Disintegration by The Cure is a seminal album that epitomizes gloomy, introspective rock music. Released in 1989, it serves as a defining statement for the band. Amidst its melancholic landscape, the album showcases moments of sheer beauty. Robert Smith, the frontman, faced personal struggles during its creation, including a resurgence in his use of hallucinogenic drugs. This tumultuous period heavily influenced the album's production, resulting in a collection of songs that delve deep into themes of despair and existential angst. Smith's apprehension about turning thirty added an extra layer of poignancy to the album's composition process. Feeling the weight of time, he began writing music in isolation from the rest of the band, giving rise to the somber, introspective tone that pervades Disintegration. Despite not breaking new ground for The Cure, the album effectively refines their signature sound, showcasing their ability to craft haunting melodies and introspective lyrics. Tracks like Pictures of You and Lovesong exemplify the band's knack for blending darkness with beauty. In essence, Disintegration stands as a timeless classic, offering solace in its bleak yet cathartic exploration of the human condition. NUMBER OF BANGERS - 8 STAND OUT TRACK - Closedown

Arrested Development's debut album, 3 Years, 5 Months and 2 Days in the Life of..., delivers powerful messages wrapped in cheerful melodies. Released in 1992, this album stands out for its positive and uplifting themes, contrasting with the often violent and misogynistic content prevalent in hip-hop at the time. Songs like Tennessee and People Everyday emphasise social consciousness and self-reflection, offering listeners an insightful look into the artist's lives. The group incorporates elements of soul, funk, and gospel, creating a bright and summery sound that feels both refreshing and inspiring. Arrested Development's approach to hip-hop is less about aggression and more about empowerment and positivity. The album's innovative style and substance set it apart, earning critical acclaim and commercial success. Its blend of optimism and authenticity makes it a timeless classic that continues to influence artists today. NUMBER OF BANGERS - 11 STAND OUT TRACK - Mama's Always on Stage

Ogdens' Nut Gone Flake not only showcases the Small Faces' underappreciated brilliance but also serves as an inspirational precursor to bands like Blur and The Jam. Often dismissed as a novelty album, it defies expectations with stellar R&B tracks like Rolling Over. Stanley Unwin's narration adds a whimsical charm, setting the stage for the creative storytelling seen in later acts. This album, and the Small Faces as a whole, deserve recognition for their innovative sound, paving the way for the musical influences felt by subsequent bands in the British music scene. NUMBER OF BANGERS - 6 STAND OUT TRACK - Afterglow (Of Your Love)

Dinosaur Jr.'s album Bug, the last featuring original bassist Lou Barlow (until his reunion with J in the 00s) is a captivating journey into alternative rock. Freak Scene emerges as a masterpiece, setting the stage for the iconic guitar solos that define this record. The band's chemistry is evident, and it's intriguing to learn that Lou thinks they were still figuring things out during the recording. If this is them in the process, it's exciting to imagine what they'll create once fully figured out. J Mascis's guitar work is iconic, adding emotional layers to the album. Bug captures a band pushing boundaries and experimenting with their sound, creating a dynamic musical landscape. NUMBER OF BANGERS - 7 STAND OUT TRACK - Freak Scene

1966 Live at the Albert Hall offers a unique snapshot of Bob Dylan's iconic transition from acoustic troubadour to electric rock star. Divided into two parts, the album captures the essence of both styles, showcasing Dylan's versatility and evolution as an artist. One of the highlights is the intimate atmosphere, where listeners can almost hear the hecklers in the background, adding a sense of raw energy to the recordings. However, it's worth noting that despite the album's title, it was actually recorded at the lesser-known Free Trade Hall in Manchester, a fact that adds an interesting layer to its historical significance. While both acoustic and electric sets are featured, some listeners may find the acoustic portion monotonous compared to the electrifying energy of Dylan's electric performances. Nevertheless, the album serves as a testament to Dylan's willingness to defy expectations and push musical boundaries, solidifying his status as a groundbreaking artist. Overall, 1966 Live at the Albert Hall offers a fascinating glimpse into the evolution of one of music's most influential figures, showcasing both the brilliance and complexity of Dylan's artistry. NUMBER OF BANGERS - 10 STAND OUT TRACK - Leopard-Skin Pill-Box Hat

Janelle Monae's debut the ArchAndroid pays homage to the likes of Prince and Outkast. Its a complex blend of genres with the odd moment of brilliance. It's unique charms appeals to many, but personally it wasn't my cup of tea. Despite being too lengthy it remains an intriguing debut from a talented artist. NUMBER OF BANGERS - 3 STAND OUT TRACK - Tightrope

Urban Hymns is a bold and grand album, showcasing sublime string arrangements that are sensibly placed throughout, adding an anthemic grandeur to the overall sound. This marks an interesting third act for the band, especially considering their shoegaze debut and ballad-heavy second album. While Bitter Sweet Symphony may not be my favourite track, its arrangement is undeniably fabulous. The short burst of the band's tenure at this point is phenomenal, and their reunion has been maximised to create a space in time. NUMBER OF BANGERS - 6 STAND OUT TRACK - Catching the Butterfly

In "One Night Stand," Sam Cooke, the man with a voice as smooth as silk, reveals his grittier side in this live beauty. It stands as one of the best live albums, emanating raw passion and serving as the blueprint for all soul and R&B that followed. The performance, belting out passion akin to a gospel pastor, makes Sam's music feel like a religion one could completely convert to. Phenomenal. NUMBER OF BANGERS - 9 STAND OUT TRACK - Bring It On Home to Me

Violator by Depeche Mode is a compelling album that seamlessly blends sleazy and saucy elements, creating a dark and moody atmosphere. The album's clean and sparse moments enhance its appeal While sonically outstanding, the intensity of the themes makes it more enjoyable in bite-sized intervals. It's worth noting that no Depeche Mode = no Nine Inch Nails = heartbreak for Karen. NUMBER OF BANGERS - 5 STAND OUT TRACK - Enjoy the Silence

Boston's eponymous album, a staple of 1970s rock, dominates classic rock radio with its enduring tracks. More Than a Feeling stands out as a phenomenal banger, while the rest of the album provides a pleasant but less impactful listen. The score reflects my love for the lead single and the overall inoffensive nature of the album. NUMBER OF BANGERS - 1 STAND OUT TRACK - More Than a Feeling

The Soft Bulletin is a musical masterpiece that effortlessly transports me back to my university days, enveloping me in a warm embrace of nostalgia. The familiarity of hearing two songs repeated only adds to the excitement, creating a sense of anticipation and joy each time. The album's expertly layered fusion of rock and electronic beats, often considered conceptual, is a testament to its artistic brilliance. With each listen, I find myself drifting off into the beauty of its soundscapes, and I can't help but feel a profound sense of happiness for having such a remarkable piece of music in my life. NUMBER OF BANGERS - 14 STAND OUT TRACK - Waitin' For a Superman

Hot Fuss is a bit of a puzzle for me. I'm not entirely sure why it earned its spot on the list. While there are a small handful of decent songs, (one of which has been slightly spoilt by my Rob's adapted lyrics – "I got toast but I'm not a toaster, I got ham but I'm not a hamster!") my overall sentiment is lukewarm. In comparison to other indie releases in 2003, like Youth and Young Manhood, Elephant, Fever to Tell, and Howl Howl Gaff Gaff, Hot Fuss does not stand out that much. It falls somewhere in the middle – not awful, but perhaps lacking the distinctiveness that makes other albums from that time more memorable. NUMBER OF BANGERS - 2.5 (Rob has caused the half marks for All These Things That I've Done) STAND OUT TRACK- Change Your Mind

London Calling, often hailed as the first post-punk double album, showcases a diverse range of musical styles compared to The Clash's earlier records. However, it lacks the energy and drive that defined their debut. While it's undoubtedly an accomplishment, it's not the pinnacle where The Clash truly shines. NUMBER OF BANGERS - 5 STAND OUT TRACK - Train in Vain

Unknown Pleasures stands as a timeless masterpiece, seamlessly weaving post-punk, new wave, and industrial influences into a sonic tapestry. Its emotive and introspective lyrics resonate, accompanied by hauntingly honest and stunning artwork. The album's beautiful production serves as a post-punk blueprint, solidifying its place as an influential and enduring work of art. NUMBER OF BANGERS - 6 STAND OUT TRACK - Disorder

It Takes a Nation of Millions to Hold Us Back is a groundbreaking masterpiece that marked a creative leap forward for Public Enemy and the entire hip-hop genre. The album's self-empowerment and Black power messages, combined with Chuck D's rapid-fire delivery and Flavor Flav's hype-man antics, redefine hip-hop both lyrically and musically. The innovative production, featuring faster beats and layers of samples, cements this album as a cultural force that challenged norms and pushed the boundaries of the genre. Public Enemy's impact is undeniable, making this album a timeless and influential classic. NUMBER OF BANGERS - 4 STAND OUT TRACK - She Watch Channel Zero?!

Buenas Noches from a Lonely Room showcases Dwight Yoakam as one of the hottest stars in the New Traditionalist movement, a departure from Nashville's slick productions towards a more roots-based sound. Yoakam's sniping at Music City in the media didn't endear Yoakam to industry insiders and some fellow musicians, including Nashville veteran/genius Steve Earle. Despite the controversy, the album is best remembered for containing Yoakam's first two number one hit singles. It is a fine example of honky-tonk, bringing the genre back to prominence. However, while it receives acclaim for its finesse, I'm not that partial to this type of country. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Django Django's 2012 debut album, released alongside indie classics like Celebration Rock, Attack on Memory, and State Hospital, appears a bit lackluster. Despite initially warming up to Default, overexposure in a car advert has left me feeling bored. In comparison to other albums from that era, it doesn't stand out, making it one of the few Scottish-founded indie bands that I don't find appealing. NUMBER OF BANGERS - 0.5 (It was great until boredom kicked in) STAND OUT TRACK - None

Dinosaur Jr.'s album Bug, the last featuring original bassist Lou Barlow (until his reunion with J in the 00s) is a captivating journey into alternative rock. Freak Scene emerges as a masterpiece, setting the stage for the iconic guitar solos that define this record. The band's chemistry is evident, and it's intriguing to learn that Lou thinks they were still figuring things out during the recording. If this is them in the process, it's exciting to imagine what they'll create once fully figured out. J Mascis's guitar work is iconic, adding emotional layers to the album. Bug captures a band pushing boundaries and experimenting with their sound, creating a dynamic musical landscape. NUMBER OF BANGERS - 7 STAND OUT TRACK - Freak Scene

In the midst of hostility and tension, The White Album's creation stands out as a testament to the Beatles' resilience and artistic brilliance, navigating internal challenges to produce an eclectic and groundbreaking collection of songs. The period of strain adds a captivating layer of complexity, highlighting the band's ability to create enduring art despite the looming separation less than a year later. McCartney's contribution of Hey Jude, not on the album, clearly indicates the exceptional quality of the material they were working with. The White Album, dislocated, long, and sometimes downright weird, is simultaneously glorious, uplifting, and magically unique. NUMBER OF BANGERS - 15 STAND OUT TRACK - Blackbird

A Christmas Gift for You from Phil Spector is an absolute masterpiece! The gorgeous production, highly influential in its time, has left an enduring mark on music. Even after 60 years, the timeless charm of this Christmas classic persists. It's unfortunate that Spector's legacy is tarnished by his cruel and evil behaviour, but this album remains a testament to his musical genius. NUMBER OF BANGERS - 7 STAND OUT TRACK - Christmas (Baby Please Come Home)

I must admit that Shaka Zulu by Ladysmith Black Mambazo wasn't exactly my cup of tea. While I wasn't particularly keen on the overall style, I couldn't help but appreciate the commendable harmonies that permeate the album. The traditional Zulu influences were palpable, adding a cultural richness that, despite not aligning with my taste, was undeniably present. It might not be my go-to choice, but the skilful vocal arrangements and the group's dedication to preserving South African musical heritage deserve recognition. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Odelay is a musical masterpiece, breaking expectations with intricate edits and surprising samples. Its organic feel and dynamic blend of fun and funk showcase the artist's versatile talent, dispelling any notion of a one-trick pony. With both beauty and talent, Beck proves to be the complete package. NUMBER OF BANGERS - 9 STAND OUT TRACK - Sissyneck

Justice's Cross disappoints with its dull and repetitive nature, heavily reminiscent of Daft Punk. While some hail it as a resurgence of dance music and a revival of the golden age of EDM, I find it lacking in originality. The album's only saving grace is its clever use of subtle samples, but overall, it did nothing for me. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

The Black Saint and the Sinner Lady is undoubtedly avant-garde and showcases impressive improvisational skills from highly skilled musicians. It was truly ahead of its time, offering freeform jazz with remarkably cohesive tunes. While I appreciate its skill and influence, I personally found it challenging to connect with, as I have yet to find a jazz musician I resonate with. I'd rate it a 4 for its artistic merit and influence, but personally, it's a 1 as it doesn't align with my preferences for repeated listening. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Nevermind propelled grunge and alternative into the mainstream, solidifying Nirvana as the face of Generation X. They championed inclusivity, challenging the dominance of pop music. The album's polished sound, distinct from their other works, deserves an enthusiastic 5 stars from my 13-year-old self. However, at 45, I acknowledge Unplugged as Nirvana's true masterpiece, unveiling a different musical dimension. Hence, I'll settle for four stars. NUMBER OF BANGERS - 8 STAND OUT TRACK - Drain You (As a little exhausted of Teen Spirit now)

Crooked Rain, Crooked Rain stands as Pavement's pinnacle, a brilliant concept album capturing the nuances of approaching 30 with a West Coast flair. This release tightens their rhythm and serves as a slacker's guide to navigating optimism and melancholy. Considered their most accessible and commercial work, the album remains a personal favourite, growing in appreciation over time. Pavement's unique blend of lyrical complexity and irreverent charm makes this album a crucial and dynamic cornerstone of indie rock. From the catchy hooks of Cut Your Hair to the introspective beauty of Gold Soundz, each track contributes to the enduring brilliance of this '90s gem. Crooked Rain, Crooked Rain is not just a relic of its era but a vibrant piece of indie music history, solidifying Pavement's legacy as a crucial force in the genre. NUMBER OF BANGERS - 9 STAND OUT TRACK - Gold Soundz

Madonna's Ray of Light is a standout album with infectious singles, masterfully produced by William Orbit. Its introspective and spiritual themes contribute to its reputation as her magnum opus. The album's successful fusion of electronica and pop played a pivotal role in bringing the genre to the mainstream, showcasing Madonna's enduring influence in the music industry. NUMBER OF BANGERS - 5 STAND OUT TRACK - Drowned World / Substitute For Love

A Nod is as Good as a Wink truly showcases the remarkable talents of the Faces. From the raw and passionate energy to the fun-filled vibes, this album captures the essence of a live performance. The album's ballsy sound and the opportunity to hear Rod Stewart's voice in its full strength make it a must-listen, cementing it as a classic. NUMBER OF BANGERS - 5 STAND OUT TRACK - That's All You Need

This is an awkward listen, it feels almost like a film score. It's as if I'm watching a live performance through my fingers, searching for something to connect with. There are odd glimpses of familiarity, but overall, the album pushes me away instead of pulling me in. STAND OUT TRACK - Knives Out NUMBER OF BANGERS - 1

Kanye West's The College Dropout is often hailed as a cornerstone for modern rap music, addressing real-life problems with thoughtful lyrics and a well-crafted musical backdrop. The album, with its limited use of only 14 samples, maintains a fresh sound that reflects years of beat gathering. The production quality and thematic depth showcase Kanye's prowess in the hip-hop scene. However, there's a significant but troubling aspect that clouds any straightforward praise for the artist. Kanye West's public statements, including anti-Semitic hate speech and his associations with controversial figures like Nick Fuentes and Donald Trump, introduce a complex moral dilemma. As a listener, I found myself grappling with a similar internal struggle I faced boycotting Morrissey for comparable reasons (a man who's music I adore, unlike Kanye). Listening to "The College Dropout" felt like navigating a moral grey area. The album, undoubtedly sounding better than expected, left me with conflicting emotions. The pull of completeness, as a completest (I would hate not to listen to everything suggested), led me to listen, but the experience left a lingering sense of unease. In the end, enjoying the music became a complex negotiation with personal values, leaving me with mixed feelings and a sense of discomfort, hence no responses to the below questions. NUMBER OF BANGERS : N/A STAND OUT TRACK: N/A

Starting with a bang, this true psychedelic classic, ahead of its time, immerses listeners in a sludgy, grungy sonic journey full of menace. Its groundbreaking aspirations have inspired countless successors, but for me, the raw energy and rebellious spirit of The Stooges is where they truly shine. STAND OUT TRACK - Loose NUMBER OF BANGERS - 3

This EDM beast is like Shakespeare meant for the stage, and feels like it would only work live. Its extended repetitions feel a bit like a stuck vinyl, making it challenging to fully embrace. Even my deep love of a bloodhound with a broken leg can't make me muster any affection for this album. NUMBER OF BANGERS - 0 STAND OUT TRACK - Around the World (but it needed to be at least 4 minutes shorter!)

Hot Buttered Soul stands as a timeless soul classic, a lush and beautifully orchestrated landmark album. For a man that is mostly remembered for telling bad mothers to shut their mouths or saucily singing about Salisbury steak with this album he has created a glorious symphony of sound that seals his legacy. NUMBER OF BANGERS - 3 STANDOUT TRACK - One Woman

Joan Armatrading, a trailblazing artist, who broke barriers as the first UK based black woman to leave an indelible mark on the music scenes of both the UK and the US with her original compositions. Her influence resonates in the works of Beth Orton, Suzanne Vega, Ani DiFranco, and Tracy Chapman, forging the way forward for female singer songwriters. With a voice that effortlessly blends smoky bluesy tones, Armatrading has become a legend in her own right. Glyn Johns, renowned for producing iconic acts like the Rolling Stones and the Beatles, lauds her work, declaring Joan Armatrading as the best album he ever participated in. This accolade from a music production legend is a testament to the exceptional quality of Armatrading's artistry. NUMBER OF BANGERS - 5 STAND OUT TRACK - Like Fire

Let It Bleed presents a diverse range of influences with each track delving into its own genre. While two outstanding songs shine, the album as a whole falls short of achieving consistent brilliance. It's regarded as one of their important works, yet it doesn't quite reach the heights of Exile on Main Street. NUMBER OF BANGERS - 2 STAND OUT TRACK - Gimme Shelter

Within All Directions, The Temptations skilfully navigate Whitfield's diverse musical landscape. They balance expansive sounds with their hallmark balladry, exemplifying a first-class act that turns every tune into a work of art. Papa Was a Rolling Stone, is a staggering achievement, harmonising soul psychedelia, sensational vocal harmonies, great vocal power, with soulful harmonies further cementing The Temptations' legacy in the realm of musical brilliance. NUMBER OF BANGERS - 3 STAND OUT TRACK - Papa Was A Rolling Stone

Lauryn Hill's exceptional skills and unique style are evident in The Fugees' album The Score. However, despite her talents, the album fails to resonate with me. It transports me back to 1996 when Killing Me Softly saturated the airwaves, and the nostalgic vibe, coupled with echoes of R&B and hip-hop from that era, doesn't align with my preferences. I found relief when the album concluded. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Fear of a Black Planet, with its dated and heavily dance-oriented music, may not align as well with contemporary tastes. Despite educating a generation with powerful lyrics about Black history, the less-than-smooth listening experience raises questions about its current musical appeal. While the lyrics remain important and valid today, the challenge lies in the album's musical style, which might not captivate a modern audience as effectively as it did in the 90s. NUMBER OF BANGERS - 2 STAND OUT TRACK - Fight the Power

Are You Experienced by Jimi Hendrix stands as an influential masterpiece that showcases Hendrix's innovative approach to songwriting and electric guitar playing. It not only set a new direction in psychedelic and rock music but also became synonymous with creativity, free thought, and the countercultural movement. Hendrix's debut album remains a timeless classic, often regarded as the most influential debut of all time, leaving an indelible mark on the landscape of music with its groundbreaking sound and artistic vision. NUMBER OF BANGERS - 11 STAND OUT TRACK - Remember

