Clandestino

When you're in Mexico, and you go downstairs at whatever dive backpacker hostel you're staying in after a huge night drinking the shitty local imitation Corona, this is exactly what the seedy cunt who owns the hostel will be playing as he has a ciggie and hoses the vomit off the floor. He somehow won't be hungover, but you'll want to die. You'll also remember, through the haze, getting knocked back by that cute fair-weather hippie chick who is staying in one of the other rooms. You thought her flowing skirt, flirty behaviour and see-through top were a come-on, didn't you? lol. Just drink your breakfast beer and hang your head in shame, loser. Maybe you should give googol bordello a go if you're serious about trying to root chix who are pretending to be free spirits for the duration of this one holiday. Throw your standards out the door; just do it. Snarky disses aside, this was pretty catchy. 3/5.

Well, that was a delightful surprise. This album was just fun. It was energetic without being frantic, proud of its roots while staying accessible, complex without being too complicated. I really enjoyed it.

I expected to say "I respect this, but it's not for me" and call it a day, but it was way more listenable than I expected. Plus, who can resist a lyric like "Welcome to Tijuana / Tequila, sexo, y marijuana"? Best track: Welcome to Tijuana.

este album es wank

Es difícil hablar chido sobre un wey que creó un personaje con este disco y que luego se lo creyó hasta que que el Manuel Chao, ciudadano francés, desapareció por completo. Un wey que seguro tiene un pinche castillo en Francia o algo así por el estilo pero que en algún momento representó cierta posición política altermundista, de izquierdas pues, que era interesante. Para empezar, puedo decir que el wey nunca superó este disco. Ni lo hará. Creo que en Clandestino volcó todo lo que tenía que decir. Y ya no hay más que agregar. O mucho que agregar. Y está bien, no pasa nada. Eso que tenía que decir es esa idea de mestizaje desde el primer mundo, Barcelona mestiza. Yo siempre le olí un poco de turismo de clase a ese pedo. Digo, al final muy vivan los zapatistas y no sé qué pero vives en Europa, carnal. No es lo mismo. No es lo mismo tomar esa posición en México o en Chile que en la España del capital. Pero al menos lo intentó, hizo algo con eso, me caga la palabra privilegio, eso. Pero fuera de esa disonancia que siempre estará presente en lo que haga Manu. Igual les platico el ciclo con Manu Chao (que me ha pasado con muchas bandas): Lo amé, me formó. Me cansó, me hartó y luego me cagó. Odio, mucho odio. Escuchando el disco hoy, enero de 2020. Creo que tiene más sentido que antes. O al menos lo entiendo mucho mejor. Ritmos cubanos, ska, reggae, trompetas de esas que los españoles llaman fronterizas, flamenco. Me da esperanza, me da orgullo (¿?). La fuerza de nuestra región, la riqueza de nuestras expresiones. Creo que lo más chido es que es un disco profundamente melancólico. Celebrando la mentira, la muerte, lo ilegal, lo que se oculta. Una melancolía vital. Una que alienta la esperanza porque hay que estar vivos para sentir esa melancolía. La malegría. Trisfeliz dice un gran amigo. Mención aparte tiene Welcome to Tijuana. Es raro verme representado en el rock o como quieres llamar a esto. Está lleno de bangers este trip. 14 rolas, 14 likes. Bye.

3.3 - This album immediately transports me to a hostel lobby circa 2001. There are tapestries of Ché Guevara and Bob Marley hanging on the wall. I'm sipping on a lukewarm cup of Nescafé waiting to use the communal computer so I can book my next train ticket. Some Belgian chick who I just met is sitting across from me explaining why George W Bush sucks. I nod my head politely, mostly tuning her out and listening to this music bumping in the background. "Did the singer just rhyme 'Tijuana' and 'marijuana'?" I think. This scene which may have excited me when I was 20 just seems tiresome now that I'm older. And that's exactly how I feel listening to this record. There's a chill vibe throughout but it's overall uninspiring.

Love the vibes of this one. Something that will definitely make my rotation since I'm always looking for good world music to vibe to.

