1001 Albums Summary

A revolutionary message set to jazz, funk and afrobeat - what's not to like?

Beautiful vocal range and variability. Simultaneously introspective and joyful.

Surprisingly experimental, varied, poignant.

I prefer James Brown's funkier stuff and find it hard to appreciate a live album. Still, the influence he's had on artists over decades is apparent here.

Missing, Black Trampoline, Earthquake Weather, Hell Yes, Go it Alone were the highlights on a very strong album.

I love Grace Slick's voice but too many of the tracks (the ones she isn't leading) just blur into one another for me in the most uninteresting way.

I had this album, love the nostalgia and enjoyed it as background. Hard to think of it as essential though.

One of my all-time favourite albums. Beautiful melodies and moving vocals; an exciting blend of glam rock, cinema, pop and folk. Clear inspiration for so many of the best indie bands in the decades that followed.

Ah, the album that pits my feminist principles against my love of good beats, poignant storytelling and BIG's mellifluous voice and flow - still an incredible listen 30 years on.

Stylish and sets a mood - but I don't hear what sets it apart from the atmospheric sea of electronic chill-out world music of the late 90s /early 2000s (think Buddha Bar and Cafe del Mar compilations).

Love this album. Ellington really knew how to make use of his musicians' incredible talents. Diminuendo in Blue is just thrilling.

Smooth, feel-good blues album.

Grows on me with multiple listens. Last 3 tracks are the best. Interesting choice for the list.

Enjoyed this way more than expected - so funky! - and props for providing the samples to some great hip hop tracks.

This is 50-50 for me. Half of the songs I really like, the other half, not so much. I miss how many different types of music co-existed in the 90s compared to now.

Having loved the funk jams of BSSM, this album is so very boring. I can't believe I endured the whole thing.

The simplicity of the music is hypnotic and allows the poetry to reach deep into the soul.

80s synth-pop made timeless by Lennox's incredible vocal talents.

Can I have this album without the last 4 tracks, please?

Some good tracks that I appreciate more with subsequent listens (Rich, Date With the Night, Man, No No No), but I would argue the genre is better represented by other bands of the time - or maybe Karen O's 'beautiful mess' schtick just isn't for me.

Tooting Bec Wrecked is the highlight amidst a lot of cheesy schlager-rock party tunes.

Atmospheric, but also twee and monotonous.

This fusion of house, ambient, trip-hop, jazz, bollywood and Björk's iconic vocals has been making me happy since 1993.

I come back to this album less and less as I get older, but I can't deny that it still makes me want to wreck stuff or dance til I puke.

They got skills but mostly, I felt nothing and will remember nothing (exception: In Memory of Elizabeth Reed).

This album has so many hallmarks of what I hated most about 80s pop (cheesy sax and electric guitar filler, plodding pace, repetitive). But, some catchy melodies and hooks, esp. Head Over Heels.

Always down to drink and wallow with Tom Waits, but I'll save some stars for what I know is yet to come.

I could accept this more if it had just focussed on the soundscapes. But the droning, over-long vocals makes this hard to endure.

Just beautiful.

I know all about Little Richard’s role in birthing rock n’ roll, but I was still surprised by how much I enjoyed the entire album - pure energy and fun. Also intrigued by the androgyny of some of the vocals.

I dig the mid-tempo grooves on this album though nothing quite compares to Good Times.

Just a good garage rock album that gets better with each listen. Really like the bass on this album.

Arty, experimental, funky, punky, neurotic and amazing.

An easy-to-listen-to collection of "old time gooders".

Immediately drawn in by his rich, commanding voice, and Otis Span’s piano work.

I like the eerie undertones - Man at C&A, Pearl's Cafe, Stereotype, International Jet Set are the standout tracks.

I like Pulp, but my fave tracks are on other albums. The songs are bright, witty and polished but tracks like Something's Changed and Underwear appeal to me more than the anthems.

I respect what they attempted here with textures and moods but it drags and didn’t grab me, even after repeated listens. April 5th was the standout track.

So McLaren stole pre-existing music from black artists, claimed it as his own, then spoiled it with his annoying bleating and making it sound like parody. I'm sorry that this is how Brits were introduced to 'hip hop' - but that doesn't make this a must listen for anyone.

