The Modern Dance is the debut album by American rock band Pere Ubu. It was released in January 1978 by record label Blank. The Modern Dance has been critically acclaimed. Reviewing for The Village Voice in 1978, Robert Christgau wrote that "even though there's too much Radio Ethiopia and not enough 'Redondo Beach,'" he would be "listening through the failed stuff—the highs are worth it." In Christgau's Record Guide: Rock Albums of the Seventies (1981), he reaffirmed that "the highs are worth it, and the failed stuff ain't bad" in his revised review. Ken Tucker, writing in Rolling Stone, called it vivid and exhilarating, even if "harsh and willfully ugly". NME named The Modern Dance the 11th best album of 1978. Fact placed the record at number 31 on its list of the 100 best albums of the 1970s.
Didn’t even get through the first song. If your album opens with tinnitus then go fuck yourself
If I wanted to listen to random noises I would listen to my butt cheeks.
why do i have the best time with the weird albums
This sounds like a cross between Hawkwind and Television, albeit some rather twisted, scary versions of both bands. Does that sound like the perfect blend to you? It does to me
One guy on Rate Your Music said this is his favorite album ever. I disavow that.
Ground zero for postpunk. The avant garage. The beauty of Cleveland pressed into vinyl... A band I'd probably have never got into, except for reading Rip It Up and Start Again, Simon Reynolds amazing book on postpunk 78-84. I hear it very differently now. Not a perfect album, but the highs are totally exhilarating. 4.5*
Really dug this. It's got a raw, punk rock vibe to it.
Summery: One of the rare albums that's genuinely hard to listen to. Solid bass and drum playing throughout (including some undeniably good bass riffs), but the vocals are consistently garbled and grating. It gets even worse when the vocal harmonies join in. Additionally, the sound effects are really, really annoying. I can see these songs being used to extract information from foreign espionage agents. Non-Alignment Pact: Punk, for sure. Very high drone in the right channel is annoying and unnecessary. Fantastic bassline begins to make itself known, and around 1:30 we get some really solid reduction in texture. The right channel is almost completely unlistenable - like the end of Queen's Sheer Heart Attack (the 1977 song), but for more than 3 minutes. Too irritating for my taste. Modern Dance: The right-channel noise has been replaced by literal static noise (a bit like the sound lava makes in Minecraft when it turns into obsidian), and it's a welcome relief. The song would be much stronger without it, though. Fun vocal back-and-forths, and an overall fast-paced groove. Unfortunately, though, Pere Ubu adds these really unappealing sound effects that make these songs go directly from 3-4 stars to 2 or less. Laughing: I sat through 125 seconds of painful, off-tune intro, before an equally out-of-tune shouting harmony ensued. At 2:50, the thinning of texture was again a welcome relief. Great bassline and decent drumming, but everything else is... not good... At least the ending was tolerable. Street Waves: Easily the best track so far, because it lacks the incredibly grating sound effects that dominates the earlier songs. Another solid bassline that steals the show, and a garbled, technically unsound vocal that brings the song up several notches as soon as it ceases. Chinese Radiation: It's alright until the loud-crowd section, which is bad. Strange piano-based section at the end that I can't really comment on. Life Stinks: The singing is actually pretty funny here. However, whatever's happening at around 0:55 is unacceptable. Real World: Pretty good, actually. Fairly nondescript. The singing is very weak. Over My Head: Floyd-esque whale noises, but the comparison ends there. The singing is okay, particularly the backup vocals (they're especially okay). Nice and chill. Sentimental Journey: The breaking glass probably means something. I wonder if it's a result of the vocal performance. Lots of nonsensical noises here, again reminding me of some early experimental rock piece by Pink Floyd (think Several Species from Ummagumma) or possibly Revolution 9. Not fun. Humor Me: At this point, you'd have to give me a Bohemian Rhapsody or Stairway to Heaven to bring this album up from 1 star to 2 stars, and this song wasn't either of those. It was pretty good though, especially the bassline. Good guitar playing, but whatever effect was used on it doesn't fit the song well (too much distortion). A decent ending to an indecent album.
I've got no language for Pere Ubu's early genus. No positive language, at least, which made the trip from second to first release a search for flaws. I suppose there are plenty: It's a rough album, deliberately spiky at all kinds of levels. But breaking glass fills the brain-space prepared for it more than perfectly. I'm no dancer, so even the title is appropriate. Glad there are several more hours of this somewhere out there.
