Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 98, 64 and 54. The album is a subtle blend of cool and West Coast jazz.The album peaked at No. 2 on the Billboard pop albums chart, and was the first jazz album to sell a million copies. The single "Take Five" off the album was also the first jazz single to sell one million copies. By 1963, the record had sold 500,000 units, and in 2011 it was certified double platinum by the RIAA, signifying over two million records sold. The album was inducted in the Grammy Hall of Fame in 2009.
The album was selected, in 2005, for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Do ya like jazz? Do ya like other people knowing you like jazz? Then play Time Out at your nearest social gathering and tell everyone that you enjoy odd time signatures and polyrhythms while you tap your feet to one of the most played jazz tunes ever. You're not normal, you're weird in all the right ways!
Lol all joking aside, I fucking love this album, and why shouldn't I? Just like with the Beatles, the reason so many people like the music is because it is genuinely incredible, and Dave Brubeck does it here too. One gripe though - whenever I play this album, I always get a twinge of "maybe I should be playing some jazz by a black artist instead" simply because I've found myself listening to a lot of jazz by white guys. But that doesn't detract from the songs. Unsquare Dance is my favorite here.
Smoked a joint and listened to this on vinyl and reading the jacket notes. Got lost in the music. Take 5 is a masterpiece. Put on Miles in a Silent Way after, I don't listen to my jazz collection enough, but I digress. Time Out is a 5.
Before I give my thoughts I want to honor the fact that jazz music was traditionally a black musical style that some white people liked and became famous with in places that many black musicians were not allowed to go. That being said- I really like this Jazz album- I was very productive listening to it because jazz piano is my favorite.
This is (probably) the ultimate Cool Jazz record. Something you put on and sip a martini and cook a steak to. You can really hear the West Coast laid back playing on this as opposed to the busy New York playing that was coming out of Blue Note (although this was recorded in NYC). It produced 3 jazz standards just on the first side for goodness sake.
Favorite song: Take Five and Blue Rondo à la Turk
Least favorite song: don’t really have one
One of the first jazz albums to come into my possession. This could be seen as 'baby's first jazz' in some respects, as it's a light, clean listen with enough toe-tappers for popular appeal.
However, even repeated exposure to 'Take Five' hasn't dimmed its lustre. There's a high degree of sophistication at play here - Brubeck was influenced by the rhythms of Balkan and Bulgarian folk music, so 'Take Five', 'Blue Rondo...' step outside of 4/4 time and take the cool paradigm into slippery places.
Five stars all the way, I spin this one frequently.
I had no idea what to expect but definitely found myself loving it. During the opening to the first track I had a hard time believing it's a 50's jazz track as it sounded much more like the opening to a 80's prog rock or progressive metal track. The rest of the album sounded more like I imagined highly technical cool jazz to sound like. But unlike other examples of this style I never felt bored with it. Just really good music to have playing which is both excellent in the background and for the occasional more intense listening during the particularly playful segments. Will save this one to re-listen for sure.
I don’t have anything smart to say, for whatever reason I had never really listening to Dave Brubeck before this and I definitely need to spend more time checking his music out cuz this was great.
You know an album is a masterpiece when it's incredibly technical and sophisticated, but is still accessible and enjoyable. A blend of African, Eastern, traditional/folk, and Jazz that comes together just perfectly.
Even this perpetual jazz neophyte can hear how peerless this is. The one instantly recognizable piece took on greate depth and nuance for me in its proper context here.
Very much a gateway album for me. It's instantly accessible, even with the strange time signatures used throughout, it just sounds cool.
There's not been many hit songs in 5/4, but Time Out is more than just Take 5, I probably prefer Blue Rondo à La Turk, but there's not a dud on the album.
If you're not sure about Jazz, give this a listen and then go Hard Bop and Free Jazz, just like me!
5 / 5 stars.
08/27/2022
This album is very special to me for a number of reasons. Take Five was the first jazz recording that I ever heard back in third grade when my elementary school did a program called music memory. We were played sound bytes of different famous recordings and this was one of them. I have loved this recording since 2007-2008. Nearly 15 years of love.
Fast forward to the future, I fell in love with the entire album after working at my university’s radio station that played jazz in the afternoons. I was the DJ for the 3-5 hour on Mondays or Wednesdays. Became familiar w many more songs and the style of Dave brubeck’s players because of this.
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Today was super chill, I finally got to run some errands. Ran to target, had a great time getting lunch stuff and other little fun items. Came back and made myself a nice lil dinner and then just watched Netflix and crocheted.
