Camp. Glam. Banging. Right up my street. Every song rocks. Good fun, and even though I laugh, I Love the Dead is a great song that has it all. Anyone else noticed all the best albums are 40 minutes long? Enough to get a good taste of it, and to leave you wanting more.
There are some decent songs on this. I like Jet and Mrs Vandebilt. Some others had their moments. Bluebird and the Picasso one were a bit boring and dated. McCartney's voice doesn't really ever change, which might be part of what makes him him, but it's not something I can listen to for a long period. Not bad overall.
One of my favourites. Shine on you crazy diamond is perfection
Boring really, forgot it was playing
Zoned out if I'm honest
It's fine. As rock goes, a bit dull, but listenable. Meh out of 10.
Meh
Not for me
Dull
Boring really, forgot it was playing
Boring. What I imagine people with no personality listen to. Not sure what the target demographic is meant to be.
If I could rename this album, I'd call it 'Misphonic Triggers'. Alternating between straining to defecate and attempting to summon a cat, her whiney tone makes me want to pierce my own eardrums. How on Earth is Lorde in the top 300 artists on Spotify? I suppose 'popular' has never truly equated to 'good'. To sum this album in a word: horrible. It's the first album I've encountered so far that I have had to turn off. I tried. I really did, but by the time I got to the fourth whispering whinge, I'd had enough.
Nothing about it was bad, in fact, I quite enjoyed what I heard. I just ended up zoning out from it.
An absolute favourite of mine, and has been for the past 21 years. This album influenced my life in a sense, and it has shaped who I am today. Got me through those tough late-teens. The messags feels more relevant than ever in 2025. The highlight for me is Homecoming: clearly inspired by The Who's A Quick One.
Hell fucking yeah! This is THE album I didn't know I needed. I've always been a passive Metallica listener, never really given them much time nor thought, though wouldn't ever skip a track or turn them off. Even saw them at a festival once, and didn't realise they were this damn good. I wasn't sure at first. The intro had me questioning if I'd put the right album on. It gave 'geeky' vibes. I realised I was digging it before the end of the second track. By the end, I felt like my mind had been blown. Why haven't I given Metallica my time or thought? I listen to most of my albums in the car. Today, it felt like I was driving into battle rather than work. Really set me up for the day. \m/
Wasn't bad. She has a lovely voice but not my sort of thing overall. Nice to hear, but won't be in regular rotation.
I ironically love this. I already know of The Incredible String Band, and can never tell if it's intentionally or accidentally hilarious. It's so bad it's good, especially when the kazoo comes out. I haven't taken shrooms or acid for years, and this reminds me why.
It was alright. Not much else to report. Lyrics are a bit... childish? Odd? Probably won't listen again but it was okay.
Soundtrack to my youth. Quality.
I gain more appreciation for Jackson as I get older. This is a solid album that I've never listened to in its entirety before. It may not be my go-to music, but it's damn good.
Objectively, this is a great album. He is certainly good at playing instruments. He is not good at being an artist. I just can't get into it. Albums like this should take you on a journey, and make you feel a powerful roller coaster of emotion with the transitions. I don't feel any emotional connection to this whatsoever. I felt more of a connection with Pingu playing icicles in the cave (which is what the first ten minutes or so remind me of). I did enjoy the sound of the electric guitar - though the demonic grunts were unwarranted. It was a disappointing listen. I want to like it, but just don't.
I'd never listened to Nick Cave until I was given the Birthday Party (aka Vulva from Spaced, the album) album a few weeks ago. That was my first introduction and this is the second. I can't see a love blossoming any time soon. The music is good enough but his vocal is painful. The guests were crap too. It reminds me of slam poetry. I imagine the average fan is a depressed and unemployed English Literature graduate. I don't get it.
It's quite good. 19-2000 Soulchild Remix is the best track, and has been a regular listen since I played Fifa 2002. One of the band sounds like Will Smith on tranquilisers though, so those bits were pants compared to the rest.
Not the best of Pink Floyd but still brilliant. Love their sound.
A name I've heard many times yet never listened to. Turns out I really like it. It was a fun listen.
I don't hate it. It actually started to grow on me by the end. It still sounds incredibly early-90s; perhaps you had to be there (I was 5) to get the most out of it. Might try again one day with a side of MDMA.