Such a great vocal style and varied arrangements. Reaches an emotional depth that his contemporaries didn’t.

It's fine. I dig the bass, I like the singles - rest of the album gets repetitive.

My 2 stars is for Killer Queen alone and bc I’d feel like a jerk giving a 1 when so many people seem to love this.

There’s so much here to love musically, lyrically, creatively.

Impressive that these songs were written by a highschooler, and at the same time could only have been written by a highschooler.

With effort, I could find something to enjoy in My Girls, Summertime Clothes and Bluish, but the rest was a chore that left me feeling stressed out.

I love the restraint of MJ’s vocals here compared to later stuff - beautiful. Perfect match for the funky/groovy/soulful brass, bass, guitar & percussion.

Laid back, jazzy, fun, great use of samples.

This is so dumb. What a treat.

Funk with a big dose of strange, yet tamer than expected.

Impressively diverse samples, beats and rhyme styles; minimalist and chaotic at the same time – it’s also harsh and violent, which limits how often I can listen to it.

Angsty.

Indian Electronica Madonna is my favourite Madonna!

There’s Always Tomorrow and Stepping Stone are the 2 decent songs. The rest is forgettable.

Run DMC, er...walked? so that Beastie Boys could run!

The album we played when having friends around for late evening drinks. A bit bland but associated with some good memories.

The last good album before Coldplay started phoning it in. Warm, intimate, melodic.

Another one? Ok, Aha Shake Heartbreak was a pleasant surprise so maybe…uh…oh wow…this is super irritating and monotonous. Made multiple attempts to get through this album and I just can’t.

I only ever appreciated and enjoyed Dylan in small doses, but the story telling and introspection of this one kept me hooked to the end.

More variety and depth than I expected from a band I had written off as yet another grunge outfit.

Warm and easy, with a bite behind the sweetness. Few pull off the cutesy girl voice as successfully as Nina Persson.

Musically enjoyable, yes, but they lean so hard into replicating American roots and blues that, at times, it comes across as caricature.

I had never heard of this band before...and probably didn't need to. Some decent grooves here and there but nothing outstanding compared to other electronica albums released that year.

Cleverly crafted but surpassed by many of the artists and albums it helped spawn.

So good. Amazing vocals, great songwriting, dynamic arrangements, eclectic, rough, sensual.

Yes, their earlier stuff is better - more varied, technically impressive, powerful- but this album introduced me to Metallica and it still rocks.

Simple by today’s metric but the beats and MC chemistry still stand apart. Jam-Master Jay and It’s Like That are the stand-out tracks.

The throwback angle doesn't always do it for me but I love Missy's delivery and charisma so even one of her lesser albums is still pretty good.

Captures a particular place and time yet still sounds current . Fun, great hooks, incredible range, stellar songwriting. This is a Low is 🤌

This one is all about the voice for me. Great early morning or late night listen.

Who knew I liked gangsta rap? Not me. DJ Muggs stellar production and B Real's distinct sound won me over.

Intelligent and wonderfully crafted - the history, poetry, antiwar sentiment, unique take on folk music, the drastic change of her vocal and instrumental style. Truly special.

Good, but not great. I’d add a few tracks to a playlist but would choose Doolittle or Surfa Rosa for a Pixies full album experience.

Infectious energy and joy. Sweaty, soulful and sweet.

The “electronic dance-punk” label guaranteed my attention and the album delivers. Fun and catchy, though some tracks too long.

I think I liked this when it was first released- but now find it rather dull.

Another reviewer expressed my thoughts perfectly: "Listening to this record makes me picture a group of middle-aged white women sitting out on camping chairs, sipping white wine, getting a little rowdy, getting a little sad."

Nothing noteworthy here apart from the horrible forced American accent.

Such a gorgeous voice (and an impressive human to boot).

Starts and ends strong with SV’s rich and melodic voice and charming persona.

Mostly laid back, not terribly exciting. Good background.

I can’t resist a moody baritone. And I can hear the influence of some of my favourite bands…DM, The Smiths, etc

A one of a kind singer-songwriter. This album gets the fivest of fives.

The kind of hypnotic soundscape I can lose myself in. Groovy layered loops and cool vocals make for an upbeat listen.