In Rainbows by Radiohead is a captivating album that showcases the band's musical prowess and innovation. The seamless fusion of electronic and rock elements, coupled with Thom Yorke's distinctive vocals, creates a dynamic and engaging listening experience. The tracklist, ranging from the haunting Nude to the experimental 15 Step, demonstrates Radiohead's versatility. Beyond the music, the album's unique pay-what-you-want release strategy challenged industry norms. In Rainbows remains a significant and influential work, standing as a testament to Radiohead's creative brilliance and enduring impact. NUMBER OF BANGERS - 6 STAND OUT TARCK - Jigsaw Falling Into Place

Vincebus Eruptum, for me, felt like it was going nowhere. The repetitive guitar riffs and lackluster vocals contributed to a forgettable experience, lacking the innovation or depth found in other rock albums of its time. Despite attempts to appreciate its raw energy, the album failed to leave a lasting impression on my musical preferences. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Beauty and the Beat by The Go-Go's offers a lively start with its upbeat rhythms and catchy tunes. The initial energy captivates listeners, creating an enjoyable experience. However, as the album progresses, it tends to lose some of its initial charm, resulting in a somewhat mediocre finish. Overall, it's an okay listen that shines brighter in its early tracks. NUMBER OF BANGERS - 3 STAND OUT TRACK - How Much More

Kings of the Wild Frontier by Adam Ant is a thrilling blend of rockabilly guitars, tribal double drums, and the edginess of punk mixed with the glamour of the New Romantics. Rediscovering these songs after years brought back the energy of my first love, creating a nostalgic and captivating experience. The album's unique rhythm and rebellious charm make it a timeless masterpiece that seamlessly fuses punk's fiestiness with the sophistication of the New Romantics era. NUMBER OF BANGERS - 5 STAND OUT TRACK - Antmusic

Neon Bible maintains the band's signature sound, it falls short of the power and passion found in Funeral, their debut release. The songs on Neon Bible feel more restrained and polished, resulting in an overall less impactful experience. NUMBER OF BANGERS - 3 STAND OUT TRACK - No Cars Go

The soaring melodies create an ethereal experience. There's a sweet charm reminiscent of Charlie Brown, adding a nostalgic touch that feels like a comforting embrace. Listening to this album is like having breakfast in Downtown Camper in Stockholm – it's a moment frozen in time, triggering vivid memories. I can't help but feel a bit silly for waiting so long to discover this masterpiece. The emotional resonance and beauty of Illinois make it a personal treasure, and I can't recommend it enough. NUMBER OF BANGERS - 13 STAND OUT TRACK - Come on Feel the Illinoise

Ogdens' Nut Gone Flake not only showcases the Small Faces' underappreciated brilliance but also serves as an inspirational precursor to bands like Blur and The Jam. Often dismissed as a novelty album, it defies expectations with stellar R&B tracks like Rolling Over. Stanley Unwin's narration adds a whimsical charm, setting the stage for the creative storytelling seen in later acts. This album, and the Small Faces as a whole, deserve recognition for their innovative sound, paving the way for the musical influences felt by subsequent bands in the British music scene. NUMBER OF BANGERS - 6 STAND OUT TRACK - Afterglow (Of Your Love)

Admittedly, my heart sank at the title, anticipating a potentially long and dull experience. To my surprise, Mike Oldfield's creation defied expectations, delivering a captivating and eerie journey. The fact that he composed this masterpiece at 19 is nothing short of insane. Tubular Bells manages to be both haunting and mesmerising, showcasing Oldfield's prodigious talent and innovative spirit. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

In Gil Scott-Heron's Winter in America, his smooth vocal tone and captivating tales often take a backseat, as the music becomes a distraction. The album's upbeat tracks offer a break, but finding the right balance proves challenging. Adding an unexpected layer, the flute's provides a Ron Burgundy vibe adding unwanted a touch of amusement. NUMBER OF BANGERS - 2 STAND OUT TRACK - Back Home

Buddy Holly's The Chirping Crickets delivers classic rock and roll, with Holly's energetic performances saving the day despite a somewhat weak backing. His distinctive style and hits like That'll Be the Day and Oh, Boy! showcase Holly's brilliance, making the album a must-listen despite its shortcomings in instrumentation. NUMBER OF BANGERS - 5 STAND OUT TRACK - That'll be the Day

Johnny Cash's At Folsom Prison captures the raw energy of his legendary performance. While some songs may feel repetitive, Cash's interaction with the audience and the warden announcements add authenticity to the recording. It's a gritty and memorable album that showcases Cash's undeniable talent and charisma. NUMBER OF BANGERS - 2 STAND OUT TRACK - Folsom Prison Blues

Nick Drake's Five Leaves Left showcases his beautiful voice and heartfelt lyrics, inspiring many in the folktronica genre. However, I found the album a bit repetitive and lacking variety. While Drake's sad story adds to the album's allure, others like Fairport Convention and John Martyn offer more diverse sounds and expand upon the folk genre. Overall, Five Leaves Left is a classic, but it may not excite everyone. NUMBER OF BANGERS - 1 STAND OUT TRACK - Time Has Told Me

Ghostface Killah's Fishscale exceeds expectations with its strong flow and clever lyrics. Name-dropping pop culture icons like SpongeBob and Edward Scissorhands adds a fun twist to the album, making it both engaging and memorable. Overall, it's a standout release showcasing Ghostface's versatility and skill as a rapper. NUMBER OF BANGERS - 5 STAND OUT TRACK - Shakey Dog

Lost in the Dream by The War on Drugs attempts to channel the spirit of 80s rock but falls short due to excessively long songs, derivative sound reminiscent of Chris Rea, and a vocal delivery that feels forced in its attempt to emulate Bob Dylan. While there are moments of interest in its production, the album's shortcomings outweigh its strengths, making it a mixed listening experience overall. NUMBER OF BANGERS - 1 STAND OUT TRACK - Red Eyes

Wild Is the Wind by Nina Simone starts off on a strong note, with her captivating voice drawing you in from the beginning. Her vocal talent is undeniable and she delivers the song with passion and emotion. However, I found that the music accompanying her vocals lacked the same level of intensity and excitement. This disconnect between Simone's incredible voice and the less captivating music made it difficult for me to fully engage with the album. As a result, I found myself not fully listening to what she had to say, despite her undeniable talent. Overall, while Simone's performance is impressive, the album as a whole didn't quite hit the mark for me. NUMBER OF BANGERS - 1 STAND OUT TRACK - I Love Your Lovin' Ways

Morrison Hotel by The Doors presents a more accessible sound while still retaining the band's distinctive style. With its infectious groove and superb vocal performance by Jim Morrison, the album is captivating from start to finish. It demonstrates the band's evolution while staying true to their essence, making it a must-have for fans and newcomers alike. NUMBER OF BANGERS - 5 STAND OUT TRACK - Roadhouse Blues

Doggystyle by Snoop Dogg pleasantly surprised me and wasn't as icky as expected. While it may not break new ground in rap, there are noteworthy elements. Snoop Dogg's delivery on the album is commendable, showcasing his charisma and lyrical skill. Additionally, Dr. Dre's backing provides a solid foundation, with tight production throughout the tracks. I believe that Snoop Dogg's personal life at the time added a mystique to the album, enhancing its allure. Furthermore, the strong mentor-protege relationship between Snoop Dogg and Dr. Dre is evident, adding depth to the album's narrative. While it may not revolutionize the genre, Doggystyle offers some enjoyable moments and showcases the talent of both Snoop Dogg and Dr. Dre. NUMBER OF BANGERS - 3 STAND OUT TRACK - Serial Killa

Non-Stop Erotic Cabaret by Soft Cell delivers a mesmerising blend of Marc Almond's soulful vocals and David Ball's minimalist electronics. Standout track Say Hello, Wave Goodbye remains a timeless favourite, its haunting beauty and emotive lyrics leaving a lasting impression. Overall, the album is a standout in synth-pop, showcasing the duo's talent for crafting evocative and memorable music. NUMBER OF BANGERS - 5 STAND OUT TRACK - Say Hello, Wave Goodbye

Fred Neil by Fred Neil proves to be a mixed bag of emotions. While it carries the anticipation of hearing the original version of Everybody's Talkin', famously covered by Nilsson, the album fails to spark the same excitement. Neil's delivery lacks the charisma and dynamism expected from such a revered artist. Despite moments of introspection and sincerity, the overall impact falls flat. It's a shame, considering the potential of Neil's talent. However, for fans of folk music, it still offers a glimpse into a pivotal era in music history. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Violent Femmes' self-titled album remains as captivating today as it was in 2001 when I first heard it. Gordon Gano's country drawl and the prominent acoustic bass, high in the mix, create a unique and exciting sound. From the infectious hooks of Blister in the Sun to the introspective lyrics of Add It Up, each track leaves a lasting impression. This debut album stands as a timeless classic in alternative rock, blending punk energy with folk sensibilities and lyrical depth. NUMBER OF BANGERS - 7 STAND OUT TRACK - Please Do Not Go

Pet Sounds stands as a pivotal album in the history of music, marking a significant change in how albums were made. Brian Wilson's innovative direction and careful craftsmanship resulted in a work of immense ambition, known for its intricate arrangements, refined musicality, and heartfelt lyrics. This influential album is widely recognised as one of the greatest in the realm of popular music, credited with reshaping the boundaries of rock music and inspiring future generations of artists. Notably, Pet Sounds pioneered the concept album format in rock music, threading a coherent narrative throughout its tracks and transforming the album into a profound artistic statement. I was fortunate enough to experience Brian perform this album live and it still gives me goosebumps thinking back to it. Pet Sounds offers an unforgettable journey into Wilson's creative brilliance and one that everyone should experience. NUMBER OF BANGERS - 9 STAND OUT TRACK - Sloop John B

American Idiot by Green Day is a riveting concept album that follows the journey of Jesus of Suburbia, a compelling antihero representing lower-middle class America. The album is rich with politically charged themes that resonate strongly, even today. Its era-defining hits have cemented its place in musical history, remaining relevant and impactful. While some tracks stand out as powerful bangers, others feel less essential to the overall narrative. Despite this, the album's ability to provoke thought and inspire reflection is undeniable. American Idiot is a bold and unforgettable musical experience that captures the spirit of its time with unapologetic intensity. NUMBER OF BANGERS - 8 STAND OUT TRACK - Are We the Waiting

Physical Graffiti left me with mixed feelings. While I admired its beautiful artwork and could hear the undeniable skill of the musicians, I couldn't shake the sense that it dragged on, almost like a sombre dirge. Despite its revered status, I found myself questioning why it's held in such high regard. NUMBER OF BANGERS - 2 STAND OUT TRACK - Down By the Seaside

Something/Anything by Todd Rundgren is a quintessential example of album-oriented rock, but its length may deter some listeners. While the album has standout tracks, there's a noticeable amount of filler that detracts from its overall impact. Slut stands out musically, but its lyrics may be viewed as problematic through a contemporary lens, despite an attempt to raise issues of double standards. However, Rundgren's warm and versatile voice shines throughout the album, showcasing his undeniable talent as a vocalist. Despite its length and occasional missteps, I have deep respect for Rundgren's contributions to music. Personally, Something/Anything may not be my preferred style, but there's no denying the influence and artistry encapsulated within this album. NUMBER OF BANGERS - 4 STAND OUT TRACK - Dust in the Wind

Bat Out of Hell is a nostalgia-inducing masterpiece that takes me on a journey back to carefree childhood days. Seeing it live is an experience filled with joy and excitement, rekindling fond memories with every mention. The album's grand production and boogie-woogie piano inject a sense of energy and playfulness that is simply infectious. However, it's the poignant baseball commentary on paradise that truly elevates this album to greatness. Through powerful lyrics and captivating melodies, it explores themes of love, longing, and the human pursuit of happiness. Each track leaves a lasting impression, challenging listeners to reflect on their own perceptions of fulfilment. Bat Out of Hell is a superb album that stands the test of time. NUMBER OF BANGERS - 7 STAND OUT TRACK - Paradise by the Dashboard Light

Rust Never Sleeps by Neil Young is a masterclass in the evolution of sound, seamlessly transitioning from transcendent acoustic melodies to heavy electric riffs as the album unfolds. Each track reflects on the occupation of rock & roll, capturing the essence of burning out while delving into themes of contemporary and historical American violence. Young's raw and honest lyrics resonate deeply, echoing the desire or need to escape the harsh realities of life at times. From the haunting beauty of acoustic ballads to the explosive energy of electrifying anthems, the album's sonic journey mirrors the complexities of the human experience. It's a testament to Young's artistic prowess and his ability to captivate listeners with his emotive storytelling. Rust Never Sleeps remains a timeless classic, offering a poignant exploration of life, love, and the relentless pursuit of freedom amidst the chaos of the world. NUMBER OF BANGERS - 6 STAND OUT TRACK - Trasher

Rising Above Bedlam by Jah Wobble and The Invaders of the Heart kicks off with the captivating vocals of Sinéad O'Connor, setting an exciting tone. However, the album's lengthy compositions make it hard for some listeners to connect with, especially those not already into world music. It feels like the music is trying too hard to showcase its global influences, bordering on self-indulgence. While ambitious, this approach may overshadow the album's broader appeal. Overall, this might not resonate with everyone and falls short of greatness, particularly for those not keen on world music. NUMBER OF BANGERS - 1 STAND OUT TRACK - Visions of You

Music Has the Right to Children presents itself as a monotonous soundscape devoid of vitality, failing to captivate listeners with its lacklustre melodies and repetitive rhythms. The album's sombre tone and droning ambiance contribute to a sense of tedium rather than evoking any sense of emotion or excitement. While some may appreciate its minimalist approach, for many, it feels like a missed opportunity for creativity and engagement. Surprisingly, given Scotland's rich musical heritage, this album stands out as one of the few disappointments in the Scottish alternative music scene. NUMBER OF BANGERS - 0 STAND OUT TRACKS - None

Ingenue enchants with its soft, warm, and gentle vocals reminiscent of country styled Tracy Thorn. The album's intimate melodies and heartfelt lyrics create a captivating experience. Each track showcases the artist's expressive vocals and authentic storytelling. Standout tracks like Constant Craving, Outside Myself, and Save Me highlight the artist's talent and charisma, offering soul-stirring moments that linger in the heart and mind. Overall, Ingenue is a masterpiece that seamlessly blends emotion and artistry. NUMBER OF BANGERS - 5 STAND OUT TRACK - Outside Myself

A Rush of Blood to the Head functions adequately as background music, offering a pleasant atmosphere without commanding full attention. This release established a roadmap for the band's future, revealing their evolving sound which ended up feeling stunted. Nonetheless, its melodic compositions and introspective lyrics still resonate with a certain depth. Notable tracks like Clocks and The Scientist highlight the band's knack for crafting memorable melodies with broad appeal. As a background soundtrack to daily life, it provides a soothing backdrop that seamlessly blends in, leaving a modest impression. NUMBER OF BANGERS - 3 STAND OUT TRACK - The Scientist

Unplugged in New York stands as a haunting and stripped-bare testament to Nirvana's raw honesty and musical prowess. The album captures the band in an intimate setting, showcasing their ability to deliver emotionally charged performances without the distortion and chaos of their typical electric sound. Where Did You Sleep Last Night emerges as one of the album's standout moments, and easily one of the best covers ever recorded. Throughout the album, Kurt Cobain's vocals resonate with a haunting sincerity, laying bare his inner turmoil and vulnerability. The acoustic arrangements breathe new life into Nirvana's catalogue, offering fresh perspectives on familiar songs. The simplicity of the arrangements only serves to amplify the emotional impact of the songs. showcase their raw talent and authenticity, and Nirvana's performance on this album epitomises the essence of the Unplugged series. NUMBER OF BANGERS - 9 STAND OUT TRACK - Where Did You Sleep Last Night?

Garbage is a testament to the collaborative genius of Butch Vig, who not only guided the production of the album but also played a pivotal role as the drummer within the band. Alongside Vig's multifaceted contributions, the album features Shirley Manson, the iconic frontwoman whose powerful vocals and captivating stage presence are central to Garbage's identity. Under Vig's guidance, the album achieves a slick and polished production quality that enhances its overall appeal. Tracks like the standout hit Queer showcases the band's potential, with Manson's distinctive voice leading the charge. However, amidst the album's successes, there are moments where certain tracks fail to resonate as strongly with listeners. An album made from killer singles and the rest being filler tracks Garbage, serves as a testament to Vig and Manson's collaborative prowess, cementing their status as iconic figures in alternative rock. NUMBER OF BANGERS - 5 STAND OUT TRACK - Queer

Bluesbreakers stretched on for what felt like an eternity within its 44-minute runtime. Despite the standout track Hideaway, which paid homage to Jimmy McCracklin's style the rest of the album failed to maintain engagement. Each track seemed to drag on, leaving me longing for a more dynamic experience. While there were glimpses of technical brilliance throughout, the overall feeling was one of monotony and extended duration. NUMBER OF BANGERS - 2 STAND OUT TRACK - Hideaway

Fear of Music presents a departure from the band's more accessible sound, yet it remains a vibrant and important addition to their discography. While not the easiest Talking Heads album to digest, its complexities add depth and richness to the listening experience. The band's experimentation with unconventional rhythms and textures creates an atmospheric and thought-provoking sonic landscape. Tracks like Life During Wartime and Cities showcase the band's ability to blend disparate elements into cohesive and infectious compositions. David Byrne's enigmatic vocals and cryptic lyrics add an air of mystery to the album, inviting repeated listens to unravel its layers. While perhaps not as immediately accessible as some of their other work, Fear of Music rewards patient listeners with its innovative and boundary-pushing approach to art rock. Overall, it stands as a testament to Talking Heads' bold artistic vision and willingness to push the boundaries of popular music. NUMBER OF BANGERS - 4 STAND OUT TRACK - Life During Wartime

Station to Station is a curious concoction, neither fully satisfying nor utterly disappointing. Bowie's exploration of funk, soul, and rock creates a blend that feels disjointed at times. While tracks like the titular Station to Station and Golden Years showcase his innovative musicality, others falter in their execution. The song's lengths can feel indulgent, sometimes overstaying their welcome. It's an album I think that requires patience and multiple listens to fully appreciate its nuances. Overall, Station to Station falls into the realm of mediocrity, failing to reach the heights of Bowie's best work but still offering glimpses of his immense talent. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Blackstar is undoubtedly a poignant farewell from a legendary artist, and it's clear that a lot of thought and emotion went into its creation. However, while it's visually captivating and the vinyl edition's artwork isa glorious surprise, I found the overall tone of the album not to my taste. Bowie's voice, while undoubtedly iconic, didn't resonate with me personally, and I struggled to connect with some of the tracks on a visceral level. Despite this, I appreciate the experimental nature of the album and Bowie's willingness to push boundaries even in his final work. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Peace Sells offers a relentless barrage of thrash metal intensity that may leave some listeners feeling overwhelmed. The album's heavy guitar riffs and fast-paced drumming create a pounding sensation that can feel like a headache after prolonged listening. While the energy and aggression are undeniable, the repetitive nature of the music can become tiresome. Tracks blend together, making it difficult to distinguish one from another. Despite these criticisms, there are moments of brilliance scattered throughout the album, with standout solos and intense vocal delivery from Dave Mustaine. Ultimately, Peace Sells may appeal more to die-hard thrash metal fans who thrive on its unrelenting intensity, whilst I simply found it to be too much. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Jagged Little Pill is a timeless masterpiece that showcases Morissette's ability to infuse raw emotion into every lyric and deliver powerful hooks and solidifies her status as a musical icon. Ballard's production elevates each track, creating a dynamic sonic landscape that perfectly complements Morissette's impassioned vocals. From the angst-filled anthem You Oughta Know to the introspective Hand in My Pocket, every song on the album resonates with authenticity and depth. The themes of love, angst, and self-discovery explored in the album remain relevant and relatable across generations. Morissette's knack for crafting killer choruses adds another layer of brilliance to the album's already stellar composition. Together, Morissette and Ballard have created a musical legacy that stands the test of time. NUMBER OF BANGERS - 9 STAND OUT TRACK - Mary Jane

