Didn’t make it very far in before I realised that life is short and I didn’t want to spend 80 minutes of it listening to this kind of shite

If it takes listening to a thousand albums to find out I like bands I didn’t think I would, that can only be a good thing.

Late to the party. Worth the hype.

Local and vocal. Nice to revisit and remember how much of an impact this had when it came out.

Was excited to hear this again as I played it a lot when it was out. It now feels of it’s time, possibly as I’m no longer an angst ridden 28 year old in a bad marriage. Standout track was and still is Flower.

It’s aged as well as I have 😁

Don’t remember when I first heard it, it feels as if it’s been with me forever. Favourite album (which is hard to choose) from my favourite musician (which isn’t). I’m sad he was in such a bad place when he made it, but I’m profoundly glad he did. Wild Is The Wind ❤️

Was excited to hear this again as I played it a lot when it was out. It now feels of it’s time, possibly as I’m no longer an angst ridden 28 year old in a bad marriage. Standout track was and still is Flower.

Made me smile as it reminded me of Mum bopping round our kitchen when Jazz Record Request was on in the 70s. Cheery in general, but after listening I couldn't distinguish any one track over another and it felt a bit like aural wallpaper. Plus the cover is awful.

Never been a fan of the Wall of Sound, and found it all a bit samey and shouty. Bah humbug.

She does have a lovely voice, but I can’t say it’s made C&W grow on me in any way.

No thanks.

Seminal, iconic, groundbreaking etc etc but unsurprisingly many of the songs sound the same. Standout track for me is Anarchy in the UK; takes me right back. And, of course, my Dad was incandescent with rage about it/them. Marvellous.

I got what I expected which was prog rock that noodled on for ages without the redeeming feature of Rick Wakeman wearing a cloak. Least interminable track: The Venture.

Derivative to the max, but I loved the 80s so it feels like an undiscovered gem. Favourite: Under The Pressure.

Niiiiiiiiice. Although I could have done without Rumba Mama, live or otherwise. Best track: Birdland, obvs.

Liked the two singles but found the rest of the album pretty tedious. The Smiths were way more listenable and as with his autobiography I wanted to bail really early on.

Say what you like about Mick Hucknall; the man can sing. Amazing debut and can bear repeated listenings, of which there have been many since uni. Can totally forgive a Talking Heads cover (the impertinence!). Favourite track is predictably Holding Back the Years, but it’s a tough call as they’re all belters IMO.

I’ve just got to accept that of all Led Zep’s output I’m only ever going to really enjoy Kashmir. Sorry.

Evocative, smooth, sexy. Might have enjoyed it more if I spoke Portuguese, but not much. It’s a 3.5 really but it warmed up a freezing day so rounded up.

So very 80s. Loved it.

Not a huge fan of Fab Wacky Macca Thumbs Aloft, and if this is the album that put the final nail in the Beatles coffin then I think that’s terribly sad. It’s got vanity project written all over it and no hint of things to come (Wings: yay, frogs: boo) IMO.

I feel unkind classing it as aural wallpaper, but that’s just what it is; background to another activity IMO. Not a smoker so it didn’t delight, but it was pleasant to let it wash over me…

Better than Paul McCartney’s effort, but proof, were it needed, that The Beatles were way more than the sum of their parts.

Eh, sure everyone’s very proficient but it just left me cold. I think it might have sounded better if I’d been on drugs…..

I’m sure this album is seminal but (generalising wildly) I find rap/hip-hop simultaneously annoying (stop SHOUTING) and dull (oh you’re outrageously handsome and rich with a massive dick, are you? Marvellous). Tricky and Walk This Way are good tracks, of course they are, but the rest, for me, was a bit of an irritating snooze-fest.

Loved it, preferred this version of Brimful of Asha and will definitely be revisiting.

Totally new to this artist; really enjoyed and was intrigued by the first couple of tracks and I do think it’s a decent album overall. The effect was lessened by the lack of variety in pace/delivery from track to track however, so what I thought at the start could have been close to a 9/10 ended up more like a 6.

Bought it on release and still love it today.

I expected to hate it and I didn’t, but I didn’t like it either and could have done without it on a cold windy January Monday. Had to turn it down a notch, which probably defeats the object.

Few albums can make laugh, tear up, dance and think and this is one of them. It also brings back great memories of my first year at uni and forging a really important friendship.

That was a LOT of Elton to consume in one go.

