182
Albums Rated
3.34
Average Rating
17%
Complete
907 albums remaining
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1950s
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Metal
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Top Origin
Wordsmith
Rater Style ?
25
5-Star Albums
6
1-Star Albums
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You Love More Than Most
Albums you rated higher than global average
| Album | You | Global | Diff |
|---|---|---|---|
| Duck Stab/Buster & Glen | 5 | 2.03 | +2.97 |
| D.O.A. the Third and Final Report of Throbbing Gristle | 4 | 1.88 | +2.12 |
| Truth And Soul | 5 | 2.97 | +2.03 |
| Let England Shake | 5 | 3.15 | +1.85 |
| Ragged Glory | 5 | 3.15 | +1.85 |
| Live And Dangerous | 5 | 3.32 | +1.68 |
| Gunfighter Ballads And Trail Songs | 5 | 3.34 | +1.66 |
| Hot Rats | 5 | 3.36 | +1.64 |
| It Takes A Nation Of Millions To Hold Us Back | 5 | 3.37 | +1.63 |
| ...And Justice For All | 5 | 3.43 | +1.57 |
You Love Less Than Most
Albums you rated lower than global average
| Album | You | Global | Diff |
|---|---|---|---|
| A Rush Of Blood To The Head | 1 | 3.44 | -2.44 |
| The College Dropout | 1 | 3.31 | -2.31 |
| I'm Your Man | 1 | 3.1 | -2.1 |
| Pet Sounds | 2 | 3.93 | -1.93 |
| Dire Straits | 2 | 3.72 | -1.72 |
| A Grand Don't Come For Free | 1 | 2.67 | -1.67 |
| The United States Of America | 1 | 2.61 | -1.61 |
| good kid, m.A.A.d city | 2 | 3.61 | -1.61 |
| Licensed To Ill | 2 | 3.56 | -1.56 |
| The Gershwin Songbook | 2 | 3.53 | -1.53 |
Artist Analysis
Favorite Artists
Artists with 2+ albums
| Artist | Albums | Average |
|---|---|---|
| Black Sabbath | 3 | 5 |
5-Star Albums (25)
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Popular Reviews
The Cars
5/5
There are a handful of rock bands whose first album is both a classic of the genre, and as good or better than anything they have ever done: Led Zeppelin, Van Halen, Black Sabbath and Devo come immediately to mind. This record belongs in that category. I’m not necessarily a Cars listener, but I really like this album. Elliott Easton is on point. Some of the songs are a little puerile, but the best rock usually is.
1 likes
Public Enemy
5/5
How great was Public Enemy. Chuck D has a voice of god quality. Flavor Flav would be too much on his own, but is a great foil to Chuck. This is probably their masterpiece.
1 likes
1-Star Albums (6)
All Ratings
Lloyd Cole And The Commotions
3/5
Meditations on romantic relationships. I like the instrumentation. I enjoyed the minimalist sound. I found the lyrics to be intriguing. Didn’t hold my attention the whole time.
Steely Dan
3/5
The musicianship is undeniable. East St. Louis Toodle-Oo is a charming tune that shows off their chops. The overall sound is great, but there’s something about the vibe that bothers me. This feels like music for bros. I guess I liked it better than I thought I would.
Muddy Waters
5/5
I’ve heard these songs played hundreds of times by hundreds of bands but there is no substitute for the real thing. This is later era Muddy but Johnny Winter captures an electric performance. I love James Cotton on this record. This is a true blues record.
Frank Zappa
5/5
I didn’t need to listen to this. I know it well. It’s a fascinating blend of improvisation, composition and production. Peaches en Regalia is an all time classic. It Must be a Camel was my under appreciated gem this time.
Run-D.M.C.
3/5
This is a fun and innovative album. I ran out of steam after a while.
ABBA
2/5
It’s obviously well constructed, but so so banal. I can see ABBA’s value at a wedding or the comedy of playing Fernando to cheer on your favourite athlete of the same name, but this is not essential listening. AI could have written these lyrics. There’s something so plain about this music. A bologna sandwich on white bread, but at least the bread is decent.
Dire Straits
2/5
If this were 1001 guitar guys or 1001 singles I’d rate this higher. I love the guitar playing and Sultans is great but the rest of it is boring. It sounds so lifeless. I actually identify with the lowfi approach and even the lazy vocal style, but this record doesn’t put those elements together in a way that excites me.
Mariah Carey
1/5
This was a grind to listen to. I wanted to like it but I just didn’t.
Metallica
5/5
This is a heavy metal classic. Although their popularity was rising at this time, there was still a feeling that this band and music was just for us. Everyone wants to be an expert and trash the mix, but this super dry recording was so influential and defined metal afterwards. The riffs are so sick! Eye of the Beholder is a great example. The drums don’t just keep time, they are amazing parts to the song. Guitar solos are on point. Lyrics are not Metallica’s strong point, but on this record they are what they need to be to support the songs. And to end on Dyers Eve. What more do you want from an album? It might actually be their best one.
SAULT
3/5
This is fascinating. I really liked it immediately. After a while I started to drift, but I suspect it’s deserving of repeated listenings.
Screaming Trees
3/5
Screaming Trees are one of the great Seattle bands. They are as essential as anyone else in creating what we call grunge. It’s strange that this album is here instead of Sweet Oblivion. By 1996 the magic of the Screaming Trees was drying up. This album is good, but not great. Some interesting moments but not an album’s worth. Nor does it sustain the charm and original promise of the 90s. All I Know is a good rock song, and Traveler is pretty cool. I also enjoy the album closer. Every good 90s alternative album has to end with a trippy epic song.
