Floodland is the second studio album by English gothic rock band the Sisters of Mercy. It was released on 16 November 1987, through Merciful Release internationally and distributed by WEA, with Elektra Records handling the United States release. After the release of the band's debut studio album, First and Last and Always (1985), members Craig Adams and Wayne Hussey left to form the Mission, causing the dissolution of the Sisters of Mercy. As a result, band frontman Andrew Eldritch formed a side project known as the Sisterhood, recording new material with them. After the project's first album was received negatively overall, he went back to recording as part of the Sisters of Mercy and hired the Sisterhood member Patricia Morrison for the recording of a new album.
Eldritch wrote the songs of Floodland in Hamburg; the city's large amount of water influenced its title as well as the recurring lyrical theme of water. He then called upon Larry Alexander to produce the album with him and Jim Steinman to produce the songs "Dominion" / "Mother Russia" and "This Corrosion". Recording sessions began at Power Station Studios in New York City during January 1987 and carried on throughout the first half of the year at Strawberry Studios in Stockport and The Wool Hall in Bath. Eldritch served as the vocalist, performed all instruments, and programmed the band's drum machine, "Doktor Avalanche".
The drum machine acted as the drum player; Morrison did not contribute to the album despite being a member of the Sisters of Mercy. In contrast to First and Last and Always, Floodland was created in a less conventional way, being pieced together on computers using sequencers. The music incorporates the genres of gothic rock and dark wave, while the lyrical content sees Eldritch cast as the observer of a slowly deteriorating world. Some of the events that inspired certain songs include the Chernobyl disaster, the Cold War, and the band's previous breakup.
The singles "This Corrosion", "Dominion", and "Lucretia My Reflection" were released in promotion. "This Corrosion" peaked at number 7 on the UK Singles Chart, while "Dominion" and "Lucretia My Reflection" peaked at number 13 and 20, respectively. Floodland debuted on the UK Albums Chart at number 9, later being certified gold in UK by the BPI for selling 100,000 copies. It also reached the top 40 in other European countries, including Switzerland. Despite initially receiving mixed reviews from music critics, Floodland has retrospectively received praise and been considered a seminal gothic rock album by several critics.
man, this thing is just THE 80s:
reverb drums - CHECK
trashcontainer drum - CHECK
guitar chorused out of reasonability - CHECK
flanger - CHECK
epic synths - CHECK
midi ballad - CHECK
song composed almost entirely out of the weird percussion section sounds of a digital synth - CHECK
verse is just chorus but quieter - CHECK
"the wind blows wild" - CHECK
I mean, EVERYTHING
mother russia/10
Really liked this, very 80s hints of Depeche Mode and darker goth music but also driving rock songs like 'This Corrosion' which wouldn't be out of place on a Fleetwood Mac album. Some songs maybe went on a bit longer than needed but they were clearly having a lot of fun. Bonus points for the very 80s sax solo on the album opener
Pixies obviously ripped off the third track on this (Lucretia My Reflection AKA a Pretentious Erection) for their Doolittle track Tame.
I could picture the singer singing these songs in his bedroom wearing a cape while mashing the drum machine buttons. Turning around and hissing when he hears his parents calling him down for dinner.
Baby, when I tell you I hated this one ya gotta believe me.
Well this is dark, moody and sexual.
It's kind of like Type O Negative without the fun. There is a sort of optimism to it though that I find surprising from behind the black-clad, heavy eyelined Generation X cynical delivery.
By the time Flood II comes around, I think I'm fully invested. I am Gen X, so that might have something to do with it.
I can easily imagine swaying awkwardly (but rhythmically) to this at Slimelight, probably while drinking a pint of snakebite and black from a plastic cup, while impossibly beautiful girls in corsets and lace writhe around me.
God damn it, this album is actually good, isn't it?
Whoa, I've actually heard one of these songs before! A radio cut of Dominion got a lot of play on my hometown rock station in the 90s. The kind of play that makes you think these dudes made exactly one good song and made knowing the name of the artist useful literally only for pub trivia purposes. Pleasantly surprised to have enjoyed the whole album. It scratched a dark, almost gothy rock itch that hadn't been scratched since I last hung out in the garage listening to the radio with my dad while he drank Buds and worked on his motorcycle.
Loved it. I have not waded much into goth-rock/new wave/post-punk but this was great. Though the instrumentation was simple, it was very effective. The music features a strong backbeat, prominent bass, horror motifs, and typical new wave/post-punk vocal delivery. The overall result is a driving, pulsing music that is instantly likable and even danceable.
This is honesty the moody, gloomy, late 80s goth-rock I never knew I needed.