Bizarre. Disturbing. Marvellous.

Perhaps not his finest hour, but his final album which renders it important IMO. Overall I found it moving and loved the first and penultimate track, but they are probably the only ones I’ll revisit. Amazing poet, glad we had him for as long as we did.

Initial reaction: oh God, do I have to? That said, not as terrible as I’d feared but absolutely not for me. And I was glad when it was over.

Pleasant. Uplifting. Short.

It was pleasant is about all I’ve got to offer, though a couple of the songs (Parade and You Didn’t Have To Be So Nice) made me wince a bit. I do like the whole 60s samba/bossa nova vibe but I wouldn’t peg this as a classic.

I’ve known that this is considered a masterpiece for decades, cos people I admired musically mentioned its influence. It left me absolutely cold, ironically, considering its origins. 3 decent tracks that I know well (but would never seek out) and the rest just sounded like filler. Outdated filler.

I’m sure it’s technically very proficient but I hated every last second.

Had heard much of this album before and it was nice to hear again.

It’s alright.

Strange and beautiful. Two of my favourite adjectives.

No longer a Radiohead virgin. It feels good.

I loved everything about this album and shall dance to it at any given opportunity between now and death.

7-minute tracks of machine gun drums, some bloke giving it twiddly diddly dee on a guitar and another one grunting is not my idea of a musical good time.

Love Randy Crawford’s voice so that was a big plus. Pleasant to listen to, perhaps a bit aural wallpaper overall but I’ll probably put it on again in the summer.

Nice enough. Is all I have to say about it.

A bit conflicted with this; on the one hand it’s shouty, a tad one note and the casual misogyny hasn’t aged well. On the other hand, Fight For Your Right is an absolute BANGER.

Really glad I heard this; had only really scratched the surface before.

Absolutely lovely. It’s said that great art comes from great suffering and I’m sad that such a beautiful album wouldn’t exist without such pain. Definitely one to revisit.

Sorry; it’s crap, son (ooh).

Exuberant and joyful. Extra star for nostalgia: takes me back to my Dad hammering out this songs on an upright piano when I was little.

Avoided them for years because of the hype and not particularly liking Hotel Yorba. What an idiot I was.

Noise. But really interesting noise.

Very reminiscent of its time, pleasant enough but I didn’t really engage with it. The guitar made me want to go and listen to Nick Drake. So I did.

Nice to hear some 80s vibes again, but nothing really stood out for me.

Loved that it was melodic and mellow, but overall not my cup of tea.

Haven’t heard this for 34 years, when I heard it about eleventy billion times as my then boyfriend loved it. And with good reason; it’s really stood the test of time in my opinion.

Always got time for Fleetwood Mac, even if it’s a LOT of time all in one go. Some gems (TUSK!) and some filler; following Rumours was always going to be nigh on impossible…

As a card-carrying hater of all things metal, I have to say I rather liked this. Expecting to enjoy Hysteria even more so am saving a 3 star for that….

Way better than I expected it to be.

Put me In A Turquoise Mood…..

Loved it

Nice enough.

It was interesting, granted. But I actually enjoyed about a fifth of it. Extra star because I didn’t hate it as much as some others I’ve been subjected to so far.

Glad to finally hear this album. Clever lyrics, lovely voice and a couple of the earlier tracks I’ll definitely listen to again. By the end, however, it had started to lose its allure a bit so 3 rather than 4 star, but I know there’s more EC on the way and I look forward to those.

Loved this from the birdsong at the start to Dear God at the end, even though I know that’s not how it was planned. The first 3 tracks were especially evocative; growing up in an English village they really spoke to me. Will definitely be listening again.

Could have been Radiohead for all I knew but enjoyed v much

All killer, no filler.

Very surprised that a) I really enjoyed this and b) Freebird was probably my least favourite track.

I’ve never been able to understand the appeal of MJ; I find his inevitable yelps, grunts, gasps and falsetto “hee hee”s really off-putting. He plagiarised much of his look and many of his moves from Fosse and he didn’t originate the moonwalk, yet people let on that he’s some kind of dance visionary. Genuinely don’t get it. I have heard most of this album many times (as it was bloody unavoidable in the Pre-Streaming Days of Yore) and thought I’d never have to bother with it again. TLDR; I stand with Jarvis Cocker.

I found this fascinating, evocative and haunting. I loved how, knowing the premise, it made me imagine (and choreograph) a film I’d never see. A welcome instrumental break in proceedings.