Not a great fan of the Who but I can’t deny the powerful performance and musicianship on display here.

Unremarkable arrangements and nasal quality of her voice made it hard to get through this album.

Not sure what I expected from this but it’s basically cheesy rock with some laughably silly lyrics.

Some funky tracks that are fun to listen to, but the album mostly feels long and monotonous - probably better appreciated with the visuals.

This album was everywhere and caused a stir back in the day so I see why it’s on the list. But apart from 2 or 3 tracks, it doesn’t move me the way I had expected.

Smooth vocals delivering a genuine and heartfelt message.

I can’t think of another album that musically conveys such powerful emotion and human experience even before the lyrics kick in.

Giving me this album on Dec. 25th guaranteed a good rating. I love Christmas!

I was keen to receive the social justice messages but after the first few tracks, I couldn’t sustain my interest and the remaining songs were relegated to background music.

Distinct sound, but lyrically harsh without purpose.

One of the more interesting discoveries on the list. Immersive and otherworldly but drags after the stellar Little Red Riding Hood Hit the Road.

Listened to this at bedtime. Dreamt of murderous clowns.

Still relevant after 30+ years.

More from the era of British guys attempting blues. Surely fun for them, not so much for me.

I liked Morrissey’s early solo work but stopped listening to him in the mid 90s when the racist/nationalistic bullshit came to light. This album doesn’t do anything to win me back.

Swedish electronic weirdness- love it!

Incredible album - even for someone who doesn’t listen to metal. “The Thing That Should Not Be” is one of my faves.

Who told this woman she could sing?

Not connecting with this one as much as some of her other albums but still mesmerized by everything she does.

Listened to this while on a plane and had to stop myself from singing out loud. Tender and timeless.

I aspire to this level of weirdness and fun.

The songs with vocals are an easy 5. I’m not yet sure where I stand on the instrumental tracks.

So much talent on one album. Loved nearly every track.

Melodramatic and overwrought- which I don’t always object to - but this was borderline insufferable.

Eh…I don’t know, man. It’s a bit much.

Still fun and uplifting.

The singles are the highlights, of course, but the rest of the album is surprisingly playful.

Abba Zaba will stay in my head for a while.

This kind of psychedelic noodling is not for me, but an extra point for the sheer weirdness of it all.

Pretty in Pink and Dumb Waiters are the stand out tracks.

The End of the World and The One I Love are 5 star songs on a 3 star album.

Great performances on all fronts. Reeks of youth.

Misguided Angel and Sweet Jane are lovely. The rest is a bit croony and plodding for my taste.

I'm torn. The four singles and two or three others are wonderful songs, the rest - which is a lot - is just ok. I don't see myself returning to listen to this album in its entirety but what's good here is really good.

Can only listen to this while groove stomping. My kind of party.

I don't like Liam's voice or singing style. Never lived up to the hype for me.

All energy and attitude.

I once dated an English major who was pretty far up his own ass; he wrote poetry bloated with every literary/ religious/mythological reference he could think of. Some of the acoustic tracks remind me of that guy. Electric half was a delight, however.

I want to make pancakes to this music and spin around the kitchen . Great arrangements and smooth phrasing.

I really don’t have patience for this kind of thing.

Varied, warm, moving, funny and profound.

Made it halfway through song 6 - couldn’t take it any more. Awful voice, dull as dirt.

Some catchy tunes but I found myself skipping through others.

They’re not all killers but some fantastic tracks here.

Funky samba! Loving the diverse instrumentation. After a long stretch of guitar dudes, I needed this.

I liked a couple of tracks but most just went on too long without getting anywhere.

The content is dark and deranged (and at times wickedly funny), but if you take it as a work of fiction, the way he spins a tale is captivating - I couldn’t stop listening.

Spectacular! I have a new appreciation for Zappa as a musician and composer.

I’ve listened to this album so many times in my life. It’s amazing. Prince is amazing. That’s it.

Monotonous to the point that I tune out and can't be bothered to listen to what he's saying.

Sad and intimate.

The singles are ubiquitous for a reason.

Pleasant ballads but fairly forgettable.

I was pretty excited by the first few tracks, but by the end of 60 minutes it had become somewhat tedious.

