigeons and any other stereotype the rest of the Country throw at us make us unique. 3/5 (because Wednesday will donate 6 points to Leeds this season) 19/11/24

Well I’d buy a bit of peace from this album. 1/5 20/11/24

Never heard of this guy so was interested in listening to something new. It’s difficult to categorise this album. Some good music arrangements but soon tired of the talking monotonous vocals. Not certain why or how this album made the list. Not so much an enhantment but more of a chore. 2/5 21/11/24

Pixies are a group I know little of or have any inclination towards. In fact the only time previously they came on my radar was a couple of months ago when they appeared on my 1001 list. Didn’t like that album and like this one less. As I said then not a complete musical disaster (allowing that a lot of folks do like them but not me) but nothing which lubricates my girth. 2/5 22/11/24

One of the most iconic album covers ever and an album which has also become iconic over the years. This album appeared in my youth but as it was American it made no immediate impression on me. But as the years progressed and Lou Reed and Nico became more famous so did the standing of this album. Even then and having listened I was never totally sold on it. More recently I did change my view on it and actually purchased it as really for a music collector it is a must have album. Best bits are those involving Nico who I have gone on to seek out her music. Love her doom laden voice which is unlike anyone else and instantly recognisable. 3/5 23/11/24

My ex wife liked this lot so what do you expect? 1/5 24/11/24

I’m surprised Beastie Boys are not on my controversial list. I hated III Communication but quite liked Licensed to III. Both these appeared on my list at the beginning of this year and at the start of my 1001 quest. Unfortunately this album reverted me back to what I originally thought of them. I never knew of this album and now really need to forget it. 1/5 25/11/24

Like ambient music but this is too harsh on the ears

Now I know where Roadrunner is from and that the original was not by the Sex Pistols. Apart from that track nothing here to inspire me.

In common with the albums which were to follow I find this album is largely unlistenable apart from the single Public Image which is probably an insight into what the Sex Pistols may have become. The Religion tracks I find offensive. So anyone thinking that PIL have musical value and groundbrreaking are in my view delusional and have been taken in by John Lydon’s sneering remark and his nod to the truth when he said ‘Ever get the feeling you’ve been cheated? ” I think that this is his intention all along to see how much he can get away with and how gullible we all are. That said as the years have progressed I have warmed towards John who has become very much a national treasure. But this cannot take away from the fact that this album is an absolute disgrace and an abortion. 2 (only because of the Public Image Track)/5 28/11/24

This is an all time classic but in common with most PG albums for my own tastes there are really exceptional tracks which rank in my all time favourites but also tracks which I can take and mostly leave. This album is perhaps the best example of that. Red Rain, Don’t Give Up, In your eyes and Mercy Street are off the scale and beyond outstanding tracks which I could listen to on repeat all day. But then there’s Sledgehammer and Big Time. These are two of the biggest hits off this album but leave me absolutely cold. Despite the existence of these lesser tracks there is still more than enough to make this album a notable must have classic made by one of the most talented songwriters and performers of the last 50 years. Maybe he intended his albums to appeal to all tastes so that there is something in them for everyone which if true is again a measure of his talent. This trait continued in his subsequent albums. With the advent of easily made up playlists I believe that I have compiled for myself the perfect Peter Gabriel album spanning his post Genesis career right up to his recent album IO. But that is the abnomaly. IO is perfection in every track. Thought I’d say that because IO is unlikely to feature on this list until maybe the next revision? But I have it pencilled in as a possible 1001 ending choice. 5/5 29/11/24

The XX have always been on the edge of my musical consciousness. I was aware of them when they first appeared on tv music shows and charted. I liked the vocal style with the interchange of two different singers along with some distinctive guitar playing. I have their first two albums on CD bought fairly recently cheap at charity shops. I just digitised them for random playback without really taking the time to listen to the albums from start to finish. If I’m honest I would struggle to name a single track. This album is in the same mould as the ones I have so didn’t offer any surprises. Still an enjoyable listen but won’t be buying the album. At least until I’ve actually become more familiar with the ones I have. Credit to them for achieving a very unique sound which is also evident on this album. 3/5 30/11/24

Not many album covers bother me but for some reason this does. There is something in that picture which unsettles me. Not a new thing has I can recollect whinching away every time I saw it when the album was new and popular. Now an album cover should never detract from the music therein but has I was never interested in Supergrass in the first place this was an album which I never went near. So when this album popped up this morning and after clearing up the sick I did give it a listen for the first time. It’s standard mid 90’s britpop but nowhere near the excellence of Oasis or Blur. So just why its on this list is a mystery. Having said that it’s not as distasteful as its cover and sits firmly in the ‘an album I would never buy but happy to hear occasionally on a random playlist’ category. 2/5 1/12/24

What a load of tripe. Best thing I can say there were a couple of recognisable songs which I didn’t like anyway. 1/5 2/12/24

