From the constant fawning over her and her music from the media and Swifties, you would think you are in for a musical revolution upon listening. What you get is 48 minutes of generic pop music with lyrics that sound like they came from a middle school diary. Shake if off was pretty good.
Bought this used at a flea market when I was 13 years old around 1997. Probably no better anthem for a 13 year old in the 90s than this.
Every time I get a S&G album on here, I think "this is the one that will get me into this band." I've come to the conclusion that I just don't like them. The first and second side of the album don't mesh at all. Other than "Mrs, Robinson," this album was a big miss.
Really great mixture of musical styles. Only complaint is that the repetition is well, really repetitive. You need about a minute of each song and it's time to move on.
I was 13 when this came out and it absolutely changed my musical trajectory. I had no idea music could sound like this and it opened my mind to a universe of non mainstream music that existed. This album still gets frequent play from me.
Hard to believe this is their debut album. Not a song worth skipping on the whole album.
Ehh, it's not bad, it's just not something I can get into.
Unique and well produced.
Love James Brown but just don't love the lice album aspect of it.
Other than American Girl and Breakdown, this album is somewhat generic and boring.
Love the authenticity of the album. The little quips, mess ups and off hand remarks make it. June Carter is a beast. Parts of this are a bit boring and like listening to old church songs.
Album is super unique. Good listen the whole way through.
60's Brit pop is one of the few genres I absolutely hate. Album had some nice moments but overall, still 60's Brit pop.
Take the worst parts of multiple musical influences and blend them together. Might be the worst album I've encountered on the list.
Solid album, just couldn't get into more than a handful of songs. 2.5/5
J Dilla and Kanye influence make this album for me. Lyrically he fluctuated between genius and cornball.
"A movie for your ears."
I just can't get into Brit pop or whatever we want to call it. Not a bad album, but not memorable or leaving me want to listen again. 2.5/5. I'll give it a 3 because Jeff Beck is fantastic.
I can appreciate the influence of this album at the time it was released but I just cant get into it.
Sandy Denny is amazing and the musicianship is great, but just not something I would sit around and listen to.
How do you put what I'd essentially a greatest hits record on here? I'd give this a 2.5 but giving it a 2 because their compilation album is still mediocre.
First exposure to Fela Kuti. Read his bio and liked him even more. Great for background music while cooking or just chilling.
Iconic album in the world of rock n roll. The good songs are really good and the others are mediocre.
Other than "under a killing moon," there wasn't a song I would go back and listen to again.
I've never been a fan of The Doors from the radio hits and other exposure. Listening to this album in its entirety cemented that. Lyrically unimpressive, but my favorite line is "I eat more chicken any man ever seen." The organ is fucking insufferable. Like the phantom of the opera serenading me in hell. Why is it soooo loud? Lead guitar? Fuck no. Lead organ. Morrison has a great voice though. Would have loved to hear him front a post hardcore band.
Production is great for a live album. Tons of energy.
Ok album, don't really understand how this made this list though. Most of the songs sound like the same song.
I couldn't even make it through this whole album.
Ranks somewhere between zzzz's and meh. Has some interesting elements but overall just kind of drags on.
I just can't get into this album. I feel like this is what 60's Brit Pop's natural evolution would be and I hate Brit pop. Song 2 is a bizarre outlier on this album.
Dead Kennedys x Devo crossover in a good way.
Interesting artistically but overall a nightmare to listen to with a few exceptions. Sounds like the score to a movie I don't want to watch.
Good album but prefer some of older less polished stuff.
What Beyonce strives to be.
I imagine this is what a Monty Python take on an avante garde album would sound like.
Absolute classic. Would have given it a 5 of it weren't for the two mediocre songs on the album.
I generally have some idea who most of the artists are on the 1001 list but know nothing about this band. Playful album that is super easy to listen to. Very much enjoyed it.
I would rather listen to my kids yell and fight in the car than listen to this. I don't understand how this makes it. It was a cultural sensation at the time but a team of writers and producers churn out this garbage and Briitney steps in to recite the prewritten lyrics.
Ehh this album teetered on being good multiple times but just kept blowing it. One listen was enough.
Generally not a fan of live albums but this is incredible. The soul is out of the speakers.
After reading through some other reviews, I just can't understand the hate for this album. If nothing else, it's easy to listen to, catchy, and well produced. Seems like people are penalizing them for making a blues inspired album that wasn't written in 1950 in the south.
Surprised I never came across this album. Really great genre spanning album. Little bits of Ramones, Pixies, Cramps, touch of country.
I don't think there is a classic rick album that can top this.
Sometimes hard to distance the more recent stereotype of this band from the first few albums, but this one is incredible. A ton of emotion and great hooks. It's nostalgia points as this album was on repeat during a pivotal place in my life and "Green eyes" was played at my wedding.
I think many who hear this in 2024, take this for granted because technology has come so far that you can produce this on your home computer. The painstaking detail and time used to layer and create on this is incredible. Smoke a joint, put your headphones on and sit back and enjoy this.
I feel like I should really like this album, I just don't.
Possibly the best album from the grunge era.
Kind of a Dead Kennedys meets the Pixies with a sound machine vibe.
There are some absolutely great hip hop songs on here with great mixing and beats. There's also just as many songs that are just plain dumb with juvenile lyrics. I'm going to be generous by giving this a 3 just because it's unique although I have no interest in putting this album on ever again.
Paint it black and under my thumb get a 5, the rest is a mix of shit Brit pop and something approaching blues. How are these songs on the same album?
This is almost more of an album of poetry with music to fill the background. Nothing really stood out.
Went in only knowing the few radio hits and ended up really enjoying this. It has rock opera feel.
Solid overall but only a few really standout songs.
It's Ace of Spades, it gets a 5.
Close to perfection. Automatic party time when this album comes on.
Immediately transported back to 1996 and my mom has me at the hair salon she goes to. I am looking through random hair style magazines. Smart phones don't exist and I feel like I will sit here for all of eternity while my mom gets her hair done. Similar vibe to this album. Sitting here bored for what seems like an eternity.
