Everybody's gonna throw rocks at me, but... I never got into Beck's music. All the songs seem to me a collage of somewhat haphazard ideas. There's a lot of work and pretty innovative stuff, but unfortunately it never becomes memorable or catchy (at least for me). It was like 52 minutes of "oh yeah, we're gonna put a tambourine there, oh and a robot voice here... And a sampling of that song at this moment", but it remains irrelevant at each time. Sorry. :(

There are some nice passages, but overall I don't get it. Unmemorable album that could be kicked out of the 1000 to make room for a more recent album.

It's unbelievable that this album was released in 1966. So ahead of its time. It's a molotove cocktail between psychedelic rock, concrete music and satirical doo-wop. And all of that is just the tip of the iceberg of Frank Zappa's genius. It's not the kind of album I would listen to every day, but I can't help but give it 5 stars. Damn, this was released in 1966... Impossible!

I am very happy that this record is in this list. It allowed me to listen to it again and appreciate it at its fair value. An album full of small subtleties and intoxicating details. It's both pop and experimental, charming and relaxing, yet uplifting. A masterpiece.

This album might be difficult to appreciated if you're not into metal, but I swear this one is very important in the history of the genre. Its title even became the name of an evergrowing style of metal, the black metal. This album is so explosive, energetic, fast and grimy, it was a revelation back in 1982. The lyrics and imagery also had a major influence on the shape of metal to come. To me, it sounds like an influencial classic, so... 5 stars!

One of Jethro Tull's finest work. Many tracks are instant classics.

One of my best jazz album ever. Insane music and totally free music.

Very nice album! I enjoyed it more than I thought, but I honestly don't know if it is really one of the best 1000 albums of all time?

There are some nice passages, but overall I don't get it. Unmemorable album that could be kicked out of the 1000 to make room for a more recent album.

It is a huge rock classic, but not a timeless one. This album has had its day of glory, but I think it's time to let it go into the "has been" folder and move on. I give it 3 stars because I must admit that there are insane radio hits in that record.

I didn't expect that, but I loved the album. It's country, but with a slight folk undertone. Honesty and emotion are palpable in the music of Emmylou Harris. A very nice discovery for me, even if I'm not a die-hard fan of country music.

This album was probably a big hit when it came out, but I really have a hard time getting attached to it. Neither the voice, nor the compositions, nor the brass arrangements or the texts make me experience anything. I'm sorry, I can't pretend and give a good rating.

I have always been in love with his album "Pink Moon", but I had never dug deeper to find out more from this artist. Like everything I've heard from Nick Drake so far, this album is another gem of folk that takes us on a journey deep within ourselves.

Forever Changes shows brilliant and well-crafted arrangements on well-felt compositions. Also, this is an iconic album cover for an iconic album.

It's a great album, but the Kinks are capable of better. There are excellent tracks like Harry Rag, Situation Vacant, Love Me Till The Sun Shines and the incredible Waterloo Sunset, but overall, this album suffers from a lack of appealing melodies.

A very nice 90s hip-hop album with Timbaland as a producer. Beats and rendition of Missy Elliott were great! However, it joins me less emotionally and I don't think I will listen to it again in my life.

I'm not the biggest trip hop fan, but I have to admit that I really liked this album. It's groovy and put the listener in a nice mood. "Unfinished Sympathy" as a track is a true masterpiece, but I don't think I will come back to this album someday.

Alternative rock at its best. Strong and catchy songwriting. I love Radiohead. Bye.

I understand the influence this album had on 90s music and there's 2 or 3 very good songs, but I know R.E.M. and I think they made way better albums than this one.

It was like listening at noise rock, shoegaze, electro, indie pop and lofi stuff at the same time. I loved the general feeling that emerges from this record. I will definitely listen to it again.

I've never understand why ska music is so popular. I can't take more than 5 minutes at once, or I became violent. The song "Do Nothing" was nice, at least. "Stereotype" has something special, but was way too long.

I really the fact that the album has an intro to put the listener in the mood. It was the best beginning of an album of this genre I've ever heard. I'm a fan of this era and this kind of country/crooner singers. They give a strong impression of their time. It's weird to say, but their music is timelessly outdated and that's the best part of it.

Wonderful album that surprised me. It could have been shorter to focus on quality, but it's a very nice piece of indie rock/britpop overall.

This album took over my body from start to finish. INSANE grooves and musicianship + the brass are perfect. Furthermore, I think this is the best performance I've ever heard of Ginger Baker, who is amongst my best drummers. It instantly became one of my favorite live recording. I will need to buy this live on vinyl.

I think this record was quite innovative when it came out and that's why it found itself here in this list. There's some nice songs and guitar tones, but I don't find much interest in the product as a whole.

"California Dreamin" is one of the best song ever written and recorded. However, this band recorded other beautifully produced tracks like Got A Feelin', Somebody Groovy or The In Crowd. I am also a complete fan of this era, rich in sound and emotions and this album perfectly renders this vibe.

Nick Drake is a master in the category "folk singer-songwriter" and this album wonderfully shows it. He was just one step away from his ultimate masterpiece, Pink Moon.

Thunderous atmospheres with very beautiful mellotron passages. Emotive and grandiose instrumental music.

I think this is now one of the best jazz album I've ever heard. The arrangements are incredibly brilliant and ahead of their time. The sounds of each instrument are used in an original and unexpected way. I want this album on vinyl now.

It's unbelievable that this album was released in 1966. So ahead of its time. It's a molotove cocktail between psychedelic rock, concrete music and satirical doo-wop. And all of that is just the tip of the iceberg of Frank Zappa's genius. It's not the kind of album I would listen to every day, but I can't help but give it 5 stars. Damn, this was released in 1966... Impossible!

I can't believe some humans can endure such a level of musical saturation for more than 2 hours long. Wah-wah guitar solos supported by timpani and brass punches, while the strings get excited sprinkled with "YEAAAAHAHHH" by James. All guided by a clumsy drum. And don't get me wrong, I love Metallica and I'm a fan of their oldschool thrash metal era, but this thing is not listenable. Sorry.

The Beach Boys and Brian Wilson were nearing the peak of their genius, but still churning out a few more naive songs. Regardless, every Beach Boys song is charming, always cleverly arranged, with divine backing vocals. The harpsichord on When I Grow Up or the organ on Please Let Me Wonder... beautiful!

Real raw and pure rock. Hard to pinpoint why it's so good, but it is. It must have been an amazing act to see live.

Brilliant and masterful folk pop album. It was a smash hit when it came out and that's totally understandable with great instant classic songs like Father And Son, Wild World or On The Road To Find Out.

It's strange, I felt inclined to love this album, but... Not so much after all. There are a few good moments, but I feel like it was put together for an american market, or at least an english market, and it felt somehow weird. A sitar album starting with a cover of Jumpin Jack Flash, I think that killed the vibe right at the beginning for me.

This album comes into its own on stage, performed by Alice Cooper, but fails to be as captivating when listening at home. He has much better studio albums and I'm not sure why this one is on this list. Was it perhaps significant at the time?

Brilliant synth-pop album. Unlike many albums of this genre, this one goes with more delicacy, subtlety and refinement. I really appreciated it.

To produce instant classics like Paranoid, War Pigs and Iron Man on one and only album is a miracle, or is it genius? Tony Iommi absolutely deserves the "riff master" title after this one. Every second of this masterpiece is worth it. Black Sabbath will always be one of the best metal act ever.

