Pre Rubber Soul Beatles isn't really my thing, even if their graduation is so historically vital and fascinating. There is raw excitement here and a youthful charm but the real art and craft was still a couple of years off. I didn't necessarily yearn to finish it early, but was quite relieved when it was over.
It's been a shame to see how flippantly people seem to rate albums like this, with it's average currently under 3 here. I've never purposely listened to the Mott other than when All the Young Dudes gets autoplayed. I'd not have realised how well considered some of their albums are without this 1001 prompt. This album comes after their Bowie reboot and this album certainly sounds like glam Bowie of this era, but with their own twist and great songwriting and it's great fun. Even on my second listen and songs are already embedding them. The production is great and they're such a solid band (even if they were already depleted in numbers by this point), and it's sad that they would split up after their next album (also very well thought of!), with Hunter then forging what looks like a rewarding solo career. Yet another artist to be less snobby or dismissive about, thanks to 1001...
Only one listen so this is probably unfair, but it's not really my era of music and the extremely melodic rock washed over me somewhat, though I know from older peers that they hold this in very high esteem. I think this washes over those who were born after it was released who are more influenced by post punk music.
Not a hardship to listen to this one as it's only a few days that I did in "normal" l know that PJ was not happy with this one as the sound was too slick and mainstream for her, but the songs are so strong and the overall mood so cohesive, that it's power and brilliance is impossible to deny. In my favourite three albums of hers with Rid Of Me and Let England Shake.
Despite my brother having played me his vinyl years ago and trying it myself more recently through streaming, this album hadn't connected with me beyond the great title song and Fame. Today listening to it on a journey home from long weekend away in Scarborough for my 50th birthday I enjoyed it more, even if still have some reservations on the qualify of a few songs and his singing on them, they're a little loose and lacking in his normal precision and form. Still further to go with this one I think!
I'm starting to get the feeling this is going to be hard work. I'm sure this is great for people who like this kind of rock, I'm really not keen unfortunately. There's great songs on there but I find it tedious and tiring.
I do like some Willie but this is too smooth and easy for me atm, I prefer his self penned songs with an edge
Apart from the spoken introductions for the performers, this is great stuff. I probably didn't experience it as per the original release but more the expanded modern edition.
One of the greatest, especially the closing frou-frou
The title song has been a favourite of late so a great reason to listen to it more. The album always struck me as being too long but it was enjoyable to immerse yesterday. The Nick Cave duet doesn't work as well as hoped unfortunately!
My favourite revelation on this path so far - not that I didn't know the album, but I have felt the need to play it on repeat and the non-singles have really hit home. I must now find a decent vinyl copy. Are there any other classics where the main hit / best songs are at the end?
Oh God, I'm going to need to feel in a strong constitution to survive this! It was a fave when I was more maudlin / morose / depressive / suicidal / drink in nature! Listening to it now the shock is how pleasant it is to listen to despite the subject matter and dark introspection. Kudos to Waters for bringing the songs when others were unproductive BUT it's the others that make it so enjoyable and listenable.
Bob Stanley had already opened my mind to the Bee Gees in his book Yeah Yeah Yeah (haven't got around to his book specifically about them yet!), but these boys are so much more than SNF and disco. I knew this in part due to songs like New York Mining Disaster, but I didn't know anything about this 1971 album apart from the opening song that became one of the best songs ever in the hands of Al Green. And it's a great album and repays repeat immersive listens to its consistent sound and quality.
Whilst I think it was a great soundtrack for a wonderful film, I don't tend to enjoy soundtracks without the visuals. This has a great few tracks however, and Air of this era were superb.
Wow was I blindsided by this! The album coming up prompted a less than enthusiastic response but this is is just great swamp blues rock with such a strong vocalist and band. I don't know why I had a negative perception of them, Susie Q was somehow known positively from my childhood (must ask my brother why!) but I think I'm probably a bit snobbish about some US 70s blues rock (thinking it's boring wank jam fears) and need to be more open minded. There is nothing boring about this.
Splendid album of course with one of the best opening 3 song salvos in music history, up there with Let's Dance for perfection. Frankie's first Affair immediately drops the quality substantially (with some of Sade's worst vocals IMO she just doesn't suit it) but the rest of the album is good enough, if not as consistent as later works. Those first 3 tracks though....