The Beach Boys
2/5
I just can’t get into this record. I recognize Brian Wilson’s achievement but I find it a little boring. It might be different if the lyrics weren’t about Middle America. Maybe. As a listener I’m also frustrated by the wall of sound effect.
Creedence Clearwater Revival
4/5
Straight ahead fun rock and roll. Ramble Tamble was a surprise. John Fogerty sings so soulfully. I found myself drawn to the drums, specifically the sound, although the performance is also charming. So refreshing compared to modern studio precision and compression. I liked this record more than I thought I would.
Supergrass
2/5
It’s ok I guess. Doesn’t jump out at me. Alright is a catchy single.
The War On Drugs
2/5
Inoffensive but so sleepy.
Ray Charles
3/5
I was stoked to get this album. I love classic era Ray Charles. And this is great. Charles was on his game. However, if I’m being honest, I don’t really love the song selections. You Are My Sunshine is a little too hokey. Stylistically, the vocal harmonies are nice, but old fashioned such as I Can’t Stop Loving You. Not nearly as cool as his regular repertoire. I guess that was the idea but I’d much rather listen to The Genius of Ray Charles.
Ella Fitzgerald
2/5
Six discs of Gershwin and no Summertime.
Green Day
5/5
There are few things I like more than rock and this album is that. From the fast snare intro, to the mega hits, the guitar tone, melodic bass and great drumming this record has everything it should. Green Day likely was never better.
Jah Wobble's Invaders Of The Heart
3/5
It’s cool. I like the vibe. I’m finding it to be more of a passive listen than active. I like Wobble’s bass tone. Probably wouldn’t seek this out.
ZZ Top
5/5
This is an easy 5 for me. Billy Gibbons playing is inspired. I’ve always had a soft spot for Jesus Just Left Chicago. I’m amused but also love how soulful they sing about something silly like Beer Drinkers and Hell Raisers. Silly is a big part of rock.
Aerosmith
3/5
Does any band have the highest highs and the lowest lows than Aerosmith? This is probably their best album. The two hits are great, but there are some low points too.
Tito Puente
3/5
This is fun music. It’s music for action rather than sitting and listening. It makes emptying the dishwasher a better experience.
Aretha Franklin
4/5
This is a fun listen. Love the funky wah wah guitar on Chain of Fools. Some of my favourite r and b songs on this too. People Get Ready always gets me in the feels.
The Flaming Lips
3/5
I guess I like this. I like other Flaming Lips more. Nice to listen to but nothing sticks afterwards. They always seem to try too hard to be weird. The result is always “neat.”
The Jesus And Mary Chain
2/5
This is probably a better album than I’m giving it credit for but the production made it hard to listen to. Probably needs repeated listening but there’s always the next album.
Ryan Adams
3/5
It’s good. Songwriting is solid. The performances are good as well. If I have a complaint it’s that it is too long to hold my attention with standard song structures.
Black Sabbath
5/5
This rocks so hard. Almost every track goes hard. The combination of Changes and FX builds to Supernault in an amazing way, but I find both of those tracks too long. Doesn’t matter. This album rocks!
Janis Joplin
4/5
This is great rock and roll. The musicians are fantastic and of course Joplin is on fire. This album has a little emotional baggage in the way In Utero does. I’m not sure if that adds or subtracts anything for me.
U2
3/5
There are some great moments. Sunday Bloody Sunday is undeniable. I could see how people might find Bono insufferable, but consider what California rock is doing at the time. Cum on Feel the Noise indeed. I do start to drift. It’s not a perfect album, but a good one.
The Doors
3/5
Does any band sound more 60s than the doors? Roadhouse Blues is a great rock classic but Peace Frog is an under appreciated gem. A top Doors song for sure. The rest of the album is a little hit and miss. Not even song to song, but moment to moment.
Earth, Wind & Fire
2/5
The first track was immediately compelling. By track two I was bored. I recognize the musicianship and creativity but I don’t have nostalgia or a taste for this era of 70s music. So, this is like a good record, but I’m not really into it.
Nick Cave & The Bad Seeds
3/5
While I enjoyed listening to this, I need more time to really absorb this. In my opinion, Nick Cave is great, but there are too many songs that sound samey. Fable of the Brown Ape stands out as sounding different. Anyway, I may listen to this again when I have time, but I probably won’t.
Beck
4/5
Although there are some dance beats this is a ‘headphone album.’ It is genuinely fun and interesting to listen to. I didn’t think of this as one of Beck’s best, but maybe I was wrong?
Thelonious Monk
4/5
I already know I love this record. I’ve always been attracted to Bemsha Swing. It starts with that great dissonant intro of Brilliant Corners and drags me in. It’s not quite a perfect album because it doesn’t hold my attention the whole time, but I really like it.
Hole
3/5
This is a good grunge record, but nowhere near the top of the heap. It’s nice to hear the influence of Cobain, but it didn’t really grab me all these years later.
Beastie Boys
2/5
I hardly need to listen to this one. There’s a charm to this album, but it hasn’t aged well. The misogyny isn’t cool. I believe them at face value that they were being dumb punks, because they became super cool later.