I'm really not a Pearl Jam fan, but I have to admit that this album is excellent. It's an incredible start for the group (and they will never do better in my opinion), which offers memorable songs like Once, Even Flow, Alive, Black or Porch. These tracks are particularly powerful on stage. Gotta be honest and give it its due : a good rating.

I really don't know how to rate this album. There are songs that I adore unconditionally like The Passenger, Some Weird Sin or Lust For Life, but others that I don't care about and that I find unmemorable. I guess 3 stars are gonna do it.

I've had a love/hate relationship with Led Zeppelin for a long time. Fortunately, this one is in my favorite albums of the group. The folkish songs on this record are phenomenal and Immigrant Song is a killer opener. Not a perfect album though, maybe the last 3 songs weren't needed. Anyway, it deserves 4 stars for sure.

I am very happy that this record is in this list. It allowed me to listen to it again and appreciate it at its fair value. An album full of small subtleties and intoxicating details. It's both pop and experimental, charming and relaxing, yet uplifting. A masterpiece.

Why is Bruce Springsteen screaming all the time? He pushes his voice, but I don't feel many more emotions. It's pop rock, but it's not uplifting or catchy. How could it have been a phenomenal success? No idea. Maybe the lyrics appeal to the average citizen of America and that does not do it for me. But above all, it's sooooooo generic.

A nice pop album, with a very punchy, strong and catchy A-side. Unfortunately, along the next part of the ride, there are songs that are rather average and a bit annoying like Only The Good Die Young. Maybe "The Stranger" is an overrated album or I'm just not a fan of Billy Joel? I don't know.

I didn't know this band and this might be my favorite find on this list so far. It was unpredictable, but wow! I'm not a fan of this musical trend, but you can see that Laibach had a strong influence on industrial music. The album is both grandiose and humorous, with catchy songs, but with a rather severe tone. I like contrasts and there are a lot here.

A cool indie rock album from the beginning of 2000. However, Jack White's music always left me a little indifferent, I didn't manage to like it at its fair value yet. My two strong points of the album would be: the ultra simplistic and powerful drum of Meg White and the magnificent song "We're Going To Be Friends".

Listening to this record is both soothing and energizing, it's a positive experience. The Byrds' sound is unique, the perfect symbiosis between well-written folk and pop/rock.

I should listen to more Stan Getz. With each album that I discover by him, I am always amazed by his refined, romantic and at the same time catchy music. Moreover, the percussions are subtle, but so effective. Awesome record!

Ah, what to do with this album? It's a phenomenal commercial success and I think you can call it a metal masterpiece. There are sensational guitar riffs and the lyrics can easily be learned and sung by heart, with probably one of James Hetfield's best vocal performances. However, we have heard it so much, but heard it SO MUCH, that I am not even able to listen to the best songs of this record anymore. And the others, you have to admit, are fillers. The album is too long-winded. If I hear Enter Sandman again in life, I'm going to vomit blood, so here's a note that will be fair to me, and to Metallica.

I'm really happy to have discovered this album, thanks to this list. Excellent country/folk with surprising lyrics and very emotional guitar playing. It's a shame I didn't knew this artist before.

I vaguely knew Garbage from a few songs I heard in movie soundtracks. I didn't think I was going to like this album so much, but I did! Shirley Manson offers a beautiful vocal performance and the musical arrangements have something subtly unique. Very happy to have listened to this album.

A man, a guitar and that's it. With all the modern means of production that we hear on today's albums, a return to basics is often very pleasant. Ramblin' Jack Elliott not particularly hooked me, but I'm happy to know him better now!

Badhead, The Debt Collector, Clover Over Dover and This Is A Low. You can only listen to these 4 songs, the rest is rather average and is forgotten very quickly. I'm not sure what this album does on this list, but it would be a good candidate to drop to make way for more modern material.

Unfortunately, I had never heard this Michael Jackson and after just one listen, I think it became my favorite. Incredibly groovy bass, sensational horns and quite sophisticated synthesizer on a few tracks make it a very developed pop album.

There's nothing absolutely atrocious about this record, it all fits together, but it never becomes engaging or good. It's even rather boring.

Not necessarily in my David Bowie top 5, but definitely an iconic album. The juxtaposition between Mike Garson's incredible piano performance and catchy glam rock is quite unique. Always nice to come back to this record.

There is nothing atrocious on this record. Nothing bad, but really nothing interesting either. It was surprisingly boring. I don't get why this music gets so much fame and praise. Who knows!

Electro duet from France, Justice broadened my musical horizons with this release, at the time. With the album “Cross”, it was the first time that I appreciated more “heavy” electro music. My last spin on this record was a few years ago and I have to say I'm quite impressed listening to it with my ears today. It’s 2000s electro, but nothing has aged badly. It could have come out yesterday. Finally, was this album avant-garde? We can detect bass lines and "strings" quite nu-disco. The inclusion of touches of classical music and funk makes it more timeless too, I imagine. Everything is "toned" to perfection, the drum'n'bass is in reinforced concrete, it's quite arranged and licked while allowing itself to be noisy and without concession. Nice rediscovery for me.

I had never heard an album so funky and groovy, but at the same time so smooth and executed with restraint. A very nice discovery for me and I hope to find this one on vinyl.

Nothing explicitly bad, but nothing. Nothing. It's probably the most boring album I've heard in my life. Always the same volume, the same tones, the same tempo and somewhat empty & generic lyrics. I can't believe this was a hit and a milestone of the 2000s.

I especially liked the voice and the interpretation of Loretta Lynn on this album quite appreciable. However, there is nothing that stands out that much. Good album!

Unfortunately, I did not know this group and it was missing in my musical knowledges. I found The Replacements to have a phenomenal energy, they are punchy and quirky while maintaining a very standard formula for a rock band. I loved it.

I found the Heart of the City and Blueprint trails to be excellent, the rest was like a long cruise a bit monotonous and waveless.

I don't really know what to say about this album. Everything is good without being exceptional. It reminds me of Oasis, but without huge songs that lift us up.

"With a producer who can rap and control the maestro at the same time". This line represents Dr. Dre very well. In addition to being, in my opinion, the best hip-hop producer I know, he has his own vibe on the microphone and he knows how to rap. The lyrics on this record have certainly aged badly, and the album might be a little too long, but the tracks are musically mind-blowing. The appearances of Snoop Dog are also excellent.

A good folk record, nothing particularly hooked me, but the whole album flows very well and the intimate atmosphere that reigns there is beautiful.

A good album, but overall, a few very nice moments. The track "Where Does It Lead" was my highlight of this album, it might be the only song that I will listen again in the future.

Shame on me, I had never taken the time to listen to this band until today. What a wonderful discovery! I really like post-punk, but I really love the "goth rock" style, so I was delighted. Unique vocals and powerful percussion alongside all you need in great gothic and dark 80s music. I will certainly buy this record and listen to it over and over again.

I really like the "disjointed but worked" aspect of Astral Weeks. It's full of little instrumental arrangements here and there, but it never seems completely written. Van Morrison seems to have no qualms about expressing himself a bit more eccentrically than other folk singers of the time. I wouldn't listen to this record every day, but I always liked it.

As usual, The Byrds have produced a soft and well-crafted album, which has the effect of a sunny day where it is good to live peacefully. I love their vibe and would be ready to listen to them at any time.

I can't.

Well done and nicely produced pop album. I appreciate this material much more than his recent folk album. It's not my type, but it's good. A bit generic though, absolutely nothing stands out from the rest of current pop music. 3 stars will do it.