I love this album but there are a few mediocre songs mixed in here that bump my overall rating down.
An accessible and likeable midwestern Bob Dylan.
Good introduction to this band although I found the back story of the singer more interesting than the album.
Buckley obviously has a great voice but the songs all kind of blend together for me other than "Hallelujah." I've been aware of this album and the tragic story of Buckley but never took the time to listen to it until now. Maybe the bar was set too high by the legend of this album, but it was mediocre at best for me.
The non singles on this are as good as the the singles everyone knows.
This album was bizarre and fun but not something I want to listen to in its entirety.
Not bad just not great. A few really good songs but mostly kind of boring melodies with generic lyrics.
I was 13 when this album came out and never gave it the attention I should have. Innovative and daring album in the hay day of grunge.
Elevator music.
There was a store in the mall when I was a kid called "Everything Natural" that might have played this on repeat for it's entire existence. Not bad, just not something I might ever be in the mood to listen to.
Album was an easy listen. Good story telling, good voice, nice mix of ballads,twang and rock n roll.
Strong start and mediocre at about the halfway point of this album. Not a bad album by any means, just not something I am going to put on again other than "Don't stop" or "Rock with you.
4 songs get 5 stars, 3 songs are solid 4 stars so it gets a 5. This is about as good as a prog rock album gets.
I was introduced to TOTR my sophomore year of college by the indie girl I was dating. I was playing in grindcore bands at the time so this was a huge departure for me, but instantly fell in love with this album. Droning, dreamy, danceable, nostalgic.
Amazing artistic time capsule of what was happening in the early 90's. Easy to forget how raw Ice Cube was after getting used to seeing him in Disney movies for the last decade.
Really great mixture of musical styles. Only complaint is that the repetition is well, really repetitive. You need about a minute of each song and it's time to move on.
This would be a greatest hits compilation for most classic rock bands.
Listened to this after Apple Music named this it's #1 album ever and the controversy that ensued. This may have set the bar too high for this listening experience. Album has some absolute bangers and a lot of songs that don't compare.
At it's core this is country cosplay. Talented musicians that previously made 60s rock add a new member and go all in. Musicianship is there but felt it lacked any kind of soul.
Aside from the obvious standout songs, the last three tracks might have been my favorite. The Noel Redding song threw me off and I had to see if the album was over and Spotify randomly out some similar artist on.
Godfathers of alt/indie music. You can hear hints of what the genre would become throughout this album. All that said, there were only a few songs that really stood out to me.
I have a soft spot for this era of music from my grandparents so this was a super fun listen. Love the contrast between the big band sound and the latter portion of the album.
Other than "Little piece of my heart," I've had not exposure to this band and honestly assumed that song was just Janis Joplin. Album is an awesome blues/psych explosion. Her voice is insane and I love it.
Epitome of 70's country. George's voice sets him apart from other singers of the era. That being said, album gets a little repetitive.
Musical representation of ADHD.
Probably giving some nostalgia points on this one as it was on repeat right after college when it seemed like I had no direction in life. Great mix of musical influences, instrumentation, and moods. Love the concept of this album and the lyrics.
I feel like this album is missing cohesion. You start with some quasi electronic rock n roll and merge into a rain scape, the a proto punk song and end with 10 minute s on the same drum beat with a really slow build over it and into a wind storm. It's unique and creative but just not something I'm into.
Amazing voice, forgettable album.
Such a versatile album with two guys that compliment eachitherbso well.
First real exposure to Nick Drake other than "Pink Moon." Easy to listen to but didn't really catch my attention too often.
I've really come to enjoy this album. Not accessible by any means but they absolutely did their own thing and did it well. Elements of Devo, the talking heads, Fugazi, combined with some weird 80's art school aesthetics.
This album is a solid 4 musically. Great rock n roll album with solid guitar work. The lyrics are flat out dumb. Theres a way to do sexual/humor/party lyrics in a clever way and then there is this.
The Fela influence is unmistakable and amazing.
Solid from start to finish. ZZ Top is the embodiment on American Rock n Roll.
Out of the 19 songs on this album (2 cover songs tacked on the end), 6 are fantastic and the rest are forgettable. Great musicianship but the lyrics are absolute trash.
Banger after banger. Absolutely no fluff on this record. Classic rock classic.
First few songs were nice background music as I cleaned up the kitchen on a Saturday morning. Halfway through the album, it was getting more annoying than entertaining. Overall, like listening to Daft Punk.
My college girlfriend loved this album and I just couldn't get into it back then so I had to try and get past my preconceptions. First listen I wasn't a fan but after a few more spins, it really grew on me. It varies in sound from baroque pop to a trippy fever dream. The album definitely feels dated and stuck in time but that's not a bad thing. It's a 3 for me but I'll bump it to a 4 because of the significance of the album.
Appropriate album title for a solid 3 ratings. Some great songs, some mediocre songs, some cover songs.
About as iconic as a reggae album gets.
This album is a warm hug of Americana.
Tremendous voice, boring and generic music.
An album that sits atop the Heavy Metal Mountain.
Between Clapton and Duane Allman, the album is a guitar masterclass. "Layla" obviously stands out but "Bell bottom blues " has always been the song that has blown me away. Reading other reviews, I just dont get how people can hate this album other than because they dislike Clapton as a person, which we aren't rating his humanity, but the album.
Every song stands out on the album with the exception of "I'm in your world," which wasn't bad, just not up to the standard of the other songs. A lot of cool production elements, great guitar tone, and overall just a fun album. I'm also a fan of shorter albums (35 minutes).
This is genuinely awful. It's one thing if it's a decent album but just not my cup of tea, this is just bad music. Incredibly cheesey, generic lyrics, overly synthed. I hope listening to this didnt affect my Spotify algorithm.
This album was confusing as hell. Found myself absolutely hating parts of it and other times really enjoying it. The common theme for me was that I HATE the vocals. He doesn't have a bad voice, it's just cartoonishly 60's lounge singer. All I could think of was Will Ferrell from Anchorman singing all the songs.
Album really shows of Jack's musical prowess beyond the simple catchy White Stripes era.
