She sultry. A talent reminiscent of another time but completely modern, too. I would have loved to see how her sound and point of view progressed over time.

If I’m going to listen to this type of genre, I’d lean more Throbbing Gristle or Psychic TV. I did enjoy how irritated a friend got in my car as they finally asked about the glasses smashing in the background.

Nick’s lyrical delivery is mesmerizing in Hazey Jane II. Its abrupt fluidity creates an urgency that I love. At The Chime Of a City Clock is beautiful, especially the beginning - mysterious. Fly is impressive, too. I liked it!

I didn't know it until now, but Kathleen Hanna is what I needed today. My angst is in full f'n swing, and this hit the spot. Yet another woman hits the ceiling...but hearing the names of those who have smashed it gave me a tiny smidge of hope to keep up the fight. What’s Yr Take on Cassavetes....

I liked it, specifically how the instruments have so much space between them. It feels airy and light, even though a lot is going on. According to Wiki, "The jazz-influenced Aja, was released in September 1977. Aja reached the Top Five in the U.S. charts within three weeks, winning the Grammy award for "Engineer—Best Engineered Recording—Non-Classical." It was also one of the first American LPs to be certified 'platinum' for sales of over 1 million albums." I can see that back in 1977. Speaking of engineering, for the New Yorkers in post production, they recorded in the Brill Building.

While this isn't my cup of tea, I can see how it was revolutionary. What a mix of all genres. I sometimes felt like I was at a church revival. The big guitar riffs and drums are spot-on, coupled with the repeated "hey" and "baby" lyrics of "The Lemon Song" for example. Reading their sexiest history, yikes!

This one sounds like a film score. The ebb and flow, the moodiness... Given that Thom Yorke's lyrics were pulled from political discourse and combined with fairytales and children's literature, I see the intent throughout. I would love to hear the soundtrack for the upcoming election. Some phrases, such as "You have not been paying attention," could be lifted from this one and reused, again..."more rotten fruit".

I like them. Compared to a few we've reviewed, this album doesn't feel revolutionary, and in that same frame of reference, they are very much one sound on this album. That being said, I would most likely listen to them out of the ones we've covered. Also, they put on a fun live show.

This album is the perfect fusion of pop and punk. It’s fun and satisfying throughout. Insane that only IRS would pick them up.

This is a great album. I typically don't listen to the Stones, but I was getting into it. I love the initial groove to Shake Your Hips. Okay, not exactly their creation, but it offers even more range to the album.

Not my thing. Especially the nod to past.

I love "Mind Gardens"! It reminds me of a tiny, itty bit of Psychic TV—just a smidge. It's a fun, driving album full of twists and turns and unique trippy sounds. Was that an Oboe?

There's a strange vibe around women here. It's hard to pinpoint exactly where the feeling creeps in while listening to the album. Maybe it was the time? Overall, it has a fun sound, and the songs are interesting.

I love the lyrics. They resonate-early emo. Tombstone Shadow, I hear ya on the 13 months. Maybe I need to put something under my pillow, too. It’s such a soothing sound, like being on the river at dusk, and it served as the perfect backdrop for my evening run in my small hometown. I felt Lodi in my bones. Wha-do-day

What a ride! There are so many classics and many I had never heard that I really enjoyed. Most of the songs from this album pulled me into his space—full immersion. He creates a tangible world. I’m not sure why they resonated so much this time around. Maybe it’s because of listening to the full album. He sings about women in such a different way, from seeing deep into Monroe’s despair and isolation to a painted lady and dirty girl; there are many angles. Maybe it’s the lack of sexual attraction, it’s different.

I've never listened to Wilco. Any of it. Ever. And that's too bad because I love the spell the sounds cast in each song—radio Cure with its throbbing sound of loss. Only to be balanced by more fun ones like Heavy Metal Drummer. It's soothing and whimsical, and it makes me feel like I'm daydreaming in a hammock on a summer day.

As I turn 50 tomorrow, listening to a concept album about aging seems appropriate today. It taps into the melancholy of aging. As I listen to some songs, I can see the piles of memories already tossed in a pile to sort through later. It’s an interesting hodgepodge. Voices of old people, theme songs, and huge hits. Sometimes, I’m not sure they all fit together, but it was a nice ride.

I was too young to appreciate the 1970s in all its psychedelic glory, but this album is the soundscape in my mind. It's a cacophony of sounds battling it out in a hypnotic way. It's raw, angry, anxious, and calm. I'm in for the ride.