This is a good album, there's no doubt... But I find it hard to spend 50 minutes at the same tempo, with the same instruments playing the same mood and the voice giving off the same emotion, particularly in folk music. I enjoyed it, but I will not listen again.

I've always enjoyed the soulful playing and creativity of Stevie Wonder, especially in songs like Golden Lady or Visions, on which the guitar is absolutely beautiful and well rendered. Groovy synth tones found on this record are also very nice.

It's a very good album, especially the folk songs on it, but... I still wonder why it's on this list. There is nothing very singular, innovative or special on this record. Maybe I didn't get something? Anyway, that was a pleasure to listen to it.

A good soft rock album with a unique and inexplicable touch that makes it a bit outcast. "Jump Into The Fire" is an insanely great track that I knew before (thanks to the superb Heather Trost cover of that song). However, I don't feel bounded to this record and I don't think I'll listen again.

Half of the songs seem like plagiarism from other rock acts. The other half is soooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo generic.

Very nice and groovy album. The instruments, and especially the drums, are intense, fast, efficient and rowdy, in a way... I love it! A record that lives up to its name!

This is my favorite album from one of my favorite bands. Everything you could want from the Beatles can be found there: pop songs, deeper folk ballads, psychedelic moments, their heaviest piece, experimental material, etc. I could listen to it anytime!

A wonderfully flowing jazz album that can be played at any time of the day or the night, it will always be good. For me, it's not a jazz essential, but definitely a must for any Miles Davis fans.

Well produced material that has not aged well. This album is like a very pleasant and gentle little cruise, to do once in a lifetime, but without necessarily wanting to go back.

It's a good and nice album, very nice vibes in it. However, it misses something special... Maybe a lack of catchy melodies? I don't know. But I appreciated it.

There are a few nice ideas here and there, but overall it was boring. Screamadelica doesn't made me feel anything. Sorry. :(

Despite the fact that there are 5-6 really excellent songs, Tommy is perhaps the most boring Who album, because it is too long and has a lot of fillers. I'm a Who fan, so it kind of breaks my heart to say it like that... However, I have to admit, it made me want to listen to the film again. I hope the next Who's album will be the killer "My Generation"!

In my opinion, this is not their best, but hey... how can I give under 5 stars to a Doors album?

An album that is neither excellent nor bad. It is exactly what is expected, without surprise or disappointment. Anyway, I don't remember it anymore.

Very enjoyable album. The opening massive hit "Respect" puts you in the mood for a 1967 soul music ride. I always loved the sounds and tones from this period, especially the brass sections and drums. Aretha Franklin is a unique and powerful singer. A must listen.

Missy Elliott has a less flashy attitude on this album, the songs are laid back, but solid. The beats are catchy. It's not my type and I'll probably never go back to it, but nice job!

There are some cool songs here and there, but... Pretty basic rock. It's hard to believe that this artist had a huge success in the early 70s, surrounded by all the other rock legends there were at the time. Maybe I don't understand or it was really on show that the magic happened?

An album filled with exciting and extraordinary rhythms, wonderfully well arranged. Stunning and groovy bass lines. I had fun throughout my listening. Strong 4.

A sweet and sad album that hardly changes mood throughout. A complete work of slow and melancholic country can be long. The album ended up losing my interest. But... It was great in a way. 3 stars will do it.

A love/hate album for me. So many brilliant synthesizer lines and very catchy sounds that defined the 80s, but at the same time, half of the songs make me think Simply Red were trying too hard to be popstars by clumsily borrowing soul music or jazz aesthetics. Glad to know them better anyway!

I don't like this band, nor this album, but apparently it was a very influential work on an unpleasant musical trend of the late 2000s. It's revolutionary and my friends will hate me if I give it the bottom of 3 stars, so here comes 3 stars and I never want to hear about it again.

A strong 4 for Heaven Or Las Vegas. I loved the very coherent atmosphere that reigns all along the album, there are lots of little gems throughout. It would only lack a little more catchy side overall for it to be perfect. I really need to discover more from Cocteau Twins. Glad it was on this list.

2 or 3 nice songs, but overall, it was as boring as the cover art. As it is described with words like "psych" or "shoegaze", I would have liked to like that so much, but sorry... I can't.

I've been a Neil Young, Byrds and CSNY fan for so long... I'm almost ashamed that I didn't pay attention to this album before. From the second song, I already felt at home. The nosy, imperfect and magnificent guitar, the divine vocal harmonies, the subtleties brought by each musician. A very pleasant listen and I hope to find this vinyl record very soon!

Very interesting album. As always, Bjork is perfect. On the drum side, it feels like Neil Peart playing in a post-punk band and it's really cool. Among the other musicians, I feel a strong desire to innovate. However, it looks like a young group whose best is yet to come, with songs just not yet fully developed or compositions not strong enough. It's hard to rate this album. I feel in a good mood: 4 stars.

There are a lot of very strong songs on the disc (Sara, Sisters of the Moon, Brown Eyes, Walk A Thin Line, etc). It would have been a good 35-40 minutes of excellent material. Unfortunately, these tracks are drowned in fillers equivalent in duration. So I'm giving this album a 3, but it would have been a strong 4 without the completely useless songs like Not That Funny. Also, I have to mention... Damn. Stevie Nicks vocal performances are always so spot on!

The theremin solo was nice, otherwise, it was boring and forgettable.

Joy Division is a group that does both rock and art. Multiple small sonic details make the album incredibly fascinating. The percussions are powerful and original, the guitar and the bass so dark and well blend. All this crowned by the strong emotions released by the singer and his inimitable voice. The alignment of the last 3 songs is probably one of the strongest moments of post-punk. Ok, I'll admit it, I listened to the album twice in a row.

George Clinton, Bootsy Collins and Bernie Worrell are the best funk power trio out there. I discovered them in my long quest of listening to all Buckethead's collaborations and their music stayed with me. What a groovy insane album that had a strong influence on the 80s/90s hip-hop. Really like this one!

Very good post-punk album, but unfortunately, nothing particularly hooked me up and it won't fit into my genre classics.

Some very strong songs that became timeless hits and some weaker and boring ones. It's kind of "half'n'half" so I'll go with 3 stars.

Sounds like an average soundtrack from an average 90s action movie. I'll tell you, it's not my cup of tea. That said, there are some good ideas and the more downtempo tracks in the second half of the album are very good.

I liked this album a lot more than I thought I would. Conscious and/or abstract hip-hop is always welcome. The groovy double bass throughout the album was very nice and the keyboard sounds were sometimes even reminiscent of Radiohead. The flow of Mike Ladd is varied and perfect. The only flaw of the album is that it was too long.

I have no problem with this band, it's not bad at all. But please make room for newer, more alternative bands instead of putting generic stuff like that in the challenge. Looks like a copy of Oasis, but without personality.

A very nice country album, very representative of the genre. Pleasant listening. Nothing that stands out either, though.

It's a very good disco album, with strong instrumental moments, nice arrangements and a monumental hit. It's not an album that I would keep with me forever, but I had fun and great time while listening to it.

I'm not a big connoisseur of hip-hop, I don't have many references to explain it, but... It's one of the best hip-hop albums of all time, isn't it? It seems to me that the flow of NAS is varied and perfect. The beats are very easy to listen to, not too flashy, but far from being empty and without interest. The man seems to have a lot of vocabulary and he knows how to use it.

Sometimes everything is there to make it work... Energy, variety of instruments, excellent musicians, etc. But, for some reason, there's absolutely nothing on this record that I found uplifting or that I want to listen to again.

Again, sometimes almost everything is there to make it work, but in the end, you end up with a quickly forgettable product.