Vegetable cutters. I can't unhear it. This sounds like every other modern woman who doesn't sing properly, but with added artsy fartsy.
It's obviously not a bad album. I wasn't born for another 20 years though; it doesn't click with me. I enjoyed Homeward Bound, and the Dylan parody. The rest fell flat. Probably more meaningful at the time, the Silent Night felt very clichéd.
I like Aerosmith. I just feel like it's missing something that other 70s hard rock has about it. Not quite a 5.
Better than the other Beastie Boys album on here. Some tracks weren't just shouting!
I liked the beats. I enjoyed the music. I found it hypnotic. But there are far too many N-words and misogynistic? - Sexist? Alpha-male? whatever it counts as -lyrics for this middle-aged white woman to feel comfortable with.
Oh my god.
It was...okay. It reminded me of a lot of other bands, and also of late-80s video games. Probably won't listen again if I'm honest, but not rushing to turn it off either.
Good just not my sort of thing
Wtf
It's fine. I'm either too young to 'get it' or spoiled by knowing that better things exist.
Very pleased with this one. I only know of their biggest hit but have never bothered to listen to them otherwise. Very much what I came to this project to find - something that I REALLY enjoy but have never heard. Consider me a fan.
Loved the opening track. The rest was still good, but I feel like I was set up for better.
Dated background music. Nothing more.
Iconic.
Boring
One of my favourites. Shine on you crazy diamond is perfection
Zoned out if I'm honest
It was okay.
Jesus Christ! This goes on a bit, doesn't it?
This album was fun. I love Ma and Pa and will be adding it to regular listening!
Enjoyed it. Some a bit "out there" but liked it. Great voice.
I enjoyed some of the beats. I liked the backing to that ridiculous Earth People rap, but overall it's a no for me
I'm not sure how I feel about this and will need to listen again.
Boring. Two hours of absolute nothingness.
Music like this always reminds me of 90s demo disc background music. Like I should be listening to this when loading up Virtual Pool on the PS1
Quite liked this, though it wasn't drawing me in so much as pleasant background music. There's a certain time and place I have in mind to listen again to see if I am drawn in. Last track was my favourite.
This has some really good bits. It also has some long and unnecessary bits.
More Steely Dan. This is the third I've had now, and I'm only 160ish albums in. It's what I imagine my grandad would have listened to. Too boring for me
This feels like a cruel joke after pulling Morrissey yesterday. What a whinger! Every song sounds the same, and whilst not terrible musically, the vocal absolutely kills any pleasure I could find from it.
This was an aural funfair - a summer feeling of carefree fun. Never listened to a Madness album before, and had no expectations whatsoever. I don't quite know when I'd listen to it again, but I really enjoyed the ride.
My first thought was, 'I wonder if he's Billy's crap cousin or something' This somehow manages to sound more dated than some of the albums I've had from the 1970s. Why is the first track just a PlayStation booting up? It improved as it went on, but the voice was annoying. There's no way they're related. I'm sorry, Billy.
Um. Watching my man's face was the highlight of this. Hair Pie gives off Zorn and Ono vibes. I kinda dig some of it though. Moonlight On Vermont was my favourite.
I'm not keen on his voice, unfortunately. I dismissed this album at the time, having had it gifted to me. I wish I liked his voice more because this album is actually great for a chilled out evening. Really good tracks, consistent and well-produced. Love the subtle psychedelic guitar. Quite nice to listen through again, 25 years on, with a more open attitude to music than my grumpy 13-year-old self. The reviews I've scanned here remind me of her 😆
I'd never heard a Kanye album before, and now isn't the time to start really! That said, I still listened. What a damn shame. Some excellent tracks.
I know of this band. My ex was in their cult. This album is nothing more than okay at best. The 60s garage sound I like, but seems like they manage to diverge from it just enough to become 'meh'. It's a mix of good songs and terrible ones, but, ultimately, all were forgettable. Maybe I'm being harsh because my ex was a pretentious twat, but that's what it is. Music for pretentious twats. (And if that isn't convincing, my ex went to see Einstürzende Neubauten) I would not actively put this album on, but admittedly wouldn't turn it off either.