Never heard of this beat combo so wondering if they never made any impact here in UK. I Paused here whilst I consulted the internet for any major UK references. Not much at all apart from reading Half Man Half Biscuit name checked them in a song of theirs. So that’s an interesting fact and probably the best thing I can say about this album. I’ve heard the likes of this album so many times done by artists a lot more musically competent. 1/5 3/12/24

Not a big Bowie fan but appreciate his immense contribution to modern music. This is a good example of why I don’t go overboard on Bowie. Not one song on here which I like. That includes the couple of big hit singles. Would like to hear where big Bowie fans would place this album on their all time list. I suspect it won’t be anywhere near the top. Certainly lacks a lot for me. 2/5 4/12/24

Generally I'm not a great lover of pure electronic music. I don't dislike synths and the like but prefer them with analogue instruments and voice. However this album seems to have been around all my life and just about every track is recognisable either because it was a hit or used for TV programming or adverts. It is also one of the first albums of its genre and certainly made a mark and was a great leap forward in 1976. Even more remarkable is that 1976 was peak punk and at that time this album could have been considered proggy and everything that punk was rebelling against. Luckily JMJ is French a nation who do not follow and which explains why and how this album was ever made in the first place. So for all that this album is an album which I do rate. However as time went on and this genre of music shed its Prog clothes and went on to produce countless duplications of this albums formula, I soon tired of it. In fact the reason why I don't enjoy electronic music is because of the sheer ubiquity of records like this. If this was the only JMJ album ever recorded then it would be an extremely coveted classic and my rating reflects that conclusion. 3/5 5/12/24

When the Sex Pistols arrived it is fair to say I hated them. I also hated all they represented as well as the entire punk scene. I was after all in a profession which the Pistols and all their sort would hate as much as I hated them. Let alone my main musical tastes, Prog Rock, which was the complete opposite and often cited why punk rock was established. When this album was released the UK Fire Brigade were on strike with the Army deputising for them. The Army had no idea where they were going so needed to be escorted which is what I was doing. The Sex Pistols were booked into a Keighley nightclub Nikkers for a gig and as a goodwill gesture the Army lads were invited free. A mate and I were able to go on the back of not many of the Army lads were up for going. To say I was transformed is an understatement as I would put it in the top 3 gigs I have ever attended. Not because of the music which to be honest was not very good but more for the chemistry the presence of the Pistols made in that very small club. The acoustics were awful and I now shudder to think what would have happened if there was a fire (ironic given how I was there)as the place was overcrowded but that made for an atmosphere I have only experienced that once. I cannot now remember if I had bought the album before the gig in anticipation or afterwards now that I was then a convert. I continually played the album over the next year or so. I knew it was very raw and basic but it served as a reminder of that great night. But eventually as the punk movement burnt itself out and became a cash cow for the record companies who would promote anything they thought would replicate this album, my enthusiasm also waned and I once again returned to my preferred more sophisticated music. I don't often play the album now other than to rekindle memories. Anarchy, GSTQ and Pretty Vacant are to me the best tracks which I never tire of. The album as a whole is not really very good but that is not the point. It will always be a statement of that point in time and probably the best one. It is iconic and has one of the best and most recognisable album covers ever. A work of art which pictorially tells you all you need to know about the music and generally what was relevant in 1977. 5/5 6/12/24

Kon'nichiwa, mō ikanakya 1/5 7/12/24

US punk is not for me. My view is that the best punk bands originated in its birthplace the UK. The one exception is The Ramones but not sure if you could label that punk. More like good short melodic tunes played fast and loud. Never heard of the X before and I could have done with being blissfully unaware of them as this album is one of the worst to pop up on this list. Just shouting over simple guitar chords. I read that the female vocalist is now suffering from MS which I sympathise with but I found her voice so annoying and put me off listening to the album in full. 1/5 8/12/24

Once owned this album on CD but tired of it and eventually sold it. I’ve not listened to it since. Listening today was an enjoyable reacquaintance and a reminder why I bought the album. Not enough to think I’d made a mistake getting rid because it isn’t an album I could listen to repeatedly. I know that because during my trawls of cheap charity shop CD’s it is one of those albums you can always more or less guarantee will be for sale and so far I’ve resisted even though it costs only a few pence. Given the number of sales on release this indicates a fair few others followed my example of getting rid. However, this does not detract from the fact that it is a good album and for every person selling the album on there’s probably double that cherishing it. 3/5 9/12/24

As I progress through this list I’m realising that when I get an album which I like I find it easy to write about (which I guess I’m stating here the bleeding obvious) But when I get an album which I consider bad it’s harder to come up with comments and emotions that I have not used before. Sometimes a bad album might have been made by an icon and considered globally as a classic. In which case I can say it’s not my barrow but I can appreciate the impact it made on music and deserving to be on this list. Which brings me back to my original point and this bag of shite. I’ve already used all the expletives and dismissive’s for all the other crap I’ve had to listen to. I don’t just like saying ‘not my cup of tea’ in one line as I prefer justify why don’t like it. But as I’ve now waffled on and my review looks long I can now end without saying anything remotely knowledgeable or assessing the musicality of this album and thus fooling everyone except myself. Who reads this anyway? 1/5 10/12/24