This is SO weird, but I LOVE IT.
Discordant at times, feels like it's going to lose control then finds it right back. Awesome album, undeniable energy and a pace you can't help but want to match.
Back when I were young, in the mid 80s, it was hard to track down truly left-of-centre music. Here in Australia, it meant listening to Triple J late at night on the off chance they played something really out-there and then haunting stores like Red Eye Records to see if you could find vinyl, hopefully without getting gouged for expensive imports. (I once made the naive mistake of buying a pricey imported Candian edition of a Severed Heads album, not realizing that they were, in fact, a Sydney band and there were much more reasonably priced local pressings to be had). That is how, for instance, I discovered The Residents, who I think could be considered in the same sphere as Pere Ubu. Their 13th Anniversary Show Live in Japan album was briefly available as a cheap local pressing on AIM, so I snapped it up and spun it obsessively for at least a year. I loved it, partly because it was so hard to find these things. It was exciting to be challenged by music in that kind of way. I can imagine that I might have had a similar relationship with Pere Ubu if I had access to this record when I was 15. I have certainly read a lot about them; Simon Reynolds is almost hagiographic in his description of the band, especially their early years, in his wonderful survey of postpunk 1978-1984 'Rip It Up and Start Again' (highly recommended). On paper, this should be right up my alley; abstract, intellectual, industrial postpunk, with weird noises and a rhythm section described as "the tank side". But Reynolds quotes Dave Thomas as saying "I was totally obsessed with the abstract", and cites the massive influence of Captain Beefheart, although studiously avoiding any blues elements at all (which, frankly, are the best bits of Beefheart). The result is, often, an unfocussed mess, more idea than execution. There are a handful of strong songs on the record (Non-alignment Pact, Modern Dance, Street Waves) that I quite like. I woudl totally dig an EP of songs liek that. But many of the tracks are more interesting in the concept than the actual listening experience. It doesn't help that Dave Thomas can really only sing one melody, which gets tedious as we move into the second half stretch. So, 2.5 stars for having a few good songs (which certainly makes this better than Dub Housing, which doesn't have any). But I'm rounding down, because I'm cranky. Maybe if I'd spun this obsessively when I was a teenager, I'd love this, but these days I just don't have the time and energy.
bro why is this on the list
An absolute assault on the senses! My ears feel like they’re bleeding. Pure trash, throw it in the bin! Zero stars - dont rizz me, dont come by ohio, we’re done!!
Sounds like a bunch of children were let loose with instruments and a sound effect machine. And to top it off you have the mumbling and random shouting which sounds like someone on a drug binge. Couldn't distinguish any of the songs from eachother. 36 mins of assault to my ears Don't listen with headphones - save yourself from the offensive screeches. The worst song for me was "Sentimental Journey" - what I imagine the inside of a microwave sounds like. Also includes birds/clown horn and bottles being smashed repeatedly. Lyrics include - " Table. Chairs. TV. Books. Other stuff". To the 5 (!!!) writers who wrote those lyrics - I hope you didn't give up the day job Terrible 1 ⭐️ but wish I could give it less
40 minutes of goofy caterwauling
Discarding all sense of musical conventions reminds me of both the fall and the minutemen but with less of an effort to make musical sense. Anti music Don’t take the brown acid, man. It’s “challenge music.” Side effects may include writer’s block, delusions of postmodernism, man’s inhumanity to man, and improper comparisons to abstract art.
willfully ugly
Very wild and eccentric post-punky, ridiculously influential
I can imagine this will be a pretty devisive album. For money - this is as much a piece art - a true display of intention and expression - as anything I have heard on this list. Garage-prog, art punk. There are songs that feel like the could be talking heads that then veer in a wildly different direction. Kids music not for kids. There is real raw email under the chaos. And the bass lines. A one of one band for sure.
Ooh, this is great - a bit more accessible than "Dub Housing", I think, but, you know, still not _that_ accessible. I was entertained, while listening, by trying to come up with similes for what I was hearing. "They're like The B-52's on a bad batch of meth!" "It's like the Pixies, but they fucking hate you!" I was thinking 4 stars, but I wanted to play it again immediately after after my second play through finished, so that, plus the broken glass sound effects rounds it up to 5! Fave tracks - any of the first 3 tracks, "Real World", "Sentimental Journey", I like the lot!
