4.5 stars. What a debut album! Every track is solid from start to end. Bennington's singing with Shinodah's rapping blends so well. Album is harder/heavier than I remember. "A Place For My Head" is a microcosm for the album and the band.

Gorgeous voice. Album is platform for showcasing it. Instruments are just an afterthought. Slow melodies, light piano makes for a lullaby, soothing type of sound throughout. Standouts are "Don't Know Why" and "Come Away With Me"

"Candy's Room" is fast-paced and fun, not super into the power ballads, but liked "Streets of Fire". Not the most exciting album.

3.5 stars. Started off great for being pretty out there. But second half faded and got too harsh. Standout is "Non-Alignment Pact".

4.5 stars. Fantastic album. Could do with fewer "ooohhoohhh's and yeaaaheeaaahhs" but this is just a great punk rock album. Lots of energy, catchy choruses. Takes a little edge off of some of the rawer punk, but not overly pop-y. Standouts are "Bad Habit", "Gotta Get Away", and "Self Esteem".

2.5 stars. It was fine, pleasant to listen to. Nothing really stood out. His voice could be annoying on occasion. Appreciated the melodic sound, various supporting instruments

Bittersweet Symphony incredible. Album feels a bit like U2 or simpler Oasis, pleasant alt/radio rock. 'Space and Time', 'Catching the butterfly', other good tracks

Reminds me a little of Counting Crows. Easy-listening, simple. Steel guitar in "Hannah & Gabi" is a nice surprise. "Kitchen" is pretty fun.

"Candy's Room" is fast-paced and fun, not super into the power ballads, but liked "Streets of Fire". Not the most exciting album.

3.5 stars. Really solid album, good guitarwork. Love the continuity yet unique vocals. Standouts "Carry On", "Woodstock", "Everybody I Love You".

Only 7 tracks but they're long, overall decent disco. "Good Times" fun but repetitive, "Warm Summer Night" namesake, sensual R&B,

Pleasant jazz. 6 tracks long Only "Street Life" - 11 min long - has vocals.

4.5 stars. What a debut album! Every track is solid from start to end. Bennington's singing with Shinodah's rapping blends so well. Album is harder/heavier than I remember. "A Place For My Head" is a microcosm for the album and the band.

Great album, enough variation to keep it interesting. Uptempo drumbeat contrasts well with 'bleak' sounding vocals. Organs, strings, horns on various tracks to make up for repeating chorus lyrics bore. Catchy standouts: "Keep the Car Running", No Cars Go".

Country soft rock, not bad not overly exciting, "Christine" was best

3.5 stars, Catchy fun pop, a little bit of variation between tracks too, "Dancing Queen" "Fernando" standouts

Shorter album, but a good listen. A little more raw/early sounding. Standouts are: "Born on the Bayou", "Proud Mary",

2.5 stars. Not a big fan of his voice on this, a little boring, no standout tracks. Liked the piano on "Late Night, Maudlin Street"

Liked this album, hints of Counting Crows, Turnpike Troubadours, Rob Thomas, Black Crows. Standouts are "Firecracker" "The Rescue Blues", "Gonna Make You Love Me",

Probably a lot of fun actually live, but this album was too noisy. Decent protest rock and guitars wail, but not my cup of tea.

Really fun salsa, surprising amount of variation across tracks. Hard to not want to dance when listening.

Great album. Alternates between ska and reggae. Enjoyed the faster tracks more than the slower. Standouts are "A Message to You Rudy", "Concrete Jungle", "Little Bitch,

3.5 stars "You Are the Sunshine of My Life" "Superstition" standouts

3.5 stars Beautiful voice, most enjoyed "I got caught"

Mostly too weird and experimental for me. Liked "No Love to Give", "You Can Never Come Down",

4.5 stars, beautiful albums. Upbeat stuff has Beck vibes, slower stuff Hozier or Sam Smith. Pleasant listen all the way through but standouts are "You Ain't the Problem", "Rolling", "Light"

4.5 stars. One of the seminal, early metal albums for a reason. Standouts "War Pigs", "Iron Man", "Paranoid".

3.5 stars. Good early country. Standout from original album (not including "Act Naturally") is his "Memphis" cover

3.5 stars. Enjoyable, soft-listening indie feel. "Pale Blue Eyes" is beautiful, "The Murder Mystery" is strange but I liked it.

Phenomenal album, creative covers. Impressive guitaring.

Really nice album. Standouts "Babylon", "Please Forgive Me", and "Sail Away". Pleasant voice, sounds like a precursor to James Blunt sounding English soft rock, piano rock, pop feel. Not stripped down but not overly produced to still feel folk-y.

Long showcase of Jimi shredding the guitar. Standouts "All Along the Watchtower", "Voodoo Child"

Pretty strange, not sure I'd seek out to listen to again

3.5 stars. Americana classic, distinct sound. Standouts are "The Weight", "This Wheel's On Fire", "Chest Fever".

Nothing blew me away, but front to back it was just a good, well-produced listen.

Not bad, not my personal taste. Need to listen more

Good jazz

Hard not to bob your head along with this disco-y pop. Fun, upbeat. Standout is \"Don't Stop 'Til You Get Enough\"

3.5 stars. Post-punk all female. Not a big fan of the vocals, but like the music. "Newtown" has creative instruments. Standout is "Typical Girls", "I Heard It Through The Grapevine"

Pure metal. Heavy guitaring, fast double bass pedal drumming. Standouts are "Angel of Death" and "Raining Blood" opening with it's iconic riff.

80's hair metal at it's finest. Clean layering gives it a pop, glam feel. Standouts "Pour Some Sugar On Me", "Animal", "Women".

Album goes so hard. Not a dull moment, everything is great from start to end. Favorites are "Master of Puppets", "Disposable Heroes" and "Leper Messiah"

Brazilian, beautiful voice. Standout is "Alegria, Alegria"

4.5 stars. Surprisingly timeless. Birth of pop punk. Billie Joe Armstrong's moody vocals, Dirnt's memorable bassline make this a great listen. Nothing special instrumentally but it works well for what it does. Standouts are "Basket Case", "Longview", "Welcome to Paradise", "When I Come Around".

Jazz, kinda boring, maybe don't appreciate it like I should

Not my cup of tea. A little ethereal at times which was cool, but overall just boring.

Solid album. Standout is "Fight the Power" but the whole album is a good listen. Can now understand how this album was so important for future hip hop.

Really wasn't into this. Dreary voice. Would really have to be in the mood for slower sad stuff. Did enjoy "Open All Night" though.

Enjoyable electronica. Nice and groovy. Slow builds that never get too big.

2.5 stars. Vocals more spoken than sung. Repetitive in build up, heavy distortion. First part of album slow and boring, takes a while to get going. Gets better with "Revolution" to end

Decent album, listener friendly. Cheery.

Really enjoyed this, similar to the Beatles. Standouts are "Picture book" and "People Take Pictures of Each Other"

It was good, but wasn't in the mood for this type of music at the time of listening so it put me on edge

Unreal. Can't believe this is a debut album, what a talent. Standouts are "Purple Haze", "Foxy Lady", "Hey Joe"

Great album, comforting vocals, standouts "Fire and Rain", "Sweet Baby James"

Not for me. Felt really corny.

2.5 stars. Wasn't super into it but not bad

3.5 stars Classic hard rock. Standout is "Back in the Saddle".

2.5 stars. Piano heavy, decent.

Fantastic album. Southern rock with multiple anthemic hits. Standouts are "Tuesday's Gone", "Gimme Three Steps", "Simple Man", and "Free Bird".

Fun Irish sailor shanties! Sounds like a precursor to Flogging Molly.

Solid early 00's alt rock album. "Take Me Out" major hit but the rest of the album keeps the vocals-driven feel throughout.

3.5 stars. Easy listening hip-pop. The standout "Connected" is very catchy and the rest of the album carries on the funky easy feel and the simple lyrics.

2.5 stars. Like a more rowdy or punky version of The Doors or the Stones. Less polished in a not great way though.

Brutal murder ballads. Nice storytelling but gruesome and difficult to sit through the visceral tales at times.

Liked this album, lots of variety. Could feel jazzy at times, folky, 60's classic rock. Good blend.

Amazing album. Standouts "Izzo (H.O.V.A.)", "U Don't Know", and "Heart of the City".

Very strange and experimental. Lots of layers and sounded pretty busy. Should probably give more time listening. Standout was "Houdini".

Very British, illicit humor. Standout is "Clevor Trever"

Early German techno. Standout is "The Model".

Growly, masculine, vocals. Sometimes ballad-y, sometimes jazz-ish.

This album is gangster rap personified. So many skilled verses, catchy hooks, and in-your-face choruses. C.R.E.A.M. is the anthem.

Enjoyable poppy prog rock album. Standout is "Solsbury Hill" which is extremely catchy. Felt a little over-produced at times, with some exaggerated ballad-y moments.

This album was alright. At times had elements of disco, pop, jazz and always had an 90's feel to it. Standout was the catchy "Come to My Aid"

Female vocalist led punk with anti-consumerism sentiment. Standout is "Art-I-Ficial."

Nothing blew me away but it was a good album. Standout was "Powderfinger"

Early post-punk indie rock. Fairly diverse, faster paced but also slower tempo tracks. Standout is "I Will Dare".

3.5 stars. 90's alt-rock. Nice vocals. Standouts "Magic America", "This is a Low".

Really fun glam that isn't overly-obnoxious. Standout is "Sailing Down the Tears".

3.5 stars. Enjoyed the instruments, especially the guitar. But the vocals were a bit grating at times.

Starts with a fast-ish paced alt/radio rock sound before gradually mellowing out to more melodic and piano-heavy. Nice vocals that convey emotion. Doesn't shy away from raw, coarse lyrics. Standouts are "Big Exit", "You Said" and the duet "This Mess We're In"

4.5 stars. Fantastic album. Could do with fewer "ooohhoohhh's and yeaaaheeaaahhs" but this is just a great punk rock album. Lots of energy, catchy choruses. Takes a little edge off of some of the rawer punk, but not overly pop-y. Standouts are "Bad Habit", "Gotta Get Away", and "Self Esteem".

4.5 stars. Easy to understand why this was so poignant at it's release. Lyrically powerful. Unique vocals. Bringing really old folk to the modern age in tumultuous times so well. Hard to believe he was only 21 yrs old at the time of recording.

Gorgeous voice. Album is platform for showcasing it. Instruments are just an afterthought. Slow melodies, light piano makes for a lullaby, soothing type of sound throughout. Standouts are "Don't Know Why" and "Come Away With Me"

Solid enough album, but felt a little repetitive to me at times. Standout is "One"

4.5 stars. Really enjoyed this. Started kind of slow and took a bit to get into, but it really picked up toward the middle and onward. Standouts are "Bow" and "Eternal Life" and "Monsters".

3.5 stars. Pretty decent indie. Fairly psychedelic and more poppy than rocky, but catchy at times. And a good listen. Lot's of variation in length of songs. Standouts are "Revival" and "Fountain Stairs"

2.5 stars It was alright, but wouldn't really go back and listen to anything specific from it. Collection of live tracks from various shows. Mostly instrumental.

Just wasn't really into this. Pop that was catchy at times and had "deeper" lyrics and the cultural impact was probably meaningful, but I doubt I'll re-listen.

3.5 stars. Really solid debut album, good vocals. Standout is "Criminal"

Impressive but harder for me to get into live albums. Guitarwork was phenomenal

4.5 stars. Great album. Prince shows phenomenal talent. Crosses multiple genres. Very well-produced, crisp and clean but doesn't lose emotion. Standout is "The Cross".

Just super fun swing music. Hard not to tap your foot to the groove. Saxophone drives the rockin' album. Standouts are "Jump, Jive, An' Wail" and "Just A Gigolo/I Ain't Got Nobody"

Rowdy and lyrics centering on social issues. Fast-paced punk. Standout is "Kill the Poor"

3.5 stars, pleasantly surprised. More than just "Lovefool" this Swedish pop-rock album is catchy and the clean production doesn't drown out some fun alt rock guitar and basslines. Other standouts are "Step On Me" and "Your New Cuckoo"

3.5 stars. Different layout than most albums, but this was impressive musicianship. Standout is "A Passage to Bangkok"

Arctic Monkeys front man side project. Has a "grand symphonic" feel but soens totally do it for me, not bad though. The opening title track is the standout.

Precursor to punk rock. Album picked up as it went on, last four songs are actually pretty listenable. Standout is "Two Tub Man".

