Golden Hour by Kacey Musgraves

Golden Hour

Kacey Musgraves

3.07
Rating
23301
Votes
1
9%
2
22%
3
33%
4
25%
5
11%
Distribution

Reviews (page 9 of 9)

I really liked this album. I love modern, female, country, Americana and this was great. Occasionally a few duff areas but generally very good.

I could find nothing special here. Sounded like very generic country-lite stuff.

No entiendo por qué está este disco en esta lista. Es completamente insustancial.

Kind of disappointed, was expecting more..oomph..two decent songs …forgettable album

Never heard of her before this, rather enjoyed it.

Disc lluminós de country pop, ple de melodies brillants i optimistes, 'Oh What a World', 'Space Cowboy', 'Golden Hour', el toc melancòlic de 'Happy and Sad'. Una bonica descoberta

Taylor Swift clone.

Not usually a country fan but this was an enjoyable listen. Loved the production on this album and all of the cool chord progressions. The tone of the album felt pretty consistent throughout as well. A pleasant surprise! Favourite Tracks: Slow Burn, Lonely Weekend, Space Cowboy

There weren't any songs I really disliked, they were all good. Relaxing and thoughtful vibe to this album. Favourite songs: slow burn, love is a wild thing

Oh yes, Slow Burn is such a mood. Also really enjoy Butterflies, Space Cowboy, and High Hopes. Mother hit a nerve, it's short and bittersweet but being so far away from my family right now gave it punch. This album is just what I needed. I really appreciate her California country vibe.

Not bad, but it just didn't work for me dog.

It's so lovely to find an album you like in a genre you don't typically enjoy. This feels closer to folk these days, instead of the bro-cou try you otherwise tend to hear

I had no clue that this singer existed. This album made me silly-happy. Guess I found a new thing.

It was ok, didnt grab me

Cut from the same cloth as early Taylor Swift, with consistently great songwriting, lyrics, and vocal performance, even if a few tracks weren’t really my taste. A great country pop album. Unfortunately, the fact that Space Cowboy was not, in fact, about cowboys in space, was a major letdown.

Now I do like this album, and I think comes down to a few things: 1. Female country vocalists are way more palatable to me. 2. Some really unique production things going on in a few songs that spice it up. 3. It really tiptoes the line of what I dislike about modern pop and what I dislike about modern country in a way that succeeds at avoiding both.

Nice voice. To country

Il s'agit là de quarante-cinq minutes de niaiseries que j'ai pourtant su apprécier. Si l'aspect musical m'a fait passer un très bon moment, les textes principalement orientés en faveur du port d'armes m'ont quant à eux laissé un peu dubitatif.

Cet album est la représentation de l'Amerique débile et grasse. Une femme à la voix tout a fait banale, chantant des paroles niaises sur une guitare elle aussi des plus banales. Tous les clichés lyricaux y passent, l'auditeur américain décérébré est servi. Un 3/5 pour la Zaz américaine.

lite smågött men inget som sticker ut

Is this serious? This is definitely NOT an album you must hear. It is one you must simply destroy before It brain damages you.