This album was such an influential part of my youth - an anthem. I love the whimsy, the moodiness, his stretched voice, bleakness, and, of course, the loneliness. If they didn’t exist, they would have had to have been invented. Hmmm, a warm blanket.

I love the raw sound, how he contorts his voice, the brutal beats, the feverish lyrics, and their style. That being said, they aren't a go-to for me.

The album sounds like it's composed for a film at times, but it could easily be the soundtrack to a day spent walking outside. The vibraphone adds a cool element to the mix, but in general, it doesn't speak to me.

I haven't listened to this entire album for a long time, probably since the 90s. Reznor masters mood, angst, lust, hunger. It originally came out just in time for my teenage years, and the only thing I loved more than the music was the videos. Upon revisiting, I can genuinely appreciate the ebb and flow, quiet spaces, then pounding beats with his voice screaming over them. I would sum it up with one word: sex.

This one was hard for me. I found a few songs I like, but for the most part, the music feels fussy and convoluted. Getting into the music was hard for me, and the sheer volume of songs was oppressive.

I haven't listened to this entire album for a long time, probably since the 90s. Reznor masters mood, angst, lust, hunger. It originally came out just in time for my teenage years, and the only thing I loved more than the music was the videos. Upon revisiting, I can genuinely appreciate the ebb and flow, quiet spaces, then pounding beats with his voice screaming over them. I would sum it up with one word: sex.

I loved this. It felt like a spoken word evening at bible study. On top of the sparse background, his voice sets one helluva a mood. You can almost sense his acknowledgment of the end.

As well as being an important film reclaiming the narrative for the black community, it also turns out that this album curates the ideal mood when listened to first thing in the morning. Hypnotic. Engaging. Powerful.

I can't listen to this without feeling it might summon the devil. The quirkiness of Sailor's Hornpipe replaced the pangs of anxiety and looking over my shoulder. He has created quite a range.

The album doesn't feel like a 1001 contender to me. I like the sound just fine, but I can't point to one song I would specifically want to hear. It's more of a filler.

For me, this album finds its place as a pleasant backdrop to life, living in the quiet transitions between points, almost unnoticed. It seems to pull on the strings that hold nostalgia within my chest. I would have identified with it even more at another time, but it has left a little glimmer nonetheless.

METAL (as Peterson would say). It’s not my bag but I can appreciate the ferocity of the guitars and unrelenting intensity of the drums. It feels like it represents engineering as a sound. All those precise lines of data compiled into a harsh, precise sound.

That was not for me. I can appreciate it, but it creates so much anxiety that I can’t relax to actually hear it. My mind just keeps chasing the sounds and trying to piece them together.

I have never listened to the whole album and should have a long time ago. It has elements of Superfly-raw but is also fun and full of unexpected twists and turns. On the flip side, the misogyny is typical, boring, and detracts from the message. I could go on here, but I don't think it's necessary.

This reminds me of home. I can see him riding across the plains and fighting his way south to the border to find his love. It has a gentle, nostalgic tone while delivering a gun-slinging message. It takes you back to when your word and what you did meant something.

She sultry. A talent reminiscent of another time but completely modern, too. I would have loved to see how her sound and point of view progressed over time.

I like the fragments of time all throw together into a backbone of beats. The existential feel is appealing for a run on a dreary day when you’re lost in your new neighborhood.

I love Morrissey and The Smiths. They were and remain staples of my adolescence. The music that connected me to my emo self before emo was the label. But, I do not like this album. Very few songs have the hook of his other work.

If I’m going to listen to this type of genre, I’d lean more Throbbing Gristle or Psychic TV. I did enjoy how irritated a friend got in my car as they finally asked about the glasses smashing in the background.

Not into Eric Clapton. Especially this album. Not to mention, that I get that Bob Marley gained visibility when Clapton covered ‘I Shot the Sheriff’, but really?

I listened to this while during a roadtrip and it’s a good thing I have cruise control otherwise, I’d have been flying! I love the pounding drums with her untethered voice railing over them. It made for an epically upbeat hour in complete contrast to my desert scenery.

This isn't my favorite Queen album. It doesn't resonate much with me overall. It lacks cohesion.

It’s clear that this album, conceived on the road amid multiple lovers and new experiences, truly reflects its origins. While this genre doesn't resonate with me as much as others, the authenticity shines through.