Alanis Morissette
3/5
When this came out, a lot of Canadian music fans were surprised. We were vaguely aware of pop singer Alanis from our video channel, Much Music. For some it took a while to accept this new version. We used to talk a lot about authenticity. It was silly in retrospect. Listening now I notice that 90s dance beat underneath the grunge/rock guitars. It’s a good mix and creates a feel good vibe. I think the lyrics still resonate today for a lot of people. I’m also charmed by the Canadian pronunciation of words. Not a discernible accent, but clear Canadian letter r sounds. Fun to revisit.
Echo And The Bunnymen
4/5
I don’t know who these Bunnymen are but I sure like their sound. I will listen to this again. Really like the sparse sound.
B.B. King
4/5
Many blues listeners consider this the greatest live album. I do like it. BB is a master performer and entertainer. This is high energy, and his playing is at that crossroads between proficient and still exciting. I stop short of 5 because I find BB to be more about showing the blues rather than letting everyone feel it.
Astrud Gilberto
4/5
I’m listening to this while walking the streets of San Diego. Strangely matches the vibe here.
The Cars
5/5
There are a handful of rock bands whose first album is both a classic of the genre, and as good or better than anything they have ever done: Led Zeppelin, Van Halen, Black Sabbath and Devo come immediately to mind. This record belongs in that category. I’m not necessarily a Cars listener, but I really like this album. Elliott Easton is on point. Some of the songs are a little puerile, but the best rock usually is.
4/5
This is an interesting listen. Lots of ear candy and variety of songs. I know it’s irrelevant but this record alone is so much more rewarding than any Oasis album I’ve heard. Like many CD era albums, it’s too long for one sitting, but to my ears the quality remains steady throughout.
Rush
5/5
A top 10 for me. 5/5 without reviewing. Although I did be listen for the pleasure of it.
The Band
4/5
Another all time great Canadian band. This is likely my favourite offering from them. King Harvest is my favourite track. I have to admit, this album has become a little stale to me due to repeated exposure.
The Cult
3/5
This album is good. The rhythm guitar has more than a passing similarity to AC/DC. Ian Astbury is a powerful singer, but I think these songs are meant to be experienced live. The singles are catchy, the rest rocks, but is a bit forgettable.
Neil Young & Crazy Horse
4/5
This is one of Young’s defining albums. I like the structure and I don’t think it’s been over done. I would have time for more albums featuring an acoustic and electric side.
Funkadelic
3/5
There’s a lot of information here. It’s definitely fun. Cool bass throughout. There are so many voices and I don’t have the cultural/genre specific background to differentiate a good vs. great funk album. I enjoyed the experience but I likely won’t listen to this again.
Tom Waits
4/5
You probably know this but Tom Waits defies explanation. Maybe he’s like coffee. Tastes terrible at first but overtime you begin to love it, and I do. There is so much Americana here, but told from the upside down. And then there are moments of absolute beauty that you have to look for. It’s also worth noting this was released in 1985. Completely out of step with anything that was going on at the time. It’s definitely the best thing Keith Richards was a part of since Exile on Mainstreet.
Suzanne Vega
2/5
Has an intimate charm. A little dull. The songs don’t stick with me.
Led Zeppelin
4/5
I’ve heard this record so many times. It’s foundational. I’m still impressed with how good it sounds. This one suffers a bit from too much exposure. It’s become a little stale. Ramble on is possibly my favourite. I can’t help to giggle about the Tolkien lyrics.
Duke Ellington
4/5
This predates the idea of an album as an artist statement. Rather it’s a document. I’d like more of that in my life. Big band swing is so fascinating to a rocker such as myself. Swing is so sophisticated and the Duke is the King. I enjoyed how Ellington introduced players and gave a few notes to the audience, implying they are all educated about the music. When the music starts the energy is so high. It’s probably 5/5 but as a passerby I likely would only play this out of curiosity.
Black Sabbath
5/5
An imperfect album but the one that started it all. RIP Ozzy.
The Police
3/5
Synchronicity II is worth the price of the album. I bought it for 8 bucks so … There is a mega hit and sublime pop such as King of Pain. But there is also dumb moments like Mother and a few boring spots as well. Overall an interesting album but I’d be just as happy with half of these songs.
Radiohead
4/5
As a rocker at heart, this is my favourite Radiohead album. I understand that the band would have largely been irrelevant by now if they just kept making records like this, but this is nonetheless the sweet spot. Maybe it sticks out precisely because it’s their only proper rock album.
The Dictators
3/5
Big dumb rock, which I like. I could see putting this on once in a while.
Burning Spear
3/5
I like reggae, but for me it is best experienced live. I happen to like this quite a bit but I could only imagine how much more transcendent it would be in person. So, as music I would rate it high, but as an album not as much.
Elton John
3/5
A better listen than I thought. The opening track is really fun. I was bracing for Candle in the Wind and it turned out pretty good. Plenty of hits here. The musicianship is great too. I particularly enjoyed the vocal harmonies. However this album is long. I just don’t need this much in one sitting.
The Band
4/5
This is one of the all time most important and influential albums. It inspired so many things, from recording at home, to basically being the foundation to Americana, alt-country and indie. All this from four unassuming Canadians and one American. I like all of the songs but boy oh boy Chest Fever rocks. My only crtiticism is that I’ve heard this so many times and it’s become a little stale.
Suicide
4/5
Maybe not my favourite new wave era electronic album, but’s cool. I’m fascinated by this time period and the creativity involved. It’s rudimentary but interesting.
