She just can't hit those high notes

I quite like the heavy production - it's certainly a far harsher sound than I was expecting from this genre, though something about it fails to land with me. All the tracks blend together and the crooning vocals keep this from being something I'd want to come back to.

Listening to this while waiting for the train after a Christmas shift is something that I'm sure will become a nice memory somewhere in the not-too-distant future. To my non-American musical sensibilities, however, I must admit that I find the songs on here to be about as unsynonymous with the holiday season as humanly possible. What really offends is how indistinguishable the vocals and instrumentals are between songs, save for some of the hookier parts of the choruses. This album screams 'produced' to me more than any other album I've heard, with how little of a vision there is and how corporate the nature of it's existence is. Can't say I agree with the decision to lump this in with many of the greatest albums ever made sheerly for the modicum of cultural relevance that it has.

Never been able to get into metal, likely because the hardcore image that I have in my head is betrayed by all the repetitious, indistinguishable crunchy guitar riffs and tepid vocals. This album is no exception

First blues album, and one of the very few live albums I've ever bothered to listen to. I imagine this is more gratifying for those familiar with the discography of B.B. King, as sonically it does nothing to break the blues mould and has an appeal entirely reliant on the charisma of B.B. King and the chemistry of the audience. It's not half bad, just painfully samey.

It took 4 years and an entire website to get me to listen to the Baba O'Riley album, but I'm somewhat appreciative for finally getting around to it. The main draw is lightning in a bottle, but what lightning they were able to catch!

I can kinda get into the songwriting and instrumentals, though Little Richard's voice is far too abrasive for me.

She just can't hit those high notes

Some pretty great instrumentals in here despite the majority of their short runtimes, and it fulfils the purpose of a live album pretty well, with lively and significant the occasion feels. Vocally and lyrically, however, I must admit I'm not at all moved by this

Surprised to see such a recent album on this website. Did this actually make it into any of the books? I enjoy these midsummery, daydreamy kinds of albums, though none of the genres featured on this one resonate with me all that much. The experience of listening to this was much snoozier than I would have preferred, though it may be possible for me to come around to it on my mandatory relisten

Some pretty interesting genres on this one. The admittedly listenable first half of the album becomes increasingly indistinguishable as it goes on. It's possible that there are some interesting lyrics on here, though as someone ambivalent to the grassroots flair of singer-songwriters, I didn't care too much about listening keenly

Finally. An album I like.

The White Stripes are kind of an anomaly to me. Apparently they're an acclaimed act and apparently this is one of the best albums of the 2000s, yet I never run into anyone who claims to be a huge fan of the band, and I've never been recommended any of their music. I'll chalk it up to them simply being outside my sphere of interest. Pretty unremarkable stuff all around, but it's at the very least listenable. The gimmicky nature of the band makes for some pretty banging music videos, at the very least. Update: I somehow appreciate this much less on my second listen than I did on my first lol

Iconic ass cover. Glad I could finally get around to listening to the album that it hails from. At the expense of giving anyone reading this complete whiplash, I don't think the 80s and I will ever get along, especially when it comes to new wave. All of the music is pretty indistinguishable and bog-standard to me, and the vocals are just horrific.

This site really wants me to get my fill on live albums. Can't say I complain. Like all of the other live albums I've listened to, I think it's pretty hard to get a feel for these songs when I have no prior experience with the studio versions. To a non Thin Lizzer, and with zero audience interaction or any transformation of these songs that I can gleam, this album was excruciatingly long and boring for me. On the bright side, I had no idea that "The Boys Are Back In Town" was an Irish export. That's pretty cool

I'm of the persuasion that there are no good songs under two minutes in length (with the notable exception of You Gave Your Love To Me Softly), so this was more than a little challenging for me, to say the least. On the bright side, this did resonate with me more than the other albums I've listened to on this website. I may appreciate it more on a second listen

Knew it wouldn't be long before I encountered my unofficial official favourite band of all time on here (I'm in a permanent love affair with Modest Mouse - it's complicated). Gotta be honest, I've never really been much of an In Rainbows guy. It's a damn good album, but I find it to be more than a little sterile coming off the back of HTTT and all massively conceptual albums that precede it. There are definitely some good cuts on here, though. I can't deny that.

>Badass mushroom cloud album art >Look inside >Boring jazz music

It's nuts hearing this after listening to the milquetoast Songs of Leonard Cohen. 80s synth music is shockingly bad. Sorry not sorry!!

I've only recently become privy to how overproduced modern country is becoming. One would think that autotune and all of the other modern pop sensibilities would run contrary to what the genre represents. Still, as an enjoyer of musical junk food, unplugging my mind to this one wasn't all that bad. Whatever slot that this album occupies could have very easily gone to Emergency & I. No, I'm not being a petty asshole because one of my favourite album didn't make the list

Another band that I just don't get. Live Forever is palatable, but the remaining songs are a sludge of washed out instrumentals and horrible vocals.

Oh my God, it's September band!!!!!! I'm a huge fan!!!!!!!!!!!!!!! It's alright, though I can't see what differentiates this album from the other funk albums of the time, or the other albums in Earth, Wind & Fire's discography. Still, pretty alright. That 6-minute ballad from midway through the album do be suckin, doe

Brits trying to be yanks... How sordid

The camp factor is off the charts with this one, which I enjoy. I'm just not that much of a soul/funk guy.