I think I like this, but I'm not stoned enough to fully enjoy this style of music.
Okay... Imagine being some miserable 50s housewife then hearing this?! Bet the pinny never hit the floor so quickly. Every other song screams 'let's have a party'. Husband, schmusband. Somewhat ironically, this modern woman can see herself cracking this album out to do the housework to; this would make any menial task upbeat and enjoyable. I was giving this a 4 from the start, but hearing the origins of all of my favourite music within this solidifies the 5.
This was disappointing for me. I had higher hopes. Still, it was good, I liked it more on second listen, and I have nothing bad to say about the songs.
Jesus Christ, this made me want to throw myself off the Tyne Bridge 💀 If this has to be on this list, it needs to be album 1001, because you'll want to end it all before it's finished.
Is there a better opening to an album out there? Is there a better debut album out there? Fuck it, is there a better album out there? If there is, I can't wait to find it on this list. The only downside to it is how you can look at your own life and realise how useless and talentless you are. Closest thing I've heard to perfection, and they're not even my favourite band. 5 all day long.
My experience with the Jam is hearing the odd song, thinking 'oh, I know this one', semi-enjoying, semi-singing along, but not really caring if I hear it again. I'm not fussed on this either way. It's not great, it's not terrible, it just is.
Where's my PlayStation controller? If this isn't a Tony Hawk's Pro Skater soundtrack, then I don't know what is. Part of this felt nostalgic to me, even though I only knew On a Rope. Reminds me of discovering this sort of music in secret, and misspent youth in grungy rock clubs. Great fun; great doots.
Ah, 2000. A time when well-established icons (and Victoria Beckham) disguised their ageing voices with that robot autotune sound. When you hear the name Madonna, nobody - absolutely nobody - thinks of this album. Title track might be considered after a while, but this couldn't sound more bland and dated if it tried. A reminder that not everything pre-9/11 was sunshine and rainbows. It's 8 hours since I wrote the above, and I only just got to see other reviews. Considering the number of references to 9/11 in them (not something I ever do) I'm going to say that this album is not just terrorism on the ears, but contains some form of subliminal terrorism within. Madge did it.
If you don't like this, simply, you are wrong. I fucking love Iron Maiden, and every track on this album is amazing.
I can't think of a band I am more impartial to. I have a vivid memory of hearing U2 in Kwik Save as a child, and I've really sort of only associated them with no frills shopping and walking through plastic flaps ever since. They are okay. Their music is okay. War (my first album on this) was okay. This was okay.
I can never tell if I like trip hop or not. My busy brain can't really fully focus and relax to enjoy it. I feel like it would be more my thing with a little 'influence', but in reality I'd fall asleep on the sofa. It's got all the right elements, it's just me who can't piece them together. I did enjoy Black Steel and You Don't.
This is an album full of songs you have heard bits of somewhere before. Video games, adverts, etc. Thing is, you really don't need to hear any of them in full; nothing else is added. I don't mind it though. It's quite reminiscent of a time. Bodyrock y'all. Game of Fifa 99 anyone?
Oliver's Army la la la la shoooooot the whole day down. Always get those two confused. Sunday's Best because he doesn't like Mondays. They were either in cahoots or competition. A lot of this sounds like someone practising vowel sounds to a cute litte tune. Ahhehhihhhohhuuuhhh. Sounds like I hate it, but I don't. It was alright, if a bit long. Unfortunately, instead of humming Costello all day, I had I Don't Like Mondays wedged in my head.
First miserable weather we've seen in England for literally months and this is what I get today? I may as well drive off a cliff. I'm cominggggg Sinéaaaaaad! Seriously, this was dreadful. Just because she's dead doesn't make it haunting or powerful. L
Fun old timey stuff. Pleasant listen
I enjoyed this once I got into it. Made for a nice drive, decided to diverge off my route down the coast to soak it up. Not sure when I'd listen again, but this was way better than I expected.
Yeah, it's okay. It's the sort of music that comes on through random recommendations on Spotify while I'm busy doing something, and doesn't quite catch me enough to give my attention to nor turn it off. It's fine, nothing special, nothing I'd go out of my way to hear again.