Do I love rock organ? No. But what would The Doors be without it? Above all, I’m a sucker for that voice. *Swoon*

Enjoyable but lacking variation. Thin Line is the highlight track.

Varied soundscape makes this enjoyable but not super compelling.

Old school vibes with modern production, and rhymes that vary from angry to instrospective. One of the most exciting artists I've heard in a while.

🎸Beedly beedly beedly beedly beedly…sigh.

Love the vocals and wall-of-sound. Definitely sets a mood.

A long-time favourite. Dreamy and beautiful.

At best, dentist office soft rock. At worst, East St. Louis Toodle-Oo.

Sophisticated and chill.

Sounds like a bootleg recording. I had a laugh skipping through tracks, hearing him anounce different titles to identical songs.

Yes, the porny bits are off-putting and the lyrics are juvenile, but it SOUNDS so GOOD!

Goosebumps.

Melancholy and Beatlesque, it’s a lovely album - not essential - but lovely.

A fascinating and entertaining 35 min. Like listening to a creepy cartoon.

Despite the grandiosity, it lacks the impact of Funeral.

This isn’t even my favourite Kate Bush album but its beauty, intensity and originality place it far above many of the albums on this list.

I feel like I’ve just been on hold for 38 minutes.

QL is cool, but the arrangements here are goofy.

Soothing, mellow and clean, but too restrained to be anything more than background music.

Best appreciated leaning against a Trans Am, drinking Miller High Life.

I can appreciate how this would have influenced the new wave and alt/indie bands that followed.

Ray could sing a grocery list to me and I’d be enraptured. Last half of this album is gorgeous.

Dreamy, experimental alt-pop. Lyrics are as silly as the cover art, but a great listening experience all the same.

Shirking my responsibilities to listen to an album I probably know better than any other album on this list. No regrets.

Never fails to blow my mind.

Few albums encapsulate 90s alternative music quite like this one. Carefree and catchy.

I didn't expect to get bored listening to a Led Zeppelin album, but here we are.

When I was a teenager in the 80s, I think I overlooked a lot of bands because they didn't fit my aesthetic at the time. It seems that Black Sabbath was one of those bands. Great album.

I like the music, but find MJ's exaggerated American accent grating. Wild Horses is the highlight track.

Transports me to a time and place I've never really experienced, but am happy to belong to for a little while.

Easy listening but ultimately disappointing. I expected jazzy “conscious” rap to be my thing, but the flow and delivery is monotonous and boring.

As powerful and poignant now as it was then.

In one ear and out the other.

For all its lyrical melancholy and grim wit, few bands bring me more joy. Nobody plays guitar like Johnny Marr, nobody writes lyrics or sings like Morrissey. Truly one of the greatest bands ever and this is a perfect album.

Subdued vocals against vibrant musical arrangements give sad-guy-at-a-party vibes.

Warm, joyous and playful

Fela inspired, punk/new-wave infused, and so much more - an innovative and timeless album.

Medieval fiddle-dee-di is not for me.

I’ll admit, at times I can enjoy cheesy manufactured pop, but it’s still cheesy manufactured pop.

I still get butterflies within seconds of hearing this album. Lush and dreamy perfection.

Irganda was my fave track. Reminds me of Amadou & Miriam.

River Song and Moonshine were the highlights. I can see this one growing on me over time.

Like being wrapped up in a big fluffy blanket.

Some decent instrumentation, but not enough to save this from the lowest rating. The rap/rock is super cringey.

It’s fine, I guess. Just very, very bland.

Bonkers.

Some poignant lyrics throughout, but the style and delivery is best in small doses.

Went into this only knowing Dear God, discovered an eclectic mix of tunes, ranging from cheery to existential. Captivating melodies and arrangements.

The band that reminds me I'm not as alt as I'd like to be.

Jealous Guy is the highlight, otherwise rather underwhelming.

A few decent singles, but doesn't leave much of an impression overall.

I was expecting an album of mature soulfulness a la Suspicious Minds but got hit with a wave of hokeyness instead.

I was ready to write this off as a novelty album after hearing the cover tracks, but it turned out to be a very cool blend of Indian classical and psychedelia.

The songs are all new to me, but of the Stones’ albums I’ve heard so far, I like this one best - it sounds like a party.