1966 Live at the Albert Hall offers a unique snapshot of Bob Dylan's iconic transition from acoustic troubadour to electric rock star. Divided into two parts, the album captures the essence of both styles, showcasing Dylan's versatility and evolution as an artist. One of the highlights is the intimate atmosphere, where listeners can almost hear the hecklers in the background, adding a sense of raw energy to the recordings. However, it's worth noting that despite the album's title, it was actually recorded at the lesser-known Free Trade Hall in Manchester, a fact that adds an interesting layer to its historical significance. While both acoustic and electric sets are featured, some listeners may find the acoustic portion monotonous compared to the electrifying energy of Dylan's electric performances. Nevertheless, the album serves as a testament to Dylan's willingness to defy expectations and push musical boundaries, solidifying his status as a groundbreaking artist. Overall, 1966 Live at the Albert Hall offers a fascinating glimpse into the evolution of one of music's most influential figures, showcasing both the brilliance and complexity of Dylan's artistry. NUMBER OF BANGERS - 10 STAND OUT TRACK - Leopard-Skin Pill-Box Hat

Fragile is an album that struggles to find its footing, veering dangerously close to self-indulgence and monotony. While Yes undeniably possesses immense talent, particularly evident in their instrumental prowess, the album often feels like a showcase of technical skill rather than a cohesive musical journey. The cover of Simon and Garfunkel's America exemplifies this, with Yes failing to capture the essence and emotion of the original, instead opting for overblown instrumentation and flashy displays. Throughout the album, moments of promise are suffocated by lengthy and meandering instrumental passages, leaving listeners longing for substance and restraint. While there are flashes of brilliance scattered throughout, they are overshadowed by the album's overall lack of direction and cohesion. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Melodrama is a mixed bag, offering glimpses of potential but ultimately failing to captivate throughout. Lorde's lyricism, while occasionally insightful, often feels contrived and fails to establish a genuine connection with the listener. The overall sound of the album feels derivative, blending into the sea of generic pop offerings without offering anything truly distinctive. While not outright terrible, Melodrama fails to live up to its potential, leaving me feeling indifferent rather than enthralled. It's a forgettable effort from an artist who initially sparked curiosity and excitement, ultimately falling short of expectations. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Amidst their struggle for creative control, there's a raw energy that permeates Headquarters, giving it a distinct edge. The Monkees finally have the opportunity to assert themselves as musicians, pushing boundaries and experimenting with their sound. Tracks like Randy Scouse Git showcase the group's willingness to take risks and break free from conventions. Despite the chaos, there's a sense of liberation in their music, as if they're finally unleashing their true selves. Headquarters marks a significant departure from their earlier, more polished sound, revealing a band unafraid to embrace their quirks and imperfections. In the midst of the madness, The Monkees find their voice, creating an album that is both wildly entertaining and undeniably authentic. It's a testament to their resilience and creativity, proving that sometimes a little madness can lead to greatness. NUMBER OF BANGERS - 11 STAND OUT TRACK - You Just May Be the One

Music in Exile by Songhoy Blues is a captivating album that seamlessly merges the American guitar sound with the vibrant rhythms of Mali. Throughout the record, the band showcases their impressive harmonies and infectious grooves, making it a enjoyable listen from start to finish. While Julian Casablancas didn't collaborate directly with the band on the album, his support in promoting their music in the US undoubtedly helped bring their unique sound to a broader audience. The album's production quality is superb, allowing each instrument to shine while highlighting the band's tight musical chemistry. Tracks like Soubour and Al Hassidi Terei stand out with their irresistible energy and soulful melodies. Overall, Music in Exile is a testament to the band's passion and authenticity, showcasing the power of music to bridge cultural divides and unite listeners worldwide. NUMBER OF BANGERS - 3 STAND OUT TRACK - Soubour

Either/Or by Elliott Smith is an album that effortlessly transports me back to the halcyon days of university, evoking a sense of nostalgia and comfort like no other. Each track serves as a sonic companion to late-night study sessions and introspective moments, making it the perfect soundtrack for those formative years. The warmth of Smith's voice and the gentle instrumentation create a soothing atmosphere, wrapping around me like a familiar blanket. Yet, amidst the comforting melodies, there's a rawness, a roughness around the edges that adds depth and authenticity to the album. It's this delicate balance between tenderness and vulnerability that makes Either/Or so captivating. Tracks like Between the Bars and Say Yes showcase Smith's lyrical prowess, delving into themes of love, longing, and existential introspection. The album's simplicity is its strength, allowing the sincerity of Smith's songwriting to shine through. Listening to Either/Or feels like revisiting an old friend, each song a cherished memory from days gone by. Overall, it's an album that not only reminds me of happy times at university but also offers solace and companionship whenever I need it most. NUMBER OF BANGERS - 10 STAND OUT TRACK - Ballad of Big Nothing

Disintegration by The Cure is a seminal album that epitomizes gloomy, introspective rock music. Released in 1989, it serves as a defining statement for the band. Amidst its melancholic landscape, the album showcases moments of sheer beauty. Robert Smith, the frontman, faced personal struggles during its creation, including a resurgence in his use of hallucinogenic drugs. This tumultuous period heavily influenced the album's production, resulting in a collection of songs that delve deep into themes of despair and existential angst. Smith's apprehension about turning thirty added an extra layer of poignancy to the album's composition process. Feeling the weight of time, he began writing music in isolation from the rest of the band, giving rise to the somber, introspective tone that pervades Disintegration. Despite not breaking new ground for The Cure, the album effectively refines their signature sound, showcasing their ability to craft haunting melodies and introspective lyrics. Tracks like Pictures of You and Lovesong exemplify the band's knack for blending darkness with beauty. In essence, Disintegration stands as a timeless classic, offering solace in its bleak yet cathartic exploration of the human condition. NUMBER OF BANGERS - 8 STAND OUT TRACK - Closedown

The Low End Theory is not just an album; it's a cornerstone of hip-hop history. Released in 1991 , it's a testament to the group's mastery of the genre. From its funky beats to its slick production, every aspect of the album is crafted with precision. One of the standout elements is the use of live double bass, which adds a layer of richness to the tracks. The minimalist approach to production allows each element to shine. But what truly sets The Low End Theory apart is the interplay between Q-Tip and Phife Dawg. Their chemistry is undeniable, with each verse complementing the other seamlessly. Beyond its musical prowess, the album also delves into socially conscious themes, offering thought-provoking commentary on issues such as race, identity, and society. Yet, despite tackling weighty topics, the overall vibe remains laid-back and easygoing. This juxtaposition between profound lyricism and relaxed beats is what makes The Low End Theory a masterpiece of hip-hop. NUMBER OF BANGERS - 9 STAND OUT TRACK - Buggin' Out

Hard Again marks Muddy Waters' triumphant return to the studio after parting ways with Chess Records. Recorded in just three days, this album showcases Waters at the peak of his blues mastery, delivering a collection of raw, electrifying performances. From the moment the needle drops, there's an undeniable sense of urgency and energy that permeates each track, capturing the essence of Waters' live performances. Waters' vocals are as powerful and emotive as ever, cutting through the mix with a raw intensity that sends shivers down your spine. The band's tight musicianship provides the perfect backdrop for Waters' impassioned delivery, with each member contributing to the album's infectious groove. Tracks like Mannish Boy and I Can't Be Satisfied exemplify Waters' ability to captivate listeners with his soulful storytelling and dynamic performances. Hard Again is a testament to Waters' enduring influence on the blues genre and serves as a reminder of his unmatched talent and legacy. NUMBER OF BANGERS - 6 STAND OUT TRACK - Mannish Boy

Highway 61 Revisited stands as a monumental achievement in Bob Dylan's illustrious career, cementing his status as one of the greatest songwriters of all time. Released in 1965, this album marked a significant departure from Dylan's folk roots, embracing a more electric sound that would revolutionise popular music. From the iconic opening track Like a Rolling Stone to the enigmatic Desolation Row, each song on the album is a masterpiece in its own right, showcasing Dylan's unparalleled lyrical prowess and evocative storytelling. Dylan's distinctive vocals, coupled with the raw energy of the backing band, create a sonic landscape that is both timeless and transcendent. The album's influence extends far beyond its initial release, shaping the course of rock music for generations to come. With its blend of poetic lyricism, inventive melodies, and groundbreaking instrumentation, Highway 61 Revisited remains a quintessential album that continues to captivate and inspire listeners to this day. NUMBER OF BANGERS - 7 STAND OUT TRACK - Like a Rolling Stone

Underwater Moonlight by The Soft Boys is often cited as a highly influential album that has left its mark on bands like REM, The Replacements, and The Pixies. However, upon my initial listen, I found myself underwhelmed. While I can appreciate its significance in shaping the alternative music scene, the album felt overly long and somewhat disjointed. The songs lacked a cohesive flow, making it difficult for me to fully engage with the music. Despite its reputation, I couldn't help but feel that it failed to live up to the hype. That said, I acknowledge that albums of this nature often require multiple listens to fully appreciate their depth and complexity. It's possible that with more time and attention, I may come to discover hidden gems within its tracks. Overall, Underwater Moonlight left me feeling indifferent, but I'm willing to give it another chance in the hopes of uncovering its true brilliance. NUMBER OF BANGERS - 1 STAND OUT TRACK - I Wanna Destroy You

Surfer Rosa stands as a cornerstone of alternative rock history, showcasing the impeccable production work of Steve Albini. This energetic debut album from the Pixies bursts with raw vitality and a distinctive quiet-loud dynamic that would become a trademark of the band's sound. Albini's touch is evident throughout, capturing the band's ferocity and intensity with remarkable clarity. Kurt Cobain famously cited Surfer Rosa as a pivotal influence on Nevermind, praising its blend of heavy noise and pop sensibilities. Indeed, the album's raw power and unapologetic approach left an indelible mark on the alternative music landscape of the late 1980s. From the haunting beauty of Where Is My Mind? to the blistering aggression of Bone Machine, each song on Surfer Rosa contributes to a cohesive and unforgettable listening experience. It's a testament to the Pixies' enduring legacy and Albini's unparalleled talent behind the mixing desk. NUMBER OF BANGERS - 10 STAND OUT TRACK - Gigantic

Sunday at the Village Vanguard offers a challenging listening experience. The album often feels disjointed, with each musician seemingly playing a different tune, resulting in a chaotic and discordant atmosphere. The bassist sounding like they are tuning up, the drummer's erratic rhythm sounding like a rainmaker, and the piano playing that resembles hotel lobby music left me feeling disoriented and disconnected from the music. There is a lack of cohesion and structure, making it difficult to engage with the performance on a deeper level. While some may appreciate the avant-garde nature of the album and its experimental approach to jazz, I found it frustrating and inaccessible. Tracks like Gloria's Step and Alice in Wonderland exemplify this disjointedness, with some moments of beauty overshadowed by moments of confusion. Overall, Sunday at the Village Vanguard may appeal to those with a penchant for avant-garde jazz, but for me, it feels like an exercise in musical chaos rather than a cohesive artistic statement. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Zombie by Fela Kuti is an electrifying Afrobeat anthem that channels the raw intensity reminiscent of James Brown's legendary performances. Fela's masterful fusion of funk, jazz, and traditional African rhythms creates an infectious groove that captivates listeners from start to finish. The title track, Zombie, stands out as a tour de force with its relentless energy and politically charged lyrics. However, while the title track shines brightly, the remaining three tracks on the album struggle to reach the same heights. Despite Fela's inventive dynamics and musical arrangements, they don't quite live up to the explosive energy of Zombie. Nonetheless, Fela's innovative approach to Afrobeat and his fearless exploration of social commentary make Zombie a timeless classic worth experiencing. NUMBER OF BANGERS - 1 STAND OUT TRACK - Zombie

Rip It Up marks a significant departure from Orange Juice's twee debut, signalling a bold movement towards new musical territories. While the album showcases the band's development and experimentation, it requires some effort to fully grasp its direction. However, despite recognising the band's evolution, Rip It Up ventures into a realm of music that may not resonate with all listeners, including myself. NUMBER OF BANGERS - 2 STAND OUT TRACK - Rip It Up

The self-titled debut album from Iron Maiden presents stellar musical compositions, yet the vocals of Paul Di'Anno often pale in comparison to the soaring range and dynamic delivery later exhibited by Bruce Dickinson. Nevertheless, the album remains a foundational piece of heavy metal history, showcasing the band's early talent and laying the groundwork for their legendary career. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Brilliant Corners presents an intriguing journey into the world of Thelonious Monk's avant-garde jazz. While the album is considered to have not necessarily reach the heights of Monk's most revered works, it maintains a cohesive sound throughout, with all musicians seemingly synchronised in their interpretation of the music. While it may not be ground-breaking, Brilliant Corners still offers a glimpse into Monk's innovative approach to jazz composition and remains a noteworthy addition to his discography. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Meat Is Murder stands as a compelling testament to The Smiths' evolution, with Morrissey's uncompromising vision driving the album's sonic landscape. The collaborative effort between Morrissey, Marr, and Street is evident, with Morrissey's personal touch evident in his provision of BBC sound effects records for Marr to draw from, a practice that would become a hallmark of their work. This album marked a departure from their earlier sound, embracing a more strident and politically charged approach that resonates throughout the tracks. Morrissey's songwriting is unapologetically bold, refusing to shy away from addressing contentious issues, particularly evident in the album's title track. Meat Is Murder encapsulates the album's ethos, delivering a powerful message that transcends mere music. Marr's guitar work is masterful, complementing Morrissey's vocals and lyrics with intricate melodies and evocative riffs. The album's production is polished yet retains a raw energy, capturing the intensity of The Smiths' performances. Tracks like The Headmaster Ritual and I Want the One I Can't Have showcase the band's ability to blend catchy melodies with thought-provoking themes. Overall, Meat Is Murder is a seminal work that not only showcases The Smiths' musical prowess but also their willingness to tackle important social issues head-on. It remains a timeless classic that continues to inspire and provoke listeners decades after its release. NUMBER OF BANGERS - 8 STAND OUT TRACK - Meat is Murder

Song for Swingin' Lovers is widely regarded as one of Sinatra's landmark achievements, and rightfully so. This album not only showcases Sinatra's exceptional vocal talents but also highlights the masterful arrangements by Nelson Riddle, which led Sinatra to describe him as the greatest arranger in the world. The album exudes a theme of enjoying life to the fullest, with each track delivering a sense of joy and exuberance. Its historical significance is undeniable, as it was the first album ever to top the UK Albums Chart, solidifying Sinatra's international appeal. The music is undeniably beautiful and light, with Riddle's arrangements perfectly complementing Sinatra's smooth vocals. Although I did find certain tracks to be a bit repetitive, Song for Swingin' Lovers still stands as a timeless classic. NUMBER OF BANGERS - 3 STAND OUT TRACK - I've Got You Under My Skin

Technique by New Order is a mixed bag, showcasing both the band's strengths and weaknesses. While their synth-pop outings like Fine Time and Mr. Disco maintain the band's trademark energy, Bernard's vocals often seem lost amidst the pulsating beats and electronic flourishes. However, it's the album's forays into indie territory where New Order truly shines. Tracks like Love Less is where Bernard's voice finds its footing, delivering lyrics with conviction. The sporadic melodies and intricate rhythms of the dancier tracks may be harder for him to navigate, but when the tempo slows, his vocals soar. NUMBER OF BANGERS - 3 STAND OUT TRACK - Love Less

Rid of Me by PJ Harvey stands as a monumental album in the alternative rock canon, delivering a raw and unapologetic sonic assault. Harvey's vocals are throaty and menacing, exuding a level of intensity and aggression that surpasses her previous work. From the opening track Rid of Me, the album grabs listeners by the throat and refuses to let go, plunging them into a visceral journey through themes of love, lust, and power dynamics. Recorded by Steve Albini, most of the songs on the album possess a stripped-down, no-frills production that amplifies their raw energy. Tracks like 50ft Queenie and Man-Size are prime examples of Harvey's ability to command attention with her fierce vocals and blistering guitar work. Yet, it's not just the instrumentation that captivates; Harvey's lyrics, often described as 'tilting toward performance art', add an extra layer of intrigue and depth to the album's visceral soundscapes. Rid of Me is a sonic rollercoaster that leaves listeners exhilarated and emotionally spent, solidifying PJ Harvey's status as a fearless and uncompromising artist in the alternative music scene. NUMBER OF BANGERS - 9 STAND OUT TRACK - Yuri-G

Never Mind the Bollocks, Here's the Sex Pistols is a landmark album that encapsulates the raw energy and rebellious spirit of the punk rock movement. From the iconic opening chords of Holidays in the Sun to the anthemic God Save the Queen, the album is a relentless onslaught of blistering guitars and confrontational lyrics. Tracks like Anarchy in the UK and Pretty Vacant are punk rock anthems that still resonate today, their defiant attitude and snarling vocals embodying the spirit of youthful rebellion. The production, overseen by Chris Thomas and Bill Price, captures the band's live intensity, adding to the album's visceral impact. However, while the album's ferocious energy is undeniable, some tracks can feel repetitive in their aggression, lacking the nuance and variety found in later punk releases. Nevertheless, Never Mind the Bollocks remains a seminal work in the punk rock canon, earning its place as one of the most influential albums of all time. NUMBER OF BANGERS - 4 STAND OUT TRACK - Pretty Vacant

Blur's third album, Parklife, is a vibrant tribute to British culture in the '90s. Released in 1994, it embodies the spirit of the era with its eclectic mix of genres and witty lyrics. Tracks like Girls & Boys and Parklife capture the essence of British life with infectious energy. The album's diverse sound, blending Britpop, indie rock, and alternative dance, showcases Blur's musical versatility. Damon Albarn's distinct vocals bring the songs to life, infusing them with charisma. Parklife played a pivotal role in shaping Cool Britannia, celebrating British creativity on the global stage. With its irreverent lyrics and catchy hooks, the album became a cultural phenomenon. Albarn's earlier prediction about Blur's place in the '90s music scene proved prophetic. Parklife solidified Blur's status as the quintessential English band of the era. Its timeless appeal continues to captivate audiences worldwide, making it a bouncy, fun-filled masterpiece. NUMBER OF BANGERS - 10 STAND OUT TRACK - This is a Low

Ace of Spades, the iconic album by Motörhead, is a relentless onslaught of raw power and attitude. Released in 1980, it remains a defining moment in heavy metal history. From the thunderous title track to the blistering Jailbait, the album is a showcase of Motörhead's signature sound: fast, loud, and unapologetic. Lemmy Kilmister's gravelly vocals and distorted bass lines drive the songs with unparalleled intensity. Tracks like (We Are) The Road Crew and The Chase Is Better Than the Catch capture the essence of life on the road with relentless energy. The album's stripped-down production adds to its gritty charm, making every riff and drum beat hit with maximum impact. Ace of Spades is not just an album, but a statement of defiance and rebellion. It influenced countless bands and helped define the sound of heavy metal for generations to come. Its legacy is undeniable, cementing Motörhead's status as one of the most legendary and influential bands in rock history. NUMBER OF BANGERS - 8 STAND OUT TRACK - Ace of Spades

More Specials ventures into uncharted territory by expanding the band's 2 Tone sound into other genres, notably lounge music and easy listening. This experimentation adds a layer of intrigue to the album, showcasing the band's willingness to evolve. However, while musically skilled, the execution feels disjointed and hard to listen to at times, lacking the gusto that defined their first album. It's evident that the band attempted to push boundaries, but the result falls short of being a true showcase of their talent. Despite this, the album maintains the band's tradition of intensely political lyrics, echoing the socio-political commentary found in their debut. This thematic consistency adds depth to the album's exploration of different musical styles. Notably, More Specials has been cited as an influence on the trip hop genre, highlighting its impact beyond the ska and reggae scene. Overall, while the album may not reach the heights of its predecessor, it remains an intriguing chapter in The Specials' musical journey. NUMBER OF BANGERS - 3 STAND OUT TRACK - Hey Little Rich Girl