I'm not American, I don't believe in Jesus, and some of this was better suited to the bedroom than my morning commute, but I really liked this. The recommendations on Spotify afterwards opened my ears to a whole bunch of new tracks too!
The first song going straight in with the slurs made me uncomfortable, and I didn't particularly feel any more positive towards the rest. Feels quite relevant to the current flag shagging going on here in the UK - you can almost picture the gammons singing 'Every man a King' at the great city of Birmingham's EDL meets. I'm not sure what exactly this album influenced beyond more Randy Newman albums... Could Family Guy be more accurate in their parody? Left foot, right foot. Try it. Observe your surroundings and sing them Randy Newman style. I've been having fun doing it all day.
Another unremarkable U2 album. This is the third one so far, and I'm yet to hear any discernable difference in sound across them. This one was my 'favourite' of the three, but I'm not sure if I'm just becoming used to hearing U2 so often. Just like the other two: it's okay, it has a couple of recognisable songs, you can sing or bop to one or two of them... But I really struggle to view it as rock music. It's easy listening with a guitarist wasted being in U2 (sure he's not complaining though).
Seen these live. Always a good show but never listened to an album. I guess I hoped for more, a bit more upbeat. The same beat for every song including the little gap before a doot made me wonder if the album started over again a few times.
Classic. Every track enjoyable.
I have never heard a Fairport song in my life. I've heard of them but know nothing of them. Was pleasantly surprised. If I knew ahead it was female-led folk music, it would have sent shivers down my spine, but I actually got quite into it once I realised it was quite psych rocky. Still conjures up imagery of hippies in a circle, but yeah, enjoyed it.
I'd quite like to hear this fella sing some rock music. I think his voice would be suited to it. It's a bit generic 90s singer songwriter, but his voice I like. Babylon was a good song. If the songs had a bit more oomph, I reckon I'd really like it. As it progressed, it felt more like a precursor to wet music like James Blunt and his ilk. This isn't wet, so has the edge over those. Shame though: I was hoping to get more into it. It was okay.
This is brilliant. ABBA is so much more than cheesy 70s pop. Something about the music makes me feel something I can't even put into words. It's almost evocative of something I never experienced. I can't explain it. Dancing Queen is possibly one of my favourite songs ever, and I'm a rock and metal kind of girl. Knowing Me Knowing You and Money Money Money are also really banging songs. I did get a laugh at Why Did it Have to be Me, because it sounds like The Wombles could have sung that one... not that there's anything wrong with that, of course. They truly deserve their place in music history. What a wonderful album.
This is my second Costello album. I thought I preferred this one to the other at first, but then it didn't seem to end. His vocal is annoying. Why doesn't it fit with any tune? And that's every single song. The more I hear, the more it gets on my nerves. After so many songs it just sounds like "uh uh-uh UHH uhH UH-uh-uh uHHhhh." I don't even know what the guy looks like, but I get the impression that he looks like a tosser and moves annoyingly when performing. He'd be good if he was somebody else, because the music isn't bad - I dare say it's even good in places - I can hear the influence on skater punk rock which I love, and that's the only reason this isn't getting a 1 star review. Two of his albums down and I'm really not convinced. Four to go (sigh)...
Ooh, I've had the full quadrilogy now. Zeppelin are the masters of the art of the album. They have a balance of rock and blues that keeps you hooked. It's a whole mood. They suck you in, and this is as close to perfect as I think you can get. I said the exact same for the other three. And I don't even consider them one of my favourite bands... I think I might do now.
People who like The Fall are loner alcoholics who think their drunk rambling is deep and profound. They want to be Mark E Smith - and they sort of are: pompous with a face like a wilting pumpkin. Just an observation. This album was bollocks.
I liked this more than I expected, especially Masters of War. I really liked the bitterness at the end; it'll stick with me so I can pass it on... I'm not really turned on by lyrics. I prefer my music to be loud, upbeat and fun, but actually this did make me pay attention. Probably because not a lot else is going on. It works though. It's even quite annoying, but I get it. Hateful old bastards ought to listen and remember what it was like to care about, well, anything besides themselves. It's not something I'd actively stick on, but I'm glad I listened.
I liked *some* of the weird noises in this. The rest was a bit dull. Was thinking I was getting some trippy hippy fest, then it turned into a whistling stove kettle and a synthesiser falling down some stairs. It's like they're trying to capture an acid journey, but they just pretended to take it for cool points in the hippy circle. Could be better; could be worse.