Goofy brit-pop. Tongue-in-cheek "romantic" lyrics. Catchy at times but really nothing special. Standout is "Something for the Weekend"

3.5 stars. Beautiful voice. Fun atmosphere that very much makes you aware it's a live recording. Standout is "September in the Rain"

Kinda ethereal and mostly instrumental. Nothing special.

3.5 stars. A lot of heavy and dark lyrics, can feel the emotion from the singer. Musically the ominous rock is distorting and grinding. Standouts are the sexually explicit "Closer" and "Ruiner"

Drawl-y country western. Standout was slightly faster-paced "The Weatherman" but for the most part it was a pretty bland.

Fairly non-descript alt-rock. Not objectionable, but a bit dull. Standout is "Meat is Murder".

Alternated between undesirable noise and interesting, catchy melody. Standout is "The Hardest Walk"

This album is a great listen, I wish it were longer. King is hard to tune out, and easy to connect to. Soulful jazz that just calmly draws you in with it's rhythms. Standout is "You Upset Me Baby"

This album is beautiful. The combination of the strings and woodwinds with the folk guitaring is and Drake's pleasant voice is really neatly done. Good balance of over-produced vs stripped down.

Solid rock album. Guitar-driven Standouts are "Cinnamon Girl" and the catchy "Down by the River"

Starts off with iconic guitar riff in "Brown Sugar," other standout is slower "Wild Horses". Occasional older, folkier sound to offset the rock and roll.

This is a great album, 4.5 stars. Reggae influences without being full-on reggae/repetitive. Balances blending lots of different instruments with still feeling simple. Vocals set a tone that feels 'relatable' and guitar is given freedom to shine at times. Pace changes throughout but is never too fast or too slow. Standout is "Sunday Shining"

Not impressed. Lackluster techno. Feels like boring, background music to an early video game. Standout is "Pacific 202"

Solid hip hop album. Slower paced, has lots of electronic elements. More something I would enjoy in the background instead of listen to actively. Standout is "Bladerunners"

Catchy beats, ill rhymes, this is a lot of fun. Implementing the electric guitar was a great idea and pulled off well. Lyrics are whimsical at times and poignant at others and nearly every song is quite catchy. A couple duds, but overall quite an album. Standouts are "It's Tricky" and "My Adidas."

Love the emotion and passion of "To Zion", standout is "Doo Wop (That Thing)" is a banger, so catchy. A lot of spirituality woven implicitly and explicitly in the lyrics. Album seems to lose a bit of momentum toward the end, 76 min length could've been cut back a bit.

3.5 stars. Pretty decent listen, albeit short. Interesting crossover of folk rock and prog rock. The singer is what makes this more than an mediocre album. Standout is "Empty Pages"

2.5 stars. Pretty boring, uninspired alt rock. Singer fairly monotone, drum beats really simplistic. Standout is the more lively "Early Years" and the hidden track at the end was pretty good.

3.5 stars. Different sounding electronic album. Brings in a lot of elements and sounds and samples. Standout is "Frontier Psychiatrist" which seems chaotic but underlying beat and overall mix keeps it really fun.

1.5 stars. Really didn't dig this. Voice is annoying to listen to, musically it was OK but nothing special.

Album instantly drops you into a different cultural experience, strongly Cuban-influenced with the leadoff standout "El Cayuco." Music seems so danceable and variations of faster and slower numbers led by horns, keys and Spanish language singers make this a lot of fun.

2.5 stars. Grungy and shoegazey, the singer's monotone made it tougher for me to get into. Standout is "Summer Babe"

Sounded like a dollar store Bob Dylan record. Really repetitive at times. Musically mostly uninteresting despite incorporating a range of instruments. Standout is "Mandolin Wind."

3.5 stars. Enjoyed this record. Felt like it started to emerge from the 80's and bring in some 90's alt rock influence. Standout is "April Skies."

While sprinkled with iconic hits this album otherwise felt a little more hair-metal at times than I was anticipating. The vocals are impressive for hard rock/metal. Lyrics don't hold back from the "sex, drugs, rock & roll" theme and the guitar solos are prominent throughout, most highly featured in intro to the standout "Sweet Child O' Mine." Other hits are "Welcome To The Jungle" and "Paradise City."

4.5 stars. First half is a really good mix of high energy rock without feeling overly rowdy. Guitars have some great breakdowns best highlighted in "Three Days." Second half gets slower and more emotional due to subject (memoriam of singer's girlfriend). Standouts are "Been Caught Stealing" and "Stop"

Way too experimental for me. Cool to incorporate random industrial sounds, but this is just noise to me. Can't imagine ever going back to listen again to any of it.

Strong influence from the Beatles and the Beach Boys. Vocals carry the album, lots of good harmonizing. Not too much filler front to back. Standouts are "California Dreaming" which is a great song, a cut above the rest. And "Monday, Monday."

1.5 stars, because "Rollin' (Air Raid Vehicle)" is nostalgic and not as obnoxious as the rest. Try hard angsty lyrics that overpower any semblance of musical acumen that might have showed up in the second half of the record. So many albums run only 30-40 min and thanks to a nearly 10 min pointless outro this album is 75 min of something only a 'rebellious' young teen could put themselves through.

4.5 stars. Great metal/hard rock album. Radio ready hits "Breaking the Law" and "Living After Midnight" interspersed into heavier, faster tracks. Expected more heavier metal sound, but the singing and arena rock-ish elements were a pleasant surprise. Record flowed well from start to end, keeping up the energy.

Pleasant folk rock/jazz. Dream like at times, album highlights Van Morrison's vocal talents. A record meant to be listened to front to back with each track carrying into the next with good continuity. Standout is "Sweet Thing"

4.5 stars, indie folk at it's finest. Vocals can be a little too studio-y/echo-y at times but this album has a lot of energy blended with gentle melodies. Plenty of great tracks with standouts "White Winter Hymnal" as well as "Blue Ridge Mountains" and "Ragged Wood."

Enjoyed the variety. Starts off like fast and punk-ish, gets a little more pop-y ("Alright") and then slows down toward the end. For 1995 seemed somewhat ahead of it's time in ways. Got Jack White vibes in "Strange Ones."

Art punk an apt description for this. Doesn't stop/start in bursts of high energy like typical punk. Not my personal taste, but can see how this album was influential.

3.5 stars. Electronica that is really solid ambient music. No lyrics but ethereal sound draws you in.

3.5 stars. Blues-y southern rock starts slow and builds into more energy halfway through. Standout is "La Grange" which takes it's iconic guitar groove from a John Lee Hooker boogie blues song.

A darker, heavier hip hop album by Wu-Tang's premier rapper. Solid production for mid 90's, record's strength is Method's rhymes. Standouts are "Bring the Pain" and "All I Need."

New Wave just isn't really for me. Sounds at times like a punkier, dollar store Beach Boys. Standout is "Come Back Jonee"

Blegh. It's here because if it's influence as early pop punk. But what a slog of a listen.

4.5 stars. Folk at it's best. Front to back a gentle yet bright and usually acoustic listen. The vocals is what makes this record, the harmonies as well as individual moments are really beautiful.

Soul-infused pop showcases Adele's supreme vocal ability. Musically isn't super interesting as the focus is on her singing. Standouts are bookends the powerful piano ballad "Hello" and the uplifting "Sweet Devotion."

The ultimate baby-makin' album. Gaye's crooning and passionate voice and jazzy saxophone hooks sets the mood.

A lot going on in this album leading to good results. Starts with heavy distortion and grungy. Moves a little more prog-y. Middle of the record is more rock and roll, times when there's horns accompanying ("Idiots Rule"). Acoustic guitar-driven "Jane Says" is the standout.

'Doomy' alt rock shifts from hints of grunge to more mainstream rock. Elements of more dance/repetitive sounds mix with sharp guitarwork. Standout is the catchy "Stupid Girl."

Too 'elevator music-y' for me. Not a jazz connoisseur by any stretch of the imagination, but I think there's a lot else out there that I'd like instead of this.

Not usually into live albums, but this was a decent listen. Pure rock and roll and mildly entertaining banter between songs.

Would need to be in a very particular mood to listen to this again. Very melancholic "baroque pop." Singer tells tale of journey relating to gender?

Best-selling album with ephemeral hits including the title track, "Billie Jean", and "Beat It" Jackson's post-disco pop acclaimed as maybe the best pop record of all time. Hard to separate the tracks from their pervasiveness but it is enjoyable and an easy, catchy listen.

3.5 stars. 90's R&B. An easy listen but nothing overly special. Standout track is the catchy "Waterfalls."

Musically a fun folk journey led by Dylan's meandering, drawn out vocals. Elements of jazz throughout. Standout is "Stuck Inside of Mobile with the Memphis Blues Again."

Just hard for me get into jazz like this, at least right now.

The classic early punk album. Speedy guitaring, angry lyrics. Short (32 min) but solid album. Standout is "White Riot"

2.5 stars. Meh. Brit alt punk. Catchy at times but fairly bland. Standout is "Billy Hunt."

3.5 stars. This a good folk rock album that starts a little slow and picks up pace and energy as it goes. Has a hippy and happy feel to it. Standouts are the acoustic guitar driven "Alone Again Or" and "Bummer in the Summer."

3.5 stars. Fun and at times wacky. Gets a little experimental-ish at times which I wasn't a fan of, but overall enjoy Beck and this earlier work even if track by track it's hit or miss. Standouts are "Where It's At" and "Devil's Haircut"

This album rocks. Exciting front to back. Mostly flowy alt rock but brings in ethereal elements and clean distortion that brings an extraterrestrial feel. Standouts are "Knights of Cydonia" "Assassin" and "Map of the Problematique"

The title track being catchy and anthemic is the only appealing part of this album. Lyrics have a bit of a creeper/predator feel to them. Mostly boring arena rock.

This was such a slog to get through. Far too experimental for my taste and the "art" of it was lost on me due to grating vocals and out of tune instruments. Those with refined musicianship seem like they "get it" but not me.

Art/baroque pop that is not very pop-y. Has a pretty and gentle sound, upbeat at times and slow and beautiful at times. Standout is the title track.

This is peak rock. "Ramble On" is one of the best songs ever written. Shredding guitars, drum-driven tracks, memorable bass lines, Plant passionately taking the listener on a journey. Hard to get much better than this.

3.5 stars. Musically this is interesting. Wandering folk at times catchy and at times trippy. Goofy lyrics that knock the seriousness don't really align with the impressive instrumental writing. Standout is the piano-drive "Gotta Get Up"

Not purely rock and roll. Lots of horns and piano complementing the standard guitar, drums and bass. Lighter than their earlier work. Incorporate a lot of blues and jazzy swing feel to the record. Works well as a full listen as it doesn't have the standalone hits that other Stones albums do.

Fully solo Grohl project in the post-Nirvana/pre-Foo days. Produced a bit raw, but this recorded really rocked. Singing ranges from yelling angrily ("Wattershed") to smoother ballad easy-listening ("Big Me"). Album begins to wane just a little bit after 7th track. Personal favorite is "Good Grief."

This was a good indie rock album. Felt tropical/psychedelic at times and folk-y at times. Experimental enough without going overboard. Standouts are "Street Joy" "It's Him!" and "Drug" which exemplifies the band's instrumental talent.

Flea's funky basslines carry this sexually-charged early 90's alt rock album that pushes back against the grunge of the time. Ranging from silly to serious, contemplative to corny and always explicit, the bluesy guitar riffs over creative bass lines make this a solid listen. Major hits include "Give It Away," "Under the Bridge," and "Breaking the Girl."

Album would've been much better if it ended after the first song (the title track). Instead it was another half hour of more of the same but worse. Drum track was uninspired and same schtick with the high energy guitaring and growling, masculine singing was not much to write home about.

3.5 stars. Experimental jazzy blues. Liked his deep almost ominous voice. Slow and sometimes dark but overall enjoyed this.

3.5 stars. Early Michael Franti hip-hop that has activist heavy lyrics. Themes touching on homophobia, misogyny, immigration, race, economics, etc. are poetically carried over laidback beats. Very progressive for it's day. Production value felt a little lacking, but good record nonetheless.

Dreamy throughout and psychedelic at times this indie rock album is a great listen. Vocals illicit strong Bob Dylan vibes and lyrics are heavy and depressing. Ethereal effects overlays bring a bit more depth to each track. Standout is "Red Eyes"

Cuban son, bolero and dazon on full display in this ensemble of Latin American talent. From slow and beautiful, to catchy dance, instrumental to traditional singing this hour long listen has a full range of variety. There's also something in the way in which it was recorded (probably the nature of it being such a so many musicians in a large room) that makes it sound incredibly rich. Title-track highlights wonderful piano, but the standout is the leadoff "Chan Chan," what a banger.