The album contains nice moments, but it is very long-winded for an album with barely no mood variations. I didn't love it, I didn't hate it either. Glad to know better this group that I only knew by name.

I listened to this album for the first time when I was a teenager and I hated it. Fortunately, tastes can continually evolve. At the point where I am now, I can say that it is one of the best albums that life can offer us. It's the definition of "dark, but uplifting". "I've been waiting for a guide to come and take me by the hand, Could these sensations make me feel the pleasures of a normal man?". It's one of the best album opening line ever, isn't it? It's also unbelievable that they came with a so mature and accomplished sound/lyrics in their early twenties. Ian Curtis' voice, words and interpretation are so neat and refined. Unknown Pleasures is a timeless masterpiece without a doubt.

Everybody's gonna throw rocks at me, but... I never got into Beck's music. All the songs seem to me a collage of somewhat haphazard ideas. There's a lot of work and pretty innovative stuff, but unfortunately it never becomes memorable or catchy (at least for me). It was like 52 minutes of "oh yeah, we're gonna put a tambourine there, oh and a robot voice here... And a sampling of that song at this moment", but it remains irrelevant at each time. Sorry. :(

It's a very good album that represents well the gangsta rap genre. I liked the references to rock music and even that Ice-T takes the time to express his opinion on the subject during the record. There are nice tracks and punchlines. The sampling of Black Sabbath or Carpenter were very cool. That said, why making so long album while all the music is on the same pace? I'll never understand how it can be interesting for so long while being always on the same pace.

Did I listen to this album well? If so, I don't remember anymore.

Breakthrough and iconic album. All of the songs feel the same and that's perfect like it. Short and sweet. I can't say I'm a fan, but this record is engraved in music history forever.

This is one of the best hard rock album ever. I hate it.

It's a good album, but no more than that for me. Classic, without taking risks, without innovation, only very conventional rock. I have nothing to say about it. A few arrangements were clever and nice. Ok, next.

A beautiful representation of what Elvis can be apart from his big big hits. The song "Fever" is one of my favorite interpretations of the King. And as always, a flawless voice with his unique mood. Amongst his best albums for sure.

What?

Dream pop, glitch hop, whatever it is, it was nice, creative and original. I can't say that I'll come back to it again, but I appreciated it. Glad to see a few more recent albums in this list.

How can someone give less than 5 stars to this monument? I don't know and I don't want to know.

It's hard to rate this album well. It's a major record of the 90s, the intention behind it, to make a concept album so long at that time... It's spectacular and quite off-track. However, I don't know if in the end, it is totally successful. There are a lot of unmemorable songs. I feel that it could have been an excellent album of about forty minutes, since there are also plenty of good tracks like Tonight Tonight, To Forgive, Cupid De Locke, Where Boys Fear To Tread, 1979, By Starlight... The concept is very good, but extended over two CDs, it's too much, sorry.

Very important album for me. I discovered it when I was a young teenager and it marked me for life. I still remember the first time I heard Tom Sawyer... That's when I really became aware of the instrument that is the synthesizer. I was also stunned, inevitably, by the creative and insanely skilled Neil Peart. I was equally fascinated by Alex Lifeson's badass guitar and Geddy Lee's unique vocals and versatility. This record opened my mind to music and was an invitation to discover rock in the broadest sense. Damn, let's say it, I love these guys from the bottom of my heart.

I'm really glad I discovered this album via the 1001 albums generator. I never heard of them before and it's amazing stuff. Post-punk, new wave, psychedelic... Everything is there for me to love this record. The synth tones and layers were perfection.

There's a hype around this album that I just can't get. It's not bad, but I just don't get it.

Music of Aretha Franklin is always surprising and I understand better the legacy around her now that I've listened to 2 full albums. Sound, instruments and musical arrangements from this era are always so nice. Really liked it.

An album that became an instant classic. I can't say that I'm deeply attached to it, but I like it, always fun to listen to.

There are other Kanye West albums that I think are completely awesome, but I don't know why, I'm having a hard time liking this one. That said, it's definitely good stuff.

One of the finest albums of Yes, and even one of the best albums of the progressive rock movement. This work strikes the perfect balance between complexity and catchy, interesting music. There is also an excellent contrast between heavy/electric music and classical/acoustic music. Furthermore, all the musicians here are at their best and especially Jon Anderson. I consider this record as his best vocal performance ever.

A nice and sweet album to listen to. It doesn't reinvent anything, it's not hurtful or uplifting or breakthrough. In short, it does absolutely nothing other than being a good album. Cool!

Listening to Sinatra over supper or just a few songs through others is wonderful. I love his voice and his music takes us straight back to the 50s. However, close listening to a full album quietly becomes torture. The brass punches and somewhat empty phrases he sang become very heavy to bear.

An album where the tones of all the instruments are perfect, especially the bass. The atmospheres are wonderful. A beautiful offering from Air, music you can easily get joyfully lost in it.

Generic country. Amongst the best albums ever, for real? Sorry, but no one care about The Grand Tour in 2022.

I think it's the first Beck album that I love from start to finish. It must be said that I am a fan of Nigel Godrich and that his participation appears enormously on the album. There's a lot of rich and uplifting arrangements. The voice is also very calm and felt. Great record!

What a refreshing selection in the 1001 challenge. Finally a bit of samba, where the rhythms are creative and polyphonic and where the arrangements contain plenty of synth and wonderfully well-used brass. Very happy to have discovered this album!

Why. Why he's always shouting for absolutely nothing? This combined to annoying saxophone and lifeless piano. I'm sorry, I know he's a legend but I'll never be able to enjoy his music.

A great album that turns out to be a classic of my generation. I don't think it aged that well and I'm not sure it will stand the test of time. Who knows?

Very happy to have discovered this album via the 1001 challenge. The hip-hop sound of the mid-90s was fantastic and this record is an amazing representation of it. I can't wait to listen to it again and give a better attention to the lyrics and subtleties.

I found myself liking this album a lot more than I thought. I did not expect such beautiful and rich arrangements of wind instruments. The compositions are generally well felt and honest. What keeps me from giving it 5 stars is the length of the album. Too long for one and only vibe. I felt lost and a little offset at a few points.

It's a cool album if you're really into cuban rumba and percs, but I don't feel it really uplifting, engaging or catchy. I'll probably even forget I ever listened to that. The guitar parts were great and refreshing, tho.

It's a great jazz album I had never heard of before. I'm glad I discovered it, it had really strong parts. Sadly, these beautiful moments are distributed sporadically on an album, once again, too long and samey.

To me, Bob Dylan is much more about songs than albums, however Blood on the Tracks is perhaps one of his finest works as a record. Tangle Up in Blue, Idiot Wind, Simple Twist of Fate and Buckets of Rain are amongst my favorite Dylan songs. There's a unique spirit in those tracks, conscious and honest lyrics, a soulful interpretation and musically, it's just enough catchy.

I don't know.

There's a few memorable and nice moments, but really a few. This seems to be a blend of the glam side of David Bowie, The Who and Foxygen, but it never reaches the quality of even one of those three.

Wow! What a surprising album! He might not have the best flow or the most catchy beats, but the lyrics and sincerity make this album outstanding. We can found there more than punchlines, these are literally punch-paragraphs. The title is also absolute gold. Really great one!

A refined album recorded by outstanding musicians. I loved the subtle and soulful mix of jazz, folk and Latin music, with a little psychedelic and bossa nova touch. I will come back to this album for sure, even if I found it a little long winded for something that is on the same mood all the way through.