This is awesome. I really like CCR, solid and consistent. Finally an album where the fella and I can agree on a rating.
Not liking Bowie is like not liking vegetables. You have to try plenty to find what you like, but you will definitely like something. If you say otherwise, I won't believe you. Sadly, this album was peas. I don't love them, but would still have them. I prefer others. Just as dinner wouldn't be complete without peas, Bowie wouldn't be complete without this iconic phase. Middle ground.
This sounds more Bowie than yesterday's album... which was Bowie. Enjoyed it.
Did what it said on the tin. Lovely mix of funk and guitar. Thought Super Stupid was a brilliant track.
I'm left wondering why Layla is the title track. The other assorted love songs were way better. Gorgeous guitar, obviously. Bit long in places, but overall a very enjoyable album.
First track was fine. Then in the second, someone jammed the printer and dropped their mobile phone in some coffee trying to contact IT. I picture a badger in a tie, having been employed as a clumsy admin assistant. Then we take a trip to Sesame Street for D.A.N.C.E - I knew the song, but it sounds like it should be called 'My First Electronica'. Badger must be on a break. Badger is back, fucking around with the fax machine for a bit. Oh no, it's on fire. He's set the fire alarm off... panic ensues. I sort of liked this part of the album. It's slightly anxiety inducing, but I'm fine with that. Stress, Waters of Nazareth, One Minute to Midnight definitely were the 'best' bits. To call it good would be a stretch though. But, no, this was pretty terrible. Office has burned to the ground. Badger is dead. 200 employees have perished. My ears are bleeding.
This is total nothingness. Bland voice, bland guitar. I've also had more tuneful farts than 'Know'. I could just tell before looking at the Wiki that he offed himself. Miserable.
There are some decent songs on this. I like Jet and Mrs Vandebilt. Some others had their moments. Bluebird and the Picasso one were a bit boring and dated. McCartney's voice doesn't really ever change, which might be part of what makes him him, but it's not something I can listen to for a long period. Not bad overall.
Banging album. Good fun. Every track was a bop - probably very underrated in the grand scheme of things.
Well, that was a pleasant surprise. This was smooooth. I think it's more suited to a lazy Sunday morning lie-in than my morning dash. I imagine lying in bed, fella brings me a coffee, we snuggle for a bit, and if we fall asleep, so be it, we enjoyed it anyway. I really enjoyed the last few tracks - Hard to Say Goodbye onwards had such a feel to it. I only wish I wasn't driving during that bit. Genuinely pleased with this one and will listen again on Sunday morning.
What in the Hillbilly Dylan? Sick of hearing the word Jesus. Jesus indeed. This is crap. It didn't seem to end. To be fair, I didn't turn it off so it's not a 1.
I like it. It doesn't pull me in as much as I'd hoped, but I can't fault it. I'd happily listen to any of the individual tracks again.
It sounds like a collection of music and sound effects from platform games of yesteryear. Didn't feel either way about this, but it's not for me.
I used to frequent a rock club which only had regulars, and a few of them loved The Jesus and Mary Chain, so I was excited to hear this. That sharply changed. So much reverb noise, it sounded like the shower was running and I was in the next room trying to listen to a song, only to hear the chhhhhhhhh of running water. In a Hole reminded me of trying to tune into Channel 5 on the kitchen telly in the late 90s. Ahead of its time, maybe? More songs in, it feels like I've put in a full shift on a construction site. I can't believe this album is only 40 minutes long. I felt like it would be okay if it wasn't so intense. There's nothing wrong with the tunes themselves. But Jesus Christ, I've now got tinnitus. Might be worth keeping in mind in case I get yet another neighbour who blasts Adele on repeat.
Lose the vocal, hand me a joint, and it's a 5 all day long. I know it was the 90s and all, but the singing and music don't match up. That gets on my nerves after a while and spoilt it. It's why I'm always unsure if I like trip hop or not. In theory, I suppose. Decent enough to snooze to though.
Like Mayall's vocal. A good listen. I see the reviews complaining about white boy blues and Clapton, but, like, who cares? It's great music, whatever it is or isn't.