TIL that, in spite of all the spanish in his music, Manu Chao is french?! I was convinced my entire life he was latin american. The first few tracks flow so well into each other. Really vibed with this, 5* Fuck the reviewers that trash this or any other album only because it isn't in english; what a shitty, close-minded, ignorant take. Highlights: je ne t'aime plus, desaparecido, bongo bong, luna y sol

Habe dieses Album auf dem Weg zum Splash 2011 gehört, obwohl das LineUp weiter weg von Manu Chao nich sein könnte. Aber so bringt man sich halt in Stimmung. Irgendwas zwischen 4 und 5 würde ich als Bewertung da lassen, aber Rationale Zahlen sind ja nicht möglich. Danke Entwickler.

The sound of white dreadlocks.

Spanish shite. Like the stuff you hear when you're hungover, eating breakfast in a bar in Benidorm

Was not in english so not for me

So far I like this one. I think the soundbites add some interest to the songs, and I like the sound of Spanish music. I liked this one a lot. I would consider downloading this one.

Very interesting mix. The music itself seems to be more Latin American inspired but the lyrics are sung in many languages including Spanish French and English. The music is infectious and very danceable. My Spanish isn’t as good as it used to be so I don’t understand as much as I like, but from what I’ve read, the lyrics have an anti-capitalist and anti-imperialist

Becomes grating as it moves forward draining the joy from the cultural source of the music. Flat and uninteresting.

A few tracks are alright, but most are either forgettable or actively annoying.

An old favorite from way back. I mean, he's the king of Bongo Bong, what more is there to say?

I'm not always on board with the mood Manu channels, but the craft of that channeling is immaculate as far as I'm concerned. The mixing of vocals into the rest of the sounds is especially perfect. The dash between "French" and "Spanish" on Chao's Wikipedia is audible. Feels good to really love an album on the site again. No single track leaped out at me, which gives me more confidence in the score.

this just rules. I don't know anything about this genre of music, and I'd never heard of Chao, but this was such an enjoyable experience. it's sort of beneficial that I feel like I don't know what's going on (due to both language and genre), because I can get very lost in the music!

This is one of my favorites ever. Manu Chao is an absolute party - incredible talent, catchy, great melodies, spectacular use of language. And a damn good concert.

Really enjoyable music to have on while cooking dinner. Easy and interesting to listen to. The songs seemed varied but not too far from each other in theme/feel. Was a bit confused that some of the songs seemed to be in French but then Google told me he is a French born Spanish musician and sings in many many languages.

BONGO BONG

A total fiesta!

Enjoyed this a lot - sultry latin vibes for a cold winter's weekend. Whenever it threatened to get a bit samey he'd chuck in a louder or softer number to keep things fresh, or sing in a completely different language just for the hell of it. Earns its fourth star for absolute commitment to the album format - I don't think anything else on the list so far has flowed so seamlessly between tracks.

Heh, I don’t think Manu Chao had much of an impact on the UK, but he was apparently massive a lot of other places. I first encountered his music while backbacking around Thailand around 2000, as was the custom at the time, and a guesthouse owner kept asking me “Do you like Manu Chao?” and I assumed it was Thai for something, food, or drugs or lawd knows what, and when I said I didn’t know what Manu Chao was he just kept repeating “Manu Chao! Manu Chao!” and waving his arms around - in retrospect to get me to pay attention to the music that was playing - but I was utterly baffled for an embarrassingly long time… The music is alright, I guess - chill, polyglot, a bit juvenile from what I do understand. Probably a three star album, but I'm awarding an extra star for the above anecdote associations... Fave track - "Bongo Bong" which I'm pretty sure was the track that was playing in that guesthouse...

Loved it. I was impressed when after 4 or 5 songs he had shifted from Spanish to English to French. Apparently Minha Galeria (track 14) is in Portuguese. But aside from his mastery of different languages, the style is upbeat, the beats are catchy, and his lyrics are interesting (at least from what I could understand from English and French...minimally Spanish). Regardless the language, there's lots of neat wordplay. One knock is some cheesy studio effects added in periodically (e.g., the 80's video game missle sound in Desaparecido and other songs). My favorite tracks were Malegria (crazy cool pace), Dia Lunadia Pena (his best vocals and elegant melody), Welcome To Tijuana (weird and wonderful), Je Ne T'Aime Plus (great beats, which were the same as Bongo Bong but lyrics not as cheesy), Clandestino (nice intro to the album), La Vie a 2 (simple guitar arrangement combined with intense vocals).