Pre Rubber Soul Beatles isn't really my thing, even if their graduation is so historically vital and fascinating. There is raw excitement here and a youthful charm but the real art and craft was still a couple of years off. I didn't necessarily yearn to finish it early, but was quite relieved when it was over.
Not one I'd have known or considered but it's a great listen and has the incredible title song!
Reliably serviceable album from the blues rock behemoths, I need to listen to more intently again but the first couple of tracks in particular were captivating and impressive. Never going to be my favourite band though.
Some damn fine music here, though I must admit I didn't get to the end - it lapsed into more pure instrumentals after a while and I lost some interest (will finish it off at work today). The mark lost is for the overly American Christian nature of some of the songs, which rankle due to the crap that the Christian right wing are perpetrating in the US today.
One of my favourite synth bands, their albums can be a mixed bag but when they hit hard they are perfect
There are so many great songs appearing on his albums by now, which are almost evenly distributed between acoustic and electric forms. Sadly it's the electric ones that Maggie's Farm that bring this down for me (although songs like this can be amazing live). When an album has Mr Tambourine Man and Subterranean Homesick Blues however who can complain.
If this would allow 4.5 stars I'd give it, but even though this album is a standout of the era and is so original and impressive, it is VERY cold, which stops me playing it often and giving it top marks
The surprise here is that it's the instrumentals that I really like, which is the opposite to what I expected. Apart from the title track I am not fond of his vocals, he has that lack of discipline whine and the recording of them has too much echo and effects, it's just unbelievably pretentious and annoying, stopping me really here any song or tune, like vocal masturbation. What I like is very good and it would be churlish to give it 3 given how amazing the song Heroes is and how much I like the instrumentals, so 4 it is.
An absolute "modern" classic (ahem, it still feels it but of course it's nearly 30 years old now!), the only downside is that the production can seem a.bit lumpen and flat at times, but I can't quite bring myself to allow that to make it a 4*, as it is a solid 4.5 and nearer 5. So many great hit songs and the album tracks like I Spy are fabulous.
Absolute classic, just perfect as a band and as a record.
It's a lot to take on fresh as it comes at you like an onslaught with little respite. I find the Captain's switch to guitar unbelievably successful after the departure of Brian James and can't find any fault here on 2nd listen, far too good for a 3 even if as a newbie it's yet to sink it's talons fully yet.
Overjoyed to see this gem come up, not least because they have just released a new album (Rainy Sunday Afternoon in 2025), but because it's an old favourite. There's rather annoying shouting (roaring basically) on songs like Charge and Through a Long... but otherwise it's an impeccable enjoyable listen. TDC would only improve from here and had more masterpieces to come in the form of Regeneration, Fin De Siecle and Absent Friends but this continued to pave the way nicely.
Whereas this was his most successful album and I love it, it's not my favourite TTD, but those main singles are perfection "wishing well", "dance little sister", "sign your name" and "if you let me stay". I feel the album tracks improved with the next 3 records to give better overall experiences but this will of course be the one held most in peoples consciousness
Child in Time tipped the balance, initially I was daunted - it's exactly the type of thing I'm dreading in this project (70s hard rock), but there was some good stuff, especially CiT which added much more variation shade and colour.
It's been a shame to see how flippantly people seem to rate albums like this, with it's average currently under 3 here. I've never purposely listened to the Mott other than when All the Young Dudes gets autoplayed. I'd not have realised how well considered some of their albums are without this 1001 prompt. This album comes after their Bowie reboot and this album certainly sounds like glam Bowie of this era, but with their own twist and great songwriting and it's great fun. Even on my second listen and songs are already embedding them. The production is great and they're such a solid band (even if they were already depleted in numbers by this point), and it's sad that they would split up after their next album (also very well thought of!), with Hunter then forging what looks like a rewarding solo career. Yet another artist to be less snobby or dismissive about, thanks to 1001...
I had the album at the time and there is a wishy-washy slightly boring nature to it and the band (at times) and I definitely didn't hold it in great regard (and had tried it again not so long ago). However, on relisten here it's really not so bad and is chock full of good songs. I imagine the rating from others here will be savage, for me it would be a 3.5 but I've got to lean and it's closer to a 3.
I'm not going to listen to a self professed modern Nazi, sorry.
I'm sure it's full of great songs but the production is dreadful (all mid guitar wash and splashy echoed drums/cymbals), which thankfully improved with Bob Moulds next band Sugar and solo albums.