Simple, powerful and varied. Jack White’s charismatic vocals and cool guitars get me every time.

Melodic pop-punk

I appreciate the ethereal electropop sound, but the vocal style wears. Green Light was the highlight.

Trying to figure out what exactly I'm supposed to be getting out of this.

Exuberant and infectious. Every track is single worthy.

I had this on cassette in 1989. A good pop album. The interludes are unnecessary but tracks like Rhythm Nation, Love Will Never Do, and Escapade help make up for it.

These are really beautiful compositions, elevated by the amazing Ella Fitzgerald. I listened to the first 2 discs while baking and then had to get on with my day, but I will get back to the rest as time allows.

It definitely belongs on the list thanks to its very distinct electronic sound and vocals, a lot of which I like - but it’s still a chore to listen to.

The kind of thing my local hometown radio would play. Not a compliment exactly, but there is a charm and comfort to it.

Melodic guitar based rock with a beautiful soft side.

Beautiful soulful funk. A must-listen alongside Talking Book and Songs In the Key of Life.

Nice, but overstays its welcome and doesn’t quite compare to other shoegaze faves.

Some lovely arrangements, but rather monotonous and ultimately not particularly noteworthy.

Cool, dark, and immersive. More than 50 years after recording, it still sounds cutting edge.

By the third song in, I had entered a deep and instrospective state, only to be jolted out of it by Diamonds in the Mine - wtf? I do love Last Year's Man and Famous Blue Raincoat, but this is not my favourite Cohen album.

I don't even like the popular song by this band, so I knew my chances of enjoying a whole DMR album was slim. But this album seems to go out its way to be bad, with lousy vocals and nothing arrangements.

I like the mellow vibe of this, and Sultans of Swing is a classic.

Nas’ jazzy beats and smooth rhymes won my love back in ‘94.

The influence this album had on the prog giants that followed is clear. On the whole, not quite my thing, but 21st Century Schizoid Man is pretty cool.

Cynical pop loaded with catchy melodies.

Simple, spare melodies and moving lyrics - just a beautiful album.

This might as well be a David Lee Roth album. Songs like Hot for Teacher and Panama wouldn't be nearly so appealing in other, less showy, hands.

If I were walking around a small town country fair, maybe I'd find this mildly charming? But I'm not, so I don't. Could't get past the halfway mark.

Wavering between raw drum & guitar driven rock and dreamy ballads, there's more than enough variety and nostalgia to keep my little alt heart aflutter.

I won't remember anything from this album an hour from now, but while listening, I bopped my head along and was in a pretty good mood.

That dark electro-industrial sound is pretty great. Too bad Ye is such an asshat.

I got nearly an hour in before deciding this doesn’t deserve my time.

It’s hard to top the title track, but overall, a smooth, soulful and sexy little album.

I really hate this band, and hate that they became the poster boys for punk. There is so much better out there.

An odd little gem on the list.

Alt-electro-pop yeah! This one passed me by in 2007, but loving it in 2025.

How does an album of murder ballads end up sounding so silly?

I think this is one I'll have to come back to. Hits and misses, but I do appreciate the eclectic and experimental nature of it all.

Varies between dark and dirty, and heartfelt and seductive. And I like Nico's singing voice.

Her voice really shines when showcasing the songs of Bacharach & David.

It's pleasant enough and I don't dislike it, but I also don't know why it's here.

It's no Gnarls Barkley...

For a band that gets so much hype, this was unbelievably dull.

Raw and powerful with some beautiful ballads. I don't know enough to appreciate the technical prowess, but I feel it.

Some kind of folk-rock fusion. Not bad.

No charm to this at all. I'd rather listen to Woody Guthrie.

First half of the album, in particular, has some stellar tracks (Roadhouse Blues, Peace Frog).

I love this era of electronic music and this album definitely belongs on the list. Every bit of it is infused with joy.

Everyday is Like Sunday and Suedehead are objectively top tier songs, the rest of the album is just for people who like Morrissey's vocal style (I'm one of those people).

The accolades are excessive, but I’m hardly one to hate on experimental or electronic music.

Chaotic and absurd and creative -I really like it.

Decent cover band?

8/15 songs knock my socks off, the rest make me smile contentedly.