It was so boring and generic. Thank you.

It's undeniably an excellent album with great songs. The bass and synthesizer tones and playing are masterpieces on their own. Even if it's a pop record, I also like that the ambient music side of Eno stands out, like on the tracks "Through Hollow Lands" or "Spider And I".

This album is so important that no one cares uploading it properly. Seriously, there's a few nice moments, like the main title, but it felt more like fragments of songs glued together than a full album.

It would seem that the people behind the 1001 challenge are Byrds fans. And that's to our delight. I didn't know this album and now I would like to find it on vinyl... Wow! A very nice mix between folk, country, psychedelic. An engaging album that I want to hear again.

I'm more of a fan of what the Wu-Tang Clan members did individually than this album, but it's still an undeniable classic of the genre. If you're into hip-hop, you can't miss that one.

With Song 2, Theme From Retro, You're So Great and Death of a Party, we would have had a strong and wonderful EP. Instead, we get a long winded and never ending, boring 1 hour album.

Jacques Brel is a truly amazing French singer and he has several great songs to his credit. Given that the record present on this list is a live album, I expected that we would feel something special in this live album... Strong emotions, a particular contact with the public or an unusual energy. Unfortunately, it remains rather cold throughout. As long as that, I would have taken a studio album by Brel instead.

I love this album, because when it came out, it stirred things up and kicked a few elitist ass. Also, their sound and vibe are distinctive from many other punk bands, which is really great.

Maybe my least favorite album by OutKast, a hip-hop act that I really like. I can't explain why this one made its way to the 1001 and not ATLiens or Aquemini, but here it is. This one, Stankonia, is half and hour too long. With a duration of 1h15, it completely lost my attention at a certain point. Still... There's some good beats, catchy hooks and great flow out there. 3 stars.

Classic album that is musically almost perfect. The songs are so smooth, but uplifting and grandiose at the same time. They sound indescribably refreshing, even to this day. Morissey's interpretation sometimes seems a little forced out or too much "I want to be special", that's the main point that prevents me from giving it 5 stars. Also, there are maybe 2 songs that seems more to be fillers.

Buddy Holly always had a special place in my musical development. When I was a teenager, I saw the movie "The Buddy Holly Story" and really enjoyed it. It seemed to be a really great guy caring a lot for the music he was doing, and he was delivering with passion and honesty. At least, that's what the movie depicted and it was enough for me to learn from it. Anyway, this album contains so many hits that transform the futur of rock music. That'll Be The Day, Oh Boy, Maybe Baby and the great Not Fade Away, which was re-interpreted by countless groups. It was released in 1957. Buddy Holly is the definition of a rock'n'roll pioneer.

Really glad I had a chance to listen to this band for the first time via 1001. In the hardcore/punk world, I'm more into the post-hardcore vibe and this album fits very well into it. The vocals are violent, raw and emotive and the guitar parts are perfect to support this. I'll come back to this album again and maybe I would give it 5 stars in the futur?

This album is the exact definition of a 3 stars. Tracks are not bad, not solid, just enough to be good and enjoyable. Not a masterpiece, not a bad album. In fact, I have nothing to say about it, positive or negative.

Ok. This album has a few moments that haven't aged well, it's not my favorite of the band, but I would feel dishonest to give it anything other than 5 stars. So much heavy/catchy/fast/efficient moments on this. A recipe mastered by Iron Maiden. It was Bruce Dickinson's initiation into the band. Imagine the reaction of people the first time they heard this powerful and distinct voice. It must have been insanely overwhelming. A unique voice and strong riffs and songs to support and honor it. Also, from a personal point of view, I have lots of good memories of my adolescence linked to this album. Meeting metalhead friends, enjoying the music, learning to play it... Playing to Tony Hawk Pro Skater 4! Anyway, a great and outstanding album for sure.

Better than expected. I'm not a huge fan of 90s downtempo, but this album has a little something. Moby uses the piano very well and the strings texture are beautiful. A great album to get lost in it. The last few atmospheric tracks were superb. I would have like it a little shorter, with only the best material on it.

CCR... Always nice to listen to them. I like the subtle heaviness of this one. This is not my favorite from them, a few of the songs are pretty ordinary, but at least, it never becomes boring. I expect to see their very first album on the list.

I really appreciate their exploratory folk rock formula, with a hint of experimentation. As I'm a huge Neil Young fan, this album inevitably has a special place in my heart, with the magnificent Broken Arrow as its conclusion. However, I have to admit, the album contains some fillers, so 4 stars.

A timeless classic of folk music that borders on perfection. The lyrics, the emotion, the arrangements, the compositions, the interpretation. Everything is there. There are times like this where the magic worked 100%.

In the spectrum of hip-hop, this album is on the side that I like the least. How can we offer an honest work that comes from the heart and soul when there are 3 producers and 7 authors per song? It really sounds like pre-formatted music for commercial radio. Maybe it's not... but either way, it's really not for me.

2 great songs and a whole bunch of nothing to care about. I know this is an important album for the genre, but I just can't get it.

Magnificent album by the Beach Boys focused on the arrangements of instruments and voices. Lots of experimental details, but which don't become "too much" like on Pet Sounds, for example. There are darker songs than usual. It's also more focused on moods than catchy melodies. Amongst my favorite albums from this band. Love it.

It is a cool, angry and edgy album, the singer is very nice, a kind of pissed-off Jim Morrison... but it lacks the "engaging" factor for me. I appreciated it, but I don't remember it and do not want to listen to it again. Glad to know it exists, tho.

The vibe on this album is really good, everything fits from start to finish. However, it's not enough catchy or engaging... or it do not contains anything special to makes it a stand-out album. I had a nice moment listening to it, tho. 3 stars for me!

I'll give it 2 stars because my favorite Aerosmith song is on it (Sweet Emotion), but otherwise, it would have been 1. This album is so boring and lifeless and generic, it's hard to believe it actually exist. Walk This Way and Sweet Emotion could have been 45 rpm singles and that's it.

It's a really important and historic album. The arrangements and the production are incredible, we feel that Brian Wilson gave everything on this record. Unfortunately, it's not my favorite of the Beach Boys. Sometimes the overly polished look turns into a tacky mess. But there's no doubt, great album.

Leonard Cohen is a master of words and feelings. It's hard not to be taken away by his music. This album is another proof of his talent and legacy.

Honestly, I have no opinion on this album.

I'm really surprised that this album is part of the challenge, I find it very "proghead only". In any case, it remains a great, complex, but somehow catchy record. Carl Palmer's drumming has always impressed me on Tarkus. He created a percussive musicality full of creativity. Keith Emerson's organ is full of virtuosity, as usual, but there is also good research in the sounds. Some have aged badly, but it gives a charm. On the side of Greg Lake, we find his more tragic singing, which comes to him from his previous group King Crimson. And it feels good. It brings the more personal and emotional aspect through all this musical complexity. Ok, to me, it's a masterpiece.

A few nice moments here and there. I particularly liked the medieval brass which arrive sporadically. The song "The Wold of Velvet Fortune" is the hidden gem of the album. Unfortunately, most of it was not so engaging.

It was a really good album with really cool arrangements, but I can't quite put it down. It was dark themed with sympathetic outbursts of brass and marimba? It's like I don't know what to feel listening to it. Which sometimes can be good, but... I don't know, I didn't find myself there on that one.

Good album. Not my favorite from Elton John, there's a few song that I don't care about... But there's nice tracks anyway : Tiny Dancer, Madman Across the Water, Indian Sunset or All the Nasties, well composed and arranged tracks directly from one of the best pop maker ever.