Shimmers in its understated brilliance, popular this may have been but this in no way detracts from its status as high art. The recording is exquisite, the sophistication in the playing extraordinary. An album to repeat and find new things or to just enjoy and absorb, Time Out is special.
My family used to listen to this CD in the car all the times and Take Five is one of my dad's favorite songs, so this album has heavy nostalgic power for me! The music is so masterful and wonderful <<chef's kiss>>
A classic of cool jazz, and jazz as a greater whole. Dave Brubeck is so precise on the keys that he sounds like a MIDI file, and the rest of the team backs him up superbly, particularly Desmond and Morello on the highlight Take Five.
Another watershed jazz album. Brubeck's playing is complex and experiments with time signatures of various more 'exotic' influences. This coupled with Paul Desmond's acrobatic saxophone playing make this album groundbreaking and approachable.
I feel like a broken record (heh) on these, but I have loved all the instrumental albums not by Miles Davis. I've heard a lot of these before but never as an album. Great stuff.
Good background music for when wacky shenanigans are afoot. Make sure to keep looking above yourself while listening to this album, because a comically oversized anvil could drop down on your head at any moment.
This album has a similar feel to it as cheese. I don't mean to call it "cheesy", I mean that it literally reminds of cheese. Like, I can smell some fresh tasty gorgonzola while listening to this. Call that Synescheesia.
Four outta seven!
It wasn't amazing, but it was easy to listen to, quite pleasant and interesting to hear hints of what would come in the following decades. There were definitely some parts that sounded like the beginnings of Progressive Rock for example, particularly King Crimson. Another one that was hard to rate. It felt like a pretty strong 3, not quite enough for a 4.
There’s something about this record I just don’t like, not sure what it is. It’s fine, but ultimately just kind of…eh. Like, it makes sense that it’s kind of a gateway record for people to get into jazz- it’s not particularly challenging and it’s easy on the ears, but after two listens it’s kind of driving me nuts.
I know every discordant piano chord, every lick of Paul Desmond's clarinet and honed my chops as a drummer learning 5/4 and 7/8 from the master, Joe Morello. My indie/new wave band introduced me to its genius at the age of 16 and I've loved it ever since. Jazz with a wink and a smile on its face. Pure enjoyment. Go on songwriters, throw a change of time signature in every now and then and make the music interesting.
Automatic fiver here. Love Dave Brubeck, and this has some of his most signature classics. Opening with "Blue Rondo a la Turk" is enough to let you know you're in for a great ride. I think Brubeck's the pianist, but man, shoutout to whoever is on sax because the sax cuts through these tracks like a hot knife through butter. For me, this is quintessential smooth jazz. I'll always be reminded of that Malcolm in the Middle episode where Hal finds the old bomb shelter in the backyard and hides down there drinking scotch, talking to a portrait of JFK, and listening to "Take Five." Love, love, love it.
Favorite tracks: Take Five, Blue Rondo a la Turk, Strange Meadow Lark, Pick Up Sticks, basically all of it.
Album art: One of the many jazz albums with the sort of "framed abstract art" concept for the cover, and I really like it. The art is excellent, the text font and colors are bold. It's simple and informative, but very memorable.
5/5
Four profoundly talented, creative, and meticulous musicians, each making it sound effortless. I appreciate that this album is extremely accessible, but that it's does that without compromising richness and complexity. You could listen to each track 10 times in a row and still discover new fills and trills with every playthrough.
One of my all time favourite albums and maybe the only jazz album I really like. The groove of about every track totally gets me. Dave Brubecks simple piano style is great and Joe Morello is phantastic on the drums (e.g. on take five, which they basically created primarily for the drum solo, and I find it ironic when radios cut the song before the solo).
Inoffensive, too easy listening. Willing to give it a second chance and not an album I think I'd ever buy. Missing the bite of the jazz I love: Coltrane, Coleman, and Davis.
I'm not an active jazz fan as much as I like using it as background music for a vibe. However, with two recognizable songs "Blue Rondo a la Turk" and "Take Five", interesting time signatures, and an accessible cool jazz sound, this album stands out among the nameless shuffled playlists. I was shocked to see it was from the 50s, I guess jazz doesn't show its age as much as pop/rock.
Also enjoyed the fun fact of the melody of "Kathy's Waltz" inspiring the Beatles' "All My Loving"
Such a great album. Everything about this reeks of hep cat coolness...but in a good way! And Joe Morello's ride cymbal on "Take Five" is unparalleled.