**12/08/2021** Today's Album: "Golden Hour" by Kasey Musgraves - This first song is surprising me. I at first didn't like her lyricism and felt like it was very country, but the song definitely is growing on me as it goes along. Very pretty. Lonely Weekend is solidifying the idea in my mind that this artist sounds like older Taylor Swift. There's definitely something else, though. The lyrics and production apply to Millennial and Gen Z tastes. As much as I'm not inclined to say any of this is extraordinary, I'm having a hard time skipping this song. There's more and more fun instrumentation that's pulling me in and she does have a really nice voice. Butterflies off the bat catches my attention. The instrumental is so cool and the way the bass cuts in when the verse starts is amazing. The chorus is so good and even though it sounds really country, it's not really turning me away. The synth in between the verses is so bubbly and cool. She is making her sound more distinct from other country pop I've heard in this song. I was absolutely not expecting an intro like Oh, What a World. That's pretty cool and I really like the Radiohead-like swells in the background of this song. The positivity of this song is starting to wane on me, but I think the instrumentals being so bright really accompanies the aesthetic. Mother is a slower ballad. Despite it being so short, it's able to pack a decent bit of emotional punch and it doesn't even get very large musically. Love is A Wild Thing is a pretty fun Swift-like song. It has banjo in the back and some fiddle to give it that full country sound, but there are some other things that set it apart slightly like some cool psychedelic sounds and wavy synths. Space Cowboy is a really solid tear jerker in the album. The reverbed and distorted guitar add a perfect sadness to this break up song and the way Space Cowboy is used as, "Ill give you your Space, Cowboy" is really clever. I think I really expected this album to lose me some time in the middle, but it really has stayed diverse enough to make me really get into the base country-pop sound. Happy & sad keeps this sad beat, but has a happy overtone over her feelings about the break-up. She actually is really opening herself up in this album, and this song is about how she feels depressed, but relieved because her relationship has ended. Velvet Elvis is a great upbeat track to pick things up after the last 2 tracks. She puts on this really strong and confident voice over this bumping guitar and bass and it sounds awesome. The chorus is booming with the choir that joins in and the bumping groove keeps chugging along. This is a great song gotta say. It almost sounds like she's found a new person after this breakup and she's feeling on top of the world with them. The psychedelic guitars and then distorted solo guitars sound fucking fantastic. Idk how this isn't a bigger hit bc it's 100% a bop. Wonder Woman pulls things back for a dreamy song about wanting this new relationship with this person that picked her back up after her break-up, but expressing that she's not perfect and can't be like all of the rich girls this guy is usually bringing around. She still wants to try with this person even though they're both not perfect. This song is so fun and dreamy. High Horse is a catchy and biting song about people who are on their high horses and are always buzzkills. The instrumental travels places and I really like all of the production choices. This sounds like if kraungbin wrote a dance track and I love it. Golden Hour starts off with this great lo-fi feel and the chorus just bring the listener into this dreamy floaty cloud land. It reminds me of the Shacks for how slow and psychedelic it is. Great track to bring the album around. This album has had great pacing so far and with the last track, Rainbow being the most popular, I have high expectations for sure. Rainbow is a piano ballad that sounds initially a lot like a Paul McCartney song. It's a beautiful song about realizing how beautiful you are. It's a good sad song to end this album on and it really leaves you with that great "end of a great performance" feeling. I relate it most to something like Bo Burnham's, "Goodbye" at the end of Inside. The reverb effects add to this really pretty atmosphere and the piano really takes center stage because it sounds so good. Great end to a great album that really exceeded my expectations from the beginning. Score: 9/10 extremely pleasant Highlights: Lonely Weekend, Butterflies, Space Cowboy, Velvet Elvis, Wonder Woman, Golden Hour, Rainbow

Ну ладно, не всё кантри скукотень.

Soft pop, nice mood for coding

Se jokin tästä puuttui ja vastaavasti jotain oli liikaa sitä puutetta kompensoimaan. Laulajan ääni oli "ihan kiva", mutta ei kuitenkaan sitten lopulta saanut wau-elämyksiä aikaan. Instrumentteja oli taas puolestaan liikaa tai ne olivat miksattu minun makuun liian kovalle. Tuntui jotenkin täyteenahdetulta. Vertailukohtana tietysti mielen päällä edellisenä arvosteltu hyvinkin riisuttu Cohenin You Want It Darker.

Vaikea arvosteltava, joka toki on paikkansa tällä listalla ansainnut. Tutustuin levyyn sattumalta muutama vuosi sitten heti ilmestymisen jälkeen, ja rakastuin heti ensikuuntelulla. Vaikkei levyllä suurempia taiteellisia ansioita olekaan, on se vaan lähes täydellinen pop-levy ilman yhtään huonoa tai turhaa kappaletta. Kaceyn pehmeä ääni toimii erinomaisesti, ja sävellykset ovat häiritsevän tarttuvia. Arvostelun vaikeus tulee siinä, että olen valitettavasti aikanaan puhkikuunnellut tämän levyn aika totaalisesti. Kenties pari vuotta sitten arvostelu olisi lähennellyt vitosta, mutta juuri nyt nelonen on passeli.

While I listened to a healthy amount of Taylor Swift around a decade ago, I didn't really took her seriously until she stepped into the domain of pop. And recently- wait a second, this isn't a Taylor Swift album? So, okay, this is Kacey Musgraves, a country pop singer and this particular album won the Grammy Awards. This album sounds very Taylor-ish. I could make my Swiftie friends listen to some songs from this and make them believe that this is Taylor covering some unpopular song. But while it does sound generic at some places, it's didn't felt outdated, it actually felt modern, at least for me. But perhaps it's only due to the fact that Musgraves explores a lot of sounds throughout this album. Because of that, most of the songs felt, as they put it, overproduced. But I actually liked it more than Taylor's old country stuff. I especially enjoyed the softer and folksier songs. I don't know much yet about the rest of Musgraves stuff, but I think it'll be good if she explored more of the softer side of her sounds.