Mellow? Yes. Interesting? Yes. Self-indulgent? Yes.

Don’t like MJ but have to grudgingly admit it’s a very good pop album.

I remember the cover of Live is Life from it was originally out. Still find it hilarious, awful lyrics, terrible voice; marvellous. An albums worth I really didn’t need though. RAUS!

Liked the Lou Reed vibe. Might listen again.

I wiped my feet really good on the rhythm rug 👍🏻

Kind of wish I’d been there…..

There’s no denying the man was a genius. A few bangers, a few that were a bit more forgettable (for me) but I’m always going to enjoy listening to his work.

Didn’t like this anywhere near as much as the other albums of theirs I’ve heard and much as I can appreciate Johnny Marr’s guitar, Morrissey’s voice meandering around trying to find a melody really puts me off. That said, the first two tracks were great; it just really went downhill from there for me.

Enjoyed this and surprised myself in doing so.

Beautiful voice and for once “interludes” in an album I could actually see the point of

I briefly found this amusing and charmingly eccentric until I realised it was a load of tuneless self-indulgent tosh. The drugs are no excuse.

Can’t beat a bit of Ol’ Blue Eyes; so effortlessly smooth. There was singing, dancing and jazz hands when the brass called for it. Marvellous.

It wasn’t bad; decent blues I guess although the sound was pretty muddy and (as ever with Jagger) I can make out about one word in five. But I’ve heard way better by them and the ‘hits’ from it were…..meh. No clue why it’s considered their best work; hope we get another one.

I don’t need to listen to this again to give it five stars but I’m really glad I have an excuse to. It’s brilliant.

On a par with Pet Sounds, which really isn’t saying much.

Not something I ever have or ever would choose to listen to but the hits still sound OK to me. Rest of it though, meh.

Local and vocal. Nice to revisit and remember how much of an impact this had when it came out.

The third album I ever bought, the second being Replicas (and the first being the Grease soundtrack, but let’s draw a veil over that). It’s as exciting to listen to now as it was then, just brilliant. It was nice to hear the bonus tracks from CD reissues, but it really didn’t need them. And Complex still gives me goosebumps/makes me well up. Marvellous; had to immediately play it again.

Parp.

Not too terrible for country. Would I listen again? Probably not.

Worth listening to purely for Groove Is In The Heart, which never disappoints. The rest was nice enough, but nothing massively stood out for me.

I really enjoyed this; found it quite haunting and will definitely listen again.

Loved it. Nothing can beat Fear Of Music, for me, but it’s still a definite 5 stars. Genius.

Pleasant enough. Can’t say any one track particular stuck with me, though.

Good to hear the whole album, which I never had. The singles are sublime and I enjoyed an hour of the nostalgia her voice will always evoke.

So glad to get another female voice this week, no grunge, no prog rock, no bloody Metallica; marvellous. The Ballad Of Lucy Jordan is outstanding; this voice/perspective with the lyrics is really affecting. As a result I cannot imagine what Dr Hook‘s version must be like and am certainly not going to seek it out. Much as I dislike John Lennon, Working Class Hero has lyrics that really cut through a bit of a mediocre melody/rendition and Why’d Ya Do It? made my jaw clang. That said, the rest of the album I found a bit meh. So a mid table 3, though I’ll definitely be going back to the tracks mentioned.

Expected to hate it. Didn’t. Didn’t love it either. So there we are.

It was ok. Damned by faint praise.

Quite enjoyed the covers, but by the end the incessant WAAAAAAAing was really getting on my nerves. Started as a 2.5, ended as a 1.5 and that’s only cos Roll Over Beethoven reminds me of my dad and made me smile.

It was mellow. Is all the positive I have about it. I didn’t get to the end as I was very very bored a couple of tracks in.

Absolutely loved this. Listened to it again straight after and thrn moved on to other CM albums. Ashamed I’d never explored his music before. A gem.

Can’t say my life was enriched in any way by hearing this and I’m unlikely to bother again.

Started strong, but tapered off a bit, for me.

My abiding thought was I’ve heard all this before and done better. Bit crap, IMO.

Sublime. Takes me right back to my youth, which is always welcome.

Curate’s egg.

Enjoyed it as background, probably need to listen again and quite a few tracks will bear repeated listening, I reckon. But is it a classic? Probably not.