Program rock eargasm. Giving it a 4 as it's my second favorite YES album.
There is a ton to like about this. Sounds like the grandfather of modern day garage rock bands. I hate when albums end up on here with cover songs and this album is packed with them (although well done). I think there are only 4 originals which is ridiculous.
Took me back to being 13 and taking my cash to the music store in the mall to purchase this from hearing 1 single on MTV. This album was a gateway to a lot of music I would have never considered giving a chance. Energetic, noisy, aggressive.
Overall an easy listen but not a lot jumped out. Similar sound to The Smith's.
Beats, samples, and production are epic. Lyrical content sounds like it was written by a 13 year old trying to act hard. Even as a person that swears way too much, this was hard to listen to.
You just sat down at a local brewery and have 45 minutes and want to try everything so you start ordering flights. Some are great, some are good, some are average, some suck. That's this album in a nutshell. Goes by fast and in the end you enjoyed it but can't recall which songs you really like because you just drank 28 4 oz beers.
This feels like the 1990 version of 2000's indie records I would really love in college but minus the nostalgia factor. Overall good album just didnt quit connect to it.
First 5 songs are absolute classics. Next 5 songs were somewhat forgettable, especially compared to the first 5 songs. Still a classic album.
A handful of incredible tracks and a few that didn't stand up to the absolute bangers. Love the concept of the album.
Bad vocals, droning synth, pervy lyrics...really nothing I enjoyed about this. These dudes seem like a couple of creeps.
Album had some good moments but overall kind of bland. No songs really stuck out in particular.
Nothing if not unique. Gloomy and emotional. His voice was too much at times with the vibrato. Not something I'm probably ever going to listen to by choice unless I'm contemplating suicide.
Great mood an atmosphere. Only complaint is that the album is too long and drawn out. "The same deep water" is 9:22 of repetition. I had to make sure Spotify wasn't stuck on repeat.
Hard to believe this is their debut album. Everyone is aware of the genius and talent of Jimi but what really stood out was the talent of the band as well. Groundbreaking album.
No experience with this album other "Cult of personality." Great musicianship throughout. Mix of rock, hip hop, funk. It's got some Red Hot Chili Peppers meets Faith No More vibes.
I understand this was a hugely important album in modern music and had vast cultural significance, so I'm not going to be too harsh. Overall, there's a few catchy songs and a bunch of forgettable tracks. The biggest reason I can't score this higher is that Elvis didn't write a single song on this album. To me, Elvis is more of a performer, not an artist.
Stewart's voice is what really sets this apart as a great album. Few songs really stood out but overall, his voice is what makes it. Someone take the bass away from Ronnie Wood.
Great guitar riffs and Freddie's fantastic vocals makes a solid, but not spectacular album. Queen has an unmistakable sound that no one else has replicated, I just don't love the rock opera vibe.
Best enjoyed sparking a joint on a dock in the bayou or a tunnel in Vietnam.
The amount of songs and run time is alone impressive. Pair that with the fact that there is (to me) only one subpar song on the entire album and it's an easy 5. A ton of diversity.
One of those albums you put on and know within 30 seconds you don't like it and dread the experience. I did my best to make it through this album. I listened to the first two songs and then parts of the rest. Overall, seems like his take on world music is blending some of the most random stuff over techno beats.
The first song is 18 minutes long and sounds like Geese fighting but after the fight they decide to have a jam session. Song two is a relatively straight forward jazzy prog rock song, song three is prog rock. Song 4 we are listening to trippy sounds on the moon. The rest of the album was unavailable on spotify. Every song is 18+ minutes which should be a crime. I generally like prog rock but these guys might have taken a little too much acid.
Might be blasphemous, but her voice just doesn't do it for me. Album is a bunch of random songs from different recording sessions so it lacks cohesion. Nina only wrote one song on the album which knocks it down a star.
The era of The Beatles I don't care for but still a quality record none the less.
Absolutely love her voice but this album has one song written by her and the rest are covers. Solid 4 if she wrote the songs, but the karaoke factor brings it down to a 3.
Not bad as background music but nothing memorable. Interesting mix of country/rock/jazz/psychedelic.
This is a perfect rock n roll album. Axl's voice is at it's prime, Slash is a virtuoso but the riffs are so catchy, Duff adds so much on the bass, and Adler is the perfect drummer for this album. They show a ton of musical range on this album. Amazing that this is their debut album.
Starts out as interesting background music. Somewhere in the 5th song I couldn't handle it anymore. Felt like being stuck in some kind of silent movie about an insane person at the circus.
Overall a good listen full of songs you know. The problem to me, is that this is essentially a covers album. Otis wrote or cowrote 3 of the songs.
Album starts out weak and ends weak with about 4 great songs sandwiched in the middle.
Boring, droning, pretentious, British.
Really stands out among their catalog as the most complete album. Ramble Tamble was such a damn good start to the album.
This album just doesn't do it for me. Can't stand the vocals, most of the songs aren't particularly memorable, guitar playing is highly skilled but comes across as somewhat aimless noodling.
This album is a bit of a paradox for me. Well produced, entertaining, lyrical talent, wild flow, tons of emotions. There's a ton of nostalgia with this one. This was everywhere during high school. All that beig said, if Eminem comes on, I'm skipping the song. I grew up in a medium size town with a big drug problem and plenty of kids that thought they were Eminem which definitely taints this album.
Such an influential album on much of the music I grew up listening to and my own song writing at one point. Love how they can write such awesome hooks and surround it with noise and chaos. I've never loved the vocals from Sonic Youth, but musically this is 5.
Obvious musical talent throughout the entire album, but I just can't appreciate the medieval festival vibe.
Some of the most iconic songs of metal are on this record. The influence of every young guitar player and metal head since 88 is undeniable.
You can't start the album with the best song. The hits on this album were good, the filler was filler. Sound is unmistakable 80's.
I wasn't a fan of this when it came out in 2000 and not a fan in 2024. I hate the rap element of this album, never enjoyed Benningtons screechy vocals, overproduction and oversaturation. Comes off as the edgy rock version of the boy band era. I get why this appeals to people, but just doesn't do it for me.
