Listening statistics & highlights
| Album | You | Global | Diff |
|---|---|---|---|
|
Trout Mask Replica
Captain Beefheart & His Magic Band
|
5 | 2.3 | +2.7 |
|
Bright Flight
Silver Jews
|
5 | 2.68 | +2.32 |
|
One World
John Martyn
|
5 | 2.82 | +2.18 |
|
Sweetheart Of The Rodeo
The Byrds
|
5 | 2.83 | +2.17 |
|
Good Old Boys
Randy Newman
|
5 | 2.85 | +2.15 |
|
White Light / White Heat
The Velvet Underground
|
5 | 2.89 | +2.11 |
|
Merriweather Post Pavilion
Animal Collective
|
5 | 2.91 | +2.09 |
|
The Gilded Palace Of Sin
The Flying Burrito Brothers
|
5 | 2.91 | +2.09 |
|
Sail Away
Randy Newman
|
5 | 2.97 | +2.03 |
|
Smile
Brian Wilson
|
5 | 3.04 | +1.96 |
| Album | You | Global | Diff |
|---|---|---|---|
|
1989
Taylor Swift
|
1 | 3.26 | -2.26 |
|
Only By The Night
Kings of Leon
|
1 | 3.23 | -2.23 |
|
evermore
Taylor Swift
|
1 | 3.01 | -2.01 |
|
Gold
Ryan Adams
|
1 | 2.83 | -1.83 |
|
Californication
Red Hot Chili Peppers
|
2 | 3.69 | -1.69 |
|
Mellon Collie and the Infinite Sadness
The Smashing Pumpkins
|
2 | 3.68 | -1.68 |
|
Funeral
Arcade Fire
|
2 | 3.55 | -1.55 |
|
The Suburbs
Arcade Fire
|
2 | 3.49 | -1.49 |
|
Blood Sugar Sex Magik
Red Hot Chili Peppers
|
2 | 3.48 | -1.48 |
|
Strangeways, Here We Come
The Smiths
|
2 | 3.44 | -1.44 |
| Artist | Albums | Average |
|---|---|---|
| Bob Dylan | 3 | 5 |
| Stevie Wonder | 3 | 5 |
| Steely Dan | 3 | 5 |
| Beatles | 3 | 4.67 |
| The Velvet Underground | 3 | 4.67 |
| Black Sabbath | 3 | 4.67 |
| Jimi Hendrix | 3 | 4.67 |
| Randy Newman | 2 | 5 |
| Nick Drake | 3 | 4.33 |
| The Kinks | 3 | 4.33 |
| Artist | Albums | Average |
|---|---|---|
| Taylor Swift | 2 | 1 |
| Artist | Ratings |
|---|---|
| Elvis Costello | 2, 5 |
No part of me enjoys this music. I recognize it as being comprised of elements I like in other music, but this specific combination has resulted in the composition of something noxious.
What a bad hang. This music sounds like a pharmaceutical ad. The album is an insincere and misguided mess, & listening to it makes me question whether or not I'm a functional member of society.
Solid album that earned its reputation as foundational classic rock. Very listenable.
There is some interesting instrumentation on the album, but ultimately spending time with this music is corny & annoying.
Pigs, reptiles, and animals fucking? Where am I, the darn zoo?!
One time some people said to me that this music sucks, so I lined them all up & clonked their heads together like coconuts
-6 charisma +9 bass on "Roundabout"
Hell yeah
When I was a pretentious teenager I had the choice to get into a self serious overwrought double LP rock opera that has some good guitar solos but goes on for too long, & I chose Joe's Garage by Frank Zappa.
No part of me enjoys this music. I recognize it as being comprised of elements I like in other music, but this specific combination has resulted in the composition of something noxious.
A cynical person's idea of sincerity. I don't buy it.
LIKE A BAT OUT OF HELL
What a bad hang. This music sounds like a pharmaceutical ad. The album is an insincere and misguided mess, & listening to it makes me question whether or not I'm a functional member of society.
I heard if you start playing this album & Brian Eno's Music for Airports at the same time they sync up.
Who is this for? The pull of my confusion took me out of the music periodically, but returning to the music provided me with no purchase. "More is more" is the implication inherent in the idea of Metallica with orchestral accompaniment. So why stop there? This album seems like a creative concept at first, but my listening experience did not align with the expectation the concept created.
What a trip that Marc Bolan and Mark Volman are both on the same album. The stars aligned for this one.
It's cool if he wants to do this kind of thing behind closed doors, but this is really none of my business.
Yes
Average rating: 3.72 (0.44 above global average).