Where my love affair with dance music began ❤️

I really wanted to like this; I love Sinatra’s voice, but I found it meandering, lacking in melody and really forgettable.

She’s grown on me over the years and I do really like a couple of tracks on this, but a whole album of essentially the same song? Nah. Beautiful voice, I just wish she’d change things up a bit now and then.

Loved it. Hurrah for English countryside pagan vibes. Like Skylarking it’s one to listen to again, if only I can find it somewhere other than YouTube….

Didn’t make it very far in before I realised that life is short and I didn’t want to spend 80 minutes of it listening to this kind of shite

It was OK, but I didn’t really enjoy a load of songs about cheating/unavailable women. If there’d been a variation musically/thematically between them it might have been better, but was very samey to my ear.

Not my favourite album of theirs but White Riot is a classic and I’m not going to moan about getting 35 minutes of Joe Strummer in my ears.

Love the title track but the rest of it wasn’t really for me.

Brilliant. Wish I’d paid more attention at the time.

Late to the party. Worth the hype.

I really did like everything except for the title and the cover. Will listen again though.

Really not my jam, as I think the young people would have it. Didn’t hate it mind, just felt a bit “yeah whatever” about the experience.

Loved it then, love it now.

In no way my favourite Cocteau Twins album, yet still far superior to a lot of the stuff that’s been presented on this site so far. And if people can’t understand that Liz Fraser uses her voice as an instrument, then I feel sorry for them. Marvellous, literally.

It’s a classic for a reason.

Really not my cup of tea, so I can’t say I enjoyed it in its entirety, but there’s a couple of tracks I remember from the 80s and like pretty well.

This was a difficult listen. Too difficult as it turned out, and I had to abandon ship. Might try again another time.

Gotta love ol’ misery guts; he tells a compelling tale. I’ll always find his poetry seductive.

Love her voice but 3hrs of anything is too much in one go

Expected to hate it. Didn’t.

If it takes listening to a thousand albums to find out I like bands I didn’t think I would, that can only be a good thing.

A 55 year old woman with a corporate job, in a company car, throwing devil horns in a traffic jam on the A45. I am the worst type of cliché 👍🏻

For me, like most prog rock, it veered between great beauty and self-indulgent twaddle. Thankfully there were more of the former than the latter, but the cover still makes me wince every time I see it.

I knew I liked Paper Planes but hadn’t bothered to explore her music any further. What an idiot. Whilst there’s a clear debt to The Clash (and Adam and The Ants on Bird Flu) it was a joy to discover The Wilcannia Mob (and realise Die Antwoord had clearly had a dip in that river). Loved it all, immediately played it again and am pretty sure it’ll be on heavy rotation this summer.

Enjoyed this way more than I expected to. Will it make me a Beyoncé fan? Doubtful.

Back when Bono wasn’t smug. I miss those times.

Thought I would love it in a nostalgic way, and whilst I do like the two I knew v well (Sweet Love and the title track) I did find the rest a bit forgettable. It was nice enough aural wallpaper.

Really liked this. I don’t think I’ve heard the other C-word on an album before, so that was……interesting.

Liked it more than I expected to

Bowie is God. End of.

Now THAT’S more like it.

Local heroes; impossible to be impartial. That said, this was still WAY more listenable than the one Deep Purple I could bring myself to sit through.

Classics plus filler. Found it a bit dull.

It’s pretty bloody good from start to finish. My only criticism is that John Lennon is involved…..

Knew the two that everyone does, but glad to hear the whole album. Really enjoyed it.

No-one has made anger sound as beautiful as The Jam/Paul Weller. Not heard this in its entirety for 40 odd years, when it would come through my bedroom wall courtesy of my 14 yr old Parka-clad brother. It’s as fresh now as it was then and I really enjoyed listening to it.

Not my favourite of theirs by a long chalk, but still pretty decent. Plus Barney’s voice ❤️

I tried, I really did but it’s just not for me.

Pleasant enough to have warbling away in the background, but that’s about it for me.

Never heard this before and really liked it.

I did try, but it was too samey, too sexist and too dull for me.

Ah this took me back. I remember the first time I heard it (part 4 at any rate) and being absolutely enthralled and it got a pretty good airing when JMJ played Docklands when I was at Uni. Love it.

Loved it, all of it. Even The Murder Mystery. Especially The Murder Mystery.

Wonderful.

I never need a reason to listen to this. One of my absolute favourite albums of all time and it’s not possible for me to be impartial where Bowie is concerned.