Really interesting album. It runs the gambit of musical styles and influences. That being said, I didn't think she did anything that was particularly memorable. I kept fluctuating between thinking she had a really good and sub par voice. Overall, not a bad listen, wasn't a drag to get through, but likely won't be returning to this one.
Nothing bad about this album but nothing particularly good. Great voice, just a little boring. I had this on over coffee on a Saturday morning and my wife remarked, "What the hell is this?"
This would have been way more accessible if all the songs were half their length. You get a minute of "this is pretty interesting" followed by three to seven minutes of "enough already."
An album addressing racial issues, violence, and politics all while shitting all over women and promoting violence. Lyrical content aside, it was raw and energetic. Great flow.
My aunt let me buy this cassette tape at a yard sale when I was about 8 years old (1994). I vividly remember listening to it the first time and just thinking "what the heck is this?" in a good way. Such a unique record. Awesome word play, great use of samples and amazing chemistry.
Stumbled upon this record purely by accident. Bought it as a cheap used record and my kids loved to dance to it so I listened to it way more than I may have otherwise. Fun, energetic, experimental.
I can understand why people could really like this but I just don't. I hate the dual vocals. The more monotone folk songs all blend together. How is Cecilia on this album? It's like they decided to snort a line of coke in the middle of recording and get some energy. "Why don't you write me," is the only other real stand out for me.
Interesting concept, but one of the best 1001 is quite a stretch. Do yourself a favor and smoke a joint before you sit down and turn this on. Has some legit good music tucked in all the noises. "The swinging detective" has some 007 Golden Eye video game vibes.
Iconic album for myself. Vividly remember sitting in my buddy's basement and he pulls this cassette out with a naked baby on the cover. Album spans genres and influenced a generation.
Off the Wall Michael Jackson + WHAM! now make it fucking suck.
Phantom of the Opera, David Bowie, a carnival on acid, Day Man from it's Always Sunny in Philadelphia, pure 80's vibe. The vocals really kill the album. Party Fears Two almost seems like a joke with how over the top the vocals are.
As much old school metal as I listen to, Iron Maiden has just never done it for me. Dickinson has a great voice. It's just a little too theatrical for my liking. It feels less like evil metal and more like Broadway. Album is full of bangers and overall a great listen.
First thing to stand out is how dated this sounds. Weird balance of corny and overly sexual. I wanted to turn this off and listen to Parliament instead.
Slightly more interesting hold music.
I find it very difficult to appreciate what this potentially is just because I have no idea what he is saying. You can hear the passion and skill, but it starts sounding like gibberish after a while.
Great samples, flow and lyrics. Lauren Hill makes this album. The skits are out of place but an essential part of late 90's/early 2000's rap.
Can't believe I never came across this album. Absolutely awesome. Awesome guitar work. I really like how the lyrics can easily seem really offensive but if you look at the context it's all a joke.
I saw this pop up and thought this will be a 5. It's not. Couple great songs, a lot of mediocre songs. Not bad by any means, but not what I expected. The dude was right.
Other than the radio hits, kind of unremarkable overall. Stipe's voice has never done it for me but he is a good lyricist. Hard to believe this was recorded in 1987.
Listened to this while making breakfast for my kids. When it was in the background it was fine. When my attention shifted to the music and I actually listened, it was 90's techno hold music. Not horrible, but will not seek it out.
I listened to this multiple times to try and get a feel for it but I just kept getting tired of it. It seems like something I should be into but just never got there. Good background music but not so great in the foreground.
I used to think I liked Elvis but it turns out his hits were OK and his full albums are uninspiring. As always, he didn't write anybody the songs on the album, only sings them. So even if this album was good, all the credit shouldn't go to Elvis.
I was pleasantly surprised by this. I'm not sure why I was so unexcited when I saw his name but I was proven wrong. Tones of Billy Joel, Paul McCartney, Elvis Costello. Multiple songs on here I didn't realize he performed.
Had some good moments but ended up being a lesser version of a mediocre Bowie album.
Mix of soft dinner music and orchestral arrangements about a pedophile. I would give this a zero if it were possible.
Listening to this on a dreary Monday morning felt pretty appropriate. Dark, brooding, droning.
Instrumentals started in the first song and really thought I was going to be into this and then the vocals came in...... Antony and the Johnsons on vocals but then another guy takes over vocal duties on a handful of songs that are much more palatable. Overall, I really enjoyed this album other than some moments of what the fuck with the vocals.
First time listening to this in its entirety and my take away is that there was more cultural significance to this album than actual greatness of the music. The album does not stand up to the first two tracks, other than express yourself. I found myself ready to skip most of the songs after the first minute or so. The misogyny gets impossible to overlook the further you get into this.
I think you either love or hate Bob Dylan and I find myself in the camp of love. His first non acoustic album and it was a revolution, creating an electric folk blues fused rock n roll. I love the production of the album where it feels like you are sitting in the room with the musicians in a shitty bar.
Hey! Been trying to meet you.
This embodies the music from the 60's that blows.
Radio hits from this are great, the rest kinda feels like forgettable filler.
Really enjoyed this one but the length of 3/4 songs is just too long. Two songs just become 10 minute jam sessions, which is fine, but Hayes as a solo artist, isn't writing his own much other than contributing to Hyperbolic. The fourth song is 8 minutes of spoken word poetry. Overall, I wanted to love this album but the length of the 4 songs just was too much.
This man wants your sex. If you thought "I want your sex" was getting the point across, he is going to hit you part two and then for good measure, end the album with "A last request (I want your sex)." Sprinkle in "Father figure" and it gets really fucking weird.
Overall a fun listen. You can hear the Talking Heads taking shape of what they would become. Fear of Music and the next few albums after that are where I think they really hit their stride. This one is less memorable and a little monotonous.
Never took the time to listen to this cover to cover, but glad I finally did. Great production and the backing of the Dap Tones gives this an authentic feel. Her voice is fantastic.
I was not expecting "Krautrock" to sound like this but it makes sense. Kind of a prog rock meets, electronic music, meets avante garde/art school mixed. I would have pegged this as a genre of the 80's so to see it's from 73 is wild.