4.5 stars. This album feels really ahead of it's time, something you'd hear a 21st century folk indie artist record. Simple acoustic guitar and vocals, occasional piano but it really works and the pacing is quicker than expected and I wish the run time was a bit longer (only 28 min). Pleasant sound, calming/lulling singing, but not too slow. No low points throughout but the standouts are the bookends: title track and "From the Morning."

Decent 90's alt rock as solo project from the Pixies lead singer. Songs are short but there's 22 of them. Standout is "Headache."

Live album of spac rock/prog rock. Long, loose tracks that have interesting bits of instrumentals, but mostly too drawn out for my taste. Standout is "Orgone Accumulator"

Soul/jazz album with a funky vibe that is a good listen. Brings the listener into a 70's black neighborhood. Leadoff "The Cisco Kid" is the standout.

Early 80's old-school hip hop. Great beats, smooth listening, no duds as the whole album explores different sounds while generally at a relaxed pace. The ice cold title track is the standout.

Goofy glam metal that can be a lot of fun. Falsetto singing of sophomoric lyrics over riffing guitars. The ultra-catchy "I Believe in a Thing Called Love" is the anthemic standout.

3.5 stars. Very 80's post punk. High production value, the bleak lyrics contrast with the upbeat music. The singing is actually a good listen and better than the instrumental backing. Standouts are title track and "Heartland"

Chill indie dream pop. Calm female vocals over relaxed beats. Music that is nice to have on in the background. Standouts are "Intro" and "Crystalised"

3.5 stars. Solo Beach Boy album that really would've been good if it lasted only 1 disc. What started out as an enjoyable mix of piano ballad, pop rock, funk, and good singing became a slog. Standouts are title track and "Rainbows."

2.5 stars. Brother sister folk duo. Somewhat generic album with two big hits, the better of which is "We've Only Just Begun." Pretty female vocals is the strength of the record.

Not a big new wave fan but liked this. Gothic rock and "gloomscape." Minimalist but had some intrigue. Standout is a "A Forest."

3.5 stars. Decent garage rock indie. Nothing extraordinary but it was a fine listen. Simple musically, duo vocals are good not great. Occasional fun guitaring.

2.5 stars. Groundbreaking electronic album that feels dated. The fast beats are good at times but nearly 2 hours of this drops the rating for me. I appreciate something that moved forward the EDM genre but probably won't go back and listen to any of it.

The 80's meets late 90's boy bands. Pretty forgettable pop.

4.5 stars. The name defines it. Rock and roll elements by one of the fathers of soul. Contagious singing that is hard not to get into. Contains lots of hits but standout is "Cry to Me."

3.5 stars. Soul with funk and motown feel. Easy-listening, nothing super special. Leadoff title track is the standout.

This was fine. Senegalese singer uses synthesizers and local sounds.

Enjoyed this had a good rhythm throughout. She has a pretty voice but the album didn't just rely on that as it had some interesting instrumental backing her vocals. Folk but has electronics supporting it which is different but works well. Standout

Art rock that is just enough experimental in a good way. Mood of the album swings back between gloomy and upbeat. Occasional guitar riffs and synths throughout. Album ends with 4 pleasant instrumental tracks. Standout is the title track which is 80's ballad-y in a good way.

3.5 stars. Chill mostly instrumental trip hop that feels like a precursor to Lo-Fi. Created entirely from samples high production quality. Impressive for a debut album. Personal favorite track was "Organ Donor."

3.5 stars. This is one of those albums that I respect more than I like. The genre/sound isn't my cup of tea but I can appreciate the audio engineering and crisp, clean production. Standout is "Sledgehammer."

4.5 stars. Longer album that is still great and doesn't feel like it drags on, hard to achieve. Plenty of tracks in here ended up getting sampled in the future. Littered with hits and filler is nearly as good. Standouts are "Sir Duke," "I Wish" and "Isn't She Lovely."

This was fine. Not the same energy as other albums by him and more of a swooning/swaying sound to the whole thing. Still decent but not Stevie at his finest, in my opinion.

Wow, what a performance. Usually difficult to convey energy in a live album but the key-slamming vocal drive and rocking mix does this flawlessly. Can't imagine what this would have been like to experience in-person, rock and roll at it's finest. Half a star off for being so only 22 min long (some tracks not included).

3.5 stars. Solid house EDM album. Lots of sampling, it's a good listen but nothing extraordinary. Standouts are "D.A.N.C.E." and "Genesis."

3.5 stars. Very impressive debut album. Lyrics tend away from "gangster" feel and are more introspective. The sped up beats/production as well as the guest artists are the strong points of this album. Although there are plenty of hits, personal favorite is "Spaceship."

3.5 stars. Upbeat fast-paced rowdy early garage rock that is produced to have a live sound. Tracks are all under 3 minutes and have gain-y riffing guitars and loud yells from lead singer. Lots of covers and a few originals, the best being "The Witch" but the LP standout is their version that popularized "Have Love Will Travel."

2.5 stars. Rowdy fast-paced early punk with a lot of repetitive choruses. Shorter tracks save for the long outro. Not my cup of tea but I can appreciate it for being one of the earliest punk albums.

4.5 stars Creative hip hop double album that spans different sounds . First Speakerboxxx by Big Boi and lots of guest artists is just solid track after track and sounds a little more like traditional hip-hop. Then The Love Below by Andre 3000 is more poppy, jazz/funky and longer and drawn out with more filler and doesn't have the same bass-driven oomph as the former. There's absolute hits that are timeless led by "Hey Ya!," "The Way You Move," and "Roses." This record is expansive and showed what hip hop could be. Half star deduction for The Love Below not being on quite the same level as Speakerboxxx.

Soul-infused funk that blends genres and is catchy and easy-listening. Lots of variety: male/female, black/white, gospel, rock and roll leads to a great overall sound. Standouts are "Everyday People" and "I Want to Take You Higher."

4.5 stars. Solid indie rock album despite feeling a bit repetitive and metronomic. Similar sound throughout means no really strong hits but no weak tracks either. The steady pace gives a consistency as the husband + wife duo singers alternate and lead a feeling of floating toward a dreary future while holding on to nostalgia.

4.5 stars. As smooth as the hip hop group's name rolls off the tongue this debut album is wonderful and creative. Strong beats that a sample a range of musicians, lyrics range from comedic to comedic giving the record a positive vibe. Standouts are "Me Myself and I" and "Eye Know."

4.5 stars. Vedder's impassioned, growling vocals drive this iconic 90's grunge rock album. The guitars, bass, drums all feel powerful and make this quite extraordinary debut record. Standouts are "Even Flow," "Alive," and "Jeremy."

Definitional Britpop. Has a fairly 80's feel but matures out of it well enough. It's lyrics center around sex, social class, nostalgia, and regret. Standouts are "Common People" and "Disco 2000."

4.5 stars. This is really good. Feels like a progression of English rock from the 80's to 90's, even track by track within the record itself. There is a lot of variety: upbeat and rhythmic at times, and romantic at times ("Waterfall"), and builds toward an alt-rock sound by the end. Clean production without sounding overcooked. Gets a little weird/experimental and mostly instrumental toward the end.

Meh this didn't do a whole lot for me. Musically it was OK but Bowie's age really shows itself and makes it hard to get into. Standout for me was "Love Is Lost."

This is a really solid progressive house record. The pace starts slow and then picks up as it goes on. Very listenable beats and the sampling fits in well. Standout is "Afro Left."

3.5 stars. Creative album that goes beyond the standard R&B genre. Standout is "LMK."

Oof not a fan. Airy, breathy voice over boring R&B/pop beats really made this an annoying listen.

4.5 stars. Creative basslines, catchy guitar riffs, steady drumming, this album derives a lot of it's feel and mood to the production which creates a dark and eerie, atmospheric sound. Only Joy Division record before death of front man Ian Curtis and spinoff of New Order. Standout is the leadoff "Disorder" which is phenomenal.

Mostly covers, 60's pop with mo-town influence. It's fine and easy-listening but doesn't really do a ton for me. Standout is her rendition of "Wishin' and Hopin'"

Surprisingly enjoyable shoegaze album. Maybe because it pioneered the genre it did it well. I still wish the mix didn't have the vocals as quiet as they are compared to the instrumentals. Drums on "Feed Me With Your Kiss" are great.

Classic Stones, a really good listen. More rock than pop but influences of international sounds add a bit of flavor to this. Standouts are the leadoff and six minute long "Sympathy For The Devil," and "Street Fighting Man."

Garage rock husband wife do with lots of hard beat drumming and distorted guitar riffs. Jack White's talent on display here as front man and producer. Creative, raw, foot-stomping, fun ("Fell In Love With a Girl"), sentimental and Beatles-esque ("We're Going To Be Friends").

3.5 stars. Fun and catchy New Wave that borders on too poppy but is still overall enjoyable. The leadoff track "Hanging On The Telephone" that really does a good job of setting the tone for the album. Other standouts are "Heart of Glass" and the earworm "One Way Or Another/"

Solid rap album but overall vibe wasn't my favorite. Standout is "Nuthin But a 'G' Thang"

3.5 stars. More from the 'Madchester' britpop genre, that gives a summer Oasis-y sound. And while it isn't quite as good as Stone Roses, it is catchy. Lot's of keyboard effects that set the listener squarely in the 90's. Overall there aren't major standouts nor are there duds, just a front to back decent listen.

3.5 stars. A bit weird, this electronic indie rock has some great moments while being a bit too out there at times. The vocals can be a detractor at times, but overall this is a good album. Standout is the superlative "All My Friends" whose steady build and catchy beat is a masterpiece that carries the record.

60's British folk rock that has a bunch of covers of unreleased Bob Dylan music. Not bad, not amazing. Didn't have strong feelings about it one way or another.

4.5 stars. Brash debut from the Jewish trio from the Bronx is a lot of fun. The six track run in the middle of the album starting with "Girls" encapsulates what this group is all about. Combining creative beats and wide-ranging samples with rapping and yelling hedonistic and sophomoric lyrics brings the listener into a head-bobbing entertaining new world of hip-hop.

This was fine but I'm not sophisticated enough musically to appreciate jazz-funk.

4.5 stars. Otis Redding sings the blues. A soul album by the King of Soul. Lots of covers and very impressive that he recorded all but one song in 24 hours. But there are three originals - including a pre-Aretha Franklin "Respect" - and his voice is just so profound this record is a joy.

2.5 stars. This was ok. Singer songwriter early rock. Lyrics are full of heavy themes. Didn't have any big standout tracks.

Pleasant surprise here. Dream pop/space rock that does a good job of layering without feeling overly ethereal. Sounds a little reminiscent of an early version of some of Kasabian's work. Album fades a bit toward the end as the tracks become longer and slower and more instrumental. Standouts are "I Want You" and "Run"

The leadoff "Love The One You're With" is great, very catchy but the album is a bit of a letdown after that. Still fine for a singer songwriter rock album, but doesn't have the same punch as some contemporaries.

Took a couple listens but it grew on me. Musically it's interesting but I don't care for his voice on this record. Standout is the last song is the "I Can't Give Anything Away"

Thought the hit "The Humpty Dance" wasn't much to write home about on a forgettable album. Vocals were okay, but beats were boring on ab illicit 90s hip hop record.

3.5 stars. Interesting indie folk that lyrically explores history and culture at times poetic and at times narrative. Gets points for creativity. Standout is the phenomenal "Chicago"

3.5 stars. 70's Country Western that is carried by Harris's beautiful voice.

4.5 stars. At times good alt/radio rock, at times experimental and weird. Lots of variety. "The Gash" with choral singing. Standout is the beautiful, catchy, mysterious, "Race For The Prize"

Beautiful pop album that brings in orchestral elements to rock and roll. The vocals with the tenor harmonizing and up tempo backbeat drums drive the record. Is it overly produced? Possibly. The pre auto-tune auto-tuning of the voices can be annoying at times but overall it makes for a pleasant listen. The masterpiece that is "Mr. Blue Sky" unfailingly puts one in a cheery mood. "Sweet Is the Night" understated track.

Good soul album that lyrically touches on lots of heavy topics. Gaye's voice is so easy on the ears. No major standout tracks but no duds either.

Pop album that showcases Lang's voice more than focuses on the music (which is pretty at times - "So It Shall Be"). In the Nora Jones/Sarah McLachlan mold. Pretty decent listen, but album started to drag on a little too long for my liking.

4.5 stars. Experimental and out there, but got to me in a good way. Composition is pretty much just two long and mostly instrumental tracks. Implements orchestral elements, music meanders through different moods. Interesting that Oldfield, who played nearly all the instruments himself, was only 19 at the time and it became the first album on Virgin Records.