It doesn't quite make it to four stars for me because I'm not a jazz guy. 3 1/2 would be more like it.
I have somewhat of a love/hate relationship with Jazz, and this leans more towards the latter side. Everybody knows Take Five; it's nice, but a bit boring for my taste. The album as a whole is much too cerebral. It's Jazz by the (odd) numbers, but it doesn't speak to me. 2/5
Laidback loveliness around a blazing classic in “Take Five”. Simon, I bet we’ve known people for whom this was their contemporary pop; most if not all gone, we’ve that strange sensation of hearing something fall out of living memory.
Very cool.
I don’t hate jazz, I hate shrill & stressful trumpets, but the sax on this is smooth and mellow and lovely.
It’s both accessible and challenging with the recognisable hooks but crazy time signatures.
Good stuff.
An album that is so much more than just "Take Five".
I've heard this album quite a few times. I'd say it's a great album for those that want to explore jazz a little more. Great listening and not too abstract enough to put off non-jazzers.
Completely not my kind of music, I can't listen to this for 38 minutes. I find it boring, wandering, disconnected - it's like listening to Math. Wrong audience, it may be a spectacular album for someone
Super je, classic jazzić. Jako lipa muzika, pogotovo s obzirom da je 1959., nisam mislila da je toliko stara. Znala sam samo Take five pjesmu. Slusala bi ponovo def :)
something that i cant believe i never quite put my finger on before is that this record's great stride in Jazz Accessibility is that the harmonic and melodic language is just very un-spicy...not through dilution, but through discipline. which sounds obvious ig but a lot of other cool jazz classics expect some greater acclimation with the more winding and tense thrills of bebop, a musical language that in a lot of ways represents jazz's break from pop cultural omnipresence. it rly is impressive that no matter what weird time signature is going on, every single musical phrase here is very sweet and accessible...it has to be much harder to play like this than it might seem, keeping things as instantly appreciable as they are interesting. very few records in the genre make this little demand on you yet are this rewarding at the same time. incredibly beautiful music, perfectly matching that all-time-great album cover...its hard Not to be in the mood for time out!
I wont say this is my favorite jazz album. I haven't listened to enough of them to say that. I do love it though and I was thrilled when it came up as my selection. I'm listening to this a couple of weeks out from Christmas and it feels like a holiday album.
Its not a holiday album but it's whimsical in a way that a holiday album would be. The use of the different time signatures (so from what I understand about them at all) seem like they play a part in this.
This album is a good one if you want to introduce people to jazz. It's a good warm up before introducing to the other greats like Miles Davis and John Coltrane, etc. This album is just a little more accessible.
Hit - Take Five
Miss (if I had to choose) - Three To Get Ready
Surprise - Kathy's Waltz
I first became aware of this album from its cameo appearance in Donald Fagen's "New Frontier" video.
I listened to it while walking around town (surrounded by Christmas shoppers) looking for a FedEx dropbox to ship my saliva for DNA analysis. It was a little tough going as I'd heard this album dozens of times before while working at a coffee shop from 1996-1999. My favorite part is still Joe Morello's drumming on Take Five.
It's a classic but I never need to hear it again.
This album takes an automatic 5 stars from me! I have put this on many times before and often puzzled over why it felt so unique and intriguing. I didn't know until today that it was a masterclass in unique time signatures which the music nerd in me loves. But it's not just an impressive album, it's also a really enjoyable smooth listen. I think this is a great starting point to get in to jazz music. Another example of the biggest, most successful albums often having that success for very valid reasons, that they appeal to many different types of people, myself included.
An album I've heard about countless times, but never sat down to listen to and, man, was I ever missing out! Smooth jazz that seem to fluidly evolve over the course of a song, but keeps calling back to a central motif or theme. I do tend to appreciate more avant-garde jazz, so his experimentation with time signatures is right up my alley, and I absolutely love jazz drumming and Take Five is just an extraordinary jazz drum solo!
Listening to the first song, Blue Rondo a la Turk, I hear some passages and ideas that clearly influenced some of Frank Zappa's work. I had to go look up to see if the Dave Brubeck Quartet was ever cited as one of his influences and it seems that they likely were, which is pretty cool.
Time Out is a foundational part of any education in jazz. It packages many of the art form's best parts in a way that is immediately accessible. It contains virtuosity, the interplay of soloists, improvisation, the incorporation of different musical traditions, and, true to its name, the use of unconventional time signatures.