More cranky, hanky stuff like Dub Housing, but it feels slightly more like organised chaos here. In some senses, that's great, this album has ten actual songs, but on the other hand, I quite liked the terrifying unpredictability of the former. In short, both are great, the people low balling this just want everything in varying shades of grey and beige.
I hear a lot of fantastic later bands in this record, and the best parts have this sublime controlled hysteria to them, but I have owned this record for over ten years and never feel like putting it on. A great three out of five record!
I really wanted to like this, as I know the "hits"; unfortunately it starts with two absolute bangers and then - nothing much else happens. My eldest thinks Thomas sings like Peter Griffin. Was hoping for more Gang-of-Four-like action and less obtuse weirdness. Gotta appreciate the history, however
3.5 stars. Started off great for being pretty out there. But second half faded and got too harsh. Standout is "Non-Alignment Pact".
Best Song: Life Stinks. The one song that was appreciably punk. Worst Song: Non-Alignment. Who decides to kick off an album with such an insufferable noise? "Hey, you know how we should start the album? How about a metro train screeching into the station, but worse?" Overall: Not every obnoxious art project is accidentally great art. This is mostly just directionless, uninspired nonsense. I bet they had fun making the album, and I love that for them, but it sure isn't fun to listen to.
Wow! The album started out with a long annoying sound and managed to sustain that thru several tracks. Points of brilliance but nothing I will need to endure again
A FAVORITE OF MINE! Been a huge Pere Ubu fan even before starting this, so was absolutely THRILLED to see their debut pop up here! One of my favorite underappreciated “weird” bands of all time, and their debut is still one of their best to this day. Noisy punk crossed with abstract experimentation all rolled up into an album of absolute perfection. Long live Pere Ubu!!
great punk sound
Every post punk, new wave, no wave band that followed owes this album a debt of gratitude. Not everyones taste and jarring at times but influential and important
Rating: 7/10 Best songs: Modern dance
There's a lot to digest here. Not the most listenable album, but definitely worth listening to for the ideas and imagery it spontaneously generates.
Never heard of these guys before this project. Great stuff - the more I hear it the better it gets! Standouts: The Modern Dance, Real World, Humor Me, Non-Alignment Pact, Laughing, Life Stinks, Over My Head, Sentimental Journey. 4/5
This is an absolute classic that should not be missing from any post-punk/wave collection. These are excellent musicians: wonderfully hectic music, avant-garde with lots of crazy sounds, distorted synths and sax, and hysterical vocals. You have to have strong nerves because otherwise, you won't make it to the end of this album.
I'd callt hem experimental punk. I didn't know about them, they are not great musician, but they know how to twist your mind.
This has a post-apocalyptic feeling to it. Like any minute, there’s gonna be slow moving zombies staggering about. I don’t hate it! The song with the reed instruments bellowing like dying geese?I couldn’t help but chuckle. There was 2 straight minutes of that! Fully committed. There are moments where it’s right in the pocket and it cooks. And then it’ll abruptly pivot to some chaos, making you long for that pocket moment again. I guess that’s their trick. 2.8
If I’m going to listen to this type of genre, I’d lean more Throbbing Gristle or Psychic TV. I did enjoy how irritated a friend got in my car as they finally asked about the glasses smashing in the background.
The hype around Pere Ubu among the punk/alternative community at the time was real, but I missed the point, whatever it was. I’ve just given the album about three spins & I can see a bit more clearly why it had the reputation it gained at the time. But it’s still not my bag. The first two trax sound like the same track to me & they set a chaotic course that rarely varies. Life Stinks may be amusing, but it reminds me too much of Captain Beefheart at his least accessible. Interestingly, there are so many times on the album that, to me, Thomas’s voice sounds very much like early David Byrne (Real World; Humour Me). I went online to see if this was a common belief & debate certainly rages about who influenced who. I’d say the difference between the bands was that Talking Heads had melodies & Pere Ubu generally did not. With another dozen listens I might get used to this album, but that ain’t gonna happen.
Couldn't finish for some reason
Ugh
Modern? Experimental? Art? Garbage? Yes to all
Good god, what the hell was that?
In the name of all that is holy, how did this end up on a list of 1001 albums that must be heard. Incoherent lyrics, random noises, and irritating vocals. I just don't get it...