Pretty decent. I know nothing of New Order except Blue Monday (who doesn't) and this was a lot more than I expected, I guess. I listened twice because I suspected it would be better on second hearing. I was right. Subculture was the only one that didn't really do it for me. It sounds very 80s, but it was a great listen. Loved the way the guitar came in at the end of Elegia - that was my favourite bit.
I only have terrible memories of 2008. I literally lost interest in everything, so the year completely passed me by. So did this, and what a shame... This is well good. I really enjoyed some of the songs on here. Separate and Ever Deadly, The Chamber then In My Room later on all pricked my ears. Great 60s quality with added cleanness. Interesting listen. Not quite a 5, because some tracks didn't grab me as hard as others, but definitely a strong 4.
I wish this was a bit more upbeat. I like it, the voice is good, just a bit slow for a Friday morning in October. Not feeling it. It needs to be played late on a Summer's day. Driving home: you have a touch of heatstroke and you're anticipating crashing out on the sofa when you get back. Feet slightly aching, you decided to play this because you were in the mood after hearing a busker singing Brown Eyed Girl and you want some REAL Van Morrison. One to keep for those occasions, but not today. Still decent but without that mood, I can't give it any higher.
Camp. Glam. Banging. Right up my street. Every song rocks. Good fun, and even though I laugh, I Love the Dead is a great song that has it all. Anyone else noticed all the best albums are 40 minutes long? Enough to get a good taste of it, and to leave you wanting more.
There's nothing wrong with it. I think the reviews are being dramatic; I did get a laugh from a good few of them though. It's not really my bag, it's too slow, and R&B mostly sounds the same, but it's not terrible. It didn't make much of an impact either way. Bit dull. I suggested I contextualise it by having sex, but my fella needed a poo.
Yeah boiiiyyyy. This is great. The sound is a bit dated, but the themes are still relevant. I love Chuck D's voice, it hits hard. How sad that 35 years on, the attitudes they rhyme about are still rampant. Quite thought provoking. I love driving to this too. The anger makes me feel cool.
Solid mid. Nothing wrong with it, nothing stands out about it. Slightly wine barish. Could do menial work to it. Inoffensive.
Hmm... It reminds me of when you get to the dingy rock club a bit too early. You don't know what's playing, the floor is still clean-sticky instead of spilled-drinks-and-vomit-sticky and the atmosphere is still a little uncomfortable. You get a drink and look around to see a pair of weird goths already on the dance floor, and nobody else, so you stand around for a bit, occasionally bopping your head. It's not bad, you've got something heavy and you're a few drinks into the night, but really, you're just waiting for the club to fill so they play the songs you know and love. It's certainly not the worst thing I've heard, it sort of works. Indeed, these are my favourite 80s French Industrial band. I'm not in any rush to hear it again.
I like this, it's a nice soft rock with great vocal. Heard it before, so nothing surprising or mind-blowing here. I fail to see it as anything special, and it feels a bit 'dad rock' today. Straight Shooter does it more for me personally. Still enjoyed it.
Given these sweet little ditties, why are American hillbillies so, 'muh guns, muh racism, muh Trump'? Obviously not Dolly herself, she's a sweetheart. They ought to take notes from A Better Place to Live. This was surprisingly much better than I expected. Quite upbeat and because it was short, it didn't become repetitive and annoying as country is. Not something I'd choose to listen to, but really, she's okay.
Was alright. I fell asleep the first time around - that to me means it's not something terrible and annoying.
Assorted 90s sounds. So, like, I can't particularly fault it, and I like that trippy Indian instrument they use, and the range of instruments is good, but it just doesn't do much. It feels like waiting music. I don't mean hold or lift music, more like a loading screen; I get a sense of anticipation. It's weird. Maybe I need a joint first. I'd like to like it, but in a solid sober state, it's not great. Would watch them at a festival rather than listen to an album.
Boring background music. His voice is alright but this could use something.
If I was alive in 1982 this might have been a nice nostalgia trip, but I wasn't. This just sounds like every other 80s pop to my millennial ears. Poison Arrow is quite fun, I guess. I don't dislike it, it's just nothing special and of a time.