Not for me. Cheesy lyrics, bland.

Þetta var alveg næs og batnar án efa þegar platan verður kunnuglegri.

Not my style, but was surprised by the first few songs. I caught myself singing to some of them. Voice is crystal clear, maybe a bit too generic for me though. Lyrics are quite simplistic. 2.7/5

Kul med något modernt! Hypead countrypop. Är skeptiskt inställd till country, och därmed skeptiskt inställd till Kacey Musgraves. Finns många fina låtar, och allt är väldigt välproducerat. Men inte mer än så, det blir aldrig riktigt spännande. Det hade behövts mer smuts för att göra albumet mer intressant. "Love is a Wild Thing", "Oh, What a World", "Mother", och "High Horse" är bra! "Love Is A Wild Thing" har en fin melodi i refrängen. I High Horse hörs inte lika mycket country, utan är istället mer fräsch discopop. BRA! Bästa låt: High Horse.

So they expanded the initial 1001 list so we could include this? I like country music but not the white collar variety. She says John Prine is one of her main influences. I'll take JP but his influence seems very well composted under piles of white collar and Las Vegas styles of country.

I remember there was a radio station whose motto was "we play country without the twang", which I saw as a bad thing since country is all about the twang. This is definitely twang-free country. Country pop with an empahasis on the pop. I can see people liking this. The melodies are fairly catchy. I won't give her a 1 because that would put her in the same chapter in my book as The Circle Jerks, George Michael & those fuckin' Eagles.

When she started to sing I immediately got turned off by her voice. I really dislike this genre of commercial music that sounds like its being sung by a 14 yr old girl. I suppose the great majority of listeners like it and it sells tons, but its not for me. Its good to see some newer albums on this list but I cannot fathom why this particular album made it.

This doesn't feel particularly special. Got to the second song and felt like the album was dragging on.

She has a good voice, but everything from the album is quite forgettable and overproduced.

One of my favourites of recent years.

the album starts off pretty mellow and kind of boring and i couldn't really vibe to it. the lyrics were very dry in the beginning. the album picks up during the middle and the end is definitely better. Not a bad album, but not a great one.

Lovely voice, pleasing music and some insightful, albeit obvious, lyrics (never really going anywhere, caught up in a web I was getting kind of use to staying there; to stop all this thinking, just keep on drinking) but also some cheesy ones (Texas is hot, I can be cold, Grandma cried when I pierced my nose). Not my cup of tea, too melancholy, a lot of fluff and light pop. At first, I thought if I was ever in that type of mood or feeling (not sure specifically what mood/feeling; positivity, optimistic [oh, what a world], heartache, gloomy, empathetic [Mother]) I’d enjoy the album, but the more I listened to it, just seemed like a lot of B side songs and I’d never be in a mood to listen to it. Looks like Slow Burn, Space Cowboy and the closing title Rainbow are liked the most on the album and I was hoping to find a diamond in the rough, but I was exhausted listening to the album by the end. Again, good voice and while I don’t have a problem of someone sounding like themselves; it’s who there are and if they have a specific ‘sound’ that people seem to like, go with it. But I was really bored with it, just dull and repetitive sound to me. I’m starting to think (hope?) that these 1001 albums are those you might not have necessarily listen to as a norm, partly since I haven’t been too exposed to the 14 I’ve seen so far. Because yeah, this album wouldn’t be on my list of top 10,001 albums, let alone 1,001 that you should listen to before you die.

Modern day poetry & makes me think of my sister ❤

Country. Twang. Sweet. Good guitars.

Meh. Very shiny, over-produced, bland lyrics. Pretty good voice though, and not unpleasant to listen to.

Its not for me but I could see the appeal if I was into that style of pop/country crossover.

Overall, I liked this album more than I thought I would. That being said, I don't love it. It's a bit too saccharine for me. It didn't keep my attention all the way through, and quite a few of the tracks sound like the kind of songs one hears on 'American Idol'-type contest shows. On the plus side, some of the songs are very nicely written and performed. She's definitely a talented songwriter, musician, and singer. I have a feeling if she add a little more realness/rawness to her songs (I heard hints of it in some of these tracks), I'd be drawn in more. PS -- I'm also glad to see an album made just a few years ago make this list.

Touching, and charming. Soothing!

Kind of bland and too poppy. Surprise that this is on this list

Ehhh, she's got a great voice, some tracks were good some just washed over me