I had to listen to this and drive like jehu back to back and robert wyatt oy 2 days before. Someone is messing with me. Give me my time back. Just cause it's different, doesn't make or good.
I like post punk if it's done in a good manner. This really hurt my eardrum. Literally. I had tinnitus the whole day, and it's still going.
10/10 Pere Ubu has quickly become one of my favorite post-punk bands their stuff is incredible
A very potent, angry sound; almost a sonic cross between the romantic instrumentation of Roxy Music and the bombast and nasal tone of the Jello-led Dead Kennedys. Musically it reminds one of the frustration of the excess of the disco era, music about the reality of hip, disaffected young people away from the gloss of pop. Magnificent.
This album was released the same year as 'Dub Housing,' and album I have already reviewed. Much of what I said for that album applies here. If any band deserves to be called art punk, it's this one. This album is dynamically varied, and utilizes noise well. Despite its chaos, it is very carefully constructed and skillfully executed.
My kind of chaos
innovative
A really great record! I never listened to it before but it is flawless in my opinion.
This was a genuine, real surprise. I love this crazy surreal, Meshuggah.
Unfiltered master piece. A collection of great punk songs that became legendary. Great album!
Avant- garde punk. Some songs are great and hit hard. Others I wouldn’t listen to unless I were in the mood for experimental sounds. Classic album though.
This was weird and fun. Don’t even recognize the name of this band. Contemporary with punk, but ahead of their time - sounds more post punk like Talking Heads, early Modest Mouse, or, more modern, Parquet Courts. I love this stuff. Clean guitars, bass high in the mix. Messy and noisy, but finds a way to keep the wheels on - until the last few songs I suppose. Maybe a little too arty for me to return to super regularly or to play around the house, but it was great for a couple of spins with headphones on. Highlights for me are Chinese Radiation, Street Waves, and Over My Head. Great as a complete album piece. Also, newcomer Frank 2/Fascist Frank found this amazing rule book the band/collective wrote: https://www.ubuprojex.com/facts/uburules.html
First time listening to a Pere Ubu album. I was anticipating something more off-putting, though way more avant guard than expected. Great album. Another reminder that I really like a lot of what would be considered strange music.
yes
8.5/10. This is so weird and unsettling. I love it!!! :)
woah. pere ubu is a name i've always seen at record stores but i've never listened to them before. i had no idea what to expect. holy shit does this stuff rock. i'm kind of floored. it's very noisy, a bit unconventional in that sense, a lot of atypical instrumental choices (noise, an instrument i am learning is called the 'musette') but juxtaposed with that is some killer rock. really really cool stuff!
Timeless Pere Ubu record and one of the best albums ever made in every sense; consistent high-quality song-writing and I especially like that the music is both experimental and, at the same time, highly accessible. A clear 10/10 album for me.
W sumie to bardzo dobre. Trochę surowe instrumenty, dużo mocy, ale też spokojniejsze fragmenty. 5/5
nice
Fuck yes.
This has everything. Punk energy, strange noises, sing(shout)along bits and some brilliant basslines. And Thomas' voice just sets it all off. This must have been quite the thing in 1978, and it still sounds great now.
Man, this is why I keep doing this project. What a cool album that I probably never would have listened to otherwise. You all have no taste.
Sentimental Journey and Humor Me sound like Tim Heidecker and I love it. I wasn't sure about this album, it opens with quite possibly the worst tonal sound I've heard, but after that, I love everything about this album.
Ahh my old pal/nemesis Pere Ubu - my first experience of what can only be described as headache inducing euphoric psychosis was back at the start of this project. This is slightly more accessible but still fucking way out there man. It's made me surprisingly tempted to go back and listen to Dub Housing again (a task I swore I would never willingly subject myself to after my first listen) to understand where the differences between the two lay. I think the accessibility of this one comes from the fact that although it's still rife with seemingly non-sensical horn and synth key bashing, each track ultimately opens up into pretty strong, pretty funky post punkesque riffs - something which I seem to remember Dub Housing definitely not doing. Okie dokie have just got to Life Stinks and they are back to their old tricks again and I love it. They are definitely going down as one of the most interesting finds within 1001 and I am super glad they snuck two albums in, have really enjoyed the point of comparison. I've mentioned before that Post Punk is my favourite genre and I think it could be argued that these guys (along with Talking Heads, Devo etc) are probably responsible for the genre as we know it. ALL HAIL PERE UBU
I liked it
I liked this - I think I would have enjoyed it when it first came out, if I had heard it then.
very good...kind of niche rock and jazz fusion.