Started off pleasant enough, the rest drifted into the background until I was jolted to alertness by the lyrics to that Indian Sunset song -yikes!

Awful. Dull. Boring. Unengaging. Snoozefest. Blah.

The best of new wave. Funky bass, catchy vocals and dripping with style.

Great performances by King and his band.

Super lovely. Catchy melodies, dreamy harmonies, great bass and piano work - beautiful without being saccharine.

I perked up at Ten Cent Pistol but I can't see what sets this apart from other (and better, imo) blues-rock acts. Vocals are particularly dull.

A sound and aesthetic like no other. I have to be in a very particular mood to appreciate this album from start to finish, but Play for Today, In Your House, and A Forest always hit.

It's a familiar style, but has a bounce and playfulness that I can't resist.

So Many Sides Of You and Just My Imagination are the highlights. The rest suffers a bit from, you know, the 80s. I'd have gone with George Benson's Breezin' from just a few years earlier.

Waterfalls is a song for the ages, but I did not connect with any other track on this album.

The drama of it all is very entertaining.

I recognize that the British Blues Boom of the 60s was a cultural phenomenon, but it's not one I care for and I think it's over-represented on this list. Having said that, this album is a worthwhile entry. I especially liked the horn section - interesting to learn that it was only added post-production.

Sets the right mood on a sunny day.

I was so happy to revisit this one. Some of the best of techno and definitely a full album experience.

It's funky and mellow but only 2 or 3 tracks stand out to me.

Beautiful and heartbreaking. You need to allow yourself to be pulled into a place of sadness and instrospection for this one.

Such a great voice and style. Album is varied, yet cohesive. Love it.

Someone described this as an album for theatre kids and I couldn’t agree more. This was our pre-show singalong choice in 1989.

I'm starting to wish "Best Of" albums were allowed in this project so that I could listen to just one Stones album instead of six.

I can't take this very seriously, but it is more listenable than expected. FIAT and Trans-National have some good industrial drive.

I really like the sombre, laid-back sound. Discovering how The Beach Boys evolved beyond surf rock has been a highlight of the project for me.

Lovely voice and storytelling. Dolly's charm comes through on every song.

Noise can be invigorating or overwhelming - this is the latter. Exhausting, monotonous and unpleasant.

Best appreciated standing around the barbecue.

An album that makes me appreciate the value of production. A very strong first half.

Good Lord, I feel everything through this woman's voice.

A pleasant surprise - I can definitely hear the influence of this band on some alt rock bands of the 80s/90s. I might rate this higher after a few more listens.

"eyes-closed busker’s vocal affectations" about sums up my thoughts. Pretty unremarkable stuff.

This kind of country rock is not my genre of music at all, but...this album is good. Great musicianship and songwriting that all feels very genuine.

Nice voice and good use of bass and dubstep, but not much variation between tracks.

Whatever psychedelic, world music thing he's trying to evoke is instantly spoiled by his vocals. A bit too Duck Rock adjacent.

"Funk not only moves, it can re-move, dig?" It's good for what ails you.

Enjoyed the lyrics on this one. “Androgynous” was the highlight.

More dumb, fun punk? I’ll take it, thanks.

I can listen to this album anytime, anywhere.

Wow, this album really did spawn many of the artists I adore, from The Smiths to PJ Harvey and beyond. The poetry and phrasing are utterly captivating.

Synth-fuelled indie groves and dance-floor beats along with some lovely ballads.

First half enjoyable psychedelia; second half narration kills the momentum but the zaniness kept me listening.

Musically, not my style. Lyrics are engaging, of course, but it's a lot to take in in one sitting.

Flat, dull and dreary.

I still dig the raw, low-fi aesthetic and the expressiveness of Jack White's voice. Fun and fearless.

I appreciate the distinctive jangly guitar and harmonies. Lots of catchy and familiar songs, but not something I would choose to listen to these days. 'I'll Be Back' was my fave track.

As great as everyone says it is.

I really like the anti-war sentiment and the lyrics in general, but musically a bit samey. 'Your Flag Decal Won't Get You Into Heaven Anymore' and 'Angel from Montgomery" are the highlights for me.

Do I like space music? Maybe? Yes. I like space music. Warm and symphonic.