3.5 stars Janis Joplin's powerful vocals bump this up a bit from being more run of the mill rock/psychedelic rock. Standout is leadoff "Combination of the Two" and "Pieces of My Heart."

4.5 stars. Wow, one of those albums where I kept hearing hit after hit not realizing they were all from the same artist, much less the same debut record. New wave that is synth-heavy and at times too neat with the tech, but overall great pop/classic rock. Standouts are "Just What I Needed" "My Best Friend's Girl" "Good Times Roll" and the less popular "Don't Cha Stop"

3.5 stars. Strange and eclectic, meandering at times. Varies in genre from fast-paced to slow and drawn out. Enjoyed disc 1, but disc 2 was too experimental for me. Standout was "Hanging Out And Hung Up On The Line".

This had some really strong moments as an indie rock album and Phair's honest emotion is present throughout. Despite me not loving her voice, the guitar work and creativity meant there weren't really any low points. Standouts are "Never Said" and "Mesmerizing".

3.5 stars. "Sabotage" is an absolute banger. Another standout is the leadoff "Sure Shot". There are some international influenced instrumentals. Still fun and entertaining but not the Beastie Boys at their best.

3.5 stars. Started off great for being pretty out there. But second half faded and got too harsh. Standout is "Non-Alignment Pact".

Of "Fast Car" fame, Chapman is a talented singer-songwriter as this folk rock debut album shows.

70's soul/funk. Not as catchy as some of their other work. Standout is "Papa Was A Rolling Stone".

Jazz fusion. Fast paced. Impressive musicianship. Opener "Peaches En Regalia" is the standout.

"Why Does It Always Rain on Me?" kind of epitomizes this album. A bit of a downer and didn't really do much for me musically.

4.5 stars, really liked this hard rock version of new wave. Felt ahead of it's time. Not a full 5 stars because some of the middle tracks didn't overly impress, but overall this was fantastic. "The Passenger" is a total banger. Title track also good.

The Beatles redefining pop and what a complete album is: not just a collection of singles. It's a great listen. They creatively implement baroque sounds and sitar + harpsichord to make the record more than just folk rock. The biggest standout is "In My Life" and it's earworm melody.

2.5 stars. Meh this was weird. At times it was fine, but overall it was too avant-garde for me. The acapella was impressive, while also not being an enjoyable listen.

3.5 stars. Sinatra crooning over bossa nova makes for beautiful background music. Dock the album a little bit for all the tracks sounding the same and it being under 30 min long. Standout is the leadoff "The Girl from Ipanema".

3.5 stars. Dark gothic rock that feels like a fun soundtrack to a scary adventure. Standout is "Lucretia My Reflection".

Disco sould. Catchy, pretty much to a fault. Title track is the standout.

3.5 stars. This was nice jazzy afrobeat. More good background soundtrack than anything,but had major political implications in Nigeria.

Singing is phenomenal,and even if the music isn't as good as Crosby, Stills, Nash & Young it's still creative and melodic. Beautiful listen.

Blegh. Lots that I don't like about the 80's. The worst of New Wave. Long drawn out slow autotuned singing.

This is art pop that really works. Creative and different without being too weird to get into. Standout is "Utopia".

Late era Cash with some great covers. Despite his age his voice is still impressive and a lot of this stripped down album evokes heavy emotion. Standouts are "Hurt" and "I Hung My Head".

Musically creative. Don't care for lead singer's voice, but the instruments make up for it. Title track least favorite. Standout is the catchy "Lovesong".

3.5 stars. Reminds me of Everclear~esque 90's radio alt rock. Thought the slower, ballad-y stuff wasn't as good as the higher energy alt rock sound. Standout is "Let Me Entertain You".

There it is. In contention for GOAT album. Banger after banger. Variety of lead vocalists, catchy hooks, beautifully constructed tracks. Nearly flawless, wish it were longer than 40 min.

Enjoyable classic dad rock, pleasant listen. "Try and Love Again" is underrated, great bassline. Other standout is the iconic title track.

3.5 stars. Alternative synth-y pop rock. Driven by the phenomenal dance anthem, "Heads Will Roll", but not a ton else to write home about but not many duds either. "Zero" is the second best track.

4.5 stars. Great album. Some of the best of what 80's new wave/pop rock has to offer. Generally good melodies, catchy yet sophisiticated without being over-wrought. Standouts are "Everybody Wants to Rule the World", "Broken", and "Shout".

3.5 stars. Laidback, modern R&B with interesting beats. Pretty voice, hits high notes in a nice way. Interludes weren't irritating. Standout is east-Asian influenced "Cranes in the Sky".

The bookends "Gimme Shelter" and "You Can't Always Get What You Want" are total bangers, just masterpieces. But the middle is not my favorite. Kinda honky-tonk-y rock and roll that doesn't really stand out and can be repetitive sounding at times.

1.5 stars. This was rough. Like dollar store Destiny's Child and then at times trying to bring in rock? elements with whiny guitars. "Beautiful" being a decent pop song only thing that saves it from 1 star.

3.5 stars. Simple yet enjoyable folk rock. Steven's voice is easy very homely. Standout is "Wild World", very catchy and has been a recurring earworm over the years.

4.5 stars. Hard rock, funk, blues, prog. There's a lot in here and it showcases all of the musical talent of the group. "Down by the Seaside" is underrated and "Kashmir" and "Houses of the Holy" are the two standouts.

Hip-hop changing debut album by iconic duo. Drum machine creates a new sound that is fairly minimal and repetitive but lets the duo's rapping be the centerpiece. Standout is "Rock Box", while "Wake Up" lyrics give an MLK-esque social commentary.

4.5 stars. It's the Beatles. Shorter album (33 min) but hard to dislike anything about it, even if it isn't packed with tracks I love. "Roll Over Beethoven" sounds very Beach Boys. Standout is "All My Loving".

Elements of country at times, love ballads, a little bit of variety and a pretty voice make this a decent pop album that covers lots of older country work.

The "Stay With Me" album. Vocals sound a bit like Steven Tyler so I always thought it was an Aerosmith song. The other standout is "Memphis". Overall a decent rock album.

4.5 stars. Jack White's solo debut showcases his well-rounded musical prowess. Blues rock that incorporates jazz, hip-hop, folk/country, piano ballad, and more. Standouts are "Take Me With You When You Go", "Freedom At 21", and "Sixteen Saltines".

Appreciated this more than I enjoyed it. Lennon's singing is the driving force here, but I just didn't get into it.

This was some fun pub rock. Not anything genius musically, but not objectionable. Standout for me was "Mystery Dance", which kinda encapsulates the album when it was at it's best: fun and fast-paced.

4.5 stars. This was epic. They symphony adds to the metal performance, enhancing what is essentially a Metallica greatest hits live album.

2.5 stars. A little too overdone for me. Catchy at times but not really my thing. Still better than most pop. Very 80's and some covers that weren't my favorite. Standout was "Relax".

4.5 stars. Despite not knowing the definition of ironic, Morissette does know how to make a great radio alt rock album. Lyrics aren't subtle but aren't too overt, hooks are catchy, lots of emotion is captured while still feeling relatable, production is clean without losing too much grungy feel, length is perfect. Standouts are "Ironic", "You Oughta Know", "You Learn", and "Hand in My Pocket".

3.5 stars. Solid rock album, but more mainstream/poppy than the more punk earlier version of Green Day. More made for radio than I'd prefer, but still a decent listen. Production/mixing isn't my favorite, sounds like Billy Joe Armstrong is really trying to sing over the guitars. Hard to detangle my nostalgic memories of "Holiday", "Boulevard of Broken Dreams", and "Wake Me Up When September Ends" as they were inescapable during middle school years.

4.5 stars. Really enjoyed this. Funky and catchy. High pitched voice sounds a little gospel/soul at times. Standout is "Jesus".

4.5 stars. Fantastic album. Classic rock defined. Standouts are "Paint It Black" and "Under My Thumb".

Cool downtempo space pop electronica. Sets a nice chill vibe. Standout is "La femme d'argent".

Meh. Neo soul. Didn't dig it, didn't hate it.

Solid album. Less thrashy and more refined/polished. Really starts to crossover into rock more so than metal. For better of for worse. Standouts are "Enter Sandman" and "Nothing Else Matters".

3.5 stars. "Breakdown" and "American Girl" are great, super catchy. Rest of it is more filler and harder to really get into.

3.5 stars. Felt cohesive throughout, good production value. The Wu-Tang member packs a punch from start to finish. Skits didn't ruin it like they are prone to. Standouts are "The Champ" and "Be Easy".

4.5 stars. Strange but compelling early alternative rock -ish album. The acoustic basslines drive this record and make up for a. Impressive songwriting for an 18 year old high school kid, even if his vocals are a bit high and awkward. Standouts are memorable "Blister In The Sun" and "Gone Daddy Gone".

Not bad, not great. Sounded pretty 80's. A little repetitive at times but "Wrote for Luck" is a solid tune.

Heavy "big beat" electronic rock. Standouts are the adrenaline pumping "Smack My Bitch Up" as well as fast-paced "Firestarter".

Still cracks me up that this band is from El Cerrito and not from the south. This album finds a way to make swamp rock jam band-y type music crisp and concise without droning on and on. "Bad Moon Rising" is an all-time classic, so well done. The title track is the other standout.

Blues with unsurprisingly impressive guitarwork. Short track lengths is nice for this genre. Could do without the disturbing lyrics that are uncomfortably pedophile-y.

A grind at times, sorta catchy and fun at others. Can appreciate this being different, but noise rock isn't for me. "Assassins" is the best of the bunch.

Nah. I suppose there's some musical talent here, but I just really wasn't a fan. Too 80's art-y for me.

3.5 stars. Pretty catchy French House debut album. Standouts are "Around the World" and "Da Funk".

4.5 stars. I dig this. Beautiful voice but doesn't overdo it. Sensual but funny at times, honest and has attitude. Impressive debut, especially for a teenager. Music meanders from jazz to R&B to soul in a very listenable way. Standouts are "Fuck Me Pumps" and "Brother".

Was not into this. Too much jazz than rock for me. Some of it was fine, like "Beginnings" but "Free Form Guitar" alone made this listen a drag.

3.5 stars. The leadoff title track is so good. Lyrically dark, which makes sense given the context. "Jackson" duet is beautiful. Really sounds like a live album, in a good way.

4.5 stars. High quality production, creative writing. Pulls in lots of different genres. Grandiose, though second half does tail off a bit. Probably won't be back much to re-listen.

This is like the opposite of jazz. My very limited understanding of music and music theory makes the complexity of jazz tougher to listen to and appreciate what is happening. This is like popcorn. Extremely simple melodies, boring but inoffensive musically, pleasant voice from a lead singer, makes it easy to consume.

It's like good Christmas music that isn't about Christmas. First half of the album the horn and big band accompaniment can distract from Charles, whereas the second half string and ballad-y feel better suits and highlights his singing.

2.5 stars. Started off weird but got better as it went on. Punk influences at times, other times pop-y but overall a bit too experimental for me to get into. Standout is "L.A." which is catchy, if repetitive.

4.5 stars. This album gets after it. A little muddled and overly distorted at times, but for the most part it's just really good rowdy post-hardcore. Starting with "Spike Island" it takes off, and the standout is "Getting Bright At Night".

The was a creative art-y album that worked well. Orchestra elements, some middle eastern influence. Overall beautiful sounding.

4.5 stars. This is really good, David Byrne is so talented. From the leadoff "Thank You for Sending Me an Angel", the tone is set for an upbeat, positive sound with catchy riffs and solid basslines. Enough time has passed from when those obnoxious fish mount decorations were popular that "Take Me to the River" stands alone as a great track. "The Girl Wants to Be with the Girls" is great as well.

Sinatra swingin'! His voice is so iconic, the jazzy big band is exuberant.

Long drawn out pop tracks meet diet techno. No thanks. Title track was OK, but there were some real painful ones in here including 11 straight minutes of the "Candy Perfume Girl" and "Skin" back to back.

That was a struggle. Her voice was grating, there were weird string accompaniments that felt really outta place. Even the hit "This Woman's Work" seemed really abbreviated. I like to think I have a somewhat wide taste in music as far at least tolerating different varieties but this one was testing that.

The three hits "Personal Jesus", "Enjoy the Silence", and "Policy of Truth" are catchy well-crafted tracks. The rest of the album is good not great.

3.5 stars. "Sweet Emotion" is an incredible song that has an iconic bass riff. "Walk This Way" has equally catchy hook as gross lyrics? "You See Me Crying" is what a power ballad done well sounds like. But the rest of the album is meh,

3.5 stars. The format of this (over two hours long and interludes with presenters just talking) took away from what was really good jazz big band. The standout is the iconic "Jeep's Blues".