I'm a big enough man to admit that me and Joni got off on the wrong foot. This is pretty alright now that she's dropped the screeching harpy act from Blue. Very pleasant lyrics and instrumentals.

Pleasant enough. Fast car is the the obvious highlight, and the remaining songs are listenable, albeit derivative.

Another darn done diddily live album. I'll probably drop to the ground from oxygen deprivation as a consequence of saying the same things over and over again before I get through all of these. LIGHTING ROUND, BAYBEEE!!!! It's pleasant enough. I'd enjoy any live performance in-person, but think the experience is stripped back when listening to it on a record. I find it hard to appreciate live albums when I have no familiarity with the artist's main discography.

Spaced out a lot during this one, but it's still listenable. I kinda enjoyed the guitars. Maybe funk isn't for me, doe

S'alright, which is a more than glowing endorsement when it comes to hip hop for me. I quite enjoyed the instrumentals on these tracks, and I found myself warming to some of the vocal performances and lyrics. The Kanye track was my favourite, which surprised me as I have next to no familiarity with his discography. I may give some of his albums a listen when I clear my current backlog

These tags should work for me, but they don't. The songwriting is really weak, the vocals are tepid and uninspiring and the instrumentals put me to sleep. Still, glad to be more cultured on my favourite genre of music by listening to this (alternative rock)

The only thing I know about these guys is that they gave me an album that was impossible to remove during my brief stint as an iPhone owner. I tried every trick in the book to delete the thing and it would be back in my library flashing it's smarmy, homoerotic cover at me the following week. Oh, yeah. This isn't that. It's vaguely within the key of music I'd enjoy, but it reeks too much of the decades that precede it. Can't say I'm a fan.

Really didn't like this one. There's something uniquely insulting about how boring it is.

I think I finally understand why so many people became fed up with disco in the 80s. All of these tracks are perfectly serviceable as lone experiences, but become a bit of a drag on one another when paired together. I was quite surprised to discover that We Are Family contains the We Are Family song. It never struck me as being a disco track in my vague recollections of the song

Appreciate the opportunity to listen to something which is far outside my comfort zone and comes from a country that I have no interest in exploring the musical history of. Aside from that, this music is pretty tepid, uninspired and drawn out

Quite possibly the worst album I've listened to thus far. It's derivative, indistinct and inauthentic, yet somehow manages to offend me in ways that it's thankfully short runtime can't atone for.

Pretty bumpy listen. I was excited to be given something more contemporary to listen to and thought the package design of album was pretty neat, but I became quickly dismayed with the album when I hit play and got confronted with just how ass the first track was. The remaining tracks managed to reel me back in a bit with some alright instrumentation, but I continued to get smacked over the head with some incredibly baffling choices in instruments. At the very least, I'm grateful for the experience.

Pretty cool - I'll have to give this one another listen sometime in the future. While a lot of the songs are too long for their own good, the strong instrumental and vocal performances more than compensate for the lack of brevity

Unlike most of the other albums I've listened to on this website, I can see clear as day where this album innovates as well as the impact that it has on popular music. I just don't think that the genre it belongs to is all that good. Most of the praise I've heard about Amy Winehouse is linked to how personal and sassy/funny her music is. Maybe I got off on the wrong foot by starting out with this album instead of Back to Black, but these lyrics are all incredibly boring to me.

How exactly this albums breaks into "greatest of all time" territory beats me, though I'm not complaining. It's very nice lyrically, instrumentally and vocally. Thank you, one thousand and one albums generator dot com.

My unofficial, official favourite album of all time, and I don't really know what to say about it. The hidden booklet was pretty cool. The Kid A blips and all of the other associated artworks are some of my all-time favourite pieces of visual art. Cuttooth, one of the early songs from the Kid A sessions, is the best song I've ever heard. Okay, okay. It's the most subversive, most textured album I've ever listened to. There's always a new melody or instrument that I'm able to isolate and pick apart whenever I put on this album. Listening along to the lyrics is one of the most unique experiences I've had with an album, where the words only really carry meaning and emotion when looked at in isolation. The title track is my favourite song off this album, which is a somewhat controversial one if I recall correctly. The muffled vocals are one of Thom's most unique vocal performances, it's one of the more stylistically diverse offerings from the album and the lyrics are beautiful and tragic in an abstract and nondescript way, which serves as perfect summation of the album as a whole. As far as truly ambiguous and interpretive lyrics go, you can't beat How to Disappear Completely. I've always looked at the song more positively than most, where the desire for Thom to disassociate is curtailed by the instrumental becoming more burdened and intense as it goes along, beautifully illustrating that no one is truly alone or beyond help.

I like weird shit. Can you blame me?

Deathly, deathly boring. There's not a single good tune in this album's jewel case

This website has been busting out the heaters lately. The second half lacks what the first gets right and has songs that are stretched a little too thin for my liking, but on the whole this is quite good. One of the few albums that I'm likely to return to once this entire list is behind me.

Pretty good. If there's one thing I've learned from my passing familiarity with psychedelic music, it's that I need to buckle down and listen to more of it. I'm grateful for the opportunity that this website has offered me. I really enjoy the instrumentation and texture that these songs have. I can't speak with certainty as a newcomer to the genre, but I find it hard to imagine that there are other artists with a sound quite like this one. My only real quibble with the music is that I find it hard to engage with the songs that are under three minutes in length. On an aside, the album cover is hideously kitsch and ugly. If I ever wind up downloading this album I'll probably end up setting a different image as the cover.