This album is like a big fondue of folk, psych, prog and jazz-rock. The result is eclectic and rambling, but certainly tasty. Great album!

Making glam rock without any catchy songs is like making pizza without the dough.

It's saturday, I don't even remember having listening to this.

Ella Fitzgerald's voice and singing is soulful and certainly legendary, I enjoyed it very much. However, her backing music/band is very common and generic easy listening jazz, which made the overall record a little boring. Without Ella, it would have been an album I don't care about.

It wouldn't be in my top 5 from Joni Mitchell, but it's still enjoyable as she's always doing quality and music with good vibes.

I'm not a huge fan of Amy Winehouse, but I have to admit this album became a classic of the genre and a part of the music history. A lot of very clever instrumental arrangements on this and Amy is a great singer. What could go wrong?

45 minutes of generic and boring rock made with verses only and no hook or chorus. This is a hard ride, not hard rock.

It's a cool album, the feeling and the vibes are there. However, it's also kind of generic, they sound like The Yardbirds without any distinctive songs or touch.

Has blues rock been that significant in the history of music? Which group was influenced by that afterwards? Oh yes, things like Black Crowes who did the same generic bullshit. Originally, the blues was the coolest thing to come to North America. A way for people to express themselves and play anywhere, anytime. A liberation. Until it turned into generic blues rock played by musicians with no creativity and no message. It's easy, it sells, so why not? At least Clapton had the decency not to do like Led Zeppelin by covering (stealing) old blues songs. Anyway... Damn, give us a Muddy Water, Albert King, Lightnin" Hopkins or a Buddy Guy album, so we can enjoy what the real and felt blues is about. Ok, so now. I must say I enjoyed the song "Let It Grow" and that it's not a completely bad album. But one of the best album ever? NO.

Another generic blues rock album to add to the long list of this challenge, but at least the ZZ Tops have personality and a sound of their own. And, as a bonus, some hits. Nothing special here, but I was happy to listen to it.

Seriously, this album is here? No one in 2022 care about this album anymore. Who would? Fans of alternative rock? Of hip-hop? Who? There's only a few nice dub passages, but they were unfortunately destroyed by a bad sounding electric guitar playing emotionless riffs.

I didn't know this artist at all and I had no expectations. Finally, the more I think about my listening, the more I say to myself that I liked the album and that I will certainly return to it. It's emotional, warm and tormented folk like there were few in the early 2000s. Does the album bring something different? Does he belong in the challenge? No idea, but very nice discovery in my case.

The atmosphere on this album is unique and fantastic. A magnificent cross between their more gothic side and their more dream pop side. The timbre of the instruments is always particularly well put together to accompany this voice and these distinct words. This album is a nice breath of fresh air despite being dark. Absolutely love it.

Usually I'm a big fan of 90s hip-hop/gangsta, but this album just doesn't appeal to me. That said, big classic, undeniable. The flow is excellent, good beats, without being exceptional. I'm not sure where to place myself to rate this album, so... A good old 3 stars will do.

I always respect and love the strong personality and creativity Cindy Lauper put in her music. Her voice is an instrument. Sadly, I'm just never in the mood for that and I don't listen to her music.

This album contains very strong moments and others rather average, even that I do not like at all. I think I'd be the kind of person to appreciate a Depeche Mode "Greatest Hits" compilation, but not an album.

This could be the most boring club I've ever been to. The first track is a little gem and there's a few other nice and catchy moments, but really a few... This material could not stand as a full album, it sounds like a rehearsal of ideas that have not been completed.

This album might be difficult to appreciated if you're not into metal, but I swear this one is very important in the history of the genre. Its title even became the name of an evergrowing style of metal, the black metal. This album is so explosive, energetic, fast and grimy, it was a revelation back in 1982. The lyrics and imagery also had a major influence on the shape of metal to come. To me, it sounds like an influencial classic, so... 5 stars!

This one wouldn't have been in my choices for 3 or 4 Zeppelin albums to figure in the 1001, but I can understand that a few of the songs were groundbreakers, like Whole Lotta Love (even if it's plagiarism from The Small Faces interpretation of a Muddy Waters song) with the vocal effects, Ramble On which is very good and catchy or Moby Dick, which shows the incredible talent of John Bonham accompanied by a monster riff. However, if these 3 songs wouldn't exist, this album would be pretty boring and average. In terms of album, this band did really better than this one.

Anyone who has seen the movies Mr. Nobody or Fight Club has inevitably fallen in love with the song Where Is My Mind. What a powerful and monumental hit! There are also other very strong moments on the album like Cactus, Bone Machine or Gigantic. I can't say that the rest of the material encourages me to come back to it often, but it's very good to listen to.

From all that I know of Talking Heads, it's always good and different. It's an incredible first album for this innovative formation and the best was yet to come.

I really enjoyed this Bjork album and especially the appearances of two artists that I like a lot, Tanya Tagaq and Robert Wyatt. 2 unique voices to join Bjork's string of eccentricities, it's perfect.

I really like this Gorillaz, might be my favorite. The grooves and vibes are beautifully crafted and it's an overall very pleasant album to listen to.

The first two tracks are amazing and have a nice creative side to both of them. After that, we fall in classic-average pop songs of the late 70s and I felt a lack of engagement inside me. It's not bad, but I will never listen to it again.

This is a great album, no doubt. But the fact that it's a good 50 minutes broken up into smaller chunks results in me having a hard time getting attached to this record. It's as if we had no landmarks or huge moments throughout. It's a long flow of little cool songs. It was all nice, tho.

What an outcast sound for 1993. Would have never guessed it was released that year. The album contains great moments, big basslines and tasty strings. However, it sounds a bit the same throughout, with nothing really sticking out. It was enjoyable, but not memorable.

This album is a classic of kitsch pop/rock to me. Powerful intro, catchy songs and lyrics all the way after. I would never say it's a masterpiece, but certainly an album I always enjoy listening. Always loved the delivery of Meat Loaf.

Wow! It is without a doubt one of Bjork's finest work. A kind of "gentle Kid A", out-of-this-world electro music accompanied with Bjork's emotional voice and lyrics. Beautiful!

Borrowed Tune, Come On Baby Let's Go Downtown, Mellow My Mind, Albuquerque, New Mama, Tired Eyes... This is a collection of beautiful songs by one of my favourite singer/songwriter ever. The only thing that prevent me of giving it 5 stars is that this is album is not in my top 5 Neil Young. But this is surely a great one.

It's a very nice prog/jazz-rock and pop album from 1969 with a powerful introduction that might be one of the best instrumental moment of this band. Sadly, too long-winded so we loose interest in it.

Another essential album from our good old Neil Young. Full of feelings, honest and heartfelt playing... Again, I will not rate it 5 stars because it's in my top 5 Neil Young's albums, but it would deserve it? I'm just tryin' not to be the fanboy here.

I had never heard of this album, what a shame! It's excellent! A very nice discovery for me that will certainly end up entering my favorite hip-hop albums. A flow of thunder, breathtaking beats without being too flashy. I can't wait to listen to it again and read the lyrics more carefully.

This might be my least favorite album of The Doors, because I always had difficulties to appreciate pure blues rock, but... This one is so well made and the delivery of Jim Morrison is dirty and perfect in all the imperfections. And, the song "Riders on the Storm", one of the best song ever, isn't it?

Very nice and smooth listen from start to finish. In the end, nothing remarkable, but everything was good. The 2 last tracks were completely not necessary and the album would have been better a little shorter.