Sex Pistols
5/5
I’ve always liked this record. I don’t remember a time when it wasn’t in my life, and I was born in ‘75. It’s there among the other music of the time in my very earliest memories. It’s hard for me to be unbiased, or separate it out from other popular music. I guess it’s punk, but I don’t really care. The performances are great and the record sounds great. Also it rocks really hard.
R.E.M.
3/5
I like it. Don’t love it.
Leonard Cohen
1/5
Jesus this is terrible. I don’t mind Cohen’s monotone drawl but I mind how cheap and disinterested everything else sounds.
David Bowie
4/5
This one takes a while to get going. My favourite aspect is the rhythm section. It gets funky in a specifically Bowie way.
AC/DC
5/5
Hell yeah. This rocks!
Radiohead
3/5
I recently reviewed The Bends. I like that one a lot better. Actually OK Computer is great, but it overstays its welcome in my opinion. I get tired of Yorke’s voice, but I do enjoy the soundscapes.
The Boo Radleys
3/5
I like all of the components. The songs, instruments, arrangements etc. somehow not quite greater than the sum of its parts, but I would listen to this again.
Robert Wyatt
3/5
Fascinating and quirky. I will likely listen to this again. There’s a lot to process and like most cd era albums, I find it too long.
Steely Dan
2/5
I know they balk at the term yacht rock, but listening to it makes me sea sick.
Megadeth
4/5
This was a fun listen. They have riffs for days and and the precision is impressive. I’m not likely to play this very often but it’s a metal classic.
Peter Gabriel
3/5
The 80s is a curious time period for popular music. The promise of new wave and new technology was infectious. This record represents the apex of that promise. After So, the music of that era started to change. It wasn’t as fun or inspiring anymore. I actually prefer Gabriel’s first untitled albums because of the promise they represent. This one is fully formed and lesser as a result. In Your Eyes is sublime, and there are a few more interesting moments here, but overall not my favourite Gabriel offering.
Black Sabbath
5/5
I don’t have to say much about this do I? It rocks so hard.
Tim Buckley
2/5
I liked the vibe immediately then got bored fast.
Fever Ray
3/5
Definitely interesting. Didn’t quite cross the chasm of translating creativity to engaging me as a listener. I had the sense I might be missing the context of Fever Ray, which is often a big part of how much I enjoy an artist.
Red Snapper
3/5
This has a certain nostalgia for me. I don’t actually know Red Snapper but it reminds me of the year I spent in Europe around that time. That being said I only need a track or two, not a full hour.
Deep Purple
4/5
Another rock classic. Objectively the song is kinda silly, but this record is worth the price of the guitar solo on Child in Time.
The Young Gods
3/5
I don’t speak French so the lyrics are inaccessible to me. That doesn’t bother me but his voice doesn’t transcend language barriers. Imagine listening to Primus without understanding English. There are some interesting musical moments. Some sweet harmonies up against dissonant ones. It’s probably a better album than I had time to give to it.
Yes
4/5
I enjoyed this album more than I thought I would. In particular Steve Howe’s playing is captivating. I think this is Yes at their best. Leaning toward pretension but not crossing into completely inscrutable. Yes sir, I like it.
Michael Jackson
3/5
In all these years, I’ve never been interested in this album save for a few moments. Vincent Price is cool on Thriller, and Eddie’s guitar solo is badass. McCartney’s contribution is an absolute stinker of a song. Now that I’ve done this, please don’t make me listen to Thriller anymore.
The Rolling Stones
5/5
For better or worse, this is the rock and roll album. The Stones at their most Stonsey. They have better songs on other records, and likely have better constructed albums. Exile is so beautifully flawed. Its fidelity is imperfect and the mix is a little muddy. But it’s raw, decadent, defiant and just has a vibe. I don’t love every song, but this one isn’t about its composite elements as much as its sinister party atmosphere.
Mercury Rev
2/5
Interesting. Thoughtful. Intellectual. Ultimately forgettable.
Elis Regina
4/5
This makes me want to learn Portuguese. The musicianship is so high. It reminds of 70s fusion jazz, which I’m not a fan of, but I suspect this came first. I like this music better than Weather Report. This would likely sound great on vinyl.
Elvis Presley
4/5
There’s no doubt this is pure rock and roll. It’s fascinating to hear such an early example. I’m not likely to listen to this very often, but it is cool.
The Fall
3/5
The early 90s was such an interesting time for popular music. Everyone knows about grunge, but its most important legacy in my opinion is how it opened the door for so many others. One of the phenomena was artists that had been interesting in the late 70s/early 80s getting another shot. This record seems to thread that needle of 90s sounds but still capturing the new wave spirit. I like it.
Lauryn Hill
4/5
This album is so cool, and makes you feel 10% cooler listening to it. As a nerd, I need all I can get.
Beatles
4/5
Rubber Soul has been a favourite of mine for a long time. However, I think some of its charm has worn off on me. I remember when my family first got a microwave oven. It changed everything, but now it seems like standard issue. Perhaps Rubber Soul is a bit like that: revolutionary but so inseparable from our daily lives we fail to notice its miracle.
Orbital
2/5
Dropping acid and dancing all night was never my thing. As a sit down and listen experience this is a little dull.
Coldplay
1/5
Coldplay puzzles me. They seem like nice chaps. Chris Martin is talented. But who is this music for? It’s inoffensive, but I have no motivation to listen to it. Clearly a lot of people do, but to me it’s like watching the home and garden channel at the dentist office because it’s on. Coldplay music is just on somewhere. Nothing I want to pay specific attention to.