First Listen?: Y
Fav. Track(s): Flood I, Lucretia My Reflection, This Corrosion
Rating: 4.7/5
The pinnacle of goth darkwave club-core. Put this on, and I'm already wearing black and hitting the dance floor. Instantly catchy, moody goth jams. Perfect!
I always thought of goths as boring people wearing a lot of make up bored with their own lives. Then emos came and they were much worse. But, hey! These are audiences, and we are here to discuss music, right?
Right.
If I were to pick up an essential post punk band with really pessimistic sound and content, Joy Division would be that band. Still, this doesn't totally mean that I consider other bands in the dark/goth spectrum to be derivative, mind. I really love some of them, from Christian Death to Fields Of The Nephilim. I wasn't really familiar with the Sisters Of Mercy though.
Lucretia My Reflection, Dominion, and the mighty This Corrosion (which I am sure I already heard in the past) were singles, and they were great. As a whole, the album really sounds huge, with all those busy, upfront bass lines and insisting drumming, a lot of female backing vocals, even some choir (a 40 piece one on This Corrosion), but never feeling overcharged. 1959 with only piano and voice fills up the room effortlessly. On Flood II there is an acoustic guitar along with the synths and the aforementioned, very effective rhythm section, and the whole thing comes out from the speakers as if it was a roaring monster.
I could go on and mention all the songs in here, as there is no filler really. All I can say is that I need this record in my collection. A masterpiece.
i knew this album at the time, though not that well. i remembered loving some tracks, but didn't know others at all. on the whole, i loved this one, especially This Corrosion, which just burns
This goes everywhere and im surprised. It starts droney and then everything after that kinda keeps you on your toes. Enjoyed this a lot for someone who wears colors
So what if Jim Steinman sent them all shiny production and OTT choral intros. It's a match made in heaven if you ask me. Goth heaven. I love a throbbing bassline that's presented unapologetically front and centre, too. The trio of singles - Dominion, This Corrosion and Lucretia are just brilliant, and, I may add, the videos for them are as sexy as hell. I love the whole dark/dance combo of goth music, and this is just marvellous.
The sound of pleather, a strobe light, and clove cigarettes.
Through I was never a goth, I think emo girls have an inherent affinity towards goth music. This is no exception. It’s got a little bit of everything: pounding rhythmic songs for the goth club, brooding dark songs to soundtrack your depression, gospel choirs, out-dated synths, and all the gated drums your heart could ever desire. It even has melodramatic/tragic piano ballads sung in a way where you can’t tell if he’s got cotton mouth, is having a stroke, or has the acting chops of Tommy Wiseau. Songs go on for 10 minutes but engulf you so deeply that space and time stop existing and you just become one with the darkness.
In a word, it is a stunning work of high beauty.
The fact that I like this as much as I do probably tells you all you need to know about my taste (it’s highly subjective and stupid, to say the least, but at least I’m self aware), but god I love this album. I love this more than some of albums we’re all “supposed” to love on this list. If I’m being real, I’ll revisit this a million times before I touch some high-minded double album or some artsy prog band, even the ones I already adore! This is just so up my alley, taps into the exact vibe I want to shroud myself in, and speaks to my soul in the way only dumb, dark, edgy music like this can.
God bless the goths 🖤🖤🖤
I fucking love this album. It's amazing that they did so much with such a minimal approach. Just last night I was drunk and trying to get my mates to love Lucretia my reflection as much as I do, so this is fitting. 5/5.
Another new one for me. I have heard some Sisters of Mercy but never a full album. It’s well produced, sounds somehow cinematic to me, big reverbs. I can hear Depeche Mode, and the beginnings of Rammstein. I’d listen to this again.
This was fun - recognized the singles but would not have been caught dead with it as a teenager; age has softened me to doomy ridiculousness with campy synth backing. Ironically, my experience is that goths seem to have a happier life in general. Get the depression out of the way upfront, leaving plenty of time to focus on the drinks and disco lights
What!!! No Temple of Love??? I guess that would have bee asking too much. Still there are some real Goth/Wave anthems like "This Corrosion" (especially), "Lucretia My Reflection" and "Dominion". It's monotonous and contrived, but I'm giving it an extra point due to the fact that one guy wrote the songs, sang lead and played every instrument. The choir was a nice touch too.
I can't say that I've ever really listened to a goth album before, so I don't have a lot of genre context for this. I'll say having listened to most of the album that while this is not particularly my kind of music, it is well done. I like the vocal production and how male and female voices get blended together over squealing metal guitars.