Fishbone's Truth and Soul album showcases the band's undeniable talent but falls short of the higher energy they would later unleash. Released in 1988, it presents a fusion of funk, punk, ska, and soul that highlights the band's eclectic musical influences. Tracks like Freddie's Dead and Ma and Pa demonstrate the band's musical versatility and knack for blending genres. However, compared to their later releases, Truth and Soul feels somewhat restrained and lacks the electrifying energy that would come to define their sound. While the album displays moments of brilliance, it also hints at a band that may have been feeling disinterested or constrained by expectations. Nevertheless, standout tracks like Question of Life and Change still showcase Fishbone's exceptional musicianship and songwriting prowess. Truth and Soul serves as a transitional work for Fishbone, hinting at the heights they would later reach while still grappling with finding their musical identity. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

All Things Must Pass is a monumental triple album that showcases his musical evolution beyond The Beatles. Influenced by collaborators like Bob Dylan, The Band, Delaney & Bonnie, and Billy Preston, Harrison effortlessly blends folk, rock, and soul into a cohesive masterpiece. Phil Spector's Wall of Sound production technique enriches every track, creating a lush sonic landscape. The album features overlooked Beatles tracks alongside Harrison's new and brilliant compositions, displaying his songwriting prowess. While its extensive length may be daunting and after a while, a little tiring, All Things Must Pass stands as a testament to Harrison's enduring legacy and his significant contributions to music. NUMBER OF BANGERS - 11 STAND OUT TRACK - What is Life

My Generation, while showing signs of promise, comes off as a bit twee. Released in 1965, it serves as the band's debut, introducing them to the world with a blend of R&B, rock, and mod influences. Tracks like My Generation and The Kids Are Alright showcase the band's rebellious spirit and youthful energy. However, the album as a whole lacks the sonic depth and maturity that would later define The Who's sound. Despite its shortcomings, the album remains an important artifact of the British Invasion era, capturing a snapshot of The Who in their formative years. NUMBER OF BANGERS - 4 STAND OUT TRACK - My Generation

Cupid and Psyche 85 aims to capture the 1980s sound with its blend of new wave and pop, but falls short due to disjointed execution. Heavy use of synthesizers and whispered vocals overwhelms the music at times, making it challenging for me to fully connect. While it may appeal to fans of 80s nostalgia, its dated influences limit its lasting impact and prevent it from becoming a timeless classic. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Olympia 64 offers a glimpse into the world of chanson, a genre that has deeply influenced artists like Scott Walker and The Divine Comedy. However, despite my love for the latter, I found connecting with Brel's voice and lyrics to be a challenge. Brel's distinctive voice and emotive delivery are central to the chanson tradition. As I struggled to understand his lyrics, sadly, I felt disconnected. For those who appreciate chanson and can connect with Brel's lyrics and unique style, Olympia 64 is undoubtedly a valuable addition to their collection. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Rejoicing in the Hands presents raw songcraft reminiscent of a lost 60s gem. The album opens and closes with beautiful tracks that capture Banhart's unique style and storytelling ability. There's a noticeable nod to Spanish guitar throughout, adding depth to the sound. However, the middle section of the album starts to feel a bit repetitive after a while. While each track maintains a certain charm, there's a lack of variation that makes it lose some of its initial allure. Overall, it's a solid effort showcasing Banhart's talent, but it falls short of delivering a consistently engaging experience throughout. NUMBER OF BANGERS - 2 STAND OUT TRACK - This is the Way

Synchronicity is a somewhat underwhelming album that fails to live up to the hype. While it boasts a few decent tracks, such as Every Breath You Take, the rest of the album feels lacklustre. There's a sense of pretentiousness throughout, as if the band is trying too hard to be profound. The lyrics often come across as forced, lacking the genuine emotion found in their earlier work. The instrumentation, while technically proficient, lacks the energy and creativity that made The Police stand out in their earlier albums. NUMBER OF BANGERS - 1 STAND OUT TRACK - Every Breath You Take

Eliminator has its moments of brilliance, with catchy tracks like Legs and Sharp Dressed Man that are impossible not to groove to. The signature ZZ Top sound is unmistakable, with their gritty blues-rock style shining through. However, some of the songs feel a bit repetitive, lacking the depth and variety found in their best work. The production values are solid, with slick guitar riffs and tight rhythms, but there's a sense of predictability that holds it back from greatness. NUMBER OF BANGERS - 4 STAND OUT TRACK - If Only I Could Flag Her Down

Heaven or Las Vegas stands as a pinnacle in the realm of dream pop, marking Cocteau Twins' most commercially successful release. 4AD president Ivo Watts-Russell's proclamed it being one of the label's best-ever releases, and a testament to the band's musical prowess and innovation in the genre. Elizabeth Fraser's ethereal vocals, complemented by Robin Guthrie's intricate guitar work and Simon Raymonde's atmospheric bass lines, create a mesmerising sonic landscape that captivates from start to finish. Tracks like Cherry-Coloured Funk and the title track Heaven or Las Vegas exemplify the band's ability to blend otherworldly soundscapes with catchy melodies. Even amidst the turbulence surrounding its release, the album stands as a testament to the band's artistic vision and enduring legacy in the realm of alternative music. NUMBER OF BANGERS - 6 STAND OUT TRACK - Heaven or Las Vegas

The Good, The Bad & The Queen's self-titled album finds itself in a perplexing position. While it's not outright horrible, it fails to captivate with any real sense of intrigue or depth. The album traverses through various sonic landscapes, blending elements of rock, pop, and experimental music. Despite its ambition, however, it struggles to leave a lasting impression. Tracks meander without a clear sense of direction, lacking the hooks or memorable moments that define truly engaging music. Damon Albarn's vocals, though competent, fail to inject the necessary emotion or charisma into the songs. Overall, while The Good, The Bad & The Queen's effort is not without its merits, it falls short of being truly compelling, leaving me questioning its inclusion on the 1001 list. NUMBER OF BANGERS - 1 STAND OUT TRACK - The Good, the Bad and the Queen

2112 is simply not for me. Clocking in at over 20 minutes, the titular track is an epic journey that ultimately feels bloated and self-indulgent. The overuse of repetitive riffs and meandering instrumental sections makes it a chore to listen to. The rest of the album doesn't fare much better, with forgettable tracks that lack the energy and creativity that I had expected from Rush. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Graceland by Paul Simon is nothing short of a masterpiece, a timeless journey through an eclectic mix of genres, effortlessly blending African rhythms with Simon's trademark songwriting prowess. Each track is a gem in its own right, from the infectious rhythms of You Can Call Me Al to the poignant storytelling of Graceland. Simon's collaboration with South African musicians infuses the album with a vibrant energy and cultural richness that sets it apart. The production is immaculate, with every instrument and vocal intricately woven together to create a tapestry of sound that is both uplifting and emotionally resonant. Lyrically, the album is a masterclass in storytelling, touching on themes of love, loss, and the human experience with sincerity and depth. Decades after its release, Graceland remains as relevant and impactful as ever, cementing its status as one of the greatest albums of all time. NUMBER OF BANGERS - 11 STAND OUT TRACK - Under African Skies

Live at Leeds presents The Who's iconic songs in a live setting, but falls short of capturing the band's full live impact. While there are notable tracks on the album, the live performances lack the punch and cohesion found in their studio recordings. The inclusion of medleys feels disjointed and disrupts the flow of the album. Despite these shortcomings, Keith Moon's enigmatic drumming style adds a unique element to the live experience. I guess you just had to be there to fully get this. NUMBER OF BANGERS - 2 STAND OUT TRACK - I Can't Explain

Wild Gift by X is a visceral and intense punk rock album that captures the raw energy of the band's live performances. From the opening track to the last, the album delivers a relentless barrage of powerful riffs and impassioned vocals. The songwriting on Wild Gift is sharp and incisive, tackling themes of love, politics, and rebellion with a fierce authenticity. Tracks like We're Desperate and White Girl showcase the band's ability to blend punk aggression with melodic hooks, creating memorable anthems that stick with you long after the album ends. The production on Wild Gift is gritty and unpolished, perfectly complementing the band's DIY ethos and punk aesthetic. Each track on the album feels urgent and vital, making Wild Gift a timeless classic in the punk genre. NUMBER OF BANGERS - 9 STAND OUT TRACK - Year 1

Grey Area presents a refreshing take on contemporary hip-hop. Surpassing initial expectations, Little Simz demonstrates a commendable flow throughout the album, delivering her verses with confidence and style. The backing tracks, while occasionally repetitive, offer an interesting sonic backdrop that adds depth to the listening experience. Little Simz's lyrical content delves into a variety of topics with honesty and authenticity, showcasing her growth as an artist. NUMBER OF BANGERS - 2 STAND OUT TRACK - Wounds

Merriweather Post Pavilion took me on a wild and tumultuous journey through a sonic jungle of experimental music. While I found the album's intricate layers and unconventional structures intriguing, there were moments where I felt lost in the chaos. It's like being caught in a whirlwind of sound, where every twist and turn leaves you feeling exhilarated yet slightly disoriented. Animal Collective's fearless exploration of genre boundaries and willingness to take risks is admirable, but I couldn't help but feel overwhelmed by the sheer magnitude of it all. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Sea Change delves into the depths of Beck's psyche during a tumultuous breakup, offering a poignant and bleakly introspective journey. The album is characterised by its melancholic tone, reflecting the emotional turmoil experienced during this period of his life. While the melodies are undeniably beautiful, there are moments where the raw emotion makes for a challenging listen. However, this difficulty adds to the album's authenticity, capturing the rawness of heartbreak with haunting clarity. Beck's vulnerability shines through in every track, drawing listeners into his world of pain and reflection. Despite its sombre atmosphere, there's a haunting beauty to the music that lingers long after the final notes fade away. NUMBER OF BANGERS - 4 STAND OUT TRACK - Lost Cause

Moving Pictures by Rush represents a significant departure from their previous work, notably 2112. One notable critique is the tendency for songs to drag on, with extended instrumental sections that felt a bit unnecessary. Furthermore, Geddy Lee's vocals, often criticised for their high-pitched delivery, continue to divide opinions, echoing Stephen Malkmus's infamous quip about Lee's voice. Despite its shortcomings, Moving Pictures still boasts standout tracks like Red Barchetta and Limelight, showcasing Rush's technical prowess and knack for thought-provoking lyrics. However, these highlights are overshadowed by moments where the album feels bloated and indulgent. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Penance Soiree presents a musically solid offering, showcasing an adeptness in crafting intense and raw rock compositions. The album exudes a gritty energy that is undeniably captivating, drawing you into its chaotic sonic landscape. However, while the music is fine, it fails to leave a lasting impression compared to bands like Black Rebel Motorcycle Club and At the Drive In, who were pioneering similar sonic territories during the same era. The album's production quality is commendable, capturing the band's raw intensity with clarity and precision. Vocalist Joe Cardamone delivers a passionate performance, infusing each track with a sense of urgency and conviction. The guitar work is particularly noteworthy, with dynamic riffs and blistering solos adding depth to the band's sound. Despite its musical prowess, Penance Soiree lacks the innovation and distinctiveness that set apart other contemporaneous acts in the post-punk and garage rock scene. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Billy Joel's The Stranger is a compelling album that intertwines great storytelling with memorable songs, showcasing Joel's songwriting prowess. Each track on the album offers its own narrative, drawing listeners into a world of vivid characters and situations. However, like Father Ted and Father Dougal, he really needs to lose his sax solos. NUMBER OF BANGERS - 4 STAND OUT TRACK - She's Always a Woman

While it's clear that Eno experiments with innovative soundscapes and textures, the album fails to resonate with me on a personal level. Tracks like St. Elmo's Fire offer intriguing glimpses into Eno's sonic world, but overall, the album lacks coherence and emotional depth. Despite Eno's mastery of synthesizers and electronic effects, I find myself disconnected from the music. While Another Green World may appeal to fans of experimental music, it falls short of leaving a lasting impression on me. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Frank by Amy Winehouse is a bit of a mixed bag. The music itself is fantastic, with some truly superb songs that showcase Winehouse's songwriting talent. Tracks like F**k Me Pumps and Help Yourself are standouts, featuring catchy melodies and soulful grooves. However, I can't ignore the fact that Winehouse's voice can be quite grating at times. Her raspy tone and occasional vocal inconsistencies are a bit of a distraction. Despite this, there's no denying her raw talent and honest songwriting. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

She's So Unusual, pleasantly surprised me with its vibrant and eclectic mix that firmly establishes Cyndi to be a unique voice in the pop landscape. I found Side A to be undeniably the stronger half, packed with energetic and memorable tracks like Girls Just Want to Have Fun and Time After Time. Lauper's distinctive voice and quirky personality really shine through, making these songs feel like timeless classics. However, as the album progresses into Side B, the momentum starts to wane. The songs became less impactful, and the heavy use of keyboards began to feel overly cheesy and dated. Tracks like Witness and I’ll Kiss You lacked the punch and innovation that I enjoyed so much in the earlier songs. Despite these issues, Lauper's vocal performance remains consistently strong, and her charisma keeps me engaged. The production, while occasionally over the top, fits the playful and rebellious spirit of the album. Overall, it's a solid debut with standout moments that firmly cement Cyndi Lauper's place in 80s pop history. NUMBER OF BANGERS - 4 STAND OUT TRACK - Time After Time

Aqualung pleasantly surprised me with its seamless blend of progressive rock and folk elements, elevated by Ian Anderson's distinctive and expressive voice. The album's rich mix of acoustic and electric sounds, coupled with thought-provoking lyrics on themes like society and personal reflection, showcases the band's versatility and musical prowess. High production quality allows each instrument to shine, creating a balanced and engaging listening experience. Overall, Aqualung is a well-crafted and dynamic album that underscores Jethro Tull's talent and Anderson's vocal strength, making it a compelling listen. NUMBER OF BANGERS - 1 STAND OUT TRACK - Hymn 43

The self-titled debut album by Scissor Sisters is a vibrant and eclectic mix that showcases the band's knack for blending glam rock, disco, and pop. The album opens with the energetic Laura, a track that immediately grabs my attention with its catchy chorus and funky beats. Take Your Mama stands out as an anthemic and feel-good song, reflecting the band's playful and flamboyant style. While some tracks like Mary and Return to Oz delve into more sombre and introspective themes, the overall tone of the album remains upbeat and celebratory. The production is polished, and the instrumentation is lush, with vibrant keyboard lines and infectious rhythms. Jake Shears' distinctive falsetto and Ana Matronic's sassy vocal contributions add a unique flair to the album. Though not every track is a standout, the album's originality and fearless genre-blending make it a memorable debut. It's an album that captures the spirit of fun and experimentation, making it a worthwhile listen for anyone seeking something a bit different. NUMBER OF BANGERS - 3 STAND OUT TRACK - Filthy / Gorgeous

Louis Prima's The Wildest! exudes an undeniable charm and playfulness that's hard to resist. Prima's charisma and infectious energy permeate each track, infusing the album with a sense of joy and liveliness. From the swinging rhythms to the lively horn arrangements, every element comes together to create an irresistibly fun listening experience. Tracks like Jump, Jive an' Wail and Just a Gigolo/I Ain't Got Nobody showcase Prima's knack for blending jazz, swing, and rhythm and blues into a seamless fusion of sound. Overall, The Wildest! is a delightful romp through the musical stylings of a true entertainer, making it a great addition to any collection. NUMBER OF BANGERS - 9 STAND OUT TRACK - Just a Gigolo/I Ain't Got Nobody

Queen II encapsulates the band's trademark flamboyance but often strays into over indulgence. Despite showcasing Queen's musical prowess, the album occasionally lacks the infectious energy of their later releases. The songs heavily rely on Freddie Mercury's vocals, leaving a noticeable void when he isn't in the spotlight. Queen II serves as a transitional record for the band, laying the groundwork for their future successes but falling short of fully realising their potential. While not their most accessible effort, it still offers glimpses of the innovative artistry that would define Queen's legacy. NUMBER OF BANGERS - 1 STAND OUT TRACK - Seven Seas of Rhye

Untitled (Black Is) is an intriguing and distinctive album that stands apart from most other acts. The album is a powerful blend of genres, including soul, funk, and R&B, with strong influences of Afrobeat and spoken word. The production is richly layered, creating a dense and immersive soundscape. Lyrically, it delves into themes of identity, resistance, and empowerment, resonating deeply in the current socio-political climate. Each track flows seamlessly into the next, maintaining a cohesive narrative throughout the album. The vocals are emotive and raw, enhancing the album's intensity and authenticity. Despite its artistic brilliance, the album's style and approach might not appeal to everyone. However, its bold and thought-provoking songs deserve attention, even if it's not your cup of tea. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Electric Ladyland, Jimi Hendrix's final studio album with The Jimi Hendrix Experience, is a showcase of his immense talent, but it does feel a bit bloated and self-indulgent in places. Tracks like Voodoo Child (Slight Return) and All Along the Watchtower are undeniable gems, highlighting Hendrix's unparalleled guitar skills and innovative sound. However, the album's sprawling nature and experimental indulgences can make it feel less cohesive than his earlier work. Songs such as 1983...(A Merman I Should Turn to Be) showcase his willingness to explore and push boundaries, but they can sometimes feel excessive. Despite these flaws, Electric Ladyland is an essential listen for understanding Hendrix's artistic journey. The album offers glimpses of his evolving vision and hints at the direction he was heading in musically. While I appreciate the brilliance in tracks like Crosstown Traffic and Gypsy Eyes, I find myself drawn more to the raw energy and concise power of his previous albums, like Are You Experienced and Axis: Bold as Love. In the end, Electric Ladyland remains a testament to Hendrix's genius, even if it occasionally gets lost in its own ambition. NUMBER OF BANGERS - 5 STAND OUT TRACK - Burning of the Midnight Lamp

Hunky Dory, an album by David Bowie, is a piano-based masterpiece that showcases his more melodic side. The album's tracks are characterised by intricate piano arrangements and catchy melodies, demonstrating Bowie's diverse musical talents. His voice is clear and confident throughout, guiding listeners through a journey of introspection and self-discovery. The songs on Hunky Dory lay the groundwork for Bowie's future persona as Ziggy Stardust, with hints of the flamboyant style and theatricality that would define his later work. Tracks like Changes and Life on Mars? stand out as timeless classics, blending introspective lyrics with memorable hooks. Bowie's songwriting on this album is both poetic and introspective, exploring themes of identity, fame, and the human condition. The album's production is polished yet retains a sense of raw authenticity, capturing the essence of Bowie's artistic vision. Overall, Hunky Dory remains a pivotal album in Bowie's discography, showcasing his evolution as a musician and laying the foundation for the groundbreaking work to come. NUMBER OF BANGERS - 5 STAND OUT TRACK - Queen Bitch

Woodface by Crowded House is an album that shines with lovely harmonies and a distinctly summery feel. The vocals are rich and well-blended, creating an inviting and warm listening experience. Songs like Weather with You and Four Seasons in One Day stand out with their catchy melodies and intricate arrangements. However, after a few tracks, the album starts to feel a bit samey, with a lack of variation in tempo and style. While the harmonies and instrumentation are consistently strong, I found the songs blending together. Despite this, the lyrical content remains thoughtful and engaging, often reflecting on personal themes and relationships. The production quality is excellent, highlighting the band's musicianship and Neil Finn's songwriting skills. NUMBER OF BANGERS - 4 STAND OUT TRACK - Fall at Your Feet

Sgt. Pepper's Lonely Hearts Club Band marks a significant artistic departure for The Beatles, showcasing their willingness to push boundaries and explore new sonic territories. The album's experimental nature challenges the conventions of pop music, inviting listeners to step outside of their comfort zones. As one of the first concept albums, it weaves together a cohesive narrative, showcasing the band's storytelling prowess. The iconic cover art remains a standout feature, captivating with its imaginative design. However, despite its acclaim, the album feels somewhat overrated, with many moments of filler and songs that may come across as overly simplistic or childish. It's difficult to separate the album's groundbreaking production achievements from personal preferences, as there are many other Beatles albums that resonate with me more. NUMBER OF BANGERS - 3 STAND OUT TRACK - A Day in the Life