The Streets
1/5
I try to be conscious of the fact that not all music is for me, nor will I get it every time. With that in mind I found this a painful listening experience. I found it difficult to either identify with the content, or be curious to know more. It just sounded dumb, but not in a fun way.
Pixies
4/5
This is such a quirky album in a super charming way. It gets a little better with each listen. I used to find the sound of the Pixies abrasive, but the more I listen to them that changes. Kim Deal really stands out to me in both her voice and bass sound. Anyway, great album.
Ray Charles
4/5
This album is great. Ray Charles’s music is so cool. For a long time this was an album I could put on with company over and be pretty sure it would land with everyone. It’s not quite perfect, but pretty damn good.
Bob Dylan
5/5
Highway 61 is one of my all time favourite albums, and it’s not even in my usual wheelhouse. I don’t usually like verbose lyrics, which Dylan is noted for. But this record is special. I love the way it sounds. You can hear all the instruments. No annoying layering or compression. Just a great sounding document of really interesting performances. There is a tentativeness to all of the player, save Dylan, that I find appealing. It sounds like these songs are being played for the first time, which I think they are. Mike Bloomfield rips on this record. He has the perfect guitar tone, a sound that is from another time, but perfect. The acoustic guitars sound best when they are simply miced, as they are here. Desolation Row is probably too damn long, but whoever is playing lead acoustic guitar keeps me interested. I could go on about my love for this record, but suffice to say it’s 5/5. By the way, I am not a boomer, but it was part of my boomer parents collection. That perspective probably has something to do with my love of this album.
Prince
3/5
People love Prince. I’m not as enamoured. The two hits to start the album are good, and then it gets less interesting. There are more moments than just that, but there is too much information for me to absorb in one sitting.
Hawkwind
3/5
This seems like it was a great night. Sounds like a document of a cool concert rather than a perfect album experience. It seems ahead of its time. It reminds me of Krautrock with louder guitars.
Peter Frampton
2/5
This album perplexes me. There was a time in my life when it was pervasive. The performance would suggest he’s a big star, but this is the album that made him so. But who is Peter Frampton? I know he was the lead guitar player in Humble Pie. I’ve never met anyone who cared about that band. He’s sorta handsome, but not that handsome. He can shred, but that’s not really on display here. He’s got songs, but most of them are pretty bland. Yet people in audience go crazy with everything he does. They really seem to like the talk box, most famously on the last track. I like the talk box too, for a bit, but it goes on and on. This record doesn’t offend me, but I’m not motivated to listen to it.
Paul Revere & The Raiders
2/5
At times some of this works. A lot of it doesn’t. If the British Invasion bands of the 60s were the elite, then their American counterparts might be bands like the Byrds or Buffalo Springfield. I might be excited if I were a teenager in the 60s and Paul Revere et al came to my local community hall, but they are clearly a league below the Who, the Kinks, and the Animals.
The Velvet Underground
3/5
I can see why so many people find this album compelling. Lyrically it’s saying things that no one was talking about. Unfortunately the music just doesn’t grab me. Trying to be cooler than cool.
Sam Cooke
5/5
I really enjoyed this. Similar to James Brown Live at the Apollo. This is music you could put on for almost anyone and they’d likely enjoy it.
Traffic
4/5
I like this record a lot. At times I have become obsessed with John Barleycorn must die. It’s an old English folk song and keeps popping up in different versions. The rest of the album is pretty jammy, but doesn’t overstay its welcome.
Madonna
4/5
I like this album. It’s grandiose and sounds great. Not my usual listening. Madonna tended to respond to trends rather than create them, but like Bowie was aware of them before a lot of people. This record reminds me of a lot of the sounds we heard in the late 80s. This is probably a good time capsule of what was popular in 88/89. The songs tend to be too long, and like most big pop stars, the singles are the best songs. Like a Prayer itself is epic sounding. I’m probably being too generous, because it isn’t a perfect album, but it’s more enjoyable than a lot of records on this list.
Kings of Leon
2/5
I guess I liked this better than I thought I would. A little more lofi rock and roll than their big hits. However if we’re going to include a garage rock record, why this one? It’s not special, nor is the band interesting enough to justify making their background essential listening. There are plenty of other bands that deserve attention if we’re including straight ahead rock.
Heaven 17
4/5
I have a soft spot for electronic music from this era. At times it sounds like somebody cycling through all the presets of a Casio keyboard. Of course Heaven 17 likely didn’t have such a device. They had to invent it.
Metallica
4/5
I bought Metallica the day it came out. I still have the cd. I played it a lot and it was an important album to me. Sonically it was a monster. However this record has steadily faded over time. It was supposed to sound more live, but I don’t hear that. Never have. The lyrics are terrible, and Hetfield continues to write self help songs with weird grammar today. Unforgiven stands out as kinda dumb. But, the musicianship here is great. I actually like the two elements that tend to get the most criticism by metal heads, namely the drums and lead guitar. I don’t understand why they get so discussed. Lars’ parts are integral to every song. More than just a groove. Kirk’s solos are so melodic and full of fire. Overall a flawed album but a rocker nonetheless.
Fleet Foxes
3/5
I don’t know anything about the musicians, but every time I hear this, it sounds a little churchy. Maybe not church but what I imagine hippies sounded like during the Christian revival phase. This is pretty music but something about it makes me feel wary.
The United States Of America
1/5
Possibly an important historical document. Now turn it off.