A unique sound that will probably never happen again. An album that encourages our body to dance against a background of new-wave that embraces Afrobeat, but locks our head in a secluded closet to anguish and paranoid. Like... What the hell is going on? Brilliant and groundbreaking album, no doubt.

It was ENDLESS.

Very nice vibe and some great songs. The album runs out of steam a lot towards the end. Average stuff.

This album was released in 1976, but the fact that it was recorded in 1972 makes it all the way more impressive. It's my first time with the Modern Lovers and I'm stunned by the honest delivery of Jonathan Richman. At that time, glam rock and high pitched singers ruled the scene and he's just there, playing it humble and doing his job. Their proto-punk organ/guitar driven sound is also very nice, hard to believe it was made early 70s.

This album is a masterpiece for so many reasons. White Rabbit is what I called an "unpredictable hit", sounds like nothing on the radio, but still... It belongs to the radio. Somebody to Love is powerful and catchy, She Has Funny Cars is an insane opener with punchy drums and guitars. The album even leads the listener to the refined and unexpected classical guitar piece "Embryonic Journey". How Do You Feel and My Best Friend are also solid songs. A landmark album of psychedelic rock and the year 1967.

It was the first time I heard Jeff Buckley and I must say that I was blown away. We often hear powerful voices, but rarely with so many emotions and nuances. Musically, the compositions are magnificent and extremely well put together and blend perfectly with the voice of Jeff Buckley.

Ok, I definitely can't stand Elvis Costello's music, but this contains 2 nice songs instead of zero like This Year's Model. The artwork is cool.

It's a good album, but my expectations were maybe too high considering the line-up on this. It's more average hip-hop than innovative or groundbreaking. The biggest concern is that IT'S TOO LONG WINDED.

This is really not my type of music, but I must admit there are pretty great songs on this album. From Malibu to Northern Star, I call it strong and engaging pop/rock. However, there's nothing there that really stand out and that could become a huge monument in the history of music.

Kick ass punk album. What else?

2 very great songs that became classics and 13 others that I don't care about. The album is pretty boring and it sounds surprisingly bad.

The problem with this album is not the music, but how it was delivered to us : 43 little songs over 1h15 duration. Damn. How is it possible to enjoy?

This is far away from my type of music and I was out of my comfort zone for this one, but... I must admit that there are killer beats and tracks on this. I'll never listen to this again, but this thing kicks ass for sure.

Generic alternative rock at its best. I don't remember anything from this record.

Without a shadow of a doubt, she has a special and unique voice. However, the music is so generic/average easy listening jazz that it spoils all the emotion behind Billie Holiday's interpretation. So, I don't know... 5 stars for her, -2 stars for what's surrounding her.

An easy one. Why the song "Marquee Moon" can't last for at least 30min? It's almost impossible not to fall in love with this album.

A seriously nice folk pop album with a subtle medieval vibe. Always liked her voice and delivery. The 80s production is also there, but it didn't destroy the vibe and make it age bad. It gives the album a different sound. Very successful, in the end.

A nice cool and smooth album. Nothing really stands out, but nothing is bad either.

Year 1999, Slipknot are ready to drop a bomb in the metal world, bringing an innovative, agressive, angry and energetic sound. Corey Taylor directly proves he was an incredible singer by sometimes blasting raw and growling vocals and other times super clean and emotive ones. Joey Jordison shows his machine skills and the adhesion of members like Shawn Crahan was putting on a hell of a show. It's not a perfect album, but it's certainly an important and outstanding one.

Phil Spector's style of direction and production is easily recognizable here, which makes it a different, pleasant and truly charming Christmas album.

I'm going to put 5 stars so I can make up for my weird friend's note of 3 stars.

Psychedelic soul, what a nice genre! I wasn't aware of this album before and I really enjoyed it. That early 70s brass sound is always so much appreciated. Vocals were something too!

I had no expectations and was pleasantly surprised. The first half is made of very strong songs with original and creative beats. After that, the album seems a bit too long winded and the quality is slowly turning down. Glad I listened to it.

Smooth, high class and precise jazz. It's incredible to think it has been made live, because the playing of the musicians is an absolute perfection! I do not feel bound to those songs, but it was very well played.

Nothing bad, but nothing really distinctive too. I don't know... Classic and generic for every musicians. Generic blues rock. I didn't need another version of Shapes of Things or You Shook Me. I didn't.

Fiona Apple is certainly a great singer and composer. The orchestral and vibes arrangments were very nice. It's not my kind of music, but I must admit it's a wonderful record.

It's seriously great and creative music. There are a few diamonds in this album, unfortunately lost in a too long winded product in which the listener can easily loose interest along the road.

Cool and smooth album, very pleasing and enjoyable. There's nothing that really stand out here, except maybe the songs Dancing and Certain Surprise. Nothing innovative or amazing, but certainly nice.

This might be one of the most important album in my musical evolution and journey. I was 15 or 16 years old the first time I heard it. With this album, I discovered a whole other way to play drum. I learned that a strong listening within the musicians can be a game changer for a jam part or even for a written part. I found that an album artwork can be weirdly fascinating. I also gave a more important attention to abstract lyrics and poetry. And most of all, it was my introduction to my favorite instrument ever : the mellotron. I remember the first time I listened to this album, I have rarely felt something so strong on the first try. 5 stars is not enough.

Half of the album is made of very great and strong songs and the other half is incredibly average and poor. By chance, the nice songs are VERY good.

I'm not a grunge fan, but this album is a very great example of the right way to do it, with strong, catchy, loud and emotive songs. It's an album you can easily dive in and live something. There is also nice subtleties in the production and arrangements.

This might be one of the Judas Priest less impressive album. Of course, the hit "Breaking The Law" is insane and there are a few great songs like Grinder, Steeler or Rapid Fire, but it's not a strong Judas Priest album overall. Tracks like United or Red, White & Blue are so bad it hurts.

Cool nocturnal trip-hop, but a little long-winded and samey overall, but I can't see why it is in the 1001.

Very great album! Jazzy folk in the style of Nick Drake, how can we not love it?

Great grooves, absolutely nothing memorable that I want to listen again in my life.

I don't know. I just can't dive in with this band. The late 80s sound has really aged bad, not like the early and mid 80s sound that is always enjoyable. So what we get here is late 80s pop that is not really catchy. It's not completely bad, but... meh.

Surprisingly great! Trip hop, drum'n'bass and downtempo shit are usually genres that I like a little, but no more. Now, this is a great treasure of this kind of music. The mood is nicely dramatic all the way and the beats are sick.

There are some big well done arrangements on this album. And that's the only quality I can find in it. Other else, it's generic, boring, over produced and overheard bullshit.

Not something that I would listen to everyday, but hey... it's The Byrds, so it's great! A very nice country album fulfilled with strong vocal harmonies, insane guitar licks and powerful production. Is it one of the best 1001 albums of all time? Probably not, but I enjoyed its presence here anyway.

This is without the shadow of a doubt one of the best thrash metal album ever made and the best that we'll ever get from Megadeth. In Rust in Peace, we can feel another kind of anger, lead by inimitable guitar works, killer drum parts and intoxicating vocals.

Joan Armatrading is obviously a great artist, passionate and soulful, but also very generic. It's sadly an average album from the 70s and I can't see why it's supposed to be a monument of this era.

Smooth conscious boom bap always put you in a very nice mood, but this album lacks a little bit of tork and attack. It was very enjoyable, tho. I don't think I'll get back to it.