4/5
Makes me want to dress in all black and go to a rave. Or at least play Vampires: The Masquerade. Lead singer reminds me of Peter Steele from Type O Negative. Favorite tracks: "Dominion/Mother Russia", "This Corrosion"
Leans into its darkwave cliches, but I'm weak to them. There's a greater-than-average amount of variation in the tracklist, too. Sprawling and short, quiet and loud.
The foregrounding of the drum machine and heavy synth strops is confident and charismatic. Apart from the refrain of “This Corrosion”, the songs themselves didn’t seduce me.
The bass player is doing a great job. Then came the choir out of nowhere. And went into the new-wave phase. Very odd. Very original. I think they knew what they were doing. Even if it's not 100% my taste, I respect that.
3.3 - An unusual sound, combining baritone vocals, gothic choir, electronic percussion, synthesizer and some guitar. A mix between Depeche Mode and “Scary Monsters”, and forward thinking enough to seem to also usher in the sound for both. Dark and atmospheric, often pretentious. “The Corrosion is a standout.
Floodland
Bowie + Joy Division + Depeche Mode + Billy Idol = a decent enough album that starts well before fading away, getting lost in the similarity of tempo, tone, melody, sound and song structure.
On the strongest songs, Dominion/Mother Russia, Lucretia My Reflection and This Corrosion, the pompous 80’s goth-pop-rock atmospheres work well and make for some enjoyably catchy tracks. The other tracks, whilst not necessarily bad, are either not so successful variations on those tracks, or slightly dirgey and not that memorable.
It’s an interesting listen, a nice little snapshot of a genre I’m not that au fait with, with a few good songs, but ultimately it’s not something I can see myself coming back to. Cusp of 2 and 3, but as I’m unlikely to return to it I’ll go high 2.
👭👭
Playlist submission: Dominion/Mother Russia
Dated drums right out the gate. I guess this is Proto-industrial, so that’s why it’s “important.” The voice is cool, dark, driving but I can’t get over the dated effects. There were some shining moments where I heard Bowie and Echo and the Bunnymen. But, overall, blah. 2.
When it comes to the Goth/dance sound this pales in comparison to the Cure and New Order. I found the vocals annoying and the drums way too amped. Not a fan.
Gloomy yet high energy and hard driving industrial opener. The low end really stands out. Gruff, half spoken vocals which actually work. Smooth transition into Flood I and the drum machine continues pounding into your skull. Dystopian sounding synths carry the melody. This is 80s AF but in the best way. Sounds very Germanic to me. Lucretia My Reflection is a dark synth anthem with a super catchy bassline - probably the pick of the litter. There's a piano ballad (1959) and over to side two with the bouncy bass and big chorus of My Corrosion. It doesn't need to be 9:30 long, but it doesn't *not* need to be either. If this doesn't get you moving, I don't know what to say. The drum programming is again sublime on Driven Like the Snow. Gun to my head, the second half is a bit weaker than the first, but I can't dock any points.
Ned gwüsst das de Micheal Jackson es dark rock album usebracht het aber give it to me!
Postpunk/darkwave/rock s volle programm ih mini ohre dröhnt, nach 3 mal duresuchte und s ganz album speichere isch save to say dass das für mich es grossartigs 5 hee-hee git.
Give me more, sistas!
eine achterbahnfahrt. han zerst rage quit gmacht, will ich denkt ha das kackt hert ah. aber wieder 2 mal ine gumped is album und es macht spass. es macht spass, es macht spass.
Es isch dark, aber sehr enjoyable, das guete stuck vu de Gnadeschwöstere.
Huiuiui, also was mached mir denn da. 4 Gnadenssternli oder 5 Schwöstere?
Ich gahne mal vorerst mit 5 Schwöstere, will so unerwarted ineghitted hed
what in the floodland isch denn sisters of mercy? ay ay ay no nie vo dene ghört aber ha's gfühl die schaffed bi galaxus bi so vill bangers wo die lieferet
das darkwavet ja fast scho chli ine?! bravo
gid (au dank überraschigs- neuentdeckigsbonus) cinco hermanas vom hermano
I did not buy this album when it came out: I was a poor student and a friend copied it on to cassette for me. That cassette followed me around until cassettes weren't a thing but by then I'd bought the CD. It still gets played on occasion and I wouldn't be without it.
This is sooooo 80s. I like that a drum machine was credited as "Doktor Avalanche" on the liner notes. It's very goth but also has a lot of new wave kind of feel to it. There is a "saxophone" solo halfway through the first track that is a great example of how much better synthesizers had gotten compared to the early 70s with Tangerine Daydream and Kraftwerk.