I was really into indie music from about 2005 - 2015. I remember this album only because of the album cover and interesting band name. After listening, I realize why I don't recall anything about it. It's pretty unremarkable. No songs that stand out, grab you, move you. Generic indie music mixed with shoe gaze and a sleeping pill.
Review can't do the album justice. Just go listen to it.
Her man is a real piece of shit and she needs to wise up and realize she's better than crying her eyes out thinking about him out fooling around.
Wild that was recorded in 1982. Always thought this was from the early 90s. Such a unique sound between the vocals, the active bass, and random instrumentation.
Was sitting around with a bunch of guys who aren't into hip hop and I put this on in the background and even they enjoyed it.
Album has such a mood to it. Lo-fi and atmospheric with a lyrical journey.
Fluctuated between hating this and loving it. I'm not much of a pop music person but this was entertaining and fresh.
Every time I get a S&G album on here, I think "this is the one that will get me into this band." I've come to the conclusion that I just don't like them. The first and second side of the album don't mesh at all. Other than "Mrs, Robinson," this album was a big miss.
Started strong and got a little monotonous after a while. Still a good funky listen.
Perfect album to sit around and drink coffee in the morning. Nothing groundbreaking but just a nice album.
Having never seen the movie, I assume that plays into my lack of interest in this album. I knew the first song but after that, it was atmospheric background music. Not bad, just not memorable other than the last track which made me appreciate the entire album a little bit more.
Only knowing "Come on Eileen" I was dreading this one. Well shit, it came through. Vocals have like a Robert Smith meets Freddie Mercury vibe. I love the English countryside folk music feel that is blended with almost an E Street Band vibe.
Excellently produced and engineered album that runs the gambit of musical style. Theatrical and flamboyant but also punches hard on the rock tracks and solos.
Just couldn't get into this one. Most of the songs never really connected to me in any way.
Good background music but found it less engaging than other records like "Bitches Brew, In a Slient Way, or Kind of Blue."
How many men are gonna break poor Dolly's heart?
Not something I'll probably put on again, but this is the kind of album that makes this project dun.
Repetitive, uninspired version of Krautrock mixed with 90's pop rock.
Had some random exposure to this band over the years but this is the first time listening to a full album. Really thought I was going to like it after the first few songs but the second half of the album fell flat and repetitive.
Nostalgia is going to cloud my ability to judge this without bias. This album came out when I was going through a shit breakup and ended up living in a strange city by myself. This was on repeat for many months. Minimalist, lo fi, haunting.
Listened to this on a rainy overcast drive through the Pennsylvania mountains and it was perfect. I kept getting hints of Peter Gabriel in his voice. Overall had a little bit of an older Coldplay vibe.
Album starts off strong but starts to fall off and can't keep up with the first few tracks. Lyrics fluctuate between interesting and corny/childish. Undeniable 80's sound and production. I can appreciate what this did for hip hop which gets it an extra star.
I would argue this band could use the influence of drugs instead of waging war on them. This was an hour of boring, repetitive fluff. Shitty version of Ryan Adams with a Bob Dylan impersonator singing mixed with some soundscape noises.
Absolutely perfect in the background hanging with friends. Great production, musicianship and energy.
I can respect this for being what is considered the start of post punk but it just doesn't seem like a cohesive concept yet. A 9 minute opener, a spoken word track, then put it to music for the third track. Just learned the singer was in the Sex Pistols, which makes sense, as I don't care for them either.
I was 13 when this came out and it absolutely changed my musical trajectory. I had no idea music could sound like this and it opened my mind to a universe of non mainstream music that existed. This album still gets frequent play from me.
Glad I got this album after old Neil pulled his head out of his ass and put his music back on Spotify. The hits are 5/5, the rest is solid other than "There's a World" which sounded like a mash up of 1940's theatre production with Neil on vocals. The lyrical pairing to the theatrical sound of "A man needs a maid" is bizarre. Leaving the Orchestra out of this album would have made for a much more cohesive experience.
I base everything I know about Blur off of "Song 2" but now realize that song was an anomaly for the band. I can't put my finger on what specifically I can't stand about this band, but there is something.
Who the fuck is making these beautiful cowgirls so sad!?
A ton of huge hits on one album. You can taste the 80's pop.
Really interesting mix of a traditional blues sound on guitar, chanting, and almost a dancy percussion section. Little redundant at times but still solid.
You're walking down the street and hear music down an alley. You take a look and it's a circle of hobos, junkies, drunks, playing random instruments. Some of them are surpsingly good, some are just drunk dude beating on a trash can. Then a man with a mouthful of gravel starts singing. You're at once terrified and intrigued. Honestly not sure if I love this or hate it but it's different and interesting.
I remember being a young kid and my dad listening to this album. Now I'm a dad with young kids and it has come full circle.
Very different from their previous release and has a lot of variety. There's an odd phenomenon with the White Stripes where I enjoy their albums during the 1001 but never want to randomly put one on.
I remember was a was a kid and my dad told me about this dude that played flute and stood on one leg like a flamingo. Well, this is that dude and he is amazing.
Bowie + Iggy 4 eva
I knew in the first 10 seconds I was in for 52 minutes of doing everything I could to not keep hitting skip. It's not bad, it's just an hour of boring songs that blend together. The album title is very appropriate.
I could listen to this on repeat all day. Beautiful lyrics, iconic singing, and of course the Wailers holding it down.
Went into this knowing a few songs but really enjoyed the experience of the entire album. Right out of the gate, School is a ripper after a long intro.
Great balance of showcasing the guitar without making it all about the guitar. Super easy listen that I will definitely revisit all summer.
Musically I'd give this a 3. Some beats and riffs I enjoyed but a ton of repetition. Lyrically, it's an hour of BLM indoctrination which ruined the entire listening experience.
Listening to Emimen reminds me of the Eminem kids from my home town and ruins any potential this album has. He's a great rapper but the lyrical content is just dumb at times. It feels like he is trying too hard to come off edgy without it organically happening.