An absolutely fascinating. So many styles and really interesting sounds. Each song seems to have something compelling about it. I like the switch from Spanish to French and back again. I have no clue how to classify the music on this album but I do know I am very much looking forward to the next listen and discovering more layers of goodness. 4.5 stars

Manu's grasp on languages and genres is impressive. You never really know what you're going to get on each song. I feel like a lot of the record is influenced by early hip-hop (including the two rapped tracks earlier in the track list). A solid 3.5 from me. Favorite tracks: "Luna y Sol", "Mentira"

Really fun! A nice variety of moods and feels, but they all make me want to dance.

Reggae. By a French artist. Singing primarily in Spanish. Its very chill. Nice.

The album has a beautiful sunset feel to it. I also like the minimalistic production. Would have never guessed this guy is French-Spanish.

Kinda lost me at "king of the bongo" but I thought this was overall quite enjoyable

Surprisingly tasty, and apparently recorded on his laptop!

Not for me to judge but here I am.

Manu Chao’s “Clandestino” is a really fascinating tapestry of cultural and geographic musings that fall into each other without really ever clashing. Chao, a polyglot, sings in up to four languages on the album, and with each language, he pulls influences from the respective cultures, making the album a melting pot of ideas and sonic structures that are still cohesive. probably because Chao is selling a message of universal oneness and peace. but that cohesion, a few songs in, begins to breed repetition, till the music blends into itself. the album is light and breezy, sure, but that lightness begins to work against it: all of it fades into the background, with nothing truly lush enough to stand out. though i admit this is not music i would naturally gravitate towards, i can appreciate the courage in Chao’s ideas and thematic leanings; how he not only sings of unity, but strives to sound like it too. but the music just lacks the gusto to really hold itself together — and maybe that alone says a lot about the world it’s hoping to unite.

Interesting listen, much different from anything I would normally listen to. Not really my thing but I thought some of it was enjoyable. Really impressive that he made the whole album on a laptop in the 90s while traveling the world.

I bet The Jesus from The Big Lebowski tells everyone this is his favorite album, but he's probably never even listened to it. Good on him.

Nah sorry

27/1089 I’ve heard this artist before thanks to Me Gustas Tu, but i can’t place where i heard that originally and it’s driving me crazy. Clandestino is a captivating start and the flow into the second track was so smooth. one of my favourite things to hear in an album the production on Bongo Bong is really infectious and his voice compliments it so much. very Gorillaz and the way it flows into je ne t’aime plus is wild. Mama Call really reminds me of ZABA by Glass Animals which i love. I quite like it having short songs but still a good overall length, it gives it a really exciting pacing and none of the songs grow old before they finish. Welcome to Tijuana was fun but a little too repetitive for me. Malegria is a fun pick up of the pace, the production once again is super catchy and the effects on his vocals are cool and stylish La Despedida almost feels like the precursor to Me Gustas Tu, a very well crafted penultimate song This album was a joy to listen to from start to finish, I will absolutely be returning to it. faves: Bongo Bong, Desaparacido, La Despedida, Malegría, Mama Call least faves: I liked them all but if i had to choose then Minha Galera has to be 5 stars (94/100)

like! 5

Shit I didn't know they included peak

Super chill vibes. Loved it a lot. Mentira, Lágrimas de Oro, Luna y sol, Welcome to Tijuaña, Malegría, and La Vie à 2 were my favorites.