I love this album best at night - so mysterious and other-worldly.

It's wonderfully melancholy for when you're in the mood, but sad Beck sounds surprisingly ordinary.

Smooth, funky grooves. Highlights: "That Lady", "You Walk Your Way", and "The Highways of My Life".

Oh wow, I can rock out AND bliss out to this one - varied, passionate, my fave LZ so far. "Tangerine" gives me goosebumps.

So much heart and soul in every song.

Maybe trying too hard to be clever? Overproduced? Not my style of humour or sound.

I like elements of many of the songs, but not all songs work as a whole for me. Still, it was a kick to hear sounds and styles that would carry into his production work.

I really want to rate this higher to show appreciation for Adele's exceptional voice, but the formulaic adult contemporary vibe is not for me - though I'm pretty sure I'm the target audience for this kind of thing!

A soothing, rich barritone voice and undemanding listen.

The fun kind of noise! Vocals, guitar, bass, song structure, lyrics were all so different at the time and remain distinct from everyone who tried to follow in their footsteps.

Appreciate the jazz elements more than the prog rock ones; overall, with time and patience, a cool listen.

"Overblown" is right. The grandiosity doesn't let up once. It's a lot.

Everything about this album is ridiculous, from the affected vocals, silly lyrics and beepboop arrangements to the lame album art. I don't hate it, but definitely a product of its time.

Imagining Cookie Monster fronting a grindcore band was entertaining. Unlikely that I'll return to this, but still grateful to hear something truly different on the list.

Well that was disappointing. Doesn't hold a candle to their first two albums and not needed on this list.

Couldn't do it. By track 4 I had such a heaviness in my chest - couldn't tell if it was inducing a heart attack or panic attack. Didn't stick around to find out.

Perfectly listenable, but doesn't reach the heights of the first two albums. "Changes" is lovely, of course.

This was cutting edge stuff back in the day, and influential on 90s dance pop. Sure it has some dated elements, but still uplifting.

More subdued and sentimental than the albums that came immediately before and after, but still a great listen.

The bombast and ego get tiring quickly, especially against the super slick production. Not my favourite era of hip hop.

It's mind-boggling how famous this band got by just repeatedly shouting the title of the song over some basic power chords.

Very Limp Bizkit-esque and so self-serious. The nu-metal/rap hybrid makes me wince at times.

Smooth, laid back grooves with a touch of 70s vibe.

”Ja ja ja. Mach schnell mit die Art things. I must get back to Dancecentrum in Stuttgart in time to see Kraftwerk” - Baron von Herzenberger A legacy pick for sure, but a bit too minimalistic for me to return to.

I respect the endeavour, but not something I would return to.

It's a bouncy step forward for 70s rock, but never really hit me as punk. Overall, enjoyable, yet ever so slightly disappointing.

I appreciate the hits, but Queen is not my jam.

I appreciate her warts-and-all approach to songwriting, and willingness to put it all out there. So many catchy songs too!

Listening to this right after The Clash and Wire...it's ok, but far from the best example of the genre.

Soothing hippy-dippy folk with some impressive harmonies. Makes me wish I were high around a campfire.

These meditations on love, religion, life and death confirm Cohen as a master singer/songwriter/poet. Goosebumps from start to finish.

Many great songs and creative arrangements, but quite a lot of dumb stuff too.

I mean, it's inoffensive but... seriously? listworthy? I don't think so.

Cross between Public Enemy and Gil Scott-Heron, but not as impactful or enjoyable. Yes to the socio-political rhymes, but the delivery and production are lacking.

The guitars are fantastic. The orchestral tracks are stunning. The lyrics are captivating.

A singular listening experience, even for someone who doesn't love saxophone.

More Joe Jackson than Duran Duran - I like it. Upbeat and good instrumentation.

Girl punk, kooky sax - super fun and stands apart from other punk acts of the time.

Sharp Dressed Man is the highlight on an otherwise standard 80s rock album.

I enjoy fuzzy guitar and raw production as much as the next gal, but I just hear a band influenced by Hendrix, Cream, etc. and not really innovating anything further.

It's a nice bit of alt-psychedelia that probably came out 10 years too early. Insanely Jealous of You was the highlight track.