I felt like this album never went anywhere. Nothing really stood out and if you didn't pay attention sounded like one long sad gloomy song.
I admire Bowie for stepping away from what people want to hear and doing what he wants. This isn't a commercially good album but it's an interesting listen. Half familiar Bowie and half Krautrock/dune soundtrack.
I went back and forth on this one. Hate the opening track and loved the second track. This pattern repeated throughout. The folky guitar tracks are reminiscent of the band Iron and Wine. The more jazzy tracks inspire images of Ron Burgandy.
I generally loath the earlyvto mid 60's British pop sound so I was not looking forward to this one. I was pleasantly surprised at the different elements they fused into this. Still a lot of the 60's sound I hate but somewhat balanced out by the thunderous drums and guitar tone. "The Ox" was a great way to end the album.
Overall an easy listen but nothing stuck out that much to me. Great in the background, but probably not something I'm going to think to put on again.
Love the contrast of this to "Nevermind." This album comes across darker, more abrasive and raw. Easy to forget this is from 1993.
Band name and album title might be the most accurate ever. Never have excel spreadsheets been done with so much gusto once I put this on.
I wavered between starting to like this album and hating it. There are some nice elements but gets repetitive and nothing really stands out. One of those albums where you can't remember a single song after listening to the entire album.
Six of the 11 songs are absolute 5's. The rest teeter on 3's.
This was all the rage among the alt girls that hung in the punk/hardcore scene back in college. Raw, loud, noisy, fun. Maps is everyone's go to but Y Control has always been my favorite on this album.
As much as I love some of the Talking Heads other albums, this one just doesn't land. You can hear the potential but other than Psycho Killer, much of this blends together.
Common is an artist I haven't listened to a lot but am lead to believe he is very intellectual and deep with his lyrics. This is the second Common album I've had to review and it came off corny and contrived lyrically like the first. I enjoyed the beats but the album was a little long overall.
Musically this is right up my alley with the mix lo fi country and indie but the vocals are distracting from the music. I kept hearing Steven Wright singing.
Tom Waits meets Bob Dylan at the local coffee shop open mic night.
I never gave this album a fair chance even though it was incredibly popular when I was a teen. Corgan's voice always annoyed me back then. Listening to this front to back, it's amazing. Absolutely love the guitar tone and layering. Still don't love his voice but it does fit the music well.
First listen through nothing really jumped out other than Jean Jeanie and the cover of Let's Spend the night together. I let this play in the background about 3 more times and more and more things started to stand out. Overall, this was a solid album that just lacked the typical amount of Bowie radio singles I knew.
This one was out there. I had to do some digging to find out this genre is "Grime" which is an appropriate name. Realizing he was 16ish when he produced this album is super impressive. Overall, not something I'm going to likely want to listen to again, but super original blend of rap/EDM/dance music.
19 songs and not a bad one on the album.
Absolute vibe. Listened to it three times through on a roadtrip.
Somewhat unremarkable punk/rock album.
Love the aggro industrial and metal.vibe to this along with the back beats. Not really my thing as far as genres go and it started to get a little tiresome about halfway through. That being said, we'll produced and exciting album.
Beck is one of those artists that I've never really liked his radio hits but when you listen to the full album, have a way better appreciation for the musician he is.
There are fleeting moments in this album that are musically good. The rest sounds like some people got drunk and recorded an album in their garage on a tape recorder with one microphone. There is absolutely no reason for a 17 minute song on here about someone sucking on your "ding dong." Be aware, the actual album has 6 songs and a run time of 40 minutes. 1001 links you to a two disk 2 hour version.
I enjoyed nothing about this album. All the quintessential 80's sounds but bad.
I just never connected with this album. Seemed like the only songs that stood out were because of the sample used.
Overall, very meh. Nothing stood out and couldn't wait for the album to end.
From the constant fawning over her and her music from the media and Swifties, you would think you are in for a musical revolution upon listening. What you get is 48 minutes of generic pop music with lyrics that sound like they came from a middle school diary. Shake if off was pretty good.
Wilco makes a western movie soundtrack.
This album fell off a cliff after an insanely strong start. Hard to find a better first three songs on any record, but then suddenly turns into super boring soft rock. Absolute shame.
Poetry reading meets amateur standup comedy performed with a mouth full of gravel. My second Tom Waits album I've had to endure and I know more are coming.
I ended up listening to this on repeat most of the day. Amazingly American sounding album by a British band.
Growing up, my dad listened to 80's Genesis so I was familiar with that, but 70's Genesis is a whole new animal. As a prog rock fan, this is outstanding.
Really eclectic mix of Beatle adjacent songs. 1985 is a jam.
Pretty average 70s Brit punk. The vocals became annoying pretty quick.
Just as bad as the last Pet Shop Boys album I had to endure. I also hate the album art because it makes me feel like I need to yawn.
Moody, brooding, and boring.
I know "Babylon and Please Forgive me" from early 2000s radio. Always wondered why that was the extent of my exposure to David Gray considering how huge those two songs were. Well after listening to the entire album, I understand why. It's like he wrote those two songs for a different album. The rest of the album mediocre singer/songwriter coffee house music.
Odd and interesting mash of sounds and instrumentation. I got notes of Captain Beefheart, Peri Ubu, Talking Heads. First half of the record is pretty strong but falls off on the second.
Bought this used at a flea market when I was 13 years old around 1997. Probably no better anthem for a 13 year old in the 90s than this.
Wild that this was released in 1962 when Booker T was 17 years old. Such a pioneering album and sound. That being said, there are moments where there is Hammond Organ overload. The album is all covers other than two songs. Great background music. Check out Booker T's Christmas album. It's a staple in our house.
Appreciate this album more for what it was in 1993 rather than as something I enjoy in 2024. Fuck and Run is so catchy but the rest of the album isn't particularly memorable.
I knew more about the lore of his death than his music going into this. First listen, I was distracted by the production. Whisper vocals, insanely loud snare and overpowering guitar tone. Luckily I was stuck on a flight without wifi and had this downloaded so I listened to it 3 times. Each listen, I appreciated it a little bit more.