I knew I liked KITNO, but didn’t expect to enjoy the rest of the album as much as I did. Think it spoke to my menopausal rage 👍🏻

I remembered I Don’t Remember after not hearing for over 40 years, which was ironic. Loved Games Without Frontiers, Biko and Intruder, but could take or leave the rest. Good to hear the whole thing for the first time, though.

Thought they sounded like Sublime. Realised they came first. Don’t particularly enjoy either.

I was never not going to enjoy this album, especially as it has a couple of my all-time favourites of his. That said, it loses a star because Jazz Police was laughably awful.

Interesting for sure, but much preferred the albums that came before and after. I can finally say I’ve listened to Sister Ray from start to finish, at least.

Mellow. Just what was needed on a fraught Monday. Round the Bend was my favourite, probably because of the Nick Drake/River Man echoes.

On a day when I needed music that noodled along pleasantly, requiring zero effort on my part that’s exactly what I got.

We need more amazing, strong and talented women and fewer misogynistic, superficial and talentless knobends. On this list and in life.

Expected to feel the way I feel about most free-form modern jazz (ambivalent, with a slight tendency towards hostile) but instead was blown away. It was amazing to hear such great art being created live in the moment and I surprised myself by responding quite emotionally to it. It’s also amazing that my parents didn’t own this record, as it would have totally appealed to my mum’s love of jazz and my dad’s love of the piano. This will definitely be an album I’ll return to again and again and I’m sorry I only first got to hear it aged 56.

Great to hear this, never actually had all the way through which is damning, considering my roots. Intelligence, anger, social observation, cultural history and great musicianship. Marvellous.

Sublime. OK, Triptych is unintentionally hilarious, but groundbreaking at the time. And Ferry’s voice remains a thing of wonder.

Didn’t expect to like this at all; generally hip hop/R&B leaves me cold. I find explicit lyrics about shagging pretty tedious and in no way empowering for women. All that said, I really really enjoyed listening to it and will definitely do so again. Bizarre.

I was excited to hear this, what with the influence they’ve had on quite a few bands I like. Whilst I did enjoy it in a kind of aural wallpaper way, the vocals really annoyed me as they are barely audible. So ambivalent, really.

Less grim than I anticipated, having made some very unfavourable judgements about the band in my teens, based purely on their fans’ aesthetic. Would I deem it a classic? No, though I understand why some might. Would I seek it out again? No. Is my life enriched by hearing it? No. Did it make me filled with rage that I’d wasted 40 minutes of my precious remaining life having to hear it? No. So a 3.

Prefer Alive 97, struggled to get through this.

Had wondered why people rave about this for many years without bothering to find out. Couldn’t see it at first but it really grew on me.

Played this to death in the 90s; it was like revisiting an old friend. Plus Bowie loved it, so….

Pleasant but I did find it a bit same and, sorry to say, insipid.

What a joy to have this pop up; an album that I believe truly belongs in this list, unlike some.

Title: terrible. Cover art: disturbing. Lyrics: grim. Music: makes up for it.

Not a lot to say really; it just sort of washed over me which was rather nice.

Loved it.

Bought it, loved it, played it to death. It’s aged phenomenally well; as emotionally galvanizing to a 56 year old full of menopausal rage as it was to a 27 year old who had just entered into a short and very ill-advised marriage. Not a duff track on it and it’ll get played to death again over the coming weeks.

Marvellous. And I do hope I’m the first with a “they’ve got the horn” joke.

Perfect 80s pop. Loved it.

Just what I needed to hear 👍🏻

Magical. Loved every note.

Nice.

Not really my cup of tea.

Just joyous.

Might have enjoyed it more if I were fluent

Preferred Rain Dogs, not gonna lie

Some corkers, but overall enjoyed less now than I did back then

Clearly an inspiration for both Nick Drake and Spinal Tap, so I’m thankful.

Beautiful.

Everything about this album is aesthetically perfect. From the title to the font to the cover photo to the guitar to the vocal to the lyrics to the melodies to the subject matter to the flow of tempos to the songs individually and as a whole. Can’t fault it.

I enjoyed it. 16 minutes of drumming, however, is not a ‘bonus’ in my book.

Excellent

A combination of beautiful, melodic and…..”interesting” but 5 stars for that voice. Sorely missed.

Enjoyed this way more than I expected to, but was a tad bored by the end, not gonna lie.