R.E.M.
4/5
I’m not a huge REM fan but they have plenty of great songs. I think this is my favourite because it has the highest concentration of songs I like. Stand and Orange crush are two great pop rock songs. Some of the songs drag a bit. To me that’s more to do with Stipe and his singing style than anything. He doesn’t really have a voice that can carry the emotional weight of a song by himself. Good album overall.
Nick Drake
3/5
I like Nick Drake. I really enjoy his guitar playing. The songs are good but I probably need to spend more time with them to get full value.
Randy Newman
4/5
This was a pleasant surprise. I really like Newman’s quirky lyrics and cadence. I was amused by the phrase as happy as a monkey in a monkey tree. I like the sparseness of most of the arrangements. There’s something so satisfying about listening to the chords on the piano.
Guns N' Roses
3/5
Suffice it to say it rocks but I never want to listen to it again.
Gotan Project
3/5
This is a charming collection of music. I particularly like the Zappa cover, Chunga’s Revenge. I actually heard this once over 20 years ago in a French dormitory. I confirmed it with my sister. Something about it must have stuck in my mind. That being said it might be another 20 years before I play it again.
Jethro Tull
5/5
If you know you know. If you don’t you’ll never get it. One of the top albums of all time from the album era.
Bebel Gilberto
3/5
I like it. I don’t have a lot of experience with this music so it’s hard for me to pass judgement. I could see listening to this again.
Elbow
3/5
Interesting but it didn’t really grab me. I may like it better on a different day.
Talking Heads
3/5
I like the Talking Heads. Really interesting and creative. However they never seem to fully captivate me. Maybe because the music is so nervy and stressful. Good album, but not one I’m reaching for more than once a year, if that.
Pretenders
4/5
This record is a gem. It’s the perfect example of “oh yeah I love these guy. I should listen to them more.” Then you don’t. It’s also a great band name. Brass in the pocket is a fantastic single. Not all of the songs are equal, but a good listen.
Lightning Bolt
2/5
Not without value for me but likely more fun to play than listen to.
Weather Report
2/5
Damn that’s smooth. And a little sleepy.
Nick Drake
4/5
I like Nick Drake and this is the best one. This recording is so haunting. You get the feeling you’re in the room with him.
Janelle Monáe
3/5
On a busy day it was hard to find time to listen to such a long album with my full attention. It has a lot going on in it. Given enough time and focus, I’d probably like it. That being said, if it were something that I really resonated with, it would have cut through the business of my day.
Rush
4/5
I’m a Rush fan, so I’m going to give this a favourable review. It’s not actually my favourite Rush listen. I prefer Permanent Waves/Moving Pictures. This has a pretty silly rock opera, but it rocks so you just accept it. I suppose the elephant in the room is the Ayn Rand connection. In isolation this might bother me, but this was so long ago. Neil Peart read a book in the early 70s. These guys went on to be some of the nicest guys in rock. No neo conservative shenanigans. They supported diversity and human rights. Given an entire career’s worth of evidence, I would trust them as humans more than I do other supposedly cooler rock musicians.
Flamin' Groovies
3/5
At first I wasn’t very interested in this, but it grew on me the longer I listened. Fun rock and roll. I’m assuming this is a fun live band. Probably not the first record I’d reach for when I want some garage rock, but not a bad choice.
R.E.M.
3/5
I got another REM album recently. My reaction is about the same. It’s good but I’m not very interested.
Circle Jerks
3/5
This is a fun mini album. It’s so short it was my entire playlist for a 2km run. Nihilist punk rock is paradoxically a fun time. I really like Greg Hetson as a guitar player. I miss him in Bad Religion.
Marty Robbins
5/5
This album is beautiful. I can’t think of any other collection of songs where the story telling is so vivid. Possibly Gordon Lightfoot, but this is more consistent. I wish lyrics were written this way today. Not necessarily about gunslingers, about anything.
Stevie Wonder
3/5
There’s some interesting moments. I like Stevie Wonder, but one of my least favourite things is 70s adult contemporary music. There’s a lot of that here.
The Stone Roses
4/5
I enjoyed this. I can hear some of the building blocks that would become 90s indie.
Tom Tom Club
4/5
I like the Talking Heads but I like this better. I would love to be part of the scene where this is dominating. Not perfect, but very cool.
Everything But The Girl
2/5
Had the potential to be pretty, but ultimately very dull.
Miles Davis
3/5
This is obviously on its way to the sound of Bitches Brew, a record I do not enjoy. In a Silent Way has more to offer. I prefer the groove on track two than one. I could even imagine putting this on once in a while.
Peter Tosh
3/5
Yup. It’s reggae.
Penguin Cafe Orchestra
4/5
This turned out more interesting than I thought it would be. There are moments that are great. In fact most of it was great, but sometimes the 70s guitar sounds bothered me. I’m sure everyone who listened to this reacted to the album cover. I have to say I’m not a fan. However, it sure makes this record stand out. Who would notice this album if it just had a picture of an avocado on it, like that Pearl Jam record? Even so, blech. Interesting music, dreadful album art.
Bob Marley & The Wailers
3/5
I had Peter Tosh two days ago. This is possibly a step above for a non reggae consumer, but not something I’m reaching for unless I’m looking for background music when company is over.
PJ Harvey
5/5
I’m already a big fan of this record. It’s so visceral and haunting.