I feel like when you see a Bruce Springsteen album pop up, you assume it's going to be a 5 due to the legacy and lore of his music. Maybe I put too many expectations on this album but it was mediocre at best. The singles are great but everything else is hardly memorable.
If I was going to pick a Minor Threat album for the list, it wouldn't be this one but still an important album in the evolution of music.
Definitely some interesting elements to this but I kept getting annoyed with the songs after a short time. All the New Orleans elements seems almost forced at points.
I really dislike this. It's corny with teenage diary lyrics and average musicianship. I generally dislike any early 60's British invasion music so this was no surprise. I understand the significance of this album and The Beatles place in music history so I'm not going to give it a two star review like I want to. This album reminds me of being a kid hanging out with my aunt who loves the Beatles so there was at least that.
Listen to the first song on the album and then turn this off and save yourself an hour of a lackluster Coldplay meets Oasis.
Sad Beck makes a sad album. Overall, not bad, just hard to listen to if you aren't in a sad mood. Very different from what you generally expect from a Beck album. Good on him for branching out, just not something I will likely seek out.
Kids: "Mom, can have Bob Dylan?" Mom: "We have Bob Dylan at home."
This is a soft rock masterpiece. Love that she wrote or cowrote all the songs.
Absolutely love the vibe of this album. Made a cocktail and cooked dinner while listening to this and thoroughly enjoyed it.
I hate the early 60's British pop sound so some American guys mimicking it while generally not even writing the music was better than I expected.
BJ doesn't miss on this one. Makes me yearn for a bottle of red on the patio of a bustling NY restaurant or a line of coke in the bathroom.
Did you ever eat a bag of party mix? This album is the musical equivalent. Random pieces that don't seem to go together but as a whole are amazing.
Cool concept and good on them for going for it but this has one memorable.song on the entire album.
Has kind of a Stranger Things vibe to it which made it more interesting than it otherwise would have been. This would probably be a five if you smoked a joint, threw on some headphones and sat in the dark, but unfortunately, I am experiencing this at 8:30 in the morning with caffeine being the only drug in my system.
The beautiful thing about 30 minute albums is it gives you a chance to listen multiple times. First play through I did not care for muchbof the album. It seemed disjointed and had no flow. A few listens and a little research on the album brought me around.
There's a few standout songs but overall, it's a boring attempt at a Beatles album. If they could have had a few change of pace songs, it would have been easier to listen to. Album art is rad.
Beautiful vocals and lyrics but overall a little forgettable other than Wild World and Father and Son.
Flow, samples, beats are a 5. Lyrical content gets old pretty fast and the skits really ruin any kind of uniformity. Like did I really need to hear a girl asmr his dick in a song?
Fast, energetic, and catchy as he'll.
Musically somewhat interesting in spurts. Lyrically, sounds like a bunch of 13 year old boys wrote it. Overall, couldn't wait for this album to end.
This is a desert island album for me. I listen to this probably once a month.
Seemed like it could be the soundtrack to a pretentious indie movie I don't want to watch. Not entirely bad, just forgettable.
Starting out with a 20 minute song is a bold move but it moved in and out of different sections well and functioned more as cohesive intertwined songs. Overall. Not Rush's best work but still a solid album.
So you're telling me this isn't a Beatles album? British invasion/British pop is one of my least favorite genres but this was at least listenable.
I absolutely hated this while at fleeting moments, loved it. If nothing else, he stepped out of the usual and did something original. That being said, no interest in ever putting this on again.
Love the addition of Donald Fagan but the album seems to less memorable songs than can't buy a thrill.
You can hear him becoming Ziggy Stardyst on this album. So many great songs.
Fondly remember staring at this album cover in my dad's record collection as a kid. So many classic songs and a few lesser songs.
So incredibly boring. If you aren't paying attention, it sounds like one long song until you hit dance til we die. Overproduced, whispery mumbles.
I lived in Richmond, VA for a decade. When we had twins we moved back to PA. I vividly remember listening to "The night they drove old Dixie down" as we left our house in Richmond in a van packed full of kids and random stuff. King Harvest really stole the show for me.
Really surprised by how consistent this album was outside of the singles. I listened to this one on repeat.
Well, that was something.
The album that arguably may have spawned prog rock. 21 century and ourt of king crimson are absolute classics. I talk to the wind feels out of place and moon child is 12 minutes of noises. If it weren't for those two tracks it would be a 5.
A good but somewhat boring listen. No particular track really stood out.
Really fun pop/rock/prog fusion. A lot of similarities to older Radiohead.
There is no way I am going to listen to 3 hours of this. It's fine in small doses but it should be illegal to put a 3 hour, 5 disc compilation on here. I only made it through disc so my rating is more of a "why the fuck is this on here?" than rating the content.
Such a bummer that people can't separate art from the person. Kanye is wacky as fuck but he's a musical genius. Absolute master of sampling and integrating them. Bound 2 is on repeat.
You ever eat something really sweet and decadent and you know it's going to make you want to puke but you just keep hammering down fork fulls into your fat face? This is the audio version.
First two and last two songs are absolute fives. The middle sounds like filler in comparison but still all solid songs. Keith Moons drumming is so fucking awesome.
40 minutes of pure energy. Do not try to steal this man's meatballs.
Really surprised how much I enjoyed this album. I had no explored to Oasis other than a few radio hits and hearing they are insufferable assholes. The hits are amazing and the rest of the album is a mix of indie rock and pop.
This was pretty interesting for a few songs and got stale pretty fast.
There are some great songs on here. The problem is my brain associates them all with tv commercials in the early 2000s.
This was a unique experience. The album is spacial and immersive. I think it would be hard to just listen to a single track from this as it needs to be consumed as a whole album.
36 minutes of solid 70's guitar driven rock n roll with Rod Stewart at the helm.
I dig the gloomy Soundwave of this but after a while it all sound the same.
I'm pretty sure I've heard this guy busking on a corner in Asheville, NC. Pretty standard 60's folk album.
I don't care for the bubblegum Brit pop portion of the album but the acoustic songs give it some depth. Norwegian Wood is fantastic.