I'm into this. I can imagine "Phaedra" gently crescendoing right after death- the soundscape between this world and the next. These five tracks, selected by a committee, to gently adjust you to your new reality. Soothing, ethereal, and slightly energizing. A tangerine eternal dream.

I prefer the albums with Garfunkle, but this had solid moments of his uniquely talented lyrical style and a wide range of influences. Plus, "Me and Julio Down By the Schoolyard" excites me at the first note. I think I've listened to it three times today.

His bio is incredible...leaning into who he is instead of creating a stage version that shields against criticism. This first song, "Your Ain't the Problem," resonates.

Still it my favorite album but there are some classics in the mix. He taps into the humdrum of everyday life and ethos.

The swagger. The swing. The horns. That ferocious voice.

This was an incredible album - thoughtful and provoking. I got chills when I heard the last line of Remember Hi Name.

The range of revolutionary sound, vast influences, instruments, span of styles, and uniqueness is epic. I can’t imagine the world without them. They really pushed way beyond any boundaries and truly created from the heart, mind and soul.

My room is buzzing with energy, it's a full revival in here right now! He captivates the audience with the charisma of a Southern preacher, drawing them into his world at every moment. It's absolutely electrifying!

It's been a while, but I instantly reconnected with her soulful voice. It's a good album, and there are a couple of standouts.

I like this album. It's refreshing that they explore a broader range of instruments. Maracas—why not? It doesn't take long before they are thrashing the drums again and pounding on the piano. That said, it doesn't keep my attention enough to be a go-to album.

Never heard of them before. They have some impactful elements, but it's not pieced together in a way that fully resonates with me. That said, I am a fan of Nature's Way...that one stood out.

The amount of lyrics is incredible and I can see why he is called the spiritual leader. The rhythm, especially the bass, aligns seamlessly with the stride of a long run, when everything else disappears, leaving just the rhythm and the sway. Mesmerizing.

I appreciate this album. A couple of great songs. Not a go to for me though.

It's a surprise to me, but I'm into this album. I like the acoustic sound and folksy feel. It's like a fast-moving current that appears calm at the top but unsettled underneath.

It’s good but got a little diluted by the shear number of songs. Edit, edit, edit…so it went from great to good as an album.

This was fun, and I didn’t realize that a few songs were his. Based on the lyrics, I would say it should be CoolJLL.

I owned the tape and played it on my Sony Walkman (the yellow one) and the Bestie Boys in HEAVEY rotation for several summers—I've heard this at least 2,000 times. I don't feel that's an exaggeration. I also remember sneaking to watch the Thriller video the night it premiered. It was so scary to me then...which now seems absolutely ridiculous. I give the album and music a 5, not the person.

Going from Aqualung to the wild flute in Cross-Eyed Mary keeps you on your toes. When I looked this up, I saw that Forbes published "Jethro Tull’s Album Jumps Nearly 29,000% In Sales." last month. It was the album Bursting Out. Maybe that's on the 1001 list.

I'm a fan! I've only listened to a few songs before today. Her voice, the lyrics, and the feel are all very cinematic. It takes you into a different era but is still relevant.

Ok, I can't help but like some of this album. It’s his first step away from being a Musketeer. It’s got a hook.

I can see how this is the blueprint for a lot of metal that followed. There's a few high points but overall it faded into the background for me.

There’s a couple of songs I like but not a big fan overall.

There are bands from this genre that have much more staying power. This feels dated and doesn’t transcend.

There are some great classics here. The album is short and sweet and features a range of soulful voices.

I love his voice and the cadence of the album. Timeless/

This was not for me. It fell into the background, and I didn't connect to the album.

I love Wild Horses. Good album. It stricks a lot of different moods.

Some good songs but some get lost. It has a lot of build and inspirational verve..but I think others bands do it better.

Great memories. I'm a fan of the gritty rawness of the sound and lyrics. Some songs shine more than others, but it's a fun ride all the same.

I haven't listened to much of this before, and it just doesn't hook me. I like its elements but not the net package. I even attempted to listen to if several times and it would just fade into the background.

Classics. He masters the pause and gives space for his music to breathe, creating the perfect amount of emphasis on several songs. I was surprisingly impressed with the album.

This is a great album. I had never listened to the whole thing at once before, but track after track is intense but fun. It is smart in a way I didn't expect, too. Iron Man - grrrrr...you have to love Ozzy.