The Age of the Understatement presents itself as a well-accomplished piece, showcasing meticulous attention to detail. From start to finish, it maintains a consistent aesthetic reminiscent of a cohesive film score from the 1960s, transporting listeners to a bygone era. While its craftsmanship is undeniable, the album failed to fully grasp my attention, lacking the ability to captivate and engage me throughout its duration. Its ambitious nature is apparent, aiming for grandeur and complexity, yet ultimately falling short in resonating with me. Despite its merits, it seems tailored for a specific audience, perhaps those with a nostalgic fondness for the era it emulates. Overall, The Age of the Understatement may be praised for its technical proficiency and thematic consistency, but it ultimately left me wanting more in terms of emotional connection and musical impact. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Carole King's Tapestry feels like a warm hug, enveloping you in its comforting melodies and heartfelt lyrics. The album's sparse instrumentation highlights King's soulful voice and piano, creating an intimate atmosphere that's both timeless and nostalgic. The simplicity of the album is its strength, allowing the raw emotion of King's performance to shine through. It weaves together themes of love, loss, and self-discovery with an authenticity that's rare and beautiful. The gentle strumming of the guitar in So Far Away and the uplifting piano chords in Beautiful serve as tender reminders of home. King's lyrics are poetic yet relatable, capturing universal experiences with grace and sensitivity. Tapestry is more than just an album; it's a journey through the highs and lows of life, delivered with warmth and sincerity. Every note and word in Tapestry reflects a piece of Carole King's soul, making it a deeply personal and universally cherished record. The album's enduring appeal lies in its ability to connect with listeners on a profoundly emotional level. For many, Tapestry remains a timeless classic, much like the enduring love of a mother. NUMBER OF BANGERS - 11 STAND OUT TRACK - Where You Lead

Clube de Esquina, by Milton Nascimento and Lô Borges, is a sprawling album that didn't quite hit the mark for me. While it's undeniably rich in Brazilian musical influences, I found its lengthy runtime to be somewhat off-putting. Despite its attempts to blend various genres like rock and jazz with traditional Brazilian styles, I struggled to connect with many of the tracks. Songs like Cais and O Trem Azul showcase the duo's musical talent, but the sheer number of tracks on the album left me feeling overwhelmed and unable to fully appreciate each one. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Punishing Kiss had all the makings of a thrilling musical endeavour, boasting a line-up of esteemed songwriters whose work I deeply admire. However, upon delving into the album, I encountered a rough listening experience. The heavy influence of Edith Piaf's style dominated the sound, diverging sharply from my personal musical preferences. Despite the evident polish in production and commendable musicianship, each track seemed to blend into the next, lacking the distinctiveness I had anticipated. Devotees of Edith Piaf and aficionados of traditional French chanson may find solace in this album's nostalgic embrace. However, for those seeking a departure from such stylings, Punishing Kiss may fall short of expectations. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

This Is Fats Domino is a short and cheery album that maintains a consistent vibe throughout. While some tracks may feel a bit repetitive after a while, the overall experience is still enjoyable and fun. Listening to it, one can't help but conjure images of Richie Cunningham and his crew, particularly when Blueberry Hill comes on. It's a nostalgic trip back to simpler times, filled with Fats Domino's signature sound and catchy tunes. Despite its samey nature, the album manages to capture the essence of classic rock 'n' roll and delivers a feel-good experience from start to finish. NUMBER OF BANGERS - 4 STAND OUT TRACK BLUEBERRY HILL

Janet Jackson's Rhythm Nation 1814 is an iconic album that captured the late 80s with its blend of socially conscious themes and New Jack Swing beats. Songs like Rhythm Nation and Miss You Much were groundbreaking at the time, combining R&B with hip-hop rhythms, making them feel like a call to action. Tracks such as Escapade and Alright showcase Janet's knack for creating upbeat, feel-good anthems perfect for the dance floor. The production by Jimmy Jam and Terry Lewis was innovative, layering synthesized sounds with punchy drum machine beats. At the time, these tracks were exhilarating, setting the stage for future pop and R&B artists. However, listening today, some of the New Jack Swing tracks feel less groundbreaking, more nostalgic. Despite this, the album's infectious energy and Janet's charisma keep the songs entertaining. The themes of unity and social justice remain relevant, giving the album enduring significance. While the New Jack Swing sound has aged, Rhythm Nation 1814 remains a testament to Janet Jackson's artistry and vision, reflecting the excitement of its era and the timeless appeal of its messages. NUMBER OF BANGERS - 7 STAND OUT TRACK - Rhythm Nation

American Pie by Don McLean opens with its timeless title track, a folk-rock epic that captures the spirit of a generation with its poignant lyrics and memorable melody. However, the rest of the album doesn't quite live up to the brilliance of its opener or the iconic cover art, which remains a symbol of its era. While tracks like Vincent showcase McLean's introspective songwriting, they lack the same raw energy and impact as American Pie. Despite this, McLean's craftsmanship and ability to blend folk, rock, and pop influences shine through, influencing generations of musicians. Overall, American Pie holds cultural significance and remains a classic in American music, primarily due to its unforgettable title track. NUMBER OF BANGERS - 4 STAND OUT TRACK - American Pie

Korn's Follow the Leader album, released during the nu-metal wave, exemplifies their pioneering efforts in blending heavy guitar riffs with hip-hop elements, fronted by Jonathan Davis's distinctive vocal style. The music is undeniably forceful, featuring tracks like Freak on a Leash and Got the Life that showcase the band's raw energy and experimental sound. However, the lyrics can be controversial at times, exploring dark themes that may not resonate universally. Davis's vocal delivery, while emotive, occasionally veers into a whiny tone throughout the album. As one of the forefront bands in nu-metal, Korn pushed boundaries and influenced many peers with their aggressive yet melodic approach. Follow the Leader serves as a testament to their genre-bending abilities and their impact on the music scene. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

LCD Soundsystem's Sound of Silver is a groundbreaking album that blends innovative production with infectious energy. From the pulsating beats of Get Innocuous! to the introspective anthem All My Friends, each track captivates with its diverse sonic landscape. James Murphy's meticulous production fuses dance-punk, electronica, and indie rock seamlessly. The title track, Sound of Silver, mixes melancholy with uplifting rhythms, highlighting Murphy's introspective lyrics. Themes of aging, friendship, and introspection weave throughout the album, resonating deeply in tracks like Someone Great and energizing in Us v Them. Sound of Silver is more than music—it's a narrative of life's highs and lows, wrapped in pulsating beats and poignant lyrics. It's a defining work for LCD Soundsystem, showcasing their ability to innovate within electronic music. For fans of electronic and indie rock, this album offers both excitement and introspection, making it essential listening. NUMBER OF BANGERS - 5 STAND OUT TRACK - All My Friends

The Hangman's Beautiful Daughter by The Incredible String Band felt like a journey into a fantastical realm, similar to Lord of the Rings, but with a twist that didn't quite resonate with me. The album's use of a droning sitar became a bit nauseating towards the end, and I found myself questioning why it was considered a must-listen on the 1001 Albums You Must Hear Before You Die list. While I appreciate the band's experimental spirit and unique blend of folk-rock and Eastern influences, the meandering compositions and niche sound left me feeling disconnected. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Missy Elliott's Under Construction turned out to be better than I expected. While it’s clear she’s an interesting artist with a lot of creativity, the album leans heavily into R&B, which isn't really my cup of tea. Tracks like Work It showcase her innovative production and playful lyricism, making them stand out. However, the overall R&B-driven vibe makes the album feel more conventional compared to her earlier, more eclectic work. For fans of R&B, this album is a solid effort, but it doesn't fully capture the boundary-pushing style I was hoping for. Still, her talent and originality shine through, even if it's not entirely to my taste. NUMBER OF BANGERS - 1 STAND OUT TRACK - Ain't That Funny

Layla and Other Assorted Love Song by Derek and the Dominos pleasantly surprised me, exceeding my expectations. While the title track Layla is iconic but somewhat self-indulgent, the album as a whole showcases a rich blend of blues, rock, and soul. Tracks like Bell Bottom Blues and Why Does Love Got to Be So Sad? highlight Clapton's emotive guitar work and soulful vocals, creating a compelling musical narrative. The interplay between Clapton and Duane Allman's guitars is particularly impressive, adding depth and texture to the album. Overall, it's a cohesive and timeless collection that showcases Clapton's musical prowess beyond his guitar hero image. NUMBER OF BANGERS - 8 STAND OUT TRACK - Key to the Highway

Very by Pet Shop Boys is a joyous and sunny album that has grown on me even more after witnessing them live. From the infectious beats of Can You Forgive Her? to the introspective melodies of Yesterday, When I Was Mad, the album blends pop hooks with thoughtful lyrics. Tracks like I Wouldn't Normally Do This Kind of Thing and Go West exude a celebratory vibe, encapsulating the Pet Shop Boys' signature style of catchy synth-pop. Neil Tennant's vocals are as distinctive and emotive as ever, while Chris Lowe's production adds layers of depth and texture. Overall, Very is a testament to the duo's enduring creativity and ability to craft timeless pop anthems that resonate long after the concert lights fade. NUMBER OF BANGERS - 4 STAND OUT TRACK - One and One Make Five

Getz/Gilberto is a sun-drenched musical journey that feels like strolling through a vibrant South American street, coffee in hand. The album opens with the iconic Girl from Ipanema, a sweet and timeless track that sets a laid-back, breezy tone. Throughout the record, the seamless blend of Stan Getz's smooth saxophone and João Gilberto's gentle guitar and vocals creates a warm, inviting atmosphere. However, the album tends to stay within a narrow stylistic range, offering little variation from its initial mood. While each track is expertly crafted and enjoyable, the overall experience can feel somewhat repetitive. The consistency in style means there are few surprises, but this also lends the album a cohesive, mellow charm. Its gentle melodies and relaxed pace make it perfect background music for unwinding or daydreaming. NUMBER OF BANGERS - 1 STAND OUT TRACK - Girl from Ipanema

Rufus Wainwright's Want Two is an intriguing and challenging album that defies easy categorisation. The record's lush orchestration and operatic flair often feel like the score to an unmade film, transporting listeners to a world of dramatic emotional landscapes. Wainwright's honest and vulnerable lyricism is both captivating and confrontational, demanding an attentive and reflective ear. Tracks like The Art Teacher and Agnus Dei showcase his knack for storytelling and his bold musical vision. While some may find the album's grandiosity and theatricality overwhelming, others will appreciate its artistic ambition and emotional depth. Wainwright's voice, rich and expressive, anchors the album's eclectic soundscape, from baroque pop to folk influences. Though not everyone's cup of tea, Want Two is a testament to Wainwright's unique talent and willingness to push creative boundaries. NUMBER OF BANGERS - 2 STAND OUT TRACK - Gay Messiah

An Night at the Opera by Queen presents a polarising experience for listeners, especially for those outside the band's fanbase. The album showcases Freddie Mercury's formidable vocal prowess, standing out as the band's strongest element. While it attempts to diversify with other members taking lead vocals, these efforts occasionally disrupt rather than enhance the album's flow. The tendency towards extravagance and indulgence often overshadows its artistic merits, with tracks feeling like disjointed showcases rather than a cohesive whole. Personally, I find An Night at the Opera exemplifies everything I dislike about Queen -excessive theatrics, over-the-top arrangements, and a lack of musical restraint. Despite its nods to experimentation and diverse influences, none of it resonates with my taste. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Millions Now Living Will Never Die falls short of expectations, presenting itself as a disjointed and tedious listening experience. The album opens with a slow and uneventful start, lacking the engaging hooks or rhythms to captivate from the beginning. Throughout its duration, the tracks often meander aimlessly, giving the impression of a band warming up rather than delivering cohesive musical compositions. The extended instrumental passages, while showcasing technical proficiency, fail to sustain interest and feel indulgent. Overall, this album may disappoint listeners seeking structured and engaging music, offering little beyond its experimental aspirations. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Moby Grape is an impressive and enjoyable album that masterfully blends rock, blues, folk, and country genres. The energetic opener Hey Grandma sets a vibrant tone for the album, followed by a series of strong tracks showcasing the band's versatility. Each member’s contributions shine, with standout moments like the harmonies on Omaha and the poignant 8:05. The musicianship is consistently high, and the interplay between instruments is a joy to listen to. NUMBER OF BANGERS - 5 STAND OUT TRACK - Mr. Blues

Harvest is an open and introspective album that dives deep into personal and societal themes. The orchestration is superb, adding a rich, layered texture to the music. Written during his recovery from slipped discs, the album captures a period of vulnerability for Young. The hit single Heart of Gold catapulted him to mainstream success, which he later admitted he disliked, saying it made him "middle of the road." This frustration led him to claim he was heading "for the ditch" to pursue more authentic, less commercial music. Despite its polished production, Harvest remains a pivotal moment in Young's career, showcasing his ability to blend mainstream appeal with profound, personal songwriting. NUMBER OF BANGERS - 8 STAND OUT TRACK - Heart of Gold

Iggy Pop's The Idiot is a haunting and influential album, marked by its dark, sleazy, and sometimes creepy tones. It's hard to escape the shadow of knowing it was the last thing Ian Curtis listened to before his passing, adding an eerie layer to the listening experience. Tracks like Nightclubbing and Dum Dum Boys exude a gritty atmosphere that has clearly influenced bands like Depeche Mode and She Wants Revenge, whom I enjoy more. The album's brooding ambiance and raw edge set a precedent for the post-punk and new wave movements. While I appreciate its impact and can see its value, the overall vibe isn't entirely to my taste. Nonetheless, The Idiot remains a significant piece in music history, showcasing Iggy Pop's ability to push boundaries and evoke powerful emotions. NUMBER OF BANGERS - 2 STAND OUT TRACK - Nightclubbing

Revolver is an uplifting and exciting album that showcases the band's musical evolution without the overindulgence found in some of their later work. The album is a masterclass in blending innovation with accessibility, exploring various genres and styles while maintaining a cohesive sound. From the energetic opener Taxman to the experimental Tomorrow Never Knows, each track contributes to a rich and diverse musical tapestry. The use of new recording techniques and instruments was groundbreaking, yet the album never loses its sense of fun and excitement. Revolver strikes a perfect balance between creativity and discipline, making it one of their most compelling and timeless works. It captures the essence of the 1960s while remaining fresh and relevant, solidifying The Beatles' place as pioneers in modern music. NUMBER OF BANGERS - 8 STAND OUT TRACK - And Your Bird Can Sing

Power in Numbers by Jurassic 5 delivers a blend of classic hip-hop and innovative sounds but falls short of making a strong impact. The group's synergy is evident, yet the album feels predictable and lacks depth. The individual styles of each member are present, but their voices don't always mesh cohesively. While the balance between insightful lyrics and entertaining beats is maintained, neither stands out significantly. Interludes and skits add some personality but don't enhance the overall experience. Despite its well-crafted production, Power in Numbers leaves the listener wanting more in terms of originality and impact. NUMBER OF BANGERS - 2 STAND OUT TRACK - Thin Line

Live At The Star Club, Hamburg by Jerry Lee Lewis is a high-octane showcase of his rock 'n' roll brilliance, featuring electrifying performances of classics like Great Balls of Fire and Whole Lotta Shakin' Goin' On. Recorded in 1964, the album captures Lewis's dynamic stage presence and virtuosic piano skills, delivering a raw and energetic live experience that remains a testament to his enduring influence in music history. NUMBER OF BANGERS - 6 STAND OUT TRACK - Whole Lotta Shakin' Goin' On

Fifth Dimension represents a pivotal shift towards psychedelia, blending folk rock with experimental sounds and introspective lyrics. Released in 1966, it features standout tracks like Eight Miles High and Fifth Dimension, showcasing Roger McGuinn's distinctive 12-string guitar and the band's harmonious vocals amidst a backdrop of innovative studio techniques. Despite initial mixed reviews, the album has since become a landmark in psychedelic rock, influencing generations with its adventurous spirit and musical exploration. NUMBER OF BANGERS - 9 STAND OUT TRACK - What's Happening?

Bone Machine is a raw and challenging album that delves into dark themes with gritty honesty and unconventional instrumentation. Released in 1992, it's a departure from Waits' earlier works, embracing a haunting atmosphere and poetic yet unsettling lyrics that explore mortality and despair. Despite its abrasive sound and difficult themes, the album received critical acclaim for its boldness and originality, making it a compelling listen for those drawn to Waits' fearless approach to music and storytelling. NUMBER OF BANGERS - 4 STAND OUT TRACK - Whistle Down the Wind

Dirt is a gritty and introspective album, showcasing Layne Staley's soulful vocals and Jerry Cantrell's haunting guitar work. While undeniably talented, the album can feel repetitive, lacking the dynamic excitement of their Seattle peers like Nirvana and Pearl Jam. Nevertheless, its dark and atmospheric production captures the band's raw emotion and enduring influence on the grunge genre. NUMBER OF BANGERS -2 STAND OUT TRACK - Dam That River

Amy Winehouse's Back to Black marks a noticeable improvement over her debut album Frank, presenting a more accessible and polished sound. Embracing a 1960s girl group vibe, the album benefits from Mark Ronson's tight production, which keeps the arrangements focused and cohesive. Tracks like Rehab and Tears Dry on Their Own stand out with their catchy hooks and memorable melodies. However, Winehouse's vocal stylings remain polarizing; her dramatic delivery can sometimes overshadow the music itself. For fans of retro-soul, Back to Black is a solid addition to the genre. NUMBER OF BANGERS - 3 STAND OUT TRACK - Some Unholy War

David Bowie's Young Americans is an overindulgent album marred by excessive saxophone use. The title track starts strong, but the album soon loses focus. Songs like Win and Fascination are burdened by jazzy instrumentation that overshadows Bowie's vocals. Although the harmonies add richness, they can't save the album from its bloated sound. The production is sleek but feels superficial. Fame, co-written with John Lennon, is a standout with its funky groove and sharp lyrics. However, much of the album lacks cohesion, wandering through genres without clear direction. The ambitious blend of soul, funk, and rock results in a mixed bag of tracks, some memorable and others forgettable. NUMBER OF BANGERS - 1 STAND OUT TRACK - Young Americans

Songs of Leonard Cohen defies expectations by offering more than just melancholy. While introspective, the album's emotional range surprises with moments of vivid storytelling and poetic grace. Tracks like Suzanne and Sisters of Mercy exemplify Cohen's ability to weave rich narratives through his profound lyrics and deep, resonant voice. Despite its strengths, the album can feel somewhat repetitive, with songs blending into each other. So Long, Marianne stands out as a poignant highlight, breaking the album's continuity with its heartfelt melody and sincere lyrics. NUMBER OF BANGERS - 1 STAND OUT TRACK - So Long Marianne

Dummy is a seminal album that defines the trip-hop genre with its haunting melodies and atmospheric production. From the opening track, Mysterons, the album immerses listeners in a brooding soundscape of eerie synths and hypnotic beats. Beth Gibbons' vocals are a standout, delivering a mix of vulnerability and intensity that perfectly complements the dark, cinematic instrumentals. The use of sampling and live instrumentation gives the album a timeless quality, making it feel both retro and ahead of its time. The production, handled by band member Geoff Barrow, is meticulous, with each track meticulously crafted to create a rich, immersive listening experience. Dummy is not just background music; it's an album that demands attention and rewards repeated listens with its intricate layers and subtle details. Despite its melancholic tone, the album never feels oppressive, instead offering a kind of cathartic release through its emotive soundscapes. Overall, Dummy is a masterclass in mood and atmosphere, showcasing Portishead's unique vision and musical prowess. It's a must-listen for anyone interested in the evolution of electronic music and the enduring power of a well-crafted album. NUMBER OF BANGERS - 8 STAND OUT TRACK -Strangers

Neil Young's On the Beach is a melancholic yet compelling album that showcases his signature raw emotion and stark storytelling. Although it may not be hailed as his finest work, the album remains deeply engaging and evocative. Tracks like Ambulance Blues and Revolution Blues stand out with their haunting lyrics and distinctive melodies, reflecting Young's introspective and sometimes sombre perspective. The production, while minimalist, complements the album's mood perfectly, emphasising Young's poignant vocal delivery and guitar work. Despite its downbeat tone, On the Beach retains a certain charm and authenticity that resonates with listeners. NUMBER OF BANGERS - 2 STAND OUT TRACK - Ambulance Blues