Needs to be ecstasy passed out when you get this album. I enjoyed nothing about it.
Pretty average pop rock album. Nothing really stood out and nothing completely sucked.
Love the way this album weaves between minimalism and swelling rock songs. Videotape is the perfect closing song.
Kind of a Joe Strummer mixed with Against Me! vibe but nothing really stood out. Disc two was added during the 2006 re-issue so I only listened to disc one.
Only exposure to J5 was through the song Golden. The rest of the album lived up to that song. Great flow and beats. I love the positivity of the lyrical content.
Feels like a precursor to what 90s grunge and indie would become.
Some absolute peak 80s bangers on here but her voice is a little much at points.
Interesting sound to this, kind of a an electronic tinged Bond soundtrack. Got a little monotonous towards the middle.
I just can't understand the hype around this band. I've been led to believe they were some sort of trailblazing act but this is a relatively boring and standard 60s album.
This is what you hear blasting out of the spin class at your local globo gym as you walk to the water fountain.
When I was a kid, my grandma used to leave the FM radio on for her dogs when she left. It was always tuned to country music and I'd bet her dogs liked Dwight Yoakam. There's some fun guitar work on here but the 80's sound that came out in some of the songs knocked it down a notch.
Side one was a good time. Really enjoyed the addition of Fripp. Lyrics are lacking and no true stand outbtrack other than Heroes. Side 2 is a head scratcher. Two decent songs and 3 weird synth noise songs. Every time I get a Bowie album, I get the sense he should have released fewer albums and condensed the great songs onto fewer albums.
Most of these albums have either been artists I know but never gave an entire album a chance or artists I don't know at all and don't really like. This album was one of the rare, "wow" moments where I just found a new artists to add to the rotation.
This is absolutely awful. Will Farrell doing his Robert Goulet impersonation in real life.
Never fancied myself much of a riot grrrl so I'm not the target audience. I like the punky indie garage rock sound but the vocals were just too much after a few songs.
If they would have edited this down to a single disc, it's a 5. I appreciate them going for it on a double disc, 2 hour endeavor is too much. I found a lot of great songs outside of the radio hits I knew.
I love the bluesy/country phase of the Stones.
Writing three fantastic records in the span of a year is insane. I especially love this one. During Covid lock downs, I would play Bad Moon Rising on the guitar for my kids over and over again while they danced.
Album started super strong. I thought this was going to be a good time. Enter it's a shame and dreamin and we lose all the energy. The message is iconic but it's 4 minutes too long. Message II couldn't get us back to having a good time and then NY NY finished us off with another song that was 4 minutes too long.
Musically, a technical masterpiece. Vocally, it's Dave Mustaine which knocks it down a star.
So this album flopped so bad that the band broke up and yet it's on this list?
Couldn't have been better timing getting this one on a crisp fall morning on my way to hike. I've heard the song Pink Moon but nothing else from this before now. Oddly melancholy and joyful at the same time. Beautiful guitar work and voice.
As much as I love The Pixies, I've never listened to any of Frank Black's solo stuff. Really fun Pixies adjacent record. My only complaint is that it's 22 songs. They start to blend together after a while but there are super interesting parts all through this.
Please, no more Elvis Costello.
Ok album overall. Paul Simon just doesn't do anything for me. You can Call me Al is awesome just because Chevy Chase was in the music video. Go listen to Justin Townes cover of Graceland.
Strong start to the album and then it really falls off the last half. It really struck me how bizarre his voice is at certain moments in the album.
Was this album recorded as a joke? Who the hell makes the choice to listen to this?
Mix of radio hits, generic blues songs, and songs that sound like they were on a bender just jamming. The less prominent role of the Hammond Organ makes this my favorite Doors album. Solid 3.5 out of 5 so we'll round up.
Not a bad listen but nothing I'll return to. Like the clash and the specials made an unremarkable album together.
I'm not really sure what to do with this one. Interesting beats and samples but hip hop is often times make or break on the lyrical content. I don't speak a lick of French so this might as well be gibberish.
The attempt to blend multiple genres of music into the most boring hour of music ever was successful.
Theatrical and over the top in the best way.
Listened to this on repeat throughout the day.
Really enjoyed this one. Little bits of multiple genres perfectly smashed into one album.
The Stones at their best in my opinion. Great range of songs from ballads, to blues tracks, to straight fucking rockers.
There she goes is really an outlier on this album. The rest is kind of jangly emo brit pop.
Generic 80's garbage.
There is something about 60's psychedelic that drives me nuts. Sure there are some interesting parts but overall it's like nails on a chalk board for me. I dislike the vocals on this album and the "trippy" lyrics. Its gang vocals in an empty room. The little bits of country western music thrown in were the only silver lining. Most interesting parts of the album was the last track where you hear them arguing during the recording process.
I knew the singles on this one but enjoyed the second half of the album.
Weird and wild ride of an album. Not something to put on everyday but a nice little treat.
This turned out to be a really fun and interesting listen. 36 minute run time is perfect.
Really love some of Parliament's albums but this one isn't in that collection. After a while, the word funk starts to grate on you.
Typical late 60's Brit pop with an extra awful vocalist.
Had this on in the background while cleaning the house so it played like 3 times through. A few more songs grabbed my attention each time. Macbeth and Paris 1919 were the highlights for me.
The word "bitte" is a German word for "please", and "orca" is another name for a killer whale. Frontman David Longstreth states that he liked the way the words sound together. This sums up the pretentious nonsensicle garble this album is. Weird just to be weird.
A lot of this just went nowhere. No hooks, melody, nothing memorable. Jangly noise with someone talking. I can see the influence but the honed version other bands and even other pavement albums put out were better.
Went back and forth between she had the most incredible voice ever and wanting to plug my ears. Some of those high notes were HIGH. Incredible guitar player and musician but this got boring after the first few songs.
Really enjoyed this one. Kind of a Russian Circles meets Explosions in the Sky but with a mid 90s indie flair.
There is a sweet spot in the middle of this album that is good. It is bookended on the front and back by a bunch of boringly annoying songs.
Rather destroy this than rock n roll.