#DÍA 24: 1001 Discos Que Hay Que Escuchar Antes De Morir (English Translation Below) Bueno, bueno, bueno, bueno, bueno, bueno… Qué sorpresa que ha sido para mí este álbum, es fabuloso. Manu Chao es un artista francoespañol del que conocía sin saber, por su famoso single Viva Tu. Aún así, me sorprendió que al fin me saliese un proyecto en español en el desafío, aunque contiene también francés, portugués e inglés, en general me alegra ver un poco de variedad en ese sentido porque estoy seguro de que esto va a ser raro. Me dirigí algo ciego (o sordo) a este disco sin saber qué esperar, miré algo en Wikipedia acerca del estilo y supongo que esperaba canciones sencillas con ritmos latinos con algún toque alternativo. Sin embargo, me choco con este viaje de 16 canciones sencillisimas pero cargadas de poesía y, sobre todo, una coherencia sorprendente pese a realmente ser muy ecléctico. Por encima de esto, Manu Chao conecta las canciones a la perfección, no solo con transiciones sino con motivos que de vez en cuando vuelven a aparecer, como los refranes de Mentira o el estribillo de Luna y Sol haciendo un melancólico vis en Día Luna… Día Pena. Cada tema suma a una imagen general que se va dibujando poco a poco según te adentras, comenzando con el perfecto entrante homónimo, el cual resume todo el álbum y su sentido, cargado de crítica hacia los estereotipos de hispanos y latinoamericanos, lo que también vemos en la alternativa Bongo Bong o Welcome to Tijuana. Además, nos presenta un autorretrato interesante, como alguien solitario y viajero, algo tratado en profundidad en Desaparecido o Mamá Call; síntoma también de no encontrar un destino en la vida, posiblemente un lado más pesimista ante las mentiras del mundo, aunque es un hecho que le puede ser tanto para bajar cabeza (Día luna… Día pena) como para levantar el ánimo de hacer un cambio y buscar un ideal (Luna y sol). Por otro lado el amor también está presente, pero como uno que se quiere olvidar principalmente, aunque Manu Chao no parecer ser capaz como finalmente se revela en La Despedida, pese a mostrar bastante seguridad en ello en Je ne t’aime plus o La vie A 2 (casualmente las dos que están en francés, me pregunto si será algo hecho de forma intencionada como referencia al cine de este idioma en el que es tan típico que se trate el amor). Aún así hay un pequeño sentido de amor, pero principalmente dirigido a las drogas, como el alcohol en Malegría o la marihuana en Minha galera, ambas camufladas como canciones románticas. Finalmente el LP concluye con El viento, un motivo que encarna el carácter del protagonista: todo va y viene, el amor, los problemas, la tristeza, la felicidad, las personas… Quizá estoy sobreinterpretando de sobremanera todo lo que trae este álbum, pero realmente ha estimulado enormemente mi cerebro melómano que se despertó con ganas de coser conceptos. Casi no he tratado aspectos musicales del LP pero en general son impecables, tienen un carácter orgánico que los hace preciosos y unos grooves pequeñitos pero muy pegadizos. A todo esto se le suma un uso magistral de samples para crear una atmósfera única, desde interpolaciones de música latina bien conocida (como La Llorona en Mentira), grabaciones que hizo Manu Chao en sus viajes, una comunicación de los primeros viajes al espacio de la Unión Soviética, hasta un jodido extracto de Garfield… Es tan extraño pero a la vez lo siento tan claro todo cuando lo escucho, tengo ganas de seguir escuchándolo de principio a fin porque es una experiencia sin igual. Favoritas: Clandestino, Desaparecido, Bongo Bong, Je ne t’aime plus, Mentira, Lágrimas de Oro, Mamá Call, Luna y Sol, Día Luna… Día Pena, Malegría, La Vie A 2, Minha galera, La despedida, El viento Menos favorita: Welcome to Tijuana (principalmente porque las vocals tan graves de sapo me incomodan, pero ignorando eso es buen tema) #DAY 24: 1001 Albums You Must Hear Before You Die Well, well, well, well, well, well… What a surprise this album has been for me—it’s fabulous. Manu Chao is a French-Spanish artist I knew without realizing it, thanks to his famous single Viva Tu. Even so, I was surprised that I finally got a Spanish-language project in this challenge—although it also includes French, Portuguese, and English. Overall, I’m glad to see a bit of variety in that sense, because I’m sure this is going to be an uncommon occasion. I went into this album somewhat blind (or deaf), not knowing what to expect. I skimmed Wikipedia for a bit about the style, and I suppose I was expecting simple songs with Latin rhythms and maybe some alternative touches. However, I was hit with this journey of 16 incredibly simple songs, yet loaded with poetry and, above all, a surprising sense of coherence—despite being truly eclectic. On top of that, Manu Chao connects the songs perfectly, not only with transitions but with recurring motifs that reappear from time to time, such as the refrains from Mentira or the chorus from Luna y Sol making a melancholic reappearance in Día Luna… Día Pena. Each track contributes to a bigger picture that gradually takes shape as you dive in, starting with the perfect self-titled opener, which summarizes the whole album and its meaning, full of criticism towards stereotypes of Hispanics and Latin Americans—a theme we also see in the alternative-flavored Bongo Bong or Welcome to Tijuana. He also offers an interesting self-portrait—as a solitary, traveling figure—something explored in depth in Desaparecido or Mamá Call. This also hints at a lack of direction in life, possibly a more pessimistic view in the face of the world’s lies, though it can lead either to bowing one’s head (Día Luna… Día Pena) or to lifting one’s spirits to make a change and chase an ideal (Luna y Sol). On the other hand, love is also present, but mostly as something to forget—though Manu Chao doesn’t seem capable of doing so, as is finally revealed in La Despedida, despite showing quite a bit of confidence in Je ne t’aime plus or La vie A 2 (coincidentally, both in French—makes me wonder if this was intentional, as a nod to French cinema where love is such a typical theme). There’s also a small sense of affection here, but directed mostly toward drugs, such as alcohol in Malegría or marijuana in Minha Galera—both disguised as romantic songs. The LP finally closes with El Viento (The Wind), a motif that encapsulates the protagonist’s character: everything comes and goes—love, problems, sadness, happiness, people… Maybe I’m overinterpreting everything this album brings, but it has truly fired up my music-loving brain, which woke up eager to stitch concepts together. I’ve barely touched on the musical aspects of the LP, but overall they’re impeccable, with an organic quality that makes them beautiful and some tiny but incredibly catchy grooves. To all of this, add a masterful use of samples to create an unique atmosphere—from interpolations of well-known Latin music (La Llorona in Mentira), to recordings Manu Chao made during his travels, to communications from the first Soviet Union space missions, to a freaking Garfield excerpt… It’s so strange, yet it all feels so clear when I listen. I can’t wait to keep playing it from start to finish, because it’s an experience like no other. Favorites: Clandestino, Desaparecido, Bongo Bong, Je ne t’aime plus, Mentira, Lágrimas de Oro, Mamá Call, Luna y Sol, Día Luna… Día Pena, Malegría, La Vie A 2, Minha galera, La despedida, El viento Least Favorite: Welcome to Tijuana (just because of the toad-like voice, otherwise it's a great tune)