Joni Mitchell's Blue is a timeless masterpiece that exudes warmth and comfort, evoking a deep sense of nostalgia. The album, with its introspective lyrics and soulful melodies, has a unique ability to transport to a place of solace and familiarity. Each track is a heartfelt journey, revealing Mitchell's raw emotions and profound vulnerability. Songs like A Case of You and River stand out with their poignant storytelling and haunting beauty. Mitchell's poetic genius shines through every song, weaving a tapestry of love, loss, and self-discovery. Her ability to capture the complexities of the human experience in such a soothing manner is truly remarkable. Blue is not just an album; it's a cherished piece of art that continues to resonate deeply with each listen. NUMBER OF BANGERS - 8 STAND OUT TRACK - River

Slippery When Wet is a quintessential example of blue-collar rock from the 1980s. Filled with anthemic tracks like Livin' on a Prayer and You Give Love a Bad Name, the album captures the raw energy and rebellious spirit of the era. Jon Bon Jovi's emotive vocals and the band's gritty guitar-driven sound define its appeal. However, it's the prominent use of keyboards that gives it a distinctly 80s feel, which makes it feel dated. Despite this, the album's commercial success catapulted Bon Jovi to international fame, cementing its place in rock history as an enduring classic of its time. NUMBER OF BANGERS - 3 STAND OUT TRACK - Wild in the Streets

Arrival presents a collection of catchy pop tunes with the band's trademark polished production. Released in 1976, it includes memorable hits like Dancing Queen and Knowing Me, Knowing You. The album's upbeat melodies and sophisticated instrumentation highlight ABBA's musical abilities, though I found most tracks overly sweet or lacking in depth. While widely regarded as a classic pop record, it didn't particularly stand out for me, it undeniably holds a significant place in ABBA's legacy and the history of pop music. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Savane by Ali Farka Touré is a captivating journey into the heart of traditional Malian music, beautifully merging ancient sounds with subtle modern touches. Touré's guitar work stands out, offering intricate and expressive melodies that showcase his exceptional talent. The album's production is impeccable, highlighting the natural beauty of each instrument. Vocals are delivered with heartfelt sincerity, adding an emotional depth to the piece. Savane manages to be both profound and accessible, a testament to Touré's skill and creativity. NUMBER OF BANGERS - 2 STAND OUT TRACK - Penda Yoro

Natty Dread by Bob Marley and the Wailers is a standout album that captures Marley's signature blend of catchy rhythms and captivating messages. Released in 1974, the album includes the iconic No Woman, No Cry, which has become a timeless anthem with its emotive lyrics and memorable chorus. Tracks like Lively Up Yourself and Rebel Music combine engaging melodies with pointed social commentary, showcasing Marley's skill in addressing serious issues through accessible music. Natty Dread successfully balances traditional reggae elements with a broader appeal, making it both authentic and widely relatable. The album's infectious energy and lyrical depth ensure its lasting impact. As a pivotal work in Marley's discography, Natty Dread continues to resonate with audiences worldwide. Its blend of catchy tunes and meaningful messages solidifies its place in music history. NUMBER OF BANGERS - 5 STAND OUT TRACK - Them Belly Full (But We Hungry)

Get Behind Me Satan is a solid album that features some standout tracks, though it doesn't quite match the impact of their previous work. Songs like Blue Orchid and My Doorbell are catchy and showcase the band's knack for memorable hooks. The production is polished, and the duo's chemistry is evident, but the album's pacing is uneven. While Get Behind Me Satan offers plenty to enjoy, it doesn't quite capture the same magic as their breakthrough releases. It's an interesting evolution in their sound, showing growth and exploration, but it leaves me yearning for the raw simplicity of their earlier music. NUMBER OF BANGERS - 6 STAND OUT TRACK - I'm Lonely (But I Ain't That Lonely Yet)

AmeriKKKa's Most Wanted delivers powerful beats that are undeniably compelling, showcasing top-notch production. Tracks like The ... Ya Love to Hate and AmeriKKKa's Most Wanted stand out with their hard-hitting rhythms and engaging hooks. However, the album's lyrics are controversial and problematic, even for its time, often containing inflammatory and misogynistic content. Ice Cube's delivery is intense and confident, reflecting his skill as an MC. Despite its lyrical issues, the album captures the raw energy and frustration of the era. The production by The Bomb Squad elevates the overall sound, blending funk, rock, and hip-hop seamlessly. While the beats and production are exceptional, the lyrical content was a bit alienating. Overall, AmeriKKKa's Most Wanted is a significant piece of hip-hop history, marked by great beats but marred by questionable lyrics. NUMBER OF BANGERS - 4 STAND OUT TRACK - AmeriKKKa's Most Wanted

The United States of America is a vivid capsule of the late 1960s, merging psychedelic rock with avant-garde electronics. Each track offers a kaleidoscopic journey with unconventional structures and surreal lyrics. Joseph Byrd's male vocals provide a grounded presence, while Dorothy Moskowitz's haunting female vocals add an ethereal layer that can feel disjointed. The avant-garde nature often feels like it demands an altered state of mind to fully appreciate its experimental depths. The complexity can be overwhelming, making it a challenging listen for those unaccustomed to such an unorthodox approach. This quality, however, makes the album a remarkable piece of its era, pushing the boundaries of rock music. It captures the spirit of experimentation and the search for new musical frontiers. For those embracing its eccentricities, The United States of America offers a unique and rewarding auditory experience. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Foo Fighters' self-titled debut album is a smashing entry into the rock scene, showcasing Dave Grohl's impressive talents as a multi-instrumentalist. Grohl plays all the instruments on the record, signaling a decisive move away from his grunge roots with Nirvana. This album cements his new direction, embracing a more melodic and energetic rock sound. The raw energy and catchy hooks remain compelling, proving that the album still sounds great today. Standout tracks like This Is a Call and Big Me highlight Grohl's ability to blend powerful riffs with memorable melodies. Despite being a solo effort, the album feels cohesive and reflects Grohl's clear artistic vision. The mix of hard-hitting rock anthems and introspective moments adds depth and variety. Foo Fighters is not just a solid debut but a foundational record that set the stage for the band's future success. NUMBER OF BANGERS - 7 STAND OUT TRACK - Big Me

Electric Warrior by T. Rex stands as a quintessential glam rock album, with Marc Bolan's super vocals leading the charge. The record exudes a cool, laid-back vibe that captures the spirit of the early 1970s. While some rhythms and riffs may feel repetitive, they contribute to the album's hypnotic and cohesive quality. Tracks like Get It On and Jeepster showcase Bolan's knack for catchy melodies and charismatic delivery. The production, rich with layered guitars and lush arrangements, enhances the overall experience. Each song flows seamlessly into the next, creating a unified listening journey. Despite the occasional repetitive rhythm, the album's charm and swagger keep it engaging throughout. Bolan's vocal performance is consistently compelling, injecting each track with personality and flair. The balance of rock anthems and softer, more introspective songs adds depth to the album. NUMBER OF BANGERS - 6 STAND OUT TRACK - Life's a Gas

Melody A.M. by Röyksopp offers a sleek, chilled-out listening experience that is perfectly fine for background music. The Norwegian duo crafts smooth, downtempo electronica with polished production and lush soundscapes. Tracks like Eple and Poor Leno highlight their ability to blend catchy beats with atmospheric elements. However, despite its polished sound, the album lacks the engaging qualities needed to fully capture and hold my interest. The melodies, while pleasant, often feel repetitive and fail to build to any memorable peaks. There's a sense of sameness throughout the album that makes it difficult to distinguish one track from another. The vocals are understated, adding to the overall laid-back vibe but not providing much in terms of dynamic variation. The production is undeniably clean, but it sometimes feels overly slick, lacking the raw energy or emotional depth that could make the music more compelling. While Melody A.M. serves well as unobtrusive background music, it doesn't offer enough intrigue or excitement to stand out as a truly captivating listen. The album's cool, ambient tones are soothing but ultimately too passive to leave a lasting impression. For those looking for engaging, dynamic electronica, this album might fall short. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

CeeLo Green Is the Soul Machine is a pleasantly surprising blend of hip-hop, soul, and funk. CeeLo’s powerful vocals shine throughout the album, showcasing his impressive range and emotive delivery. The production is rich and varied, offering a contemporary twist on classic sounds. One of the standout aspects is the clever nods to other artists, including tributes to Steely Dan, Musical Youth, and Oasis. These references add a layer of nostalgia and depth, enriching the listening experience. Tracks like I'll Be Around and Closet Freak demonstrate CeeLo's ability to blend modern beats with vintage soul influences. The album flows seamlessly from one track to the next, maintaining a cohesive yet diverse sound. Each song brings its own unique flavour while contributing to the overall vibe of the record. CeeLo’s lyrical prowess is evident, with witty wordplay and insightful commentary woven throughout. CeeLo Green Is the Soul Machine stands out as a creative and engaging project that successfully bridges the gap between old-school soul and modern hip-hop. The album's infectious energy and memorable hooks make it a standout in CeeLo’s discography. Overall, it’s a thoroughly enjoyable listen that honours musical heritage while forging its own path. NUMBER OF BANGERS - 6 STAND OUT TRACK - All Day Love Affair

Cloud Nine by The Temptations delivers a solid collection of tracks featuring great harmonies and smooth vocal performances. The album showcases the group's signature blend of soul and pop, with each member contributing to the rich, layered sound. Tracks like Cloud Nine and Runaway Child, Running Wild highlight their ability to mix emotional depth with catchy rhythms. While the album overall is enjoyable, it doesn’t always push the boundaries of the genre. Some songs can feel formulaic, lacking the innovation that might set it apart from their previous work. The production is polished and well-executed, but it occasionally leans towards a safe, conventional approach. Despite these minor drawbacks, Cloud Nine remains a testament to The Temptations' vocal prowess and harmonisation skills. The interplay between the voices is a standout feature, elevating even the more routine tracks. The album flows smoothly, maintaining a cohesive feel from start to finish. Cloud Nine is a good, solid effort from The Temptations, with enough highlights to make it worth listening to for fans of the genre. It may not be groundbreaking, but its strong harmonies and consistent quality make it a worthwhile addition to their discography. NUMBER OF BANGERS - 5 STAND OUT TRACK - Why Did She Have to Leave Me (Why Did She Have to Go)

Robbie Williams' Life Thru a Lens is a pop album bursting with catchy hooks and memorable melodies. The album’s strength lies in its infectious pop tunes, each one engaging or fun. While Williams' vocal performance isn't the most powerful, his charisma shines through every track. The production is polished and energetic, creating a cohesive sound throughout. Songs like Angels and Let Me Entertain You showcase his talent for blending rhythms with sing-along choruses. The album balances high-energy tracks with softer moments, providing variety. Overall, it's a delightful collection that highlights Williams' skill in creating irresistible pop music. NUMBER OF BANGERS - 7 STAND OUT TRACK - Let Me Entertain You

Arrested Development's debut album, 3 Years, 5 Months and 2 Days in the Life of..., delivers powerful messages wrapped in cheerful melodies. Released in 1992, this album stands out for its positive and uplifting themes, contrasting with the often violent and misogynistic content prevalent in hip-hop at the time. Songs like Tennessee and People Everyday emphasise social consciousness and self-reflection, offering listeners an insightful look into the artist's lives. The group incorporates elements of soul, funk, and gospel, creating a bright and summery sound that feels both refreshing and inspiring. Arrested Development's approach to hip-hop is less about aggression and more about empowerment and positivity. The album's innovative style and substance set it apart, earning critical acclaim and commercial success. Its blend of optimism and authenticity makes it a timeless classic that continues to influence artists today. NUMBER OF BANGERS - 11 STAND OUT TRACK - Mama's Always on Stage

Recorded at the Newport Jazz Festival, At Newport 1960 captures the blues legend in a live setting where his talent is undeniable. Muddy's gritty vocals and guitar work are impressive, but the performance can feel a bit repetitive. The songs tend to blend into one another, making it difficult to distinguish when one track ends and another begins. While the band's musicianship is strong, the set lacks dynamic shifts that might keep listeners on their toes. Despite these issues, the album remains an important document of Muddy Waters' live performances. NUMBER OF BANGERS - 4 STAND OUT TRACK - Tiger in Your Tank

Jane's Addiction's Nothing's Shocking, released in 1988, is a pivotal album that laid the groundwork for modern alternative rock. The album bursts with power and energy, seamlessly blending punk, metal, and psychedelic rock into a sound that was groundbreaking for its time. Perry Farrell's emotive and intriguing vocals give the album a distinctive edge, moving effortlessly from haunting whispers to intense wails. Jane Says stands out as a sweet and catchy song, featuring poignant lyrics about addiction and longing that have resonated with listeners for decades. The album's raw energy and innovative approach are evident in tracks like Ocean Size and Mountain Song, which showcase the band's ability to fuse aggression with melody. While some tracks verge on overindulgence, the overall impact is one of bold creativity and ambition. Nothing's Shocking challenged musical conventions and inspired countless artists in the alternative scene. Its fearless exploration of themes and sounds helped redefine what rock music could be. Even decades after its release, the album remains a powerful influence, continuing to captivate new generations with its intensity and authenticity. NUMBER OF BANGERS - 6 STAND OUT TRACK - Jane Says

Supergrass's second album, In It for the Money, marks a significant step forward in the band's musical maturity since their debut. Released in 1997, the album showcases a depth and complexity that sets it apart from much of the indie rock of its time. The band moves beyond the youthful exuberance of their first album, displaying a wider range of musical styles and more sophisticated songwriting. Tracks like Richard III and Late in the Day demonstrate their skill and ambition, blending catchy hooks with intricate arrangements. The album's production is polished yet retains the raw energy that Supergrass is known for, giving each song a distinctive edge. Gaz Coombes’ vocals are more nuanced and expressive, adding an emotional depth to the lyrics. The band experiments with different genres, incorporating elements of psychedelic rock, funk, and Britpop, which keeps the album engaging from start to finish. Songs like Sun Hits the Sky reveal a confident band unafraid to push boundaries and explore new sonic territories. The album balances upbeat tracks with introspective moments, showcasing the band's versatility and growth. Overall, In It for the Money is a standout release that solidifies Supergrass's place in the alternative rock scene and highlights their evolution as artists. NUMBER OF BANGERS - 9 STAND OUT TRACK - It's Not Me

Arise is a brutal and relentless assault on the senses, showcasing the band's undeniable talent and stamina. Released in 1991, the album is a landmark in the death and thrash metal genres, known for its intense and aggressive sound. From the opening track, Arise, the band unleashes a barrage of pounding drums, blistering guitar riffs, and guttural vocals. While there's no denying the technical skill and precision of the musicians, the album can feel overwhelming, akin to having someone drill into your skull for the duration. Songs like Dead Embryonic Cells and Desperate Cry are relentless in their ferocity, leaving little room for subtlety or variation. The production is raw and powerful, capturing the band's live energy but offering little reprieve for the listener. Although the album's intensity is impressive, it lacks moments of contrast that might give the listener a break from the onslaught. The album is a testament to Sepultura's mastery of the metal genre, but its unrelenting nature may not be for everyone. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Jefferson Airplane's Surrealistic Pillow, released in 1967, is a defining album of the psychedelic rock era. The album features iconic tracks like Somebody to Love and White Rabbit, which capture the spirit of the 1960s counterculture. The male vocals from Marty Balin and Paul Kantner are generally more appealing and accessible, while Grace Slick's distinctive voice, although powerful, can be polarising. The production quality is clear and highlights the band’s musical talent, yet the album occasionally lacks focus, with some tracks feeling more like experiments rather than polished songs. NUMBER OF BANGERS - 4 STAND OUT TRACK - 3/5 of a Mile in 10 Seconds

Nebraska is an underrated masterpiece that showcases his storytelling prowess through a collection of ten hauntingly perfect short stories. Released in 1982, the album presents a stark, stripped-down sound that deviates from Springsteen's usual rock style with the E Street Band. Recorded on a 4-track recorder at his home, these tracks were initially intended as demos but ultimately released in their raw form. The decision to release the songs as they were adds a layer of authenticity and intimacy to the album. The characters in these songs are desperate and ground down by life, ranging from criminals to bitter individuals grappling with their circumstances. The minimalist production enhances the bleak themes, allowing Springsteen's evocative lyrics and emotive voice to take centre stage. The album's lo-fi quality gives it a haunting and timeless feel that rewards listeners with each repeat listen. Despite its initial reception, the album has grown in stature over the years, standing as a testament to Springsteen's skill as a songwriter and storyteller. NUMBER OF BANGERS - 8 STAND OUT TRACK - Atlantic City

Throwing Muses' self-titled debut album is a distinct entry in the alternative rock scene, characterised by its raw and often dissonant sound. Kristin Hersh's intense vocals and complex guitar work create a challenging listening experience that stands out from mainstream rock. The band's willingness to experiment with tempo and dynamics adds a layer of unpredictability to the album. While the album is noteworthy for its innovation, I find Tanya Donelly's later work with Belly more appealing. Her songwriting and vocal style in Belly's Star are more polished and accessible. NUMBER OF BANGERS - 5 STAND OUT TRACK - Rabbits Dying

The Ramones' self-titled debut album is a whirlwind of uptempo fun, capturing the essence of punk rock in its purest form. With its fast-paced rhythms, catchy hooks, and raw energy, the album delivers an exhilarating listening experience from start to finish. Songs like Blitzkrieg Bop and Beat on the Brat are infectious anthems that define the band's signature sound. Each track is a short, sharp burst of rebellious spirit, clocking in at around two minutes, ensuring there's never a dull moment. The simplicity of the guitar riffs and the straightforward lyrics create an immediacy that is both refreshing and engaging. Joey Ramone's distinctive voice, combined with Johnny Ramone's relentless guitar, sets the tone for the album's relentless drive. While the production is deliberately rough around the edges, it adds to the album's raw charm and authenticity. The Ramones' minimalist approach strips rock music down to its bare essentials, emphasising energy and attitude over technical prowess. This debut album not only laid the groundwork for punk rock but also influenced countless bands across various genres. Overall, Ramones is a timeless classic that continues to captivate listeners with its spirited and unpretentious style. Its enduring appeal lies in its ability to convey pure, unadulterated fun, making it a must-listen for any rock enthusiast. Whether you're a longtime fan or a newcomer, this album's infectious energy and rebellious charm are sure to leave a lasting impression. NUMBER OF BANGERS - 9 STAND OUT TRACK - Judy is a Punk

África Brasil by Jorge Ben is a lively album that blends Brazilian rhythms with funk and soul, making it surprisingly accessible. Ben’s distinctive voice and energetic delivery give the record a vibrant feel. While the album successfully merges traditional Brazilian sounds with contemporary influences, it maintains a polished yet organic production. Its mix of styles offers a fresh listening experience without being overly complex. The result is an approachable and enjoyable record that highlights Ben’s musical versatility. África Brasil stands out for its ability to make eclectic sounds accessible to a broad audience. It’s a solid introduction to Jorge Ben’s work and an enjoyable listen for fans of Brazilian and global music. NUMBER OF BANGERS - 1 STAND OUT TRACK - Ponta De Lanca Africano

Chris by Christine and the Queens offers a mix of electro-pop and mellow tracks. The album’s upbeat electro-pop elements are skilfully done, but I found the more subdued tunes to be more compelling. Songs like 5 Dollars and Doesn't Matter highlight Christine's strong, emotive vocals and introspective lyrics. Christine's voice stands out, adding depth to the quieter moments of the album. While the polished production and electronic beats are impressive, they overshadow the softer tracks that resonate more with me. Overall, Chris is a well-crafted album with standout mellow tracks, though the electro-pop elements did not appeal with me. It’s a solid listen, especially for those who enjoy a blend of energetic and reflective music. NUMBER OF BANGERS - 2 STAND OUT TRACK - 5 Dollars