Eh, not keen. Some moments are alright and others are pants. What was that we are Devo thing all about? Mongoloid with a chromosome too many? Wtf?! Maybe it's going over my head, but I don't really get how that's considered hear-before-I-die-worthy.
I don't do whispering, this isn't good music, and the message a little too on the nose - albeit important and relevant in 2020. I appreciate why it's considered for the list given the context, but, musically, it's crap. Too many references to goddy stuff too. Racism and god-bothering. In 2020. What a strange, backwards world we live in. I thought Wildfires was something of a song, and Bow had a more interesting sound, but nah, this doesn't do it at all.
In the first three tracks, I'd plotted to steal the Mona Lisa, visited Blackpool pleasure beach and run away from Benny Hill. The guitar is pretty good. Classic 60s sound. Rock and roll with an organ. Can tell this influenced a hell of a lot. I'm just not that keen on organs. It's not exactly something I can invest in, but it's high quality, and Green Onions is a fantastic bit of music.
They're not a great listen. Four is excessive. At least they're done now. I'm too young and too female - this is proper grandad rock. Best of the Steely Dan albums I've had though. It's was short and felt a bit more varied than the others. They're not bad musicians, they're consistent. I just find them consistently dull.
It's boringly pleasant I think. Upbeat entry level 60s rock. There's better out there. Sounded a bit samey but not too much that it became tedious.
I liked the beats. Especially in NWAG (don't wish to write that) Rat-Tat-Tat-Tat and Lyrical Gangbang. Not so keen on that keyboardy organ thing, and skits. The sex skits and mentioning dicks brings out the Mary Whitehouse in me. I'm a white 40 year old woman from England - definitely not the target audience - so a lot of it sounds childish to me.
Funky, smooth and a little cheesy. Yeah, don't mind it at all. Has a late 70s hangover sort of sound, not quite fully transitioned into the 80s yet, but with some hints of synth-yet-to-come. I felt like I was watching Top of the Pops listening to this - every song sounded like it could have been a featured song from the charts. As each track faded, I imagined the clapping and a little introduction to the next song, which is weird, because I wasn't even born yet. I listened before 6am even hit. It really suited the time of day with nothing too intense and a lovely clean sound to pull myself round to. It's not my go-to type of music, but I'm certainly not complaining about it. I enjoyed hearing this.
I somehow like and dislike it at the same time. It's simultaneously rock and artsy bollocks. Her vocal style is bizarre, but I quite like how it's quiet one second then BANG BANG BANG the next. A bit too 90s maybe, but kind of appealing to my blatant undiagnosed neurodivergence. "Hey, you're starting to drift away from focusing on this, aren't you? HAHA NOW YOU'RE NOT! LISTEN TO MEEEEE! LOOOOUUUUUD!" Is this another where I need to try again on drugs? I say that evey 25 albums or so, but I promise I don't have a habit. I feel like I probably won't listen to it again. I think I'm fine with having experienced it. Confusion. That's what this album is.
Sounds like a loading screen on The Sims or something. That's pretty much all I can say about it. It exists.
Woooohooooo! Naturally, the best track on the album. Road to World Cup, anyone? IYKYK. Didn't mind this. Some decent tracks, an obvious pastiche, easy to listen to. Wouldn't say it's a strong 4, but it's definitely better than 3. I'm left satisfied hearing it, but not really left wanting more.
I had no expectations here. The opening track was pleasantly surprising. It wasn't bad at all. It reminds me of a lot of things, but can't place it. Bowie? Lou Reed? Placebo? Put 70s and 90s mellow moody rock in a blender and get this. I kinda like it. Saving this one for the car. I want to hear it again.
Easy to listen to. It's nothing more than alright.
Enjoyable enough, especially when considering my grandparents would have still been young when it came out, but I don't love it. Maybe I set my expectations too high after hearing Little Richard. It's clean, well-produced, and it's influential; an album you can firmly say deserves to be on the list. Hard to give a fair rating probably. If I channel my inner 50s-housewife, I'm giving it a 4, but 2025 me thinks it's a 3.
Eh, it was decent. Not keen on the vocal, was hoping for something a bit heavier. Dying Days really stood out though, I enjoyed that one. Then read that it featured Pearl Jam's guitarist. So, that figures. Some other good songs though not leaving me craving to hear more. It is very much suitable driving music and I happened to be driving when listening.