Its accessibility is the only potential complaint I can think of. There is very little challenge in Time Out. It is very easy to listen to and does not demand attention like some other classic recordings. Kind of Blue, for example, contains more surprises and requires closer listening. Time Out, by contrast, doesn't require close listening but certainly rewards it. It can be in the background or foreground. It may be too polite for my taste, but it is incredibly charming, and I can't help but be caught by its spell.
A personal memory: To illustrate what a nerd I am, A Time Out CD is one of the very few things I've ever stolen. In 1999, at age 21, I worked at a local independent record store that was shutting down as the digital era was ramping up. We had a bin of bargain-priced CDs by the door. I knew they weren't cataloged like most of our stock. One evening as I closed the store alone, I snuck two CDs out to my car. One was Time Out. The other title might have been Max Roach's Percussion Bitter Sweet.
Time Out is an essential and worthy part of any jazz collection. It reliably resists my prejudiced desire to dismiss it and my claims that I have outgrown it. Sometimes recordings are popular because they are simply that good. Time Out deserves its popularity and our attention Five stars.
Absolutly fantastic!!! Ive heard this one before, but probably never gave it the proper attention it deserves. Absolutly love the piano on this, aswell as the drums and sax stand out. All of the instruments blend perfectly into eachother, and everything is done with a certain amout of delicacy and patience. (Blue Rondo A La Turk is a bop)
While it may seem that I'm giving all Jazz records 5 stars because they are jazz you need to understand so far all they have had on here are great jazz albums. I can quibble with some of the rock and other records on here but man the Jazz, every single one is a banger. This one being no exception.
Where I went to graduate school was notable for being a Jazz program they piped jazz into the student union, when you were put on hold you got some great jazz as your hold music. I think they did this because they knew if you were listening to something as complicated as Blue Rondo a la Turk with all the different signatures and swapping around you would not be mad by being on hold. To this day I still try to buy the yearly album they put out by their best jazz band the One O'clock Lab band. All the bands are named after the time that the lab starts so you'll have the Two O' Clock, Three O'clock, etc. with One O'clock being the best.
I just thought of something, if this was a rock album it would be called 'Math Rock' because of all the time signature switching. The star track on here is Take Five, prolly the most famous of their works. I did not know Dave Brubeck Quartet but I know this song and did not know how many times I've heard this song until I was able to put the name and the track together. The one thing I do enjoy about this time and jazz is you could pretty much tell a jazz album by the cover they all kind of had the "jazz" look.
A joy to have an album whose experimental focus is rhythm. Despite the innovations the tracks never lack engagement or popular appeal. And let's take a minute to ask why production from 1959 sounds better than most albums today... Amazing.
I'm pretty uneducated about Jazz and this was one of the reasons I was so excited about this album generator - tell me what to listen to in a genre I don't know how to access! I've heard Take Five, but never in context. This is great. This is a mood I want to live in.
One of my absolute jazz favourites. A few of the album tracks somewhere in my Spotify Wrapped 100. Mostly because they are available on my offline playlist. Perfect flight music, calms me down, and never get tired of the songs.
Also, often an album I recommend for those who like to listen more to jazz. Approachable.
Do you have a steady boyfriend
Cause honey I've been watching you
I hear you're mad about Brubeck
I like your eyes I like him too
He's an artist, a pioneer
We've got to have some music on the new frontier
I came to this album pretty late in my life at 40 or so. I always wanted to like jazz, but I couldn't ever acquire the taste for it, and the bulk of the advice I got was "you wanna get into jazz? Start with Miles Davis." I did, and I was like "I hate jazz."
At some point, I watched LaLa Land, and listening to Ryan Gosling's nerd out about jazz, something rusty inside me was finally able to turn free a little. Soon after, I was separately pursuing audiophile headphones, and this album was recommended as a test. Oh shit, I like jazz now? Turns out, the screechy horns of Miles Davis (and the like) are what I don't like.
So, thank you LaLa Land and Dave Brubeck for finally getting me started. Without those influences, I might still claim to hate jazz.
Every track on this album is a standout great, but if I had to pick a favorite, it would be Blue Rondo
⭐⭐⭐⭐⭐
This is an album I already own and have listened to more times than I care to remember. I don't think any words I can come up will do it justice, it was groundbreaking upon release and still sounds fresh now.
I have been listening to this album for decades. Not sure what the jazz world thinks about it, as other than a few Mile Davis albums that’s the extent of my Jazz knowledge. I really like it.