a classic!

Pretty friggen good

The Layers… Another album from my childhood! I definitely know Esperanza better but all the things I think the later albums build on is here in glory.

Not a fan of most Latin music but this was amazing. Songs like La Vie, Mama Call, and Bongo Bong totally redefined what Latin music could be.

The only album...

I want to say, "It joins tequila and tacos, as one of my favorite things from Mexico." But the dude is from Paris.

********** stars would be more appropriate. ;-)

I was introduced to Manu Chao by my Spanish teacher, and enjoy his music. I'll check out more

Thank you for sharing

This has to be regsrded as a top 10 album in latin american music history. Manu is the greatest latin artist. Well educated, well versed, well travelled, knowledge on all music of all countries, dominates and sings in 3 languages. Social justice and political themes in reggae, punk, ballard, peruvian and equatorian local music. Just one of the best albums ever.

Chill af spanish reggae

¿Quieres café, mi vida? (Sí) ¡Pues, sírvetelo!

Mikkl uppáhaldsplata. Manu Chao er frábær.

nice album. sommerlichi vibes. wöri weder lose

This is great! Chilled out and funky and fun. I will definitely be revisiting this!

absolute fire bongo bongo

Manu Chao is king!... of the bongo.

Amazing

Love this album

Гений, создавший уникальное звучание и лучший альбом латиноамериканской танцевальной музыки. На альбоме Clandestino представлено все что могло только относиться к танцевальному жанру в 1998 году: гитарное сопровождение, качающие синты, заводная драм партия в латиноамериканском стиле, тексты на 5(!!) разных красивых языках и многое другое. Альбом просто невозможно описать на словах, поэтому я рекомнедую каждому ознакомиться с творчеством Manu Chao, особенно с этим альбомом. Атмосфера альбома потрясающая, подходит для прослушивания в различные жизненные периоды, но в особенности рекомендую слушать для поднятия настроения. Лично мне по звучанию напоминает музыку Джесси Пинкмена из Во все тяжкие, которую в эпизодах он слушал в наушниках. Потрясающая находка из списка «1001». Танцевальные 5/5.

Classic!

Always loved this one. I learn so much specific Spanish 🤣

Ahh I loved the first half soooooo much. It would've been an easy 5 star, but the other half was a little bit less amazing. Still, I think it deserves to be among my other 5 star albums. Light 5

The way I love this album is unrivaled .. I would give a 10 if I could

Really awesome

Awesome

Jaaaaa! Heerlijk!