Wow. Was not expecting this at all. I've only heard a couple of hits before, and realise they do not do ELO justice. This is fuck all like Telephone Line and shit. This is incredible. Really loved this, especially - this sounds so ridiculous - the orchestra parts! Fabulous!
I find all these flat-vocal 80s bands really similar and don't think any of them rank higher than the others. I always get the impression that 'you had to be there.' You can sing along with Everybody Wants to Rule the World, and Shout is not new to me. Everything else was boring and failed to keep my attention. This whole genre is a write off for me personally.
There's no denying this is a great album. So much power and feeling in that voice. There is nothing bad to say about it. It's not my favourite genre, but this is flawless.
Sick guitars and manic drums. Yes! Not so keen on the vocal style, but appreciate it's part of the genre. Great for what it is, all sounds a bit samey though.
This reminds me of being 7 and messing around on my Yamaha keyboard. Step one: press preset drum Step two: plink three keys. Repeat. Step three: think of a title and sing it over and over. This feels like a pisstake, but you just know it's not. Crap.
I dunno. It's very 90s, it's very typical pop rock. Sounds like the soundtrack to some American teen drama breakup scenes. It's not bad, I suppose, it's just dated and basic. I get a sense that it was everywhere for a while then everyone just got sick of her and didn't care about a follow up. Her voice is pretty annoying. It's like she's trying too hard, but I get it was 1995. It's trying to be tomboy, but I can only see girly girls really liking it. For the modern day, it's crap.
Very cool sound. Awesome guitar. Not keen on the cockney sounding ones, but a solid album.
Disappointed in this. I expected more from such a big name. I really thought I was getting in to soul from others I've had on this journey, but this was boring. Some of the orchestration sounded like things you'd hear on Chrisrmas songs, so it seemed a bit odd too. I'd have an afternoon snooze to it but that's about it. Not that there's anything wrong with his voice. It's nice. Just the music was dull and a bit cheesy. Not what I wanted, sadly.
Might have been just a little too young at the time to appreciate this. I didn't like Oasis, so this was my first time listening to an album of theirs. I was surprised - and impressed -that I wasn't just aware of the songs, but knew them well - lyrics and all. This album obviously had a lot more impact than I remember. Anthemic. Wonderwall is a bit pants and overplayed though, init? I was also impressed at how such a shit singer doesn't become annoying enough to make you turn it off before 50 minutes is up. I actually enjoyed it. I honestly thought Don't Look Back in Anger was the best song on the album though. Noel is definitely the talented one. Good listen, and a lesson for me not to be so dismissive in future!
I think I would need to see this live to enjoy it. I imagine a lot is happening on stage that I'm missing by just listening. It's so long. Parts of it are funky, parts of it are dull. Mostly dull. The drum solo is the biggest anticlimax ever. How do two drummers considered to be the best of their kind manage to come together and sound so bloody boring?
I liked this. I had a bit of a stone over, and it worked so well to get me enjoying my weekend. Quality. Very cool chilled vibes.
Pretty good. It feels like a transition from the 60s hard rock to pure raw punk. Enjoyed it but it's not quite a 5 for me.
This was alright. Suitable for driving to. It was probably better at the time, because I couldn't get the idea that I was listening to a random band in a pub out of my head. Nothing felt special about it.
Not being on Spotify is annoying. Immediately I have an image of a curly permed woman in a leotard, hairband and tights ready to give us instructions for aerobics. Sort of like the album cover actually. That didn't last long. Oh no. A wild Mark E. Smith appears. No exercise going on here. What's that noise? Indeed. It could be a scratch, a phone, a saxophone or something else. I'd say it's like a bad trip, but it's not even as good as that. I dunno what the purpose of this album is. Is it a selection of 80s noises to use for crappy projects? To play at your pretentious art and fashion show? To piss off the neighbours? It's hip hop without the hip. It's house without the consistency. Stop This Crazy Thing was as good as it got, but it didn't hold up long. I liked the dooty bit. I'm glad it's not on Spotify. Nobody who worked on this deserves a microfraction of a penny that my stream would earn it. Imagine the recommendations that would follow. In fairness, it does as it says on the tin.