I’m not into this album. I love so many of his songs, just not these.

It felt like I was inside his mind, wandering around. I can see how, when mixed with others, he puts sparkle into a song.

I loved this album. It was quirky, avantgarde, fun, and whimsical—all of the best things in life. Her voice is ethereal. It was truly unique.

It's a festive soundtrack for the day, but after a few songs, it began to feel repetitive at times.

This one brings some calmness and an easy going vibe.

YESSS! This is a fun one. Refreshing. I needed it.

That was a fun ride. The songs have unique soundscapes and vibes to match. Part beat, part ethereal, part island beach...soothing but energetic.

Hmmmm, I'm not sure about this one. Milk is quirky, and Pigtail was catchy. I did enjoy The Sound of Someone Who's Going Away and It Doesn't Matter...although, to me, it sounded like it mattered.

This is an inspired, raw, dynamic album. Who knew you could love an organ? Funny, I haven't listened to it in a long time, which may have added to the delight.

There are other albums I prefer more, but it was still a treat to hear his truly unique voice and their sound. It's been a beat since I've listened to them, and wow, it took me right back to when music was consumed so differently. I'd have my tape ready for the college radio station to record new music from KTXT. Some DJ friends premiered a documentary, "35000 WATTS: The Story of College Radio," and REM was front and center.

There are some fun moments but overall, it’s not hitting my playlist.

He has a clear and beautiful voice and successfully blended several genres. Although his music is not my particular style, I can appreciate it, especially given the time period in which he recorded and released this one.

Meh. I'm not a big fan. A few were good, but overall, it's lackluster.

It feels like a crossroads and also dated. I'm sure it was a fun band to see with incredible energy in person...at home. meh.

I love the energy and the message of ‘All about Love’.

This was just what I needed to kick off my week. I love Blue Rondo A la Turk and Take Five—such catchy little numbers. Light, airy, energetic, and, well, charming.

That was a lot of songs. It faded for me into the background and didn’t resonate much.

Hmmm. He taps into something genuine and vulnerable within the ballads. Overall, it’s in no man’s land…not truly punk, rock, … Thus, the hmmm.

To many sounds that became mangled together.

I'm a fan. It's an upbeat, genre-bending album. Also, once you've heard "Me Myself and I," it will stick in your head for days - DAYS. There were a few other gems I hadn't heard before, too.

I can appreciate a few songs, but it's not for me. I'm just not a fan, and I'm having a hard time nailing down exactly why. There are other artists in the same genre that I like. But, alas, not this album.

I really needed this one to cleanse my palate. The combination of wood blocks, cymbals, and her whimsically frenetic voice was incredibly refreshing. It's playful, it's powerful, and, hands down, the best version of "I Heard It Through The Grapevine" I've ever heard

Ethereal...and I'd visit again when I need a score for a contemplative day.

It really takes me back but doesn't feel like it's stuck in the past. I love his voice and storytelling.

I like this one! Full of energy, Black Math...Ball and Biscuit hooks me from the start: the guitar, the drums, his raging vocals. I also like how the songs have a lot of range in the sound. Keeps me on my toes.

I found this one a bit painful. It's so heavy on the extended instrumental pieces, and I got lost. I felt like I was stuck in a long transition.

I picture this one being perfect for a rainy day, during a quiet moment on vacation, when I want to reminisce and get lost and then found again. Especially Heatwave (Rhythm Mix). I can easily disappear into that one.

Nick’s lyrical delivery is mesmerizing in Hazey Jane II. Its abrupt fluidity creates an urgency that I love. At The Chime Of a City Clock is beautiful, especially the beginning - mysterious. Fly is impressive, too. I liked it!

This one jumps into your soul. I repeated it a few times throughout my day, and it added energy...I was plugged in.

Meh. I love other albums, but not this one.

Lots of sound. It just becomes noise at a point. And a lot of it.

I like other bands in this genre more, but this was solid. Also, I get anxious when I see 16 songs on an album. So that played in a bit here, too.

I love Blondie. A total badass mixing up genres in an edgy, fun way. One of the Barbie doll punks who claimed a spot for herself.

I’m not into this one. So many songs start off the same and then it becomes a cacophony of sounds that melt into a white noise.

This album is so great. I wasn't sure I would be up for another one so close to the last, but I was hooked on the first song. Mesmerizing.