Musically and lyrically intense and relentless, but never overwhelming thanks to the commanding Chuck D. Timeless masterpiece.

This album has some of Madonna’s greatest singles (out of a long list of amazing singles). Queen of Pop, for real.

I liked this more than I thought I would. I don't like Come on Eileen, Rowland's strangled singing or Celtic fiddle, but the horns and other string arrangements make for some enjoyable tracks.

Songs are fine, but I'm not a fan of Stipe's voice.

If anyone wants to hear quintessential blues, this is it. Energizing and masterful.

I like the idea of it, but ultimately found it dull- the songs never really go anywhere.

Quirky early goth - interesting, but not something I can really get into.

Mellow and restrained. Not amazing, but pleasant.

Interesting snapshot of a different time and culture. Some catchy tunes but I could do with a shorter run time and less chitter chatter.

I can't get too deep about this one, but it sure does sound good loud.

Generic nothingness like this should not be on the list.

Funky, soulful and poignant. No skips.

Personal and political angst wrapped in a classic 50s rock & roll package.

The vocals and arrangements never fail to make me feel some kind of way.

Minute 2:07 to 5:36 on South Side of the Sky, the bass on Long Distance Runaround, and The Fish bump the rating to a 2. I'm trying y'all.

I feel that prog rock is so much effort (musically) for such little payoff (in terms of spark and feeling). This is album is no exception.

I wouldn't want to touch anything they've touched, but it is a decent concept album, even if it drags here and there.

Good punky pop, and very clear the influence both EC and The Attractions had on new wave and indie acts that followed.

After weeks of starting and re-starting, I finally got through this epic double album. End result: it's very good. After the aggressive bluesy first half, I was ready for the pretty, folksy second half. Still think it could have been two separate albums, though.

I wonder what montages they envisioned while recording...super hokey.

It's what I expect from Elvis. I don't know if I truly 'like' it, but there is a comfort in its familiarity.

One of my all-time faves. Layered, brooding, dramatic - I love it as much at 50 as I did at 15.

A tale of divorce set to mid-tempo funk and soul. I like it.

Top-tier songwriting, full of beauty and meaning.

Not my favourite Talking Heads album, but still my flavour of weird.

His renditions here are charming, but a bit more sentimental than I would listen to on the regular.

Confusing, but not the worst thing on this list.

As someone noted, this is "barely ok". Dull and unconvincing.

3 or 4 really good tracks, but the rest is fairly nondescript. I say that as someone who really likes Chris Cornell's voice.

The indie sound is there, albeit basic. I've known too many guys with bands that sound like this. The 'aren't-you-lucky-I-got-out-of-bed-to-mumble-sing-to-you' vibe is tiring.

Distorted guitars and synths, pulsing drums & Smith’s wailing vocals converge to evoke feelings of fear and despair. Not a casual listen, but a worthy one.

Like the overall energy, especially from Surgeon's Girl onward.

Pretty basic bar-room american rock. Full Moon Fever would have been a better choice.

Chill and hypnotic.

Such pretty voices, but those women are capable of so much more than sad crooning.

First half of the album had me in tears. Such moving lyrics in Cash’s seasoned hands imbues them with a different depth and meaning.

So much of this album is just “You Got A Friend In Me” at slightly different tempos.

Chill, groovy and gritty; lyrical metric like no other.

I've loved this album for a long time. It's sweet and melodic with the shoegaze and psych elements I adore. Arrangements are complex and varied, yet cohesive.

In my mind, U2's best album. Layered and textured, memorable hooks and melodies. Warm despite the electronic turn.

A few catchy melodies, but so formulaic and entirely uninteresting to me.

Flimsy bar band nonsense. Presumably better after a few drinks?

One of the best rock albums out there. Lush and exhilerating.

Playful and poppy with punk and new wave roots. I want to be as effortlessly cool and sexy as Debbie Harry in my next life.

Little more than a one-hit wonder.

Theatrical american rock, with some unexpected instrumental elements and arrangements.

Hokey, but easy and accessible.

What Is and What Should Never Be is the highlight.

Instrumentals are good, but the vocals are off putting and tiring.

A good one for wallowing in existential dread and despair.

It's a bit basic and sentimental but if I think of it solely as a broadway soundtrack, it's quite enjoyable.