Enjoyed this one. Such a unique sounding voice.
Nice. Has a talking heads vibe in places
I enjoyed this album
They’re growing on me I’ll probably listen more
I had never heard of this, but it was entertaining. Strange sound and some of it is just noise, but I never put it down.
Really like this. I love the "avant-garage" description, I think that captures what they are doing. Their sound is solidly punk in some ways, but they are also freely experimenting, and the concoction is irresistable. Occasionally it got annoying, like that track with all the bottle smashing, but besides that I think I have a new band to dig into.
Personally I love that records like this make this list. The band has 30k monthly listeners on spotify which means that a lot of their listeners are probably from this 1001 albums project. It's nice to get something weird. This record feels intentionally weird and harsh sounding. I believe it actually takes quite a bit of skill to make a record sound so weird like this and I think most people that hate it can't appreciate that. Yeah, there are a lot of weird sounds going on but it stays cohesive. It kind of makes me think of black midi and Viagra Boys which makes me wonder if this album is an inspiration for post-punk. It also sounds like Talking Heads could have pulled some inspiration from this record or they had similar inspirations.
Vascillating wildly between really liking it and really hating it. The hatred was of the squonky woodwinds. I don't need anyone to explore the full range of sounds a soprano sax can make. But, when they put that aside, I was getting into it. This is clearly an inspiration to a lot of music I like. Just abrasive as all hell.
How do you say that
An album I always enjoy returning to.
This is what punk should always sounds like.
Bias because I have this album cover in my room…yes I am judging an album by its cover, what about it?
i really like this in theory but in practice i don't want to hear David Thomas's vocal performance ever again (can't believe he had time for this band on top of running Wendy's!) challenging in a way that doesn't feel forced or (excessively) pretentious. not something to throw on in the background for sure, but active listening is certainly rewarded here. again, i just wish there wasn't some unwritten rule about post punk vocals being insufferable 85% of the time
very unique band. punky and experimental. solid debut album
it was pretty cool i think, but that's about it. 7.7/10
Lost me a bit towards the end but overall boundary pushing and solid
I LOVE POST PUNK!!!@ this is a good album, a bit too weird for me but I like the title track and a few others. very niceee
This reminded me of a a weirder harsher and uglier version Television? Oh boy sign me up. Not a perfect album (like Marquee Moon) but one I’ll be coming back to.
Listened 3/19/24. Always an interesting listen from these guys
I like this one way more than Dub Housing. It feels more consistent and Pixies-like. Not sure if my taste is changing or what, but I appreciate Sentimental Journey way more than I probably would have a year ago.
post-punk. Me ha sorprendido para bien.
A very good album that becomes even better when you hear David Thomas’ vocals and your broken brain transports you to a world where the entire album is being performed by Muppets. Four stars.
Образующим событием в моей музыкальной одиссее стала книжка "Rip it up and start again", автор которой по всей видимости эту группу, и этот альбом в частности, очень ценит. И-и-и я слышу, почему. Это звучит как пост-музыка сейчас, а в 78-ом? Вишенкой на торте является еще и то, что когда музыка группы Pere Ubu заканчивается, спотифай генерирует лучший саундтрек конца света с группами вроде Swell Maps, Young Marble Giants и Wire. Лучшая песня - Laughing.
An angular album uncompromising in its abstract chaos and unquestionable in its importance for the development of post punk and art rock.
Not an album I should love as much as I do, but it's never uninspired, always exciting and never feels cheap, even though it is definitely inconsistent.
Pere Ubu have always been underrated and under appreciated. An incredible art punk experimental band from Cleveland. Very stoked this is on the list.
Was waiting to hear this one... I love On the Surface and knew this was their classic. Love this weirdos, solid 4
Holy fucking shit, this album kicks balls. I was originally going to give it 5 stars, but I’m torn because “Sentimental Journey” was the only low point that I thought didn’t come together. Everything else about the sound of the album is fantastic.
"Modern Dance" has white noise that honestly made me think my headphones were faulty. :P
I liked this album, cultured rock from the 70s, something a little different.