Another album which manages to revive bad memories. Primarily Thursday nights at the local Mecca Club where music on this album and similar would be played. Fortunately at that time I would be normally drunk so would generally have enough confidence to dance to it in the hope of attracting a young lady. But as these Thursday nights were billed as “Grab a granny night” you can possibly understand my reasoning for bad memories. That aside the music itself I could put up with as a means to an end at the Mecca but in the sober cold light of day I classed it just as bad as the headache and sketchy recall of the events the previous night which involved a ‘beautiful’ eight pinter. 2/5 11/12/24

Like been on holiday in Benidorm drinking a cold beer in a bar and in the shade. Great when you’re there but instantly forgettable when you get home. 1/5 12/12/24

On the back of discovering The White Stripes late on and in fact after they had disbanded, I saw this album selling cheaply in a charity shop so bought it. And a bargain it has turned into. An album which gets better after each listen. Continues what I said previously about White Stripe albums on this list, a good solid album made by someone who has enormous talent and somehow produces a big sound. It was astounding the sound just two of them made but even without Meg Jack somehow still manages to conjure up a wide sonic experience. 3/5 13/12/24

I refer to my previous review of Merle Haggard’s I’m a Lonesome Fugitive, this all is the fault of the Pilgrim Fathers and puritan values. But I see a trend developing here - Lonely and lonesome!! I wonder why? 1/5 14/12/24

Don’t play this stuff on principle. Glorify’s all what’s wrong in the world. 1/5 15/12/24

Weird one is this. There was a time that I wouldn’t have given this type of music Ska any attention and immediately dismiss it. But when the 2 Tone Ska revival came along I did eventually climb on board. Maybe it was because of the regular radio and club plays that I became very familiar with the style of music. I bought this album and other subsequent ones together with other’s in the 2 Tone stable. The biggest outcome I got from this was a desire to discover artists who the 2 Tone artists were influenced by. So I had a brief dalliance with the likes of Prince Buster, Judge Dread and Linton Kwesi Johnson. I also saw The Special’s live at St George’s Hall, Bradford in 1980 which was full of blokes dancing wearing pork pie hats. But the overall memory of this was the one and only time I saw someone crowd surf by diving off the circle balcony. Good gig but not enough to keep my interest long term in 2 tone and Ska. But plenty of music on this album to revive memories of that time so a worthwhile listen to a decent album. 3/5 16/12/24

Not a lot to say about this apart from I hope I get something I really like tomorrow. 1/5 17/12/24

My prayers were answered with this album appearing on my list after a long period of mediocre ones been served up. The first thing I’ll say about this album is that I will be forever regretful that I never bought it on release when it was offered in the round tin box format. In fact I never bought it all until recently on CD when I decided that it was a must have album of significant historical music value. Despite not having the album myself for many years I liked and was familiar with its contents. Importantly the Small Faces in this configuration were made up of four very talented musicians who were in the late 60’s were pushing the boundaries of music. Sadly two of these died very young. Ronnie Lane died of MS like my own brother so I know what he went through and feel a connection there. Steve Marriot was to me the UK’s Roger McGuinn super cool looking and someone a young lad like me would idolise. As for the music on this album I can understand how it divides people. Whilst there some big hits on it and well known the second side in particular throws up a lot of challenges. The album deserves a lot of repeated listening to discover a lot of its beauty. I think I might have been influenced in liking this album due to the appearance of Stanley Unwin on it. My dad loved Stanley who was one of his favourite comics and I can still see him now, laughing at his comical use of the English language. I think you need to be of a certain age to understand and appreciate this but I’m so glad for my dads sake that Stanley is immortalised on this album and because of this he will come to the attention of future generations. This album included my favourite track Song of a Baker and I remember them playing this on a BBC2 programme called Colour Me Pop. This was such a strong performance of that song. So much so that it is often repeated as an example of what was so good about UK rock in the late 60’s. A great album by a great group who showed their greatness by morphing into the supergroup Humble Pie and of course been at the start of Rod Sewart’s career. 5/5 18/12/24

Interesting mix of a number of genres. Can hear Latin and Country in there against a backdrop of Indie Rock. 10/10 for trying something new but unfortunately did not tickle my fancy. 2/5 19/12/24

As I’ve mentioned before I was never a big Stones fan and this album typifies why. Great musicianship throughout but after a while I become bored at the same sounding blues which is the Stones’ trademark sound. I do like one or two Stones tracks which are probably their most popular and famous but none of them are on here. Tumbling Dice is perhaps their best known song on this album. It says it all when I say that it is the best track on the album but still one I dislike. 2/5 20/12/24