Venom
2/5
I was kinda excited to get this album but ultimately disappointed. They used to play Venom videos once in a while on TV late at night when I was a kid, and they scared me a little. Listening now they are so silly. Too silly to be taken seriously. And the fidelity is awful. I might put this on out of curiosity, but then turn it off after a song or two.
Devendra Banhart
2/5
I know some people like this album. I for one care less for it.
Massive Attack
3/5
Probably the best possible example of this kind of music. I like it but it’s not my favourite musical place to be.
Thin Lizzy
5/5
If you just want to rock, this is a solid choice.
Waylon Jennings
4/5
I don’t have any honky tonk heroes but I guess if I did, Waylon Jennings could be one.
Fela Kuti
4/5
This is joyful music. I actually have no idea if it’s intended that way, but it’s not really headphone music to me. It’s about playing loud on big speakers if possible and dancing while you carry on with your day.
Beastie Boys
4/5
This is one of my favourite albums from the 90s. Together with Check Your Head they are revolutionary. It was inspiring how three pretty mediocre musicians with maximum creativity made something that was hip hop, punk and trippy jammy at the same time. I do find the jamming interesting, especially with the inclusion of DJ elements, but could do without “Flute Loop” and a few others. Not a perfect album, but great.
Frankie Goes To Hollywood
4/5
When I was in grade 6 I had to do a book report on Journey to the Centre of the Earth. I attempted to read it the night before. I liked it but as you can imagine, I came up short.
Same with this album. I left it until the end of the day. I was surprised to find out it’s a double album. I also realized I wasn’t going to get the full listening experience on one play through. Too bad, because even though I recognize it as possibly an excellent achievement, I’m not likely to return. Same as I did with Jules Verne.
N.E.R.D
3/5
This album hits hard at first and then gets less interesting the more I listen. It sounds like a music guy record made by music guys. That album cover is weak. Good to put on and groove to but not my favourite listen.
The Kinks
3/5
I really like the Kinks. One of my all time favourites. I’ve spent a lifetime being fascinated by Ray Davies songwriting. I like Village Green, but if I’m being honest, it only gets me halfway there. It’s particularly because of the lack of fidelity, and partially because of the conceit of the project. As a North American, I’m curious about English culture and lifestyle, but a whole album’s worth overestimates its value to me. That being said, Picture Book always lodges itself in my ear for a while every time I hear it.
Jurassic 5
4/5
My first music language is rock. I’ve noticed Gen X rockers like me are more likely to identify with this kind of hip hop, and I am no different.
Cheap Trick
4/5
Fun and energetic. A good live album.
Kate Bush
3/5
Like many good pop albums this one starts with a fantastic single and then settles into some less interesting songs. I don’t think Kate Bush is guilty of adding filler, but the single is stronger than anything else on this record.
Slint
2/5
I like its intent more than I do its execution. This probably isn’t meant for just anyone. If I were buds with these guys I’d probably love it, but as a random listener it doesn’t translate.
Bad Brains
4/5
Not my favourite Bad Brains but any album of theirs is better than most.
The Rolling Stones
3/5
I can’t believe Brown Sugar has been around for over 50 years and it wasn’t until the Stones themselves decided not to play it anymore that it became topical to the general rock audience. It’s not my favourite Stones song but still. I like this album overall. Sway and Can’t you Hear me Knocking are stand out tracks. This could be 5/5 if not for Brown Sugar.
Fatboy Slim
3/5
This is not my favourite style of music. This one has a bit of a spark that a lot of British electronic music does not. Extra point for Rockafeller Skank, which I heard a lot playing FIFA 99.
The Dandy Warhols
2/5
I dunno. This has potential, but I just didn’t get into it.
The Residents
5/5
This might be my favourite listen so far. I want more avante garde and less top 40 rock. I could turn on the radio or listen to the Muzak at the grocery store any day of the week if I wanted to hear Kings of Leon. The purpose of album generator is to be exposed to weird statements like this.
Miles Davis
5/5
Early Miles Davis is hard to beat. This is an all time classic.
Radiohead
4/5
Radiohead was so popular. Maybe they still are. I find most people I know like them but are tired of them. Same for this album. I like it until I get tired of it. I’ll rate it higher for its adventurousness.
Nine Inch Nails
2/5
There isn’t much that appeals to me here. Trent Reznor is a smart and creative guy, but I don’t want to spend time in his world.
Pixies
4/5
The Pixies are so cool. Their sound is unmistakable.
Ash
4/5
I occasionally enjoy pop punk but it’s largely run its course. This rocks harder than most and is a little above average. Extra point for the extra energy
ABBA
2/5
Well executed from a technical point of view, but lacking in soul. Reminds me of German Schlager.
Public Enemy
5/5
How great was Public Enemy. Chuck D has a voice of god quality. Flavor Flav would be too much on his own, but is a great foil to Chuck. This is probably their masterpiece.
Joan Armatrading
3/5
I find the intended audience of most recorded music is the youth. Youth can be defined in any number of ways, but ultimately young carries the day. Indeed, adult contemporary is often used as an epithet isn’t it? This album is clearly for grown ups. Armstrong sings about adult issues and it is not especially chaotic, loud or audacious. Ironically adulthood in the 70s was likely people in their 20s but whatever. I find that I appreciate the maturity of this record, but true to form it doesn’t quite grab me in an irrationality emotional way.
Marvin Gaye
2/5
I have a confession to make. I’ve never really gotten into Marvin Gaye. I’m sure he’s as talented as people say, but I’m just not into it. Over an hour of what appears to be a break up album was not my thing.