2.5 stars. First half was OK, with interesting guitar riffs. But the vocals dragged it down and it really faded in the second half. "Virginia Plain" is a solid track.

Eh it was decent. There were good moments were it was enjoyable radio rock that sounded like budget Collective Soul, but too much filler in-between. Standouts are "Sunflower" and "The Weaver".

Pass. This was weird, and I suppose the lyrics were different and interesting in a good way but overall this was a snooze.

4.5 stars. Expands the bounds of R&B by incorporating psychedelic, soul, jazz elements. Extremely listenable while also creative and not lacking in depth. "Pyramids" is the standout but there's not a bad track.

3.5 stars. Solid electro space rock album. Strange yet inoffensive. The two standouts are the pt. 1 title track and "Do You Realize??".

Alt rock gem. Laidback vibe but catchy hooks. Clever subtle sampling from a lot of 70s work. Standouts are "E-Pro", "Girl", and "Go It Alone".

4.5 stars. The opening 3 tracks are phenomenal, but then it feels like a letdown afterward. It's not terrible, but it doesn't live up to the start. Throughout the whole album, the recording/production quality is absolutely outstanding. Very clean and crisp and sounds like it's meant to be played loud on a high-end stereo system.

It was fine, liked that it was varied with softer moments. But probably something I won't return to much. Standout was "Snowblind".

3.5 stars. Pretty decent alt rock. More listenable than intriguing or compelling. Standouts are "The Sidewinder Sleeps Tonite" and "Man On The Moon".

So anyway, here's "Wonderwall". Perhaps because I am young enough to have missed this being ubiquitous for a period of time in it's heyday, it wasn't hard to come at it with a fresh look. Was not let down. It's mainstream rock that appeals to the masses without feeling too watered down. Standout is the closer, "Champagne Supernova" but start to finish it starts fast and doesn't slow down. No clunkers.

There's some good moments to this hip-hop record that incorporate complex lyrics and beats. The standout is the catchy "The Seed (2.0)". Fast paced beat of closer "Thirsty!" is great as well. "Water" is so weird/bad and out of place, was the biggest letdown in an otherwise solid album.

4.5 stars. This is prime country. Title track is the standout. Other greats are "Drink Up And Be Somebody" and "Mixed Up and Messed Of A Heart", but start to finish this is just really good old country. Interesting music with steel guitar, piano, catchy hooks, and Haggard's iconic singing.

2.5 stars. Eh wasn't really into this. Felt like ballad-y psychedelia rock. Fun dueling guitars at times, but overall this was a little too repetitive at times. Standout was "Simon Diamond".

Glam rock but had enough pop and folk sound to be a really enjoyable album. Beyond the catchy hit "Get It On", "Mambo Sun" and "Hot Love" are great.

2.5 stars. Weird and disjointed. Enough pop to keep the strange avant-garde listenable. Her voice is the worst part, singing is not her forte. Standout is "Venus As a Boy" which has a pretty string and ethereal electronica compliment.

Wow what a pleasant surprise. So much more than "Son Of A Preacher Man", this was a joy from start to finish. Leads off sensually with "Just A Little Lovin'", ends with a deeply emotional "No Easy Way Down" R&B track. This is pop done right. Absolutely beautiful singing, well-constructed backing music, engaging lyrically.

Really captures the Laurel Canyon folk rock sound. Flows together as an album. Dabbles in different genres while a keeping a consistent rock base. Not as much a fan when they get more psychedelic though. "Goin' Back" is the standout.

Bleh. Late career Brian Wilson not for me. Youthful and upbeat but just felt like unexciting pop overall.

2.5 stars. The leadoff "Roundabout" is great, but the album is all downhill from there. I guess I'm just not into 70's prog rock.

I love the music making artistry of Jack White, and this album is at it's best when the piano is driving. Less guitar-riffing which makes this less enjoyable for me than a lot of his other work, but still creative and implements lots of interesting instruments. "Blue Orchid" and "The Denial Twist" are the standouts.

4.5 stars. Beautiful, calming ambient music. Pretty impressive that this album was sorta the first of it's kind when it comes to this genre. Works equally well as background music while focusing on something else, or as interesting standalone art on it's own.

4.5 stars. Summer of Love! It's catchy, it's zany, it's art, it's mainstream pop. A lot going on here, in a good way...LSD working well to the band's benefit. Lyrically touches on a variety of cultural changes during a pivotal era. The standout is "With A Little Help From My Friends" which will always be a classic.

Oof, no. Struggled through this. Way too esoteric for me.

4.5 stars. Opening riff shreds and from there on its just a great blues rock album. Fun and different that it's not in English, but the guitars from this Mali-based group just carry the listener on an enjoyable ride. Standouts are "Soubour" and "Al Hassidi Terei".

4.5 stars. Blues-infused hard rock that kicked off the career of one of the greatest bands of all time. From the initial riff in the leadoff "Good Times Bad Times" to the grabbing solo in "How Many More Times", Page's guitar prowess is felt throughout. Bonham's driving drums support well and this record does not have a single skip. Not quite as strong as some of their subsequent work, but still really really good.

This was a lot (2 hours). Mostly enjoyable though. Newer country rock blended with old-school Doc Watson, Earl Scruggs bluegrass. Standout is "Tennessee Stud" but I enjoyed their take on the bluegrass classics like "Flint Hill Special" and "Foggy Mountain Breakdown".

Unlike other 90's grunge rock, I only like this in small doses. Singer drawing out and holding notes for too long gets old quickly. The hits ("Rooster", "Down In A Hole", and "Would?") are good but the rest is forgettable.

Meh. Would have to be in a pretty downer mood to get into this. Singing is just too lackluster to make up for pretty songwriting. Enjoyed the storytelling in "Story of Isaac". Standout is "The Partisan" with it's French and nice backing vocals.

Pop R&B at it's best due to the incredible soulful Aretha Franklin. From the kick-off "Chain of Fools" through the ending emotional "Ain't No Way", this half-century old album still holds up sooo well. The backing music is occasionally big-bandy, occasionally jazzy, and balances so well with the singing as it never takes over but is always catchy. Great cover versions of classic soul like "People Get Ready".

3.5 stars. Driving fast-paced hard rock infused with blues. It doesn't take itself overly seriously, most notably lyrically. The hits are catchy and fun, "Sharp Dressed Man" being the standout. But the womanizing schtick did get old after a bit.

Wasn't into this. Kinda eerie and interesting to start, but kinda devolved from there and was a bit dull.

Nope. Way too avant/eclectic. Couldn't get into it and it was really long.

Female James Taylor vibes in terms of how the album feels, especially instrumentally, and that was before hearing "You've Got a Friend". Standout is leaf off “I Feel The Earth Move” which has a vibing anthemic drive to it.

Great folk rock that is elevated by the soulful singing. Standouts are lead off “Down to Zero” and the emotional “Love and Affection”.

Gotta separate the art from the artist here. Results in beautiful Christmas album that balances enough enthusiasm and passion without becoming overly whiny.

3.5 stars. It’s good, but Bono’s singing is best in smaller doses for me. Good guitarist, but record feels a little over-produced. Standouts are the bookends.

Brilliantly talented rapper and songwriter giving voice to frustration of the disenfranchised and highlighting social issues? Yes. Obnoxious shock jock striking a chord with angsty high schoolers through over the top language? Also yes. “It’s a joke, bro” or not, couched in too much anger, violence, misogyny, homophobia, and toilet humor for me to go out of my way to listen to. Standout is “The Real Slim Shady”.

Budget Oasis. Didn’t like that the vocals were more in the background than the foreground, as dull/draggy as they were at times. Still good shoe gaze record, especially when it avoided being overly prog rocky.

Bangers from start to finish only briefly interrupted by goofy interludes. The singles lead the way with my personal favorite being "B.O.B." instead of the more famous "Ms. Jackson" and "So Fresh, So Clean" but there are underrated tracks throughout: "Gasoline Dreams" and "Humble Mumble" being the best of the rest. Hip-hop mastery with infectious hooks, driving beats, clever lyrics, impressive clean production. Creative and takes hip hop to new places and the singles are arguably early examples of rap becoming mainstream.

Pleasantly surprised this was only 40 min runtime, was expecting it to be at least double that. The standouts "Tom Sawyer" and "Limelight" are really good and carry a more mainstream sound and structure than the rest of this prog rock record. Enjoyed the drumming, really impressive.

4.5 stars. Sri Lankan hip-hop artist creatively blends world sound into dance-paced record. There's times where I found the tracks annoying (e.g. the high pitched tinny "World Town") but overall this is good. The highs (e.g. upbeat, synth-y "Jimmy") are really high. Unlike most of the rest of the album that is more fast-paced dance genre, the infectious "Paper Planes" is down-beat hip-hop that's mocking lyrics cleverly play on many American's views on third world country immigrants.

Art rock/pop that was hard for me to get into. Can appreciate Eno's contributions to advancing music, but this in particular was a bit of a snoozer.

Hard to give this an honest rating. Production-wise it's good, and from a lyrical standpoint she digs deep on some emotional topics but I just don't care for this kind of music.

Album's strength is the lead singer's vocals which are best showcased in the earworm standout "Maps". At times it borders on noise rock, but overall stays in a good indie garage rock genre.

The twangy lyrics, and foot stomping beats make it feel a bit more southern than standard folk rock. Driving piano in "Jawbone" is upbeat fun. Standout is "Up on Cripple Creek".

Sing-song-y Woody Guthrie lyrics set to the tune of Billy Bragg and Wilco. The first half or so is good, but the act got a bit tired for me after that. Overall decent folk rock but nothing amazing. Standouts are "California Stars" and "Way over Yonder in the Minor Key".

4.5 stars. Man this just gets after it from the get-go, what a leadoff track. Ice Cube's writing ability shines through across the record and the sampling is on point. There are some weaker tracks that keep it from being 5 stars ("I Ain't Tha 1", "Compton's N The House - Remix" ) but this genesis of gangster rap is a hit. Standouts are the title track, "Fuck Tha Police", and "Express Yourself".

I like Supergrass, their sound is a good example of alt rock/power pop I enjoy: fast-paced, driving drums, vocals that aren't grating, somewhat consistent and predictable but occasionally mix things up to not make it boring. Standout is "Richard III".

Dark and brooding. Vocals are deep and breathy but it works. The violin really and other background instruments really help complete this album. Standouts are "Steer Your Way" and the title track.

Interesting combination of melodic eloquence of depicting dark subject matter in gangster rap. Catchy beats that are quality Dre work and Snoop brings clarity in the delivery. Easy to see why this was so influential. Standouts are "Gin and Juice", "Who Am I (What's My Name)?", and "Tha Shiznit".

Musically there may have been something here, but Buckley's singing turns it into a dreary affair.

3.5 stars. The singing brings down otherwise creative and interesting songs. Interesting basslines, heavily layered and goes for an 'epic' sound. Standout is "Jigsaw Falling Into Place".

Really busy, the layered singing and back up vocals were distracting at times. Appreciate the creativity and going for something different, but was a bit tough to get into. Standout was "Summertime Clothes".

4.5 stars. Have always enjoyed this album. Simple yet engaging electronica. The slower vibe-ier downtempo tracks ("Porcelain", "South Side") are better than the fast paced ones ("Bodyrock", Machete") which sound a bit dated. Wish "Flower" made it onto the original cut, probably my favorite track and was released on B Sides nearly a decade later.

Short and sweet early rock and roll. Sound like a pre-Beach Boys with surf rock influence as well as Johnny Cash deep baritone vocals. Standouts are "Oh Boy!", "Not Fade Away" and "Rock Me My Baby".

2.5 stars. This was weird, dance punk-ish. I enjoyed it at times, but overall just didn't do it for me. Standout is "Deceptacon".

4.5 stars. Great alt rock/power pop with a tinge of grunge. A garage-ier Collective Soul at times, singing voice similar to Blue October. Can be a little repetitive but the fast-paced drive and reasonable run length (45 min) makes for a fun listen. Standout "A Good Idea".

Crisp and clean funky soul that isn't formulaic. Really liked this. The whole album doesn't have any skips (partly due to 36 min run time) but the standouts are "Pusherman" and "Superfly".

3.5 stars. A little short (under a half hour) but still enjoyed it, decent folk rock. "Fakin' It" is the standout. "Mrs. Robinson" is a classic. "A Hazy Shade of Winter" is also good.

Something to come back to. Typical jazz I struggle to appreciate now but hope to some day.

3.5 stars. It was decent. Very Beatles-esque baroque pop/folk rock. Standouts are “Party Line” and “Sunny Afternoon”.