I didn't know it until now, but Kathleen Hanna is what I needed today. My angst is in full f'n swing, and this hit the spot. Yet another woman hits the ceiling...but hearing the names of those who have smashed it gave me a tiny smidge of hope to keep up the fight. What’s Yr Take on Cassavetes....

It all starts the same. I do like the more surf sounding songs, but ultimately, it’s not for me.

Her angst, blended with sexuality and brutal lyrics, is great. It’s smart, edgy, raw, and powerful. There are so many solid songs back-to-back that it just keeps getting better.

Darling Nikki. Such swagger! Bold, fun, unique, daring, who doesn’t love Prince? Enough said.

I liked this more each time I listened to it, which was three times. It’s cinematic and fun. On my next secret mission, this will be the sound track.

Imaginative, moody, yet energetic. I loved the Alfred Hitchcock Presents. Who doesn't love a fictitious crime film concept album???

Huge fan, but not of this album. It has its moments. But it lacks her more ethereal voice and wickedness.

This one lives in its own world, picking from many genres, which is interesting. Although, it faded into the background for me, not resonating in the moment. I can appreciate it, but I'm not going back.

Thriller is my Michael Jackson go-to album. This one doesn't hold up the same. That said, I do quite enjoy Off the Wall.

Spinning Wheels is a good listen. Otherwise, this one isn’t for me.

I’m a fan! I like these oddities on this list. Quirky nursery rhymes for adults. There’s enough holding these together to move past the feeling that’s it’s just a bunch of sounds.

This is ridiculous…and I’m picking up what they are putting down…falsetto and all.

I love the instrumental, full bodied sound they create, matched perfectly with his vocals and the whimsical vibe.

This album is an incredible explosion of sound that maintains negative space throughout. The saxophone bursts in Tract A—watch out! I can’t even tell how many instruments are playing, but it all comes together. I like it.

Everybody's Talkin' is great, but Harry Nilsson carries the note in such an incredible way—mesmerizing! This album was just okay. I can see the influence on the NY scene, but otherwise, it's meh.

This should have been the soundtrack to accompany many a misadventure while wondering the streets in NYC. Part sci-fi, a pinch of microdose, and throw in a halfsharkalligatorhalfman for a good listen.

Hell, yes! This album is incredible, and who doesn’t adore Bowie? He’s one of a kind, with an amazing voice that takes you to unexplored realms in your mind.

He has so much talent and carved out an ample space in a genre and industry that initially rejected him. That being said, working through his deep-rooted trauma may feel cathartic for some, but it always comes at the expense of women. Rap has a long history of treating women poorly, and he's just another example of that. I'm sorry he is dealing with unresolved issues with your mother - sucks - but I much prefer when he sings about your daughter. It's hard to listen to and a full album...ugh. That said...If you don't listen to the words - it's delightful.

Sara connects. The rest of the album... not so much. It blended into the background.

This is a curious blend of ethereal, avant-garde sounds and what feels like Irish folk songs. I love All And Everyone. Her voice is mesmerizing and doesn't need instruments around it.

I'm really into this. I love that low, slow beat and her poetry. It's got a nice range and is perfect for this rainy Saturday night. Captures the mood.

A great movie and sound track. It sets the mood straight from the start with Playground Love. Slow, grey, peaceful, sad....

Wow! Her voice is surreal. It’s perfect. I loved her humor, warmth and the cherry on top was the scat vocals. Love it.

This album is a mood board with a range of energy levels, vibes, emotions, and tempos. Beck is quirky and I appreciate it.

I do like a little orchestral folk-pop to add flavor and depth. I wasn't sure about his raw voice at points, but it clicked on Epitaph for me. It's such an honest song. Thinking back to 2000, his style reflects the time...its rawness and innocence.

Whether you love or hate him...he fills a role by blatantly challenging society's obsession with youth, beauty, and shallow politics. I went to see them after this album dropped in 94-ish, and it was incredibly entertaining. A full fascist display accompanied by gates they put up to keep the Baptists' protesting at bay. A good time. Also, the music is good. It's theatrical and big, telling a story, setting a mood, and full of twists and turns.

I can see how this was an influential album. That said. It's too long, and I lost interest along the way. If edited down, I think I would have appreciated it more.

Dylan defined a generation and feels just as daring today.

I haven't listened to this before, and I'm hooked. It's so beautifully performed. Emotional. The songs are hypnotic.