Subversive, sublime, takes me right back to a time and place

What a fun album. Never heard of the artist or album prior to listening. It's so uplifting and happy. Reminded me of summer holidays around the pool and on the beach. Could almost taste the tequila and lime. Perfect de stress. Brilliant

Definitely a throwback for me, it's been a bit. This album is great and just has a wonderful groove and vibe to it, nostalgic for sure. Listened to it a couple times. Great stuff!

Spanish rege

Amazing artist and album!

Such a positive vibe this album, no matter the topics. Always a 5

When every hippie bar and cafe overplayed this record as cheap background music it cheapened it - but listening it to it now, with the a fonder heart through being able to take some distance from it, it's truly a wonderful record. The urgency and melacholy of this record is hidden behind the ridiculous singles in King of the Bongo and the seemingly generic Je ne t'aime plus, but these are rays of light in an otherwise rather dark record. Songs about desperation from mass migration, a desperate view of the world as full of lies and a general picture of misery - all hidden behind pokey light reggae guitars. Is it good because it's dark? No - it's good because a manic polyglottal lyric - jumping from colonial language to another, Manu Chao documents post-colonial aftershocks in a personal way, without preaching or condescension, and interweaves these stories and political views, with his own internal struggles, while without really knowing what is going on, it's a reggae bar party album. And when I did stumble upon Manu Chao live during the tour of this record - it was a mad punk show - with a nod to these sweet dark songs, that end up in massive mosh pits. As a record? It's well paced, it's interestingly produced - simple yet packed with aural nuggets - adding the the urgency, madness, melancholy and sweetness. And screw those hippies for almost ruining it for me. The leftist teenager in me still feels his heart strings pulled and now it feels somehow even more relevant.

french artist multuple languages

Wild vibes. Loved it. All over the place, linguistically and musically.

I thought I didn’t recognise the name Manu Chao, but after some extra research I definitely do know Me Gustas Tu. That’s not on this album though. The album cover gives Mexican vibes, but more googling tells me he grew up in Spain and France. Anyway, the music. I absolutely love this album. The way that the tracks flow together makes for a really pleasant album experience. The way that Chao flips between Spanish, French and English impresses me every time. Despite being objectively not this genre, it reminded me a lot of la musica cubana, pero él es de España y Francia. De todos modos, me encanta este álbum. Lo buscaré en la próxima feria de discos.

Got me moving and grooving in a few songs. Also i feel his spanish intonation is good so could be cool to try to study the songs and understand them for learning spanish.

Un ensamble único.

Why is French and Spanish rap so much better than English?

The songs, firmly in the minor key mode category, are underpinned by acoustic instruments, giving the tracks an exotic edge. Meanwhile the vocals and arrangements are upbeat and groovy, making the album stylish and very listenable fusion style, sunny pop music. The tracks don't outstay their welcome either. Superb all round.

Stylish, upbeat and groovy.

Breath of fresh air. I love delving into music I haven't spent a lot of time in. This is awesome. The title track is irresistible.

MINT

Very catchy in 1998. Very catchy in 2024.

JAAAAAAAAAAAA!

Nice. Relaxing, just a bit global, would listen again.

taitavaa latino-indie runoutta...

Could listen to this on endless repeat. Gorgeous blend of language an instrument. What am I even writing?

Absolute classic. Bangers.

ei voi prkl käyttää lyriikkaa I'm the king of bongo bong ja ei vittu järisyttää maankuorta bongoilla... siitä huolimatta, olipas hauska albumi. manu elvistelee kulttuurisuuttaan käyttämällä eri kieliä (ei suomea, only dogshit laguages) . vähän toispuolinen sillä b-osio vähäm kyllästyttävä muttatotanoin faktaa on nyt se... ett' koko paska on hyvin tehty... welcome to tijuana.... tequila sexo marijuana... mentira

GREAT

Funky fresh, trilingual experience

Ich weiß gar nicht, warum ich diese Musik nicht öfter höre. Sie ist unglaublich beschwingt und macht gute Laune.

Awesome Brazilian music - really dug the vibe...big fan

This album is quite good, with the laid-back, sun-drenched sound associated with places like Tijuana. Favorites are "Desaparecido," "Bongo Bong," and "Lagrimas de Oro." Also, this is an album where I feel that the audio samples work quite well- even if I can't always understand the words.

Genius. Excellent from start to finish.