Moss Side Story is an album that demonstrates clear skill and artistry, crafting a soundscape rich in atmosphere and mood. The music evokes a sense of intrigue and suspense that reminds me of the eerie, surreal vibes of Twin Peaks. The album's detailed production and layered instrumentation create a vivid, cinematic experience that feels almost like a soundtrack to an unfolding mystery. However, while the album excels in creating a compelling atmosphere, it is somewhat less engaging when listened to in isolation. The lack of visual elements means the music’s narrative depth can be harder to fully appreciate without accompanying imagery. The tracks are intriguing but might benefit from a visual component to enhance their impact. Overall, Moss Side Story is a testament to the artists’ skill in crafting immersive, evocative soundscapes. It offers a unique listening experience that feels rich and textured, though its full potential might be realised through a visual medium. For those who enjoy music with a strong sense of atmosphere, this album is worth exploring, but its standalone appeal may be somewhat limited. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Van Halen's self-titled debut album is a high-octane showcase of rock prowess, clearly highlighting the band's exceptional talent. With Eddie Van Halen's groundbreaking guitar work at the forefront, the album presents a series of tight, well-executed tracks that capture the essence of late 1970s rock. The chemistry between the band members is palpable, creating a sound that is both energetic and polished. While the album has its moments of brilliance, such as the iconic riffs in Eruption and the infectious energy of "You Really Got Me," it remains very much a product of its time. Some tracks are undeniably impressive and demonstrate sparks of genius, particularly in Eddie's innovative guitar solos. However, not every song reaches these heights; the rest of the album is solid but falls into the category of competent, if somewhat conventional, rock. NUMBER OF BANGERS - 3 STAND OUT TRACK - Ice Cream Man

Sao Paulo Confessions by Suba is a captivating blend of electronic music and Brazilian rhythms, showcasing the late artist's depth and ambition. It features a unique fusion of genres that highlights Suba's innovative spirit and potential for greatness, tragically cut short by his untimely passing. The tracks are richly layered and offer a glimpse into Suba's creative mind, but the album as a whole feels a bit lengthy and heavy. Despite its flaws, it presents a distinctive soundscape that stands out in the electronic music genre. Suba's work on this album hints at a promising career that could have soared to great heights. The production quality is top-notch, and the cultural influences are seamlessly integrated. Sao Paulo Confessions is worth a listen for its artistic ambition, even if it doesn't invite multiple replays. It serves as a poignant reminder of what could have been for an artist on the cusp of a major breakthrough. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Risqueis an album that captures the essence of funk and disco but despite this achievement falls short in several areas. The songs tend to be quite long, which can make them feel drawn-out and monotonous. I struggled to connect with the vocals, as they lack the emotional depth, I usually seek. However, I can understand why some of the tracks are sampled; the instrumental snippets are exceptionally tight and well-crafted. The musicianship is evident, and the rhythm sections are solid. Yet, despite the technical proficiency, the overall listening experience feels a bit dull and uninspired. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Band on the Run, released in 1973, is a hallmark of Paul McCartney and Wings' discography. The album showcases McCartney's songwriting skills and the band's willingness to experiment with various musical styles. The title track, Band on the Run, is a multi-part piece that sets an adventurous tone. Jet follows with its energetic brass arrangement, making it a standout. Bluebird introduces a gentle, jazz-influenced sound, while Let Me Roll It opts for a raw, bluesy feel. However, the album's eclectic nature can feel uneven at times. Picasso's Last Words (Drink to Me) exemplifies this with its fragmented structure, though it remains an interesting homage to Picasso. Overall, Band on the Run blends memorable melodies with ambitious arrangements, making it a unique and enduring entry in McCartney's post-Beatles work. NUMBER OF BANGERS - 5 STAND OUT TRACK - Let Me Roll It

People's Instinctive Travels and the Paths of Rhythm, released in 1990, marks the innovative debut of A Tribe Called Quest. The album showcases the group's unique rap flow, blending smooth, conversational delivery with thoughtful lyrics. Tracks like I Left My Wallet in El Segundo hint at the band's future direction, combining storytelling with a laid-back vibe. The album's production, characterized by eclectic samples and jazz influences, sets it apart, though the backing music can sometimes feel less polished compared to the vocals. Songs such as Bonita Applebum and Can I Kick It? highlight the group's ability to create catchy, memorable hooks. However, the album occasionally suffers from repetitive beats and less dynamic instrumental arrangements. Despite this, the overall cohesion and originality make it a significant entry in the hip-hop genre. NUMBER OF BANGERS - 3 STAND OUT TRACK - I Left My Wallet in El Segundo

Selling England by the Pound, released in 1973, showcases Genesis's technical skill and ambitious compositions. The album is more palatable than many other progressive rock albums, though it occasionally ventures into self-indulgence. Peter Gabriel's vocals and storytelling add a distinctive touch, though some may find the English folklore themes a bit niche. The instrumental sections are intricate and well-executed, but they can sometimes feel overly complex. While the album has memorable moments, it also has parts that might test the patience of those less enamoured with prog-rock's excesses. Overall, Selling England by the Pound strikes a balance between skilled musicianship and accessibility, though it occasionally leans too heavily into its own ambition. The album's creativity is evident, even if it isn't always cohesive. For those who appreciate technical rock with a touch of narrative, it's a solid, if sometimes indulgent, listen. NUMBER OF BANGERS - 1 STAND OUT TRACK - The Battle of Epping Forest

CrazySexyCool by TLC is a groundbreaking album that solidified the group's place in R&B history. The blend of T-Boz, Left Eye, and Chilli's voices creates a unique and harmonious sound that's both captivating and soulful. When it's good, it's phenomenal, with standout tracks like Creep and Waterfalls showcasing their innovative approach to music and compelling storytelling. The album's production is slick, with smooth beats and lush arrangements that perfectly complement the trio's vocals. CrazySexyCool remains more intriguing and engaging than most R&B offerings of its time. NUMBER OF BANGERS - 4 STAND OUT TRACK - Waterfalls

You've Come a Long Way, Baby by Fatboy Slim is a vibrant testament to Norman Cook's musical enthusiasm and innovative sampling. The album's standout tracks, Gangster Trippin and Praise You, effectively blend various genres, showcasing Cook's adeptness at creating catchy, memorable tunes. While not typically a fan of this genre, I found this album surprisingly accessible and engaging. Initially, I dismissed it, feeling overwhelmed by the market's saturation with big beat and electronic music. However, a closer listen reveals the craftsmanship and creativity that sets it apart. Cook's previous musical projects inform this work, but it ventures into new, refreshing territory. His infectious energy permeates the album, making it a unique entry in the late '90s music scene. NUMBER OF BANGERS - 6 STAND OUT TRACK - Gangster Trippin

Skylarking by XTC showcases the band's versatility and musical evolution. Feeling rather Beatles-esque in style, it diverges significantly from their earlier post-punk work, such as the hit Making Plans for Nigel. The album is rich with lush, melodic arrangements and intricate production, thanks in large part to producer Todd Rundgren. Dear God stands out as an exceptional track, with its provocative lyrics and compelling composition. While the rest of the album may not reach the same heights, it still contains several noteworthy songs. Tracks like Grass and The Meeting Place offer a pleasant listening experience with their whimsical and pastoral vibes. Skylarking is a commendable effort that highlights XTC's ability to reinvent themselves while maintaining their unique charm. NUMBER OF BANGERS - 4 STAND OUT TRACK - Dear God

The Holy Bible by Manic Street Preachers remains a powerful and haunting album, resonating deeply even decades after its release. The raw intensity of the lyrics, penned by Richey Edwards and Nicky Wire, confronts listeners with unflinching examinations of human suffering, political corruption, and personal despair. Musically, the album blends post-punk aggression with melodic hooks, creating a soundscape that's both abrasive and captivating. The production, handled by Steve Brown, captures the band's urgency and intensity, ensuring that every note and word hits with maximum impact. James Dean Bradfield's vocal delivery is both impassioned and harrowing, perfectly complementing the dark themes explored throughout the record. The album's cover art, featuring a triptych by Jenny Saville, adds another layer of depth to the project, visually representing the stark realities discussed within. Even today, The Holy Bible stands as a testament to the band's willingness to tackle difficult subjects head-on, refusing to shy away from the uncomfortable truths of existence. Its influence can be seen in the work of countless artists who have drawn inspiration from its fearless approach. NUMBER OF BANGERS - 9 STAND OUT TRACK - Yes

Off the Wall is often hailed as a classic, but for me, it it did not live up to its legendary status. Despite Quincy Jones' masterful production, the album feels overly slick and polished, potentially sacrificing raw energy for smoothness. Don't Stop 'Til You Get Enough stands out with its infectious groove and undeniable charisma, making it a high point of the record. However, the album struggles to maintain this momentum, with several tracks feeling overly long and repetitive. While Jackson's vocal performance is undeniably strong throughout, the overall effect of the album can seem more like a collection of well-produced but ultimately forgettable tracks. NUMBER OF BANGERS - 2 STAND OUT TRACK - Don't Stop 'Til You Get Enough

Blood Sugar Sex Magik, once a gateway to alternative music for many, feels somewhat overrated in hindsight. Musically, the album is solid, featuring Flea's innovative bass lines and John Frusciante's eclectic guitar work, which blend funk, rock, and punk elements seamlessly. The ballads on the album, like Under the Bridge and Breaking the Girl are undeniably strong and showcase the band's softer side with emotional depth. However, Anthony Kiedis' vocal style, particularly his scat styled singing, can feel limited and repetitive at times. While his energetic delivery works on tracks like Give It Away and Suck My Kiss, it lacks the versatility needed to sustain the album's length and variety. Now, with a more critical ear, some of the album's charm has worn off, and its flaws are more apparent. The production by Rick Rubin is polished, but this sheen can't fully mask the limitations in the vocal delivery and lyrical content. Even though it remains a pivotal work in the Red Hot Chili Peppers' discography but might feel more nostalgic than ground-breaking today. NUMBER OF BANGERS - 4 STAND OUT TRACK - Breaking the Girl

Listening to Marianne Faithfull's Broken English was a mixed experience for me. I found her voice raw and gritty, but instead of being intriguing, it felt grating and unpolished. Her cover of John Lennon's Working Class Hero was particularly disappointing; it lacked the emotional depth and subtlety of the original, feeling more like a harsh imitation. Similarly, her rendition of Dr. Hook's The Ballad of Lucy Jordan didn't capture the charm and poignancy that made the original so memorable. The production aimed to be edgy and contemporary, but often felt dated and overdone. Despite these issues, I did notice some moments of lyrical brilliance and bold themes in the album. Songs like the title track Broken English showed her willingness to tackle difficult subjects, even if the execution was uneven. Collaborations with musicians like Steve Winwood and Barry Reynolds brought a level of musical sophistication, but it wasn't enough to save the overall experience for me. While Broken English might appeal to fans of Faithfull's unique style, I found it to be a polarizing and challenging listen. It’s far from horrible, but certainly a long way from good. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

The Dreaming by Kate Bush is a wild and ambitious departure from her earlier work. This album is marked by its experimental nature, filled with eclectic sounds and unexpected turns. Bush incorporates random animal noises and unconventional instruments, creating a soundscape that is both chaotic and captivating. Tracks like Sat in Your Lap and the title track The Dreaming showcase her willingness to push the boundaries of pop music. However, this adventurous spirit also makes the album less accessible. The complexity and intensity of the arrangements can be overwhelming at times. Despite its eccentricities, The Dreaming remains an interesting listen, revealing new layers with each play. While it may not be one of my favourite Kate Bush albums, its boldness and creativity are undeniably impressive. It stands as a testament to Bush's fearless artistry and her desire to explore the outer limits of musical expression. NUMBER OF BANGERS - 2 STAND OUT TRACK - Suspended in Gaffa

R.E.M.'s Document is a standout album in the college rock genre, blending thought-provoking lyrics with infectious melodies. Released in 1987, it captures the band at a pivotal moment, where their underground roots began to meet mainstream success. Tracks like The One I Love and It's the End of the World as We Know It (And I Feel Fine) became anthems, showcasing Michael Stipe's enigmatic vocal delivery and Peter Buck's jangly guitar work. The album’s production, handled by Scott Litt and R.E.M., is crisp yet retains the raw energy of their earlier work. Lyrically, the album navigates political and social themes, offering a reflection on the turbulent times. Document also hints at the band’s evolving sound, foreshadowing the more polished, arena-ready direction they would take in the '90s. The fusion of catchy hooks with introspective, often cryptic lyrics makes the album both accessible and deep. It's a perfect representation of R.E.M.'s ability to balance artistry with appeal. Document remains a timeless piece, influencing countless bands that followed in their wake. For any fan of college rock, this album is a must-listen. NUMBER OF BANGERS - 5 STAND OUT TRACK - It's the End of the World as We Know It (And I Feel Fine)

Tom Tom Club's self-titled album is a quirky, eclectic mix of rhythms and sounds that foreshadows a catalogue of future samples for other artists. Released in 1981, this side project by Talking Heads' members Tina Weymouth and Chris Frantz explores a more playful, funk-infused direction. Tracks like Genius of Love and Wordy Rappinghood stand out as experimental, blending new wave, funk, and early hip-hop influences. While the album is undeniably innovative and has a unique charm, it can come across as a bit too offbeat. The lyrics are whimsical and often nonsensical, which adds to the album’s quirky feel but also detracts from its accessibility. The production is crisp, and the beats are infectious, yet the overall experience feels more like a curiosity than an album you'll keep on repeat. NUMBER OF BANGERS - 1 STAND OUT TRACK - On, On, On, On...

The Hissing of Summer Lawns by Joni Mitchell marks a departure from her earlier folk roots, diving deep into jazz-infused territory. While her poetic lyrics and storytelling remain strong, the album’s intricate jazz arrangements might not appeal to everyone, especially if you're more accustomed to her earlier work. The complex melodies and layered instrumentation can feel dense and less accessible, making it a challenging listen for those who prefer her simpler, acoustic sound. However, it’s not without its merits. Mitchell’s vocal delivery is as captivating as ever, and the album’s exploration of social themes is thought-provoking. Although it’s not a personal favourite, it’s clear that The Hissing of Summer Lawns showcases her artistic growth. It’s an album that some may appreciate for its boldness, but for those who prefer her more straightforward style, it might not hit the mark. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Déjà Vu by Crosby, Stills, Nash & Young is a stunning album that beautifully showcases their signature harmonies. The album exudes warmth and tenderness, creating a deeply immersive listening experience. Each track is infused with a rich, melodic quality that highlights the intricate vocal arrangements of the band. The lyrics explore themes of love, introspection, and social change, adding emotional depth to the music. The seamless blend of folk and rock elements offers a timeless quality that resonates throughout. Overall, Déjà Vu is a powerful testament to the band's ability to craft emotionally resonant and sonically rich music. NUMBER OF BANGERS - 8 STAND OUT TRACK - Helpless

I Want to See the Bright Lights Tonight by Richard and Linda Thompson is a captivating folk-rock gem. The album offers a poignant blend of melodic richness and lyrical depth, showcasing the Thompsons' exceptional songwriting and musical chemistry. Linda’s vocals are hauntingly beautiful, while Richard’s guitar work adds a raw, evocative edge to each track. Songs like When I Get to the Border and The Calvary Cross stand out for their emotional resonance and vivid storytelling. The production is understated yet effective, perfectly complementing the album’s introspective tone. Overall, it’s a compelling exploration of love, longing, and life's complexities, marked by its heartfelt performances and timeless quality. NUMBER OF BANGERS - 4 STAND OUT TRACK - When I Get to the Border

Twelve Dreams of Dr. Sardonicus by Spirit is a captivating fusion of psychedelic rock, folk, and jazz that remains fresh and innovative. The album's eclectic sound and adventurous spirit are reminiscent of the Super Furry Animals, with a similar playfulness and genre-blending approach. Each track offers something unique, creating a varied listening experience that keeps the listener engaged from start to finish. The intricate musicianship and rich production give the album a depth that rewards multiple listens. It's a timeless record, filled with creativity and unexpected twists, making it a standout in the psychedelic rock era and still enjoyable today. NUMBER OF BANGERS - 7 STAND OUT TRACK - Animal Zoo

Q: Are We Not Men? A: We Are Devo is an album that clearly showcases Devo's unique, quirky style, blending punk, new wave, and art rock into something distinctly their own. The band's offbeat energy and unconventional approach are undeniably cool, and it's easy to see why they have such a dedicated following. However, despite its innovative sound, the album can be a bit of a mixed experience. Some tracks are catchy and intriguing, but others feel repetitive or just miss the mark. The robotic vocals and jerky rhythms, while distinctive, may not resonate with everyone, making it a challenging listen at times. While it's far from horrible, it's also not the mind-blowing experience some might expect from such an iconic album. There are moments of brilliance, but they are balanced with parts that feel less engaging. Overall, it's an album that may grow on you with time, but for some, it might not fully click. Devo's influence and originality are clear, even if the album itself doesn't entirely captivate. NUMBER OF BANGERS - 1 STAND OUT TRACK - Uncontrollable Urge

With the Beatles marks a significant step in the band’s evolution, showcasing a more refined and polished sound compared to their debut. The raw energy of their early performances is still present, but it's now tempered with greater musical sophistication. Their harmonies are tighter, and the songwriting, particularly from Lennon and McCartney, displays a growing maturity. Songs like All My Loving and It Won't Be Long highlight their ability to craft catchy, yet complex, pop tunes. Overall, With the Beatles represents the band coming into their own, balancing the youthful exuberance of their early work with a more sophisticated and polished sound. However, some might miss the rawness that characterised their earlier performances. NUMBER OF BANGERS - 6 STAND OUT TRACK - All My Loving

Ocean Rain by Echo and the Bunnymen is a beautifully atmospheric album that highlights the band’s evolution, with Ian McCulloch’s haunting vocals taking center stage. The lush orchestration and cinematic quality of tracks like The Killing Moon and Ocean Rain add a new level of depth to their sound. McCulloch's voice, rich with emotion, perfectly complements the album's dark, romantic themes. While it leans more towards a polished and refined production, it still retains the band's distinctive edge. For fans who love the energy of Crocodiles and the sing-along appeal of earlier tracks, Ocean Rain offers a more expansive and introspective experience. The intricate arrangements and seamless flow of the album showcase the Bunnymen’s growing musical sophistication. Though different in tone, it stands as a powerful and memorable chapter in their discography, offering a haunting and immersive listening experience. NUMBER OF BANGERS - 4 STAND OUT TRACK - Seven Seas

Ragged Glory by Neil Young is a raw and powerful return to his electric roots, capturing the energy and spirit of his earlier work with Crazy Horse. The album's unpolished sound is intentional, with gritty guitar riffs and extended jams that embody the essence of garage rock. Tracks like F*!#in' Up and Over and Over are standouts, filled with relentless energy and a sense of reckless abandon. Young’s vocals are as passionate as ever, delivering lyrics that resonate with a mix of defiance and nostalgia. The album's rough edges and live-in-the-studio feel give it an authenticity that is both refreshing and timeless. Ragged Glory is a celebration of rock's raw power, with Young and Crazy Horse at their loudest and most unapologetic. While it may lack the polish of some of his other albums, its spirit and intensity make it a standout in his extensive catalogue. It's a testament to Neil Young's enduring ability to channel pure rock and roll energy. NUMBER OF BANGERS - 7 STAND OUT TRACK - Over and Over

The Miseducation of Lauryn Hill is a landmark album that showcases Lauryn Hill's exceptional vocal talent and musical versatility. Blending elements of hip-hop, R&B, soul, and reggae, the album is a rich tapestry of sounds, with Hill’s powerful and emotive voice at its core. Tracks like Ex-Factor and Doo Wop (That Thing) highlight her ability to seamlessly merge personal storytelling with sharp social commentary, making the album both deeply personal and universally relatable. The production is lush and varied, with each song offering something unique, whether it’s the soulful melodies or the intricate beats. However, at over an hour in length, the album can feel a bit stretched, with some tracks not quite matching the impact of the standout singles. Despite this, The Miseducation of Lauryn Hill is rightly considered a classic, with its influence still felt across genres today. Hill's debut remains a powerful statement of artistry and empowerment, solidifying her place as one of the most important voices of her generation. NUMBER OF BANGERS - 4 STAND OUT TRACK - Ex Factor

Out of the Blue is undeniably ambitious, filled with lush arrangements, soaring strings, and intricate production, which are trademarks of Lynne's style. However, many of the songs start off strong but then veer off into extended instrumental tangents that can feel self-indulgent and drag on. Tracks like Mr. Blue Sky and Turn to Stone have their moments, but they sometimes get lost in overly elaborate sections that disrupt the flow. While the album is packed with creative ideas and musical complexity, it can come across as overwhelming and meandering, especially for those who prefer Lynne’s more focused and concise work with other projects. Despite its acclaim, Out of the Blue might leave you wishing for more of the straightforward, tightly produced sound that Lynne has perfected elsewhere. NUMBER OF BANGERS - 2 STAND OUT TRACK - Summer and Lightning