For a drum machine it really sounds huge. The reverb and gating is really amazing and this whole album is like a pre-Kavinsky darkwave Castlevania record.
"Lucretia My Reflection" has a driving, chorus-y bassline that you just can't ignore. The lyrics and phrasing are super dramatic and remind me of Rammstein. In comparision to the early 2000's "emo" I grew up with this is much more influenced by electronic music and has a darker, almost classical feel.
I love Ghost and I can't help but hear the influences there too. I know Tobias Forge is a huge death metal guy, but Sisters of Mercy combines gothic feel with pop songwriting in a really cool way and I feel Ghost does that but with metal/hard rock and pop. The song "1959" reminds me of "The Future is a Foreign Land". Also the choir intro to "This Corrosion"!
Overall, really enjoyed.
I've never heard of Sisters of Mercy, but I thought this was great. It reminded me of The Cure, but... I don't know, somehow better? I've never really understood The Cure's music (see my other reviews of their albums here), but I thought this was like, their same sound/vibe, but without the confusion parts that bother me. It was pleasantly dark and vibey and just a fun listen overall. The whole album definitely had a cohesive sound that I really dug but without getting boring or repetitive or grating. Five stars.
I think I've owned this on vinyl, cd and cassette. It was incredible when it came out. It's still pretty good. I hadn't heard the whole album for a while but it's a good goth starting point to this day.
Finally, an actual classic in this graveyard of try-hards. Floodland doesn’t just sound big; it sounds like it was recorded inside a cathedral being demolished in slow motion. Pure eighties excess, draped in synthetic fog. Doktor Avalanche thunders like a nuclear countdown with eyeliner, steamrolling every cheesy orchestra stab in its path. There isn’t a single weak track. Not one. And then there’s Andrew Eldritch… goth Elvis in a leather trench, preaching the apocalypse with that voice like velvet decay. It’s pompous, bleak, glorious.
The end of the world never sounded this sexy.
Oh wow - okay. Wasn't what I was expecting at all.
Kind of hard to place this in terms of other music I have heard but I really like it. Very gloomy and atmospheric somewhere between The Cure and Type o Negative.
Not a wasted track on the album too, great variation between songs so they don't blur into each other.
W końcu posłuchałam całej i kurde, może to nie jest 5/5, ale zapisałam dużo piosenek + to moje klimaty + 80s, więc heh.
Gdybym się urodziła jeszcze raz, to grałabym na basie. Nadal mogę, ale już nic z tego nie będzie.
This is fantastic dark soviet video game fantasy music. Like Black Sabbath meets Talking Heads meets Super Mario.
Yes flood I is a drag. But the rest is great. A nice new discovery for me.
When I was 14/15 and getting more into music my dad gave me his old record player and records, so most of the stuff I was listening to was his collection. This was a particular favourite of mine at the time so it’s quite nostalgic to come back to 10 years later. It’s so gothic and so 80s I love it.
I've really come to appreciate goth music these last couple of years, and this here is some really good goth music. He has a really great voice, it reminds me a lot of David Bowie.
These guys were at the first Sick New World, now I feel a little bummed that I missed them, but I think they were on at the same time as System Of A Down.
Low 5.
Okay, this is the one exception of 80s band playing supertypical 80s music and being just so so good. Campy and probably a bit cringy at times, but it's such a gem to listen to. Give me an old shed in the middle of nowhere, 50 other people in and this music and I will dance until dawn. Great album.
Man this has gotta be the peak of 80’s post punk / goth rock. It’s like they said “Hey, Pornography is a great album, but what if it we made it catchier? Oh, and don’t forget to make the drums sound like Motley Crue.”
Side note, I put this on while hanging with my kids and my 1 year old was INTO it. Not quite sure what that says about me as a parent but I’m here for it.
i don't know if this always pops up on halloween or if we just got lucky, but this was the perfect goth & spooky album for the day! i was only familiar with the corrosion, which slaps, and while some of the songs are a little long, i really enjoyed them all. 5/5 spooky ghosts!!
4.5/5
Massive, anthemic, cold, weird, but also touching, soft, biting, and beautiful. The lyrics are fantastic.
Dominion / Mother Russia 5/5 (FAV)
Flood I 4.5/5
Lucretia My Reflection 5/5
1959 4/5
This Corrosion 4.5/5
Flood II 4/5
Driven Like the Snow 3/5 (LEAST FAV)
Never Land - A Fragment 3.5/5
I've only had a small handful of 80s goth bands so far. They have all been new to me and I'm learning that it's a genre I really enjoy. Just edgy enough that it isn't cringey or overwhelming without being bland or boring.