Musically nice and slow and melodic and at times ethereal countered with creepy lyrics and singing that varies from almost falsetto to strained/smoky. "My Beloved Monster" reminds me of Shrek movie but it's still a great tune. "Susan's House" (along with Atmosphere's "Yesterday") samples Gladys Knight and The Pips piano intro.

3.5 stars. A bunch (43) of short tracks that is all over the place but not too it's detriment. Punk in it's own way. Less rowdy than most of the genre but lyrically poignant in a goofy delivery. Guitar can be jazzy and catchy at times but it's one of those albums whose importance outweighs it's enjoyment. Standout is the memorable riff-driven "Corona".

The twangy lyrics, and foot stomping beats make it feel a bit more southern than standard folk rock. Driving piano in "Jawbone" is upbeat fun. Standout is "Up on Cripple Creek".

2.5 stars. A little bit slow and downbeat. Gets a bit reggae-ish at times. Standout is "Unfinished Sympathy".10

Not for me. Was ok at times as grungy alt-rock with lots of distortion but probably not something I'll come back to.

3.5 stars. Enjoyed this more than the other two Kate Bush albums that have come up so far. Starts off so strong with "Running Up That Hill (A Deal With God)" and tails off a bit but is still pretty good overall. Didn't care for really weird "Waking The Witch". The ethereal "Cloudbusting" and up-tempo Irish "Jig Of Life" were the other standouts.

4.5 stars. Amy Winehouse is pop music that I really dig. She is now more soul than jazz, but the backing instrumentals are still really nice and don't get in the way. Voice is just so listenable. Depth and emotion in the lyrics. Kicks off with the ultra-catchy "Rehab" but there's not a skip on the album.

Eh, musically it was ok but his high-pitched singing (as talented as it might be) was distracting.

Decent sing-songwriter americana with a bit of a country twang. Nothing really stood out, in a good or bad way. Enjoyable voice to listen to.

Beautiful. Really liked the crooning singing, pseudo-jazz soul band. Feels like it could've been from an older era than the 1986 recording date, just a traditional sound instead of contemporary R&B.

Unrelenting. Aggressive. Breakdowns, build ups, poignant political lyrics, growling passionate cries, riffing guitars. The no sampling, synth, or keys helps drive the rawness that the album works so well. This is prototype for what rap metal could be is an all-timer. Standouts are "Bombtrack", "Killing In the Name", and "Bullet In the Head" but there are no weak tracks throughout.

4.5 stars. This is a lot of fun. Very foot-tapping, air guitar inducing. High BPM, drum-driven, high pitched and drawn-out vocals over screaming guitars. The standout title track sounds Judas Priest-y combined with the good elements of AC/DC. Will be coming back for more.

1.5 stars. Naw. I'll pass. Cool that she was making a comeback after fighting addiction, but I didn't like any of this. Especially the explicitly vulgar closing track.

Pretty good if not not memorable. Pair of brothers make a 50's rock & roll record. "Love Hurts" is interesting given this is the original and how many times it went on to get covered in years following.

3.5 stars. Starts out as occasionally creative and fun metal/rock with elements of string/orchestra layered in. Singing alternates between something different in a good way, and grating/detracting from the music. Lyrics can be aggressive but not to the point of off-putting. Starting with "Lately", which is more like generic 90's alt rock, it really slows down and gets down to soft rock or almost R&B. Different genre than the beginning of album. Standout for me was "We Don't Need Who You Think You Are" and "The Skank Heads".

4.5 stars. The jazz influence really makes this hip hop record a masterpiece. The underlying bass lines give it musical depth. Has a more mellow sound than macho hardcore gangster rap. Standouts are "Check the Rhime" and "Scenario".

4.5 stars. "Respect" cover is one of the best songs ever recorded, so powerful. Showed what soul could be. "Save Me" underrated, fun groove musically.

3.5 stars. No big standouts in terms of individual tracks, but it's a good album overall. Uses layers and depth to go a bit genre-bendy in a creative yet listenable way. Dance-y but not overly catchy electronica but not at the expense of a variety of instruments. Runs a bit long.

3.5 stars. Early punk. Eclectic but catchy beats. More something I'd enjoy as good background music as opposed to seeking out individual tracks to listen to. Standout was "Hanging Around".

An hour of Bjork. Would've been better as an instrumental, the singing is so off-putting and musically it is interesting and pretty at times. But alas.

Can definitely understand all the accolades after listening to this all the way through for the first time. Brilliant song-writing, beautiful singing, raw emotion. Start to finish it's cohesive and there's no weak points. "Carey" and "This Flight Tonight" are underrated.

Leads off with an all-timer, very impressive to make a seven and a half minutes long track not feel too long. "Pre-Road Downs" is a nice pleasant surprise. "Song with No Words" is a skip as well as their down-tempo "Everybody's Talkin'" cover. The rest of the album is a pleasant listen, just a good folk rock sound.

Heavy heavy metal. Growling vocals over down-tuned riffing guitars. Fast and thrashy. A little repetitive at times, but this seems like definitional heavy metal.

1.5 stars. Struggled through this. 80's pop at it's worst. This sound is why the decade gets a bad rap musically.

Eh generic pub rock, wasn’t as into it as other Elvis Costello. Above average lyrics. Standout is catchy cover of “(What’s so funny ‘bout) Peace, Love and Understanding”

Has some real bangers, "Somebody to Love" and "White Rabbit" which are both unfortunately under 3 minutes long. Wasn't as into the slower, more acoustic stuff but the album really thrived when there was more energy putting the rock in folk rock.

4.5 stars. I like this experimental/art take on folk rock. Just unconventional and weird/grating enough to be interesting but still highly listenable. Bob Dylan-esque singing and lyrics. "Run Run Run" different from rest of album but catchy and good. Standouts are "Sunday Morning", "Heroin", and personal favorite is "Venus in Furs".

4.5 stars. Really difficult to not like Jimi Hendrix. "Spanish Castle Magic" goes so hard.

2.5 stars. Interesting conceptually, but at nearly 3 hours long it's lot to sit through. Lyrically clever at times as it's a take on love songs, not really love songs themselves. "I Don't Want to Get Over You", "The Book of Love", "Sweet-Lovin' Man" were the standouts.

3.5 stars. Fun and flowy. Catchy rap style. Beats are easy. Standout "Break", "What's Golden".

2.5 stars. The leadoff "Like A Rolling Stone" is iconic, but the album is a bit of a letdown after that.

World music meets hip hop and helps introduce the UK to the genre. Put together in a way that sounds like listening to the radio with a DJ and call-ins. Interesting that there are so many different sounds/genres but apparently he seems to have ripped off original artists without crediting them. Standout is "Double Dutch" while the last track "Duck For The Oyster" is super annoying.

Eh wasn't really feeling this one. It was decent as background music but hard for me to really get into.

This was pretty good. For some reason this was a little tougher than other world music to get fully immersed in because of the language difference but musically and from a singing standpoint this was good.

Starts off rowdy and fun but kinda devolves from there into a weird fusion of glam rock/punk rock. "Trash" is the standout, sounds a bit like The Clash.

3.5 stars. Opposite of some other albums on this list where the music is great but the singing is the downfall. Some fairly boring/generic country and western tunes but Ray Charles' voice makes it all a pleasant listen nonetheless.

A little too rough and experimental at times but there are some great tunes and overall it's a good album. I liked the slower tracks more than the aggressive ones. Standouts are "Heart-Shaped Box", "Rape Me", and "All Apologies".

3.5 stars. A bit weird, kinda alt-country new wave-ish at times. Harmonica makes things more interesting than generic alt-rock, more upbeat tempo than standard country.

3.5 stars. Dark lyrically (good break-up album) and less grungy than other 90's alt rock. Has some duds including "What Jail is Like" and "My Curse". But it's mostly a good listen and standouts are "Gentlemen" and "Debonair".

Early country & western, like a pre-Bob Dylan twangy singer-songwriter. Standout is "New York Town". "Cocaine" was unexpected. First and last name of protagonist in leadoff song shared by a childhood friend was kinda funny.

3.5 stars. Has a dark and downer theme but melodic and could land well if I'm in the right mood for it. Standouts for me are "You and Whose Army?" and "I Might Be Wrong".

2.5 stars. Was more like generic background techno than standalone hit tracks. Wasn't bad, but was a bit boring.

Lots of latter teenage years nostalgia with this one. At the time felt like more than just pop rock, but it is a bit bland on the re-listen more than a decade later. Still enjoy it, catchy tunes and memorable hooks. No bad tracks, but the hits don't really hit in the same way they did back in the day. Still humorous that "Sex on Fire" was supposed to be Set's Us on Fire until a sound mixer made the joke.

Overly repetitive and bland lyrics. Fairly dull musically.

3.5 stars. Lively and fun Afro-Cuban jazz.

3.5 stars. Starts off with a banger ("Rolling in the Deep") but kinda tails off from there. Both when it was released and re-listening now I wasn't into the other hits as much as the leadoff track. And while the rest of the album is fine, I don't really love it. She has a beautiful voice, but these songs don't really grab me in a meaningful way.

4.5 stars. Nice twist on pop without being overly eclectic. The jump from "Newspaper" (layered and almost experimental, creative sounds) to "Ladies" (slow almost R&B) back to back good example of the diverse sound of the album. Standouts are really clever "For Her" and catchy "Relay".

2.5 stars. Aspects of this I liked ("Sidewalk Serfer Girl" catchy alt-rock, "It's Not the End of the World?" pop rock, "No Sympathy" which feels like 70's folk rock until weird twist at end" but for the most part it was just a strange twist on alt rock that I wasn't really into.

4.5 stars. Really dug this album. After the leadoff title track that felt too 80's synth-y, it just became a really solid blues record. Standout was "That's Alright".

3.5 stars. Pretty good album that tries to combine blues and punk rock in an interesting way. Made for a good sound, upbeat and angsty but not too rowdy. Standout was "Preaching the Blues".

2.5 stars. Not a big reggae guy. All kind of sound the same to me, probably need to be blazed I guess? "No Woman No Cry" is good, but otherwise it was a bit of a bore.

Biggie's debut. Raw and aggressive gangster rap delivered in crisp and creative rhymes. Catchy beats. The tracks running from "Juicy" through "Big Poppa" in the middle of the record is as impressive as 90's hip hop gets.

It was OK. "Song 2" obviously the unlikely effervescent smash hit but also liked "Chinese Bombs" and the more ballad-y "Look Inside America".

3.5 stars. This is a mixed bag for me. "Every Breath You Take" has gotta be one of the most overrated songs (3rd-most streamed 20th century song on Spotify? Really?). But there's some great stuff too. Standout is the underrated leadoff title track. "King Of Pain" enjoyable as well.

Boring, trite 80's synth-pop but finished off by a worldie song in "Don't You Want Me" that is as catchy an earworm one can find.

3.5 stars. Fresh funk/jazz, very upbeat. Standout is "Too Young to Die"

3.5 stars. Really pretty and well-produced Indian influenced down tempo drum & bass. "The Conference" really fun speed-singing/chanting. Standout is "Homelands".

There's some decent tracks ("Smooth Criminal" and "Man in the Mirror") but overall I'm just not a fan. There's some real duds ("Dirty Diana" and "Speed Demon") and the rest just feels dated.

It's a good album with drawbacks. Feels self-absorbed (Bono's at times overly-breathy singing is annoying) but getting past that it's well-produced and an enjoyable listen. Standout is "Mysterious Ways".

4.5 stars. This is great soul. Lots of instrumental only, but singing is good too. "Strawberry Letter 23" is phenomenal and "Ice Cold Daydream" is another standout.

Interestingly equally sociopolitical and machismo lyrics. Ice Cube's rapping is 90's gangster rap to a tee. Skits brings listener into the projects. Beats start off well but fade toward the end of the album. Standout are "Turn Off The Radio" and "Endangered Species (Tales From The Darkside).

It was fine. Synth-pop new wave that is not memorable or disagreeable. Standout is "Cars".

4.5 stars. This is really good, no filler and flows well as an album. Great production without feeling contrived. Singing complements the instrumentals well without being generic. Standout is "Any Major Dude Will Tell You" with it's memorable post-chorus hook.

Interesting genre-wise to see the crossover and blend of psychedelic rock with rave electronic music but overall it's not very exciting.

3.5 stars. Funk and soul. A little lower energy than I'd prefer at times but it's still good. Standouts are "Family Affair" and the instrumental "My Gorilla Is My Butler".

Interesting chill, and more ambient but apparently a groundbreaking "post-rock" album. Didn't love it, but didn't hate it and enjoyed it as background music.