Your average generic folk-rock album bought at Wal-Mart because de guy was looking nice and cool on the cover.

This album is so cool, a monument of its generation. It's a really fun, enjoyable and light journey amongst the punkish new-wave of the late 70s.

Always loved the raw and powerful sound of the Yardbirds. They were incredibly heavy for their times. Also, it's one of the only band that can craft interesting blues-rock music, which is very rare for me.

This album was incredibly boring to me and the kind-of wannabe emotive vocals of Bono are annoying to a point it completely ruined the album. U2 can be great, especially in their early 80s phase, but... What was that?

The kings of sampling and energic hip-hop, no doubt about it and this album is another monument to prove it.

Southern rock is usually not my type of music, but I must admit Lynyrd Skynyrd give us a treat here by giving one of the best album of this genre. Tuesday's Gone is my favorite of them, Gimme Three Steps and Simple Man are great classic songs and Free Bird might be one of the most iconic rock song ever.

A cool sounding smooth soul album that will hurt absolutely nobody, but that will also be forgotten in... Oh, well, it's already forgotten. Who was I listening to?

This album is of an undeniable perfection from the beginning to the end. Shine On You Crazy Diamond (1-5) begins the album gently and slowly grows in forcefulness and quality. The effect it has on the listener when the guitar riff starts is so insane. Welcome to the Machine contains one of the most beautiful and powerful synth timbres I know. Have A Cigar is the cool and moody break to all this intensity, letting the listener tap the foot a little bit, without being meaningless or easy. Wish You Were Here might be one of the best song ever written, enough said. Shine On You Crazy Diamond (6-9) is like a slow breath of fresh air to conclude the album feeling the best we could.

The recipe for the songs that make up this album: -Find an annoying guitar licks and strum it to death -Complement this with some goofy or weird sounding synthesizer accents. -Sing the lyrics with an ironic, crazy and edgy voice tone. Well, that's a nice recipe.

Generic post-punk, dance-punk exist and that's a great example of it. I can't see why it's here on the 1001. A few great songs and moments, tho.

It was a pleasant listen, fine dark jazz with very good experimental moments. That said, I would have wished a shorter album. One hour of instrumental crime jazz could become a bit boring.

The song "Welcome to Pleasuredom" was very nice, we rarely encounter a 13 minutes conceptual song in the new wave/synthpop aesthetic. And after this song? Nothing. It was long, boring and annoying.

A flat version of Nickelback? A diet pepsi for the soul? A lesson on how to produce the most generic album possible? "You've got the moon on your pyjamas And the stars in your eyes", are you serious?

I know this album has been important in the 2000s and is considered a landmark in that decade. Muse really made a huge hit with that one. However, listening back at it now leaves a bittersweet feeling. Too much production, too much arrangements, too much for nothing and in the end, it didn't age so well because of that.

A very nice synthpop/new wave album from the early 80s, great hits, synth tones and beats are found on this one. I can't say that I would listen to this everyday, but it was a pleasure to listen to.

I have nothing to say about it.

It's not an album I would necessarily put in the 1001 challenge, but... Wow, I loved the unusual synthesizer sounds and kind of sarcastic vocals. "Let's All Make A Bomb" is a killer track. I think I loved that album.

A wonderful blend of folk and jazz, subtly catchy moments, insane vocals... I love this album and I consider it one of the best albums from Joni Mitchell.

I found it difficult to hold on to anything on this album. It sounds really samey overall and I can't understand why it is so praised.

A few nice moments and beats overall, but sadly flooded by too much skits in a long-winded album. I don't understand why it's so much praised.

Another hip-hop album with great songs, flow and beat in it that are unfortunately drenched in a too long and samey overall work. It's sad, because there were very nice moments in it.

I can't stand this one.

An overall nice album that I'm not fan of, but that is surely important in this decade. Great pop songs, distinctive singing, a sound of their own.

Generic and boring, still it wasn't hurtful to listen to.

Explosive grooves, tasteful brass, epic singer, great guitar, varied percussions... What do you want more? The best of afrobeat and funk.

The singularity of this album lies in the fact of driving good melodies and contagious emotion through abstract, noisy and fuzzy music. I don't know how you make a such cohesive but chaotic album, but they did it and I enjoyed it. I didn't fully understand the whole thing as it was my first listen, but I'll certainly come back for more time with Pavement.

A few great moments, but overall it's boring, generic and will be forgot in one or two generations. I can't understand why it's supposed to be an important album.

The Who were one of the greatest live acts of the 60s/70s and this live keeps a nice memory of this statement. Keith Moon's explosive drum playing, John Entwistle's incredibly solid basslines and powerful guitar strumming by Townshend are well felt. Roger Daltrey was also at his peak. A very nice one!

Surprisingly boring for an album in the 1001.

Angry, raw and noisy music for bad people. I wouldn't listen to this every day, but it surely scared some square people. Loved it.

The music is well made with very nice details in it, but... this album try so bad to Massive Attack and to fit the 90s downtempo vibe that it became a little annoying along the ride, especially with its 1h length. Candy Perfume Girl and Skin are so bad it hurts, it would have fit very well in a 90s Dove soap advertising on television. It might be an important album in Madonna's career, but it's not for me.

I can't believe that this is amongst the albums you found to give the 2000s a little representation in this book. This is seriously becoming a joke.

A milestone of noise rock and the best part is that they managed to make this album catchy, but still rebellious in sound and approach.

Bittersweet piano rock from the 90s can be good for a light hearted movie from that era, but not to stand the test of time. Sorry, it was not bad, but long and boring.

There is no doubt that this is a strong and creative pop album. However, it hardly stands the 80 minutes length, it's like great peanut butter spread on a one kilometer toast.

It was like the good old british canterbury scene of the 70s translated into chamber folk/pop. Very light hearted music. I can't explain why, but I loved it.

Townes Van Zandt, Johnny Cash, Hank Snow, Emmylou Harris, Willie Nelson, Marty Robbins, Johnny Horton, Ray Price, Dolly Parton, Hank Williams... They're great country artists, aren't they?

The kind of album that in theory, has nothing special to offer, but in practice, is totally magical. I can't say why it's good, but it is!

I find his music so soulless, uninteresting, unattractive. I don't understand how it got so popular.

I think that the fact that this album is in the 1001 is the biggest joke so far. I went to dozen of record stores, I'm on Facebook group with more than 15000 music lovers, I'm digging music for more than 15 years now and no one, absolutely no one ever recommended me this. I had never even seen this poor artwork before. And you know why? Because this album is insanely generic and because it is NOT a monument in the history of music AT ALL. This 1001 thing doesn't even contains albums from artists and bands likes Phil Collins, Gentle Giant, Broadcast or American Football, but of course, SHACK IS HERE! THE QUINTESSENCE OF MUSIC. Thank you and goodbye.

A great classic rock album almost unforgettable in the great portrait of rock music. I can't say that I would listen to it often, but... The hits are there, the legend lives on.

That's a very good album and a true "3.5 stars" to me. But still... I can't see why it's on this. Is it so good that it would be one of the best 1001 albums of all time? I doubt it. So... 3 stars.

I don't know what to think of this album, honestly. It starts slowly, the first 3 songs are musically boring. After that, it becomes more engaging and the melancholic and sad mood makes its way through us. But I can't find more than a mood in this album, and maybe that's okay? Who knows. I don't.

This one is also really a 3.5 to me, BUT it deserves its place in the history of music and in this list, so I'll give it a four. There are maybe a few fillers, but the hits are so strong and will be forever remembered.