Girls Against Boys
2/5
This started and I thought, no, don’t stop rockin’. Then nothing else happened for the next 40 or so minutes. It wasn’t long before I wished it would stop.
Franz Ferdinand
3/5
I liked this when it came out. They used Take Me Out on NHL 2005 which means I’ve heard it way too many times. The vibe was a reinvention of XTC and other new wave bands but ultimately I’d rather listen to them.
Nirvana
4/5
This album carries a lot of baggage. Maybe more than any other. Listening to it now I felt so nostalgic for this little band. As much as these are Cobain’s songs, so much of the sound comes from Novoselic. His bass playing is so melodic. I wonder what it was like for him to be band mates with Cobain. Anyway, great rock record if you can separate the listening experience from the collective trauma.
John Martyn
4/5
I’m reasonably sure I’ve neither heard of John Martyn, nor listened to him before. I like it. The sound is compelling. The atmosphere is slightly darker in an inviting way. I’ve always enjoyed I’d Rather be the Devil and this is a cool version. The other songs are good. His voice doesn’t quite carry you for the entire time, but the album is really good.
Kendrick Lamar
2/5
I know everyone loves Kendrick Lamar. Honestly, it’s so much talking. I just don’t care.
Throbbing Gristle
4/5
I’d like to think that music from an alien species might sound like this rather than what those jazzy muppet guys play on Tatooine. Or, this might be how aliens will receive the songs on the Voyager. Johnny B. Goode would be completely inscrutable.
The La's
2/5
Sorta sounds like REM without any edge. Inoffensive but not what I would normally want to listen to.
Neil Young & Crazy Horse
5/5
Listening to this I realize I have so many life stories attached to this record. My parents took me to see this concert. Sonic Youth opened. During the grunge era, Young was an elder statesman for many of us, and this was the record. Young’s guitar is maybe at its best here. So melodic and more than a little ragged, as the title suggests. The intro lick to country home and the riff to over and over get stuck in my mind all the time. Love and Only Love is maybe one song too many to my ears, but what the hell? I love this record.
Otis Redding
5/5
These songs and performances are great. They are the best versions of these songs as well, including Satisfaction. This is a record that I can put on anytime and it’s always a good choice.
k.d. lang
4/5
KD Lang comes from the same province in Canada, and she is one of Alberta’s best cultural exports. Her earlier work has more of a saw dust edge to it. This whole album is smooth like melted chocolate. Not my usual listening preference but this is really good.
ZZ Top
3/5
In the 70s, ZZ Top was like your favourite dive bar. Their sound reminded me of beer stained tables and the smell of smoke. Not healthy but comfortable. In the 80s it’s like they got someone to come in and renovate the place. New finish on all of the furniture. The beer stains are still visible but they’re under the new finish. I was surprised that there are still a few great riffs on here. Legs for example. But they don’t land as hard because of that 80s rhythm production that forces everything into strict alignment. No longer my favourite dive bar. If I wanted fancy, I wouldn’t go here.
Sarah Vaughan
2/5
Cool jazz cats in a nightclub and it sounds exactly what you think it sounds like. Vaughn has a good report with the audience, which is interesting, but I always struggle to generate much interest in rain in New York or other similar themes common to this music.
Bauhaus
2/5
Compelling at first but gets tedious fast. I’ve always struggled with this production style I have to admit.
Talking Heads
4/5
Is there any band that sounds more neurotic than Talking Heads? Some music is drug music, others are beer songs, but this reminds me of caffeine music. Hyper and nervous. I find Once in a Lifetime stands out not just for being a hit, but being structured like a pop song. The rest of the songs have a formula: start with nervy groove, add opaque lyrics, then dissonant guitar solo. I like it but it does sound samey after a while.
James Taylor
2/5
He’s got talent. Nice guitar playing. Pretty songs. I’m just not very interested.
George Harrison
4/5
I was surprised how much I enjoyed this. I know it’s considered a classic, but I don’t like Delaney and Bonnie, so I pre judged. Not that wasn’t already somewhat familiar. I enjoyed the performances mostly. I can’t get wah wah out of my head. What is Life is a favourite and the emotive guitar on I’d Have you Any Time is nice. There are some duds on here but it’s a good listen.
Billie Holiday
4/5
Holiday sounds like she is fighting to get the sounds out. The contrast with the really delicate arrangement is striking. It’s a haunting performance.
R.E.M.
4/5
On this one, REM mixed indie sensibilities with a bit of acoustic instrumentation. They didn’t follow a country or folk format, just borrowed some of the sounds. I really like Peter Buck. He stands out as a guitarist. Michael Stipe is what makes REM but at the same time I get tired of his voice. Really good record. Not perfect.
Radiohead
2/5
It’s an intellectual experience. Interesting and neurotic. When the album was revealed I was disappointed because I wasn’t up for a tedious listen. Some people claim that Radiohead is effortlessly compelling to them. I think they’re lying. They can be rewarding but it’s work.
Fishbone
5/5
I’ve been in love with this album since junior high school. I still am.
Kanye West
1/5
I’m not so sure how essential this is. The artist even less so.
Traffic
3/5
It has a certain charm. I like You Can All Join In and Feelin’ Alright. The album has a quirky jammy charm. It seems as though Winwood doesn’t stretch out his vocals here the way he can. One thing about these songs is that they definitely sound of their time, which makes it seem dated.