Probably important and groundbreaking for creating post-punk but too abrasive and eccentric for me. Some irony in that the town the album was recorded in is called Painesville, though that might be a bit harsh.

The singing is the weakest part of an otherwise solid alt rock record that has strong hints of garage rock and southern revival. Album is at it's best when it's upbeat and harder-driving than when it's more calm and slowed down. Standouts are "Taper Jean Girl", the musically interesting "Razz" and "Four Kicks".

4.5 stars. The album before Come On Eileen and it's great. Brass horns full of energy and punk-ish vibes but still catchy pop and a bit of soul. Standouts are "Tell Me When My Light Turns Green", "Geno" and "Seven Days Too Long".

1.5 stars. Booo. Shock rock that's just boring musically. "No More Mr. Nice Guy" is the standout.

2.5 stars. This was decent electronic, ambient trance music. Nice to have on in the background while I'm working/focusing but not very memorable.

3.5 stars. Pretty enjoyable 90's indie rock album. Weird interludes. Standout is the catchy and memorable "Brimful of Asha". "Good Ships" and their "Norwegian Wood" cover also good.

Layered singing and bright for shoegaze. Standout is the title track. Melodic and beautiful closing track. Feels short (37 min runtime), was left wanting more.

3.5 stars. More of an avant-garde electronica take on R&B which makes it an interesting listen. Lyrical themes centered on intimacy. Standout is the catchy "Two Weeks".

3.5 stars. Pretty subtle but cool down tempo electronic ambient music. "Roygbiv" is the memorable standout.

Whimsical dance-ish indie pop. Groovy beats. Standout is "Only Love Can Break Your Heart" as well as "People Get Real".

Not into glam rock. Most was lame but the standout is the leadoff "All the Way from Memphis" which was pretty decent.

This was weird but I enjoyed it. Energetic 90's alt rock that brings in elements of punk, post-punk and other genres. The lyrics clearly reflect the darkness the lyricist (rhythm guitarist Richey Edwards) was going through.

Kinda vacillates between lazy alt rock and more energetic power pop but it struck a chord with me. No bad tracks and good catchy hooks throughout. Standout is "Every Day Should Be A Holiday". Other good tracks are "Not If You Were The Last Junkie On Earth" as well as "Boys Better".

It was fun swing/big band. Not bad but not super memorable.

Meh, wasn't really into this. Lots of art-y innovation but wasn't my taste. Standout is "I Don't Remember".

Old-school hip-hop. Title track is great, really catchy. The rest of it is fine, a little too repetitive. Didn't realize "Renegades of Funk" originated here.

4.5 stars. Really liked this, will be coming back to it. Felt like an album and not just an amalgamation of tracks. Enjoyed the hints of classical music. Standout is "Cold War".

2.5 stars. Early pop punk. "I Don't Mind" catchy and memorable. "Fiction Romance" repetitive but nice riff.

The title track is a head-bobbing banger, but otherwise all the other tracks feel like the same thing just less impressive. A bit repetitive.

Aspects of this that I liked (the stringed orchestral elements and the backing vocals and some of the melodic tunes) but the droning, depressed lead singing capped my enjoyment overall. Standouts were “Gay Messiah” and “Waiting For A Dream”.

Peak jazz. Still not a genre I seek out but I suppose this would be as good a record as any if/when I do.

3.5 stars. Starts off well with good energy, “Dangerous” is fantastic, but fades and isn’t as good the rest of the way save for “On Hold”.

Slays. One of those records that you wish would keep going and going when it ends. The quintessential indie rock album. Not a weak track to be found. Lots of nostalgia but quality as well.

Not a JT fan. Would go elsewhere if I were in the mood for pop R&B

3.5 stars. Progressive soul soundtrack from a 70's blaxploitation film. Probably won't go back and listen to individual tracks but it I would enjoy having it on in the background again.

4.5 stars. Even though I’m not a jazz enthusiast I really enjoyed this and will continue to come back to it.

This was OK, felt a bit repetitive at times but more creative than bland rap-rock. Good layering at times and consistent beats that made it more authentic and less derived. Standout was "She Wants To Move".

3.5 stars. The hits are good, but the rest is kinda filler weaker Beatles-esque redux. Standouts are the piano-driven sing-songy “This Will Be Our Year” as well as the psychedelic “Time Of The Season”.

Great live album. Rowdy without being too distorted to follow. Standouts are the hits “Jailbreak” and “The Boys Are Back in Town”.

Post-Richey Edwards so more mainstream sounding, but still solid alt-rock. None of the tracks are major standouts but no duds either and it is still a good listen.

This was really enjoyable Brazilian pop/samba. Upbeat and despite the lyrics being in Portuguese, quite catchy. Standout is "Taj Mahal".

3.5 stars. Afrobeat with activism-infused lyrics. Upbeat tunes, big band feel at times.

Stripped down ballad country about a fugitive on the run. Not my favorite but not bad. Standout is the slow "Blue Eyes Crying In the Rain" and the title track.

2.5 stars. Meh, it was OK. Slow tempo and kinda ballad-y alt-country/chamber pop. "Up with People" was different and pleasant but the rest wasn't much to write home about.

Solid hip-hop/R&B album that's at it's best when Lauryn Hill is singing. Relaxed pace, poignant lyrics. Nice choice of samples. Standout is "Ready Or Not".

Down tempo indie rock/chamber pop that was a precursor/influencer to artists I like more (Deathcab, Sufjan Stevens, Decemberists, etc.) but wasn't super into this.

2.5 stars. Weird and eclectic spanning multiple genres but not too out there. Twangy and country at times, upbeat tempo at times, slowed-down acoustic, it's a bit all over the place. Liked the instrumental parts the best.

4.5 stars. Taking half a star off for the short length. But overall it’s psychedelic blues rock at its best. Classic guitar, bass and drums lineup with catchy riffs and rhythms. Standouts are “Sunshine of Your Love” and “Tales of Brave Ulysses”.

Not perfect, but a solid rock and roll album. Cleaned and well-produced, cohesive. Leadoff "Watch That Man" along with "The Jean Genie" are the two standouts.

3.5 stars. Singer-songwriter that is more orchestral than pure folk. Incredibly talented lyricist. The slow and 'quiet' nature of the music led to it not being quite as engaging but more an album I just appreciate.

Impressive that it was released in 1977, but I won't go out of my way to listen to it again. Minimalist elctro-synth pop.

He can pick it, and it is a pleasant listen. But it drags on a bit. Standout it lead off “Strolling Down the Highway”

4.5 stars. Beautiful. Musically and the singing. A bit dance-y and leaning into the samba at times but most of it is chill and relaxed.

3.5 stars. Solid if unspectacular neo-soul R&B album. Standouts are "Higher", "Lady", and the title track.

2.5 stars. Lyrically not a fan, no subtlety. Musically it's fine, if boring. Pretty singing voice. Instrumentally kinda generic sounding alt/pop rock

3.5 stars. Classic-est of rock. Inoffensive dad-rock that is nice to have as a soundtrack in the background. Standout is the microcosm of the album “Take It Easy”.

3.5 stars. Bit too much of a Beatles redux at times, but "Eight Miles High" is great and overall it's a decent folk/classic rock album to have in the background.

3.5 stars. Dark and brooding but musically it's pretty good. Standouts are "Death to Everyone" and title track.

2.5 stars. Super weird, all over the place. Anthemic and catchy beats but highly sexualized bookend tracks, creepy stalker story and odd fairytale story interludes, instrumental jazz-y soundtrack. It accomplishes getting in your head and eliciting some kind of psycho journey but I don't think I'll return to it.

Pretty good ambient soundtrack. Great to have on in the background. Standout is "Dead Bodies".

4.5 stars. Rowdy but refined enough to be catchy and actually understand what Rotten is singing. Iconic British punk rock. Standouts are "God Save The Queen", "Anarchy In The UK", and "EMI".

3.5 stars. Opens with an absolute iconic banger in "Tiny Dancer" and the rest is OK, just ballad-y piano rock. The other track I enjoyed was "Rotten Peaches".

4.5 stars. Pretty phenomenal live album. Gets jam band-y but not overly so, lots of driving southern rock and blues that keep the energy going and really clean-sounding recording. Standout is "Statesboro Blues".

Pretty impressive debut album that was a landmark breakthrough for creating the post punk genre. Wasn't exactly my taste but I can appreciate it for what it was. Standouts are "Hong Kong Garden" and "Helter Skelter".

4.5 stars. I was into this. 80's ish metal that is just experimental enough. At times heard some Rammstein, Motley Crue, and Iron Maiden influences. Standouts are "Rue des tempetes" and "Longue route" and "Pas Mal".

3.5 stars. Title track is the standout, great song. But the rest of the blue-eyed soul album is pretty good too. Other enjoyable tracks are "Sueno" and "It's Love".

Eccentric ska that is more of a mix of genres and styles and less rowdy than typical ska. Standouts are "Enjoy Yourself (It's Later Than You Think" and "International Jet Set".

2.5 stars. It was fine, just fairly lackluster overall. Title track is the standout. "Metal Guru" is decent too.

Pretty forgettable 90's east coast gangster rap

3.5 stars. A lot of it isn't memorable, but the early psychedelic rock dabbling in "I Had Too Much to Dream (Last Night)" and "Get Me to the World On Time" are great.

Fairly non-descript R&B. Not terrible but nothing really drew me in.

2.5 stars. Experimental goth rock. Some nice melodies at times and the sax and keys are a nice touch but overall a bit too out there for me, especially with vocals that I'm not into. Cool bassline in "Passion of Lovers".

Key album in paving the way to 90's alt rock sound. Knocking off a half star because it's a bit long and the sound can get repetitive, but I really liked this. "Bed of Nails" only track that was a real dud. Otherwise standouts are "Could You Be The One?", "These Important Years", and "You Can Live at Home".

It's so good, incredibly well-crafted. The hits are extremely memorable, they sure know how to write a catchy hook. There are no weak tracks. Record isn't too long or too short. Standouts are the aforementioned hits "Do It Again", "Dirty Work", and one of my all-time faves "Reelin' In The Years".

This was fun, upbeat, Sonics-y. Standouts are "Family Entertainment", "Here Comes the Summer", "Get Over You", and the hit "Teenage Kicks".

This was fine as honky-tonk country but perhaps because it wasn't his album that I grew up hearing all the time on long road trips (This Time) it didn't really stand out to me. His voice is still great which makes it inoffensive despite the super grim and bleak subject matter the lyrics entail. Standout is the foot-tapping inducing "Streets of Bakersfield".

Elvis' voice is what carries this. Musically more soul and gospel than traditional Elvis. Lyrical themes are heavy but the hit "In the Ghetto" is a moving protest track.

Blegh. The worst of Britpop and glam rock. While it's melodic it's so vanilla that it isn't worthwhile. Won't be returning to it any time soon.

4.5 stars. Quite the breakthrough album with a ton of hits. Simple and basic yet captures the listener without using cheap hooks. Joel's singing is just so easy on the ears. Standouts are a lot of the big hits "Movin' Out (Anthony's Song)", "Scenes from an Italian Restaurant", "Vienna", and "Only the Good Die Young".

So bland. Don't really get the appeal here. The low breathy vocals in "Lifeguard Sleeping, Girl Drowning" is so bad. Standout was "Billy Budd".

This was a little strange but pretty good indie art rock/dream pop that has an attractive overall sound. The lyrics are very corporeal and odd but are a nice change of pace. The ethereal layering in the background make it enjoyable. The standouts are "Empty Nest" and "Two Dancers (ii)".

2.5 stars. Was pretty stripped down and indie, wasn't the biggest fan. As a standalone single "A Menha Menina" is catchy and good, but gets lost in the rest of the album which is not worth writing home about.

The title track is no doubt a paradigm-shifting pop sensation, but outside of that this album was just really difficult to get through. Some records have important lyrics that are difficult to understand because of the genre/singing/mixing/etc. but this was the opposite. "Born to Make You Happy" encapsulates this.

4.5 stars. This is a nice little album (<30 min). Dolly has some dark themes and lyrics that her high pitched voice belies. Standouts are "Early Morning Breeze" which is a beautiful tune and "Traveling Man".

It's OK and I appreciate it's trying to blend genres (electronica, hip-hop, R&B) and be creative but it leaves the listener wanting more. It's a decent chill background vibe, but not much more.

2.5 stars. Depressing country-tinged indie rock. Some definite songwriting skills here but it's a bit of a downer overall. Standout is the fun "Tennessee".