Michael Kiwanuka's self-titled album, Kiwanuka, showcases his undeniable talent as a vocalist. His voice is rich, soulful, and carries an authenticity that draws you in from the first note. There’s a timeless quality to his voice that resonates deeply, reminiscent of classic soul artists. However, while his vocal delivery is undoubtedly strong, the album as a whole falls a bit short in leaving a lasting impact. The production is polished and the instrumentation is lush, blending elements of soul, folk, and jazz. Yet, despite these strengths, the album feels somewhat repetitive and lacks the dynamic energy that would elevate it from good to great. Many of the tracks blend together, making it difficult for any particular song to stand out. It’s a pleasant listen, but it may not be one you find yourself returning to often. NUMBER OF BANGERS - 3 STAND OUT TRACK Hero

Will the Circle Be Unbroken by The Nitty Gritty Dirt Band is an album that showcases the band’s exceptional skill and deep respect for traditional American music. The choice of songs is spot on, blending classic country, folk, and bluegrass tunes with impressive musicianship. The collaborations with legendary artists add authenticity and depth to the project. However, the album's biggest flaw is its length. At over two hours, it stretches on far too long, leaving you feeling fatigued long before the final track. While the quality of the music is undeniable, the sheer volume of content makes it feel more like a marathon than an enjoyable listening experience. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Aretha Franklin’s I Never Loved a Man the Way I Love You is a masterpiece that showcases her stunning, soulful voice in full bloom. The album is anchored by Franklin’s powerful and emotive performances, which bring a deep, heartfelt quality to each track. The arrangements are superb, blending classic soul with gospel influences to create a rich, dynamic sound. The title track, along with other standout songs like Respect and Do Right Woman, Do Right Man, highlights Franklin’s remarkable vocal range and emotional depth. The production is polished yet retains a raw, authentic edge that complements Franklin’s delivery perfectly. Each song feels like a personal revelation, making the album not just a collection of tracks but a profound musical experience. It’s a quintessential soul record that remains as captivating and influential today as ever. Overall, the album is a testament to Franklin’s extraordinary talent and enduring legacy. NUMBER OF BANGERS - 6 STAND OUT TRACK - I Never Loved a Man the Way I Love You

Solange’s A Seat at the Table showcases her distinct voice and thoughtful lyrics, but the album ultimately feels somewhat dull. While her voice is undeniably smooth and evocative, the music lacks the dynamic energy that might have made it more engaging. The messages throughout the album are powerful and relevant, addressing themes of identity and empowerment with sincerity. However, the slow tempo and minimalistic arrangements can make the tracks blend together, resulting in a monotonous listening experience. Despite the album’s introspective qualities and strong lyrical content, it struggles to captivate and maintain interest. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Trafalgar is an album rich with lovely harmonies, showcasing the group's signature vocal blend. However, the overall selection of songs feels somewhat dull and lacks the vibrancy of their best work. Many tracks seem to blend into one another, without offering the memorable hooks or emotional depth the band is known for. The standout track for me is Don't Wanna Live Inside Myself, which strikes a chord with its introspective lyrics and haunting melody. It bears a resemblance to Crosby, Stills, Nash & Young's Helpless, evoking a similar sense of melancholy and introspection. Trafalgar feels like a missed opportunity, with only a few moments of brilliance in an otherwise lacklustre collection. NUMBER OF BANGERS - 1 STAND OUT TRACK - Don't Wanna Live Inside Myself

Tracy Chapman's self-titled debut album is a poignant and powerful collection that blends folk, rock, and soul with raw, emotive storytelling. The album's most iconic track, Fast Car, captures the desperation and hope of escaping a cyclical life, showcasing Chapman's ability to craft vivid narratives. Talkin' bout a Revolution serves as a call to arms, highlighting the album's underlying themes of social justice and change. Throughout, Chapman's voice is both tender and fierce, a perfect match for the introspective lyrics that explore love, struggle, and resilience. The minimalist production allows her voice and guitar to take center stage, creating an intimate, almost haunting atmosphere. Tracks like Behind the Wall strip back the instrumentation entirely, relying solely on Chapman's a cappella delivery to convey the stark reality of domestic violence. The album's emotional depth and timeless relevance have cemented it as a classic, resonating with listeners across generations. Tracy Chapman's debut is a masterclass in storytelling and an enduring testament to the power of music to inspire change. NUMBER OF BANGERS - 4 STAND OUT TRACK - Fast Car

Isaac Hayes’ Shaft is a funky and slick album that perfectly captures the essence of 1970s soul and funk. The iconic title track, with its unforgettable guitar riff and commanding vocals, sets the tone for a record that is both cool and charismatic. While the album is often classified as a soundtrack, it feels more like a score in places, with several instrumental tracks that enhance the mood rather than stand out as individual songs. This gives the album a cinematic quality that adds depth but occasionally makes it feel more like background music than a collection of hits. Hayes’ rich baritone and creative arrangements shine throughout, bringing a unique flavour to the record. Despite this, Shaft remains an enjoyable listen, blending groovy rhythms with smooth orchestrations that embody the era. It's an album that holds its place in music history, even if not every track demands your attention. NUMBER OF BANGERS - 4 STAND OUT TRACK - Theme From Shaft

Peter Gabriel's third solo album, is a groundbreaking work that pushes the boundaries of art rock and explores darker, more experimental themes. The album is marked by its innovative use of production techniques, particularly the absence of cymbals in the drumming, which creates a tense, claustrophobic atmosphere. Songs like Intruder and No Self Control delve into psychological unrest and paranoia, with Gabriel's haunting vocals adding to the intensity. Games Without Frontiers offers a sharp critique of global politics, blending catchy melodies with unsettling undertones. The album's centerpiece, Biko, is a powerful anti-apartheid anthem that combines personal grief with a universal call for justice. Gabriel's willingness to embrace unconventional sounds and complex subjects makes Melt a daring and influential album. Its fusion of world music influences, electronic experimentation, and introspective lyrics sets it apart as one of Gabriel's most significant works. Melt is a bold statement of artistic intent, cementing Gabriel's reputation as a visionary in the world of music. NUMBER OF BANGERS - 3 STAND OUT TRACK - Biko

Highly Evolved is an impressive debut that masterfully blends grunge's raw edge with melodic sophistication. The album kicks off with a gritty intensity reminiscent of 90s grunge, driven by powerful guitars and driving drums. What sets it apart is the seamless integration of catchy melodies and lush harmonies that soften the rough edges, creating a unique sound. Tracks like Eclipse of Yesterday highlight this fusion perfectly, offering both angst and anthemic hooks. The songwriting is sharp, mixing introspective lyrics with memorable choruses that stick with you long after listening. The production maintains a gritty, lo-fi quality, paying homage to classic grunge while embracing modern sensibilities. Overall, Highly Evolved delivers a fresh take on familiar genres, offering a compelling listen for fans of both grunge and melodic music. NUMBER OF BANGERS - 7 STAND OUT TRACK - Ain't No Room

Tommy by The Who is often hailed as a groundbreaking rock opera, but its ambitious scope sometimes results in a long, dull, and overindulgent experience. The production and arrangements, while innovative, sometimes feel excessive, overshadowing the emotional core of the album. While tracks like Pinball Wizard stand out as high points, the overall experience can feel weighed down by its own ambition. Tommy is a landmark in rock history, but its grandeur might make it a tough listen. NUMBER OF BANGERS - 1 STAND OUT TRACK - Pinball Wizard

Fiona Apple's debut album, Tidal, is a bold and ambitious exploration of raw emotion and intricate musical arrangements. The album’s standout feature is Apple's deeply personal and confessional songwriting, which delves into themes of heartache and introspection with striking candour. Tracks like Criminal and Shadowboxer showcase her unique voice and intense vulnerability, setting her apart in the 90s music landscape. However, while Apple's ambition is evident, her style may come across as overly intense and emotionally heavy. Despite this, Fiona Apple's debut remains a compelling and noteworthy contribution to alternative music. NUMBER OF BANGERS - 2 STAND OUT TRACK - Carrion

The Only Ones’ self-titled album, presents a mixed bag of musical highs and lows. While the record features some compelling tracks, including the standout Another Girl, Another Planet, it ultimately struggles to maintain consistency throughout its duration. The band’s signature blend of punk and pop is evident, but many songs fail to match the energy and charm of their best work. The album’s overall cohesion suffers, as it feels uneven, with some tracks falling flat and lacking the impact of the standout hits. Although the standout song demonstrates the band’s talent and potential, it’s clear that one strong track alone doesn’t sustain the album’s momentum. The Only Ones has moments of brilliance but ultimately serves as a reminder that even great songs need a solid supporting cast to make a lasting impression. NUMBER OF BANGERS - 1 STAND OUT TRACK - Another Girl, Another Planet

Miles Davis’ In a Silent Way is a landmark in jazz fusion but can sometimes come across as more technically proficient than captivating. The album features a blend of jazz and ambient influences, showcasing Davis' innovative use of electric instruments and extended improvisations. While the title track and others display intricate arrangements and a sophisticated approach, the overall mood can feel subdued and lack the excitement of Davis' more dynamic works. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Erykah Badu’s Mama’s Gun showcases her distinctive voice and creative flair, with a range of inventive arrangements. Badu’s vocal performance is strong, delivering both emotional depth and technical skill. The album blends elements of funk, soul, and R&B, creating a varied soundscape. However, while the production is polished and the arrangements are intriguing, the overall style might not appeal to everyone. The album’s eclectic mix may not resonate with all listeners, including myself, but it’s clear that Badu has put significant effort into her craft. Mama’s Gun is a solid listen for those who appreciate genre-blending and soulful artistry. NUMBER OF BANGERS - 2 STAND OUT TRACK - Penitentiary Philosophy

Led Zeppelin IV often gets praise for its focused tracklist and it’s clear why. The album benefits from its shorter, more direct songs, which generally avoid the excesses found in some of their other work. Tracks like Black Dog and Rock and Roll offer solid, high-energy moments that keep the album engaging. However, it’s not without its flaws—some of the longer tracks, including Stairway to Heaven, can come off as overly self-indulgent. For those who might not be fans of the band, this album at least provides a decent introduction to their sound without overwhelming. NUMBER OF BANGERS - 3 STAND OUT TRACK - Rock and Roll

Desperate Youth, Blood Thirsty Babes is an intriguing and bold listen. When it's good, it really shines, blending atmospheric sounds with soulful melodies and sharp lyricism. However, there are moments when the album feels rambling and disjointed, losing focus in its experimental nature. Despite this, the uniqueness of the sound makes it worth exploring. At a time when much of the music scene was playing it safe, this album stood out for its willingness to push boundaries. Its fusion of indie rock, jazz, and electronic elements creates a fresh and unpredictable vibe. While it may not always land perfectly, the ambition and creativity are undeniable. For those seeking something different, this album offers a refreshing departure from the norm. NUMBER OF BANGERS - 2 STAND OUT TRACK - Staring at the Sun

The Velvet Underground & Nico is a groundbreaking album that redefined the boundaries of rock music. Released in 1967, its mix of avant-garde art, raw rock energy, and experimental sounds was unlike anything at the time. Tracks like Heroin and Venus in Furs dive deep into taboo themes, with dark, haunting lyrics and unconventional instrumentation that challenged societal norms. Though not a commercial success upon release, the album’s influence has since become legendary, inspiring generations of alternative and punk musicians. The album’s rough production only adds to its raw, edgy feel, making it all the more timeless. While some may find it polarising, The Velvet Underground & Nico remains a daring and visionary work that still resonates today. NUMBER OF BANGERS - 6 STAND OUT TRACK - Heroin

The Joshua Tree by U2 is the album where the band truly found their voice, blending political themes with spiritual introspection in a way that feels both universal and deeply personal. The album is filled with anthemic, atmospheric tracks like Where the Streets Have No Name and With or Without You, which showcase the band’s signature expansive sound and emotional depth. Bono’s vocals are captivating, carrying a raw intensity that elevates the powerful lyricism. The Edge’s guitar work is equally mesmerising, creating lush, reverberating soundscapes that perfectly complement the album’s themes of longing, faith, and identity. While some songs are more reflective, the entire album feels cohesive, balancing soaring highs with moments of quiet introspection. The Joshua Tree remains a timeless masterpiece, where U2 fully embraced their potential and delivered an album that continues to captivate decades later. NUMBER OF BANGERS - 10 STAND OUT TRACK - With or Without You

Trio by Dolly Parton, Linda Ronstadt, and Emmylou Harris features stunning vocal harmonies and exceptional skill. The album is a testament to the trio’s remarkable ability to blend their voices into rich, lush arrangements. Songs like To Know Him Is to Love Him and Wildflowers showcase their impeccable technique and the warm, inviting quality of their harmonies. Although the artistry and craftsmanship are evident, the style of music isn't to my personal taste. The mellow, country-folk sound, while beautifully executed, doesn’t resonate with me as much as other genres might. Despite this, I can certainly appreciate the skill and dedication that went into creating Trio. For fans of this genre, the album is likely to be a deeply rewarding listen. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Ill Communication is a dynamic, genre-blending album that fuses hip-hop, punk, and funk in a way that feels both playful and revolutionary. Released in 1994, it marked a turning point for the group, solidifying their place as genre innovators. The album is a mix of high-energy beats and experimental production, balancing a chaotic, rebellious spirit with intricate musicianship. Its standout feature is the way the Beastie Boys confidently shift between musical styles, one minute delivering gritty punk, the next leaning into smooth, jazz-infused grooves. The production, helmed by Mario Caldato Jr., captures the rawness of live instrumentation while maintaining the polished feel of a studio album. Across its 20 tracks, Ill Communication showcases the group’s knack for combining diverse elements into something cohesive and entirely their own. The album’s eclectic sound is matched by the Beastie Boys' signature blend of humour and social commentary, making it both fun and thought-provoking. While Ill Communication is rooted in the alternative ‘90s culture, its bold mix of styles has kept it feeling timeless. It’s not just an album, it’s a statement on musical experimentation, proving the Beastie Boys’ refusal to be confined to a single genre. NUMBER OF BANGERS - 10 STAND OUT TRACK - Sure Shot

Music for the Jilted Generation by is an intriguing blend of electronic, rave, and punk that attempts to channel the frustrations of a disillusioned youth. While tracks like Voodoo People and Poison showcase the group’s talent for crafting infectious beats, the album often feels bogged down by its own repetitiveness. The intensity and energy that initially grab your attention can become monotonous after a while, making it difficult to maintain engagement through the entirety of the album. Themes of rebellion and societal discontent are present, but they can feel somewhat superficial in their execution. The bold production choices are impressive, yet they occasionally overshadow the musicality itself. As the album progresses, it seems to fall into a predictable pattern that lacks the dynamism needed to sustain interest. While Music for the Jilted Generation certainly has its moments, it ultimately feels like a missed opportunity to fully explore its potential. Overall, it stands as a landmark in the 90s electronic scene, but it doesn't quite resonate as deeply as one might hope. NUMBER OF BANGERS - 3 STAND OUT TRACK - Voodoo People

Only by the Night showcases Kings of Leon's signature sound but lacks the raw energy that defined their earlier albums. While it features some catchy tracks, it doesn’t quite capture the fire of Youth and Young Manhood or Aha Shake Heartbreak. The production is polished, and the band’s maturation is evident, but this also feels like a double-edged sword. There are standout singles like Use Somebody that hint at their commercial appeal, suggesting they may be on the path to becoming a singles band. Compared to their third album, Because of the Times, this release feels more cohesive, even if it’s not as compelling overall. Fans will appreciate the melodic hooks, but the deeper, grittier sound is noticeably absent. It’s a solid effort that showcases growth, but one can't help but long for the fire of their earlier days. Overall, Only by the Night is decent, striking a balance between accessibility and artistry, but leaves you wanting more. NUMBER OF BANGERS - 4 STAND OUT TRACK - Manhattan

American Beauty by the Grateful Dead offers a rich tapestry of melodies and harmonies, showcasing the band’s unique blend of rock, folk, and country influences. While the album is undeniably pleasant, some tracks feel a bit samey, lacking the dynamic variation that characterises their best work. The vocal harmonies are a standout feature, creating an inviting atmosphere throughout the record. Songs like Friend of the Devil and Ripple have become timeless classics, exemplifying the band’s lyrical storytelling and melodic charm. However, certain moments might blend together, making the listening experience feel somewhat uniform. The production is warm and organic, perfectly capturing the essence of the early '70s. Fans will appreciate the heartfelt performances, but those seeking more adventurous sounds might find it less captivating. Overall, American Beauty is a solid, enjoyable album that highlights the band’s strengths, even if it occasionally lacks the edge of their more eclectic efforts. NUMBER OF BANGERS - 2 STAND OUT TRACK - Box of Rain

Parsley, Sage, Rosemary and Thyme showcases Simon & Garfunkel's signature gorgeous harmonies and thoughtful songwriting. The lush arrangements create an immersive listening experience that beautifully complements their vocal interplay. While it may not be my favourite album from the duo, it still delivers memorable moments, such as Homeward Bound and The 59th Street Bridge Song. The lyrical depth reflects the social issues of the time, adding a layer of resonance to the music. The overall production is polished and evocative, making it a joy to listen to. The album's themes of love and introspection resonate throughout, showcasing their talent for storytelling. Overall, Parsley, Sage, Rosemary and Thyme is a wonderful album that highlights Simon & Garfunkel's artistry, even if it doesn't quite reach the heights of their best efforts. NUMBER OF BANGERS - 4 STAND OUT TRACK - Homeward Bound

Selected Ambient Works 85-92 is a masterclass in early electronic music, showcasing skilled production and innovative soundscapes. The album opens with a captivating mix of dreamy textures and ethereal melodies that immediately draw the listener in. Tracks like Xtal and Tha are particularly interesting, blending hypnotic rhythms with lush synths that create a truly immersive experience. However, as the album progresses, some tracks begin to feel a bit samey, leading to a loss of momentum in the latter half. While the consistency in mood is admirable, it can also make the listening experience feel a tad monotonous. Nevertheless, the intricate layering and unique sonic elements keep things engaging for the most part. Aphex Twin’s ability to evoke emotion through minimalism is commendable, even if some ideas begin to repeat. NUMBER OF BANGERS - 1 STAND OUT TRACK - Xtal

Rust in Peace by Megadeth showcases the band’s undeniable skill and technical prowess, with intricate guitar work and complex arrangements throughout. The musicianship is impressive, particularly the dual guitar harmonies that highlight the band's metal roots. Dave Mustaine's voice, while distinctive, can come across as a tad squeaky at times. I can appreciate why this album has garnered such a dedicated fanbase, given its heavy themes and energetic compositions. Tracks like Hangar 18 and Tornado of Souls feature standout riffs and compelling lyrics that exemplify the band's signature sound. However, despite its acclaim, the album just doesn’t quite connect with me personally. The relentless pace and aggressive tone can feel overwhelming, making it difficult to fully engage with the music. Overall, Rust in Peace is a skilled effort that reflects Megadeth's place in metal history, but it ultimately isn't my cup of tea. NUMBER OF BANGERS - 0 STAND OUT TRACK - None

Oracular Spectacular is undeniably a singles-driven album, with some standout bangers like Time to Pretend, Kids, and Electric Feel that quickly became iconic. These tracks are infectious and captivating, showcasing the duo's knack for catchy hooks and vivid production. However, as a whole piece of work, the album doesn’t quite maintain the same momentum. Some of the deeper tracks feel less cohesive and lack the immediate impact of the singles. While there’s plenty of creativity and experimentation throughout, the album can feel a bit uneven in its pacing and direction. That said, the high points are strong enough to make Oracular Spectacular memorable, even if it doesn't fully hit its stride from start to finish. It’s an album with flashes of brilliance, best appreciated for its standout moments. NUMBER OF BANGERS - 3 STAND OUT TRACK - Time to Pretend