4.5 stars. Man I don't know if it's just the novelty of being in French, but I enjoyed the hell out of this. Excellent flow, vibing beats. No letdown tracks. Standouts were high-energy "Ragga Jam" and "Quartier nord" with it's fast rhymes as well as head-bobbing "Qui seme le vent recolte le tempo"

Only one weak track (closer "Endless, Nameless") but otherwise a near flawless album. Overplayed as it is/was "Smells Like Teen Spirit" is contender for the ultimate Gen-X anthem. "On A Plain" underrated and is the catchiest song on the record for me. Ripping memorable bassline in "Come As You Are" from Killing Joke takes away from it for me.

4.5 stars. Queen going for a one-off, grandiose, hard rock/glam rock tour that borders on heavy metal (e.g. "Ogre Battle") and I'm here for it. Can't quite pin down the genre but it makes for a varied listening experience. "Seven Seas of Rhye" closer is the standout. "Father to Son" also good.

3.5 stars. One of the best conclusions to an album I've come across. The long slow "By The Time I Get To Phoenix" builds to a lovely instrumental outro. Other than that a good if not overly-memorable soul album that was a landmark in it's time but I won't necessarily re-visit.

Great punk rock album. Short and sweet. Good energy, catchy riffs. Standouts are "Plan 9 Channel 7", "Love Song" with it's goofy ending, and "Anti-Pope".

Man, Nick Cave and I just don't jive. His disturbing Southern Gothic lyrics do nothing to improve the noisescape, gained out, scratchy music he sings over.

3.5 stars. Cruising electronic pop. Sets a good atmosphere. Title track is the standout.

3.5 stars. This was decent but I prefer her more pure folk, stripped down music than this jazz-infused soft rock. Still a pleasant listen because of her beautiful voice and some good lyricism, just not my favorite. Standouts are "Free Man in Paris" and "Raised on Robbery".

2.5 stars. It's fine. Album is at it's best when the driving double bass pedal drumming and speeding guitar rhythms carry it. The alt rock and acoustic tracks are so forced and out of place.

Too much for me. After getting past the initial 5 min irritating noise feedback, the album was OK. Experimental electronica rock/jazz. Moments of it being good but moments of detracting singing and too much wandering.

A little rowdy but enough refinement that it works well. Game-changer for hard rock and punk, at times when listening it's hard to believe it came out in 1972. First two tracks "Search and Destroy" and "Gimmme Danger" are the two standouts but the whole album is good.

Swedish garage rock that starts strong with ear worm leadoff "Hate To Say I Told You So" and fades a bit but is still a solid album.

Weird but it worked. Sometimes sounded like Bob Dylan hopped up on amphetamines, sometimes the strange trippy 60's,occasional horns, and sometimes like The Bryds and tambourines. Favorites were "Nine Pound Hammer" and folky but upbeat closer "Old Kentucky Home".

Beautiful singing voice makes for a nice folk album. Great guitaring showcased in standout "I Know You Rider".

While listenable musically at times, Buckley's annoying voice singing inane lyrics kinda ruins things. Every track is hypersexualized and the schtick wears off quickly.

4.5 stars. This is U2 at it's finest. First three tracks "Where The Streets Have No Name", "I Still Haven't Found What I'm Looking For", and "With Or Without You" are the high point but it doesn't tail off too much from there. While it's not daring or bold and sounds clearly catered to the masses, it's still a good listen. Clean production without feeling too sterile. Bono not too obnoxious and instrumentally it's fine if not overly exciting.

Started slow but picked up as it went on. Content-wise there is a lot to say with both clear as well as subtle messages about culture and the world Lupe Fiasco is coming from. There are good, smooth beats, the standout is the Daydream sampling in "Daydreamin'" as well as the super chill "Kick, Push". Other good tracks are "The Cool" and "Hurt Me Soul".

3.5 stars. The album is at it's best with it's upbeat sea shanty-esque "Billy's Bones", "The Gentleman Soldier".

2.5 stars. Didn't like this. Tried to do too much with too little. Ends up being weird house/trance music.

3.5 stars. Angsty and unfiltered but not unlistenable. Felt a bit like dollar store Rage Against The Machine at times. Had some catchy guitar riffs sprinkled in throughout. "Kerosene" is a really good track. Other standout is "Bazooka Joe".

4.5 stars. Got some Aerosmith vibes, but really it crossed over lots of genres and did a good job of infusing lots of different styles. Lyrically it was culturally salient social commentary. Standouts are the catchy "Cult of Personality", "Middle Man", and "Funny Vibe".

4.5 stars. Incredible infusion of jazz into rock and roll. Such clean playing and production. Fagen's voice is great and pairs so well with the music. "Peg" is a phenomenal track. Other standout is "Josie".

Wasn't for me. Glad it was short (<30 min).

An all-timer. It blends hard rock, heavy metal, folk, mythology in such a complete and masterful way. No weaknesses, and each of the 4 band members bring so much in their playing and singing. Don't even have to ding them for not giving credit to many of the songs' original writers like they are more guilty of on other albums. Except for maybe "Stairway to Heaven", which is overrated anyway. Favorite is "When the Levee Breaks".

3.5 stars. Willie Nelson switches from country outlaw to cover some pop hits in his soft, easy vocal style. He puts a simple yet nice spin on things and it is a pleasant listen if not a revelation. Standout "Moonlight in Vermont"

Meh, not into this reggae. Pretty forgettable.

4.5 stars. White reggae, a great album. I enjoy the instrumental aspects of this a lot but Sting is a bit more mood-dependent for me. At times he's great and I can appreciate his singing and other times he's grating, but that's more due to my personal taste. Overall this is a fun listen. "Walking On The Moon" is the standout, with the musical/instrumental aspects of "Deathwish" making it a hidden gem.

Moments that the aspects of this clicked with me. Most of it was just too different though. Standout is the hilarious tale of woe in "The Gift". Musically the catchiness of "Stephanie Says" and zaniness of "Sister Ray" were memorable too.

3.5 stars. Alt rock/pop that is a bit baroque but works. Fun little melodic stretches and creative songwriting. A couple duds (including "Mermaid Smiled") but some standouts as well, "Earn Enough For Us" and "Dear God". Overall it is a different twist on standard pop rock that incorporates a lot of different sounds.

This was so far outside of what the music I typically listen to it made it difficult to rate/compare. Still found it a pleasant listen.

Slaps. Sick beats that take sampling to it's upper extreme. Jam-packed rhymes with all three members jumping in to flow together. Over-the-top facetious macho bravado that is hilarious. Super creative. Understandable why it wasn't a commercial/pop hit like their debut album but it's still so good regardless. Standouts are "Sounds of Science" (really the second half of that track), and "Shake Your Rump", with a shoutout to the goofy banjo-driven "5-Piece Chicken Dinner" interlude.

1.5 stars. That was terrible. I like a lot of metal, especially on this 1001 albums list but really struggled with this.

3.5 stars. Funky! Standout is "Who Says a Funk Band Can't Play Rock?!"

2.5 stars. Singing talent and power is undeniable but the style just isn't for me. I'm sure she was incredible live but other than a few tracks here and there I'm not a Janis Joplin fan. Standout is her version popularizing "Me and Bobby McGee".

4.5 stars. Not just punk rock, so many genres (reggae, new wave, ska, even some jazz) work together to make a great sound that is more mainstream than typical punk. Catchy bookends ("London Calling" and "Train in Vain (Stand by Me)") are the highlights. A few too many total tracks but overall the whole listen is so good.

Post hardcore but an early alt rock sound with intricate riffs and driving guitar rhythms. Very impressive debut indie album that helped rock take the next step in it's evolution. Standouts are the title track and "Merchandise".

3.5 stars. Decent folk rock. I like "Everybody's Talkin'" but far prefer Harry Nilsson's version that popularized it. "Faretheewell (Fred's Tune)" and "Green Rock Road" are also good.

4.5 stars. Layered indie rock. Varied without being overly complex and kept a consistent feel throughout. Not really any hit individual tracks but no duds either. Standout was "Conversation 16".

3.5 stars. Not the Stones at their best but for their debut it's good blues rock. Kinda like discount Beach Boys. Standouts are the two leadoff tracks "Route 66" and "I Just Want To Want To Make Love To You".

2.5 stars. A bunch of instrumental beats sampling and covering various songs. It's fine as background music but I wouldn't go out of my way to play any of it again.

Not as good as their record from a few years later (Songs For The Deaf) but still good energy and strong rhythms that portend good things to come. "If Only" being a ripoff of The Stooges "I Wanna Be Your Dog" takes some of the shine of it being the best track, but there are other standouts. "Regular John", a more metal sounding "How to Handle a Rope", and "You Can't Quit Me Baby".

No thanks. There's plenty of other great rap and hip hop in the world so I'm not going to subject myself to the non-stop violent misogynistic lyrics ("Bonnie and Clyde '97" the foremost example) unnecessarily. "My Name Is" only redeemable track on the album.

It's fine as a little more avante garde than typical 90's alt rock-y brit pop, but not super noteworthy outside of "Lazarus" which is great.

2.5 stars. The title track has a catchy riff and cool structure but is ridiculously long (17 mins). Other than that it's just some forgettable psychedelic prog rock.

4.5 stars. Chill house music sampling 70's and 80's soft rock. Enjoyed it more than I was expecting. Standouts are "In My Arms", "Drop the Pressure" and "Musclecar (Reform Reprise)".

Great live album. Excellent energy, clean sound. Just good classic rock. Standouts are "Show Me The Way" and "Baby, I Love Your Way"

3.5 stars. Nice hooks, entertaining pop album Title track a smash hit and as catchy as it gets.

Leadoff "Jackie" is good and he has a good singing voice but this baroque pop isn't for me.

3.5 stars. Appreciate David Byrne's creativity and this is a solid art rock album. Very listenable without being overly pop-y. Standout is "The Book I Read" "Love -> Building on Fire" and "Psycho Killer".

3.5 stars. Fast-paced heavy prog rock. Mixing makes the vocals a bit distorted/muted. Interesting and experimental with ups and downs. Standouts are "Roulette Dares (The Haunt Of)" and "The Apparatus Must Be Unearthed".

3.5 stars. Great voice, some great tracks and some duds and just a bit too 80's cheesy overall. Not a fan of end of album which gets too glam-rockish. Standout is "Better Be Good To Me" along with the catchy pop hit "What's Love Got To Do With It".

4.5 stars. Mellow folk rock that incorporates some banjo and harmonica well. Well written melodies. Lyrics go through various moods throughout (angry "Revolution Blues"). Standouts are leadoff "Walk On" and "For The Turnstiles".

Beautiful folk rock. Strong melodies. Standout "Over The Hill" great tune.

Eh this was too eccentric and experimental. There were some highlights ("Zig Zag Wanderer") but that difficult tracks ("Dropout Boogie") were too much to get through.

2.5 stars. Like his work scoring "Ocean's 11" film more than this album. Some of it is good, some of it is forgettable. Weird violent interludes/spoken word vocal sampling of rough underground of NY in beginning of a lot of songs. Standout is "Don't Die Just Yet" with some string orchestral sounds.

1.5 stars. "Freak On a Leash" is still okay but the rest of this is so terrible. "Dead Bodies Everywhere" so cringey. Thought album was pretty bad until coming to "All In the Family" where Fred Durst's appearance brings things to a new low.

Powerful lyricism that allows the listener to peer into Cohen's soul. "Suzanne" is beautiful. Fast and impressive guitar-picking (e.g. "The Stranger Song").

It's a art rock and a touch experimental but the Brian Eno influence works well and I enjoyed this as an album, even if individual tracks didn't necessarily stand out. It's heavily synthesized and there aren't many lyrics.

For Britpop 90's alt rock it's fine. Not amazing, but not grating. Just meh. Standout is leadoff "For Tomorrow". "Chemical World" frantic ending but good.

Maybe just wasn't in the mood for Costello's voice (overly whiney) but this was a letdown. Enjoyed another album by him (My Aim Is True) but not this one. Even the popular seductive turned frustrated "I Want You" was bad. The rest was pretty bland rock that I won't return to.

2.5 stars. One of those influential but not a great listen records. The African sampling was cool but a lot of the inventive drum loops and soundscapes which were probably more groundbreaking at the time are nothing special now.

This feels ahead of it's time in terms of ushering in the 90's alt rock era. An enjoyable listen with some great tracks and not any duds. The standouts are the two hits "It's The End Of The World As We Know It (And I Feel Fine)" and "The One I Love".

Beautiful singing by talented artists. Musically a little boring but that's not the point because it's country. Standouts are "Those Memories of You", and their rendition of the gospel tune "Farther Along".

2.5 stars. As a precursor to modern alternative rock it's decent, especially the first half of the record. But it drags on gets old, too long. Standouts are "I Wanna Destroy You" and "Insanely Jealous of You".